#Russia Ruble Notes

[hartogcounterfeitnotes900]

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[witekspicsbanknotes]

Russia - new design of rubels.

[sirfrogsworth]

Useful idiot, Tucker Carlson, has been creating some fine Russian propaganda in the last few days.

He went to the subway that Stalin built and was amazed by how fancy it was.

He went to Russian McDonald's and was mesmerized by... fries? I guess?

Then he went to a Russian grocery store and was stunned by how few rubles he had to fork over for food. Though he didn't seem to understand you need to factor in average local wages when determining how "inexpensive" something is.

And, my favorite, Tucker is fascinated by advanced Russian shopping cart technology.

"You just put in a coin and it gives it back when you're done! Why doesn't America have this?"

*whispers* "We do. You're just too rich to shop at fucking Aldi."

So... it seems Russia is great. Tucker gives it 5 stars. No notes.

Hey, let's check out the news this morning... just for funsies.

Oh.

[blueiscoool]

Moscow Auction House Sells a $1 Million Painting Stolen from a Ukrainian Museum

In Russia, Ukrainian artist Ivan Aivazovsky’s painting “Moonlit Night” has been put up for auction, according to Ukraine’s former Deputy Attorney General and Prosecutor of the Autonomous Republic of Crimea, Gyunduz Mamedov, who has reported the auction plans.

Russia’s looting and destruction of Ukrainian museums and cultural heritage sites have resulted in significant losses, with nearly 40 museums plundered and almost 700 heritage sites damaged or destroyed since the invasion began in February 2022, causing cultural losses estimated in the hundreds of millions of euros.

The first report that “Moonlit Night” will be the main lot of the auction, which will take place at the Moscow Auction House on 18 February, appeared on the Telegram channel by Russia’s state-funded news agency RIA Novosti, noting that the painting was estimated at 100 million rubles (approximately $1.09 million) before the sale.

‘In 2017, [Interpol], at the request of [Prosecutor’s Office of the Republic of Crimea], put the paintings on the international wanted list. Thus, Russia openly disregards [international law], as according to the 1970 UNESCO Convention, the export of cultural properties and transfer of ownership is prohibited,” Mamedov emphasized on X.

In 2014, during the early stages of Russia’s occupation of Crimea, Aivazovsky’s painting “Moonlit Night” was illegally transferred to the Simferopol Art Museum, along with 52 other artworks.

In 2022, during the Russian invasion of Ukraine, some of his works were destroyed in an airstrike on the Kuindzhi Art Museum in Mariupol, and others were looted by Russian forces from Mariupol and Kherson museums, including “The Storm Subsides,” which was moved to the Central Taurida Museum in Simferopol, Crimea.

[mariacallous]

In an apparent attempt to boost birth rates, Russian lawmakers are considering a bill to ban “childfree propaganda,” and many private clinics across the country have “voluntarily” stopped performing abortions. However, experts interviewed by Holod agree that these measures are more symbolic and politically motivated than effective in raising birth rates.

Banning “childfree propaganda” won’t make a difference, says Aby Shukyurov, explaining that research shows childlessness in Russia is often due to personal circumstances, not ideology. Alexey Raksha echoed this, calling the ban purely ideological, with no real demographic impact.

Shukyurov also pointed to other measures, like reviving the Soviet-era “Mother Heroine” award for women with 10 or more children, “Conception Day" in the Ulyanovsk region, and requiring both a doctor’s and priest’s approval for an abortion in the Belgorod region, as equally ineffective. “On one hand, these measures seem almost laughable, but on the other, they’re clearly damaging because they make women’s lives harder,” he said.

There’s also talk of reintroducing a “childlessness tax,” similar to the one from Soviet times. “It’s just another way for the government to collect more money,” Shukyurov commented. “People who don’t plan to have children aren’t going to change their minds because the government charges them 2,000 rubles [$21].”

Abortion bans and restrictions are another common talking point for Russian officials. However, with the spread of contraception, abortions are already less common in Russia, says Dmitry Zakotyansky. And history, he adds, clearly shows that these measures won’t stop people from ending unwanted pregnancies. When abortions were banned during Stalin’s era, maternal mortality skyrocketed — pregnancy-related deaths rose by 76 percent in the first year, and maternal mortality doubled within five years. After abortion was legalized in 1955, those numbers returned to previous levels.

Now, Zakotyansky notes, generations of Russian women have grown up with the right to abortion, and taking that away won’t be easy. And even though these rights are slowly being chipped away, “it’s clear this won’t improve the birth rate,” he argued.

Since the start of the full-scale war against Ukraine, anti-feminist rhetoric has become increasingly common in Russia. Lawmakers have called for a “legal ban” on feminism, claimed the “fight for equality is relegated to the archives” and said young women should “give birth, give birth, and then give birth again.” The Russian Orthodox Church has also weighed in, with programs on the religious Spas TV channel arguing that women who become pregnant from rape should give birth, while priests lament that the world is in a “difficult period in history” where women are “demanding equal rights with men.”

The Russian government has now officially incorporated patriarchal “family values” into its strategy to boost birth rates. However, Zakotyansky warns that this approach could backfire. He argues that modern women are more likely to forgo having children if they can’t balance family life with their careers, fearing it will hold them back professionally.

Russia is putting pressure on women to boost the birth rate — but demographers say the main problem is too many people dying

[comeonamericawakeup]

"It's 2016 déjà vu all over again," said Chris Lehmann in The Nation. The Justice Department last week exposed a sweeping plot by Russia to influence the U.S. presidential election and undermine democracy. The DOJ said it had seized 32 internet sites, disguised as American news brands, peddling "Russian propaganda as straight news reports." One headline on a spoofed Washington Post site read "White House Miscalculated: Conflict With Ukraine Strengthens Russia." The Justice Department also charged a pair of Russian nationals--both employees of the state-run RT network - with covertly funneling $10 million to Nashville-based Tenet Media to produce Kremlin-friendly content. Most of that cash allegedly went to Tenet's stable of "hardcore MAGA" influencers, including You Tube stars Benny Johnson and Tim Pool. It's a reminder that Russian election interference on behalf of Donald Trump "was never a hoax," said Philip Bump in The Washington Post. But now, instead of St. Petersburg bot farms, Moscow has Americans doing its dirty work.

"Americans should be informed of foreign efforts to mislead them,” said Noah Rothman in National Review. But it's not just Russia - "all of America's enemies" are doing it. Iran was behind the recent hack of Donald Trump's campaign, and it has backed news-like websites aimed at undermining U.S. support for Israel. China has meddled in local elections. Yet "it serves Democratic political objectives" to focus solely on Russia. Anyway, this scheme did not deliver much "bang for the ruble,” said J.D. Tuccille in Reason. The 2,000 videos on Tenet's now-shuttered YouTube channel clocked a mere 8,000 views each. And Pool, Johnson, and other contributors claim they were duped in the Tenet scheme, and that they were expressing views they'd always held. So Russia paid them "to say things they were already saying" to a small audience. Should we really be worried?

Yes, said Tom Nichols in The Atlantic, because this is likely "only the tip of the iceberg." The Justice Department noted that a Kremlin-linked propaganda outfit had identified some 2,800 online influencers as potential mouthpieces for Moscow.

We have a social media grifter class filled with easy targets for foreign recruitment, and "a big slice of the American public" that's eager to lap up "wild conspiracies" and tune out legitimate news. The Russians have "scads of money" to exploit this weakness in our democracy. "And plenty of Americans are despicable enough to take their cash."

THE WEEK September 20, 2024

[tomorrowusa]

Ho-hum. Another day, another unexplained death of a Russian businessman, current/former official, or dissident.

It's true that Igor Kotelnikov was on the sketchy side – he was in pretrial detention on a bribery charge. But he was 52 which is still below Russia's plummeting life expectancy. No cause of death was released by official sources.

Somebody up top may have been worried about Kotelnikov's upcoming testimony and decided to silence him once and for all. After falling out of windows, dying while in custody under mysterious circumstances seems to be a favored way for the dictatorship to get rid of people it doesn't want around.

A Russian businessman charged with bribing senior Defense Ministry officials on behalf of suppliers has died in pretrial detention, according to a member of the country's human rights council. Igor Kotelnikov, 52, died on July 8 after feeling unwell in the Moscow pretrial detention center, Yeva Merkacheva said. She did not give a cause of death but said he had been held in a part of the center that has tough conditions. "Rights defenders, examining the pretrial detention center, repeatedly noted that these cells are packed with people. [The cells] are small, hot in warm weather, cold in the winter. In addition, some detainees sit there all day," Merkacheva wrote in a column for the popular daily Moskovsky Komsomolets. She said that Kotelnikov's death was not the first in such cells and that other detainees have committed suicide. Kotelnikov allegedly operated as a middleman in the bribery scheme that rocked the ministry earlier this year, leading to the arrest of former Deputy Defense Minister Timur Ivanov and two other businessmen. Kotelnikov denied the charges.

The Russian defense establishment is notoriously corrupt. Kotelnikov probably knew a lot about the sleaze.

According to the Telegram channel CHEKA-OGPU, officials from the Federal Security Service (FSB) visited Kotelnikov in detention on several occasions to encourage him to finger Ivanov. The channel claimed that when Kotelnikov refused, the FSB officials began pressuring him and later moved him to a punishment cell. CHEKA-OGPU is reportedly close to Russia’s security services. According to the Telegram channel, prison doctors said Kotelnikov should not be held in a punishment cell due to chronic illness and had him sent back. However, prison officials, allegedly under FSB pressure, had him returned, CHEKA-OGPU said. Ivanov, who oversaw the military-industrial complex for the ministry, was arrested in April on charges of taking more than 1 billion rubles ($11.4 million) in bribes from contractors. Ivanov, whose family flaunted its wealth, has denied the charges.

A reminder that this régime is admired by many Republicans in the US who are hoping for a Putin victory in Ukraine – despite the endemic incompetence and corruption in Russia's military. Russia is their model for how to run a country.

[opera-ghosts]

OTD in Music History: Legendary composer, conductor, and virtuoso pianist Sergei Rachmaninoff (1873 - 1943) makes his first public appearance as a concert pianist, at the “Moscow Electrical Exhibition” in 1892. Among other things, he performed his own “Morceaux de Fantaisie” (Op. 3) -- a then-four-part piano suite which included one of the most famous pieces he would ever compose, the “Prelude in c#.” Rachmaninoff was paid 50 rubles for this appearance. That doesn't mean much to us today... so as a point of comparison, we can note that he was paid only *40* rubles (which was still approximately two months’ worth of wages for a common factory worker in Russia at that time) by a music publisher in exchange for the *copyright* to the entire “Morceaux de Fantaisie” set. Of course, had Rachmaninoff merely held onto the copyright in the Prelude in c# *alone*, it would have made him a fortune down the line… Rachmaninoff originally conceived of the “Morceaux” as a set of four pieces, but he ended up adding a fifth piece after reading an interview which Pyotr Tchaikovsky (1840 – 1893) granted to a Russian newspaper critic a few weeks after his debut public concert, in which he cited Rachmaninoff as one of the most outstanding young musicians in Russia. Rachmaninoff idolized Tchaikovsky, and was thrilled by this praise. As he later recounted: "I immediately sat down at the piano and composed a fifth piece (the ‘Serenade’) on the spot." Rachmaninov premiered this five-piece version of the suite at a subsequent concert appearance in December 1892, and two months later he also gave Tchaikovsky one of the first copies of the newly-published score to the set. (Tchaikovsky loved it.) PICTURED: A c. 1900 real photo postcard, showing a young Rachmaninoff as he would have appeared at the beginning of his international concert career.

[air-mechanical]

Who wants to bet that Margo kept Segei's ruble tips for the rest of her life. Folded up in her bag or wallet. Kept with other valuable items.

She accidentally spends one during her time in Russia and is distraught.

Or maybe the Soviet currency changes and this old note isn't accepted. And Margo's so relieved to get it handed back.

[workersolidarity]

🇷🇺🇨🇳 🚨

RUSSIA, CHINA AND BRICS PREPARE MASSIVE BLOW TO US DOLLAR DOMINANCE WITH LATEST CURRENCY MOVES

The BRICS trade organization, with the backing of the Russian Federation and the People's Republic of China, is preparing a major blow to U.S. dollar dominance in the global economy with an expanded payments system for trade between nations that will not be pegged to the U.S. dollar, according to reports in the Russian media.

The report, published in Russian news outlet Ria Novosti, stated that a new decentralized, blockchain-based international payment system, known as BRICS Pay, will make it possible to bypass Western sanctions while boosting the economic influence of BRICS, BRICS member states, as well as developing countries that trade with BRICS nations, while accelerating efforts to create a new international trade currency.

The United States sees these developments as a direct threat the U.S. dollar and its status as the World's reserve currency, according to the news outlet, with one of the main goals of the BRICS organization being the avoidance of International dependency on the U.S. dollar for trade outside the Western sphere of influence.

Already, 95% of trade between the Russian Federation and the People's Republic of China is conducted in Yuan and Rubles.

This kind of trade, conducted outside the U.S. dollar, "increases solvency and economic resilience to uncertainties and external shocks," says Shen Yi, the Chief of the BRICS Research Center at the Development Research Institute of Fudon University, as quoted by Ria Novosti.

“Objectively speaking, the diversified development of the international monetary and payment systems is consistent with the changing trends in the distribution of power and the general direction of evolution of the global system,” Yi noted in an interview with the Russian news outlet.

The news agency says the next step in this development is "our own system of international payments."

Recently, Russian Presidential Assistant, Yuri Ushakov, announced the intention of the BRICS commonwealth to create a payment system using a blockchain-based digital currency, with the purpose of developing a modern, effective payment service (BRICS Pay) intended to make international payments between countries "convenient, cost-effective, and most importantly, free from political influence."

"We need to completely move away from the peg [of international trade] to the dollar and Western instruments like [the] SWIFT [payments system]." Ushakov added.

Experts point to a BRICS payment system as a method of avoiding the sanctions of the United States and its Western allies, emphasizing that BRICS countries, and countries trading with BRICS member-states, will be able to perform mutual payments while avoiding the U.S. dollar, weakening the currency's role as the backbone of international payments and the world reserve currency.

The report also adds that a decentralized cryptocurrency payment system based on blockchain technology would be far more difficult to track, helping countries to avoid secondary sanctions while trading with nation-states under economic assault by the West like the Russian Federation.

Furthermore, a BRICS payment system will become a direct competitor to the Western-dominated and controlled SWIFT payment scheme, strengthening multipolarity in global finance and undermining the dictats of the United States and the European Union, while increasing the financial and political heft of the BRICS organization and its members.

According to Yaroslav Ostrovsky, a specialist in the strategic research department at Total Research, “If this project is implemented, its participants will switch to their own currencies in international payments, without the dollar and SWIFT terminals. At the same time, it is planned that countries outside the bloc will also be able to use the new system. The synergistic effect from such interaction will strengthen the position of BRICS in the global economic system."

Setting up such a payment system will take time, with financial experts suggesting it could take upwards of a year for debugging and implementing the payment scheme, while some experts say the system could become the basis for a future, single, BRICS supranational currency, and perhaps even a direct challenger the U.S. dollar's position as the world's reserve currency.

The new payment system, as well as any future BRICS currency, are a part of a process for which BRICS aims to become a global organization, trade union, and international financial association in direct competition with the Western-dominated international trade system, based on the U.S. dollar, that is currently wielded as a weapon against the adversaries of the West through its sanctions regime and it's control over International institutions.

#source

#photosource

@WorkerSolidarityNews

[phonemantra-blog]

Back in October it was estimated at 178 million rubles The head of the Ministry of Eastern Development Alexey Chekunkov at the exhibition-forum “Russia” at VDNKh spoke about the increase in the base cost of the Baikal aircraft. As the official noted, the price will exceed 200 million rubles.  [caption id="attachment_84363" align="aligncenter" width="780"] aircraft[/caption] The base price of the light-engine aircraft “Baikal” will exceed 200 million rubles Alexey Chekunkov explained: I think that taking into account leasing payments, its total cost will be slightly higher than 200 million, however, by lengthening the leasing period, the efficiency for Aurora is maintained. Chekunkov emphasized that the cost depends on the configuration of the aircraft. Let us note that this is not the first “rise in price” of Baikal. Initially, it was expected that the aircraft would cost about 120 million rubles, but in October 2023, the Russian Presidential Envoy to the Far Eastern Federal District, Yuri Trutnev, announced that the estimated price had increased to 178 million rubles.  The light multi-purpose LMS-901 “Baikal” should become a replacement for the Soviet An-2. The nine-seater aircraft can reach a cruising speed of 300 km/h and fly over distances of up to 3 thousand km, and with a payload weighing 2 tons - 1.5 thousand km. The first Baikal aircraft are planned to be produced in 2025. 

[algebraicvarietyshow]

Iryna Dyagileva’s daughter attended a school where the curriculum included memorizing the Russian national anthem. But teachers ignored it, instead quietly greeting students in the morning with a salute: “Glory to Ukraine!”

The occupation authorities asked Olha Malyarchuk, a clerk at a taxi company, to settle bills in rubles. But she kept paying in Ukrainian currency, the hryvnia.

“It just didn’t work,” Ms. Malyarchuk said of the Russian propaganda that was beamed into televisions and plastered on billboards for the nine months of Russia’s occupation of Kherson. On Sunday, she was walking in a park, waving a small Ukrainian flag. One roadside billboard proclaimed in bold text, “We are together with Russia!” But a teenager who offered only his first name, Oleksandr, had shinned up the supporting pole and was tearing the sign to pieces. Asked how he felt, he said, “Free.”

és:

“Thank God for America, Canada and Great Britain, and thank God for Grandfather Biden,” she said, noting the Western military aid that helped Ukraine repel the Russians from her city.

[witekspicsbanknotes]

Russian souvenir golden banknotes of 100 rubels for collectors with cosmonauts.

[solbit-fox]

tl;dr today, earnings of Cheburashka’s liveaction + cgi movie are 3 billions of rubles on domestic market and people behind it hope it’ll get some sequel!

I’m very happy! You can’t imagine how much, I even did a little dance in my room =D 

My (mostly) manual translations of two recent TASS (Russian informer) articles are below.

----

''Central Partnership'' commented on success of ''Cheburashka'' movie. The company noted that this success speaks about desire of viewers to watch big films that are filled with various events.

Moscow, January 9, TASS. ''Central Partnership'' hopes ''Cheburashka'' movie would get a continuation, because success of the movie directed by Dmitry Dyachenko speaks about desire of viewers to watch big films that are filled with various events. Press services of ''Central Partnership'', the movie's distributor, told TASS.

According to data of Unified Federal Automated Informing System of data about movie showings in cinemas, earnings of ''Cheburashka'' in box offices surpassed 3 billions of rubles on Monday.

''Success of ''Cheburashka'' tells us that the audience continues visiting cinemas and is ready to watch big and ''filled with events'' full length pictures of quality on big screens. <...> ''Cheburashka''s success is a result of huge and synced work of teams behind Yellow, Black and White studio, tv channel ''Russia 1'', ''Central Partnership'', and also online cinema START and ''Soymuzmultfilm'' studio. We're all hoping there'd be a continuation'' - said representatives of the agency.

----

Cheburashka's movie became the most profitable Russian movie in history of domestic showings. The comedy featured outraced "Холоп" of Klim Shipenko in box office.

Moscow, January 10, TASS. Family comedy ''Cheburashka'' directed by Dmitry Dyachenko "Холоп" of Klim Shipenko in box office and became the most profitable Russian movie in history of domestic showings.

This is evident by database of Unified Federal Automated Informing System of data about movie showings in cinemas (ЕАИС) that is operated by Movies Fund.

According to the data, ''Cheburashka'' movie earned 3 082 245 827 rubles (starting with January 1, first day of its showings). Overall earning of "Холоп", according to information on ЕАИС's site, resulted into 3 082 031 790 of rubles. ''Cheburashka'' managed to outrun "Холоп" on day 10.

''We're very glad that Cheburashka and all movies of New Year's showings allowed cinemas to profit and that viewers could believe the stories and enjoyed going to cinemas. It's too early to talk about recovery of cinemas, but the industry does maximum efforts to achieve it'', - Eduard Iloyan (gen. producer of Yellow, Black and White company) told TASS.

Answering reporter's question whether to expect ''Cheburashka''s continuation or not, Iloyan said they would have to wait until movie's showings end, ''so as to discuss such opportunity with partners''.

The family comedy feature talks about new adventures of Cheburashka in a small seaside town, he gets to from a far away land of orange fruits. Main roles are performed by Sergei Garmash, Elena Yakovleva, Polina Maksimona, Fyodor Drobronravov, Sergei Lavrygin and other actors. Cheburashka was voiced by Olga Kuzmina.

[anironsidh]

I posted 594 times in 2022

32 posts created (5%)

562 posts reblogged (95%)

Blogs I reblogged the most:

@fanficmemes

@sir-libearian

@ringsandbutterflies

@deadandphilgames

@strange-aeons

I tagged 390 of my posts in 2022

Only 34% of my posts had no tags

#dan and phil - 50 posts

#daniel howell - 44 posts

#phan - 30 posts

#ospbb 2022 - 26 posts

#danisnotonfire - 24 posts

#phandom - 24 posts

#old school phandom big bang - 22 posts

#anastasia - 21 posts

#anastasia 1997 - 20 posts

#dracula daily - 18 posts

Longest Tag: 127 characters

#update everyone tagging this with their/their friends fav ocs is so cute i love you people im scrolling thru my notifs in tears

My Top Posts in 2022:

#5

Day three of maylorweek 2022, still going strong, a mood board for a single parent Roger x teacher Brian au I'm working on 😁

@beatlegirl1968 #maylorweek2022

24 notes - Posted July 23, 2022

#4

For the @phandomgiftexchange , my gift for @upintwenty ! I based this off of the prompt, slice of life and fluff, and the idea of the fic that I thought of (between ospbb and work it didn't happen lol) but I was glad to be able to practice my art skills 😁

I used magic poser and Sketchbook for this piece, then InCollage to add the watermark and edit slightly. Tumblr messed with the quality, but I hope y'all like it 😄

26 notes - Posted July 9, 2022

#3

For day four of Maylor week 2022, an old married couple type aesthetic 😁

@beatlegirl1968 loving this prompt for today!

30 notes - Posted July 24, 2022

#2

Presenting my @carryonthroughtheages art piece!

Continuing on from my Anastasia obsession (literally just did an Anastasia au for the ospbb), that's the theme for this art! Ft Simon as Princess Anastasia and Baz as Dmitri!

Using MagicPoser and Sketchbook, one version without the background.

40 notes - Posted September 17, 2022

My #1 post of 2022

Knew I'd Find You Again || OSPBB fic 2022

Announcing my fic for this year's @oldschoolpbb event, an Anastasia au combining the movie and musical, from the end of the Russian empire to the wonder of Paris. Featuring Phil as the missing Grand Duke Philip Lestov of Russia and Dan as Daniel Howlov, a conman working alongside Cornelia in a scheme to find an imposter and gain a reward while finding the real thing on the way. They must stay one step ahead of Deputy Commissioner Kolya Petrov, set on finishing his father's mission, and Rasputin, determined to end the Lestov line for good.

In the twilight of the Russian Empire, the younger son of Czar Nigel Lestov finds an unlikely friend in a kitchen boy with a very different past. Philip Lestov has no idea what is to come, this future with his new friend stretching out as far as he can see, and Daniel Howlov gets a glimpse at a world so far from his own. Ten years later, the czar and his wife are dead and their older son is left to live with his grandmother in Paris; far from the new regime that wants the Lestovs dead. The young tsarevich Philip has gone missing while rumors fly of his survival. The dowager Empress has offered a reward, ten million rubles for her beloved grandsons return, a reward that does not go unnoticed by now conman Daniel Howlov and his close friend, former Duchess Cornelia. When they come across a man with no memories and a resemblance to the prince, the two hatch a plan. Followed closely by Kolya Petrov, an officer set on completing his fathers mission, and the mystic Rasputin, who wants nothing more than the death of the last Lestovs, they must journey to Paris with their fake prince. Instead of a reward, they find something much more unexpected waiting for them. Dan counted on a way out, not falling in love. (og in notes)

Featuring @spoiledmuffin and @husbants as my wonderful beta readers, and the amazing art of @paradisobound ! Header by me with photos from pinterest, edits of dnp were done by me as well.

Read the fic below, and enjoy!

111 notes - Posted June 9, 2022

Get your Tumblr 2022 Year in Review →

(This feels accurate, love that dnp took over lmao)

[mariacallous]

On October 17, the Russian State Duma approved the first reading of a bill that would make so-called “childfree propaganda” punishable by a fine of up to five million rubles. The initiative comes amid the Russian authorities’ ongoing push to increase the country’s birth rate by pressuring women to have more children, a campaign that includes stigmatizing and restricting access to abortion, introducing “family values” courses in schools, and encouraging childbirth in popular media. One example of this last effort is the reality show Mom at 16, previously called Pregnant at 16. Meduza has translated an excerpt of Mediazona’s reporting on how the series is being used to further the government’s pro-natalist aims.

“At first we used protection, but then we stopped — we decided, screw it,” says Anya, a 17-year-old from the Far Eastern city of Amursk. Anya’s story is the focus of an episode of Mom at 16, a reality show on the Russian TV channel Yu that profiles teenage girls navigating unplanned pregnancies with their boyfriends, who are generally older than them.

The show’s narrator explains in a voiceover that Anya lost both parents at a young age, after which she was raised by her older sister. Early in the episode, viewers meet Anya’s boyfriend Semyon, an 18-year-old welder-in-training with a buzz cut and a spider web tattoo. Anya recounts how their first date was in an apartment building entryway, while their first time sleeping together was “At Semyon’s grandmother’s place.”

Over the hour-long episode, Anya faces a host of challenges, including the discovery that Semyon is inclined to “disappear and party” — though she quickly forgives him and decides he’s just “learning to be a father.” By the end of the episode, the couple welcomes a daughter, Yesenia, and Anya encourages other young women in her situation to “keep the baby and not be afraid.”

Another episode profiles Kristina, a 17-year-old from the Siberian city of Tyumen, who gets pregnant from her 19-year-old boyfriend Sasha. “He’s a musician, he writes raps — and I think that’s so cool,” she says at the start of the show. By the end of the nearly 1.5-hour episode, however, we learn that Sasha left Kristina for his ex-girlfriend while Kristina was still pregnant with their daughter.

“A child brings happiness, no matter what,” Kristina says at the end of the episode. “They’ll never leave you; to them, you’re number one. All that talk of ‘you’ll be left alone with a child’ — that’s nonsense. You’re never alone with your child.”

Until this year, Mom at 16 was titled Pregnant at 16; in January, however, it was rebranded with no explanation. Each episode now starts with the girls saying “I’m expecting a child” rather than “I’m pregnant.”

“Yu is a reality show network about the most important things for a young woman: family, children, mothers-in-law, moms, friends, and, of course, love,” the channel’s website reads. The site defines the network’s target audience as women aged 14–44, and its other shows have titles such as Supermom, Maternity Ward Days, Call Me Mom, and Mom at 45.

Many Mom at 16 viewers note in the YouTube comments that in contrast to past seasons, the girls on the show now appear never to even consider getting an abortion. Fans have also begun complaining about the show’s repetitive, contrived storylines: in a typical episode, the young mother feels uncertainty and fear, but then she talks with her loved ones and sees their enthusiastic support. There’s almost always a happy ending.

“Before, Pregnant at 16 was like, ‘Think hard — pregnancy is a big responsibility.’ Now, Mom at 16 is like, ‘Have kids as soon as possible,’” one commenter wrote.

The change from Pregnant at 16 to Mom at 16 has come against the backdrop of the Russian authorities’ ongoing efforts to encourage childbirth by curtailing access to abortion, outlawing abortion “propaganda” in some regions, and advancing national legislation to ban the “childfree” movement.

According to experts who spoke to the outlet Holod, however, if Russian policymakers want to effectively address the country’s falling birth rate, they should focus on ending the war in Ukraine, promoting immigration, and reducing economic inequality.