#SHES IMPORTANT AND I LOVE HER!!! ISNT THAT ENOUGH

[asmidge]

It upsets me sm that there aren’t inaction figures for TS, Brandi, and Bethany when they’re the main characters of their movies

[rexscanonwife]

Lord help me I'm stepping back into my Aran phase 🙏 right now I'm thinking about an AU where my s/i is a lounge singer in the 1920s-30s that Aran is infatuated with. Only problem is that he doesn't have a penny to his name, so he does the logical thing and joins an underground bareknuckle boxing ring to make some extra cash, where he quickly becomes a well known and feared contender

I haven't done too much with the AU yet story-wise but I'm hoping to flesh it out more soon!

[angy-grrr]

I don’t get why ppl keep saying bkdk is dead or Horikoshi broke off bkdk. If that were true, this extra would look very different as you pointed out multiple times. The extra was still heavily focused on them and I hate how ppl are letting one no dictate the entire relationship. Izuku asks him to be a special lecturer too. I think the no just needs more clarification but other than that it is mostly fine. If a ship were to be shut down by the creator, it would look very different. Same logic for if a ship were to be canon, it would look different than what we got in the end for izu///ocha. This extra was bad in different ways from ships. It was just a whole lot of nothing that doesn’t meaningfully add anything to the story but I guess we shouldn’t be surprised since it is an extra. It is still an ambiguous ending that can be pretty fixable by one shots by Horikoshi in the future or even better by fanfiction lol. Except for the Toga part. That is just inexcusable

himiko-chan :(

and yeah! like even tho 431 is terrible not only for pairs but also for the whole story, it only confirmed Katsuki feels something really strong for deku and he doesnt notice bc he doesnt consider himself to be that great; they keep talking, and they keep being in each other's lives with no problem -they also imply they will work on communicating their feelings, as the special lecture is about this topic and deku also thinks katsuki doesnt see himself in a high regard. This is actually something that could be used in the future, as their relationship and arc isnt completely finished -in the way that they arent at a point of no miscommunication, no yearning, etc. They still need something to work with in regards to themselves and each other in the process. When it comes to midoriya and uraraka, idk what exactly could develop from what 431 tell us -seems to be mostly about paying attention to the ppl in your life instead of just letting life happen I guess? But idk what conversation or arc they could have together that wasn't resolved already, it was a really weird choice to focus on them as if there needs to be more explored -which is why choosing to not make them talk to each other nor think of the other in these years is potentially interesting, like the only way they could actually need to talk things up or have a separated special moment is if they just stop being friends and want to talk more from now on. Like, if they kept their friendship these years and were part of the other's life, there wouldnt be a moment like this at all.

I think it hurt mostly ochako -and deku if we interpret it as "deku just wants to be teacher, he is super happy about it, and loveeees so much his ex bestie after 8 years of no contact and never thinking about her"-, more than the bkdk relationship.

It would be interesting to see those one shots, if he does them -I know he said he wanted to do more things and little drawings and content for it, but idk if he will do something elaborate or just one page of something silly. I think he still has to opportunity of working with the material and make something at least not this bad -or completely ignore 431 and just continue with their adventures like 430 implies lol If he wants to double down with the "romance" I have no idea how he could do it with what he has tbh, unless he just ignores the plot and their personalities.

[jackass-jones]

My appreciation for iris and ota as characters increases every time I play aitsf like I think the side characters in aini are more likable but they don’t have as much depth cuz you have to remember them in all these different points in time and their different relationships with all the protagonists and it gets really wishy washy but in the first game it’s just like. Here’s iris and ota, they’re fucking annoying and sketchy as hell. Please spend all your time with them 🥰

[autism-corner]

nitro+ duo is here o7

[jonny-b-meowborn]

If I had the proper equipment for that I would 100% make a career out of sorting stuff on video. It's like one of my favorite activities ever but I rarely have the opportunity to do that. It's like a special treat for special occasions. I love doing it and if I could I'd milk that forever <- is currently sorting a whole jar of plastic gems for fun

[kakushusband]

Look I'm a simple man. If the source material doesnt have an m/f couple i can weasel my way into, i do not want it

[lolitalovess]

thinking about vi as your wife ♡ (multiple recs put into one, nsfw under cut)

wife vi who cooks for you everyday. it's one of her love languages, taking time out of her day to make yours better with something she made for you. she has many cook books in her nerd collection, every recipe in there has been made by her and she's written down her overall rating of each recipe on every page. mention it to her momma and she'll show you videos of pow and vi making cheese toasties together my shaylas 🙁

wife vi who can't let go of you in the mornings. she is a super heavy sleeper and it doesn't matter what either of you have to do today, how important your job is or who you have plans to see. she WILL be hiding her face into your neck with her leg slung over you, or will be tucking you, the blanket and her childhood bunny plushie into her chest. especially when it's winter. you literally can't escape her.

wife vi who is never seen not wearing her ring and gives you the most baffled look when you're not wearing yours.

wife vi who pulls up in her 1966 cherry red ford mustang to pick you up, her ring shining from the reflection against the sun with i just died in your arms by cutting crew (DON'T laugh at me) playing and her heart shaped lips curling up into a smile when she sees your pretty face before you lean over to give her kisses.

wife vi who is good at art and buys and makes you gifts and gift baskets like this or this or this every time she feels like it. it doesn't even need to be valentines or your birthday or any occasion, she just wants to give.

wife vi who wants a rottweiler with you so fucking bad (to have a baby with you, and to protect you when shes not around even if you can handle yourself) but she knows that they're a massive responsibility and alot of work needs to be put into dogs, so you two settle on rescuing an old kitty from a shelter, a ginger one with a few missing teeth and sass as bad as vi's. his name is screwdriver. screwdriver sleeps in bed with you two every night.

wife vi who would lowkey be your house wife if you made big money... i can't stop thinking about this.

wife vi who would fall asleep on the couch like a dad while watching tv with you almost every single night, and when she's not doing that she's most definitely 110% passing out after you eat her pussy after you two finish dinner.

wife vi who is super into public sex because she likes the idea of it and also just needs you all the time that she should be locked away.

wife vi who would beg for you to let her eat you out under a table or in the bathroom of her dads bar when you're sitting in the car outside and about to go in, or would press the softest little kisses to your jaw, giving you her puppy eyes and asking you if you can put a vibrator on her clit when you two are about to leave the house.

wife vi who loves shower sex. sometimes when you two can't see eachother alot because you two leave for work at different times, both get home late and sometimes there just isn't enough time to fuck like how you both want. so she starts tongue fucking your pussy when you're washing your hair, and you do the exact same when she's washing hers!!

wife vi who's ceo of giving you back messages in the bath after sex. she's got you on her lap, face resting on her chest while her skilled hands search for your sore muscles, massaging the knots out when you press kisses to her collarbone.

this isnt very freaky pls don't kill me i'm just tired and need a lobotomy. but if you do want more freaky shit with wife vi lmk (mischievously rubs hands together 😈) i just know this is gonna flop miserably

@h0neymiel

[angy-grrr]

yeah! its just so- why would she keep doing the same, chapter 429 ended with her learning to accept others' help and got the answer to the question that has been haunting her since the first war: if heroes are the ones who save, who will save the heroes?

8 years later she forgot that lesson? That's not "interesting developing", thats repeating 428-429 with the adults version and some fun facts about the rest of the class and others, and instead of discussing heroics, insecurities, villains, the concept of saving, or even just quirks, she just will talk more with deku? Implying they'll talk about idk, how special she is I guess, bc of course her insecurities are about accepting she wants to be with him, not her morals or heroism or not saving someone she felt so connected to.

Uraraka still keeping her own feelings like when she was 15 hurts me a lot, Horikoshi, why did you do this with her development? It seems like she didn't learn anything ����😭

[webslingingslasher]

j! its been so long but omg hi

i was super obsessed with ur frat!peter hows he doing?

i just saw a tiktok that was about a frat boy yelling at a party “if youre not a brother or fucking a brother, then get the fuck out!” has this been brought up in the frat!peter circle?

i have so many scenarios in my mind like at the different stages! when they first started and trouble isnt super stable in the relationship and she goes to head out but peter (or ethan omg) grabs her arm and hes like ur part of that demographic trouble. im melting 🫠

or when theyre like broken up/taking a break and she goes to leave and peter goes all sad puppy dog eyes :((

omg yes queen::

*a little something ya'll can wake up to. <3

---

'if you're not a brother or fucking a brother, then get the fuck out!'

you hold in a sigh, the party's over. ally won't make it home with you tonight, she ditched you thirty minutes ago to 'go with matty,' aka, you won't see her again until tomorrow.

you glance down at your drink and debate chugging it, if you do you know you'll leave with a woozy stomach. you take two sips and dump the cup in the kitchen trash, it sends two empty beer cans falling, you shrug at the mess and keep walking.

a girl stumbles into your shoulder and profusely apologizes with tears in her eyes, you keep telling her it's okay but she doesn't let it go until her boyfriend nudges her out of the house.

the house music cuts, any stragglers were just seriously kicked out. you follow the crowd and prepare for the cold walk home, a hand loops around your upper arm before you can get through the threshold.

'where do you think you're going?' you turn around and grin at your friend. 'home? where are you going?'

'also home. i'm just waiting for everyone to clear out first.' ethan pulls you away from the dwindling party. 'you know, brother duties.' he sends a wink your way, you nod along like you understand.

'yeah, but i'm not a brother so i don't think i should help with that.'

ethan stops you again. 'parker is a brother, yes?' he is. he's also not there tonight. something about going to queens being more important than the typical friday night party. 'he is.'

'and you're fucking him, right?' you love when ethan has a little liquor in him. 'i am.'

'okay, so then you fit the requirements. hang back with me and we can go to my place together.' it's not a hard sell but you'll act like it is. 'are you sure? peter's not even here, do those rules still apply?'

'i'm a god damn chapter officer, i get to make the rules and it's everyone else's job to follow them. how about that?' you pat ethan's shoulder, you're not arguing one bit.

'can't fight you on that, can i? you twisted my arm good enough, lorax. i'm yours until peter gets home.' ethan holds out his hand, you shake it like it's a business deal.

'good. he told me to make sure you stayed.' he says it with a wink, a gentle suggestion he wasn't supposed to tell you that but you're glad he did. it makes you warm thinking peter didn't want you to feel excluded, especially because he was missing in action tonight.

'well... i am fucking a brother, right?'

'you are. and you know what that means? you have to stay here after every party.' he says it like it's a bad thing but you can get used to being on an exclusive guest list.

it feels nice. so, ‘hell yeah.’

-- vs. after the breakup--

'if you're not a brother or fucking a brother, then get the fuck out!'

hearing it makes you sad. no one's going to make you stay or tell you that those exceptions still apply to you. ally gets to stay here and you have to tuck your tail between your legs and scoot out the door.

'i can leave with you.' your best friend is kind for offering, you're an even better friend for saying no. 'that's okay, stay with matt.'

'are you sure? you shouldn't have to walk out of here alone, that kinda blows.' it does and you don't like the reminder. you'd prefer if ally stays, actually. you don't want her pity.

'it's fine. beats the alternative, right?' she looks at you to say what the alternative is, you do it with a sigh. 'fucking peter. that's my other option.'

'who said it had to be peter? there's like forty guys in the frat and you're buddies with at least five, take your pick.' you've thought about it but frat boys, especially the ones from sig nu, make you queasy.

'it's fine, ally-cat. i'll walk back with one of the other girls in our dorm.' the same faces you see in the hallway at your dorm are gathering their stuff to leave, they'll have no issue with you tagging along. 'boo. i miss when we would have frat house sleepovers.'

'good. blame peter.'

'and i do. he hates to see me coming his way, he really does.'

another brother screams out the same line, you frown and decide to leave while you still have friends in eye-distance. when you reach the door you look behind one last time to send a wave to your best friend. ally sends one back and blows a kiss with it. you catch it and slam it to your cheek, she giggles, you grin. your eyes flit up to the stairs, someone's already watching you.

peter sends you a sorry smile, he hates that you don't get to stick around anymore either. you match his melancholy and give him a shrug, more like a 'whatcha gonna do?' vibe. rules are rules and you're no longer a fitting member for the requirements they need.

'you can stay.' peter mouths it, you pretend not to know what he just said. 'wait.' you're still pretending, you turn around and walk a little faster down the steps- peter catches you on the bottom step.

'i said you can stay.' you have no reason to stay behind. you're not a brother and you're no longer involved with one. you point to an imaginary watch on your wrist, 'i'm about to turn into a pumpkin.'

'yeah, you almost left a shoe running out of here so fast, cinderella.'

you grin, 'i'm just following the rules.'

peter wavers his stance, he doesn't care who said what- he wants you to hang around a little bit more. he likes seeing you around. 'you're still included. i mean, we're involved, aren't we?'

you look at him like he's crazy, you swear you see him blush before he starts fumbling over his words. 'i just meant that i'm not moving on and you're not moving on and i'm trying to get things back to how they were- no, wait, i'm trying to get things better than they were before. not that they were bad! well, i mean they were bad but not... trouble, help me out here, you know what i mean.'

you do. you just like ignoring it. 'you're cute when you grovel for me.'

'i'll get on my knees right fucking now.' he's not even drunk and he's willing to beg for you in front of his party goers. you have to hold in a smirk of pride. 'to ask me to stay or to convince me with your mouth?'

peter's eyebrows raise, 'if you're asking me to go down on you the answer is yes. it's very much a yes, my place or yours? fuck it, let's go to the bathroom.' you're halfway back inside before you realize what you started.

you rip your hand away from peter, you refuse to go back to what it was. you need more than a few apologies to make you crawl back into his bed, you need a real confession. 'nuh uh, not happening. not in a damn bathroom.'

'okay, that's fine, my place is closer.'

you have to stop yourself from following him a second time. 'no, wait! i meant no, it's not happening. period.'

'i don't care if you're on your period, i'll still do it. that's how committed i am to you.' you manage to keep from gagging at the visual, instead you shove peter's shoulder. 'ew! you're so gross! i'm not on my period, you dolt. i'm just not having sex with you.'

'cool, don't have sex with me, let me just show you i can still make you come in under five minutes.' he has no idea how tempting it is. you're being braver saying no than he is for asking, post-breakup included.

'go find another girl, i'm sure there's a whole line-up waiting to get picked on.' peter's nose wrinkles, he doesn't even think of it as a cheap shot. 'gross, other girls are icky.'

you shut it down. 'peter, i'm not a brother and i haven't touched you in two months. there's no reason for me to still be here, goodnight.' you try to leave, a whine follows behind you.

'but you're still-'

but you're not, no matter how much he says it.

'if you changed the rule to 'if you're not a brother, fucking a brother, or used to fuck a brother, then get the fuck out!' how many girls would stand around and wait on you?' peter looks at you, he doesn't say anything and silence always screams that you're right.

'mhm. rules are rules, goodnight.'

there's a sense of succeeding when all you get is a wistful goodbye behind you. it lasts until the next week when the routine friday night party comes to an end with the normal call.

'if you're not a brother, fucking a brother, or go by trouble, then get the fuck out!'

ally squeals and tells you 'that's you!' but you're too busy glaring at peter's smug face to celebrate. it's his turn to shrug, his mouth forms four words that fuck you over.

'rules are rules, trouble.' 

[qu1cks1lversb1tch]

Hoping that this isn't weird but IMAGINE Vox having everything, fame, money, power, but he loses the one thing he treasures the most on extermination day– his family. Like imagine if Vox and his pregnant wife had this hugee argument before extermination day causing her to storm out of the tower, but he didn't chase her cause it was just probably the hormones and she'd come back. But she didn't manage to come back in time. So Vox had to wait in the tower cause he couldn't go out and pray that she was okay. After the extermination, he of course went ballistic trying to find her, jumping from camera to camera until he found her corpse in some random dark alley. What would be the aftermath? I HOPE THIS ISNT WEIRD I JUST CRAVEE ANGST ‼️‼️😭

A/N — I rewrote this a total of four times 😭 I hope this satisfies your need for angst, my lovely anon. This is the one my sister finally approved for everyone to see. Poor kid hates reading my fanfic and she's been subjected to being my conscience while I wrote this. I had to bribe her with coffee and a 20 piece nugget from McDonald's to get her to read more than a paragraph 😭

Fade To Black

Warnings: ANGST, pregnancy, Fem!Reader, loss of wife + child, Vox in denial, got kinda dark with the implications at the end(?), Alastor is mentioned a few times. Guys, I'm literally so sorry

Word Count: 1.2K

“You're not listening to me!” You reiterated for what felt like the billionth time, your gaze momentarily darting to the small curve of your stomach where one of your hands rested securely, the other on your hip.

Vox sighed, exasperated. “Listen, Doll, I'm hearing what you're saying and—”

“—That's exactly the problem! You're hearing what I'm saying but you're not actually listening to me, Vox! For Hell's sake, step away from your work and weird obsession with the Radio Demon for two seconds and focus on what's important!” 

The words felt like knives as you spoke them, each one spearing the air of the penthouse. The room fell silent. The other vees were no stranger to the arguments that broke out, hell, they were a part of most of them. . . But not this one. . . Vox stiffened and squared his shoulders. 

“My work is important. My work is what allows us to live the afterlife we do.” He said, his tone firm, almost condescending. 

“And what about your obsession, huh? Watching the rinky-dink hotel cameras in your office after hours for a glimpse of that antlered little freak who doesn't give a shit about you — when you should be home, here, with me?” 

You waited for an answer, yet Vox only stared at you. It was painfully clear that he didn't know what to say. “Lucifer's tits — fuck you!” You hissed, throwing your hands up in the air, showing just how done you were with all of this.

The next moment, you were turning on your heel and storming out of the room. 

Vox only scoffed and dropped onto the couch, watching as you walked away. Hormones. He thought to himself. It had to be.

He'd never seen you so worked up about his late nights at the office. Never seen you so angry when referencing Alastor, who had once been a good friend and mentor to you. 

Hormones. It was the only logical explanation, right?

He let you go, knowing you needed your space. . . Knowing you'd come home once you cleared your head and had just enough patience to once again approach the topic with a semi-level head, likely once the extermination was over.

You knew the moment you cleared the doors of the tower that you had likely overreacted. The hot, dry air of Hell against your skin seemed to bring the realization to the forefront of your mind. 

Yet it was pride and stubbornness that kept you from turning back to the tower, rather storming through the desolate back alleyways, a metaphorical thundercloud looming over your head.

Vox hadn't followed you, and you weren't about to give him the satisfaction of going back. You loved him, and you knew he loved you too — as shocking as it was that the two of you found genuine love in Hell.

As much as you loved him, he infuriated you, even more so now that you were carrying his child. . . 

The carnage of Extermination Day met your ears and your steps faltered, drawing you to a stop as your instincts then screamed at you to go home. To go where it was safe. 

Safe. 

Safe at Vox's side. At home. . .

How could you have forgotten what day it was? The anger. It had to have been the reason for your lapse in memory. . . So you began heading back towards the tower. 

Pride and stubbornness be damned.

Sticking to the shadows, you ventured forward towards the net of safety that you so desperately needed.

So close, yet so far.

Too far. 

It'd been too long. 

You'd been gone too long. 

The moment Extermination Day had been declared finished, Vox was out looking for you. Every camera on every street he could possibly reach. 

Every sinner he found dead and dying in the streets, he hoped he wouldn't see your face. Your beautiful face. . . The thought alone made something twist in his gut like a double edged blade — fear, he recognized. 

Pure unbridled fear. 

Fear of losing you. Fear of losing the two most important beings in his entire afterlife. 

He searched for what seemed like forever, until he caught a glimpse of you in an alleyway, almost entirely hidden from view. He easily recognized your clothes you had been wearing that day and your hair — oh, how he loved that hair. 

Relief flooded him as he rushed towards you, though it disappeared, his heart plummeting as he dropped to his knees.

“Hey, Doll, wake up. . . It's okay, it's over.” He said, his voice shaky as his hands came up to either side of your face. 

“You did good. . . You played dead so you could survive. They're gone now — you can open your eyes, Doll. . . Please open your eyes. . .” He begged softly, his touch and voice becoming more frantic.

“No, no, no, open your eyes for me, okay? I know you're mad at me, Doll, I'm sorry. . . I'm so sorry. . . Wake up. . . Wake up. . . Wake up. . .” He pulled your body closer to his, clutching you close. One hand held the back of your head to his chest, the other trailed down to your stomach. 

Too many emotions clawed at him as he begged you to wake up, to give up the charade. . . He made promises to make it up to you. He'd spend more time at home with you. He'd give up on his obsession with Alastor. He'd do it. He would do it for you. . . 

But it was too late. . . The blood that soaked your clothes and his was a chilling reminder. . . The all powerful TV Demon choked out a sob as your skin turned cold beneath his hands. 

His world stopped spinning, the axis snapping and floating off into the abyss as he held you close. . . He wasn't used to feeling your skin cold. He was used to the warmth, the life, the light that came from you. 

He couldn't feel you. 

And it killed him. 

He couldn't breathe. His chest ached. Nothing in all of Hell mattered more than you. More than the child that had been created out of love and the use of a loophole within Hell's complex laws of nature. 

And now it had been ripped away from him. He hated himself. He was angry. 

It felt as if the light and warmth had been sucked out of his universe, leaving nothing but cold darkness that seeped into his very soul, gnawing at him, tearing him apart from the inside out. 

He could hardly remember his afterlife before you. Now, facing a reality where he'd have to live in an afterlife without you. . . It consumed him in all the wrong ways. . . 

He wanted you back. 

He needed you back. 

Yet the darkness that gnawed and clawed at his entire being, the absence of you — your light that was supposed to guide him through this perpetual landscape of flame and rot for all eternity. . . The shadows remained like a constant reminder, a plague of its own, slowly eating away at him at every opportunity. 

Without your light, he was nothing. 

Without your laugh, he was nothing. 

Without your attitude, he was nothing. 

Without your warmth, he was nothing.

Nothing more than a shell of the overlord he used to be. . . And when the shadows clawed at his mind like a beast seeking a debt to be paid, he let them win. 

He let it all fade to black. 

[itadooori]

I desire to see more of Hyun-ju in your style, please (and tell me more about your oc's as well, I like people's oc's)

hyun-ju the most beautiful girl ever (⸝⸝⸝• ω •⸝⸝⸝) ♡ i love her sm!!! thank u for giving me an excuse to draw her haha

as for my squid game ocs, i'll put my ramble under the cut as i have quite a bit to say lol

so! my ocs :3 as i previously mentioned before, they are a father and daughter pair! (i also finally came up with names for them, adhika is the daughter and dakila is the father)

much like geum-ja and yong-sik, i think that they both joined the games separately and only knew abt each other when they arrived. their family is def struggling, with adhika's father in debt and having a hard time finding work while her mother takes care of her younger siblings. adhika just turned 18 a few months ago, and has been working odd jobs here and there in attempts to support her family and pay off their debt, but the money is just a drop in the bucket.

adhika feels a very strong sense of responsibility towards her family, and wants to help out. she even refused to leave to go to university, despite being very smart and having a bright future in academics, to help out her family. but also sometimes, she also feels...burdened? it's a very conflicting feeling. she loves her family, but she'd be lying if she said didn't feel a twinge of resentment at this situation. i hope that makes sense lol

i haven't yet decided if my ocs are gonna just be fun little canon inserts or if im giving them their own story. both options seem rlly fun to me so kjssdkfjh im having a tough time deciding

some fun little tidbits about dakila and adhika's way of going about the games:

adhika is locked the fuck in. she's already at a disadvantage being a young, 5 foot tall, non-korean girl, so she's working twice or thrice as hard to get thru this shit

as i said before, adhika is very smart. she has good people-reading skills, and the ability to kinda morph into whatever people need her to be, or fit into whatever dynamic she believes people want her to fit (a skill that she picked up from just. life experience as the oldest sibling in a struggling family LMAO)

dakila is trying to look out for his daughter, but the games put a strain on their relationship

adhika has lowkey manipulative tendencies. they come out and worsen during the games. honestly, just think of her as a nasty mix of sang-woo and mi-nyeo. absolutely FOUL things coming from this girl i love her

this isnt really important at all nor does it really come up within her story but i still want to mention adhika is a lesbian. she joins the doomed squid game lesbian roster with sae-byeok ji-yeong and young-mi LMAO

akjfhdskjhf sorry this is so jumbled i just have a lot of thoughts. i'm still ironing out dakila and his personality so unfortunately i dont have as much on him as i do with adhika. but i hope that this information is interesting enough for now!! thank you SO much for giving me the chance to ramble abt my silly guys

[leafostuff]

Would You [Ft. Aespa Karina]

Tags: fluff, comfort, very short, established relationship, words of affirmation, a tad bit of crying, forehead kisses

Author notes: None, enjoy

=================================

“Would you love me if I wasn't manly enough?”

“Whaa…? Babe... what are you talking about…” Your girlfriend Jimin asks, yawning in the process as it's currently midnight when you ask this seemingly random question to her, laying near each other in bed being ready to sleep.

“Just answer the question, please? you say, your eyes avoid contact as they look at the ceiling, however it was apparent to her through your voice that this was important for you.

“of course i will love you, baby” she says, another small yawn coming from her while her hand goes to grab yours, “why would i not?” She asks.

“Nothing, some random thought, just ignore it” you say, avoiding the question as you now turn away from your girlfriend.

“Well it isnt nothing if you asked me, is something wrong baby?” She asks as you could feel her hand going toward your shoulder

“No honey, i am fine” you reply, a small sigh comes from her mouth as you could feel both her arms now let themselves wrap around your stomach, her chest touching your back while she leans into your shoulder.

“Baby…i know you don't want me to worry, but…you know you can trust me” she whispers, a small peck on your left cheeks is all that needed to break you, as much as you didn't want to show it, Tears were starting to flow from your eyes as your body started to shake in her grasp.

In response her hands pull you tighter into the embrace while she rubs your clothed chest in circles, “there there…it's okay baby… just let all of those tears go” her voice quiet and soothing as now your quiet sobs now turned into a full cry ,turn 180 to look at your girlfriend’s weak smile and comforting eyes , get your arms behind her waist and pull yourself into the crook of her neck to continue hugging her.

A while passed since you started crying, Jimin releases from the hug, meanwhile you find yourself looking down and away, to hide your still teary eyes however you can't escape easily as she takes her hand to your chin, raising it up to get you to look at her while she leans toward your forehead, giving you a kiss.

“Do you want tell what's wrong now?” There isn't a realistic way to avoid this question as you take a deep sigh and start talking.

“Its just that…everyone in my workplace always talks…about how…” you hesitate, not sure if you should continue what you are saying.

“About what?” She asks, tilting her head lightly.

“...about how…you don't deserve someone like me, like they just compare me to you, and say that you could get someone manlier or… prettier or just someone…more successful? I don't know” you explain,

She doesn't say a word, her expression now turned blank, not sure what to do, you decide to continue speaking

“and honestly… they are right, i am not really muscular or pretty, and like… look at you, you are pretty, cute… you are funny, you are kind, you make everyone around you feel better, meanwhile you know…” you stop, looking away, taking a deep before speaking, “... meanwhile i am just m-”.

you are stopped by Jimin’s soft lips on yours and even though as a couple, you two kissed numerous times, every kiss still feels like the first as you could feel yourself almost flying but you girlfriend still keeps you on the ground, her hands going under your shirt into your back, slowly and lightly.

Slowly you both release from the kiss you shared, looking into her eyes you could see how her eyes are shining even when the lights are off, and by the way she is looking at you, it seems like yours are also shining.

“You're tires, you probably had a long day…” she said, her hands pull you closer to the point where you find your face is laying on your girlfriend’s chest. “Just take deep breaths… i am not going everywhere”

You oblige, slowly taking air into lungs, and then releasing it. Each breath you take calms you down more and more as a small yawn comes out, showing your sleepiness.

“You are doing great baby” Jimin says, planting a kiss into your forehead again as she leans into your ear, “Never say you are not perfect…you are perfect for me…and i will love you-” a small yawn interrupt her sentence, “no matter what…even if you think you are not manly enough…or pretty enough…i will always love you no matter what” those are the last words you hear before finally managing to fall asleep

You could feel a small peck on your lips as Your girlfriend also closes her eyes and let herself fall asleep with you in her arms

=================================

Written and Posted: 17/7/2024

[i-yap]

The future batboys bumping into reader’s ex post, sounds so good! Also I loved the batboys x quiet reader. Can I can some more dick Grayson with a reader who is a black cat/moon type of person ? (I love the opposite attracts troupe too! It’s so cute I also love the dog/cat energy and sun/moon which is like opposite attracts lol) 🖤

I love love opposites attract!!

lets be real here, grayson isnt a golden retriever boyfriend/sunshine. He uses his charms to mask layers of insecurity and anger issues and commitment issues. Dude was 1, first robin to a very inexperienced batman, 2. robin with most anger issues, 3. orphan 4. huge responsibility grew up too soon guy. He doesn't know true love, true affection, security - at the same time he has a decently big ego.

I imagine the reader as someone really quiet secure happy calm childhood who protects her peace and is very detached. So while dick NEEDS to be needed, and loved and the most important person to someone while never fully doing the same for his partner...she wont take it

And that forced dick to rethink his entire "walls" situation, he understands he cant just treat her like his exes and get away. She is secure enough to not fall for his charms only.

A guy can change but only for a woman he truly loves.

Now on the surface people assume its black cat-dog situation , but people don't easily fit those small general categories.

Yes dick is more needy for attention, he is more naturally caring and he is more flirtatious. But y/n is better at proper communication, patience, being vulnerable and helping him be vulnerable.

Dick is impulsive almost, but she stabilizes him. Holds him when all this golden boy acts drains him and he just needs to genuinely express his true feelings without exploding.

And dick brings the joy, the cheery, the excitement and the love in the relationship, dragging you to have new experiences helping you out of your comfort zone while making sure ur happy.

its like two perfect puzzle pieces.

[sandsoftide]

Haven’t seen enough people talking about why timebomb and specifically ekko also suffered from arcane s2 being bad. Spoilers and crit

I’ll say more in depth later when I have gone back and revisited it with a clearer head and let me make it entirely clear I LIKE timebomb in concept. Much like caitvi. Like I see the vision I just don’t like a lot of the creative choices

Ekko in s1 was a REVOLUTIONARY he built the firelights w his own two hands and was sort of a foil to jinx and silco, he hated them but he wasn’t going to roll over to piltover either. He wanted independence but not through exploitation. He was a leader and a caretaker and mature beyond his years bc he was forced to be. And he hates Jinx bc she reminds him of that trauma and he’s betrayed by what she became like there’s SO much there look at it

In s2 he goes “hm my tree is being weird” and then gets sucked into the timey wimey thing and disappears for a whole act and the firelights aren’t even MENTIONED (and ik he wasn’t a major character in s1 either but like, he was still important and relevant to the plot throughout bc of the firelights?)

Then he gets sucked into this au portal (cool concept and cool execution) and falls in love with powder or whatever. And she ISNT JINX. SHE IS NOT THE JINX WE KNOW BC JINX IN MAIN TIMELINE IS FULLY BUILT FROM HER EXPERIENCES AND TRAUMA AND MENTAL ILLNESS. Like what Jayce said to viktor that’s part of her whether it hurts her or not. Her trauma doesn’t define her but it’s a part of her! And then all of a sudden Ekko’s sad bc he misses jinx (who iirc last time he met they had the whole I hate you and I miss you talk and they fought and both thought the other dead or whatever?) and then he’s talking her off the ledge even though he has absolutely no reason to! Because he DOESNT KNOW HER he knows literally nothing she’s done since s1 finale!!! Even the “jinx as a symbol for revolution” stuff from act 1 that went nowhere he would know NOTHING ABOUT bc he basically immediately went to Jayce? And they never did the revolutionary jinx stuff that was implied w the flag waving either so there’s no connection there either

Like a full episode was spent developing timebomb and it was interesting but also contributed nothing bc that is not jinx. She just feels like a mpdg and he doesn’t feel like ekko bc he needs to be in love w her for the plot? So they do absolutely nothing interesting they could for timebomb and still make it the entirety of ekko’s plot while tossing out the firelights and the zaun v. Piltover plotline as a whole

i mean again its hard to say bc this is right. objectively. like the stuff w timebomb was objectively well written. i just feel like it doesnt give ekko the space to be his own character outside of the ship? my point isnt that the stuff was poorly written i actually enjoyed it a lot and i think they did a good job w it i just also feel like it does ekko a disservice to have that be his only plotline and how it doesnt feel like it connects to his character in s1

i feel similarly about other plots in s2, like mel's. like yes this is good stuff! i love seeing mel in the spotlight the black rose magic stuff is interesting in a vacuum but also its totally separate from the interesting thematic roles in s1 that dealt with AGAIN THE CLASS CONFLICT AND POLITICS and dropping that for something different feels. like its a disservice to the characters, i guess?

also by having the timebomb development take place primarily in an au with powder and NOT jinx we dont really get to see jinx's thoughts at all. it feels like a repeat of s1 where someone is trying to save POWDER and not jinx, they dont see her as who she is now but rather who she was or could have been. which couldve been interesting to explore but they clearly werent interested in that ANYWAYS

[jacarandaaaas]

Mirabel Madrigal: A Character Analysis

Today I’m here to discuss all the attributes that make Mirabel Madrigal such a fantastical and magical character despite not having any magic herself. it’s all in her charm! I truly believe that Mirabel is one of the best protagonists! Shes such an endearing, sensitive, and strong character so I’m here to offer her some appreciation.

Right from the beginning of the story, one of the first things we learn about our protagonist is her mantra “make your family proud”. This phrase is Mirabel's driving motivation for the entire film and from what we can assume, her entire life. Mirabel makes it no secret that she is family orientated and she is full of pride for them, wanting to be like them and live up to the madrigal name. She introduces us to her family in a fun song praising each member. To her they are a “perfect constellation”. They are always her number one priority throughout the story as we see how she supports her sisters and encourages them to be themselves. One moment I feel truly highlights her love for her family is at the climax of the movie, whilst she consistently has shown what lengths she's willing to go to for her family this moment stood out the most to me. After her intense argument with alma casita starts to fall apart, at this moment everyone is yelling at mirabel to get out of the collapsing house but mirabel isnt thinking about herself. She's thinking about her family and getting the candle for them. What really stands out to me is Mirabel was willing to sacrifice her own life for her family, an eerie parallel to what Pedro did for them all those years ago.

Something that we learn about Mirabel immediately is that she's a go-getter, she's determined and persistent. What we also come to realize is that sometimes Mirabel doesn't realize when she's being overly persistent to the point of coming off as pushy to others. Both Julieta and Isabela point out that Mirabel has a tendency to “over do it”. We see how she wants to be useful in any way and she's taken up a variety of hobbies to prove this. Mirabel's incredibly creative doing everything from embroidery and sewing to playing the accordion. It's no secret she's talented but she always feels like she needs to do more. Upon overhearing Alma talking about the cracks Mirabel decides in that moment “I will save the miracle”. Instead of rushing in without a plan Mirabel knows Dolores would have intel due to her gift therefore she would know the most about the magic. It's also important to note that Mirabel decides to save the miracle before she even knows anything about the prophecy, she took it upon herself to do that! At breakfast when trying to get information from Dolores Mirabel decides to try complimenting her into it, showing early on how unintentionally pushy she can be. After breakfast she's no better, Mirabel is so determined to get answers that even when Luisa is working, she's pestering her. Mirabel is so overly focused on her mission that she can’t see Luisa gradually becoming more frustrated. “Luisa will you just tell me what it is!”, she’s frustrated that Luisa isn't giving her any information but she also seems hurt that Luisa doesn't trust her enough to tell her. Showing how Mirabel desperately wants a better relationship with her sisters.

Mirabel is so persistent in getting information about the magic that she causes luisa to snap at her. When climbing Bruno's tower Mirabel perseveres, as she forces herself up an unusually long flight of stairs and is exhausted by the end of it. Yet Mirabel persists because “I need to do this, for you for abuela”. She's so determined in fact to find this vision that she almost dies, twice. Mirabel doesn't care about the risks, she's aware of them but it doesn't deter her. She's willing to look at the situation about Bruno from a different angle than everyone else, questioning “what if you didn't understand what he saw?”. Mirabel's entire verse in “we don't talk about bruno” is just her pressing for the truth, she wants the whole story not just one perspective and she's driven to discover it. We've already established by now that Mirabel's persistence can be dangerous and this holds true once again as she chases Bruno through the walls and almost falls into a chasm, in pursuit of answers. Bruno tries to leave but she still pursues him, no way she's leaving without an answer or multiple answers to her many questions, she also cleverly pieces together here that it was actually Bruno who's been patching the cracks all along.

Pushy Mirabel is back in full force when she gets the idea for Bruno to have another vision to which he’s not enthusiastic about and tells her no. But Mirabel’s no quitter and her sole focus in the moment is her mission, to save the miracle. So when Bruno tells her he doesn't do visions anymore, Mirabel casually replies “but ya could!”, another instance of her being too focused on her goal that she doesn't take into consideration how Bruno would feel about this. She has no bad intentions and like with Luisa earlier Mirabel is unaware how she sounds. She tells Bruno “our family needs help and you need to get outta here” and as she realizes how broken the family truly is, she's more determined than ever to help them. Even when bruno tries to give up during the vision Mirabel encourages him to keep going to find another perspective “something we’re not seeing?” she ends up inspiring Bruno with this viewpoint. Before she goes to confront Isabela Mirabel tells Bruno “after I save the miracle I’m bringing you home” showing how that's now become part of her mission. As Isabela reveals a massive secret Mirabel instead keeps pressing for that hug she assumes will solve all their problems, once again she's so focused on her mission she isn't paying attention to Isabela’s revelation. Mirabel's determination and persistence is admirable but it's also a character flaw for her as we see she often takes it too far unintentionally.

One of Mirabel's most noticeable traits is her optimistic outlook. She's full of energy as she dances through the town singing about her family and whilst we know she's insecure, her enthusiasm towards her family and home is completely genuine. Mirabel is a true extrovert as we see how much she loves interacting with her community and wanting to help in any way she can. We see how she's always trying to see the bright side. Mirabel is optimistic and bright but even she has her limits and can't be optimistic all the time, as her song tells us she's truly not fine. However despite all her pain she still chooses to be optimistic, to be loving and to be hopeful.

Arguably the two scenes I believe emphasize her optimistic nature the most are when she helps Bruno through the vision and the final song of the movie. During the vision Bruno is deflated, he doesn't believe in the idea and Mirabel simply offers him some words of encouragement “you can do this”, she's already showing Bruno that she has faith in him, something Bruno isn't used to. When he fails to see anything other than what was shown in his last vision Mirabel begs him to keep trying, she's always looking for a brightside and she ends up finding it. As for the final scene, when returning from the river Casita is still a pile of rubble in front of them, Mirabel however sees this as an opportunity. To rebuild casita with better, stronger foundations and a chance for the family to build stronger foundations too, “look at this home we need a new foundation”. Mirabel really grows into herself as she leads the rebuilding efforts with her persistence and optimism, inspiring the whole family to view things from a different perspective.

An underrated trait for Mirabel is her humor. No seriously she's hilarious! humor is shown continuously to be one of her coping mechanisms along with her optimism. Whilst she is funny Mirabel is also incredibly snarky particularly towards her older sister Isabela, she can come off as slightly judgemental at times, very teenage of her. Her jealousy peeks through during the opening song, but towards the end of it when she runs into Mariano she not so subtly disses Isabela (as Isabela is walking by) “between you and me she's kinda a primadonna”. Unlike the better disguised insults at the beginning mirabel is not even trying to hide her disdain towards isabela this time. This continues directly after the song as she goes back to casita, Isabela gracefully descends on her vines and Mirabel’s expression is hilariously unimpressed. When Isabela notices her she tells her to stop trying so hard, we see Mirabel actually seems upset by that comment but as soon as Isabela looks back at her she masks that sadness as she bites back “actually Isa this is called helping and i'm not in the way you are”. We also see her mock Isabela as previously mentioned, unable to hide her disdain towards her. Mirabel's humor as a coping mechanism is emphasized when she's climbing Bruno's tower, giving us a half assed reprise of “the family madrigal” and of course one of her most iconic lines “BRUNO YOUR ROOM IS THE WORST!!”. Mirabel is also incredibly petty, my favorite example of this is not only her rolling her eyes during Isabela’s solo verse of “we don't talk about bruno” but also how Isabela tells her during that “hey sis I want not a sound out of you” and Mirabel who was silent until this point starts singing immediately out of spite.

She's also slightly judgemental when she first encounters resident wall man Bruno Madrigal. She's weirded out by him and her face does not hide this, “how long have you been back here?” with that concerned tone also didn't help her case. Although in this case who could blame her for that reaction? It's not everyday you find your estranged uncle in the walls of your house. Mirabel is not thrilled when the vision reveals she has to hug Isabela, so much so that she begins ranting about how she hates her and gives us a line nothing short of pure gold. “She's the one with flowers coming outta her-'' Bruno had to remind her to keep it pg! Even when mirabel is meant to apologize to Isa she can’t resist making a snarky comment about her older sister “I’m sorry that your life is soooo great!” this ends up spawning an argument between the two in which Mirabel unceremoniously yells out “some of us have bigger problems YOU SELFISH ENTITLED PRINCESS!” which is quite a humorous moment but also really shows Mirabel’s jealousy towards Isabela. As Isabela admits a very huge secret Mirabel’s reaction is one of complete sarcasm “that is a very serious confession” despite empathy being Mirabel’s strongest trait somehow her hatred for isabela overpowers it.

Mirabel as a person is incredibly selfless, this is both good and bad in her case. Whilst caring about others so much is admirable like how mentioned previously Mirabel can go too far, putting her life on the line multiple times! In one movie! One of the first examples of her selflessness is shown during Antonios gift ceremony. Antonio is incredibly nervous and calls out to her saying “I need you”, it's already a hard night for mirabel in general as people have been reminding her “last gift ceremony was a bummer”. However despite already finding it hard she knows Antonio needs her and she walks him to his door taking a deep breath, pushing through her own traumatic memories to support her favorite cousin. This scene is incredibly admirable to me as it takes a lot of courage to force yourself to relive the worst night of your life for the sake of supporting someone else. Here it's an example of mirabels selflessness being a positive trait and not a dangerous one.

Hey you know what's a great combination with being selfless? Being reckless!! Unfortunately for mirabel we can also add stubborn to the mix. Which makes for an ultra combination of self sacrificing nature and putting her life in danger! Brunos room is a scene that truly highlights these traits, especially recklessness. Mirabel throws herself across a giant chasm using rope from the fencing around her and whilst her resourcefulness is impressive it's still incredibly risky. Which ties into her selflessness! Mirabel has very little regard for her own safety and is willing to die in that vision cave if it means she helps the family. Almost suffocating to death in sand just while trying to get the vision shards. Mirabel also throws herself across a chasm twice, the second time isn't as dangerous but initially it looks very dangerous. Mirabel knows it's dangerous and still recklessly persists. Once again revealing how little regard she has for her own safety.

Arguably the biggest case of Mirabel's selflessness is when she tries to save the candle as the house is crumbling around her. This was also her most reckless act of the whole movie as she ignores everyone yelling at her to save herself, she covers the candle and not her head when the debris is crashing down on her. Really highlighting just how little she cares about what happened to her in that moment, valuing a candle over her own life. As selfless as Mirabel is, there are also times she like anyone else, can be selfish. Mirabel herself is aware of this as she says to herself, “for you, for abuela… maybe a little for me” she sounds almost embarrassed by the fact part of her motivation for saving the miracle is proving herself, even if it's only a tiny part. Other moments she can come off as selfish is when she's pestering Luisa about the magic and being dismissive, as well as when she dismisses Isabelas revelation in favor of getting a miracle saving hug. Whilst technically Mirabel isn't being selfish here as she's doing everything for saving the miracle, to others she seems selfish. Another trait Mirabel has is stubbornness and this is really highlighted when Isabela is around. Possibly Mirabel's most stubborn moment of the entire movie, is when Isabela asks her to apologize. Even though Mirabel knows that doing this will help her save the miracle she can't bring herself to give a sincere apology.

I think something that is less talked about than it should be is Mirabel's guilt and tendency to blame herself. A scene that I feel truly highlights her guilt is when Bruno tells her that he left to protect her. Mirabels responds to this saying “you left to protect me?” and she almost sounds in disbelief at this realization. The look on her face here is also one of deep concern, whilst she appreciates that he would sacrifice so much for it also reinforces a thought that had always been on her mind. That she was the cause of all this, that Bruno left due to her own failure, whilst we know this is untrue I strongly feel Mirabel believes this. After all, Bruno did disappear the same night as her gift ceremony. She feels guilty that Bruno left because of her even if he tells her it was for good reason.

A smaller example of Mirabels tendency to blame herself is when she tells Bruno “I ruined her proposal”, whilst mirabel had part in ruining it she was also trying to prevent disaster and ultimately she played the smallest role in ruining Isas night, yet Mirabel still believes it was entirely her fault. The biggest moment for Mirabel's guilt is right after Casita falls, the candle goes out after Mirabel almost gives her life to save it. Believing it's entirely her fault she runs off when nobody is watching.

Mirabel's rock bottom moment is when she's by the river crying, feeling like she's ruined everything and doesn’t know what to do other than to let out all of her bottled emotions. It's important to note that whilst there’s many points she comes close to crying, this is the only time we actually see her let the tears fall. When Alma discovers her Mirabel's reaction is to apologize, “I'm sorry I didn't wanna hurt us, I just wanted to be something I'm not”, again placing all of the blame on herself when the entire family is at fault for casitas collapse. I find this reaction interesting as during the climax Mirabel blames Alma in her anger but when her attempts to save the miracle fail she believes it’s her and her only to blame. This is also incredibly sad as it just shows how riddled by insecurity Mirabel is.

Throughout this story Mirabel is a person ruled by her insecurities, she lacks self esteem and confidence in general. However she's great at faking it and a prime example of this is the opening song, “the family madrigal”. A fun, upbeat tune but the entire song happens because of Mirabel's insecurity. As the children are asking her questions about her gift Mirabel responds with “I can't just talk about myself” and deflects into talking about her family instead. Her love for her family is entirely genuine but she puts on a facade to hide her own insecurities from everyone else, overcompensating to make up for what she lacks. Hidden in the lyrics of the song are her real feelings of worthlessness and jealousy, this especially shows in lines that refer to her two older sisters. When telling the kids about Isabela she sings “grows a flower the town goes wild'', there's a clear sarcastic tone to her voice. This instantly introduces us to Mirabel's envy of her oldest sister and the strained relationship between the two. Her envy is strongest when she sings “she's the perfect golden child” with such longing, illustrating how she actually seems to admire her sister as well as resent her. When she's describing both sisters she sings “the beauty and the brawn do no wrong” implying that she unlike them does do wrong. As the kids pester her more and more her insecurities only grow stronger and she's desperately trying to avoid the question, “I never meant this to get autobiographical”. She stays true to her word and successfully avoids talking about herself for the entire song. At the end she's so desperate to get out of the situation and hide the fact she has no gift that she sings “my family's amazing and i'm in my family so”, trying to convince herself more than anyone else that she's amazing by association.

There's little instances where her insecurity comes out such as when Osvaldo points out multiple times how un-special she is, he turns away for a brief moment and mirabel's painfully strained smile drops before she slips back into her act effortlessly. She also tries to act like this insecurity doesn’t affect her, a great example is when Alma tells her to step aside and nods in response but her expression is pained. Mirabel is hiding her problems from everyone else, even lying to herself. We see just how deep her insecurities go as Alma only tells her to step aside from the decorations but Mirabel interprets this as to stay away for the whole night, so when the whole family is out in the crowd she hides behind the curtain. When Alma tells Antonio that he got “a gift just as special as you” it forces Mirabel to remember when those very same words were said to her, and her smile fades away, her insecurities coming out. Most obviously, her insecurities are on full display during her solo number, “waiting on a miracle”, if you’re interested in more about that song I have a waiting on a miracle analysis !

The song starts with Mirabel pushing down her feelings as usual telling herself she's fine and she shouldn't be upset because the night isn't about her. In the song Mirabel refers to her pain as “unspoken” and “invisible”, displaying how she's not only been lying to everyone around her feelings but also to herself. When Mirabel tries to explain the cracks, Julieta doesn't seem to believe her and Mirabel believes it's because she “might not be super strong like Luisa or effortlessly perfect like senorita perfecta Isabela”. Whilst she's coming from a place of envy she's also speaking from insecurity here, believing that the only reason she isn't being taken seriously is because of her lack of a gift. When Julieta still doesn't believe her Mirabel appears to be hurt by this refusing to open up to her mother. Until she meets Bruno, Mirabel has actively been repressing all her insecurities and focusing solely on her mission. However when she realizes how similar she and Bruno really are, she's comfortable enough to fully open up about her insecurities for the first time. She admits her greatest fear and gets emotional about it, proving just how repressed those feelings are. When it's revealed in the vision she has to hug Isabela Mirabel starts ranting about how Isa hates her and seems like she has no faith in herself that she's able to do this.

One moment that truly highlights her insecurity is when Alma blames her for everything and she finally admits in front of the family that she feels she will “never be good enough for you”. A sharp contrast to Mirabel's denial at the beginning of the movie. In this moment, Mirabel has the courage to stand up not only for herself but for the entire family. Whilst we seen in previous scenes she can defend herself “I’m not doing anything! It’s Bruno’s vision”, here she fully commits to calling alma out in front of everyone. Whilst it’s painful for Mirabel to do, we see her come to the realization that this conversation is necessary. “He loves this family, I love this family we all LOVE this family!”. After this argument Mirabel is heartbroken and so insecure to the point of running to risk her own life just to prove something, anything to her abuela. Her character arc comes full circle at the ending of “all of you” when she looks at the doorknob and finally acknowledges herself for who she is, no longer a person controlled by her insecurities but one who's willing to challenge them.

Empathy & emotional intelligence are what I believe to be Mirabel's biggest strengths as a character. They’re often traits I see people try to argue make her weak, but I heavily disagree, I believe these traits are what make Mirabel such a resilient character. One of my favorite scenes in the whole movie is one where Mirabel's empathy truly shines, when she finds Antonio under her bed. This scene happening so early in the movie yet being so intimate and gentle instantly made me love Mirabel as a character. Her demeanor in this scene is so warm and loving. She knows Antonio is nervous about turning out like her yet she pushes her own feelings aside to support him, “you're gonna open that door and it's gonna be the coolest ever I know it”. This also showcases another strong trait of Mirabels, her emotional intelligence. She's able to gauge that Antonio is scared and needs comfort and she's willing to offer that to him. Antonio is still doubtful, questioning if it doesn't work and once again Mirabel reassures him, referring to the scenario as “impossible”. It's a very cute scene that sets up Mirabel and Antonios relationship. Mirabel's empathy shines here as there were many moments she could have made this about herself but she chooses not to. Other instances of Mirabel's recurring empathy are when she hugs Luisa offering her comfort ,some of her interactions with Bruno as well as when she empathizes with Isabela during their song. During “what else can I do”, Mirabel is able to admit she was wrong about her sister saying she barely knew her but Isa “changed” her mind, realizing that she finally understands Isabelas perspective.

A key scene for me that demonstrates both Mirabel's empathy and emotional intelligence is the “dos oruguitas” scene. After Alma shares her tragic past with Mirabel, despite Mirabel being upset, her reaction to Alma's story is an empathetic one. She tells her abuela “I can finally see” showcasing how similar to isabela, Mirabel finally sees her grandmother's perspective. Her emotional intelligence shines here as upon realizing the truth behind Alma's actions, she changes the words she spat so venomously during their argument. Stating that they were saved because of Alma and given a miracle because of her, she also tells her abuela that “nothing could ever be broken that we can't fix together” highlighting Mirabel’s growth and emotional maturity over the course of the film. Once again, as mentioned in the scene with Antonio, Mirabel had every opportunity to make this moment about her own suffering but she instead acknowledges Alma's feelings and offers her a chance to rebuild their relationship. Perhaps even the chance for forgiveness in the future.

These traits display for me what makes Mirabel such a well rounded and memorable character. Despite her flaws I adore how mirabel has always had her family's best interest at heart. She learns and grows a lot throughout this story and to me her flaws are what make her more interesting to follow and her flaws dont take away from her many positive traits. She's not a perfect protagonist, she's just a good person trying to help her family any way she can. She’s unapologetically loving and empathetic and willing to do anything for her family. To quote Stephanie Beatriz herself: “ I think one of the greatest things about this story is that she dares herself to go on that journey. I think that is so special because its telling an audience many of them impressionable young people, that by daring yourself to believe in yourself, you could possibly become the hero of your own story.”