#Return of the Romantic

[thetunesclub]

Lean into the enticing melodies of Julie Rand’s ‘Return of the Romantic’

[p4nishers]

i cant get over the ball being so CLEARLY all for crowley i can't get over aziraphale trying to woo him with a WHOLE FUCKING BALL because that's what he knows that's what romance IS for him because he's been wanting to dance with crowley ever since dancing was invented and he's so stuck in time with the way he dresses and talks and he still thinks a dance is the high of romance AND HE MADE A WHOLE ENTIRE FUCKING BALL FOR CROWLEY JUST SO HE COULD DANCE WITH HIM like now it's so fucking obvious he gave away his BOOKS without a second thought and it was all for crowley he organised a whole JANE AUSTEN THEME BALL just so he could have an excuse to finally dance with the love of his life and i can't get over this i'm shaking my fists and pacing up and down he did not give a single fuck about anything other than dancing with crowley and HE BARELY TOUCHED OTHER PEOPLE'S HANDS WHILE HIS WHOLE FUCKING PALM WAS PRESSED TO CROWLEY'S AND i need to lie down

[crumb-crumblet-s-crumbington]

lethan dating shenanigans

[forestangel]

the heart palace from the game alice madness returns

[mando-din-lorian]

✨ Manifesting Bobadin for the finale ✨

[metamorphesque]

Returning Home, Alex Venezia

[scullysflannel]

knocked the wind out of me

[platoapproved]

OH NO I'VE JUST REALIZED SOMETHING. It's so obvious how did I just catch it.

So Lestat and Armand meet up earlier in Memnoch the Devil, and Armand is wearing all denim and is super dusty. Lestat sees him and lovingly thinks about wanting to clean him up, do his hair, etc. Armand responds 'yeah, you're always wanting that, back in Paris you wanted to perfume me and comb my hair and put me in velvet and embroidery'. (see here for excerpts)

WHEN LESTAT GETS BACK NEAR THE END OF THE BOOK ARMAND IS WAITING FOR HIM! Wearing velvet and embroidered lace! He has left his hair down and uncut like it was back all those years ago in Paris, only it's cleanly washed. (see here for excerpts)

He.... he gave himself the Lestat-likes-it-when-I-look-like-this makeover while Lestat was out.

[yuckysid]

[justaz]

merlin being so overwhelmed by everything he’s been put under, crumbling under the weight of destiny and being pulled in so many different directions he’s being torn apart, going to the one person who can offer him the most comfort out of everyone, his best friend, his other half. arthur who doesn’t realize whats happening until he turns and sees merlin’s desolate expression and tear filled eyes. merlin going “i know you are king (or prince) and you refuse to call me your friend, but you are mine and i really, really need my friend right now.” and before arthur can manage a word, merlin is stumbling forward into arthur’s arms and pulling him into a desperate hug, muffling his sobs as best he can but arthur can still feel the tears soaking his shoulder. arthur not asking any questions and just wrapping his arms around merlin while he breaks down.

[thetunesclub]

Give your musical soul a treat with the romantic love song 'Return of the Romantic' by Julie Rand

[yuripira4e]

thinking about this one Superbat fic I read where they had to fake date or whatever but in it while they’re still in pre- relationship, they like fall asleep in the same bed, play games with their kids, and like shower while the other one is also in the bathroom and it’s like “oh yeah they’ve dealt with shit from crying into the others shoulder to literally trying to fuck each other during sex pollen episodes; there’s no world where they’re not the epitome of comfortable with each other even if they don’t think the other one returns their romantic feelings” and I just have to say I agree and I think about that hc at least once a week

[supermarine-silvally]

People rightfully talk about how devastating romantic solavellan is, but I think platonic solavellan can also be extremely devastating.

Like, my main Inquisitor was a Dalish rogue. She had no experience of magic, or the Fade, or anything like that before accidentally stumbling into the whole Corypheus ritual thing. Solas saved her life. He was by her side when she was confused and scared and trying to figure out what the hell had happened to her while all these humans were accusing her of a terrible crime she didn't commit. He helped her learn how to use the mark to seal the rifts; helped her understand what her new abilities were and that they were needed. When the humans began to call her the herald of a divine figure she didn't worship, Solas was the one person she could turn to when it all started to get a bit much (my Inquisitor was very much a Life of Brian-esque "I'm not the Herald of Andraste!" type). The conversation they have in the snow after everyone gathers together to sing "The Dawn Will Come" is such an important moment. Two elves, in the midst of a struggle fundamentally elven but that human beliefs had managed to co-opt.

Solas was her mentor. Her friend. Someone who opened her eyes to the vastness of the world; who complicated things she thought she understood. And she listened to him with an open mind and heart in turn. She was living proof that his unpleasant encounters with the Dalish were not universal. She had accepted her mortality, her lack of magic, because she knew no other way to be, and it probably broke his heart that he knew that HE was the one who had taken it from her. idk I'm just obsessed with all the dialogue that implies that the Inquisitor, through befriending Solas, changed a lot of his opinions about the modern world (modern elves especially), but that it wasn't enough to make him accept the world as it was in the end

idk man. platonic solavellan. really looking forward to seeing how it all plays out in veilguard.

[drulalovescas]

When Cas confessed Dean his love, he had no expectations. He just wanted to say it. He just wanted for Dean to know he was loved unconditionally.

[atopvisenyashill]

i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-

Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.

Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.

I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.

[gldnstrngs]

merthur reunion where 1500 years later merlin can feel avalon calling to him for the first time since arthur died so he goes there but doesn’t let himself hope that arthur might actually return but then arthur bursts from the lake and merlin immediately runs in to hug him all the while the bridge of hurts like hell by fleurie plays in the background