#QUEERS HAVE TO GO GO TO THE QUEER DIMENSION

[real-aether]

QUEER PEOPLE AREN'T REAL ANYMORE NOOOOOOOOO

[thereareeyesinsidethetrees]

stan: how can you be polyamorous and aroace, or…whatever mabel called it?

ford: in my case, i have my family and i have my platonic polycule. i would prefer to never have to interact with anyone outside these two groups

stan: what about soos and wendy? they’re not in either of those groups

ford: first of all, i am soos’ uncle, second of all, are you saying you don’t believe i would both die and kill for wendy?

stan: you’ve got a weird way of defining family, six

ford: it’s my favorite way

[unhauntng]

completely sidestepping the rat grinders redemption discourse (and please don’t infer my feelings about it based on this post) to say that my personal and funniest hope for the season was that kipperlilly and kristen would be the most toxic yuri of all time, and i’m devastated we lost that

[carnilia]

I’m watching A Starstruck Odyssey and Beardsley is in a white button-down with tie under a leather jacket and I am feeling totally normal about it completely and utterly normal and looking in a respectful way thank you that is all

[the-lark-ascending69]

If Robin were a boy she'd be everyone's favorite character but since she's a girl she only gets to be Steve's gay best friend.

[bugbrews-creations]

VARNA FARAGHER, 1/4, just like she's the #1 Realmguard.

Varna's a Realmguard, essentially a cross between a knight and a defender of her universe. She's both the oldest, and highest ranked Realmguard, with her title being "Keeper of Overmorrow", and her being currently 1078 years old.

She's as prevalent in Realmal tales as a tricky fox or a wise owl are in fables and fairytales, known for having eyes that seem to know just a bit too much, and the ability to body any threat that comes her way. I'm not joking when I say she's a legend.

She's actually Covel and Pursival's guide trying to get them where they want to go. Though her help is extremely appreciated, and she does her best to get them where they need to go, her being the Realm Guard to assist them makes the journey feel less like an average adventure, and more like a legend in the making. Which rightfully unsettles Pursival.

(I'll be making a reference for her arm and gun later down the line!)

[mantisgodsdomain]

Apparently there's a fic reading challenge thing this year, but after doing a quick skim of the goals... we don't think we'll be touching it with a ten-foot stick. Some of these goals put a VERY bad taste in our mouth. The idea of a "diversity checklist" isn't supposed to be... literal, we don't think? No? We're remembering that one quote about "listening to people of color being like eating your vegetables for white activists" and we're feeling like it may actually have been understating whatever the hell is going on here.

[accessible-flatland-art]

[ID: A digital drawing showing original designs for A Square and the Sphere from the book Flatland: A Romance of Many Dimensions, drawin against a pink background. A Square is dark blue with a white outline, four stubby legs, two tiny front arms, and a monacle. The Sphere is gold-orange, with two eyes with yellow sclera, small red irises, two small eyelashes on the bottom corner of each eye, and a red bowtie. He has a large yellow spot on his forehead, overlapping with a darker orange ring around one eye. There are three orange stripes on one wrist, and his other hand is orange. First A Square is drawn saying, "I hate woman", while the Sphere looks at him, thinking, "gay?" Then A Square is drawn by himself off to the side. Finally the Sphere is drawn showing A Square a cube, while A Square looks up at him with a blush, thinking, "yaoi". End ID.]

(Archived read-more link)

final a square and sphere designs (LIES . i will probably tweak them later)

also littel rant under the cut because . the hyperfixation has me in a chokehold i need to rant about how much i love this book (and hate the movie)

now that i've almost finished the book and am also reading the simplified version i'm honestly shocked about how bad the movie is in comparison, not just because the creator is disgusting, but of how much was changed and how it completely missed the point of the satire??? especially the personalities and the entire spaceland segment . actually crazy i think sphere being an asshole is kinda funny but sphere being a kind guide makes a lot more sense and i think i like it better actually, same for a. square him being a pathetic wet noodle just randomly put into another dimension is fucking hilarious but him being a bigot makes way more sense

i was also pleasantly surprised that the book is not only about how a 2d society could work but its a satire of society ??? like what thats so interesting ???? and i am sucker for horrible unjustified characters so i love a. square even more now

the best part about the book being a satire is that the creator of the movie (ladd ehlinger) didn't get the fucking point of the satire which . is SO FUCKING FUNNY how do you make an adaptation of a book without realizing ITS LITERALLY MAKING FUN OF PEOPLE LIKE YOU

anyway boooo bad movie booooooooooo read the book

[rooniper]

Hot take: the Spiderverse movies are quite possibly the most relatable superhero movies I’ve ever experienced because I’ve never seen a superhero movie nail the ‘being queer and closeted’ experience down to a T

Like the AMOUNT of experiences they get down so well is just

- not feeling accepted anywhere, even within your own community sometimes, feeling like a mistake no matter where you go

- hiding half your identity from your parents (I swear to god that scene where Miles is about to tell Rio he’s Spiderman in ATSV is literally me trying to come out to my parents and chickening out, it hurt to watch)

- fearing rejection from your parents (“Dad, do you really hate Spiderman?”)

- finding out the people you look up to and trust wouldn’t accept you and would actually try to harm you and the sheer terror that comes from it (god the Prowler reveal in the first movie still hurts me)

- gravitating more and more towards friends who are also queer because they get you (aka the spideys from different dimension just gravitating together)

- just. having a secret identity, in general

- the underlying theme of the movies that despite anything, despite the world rejecting you, despite your own community rejecting you, you are valid and you are loved and you should never forget that (which is not an inherently queer experience but g o d)

I could go on, but. Just. Dammit, these movies mean so much to me.

[makingqueerhistory]

Spooky Queer Books

Since spooky season is starting, I thought I would share a list of my favourite queer books that are great for this time of year.

Some of these links are affiliate links.

It Came from the Closet: Queer Reflections on Horror

Joe Vallese

Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes--such as the circumspect and resilient "final girl," body possession, costumed villains, secret identities, and things that lurk in the closet--spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.It Came from the Closet features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer's Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

Into the Drowning Deep

Mira Grant

The ocean is home to many myths, But some are deadly... Seven years ago the Atargatis set off on a voyage to the Mariana Trench to film a mockumentary bringing to life ancient sea creatures of legend. It was lost at sea with all hands. Some have called it a hoax; others have called it a tragedy. Now a new crew has been assembled. But this time they're not out to entertain. Some seek to validate their life's work. Some seek the greatest hunt of all. Some seek the truth. But for the ambitious young scientist Victoria Stewart this is a voyage to uncover the fate of the sister she lost. Whatever the truth may be, it will only be found below the waves. But the secrets of the deep come with a price.

The Devouring Gray

C. L. Herman

After her sister's death, seventeen-year-old Violet Saunders finds herself dragged to Four Paths, New York. Violet may be a newcomer, but she soon learns her mother isn't: They belong to one of the revered founding families of the town, where stone bells hang above every doorway and danger lurks in the depths of the woods. Justin Hawthorne's bloodline has protected Four Paths for generations from the Gray--a lifeless dimension that imprisons a brutal monster. After Justin fails to inherit his family's powers, his mother is determined to keep this humiliation a secret. But Justin can't let go of the future he was promised and the town he swore to protect. Ever since Harper Carlisle lost her hand to an accident that left her stranded in the Gray for days, she has vowed revenge on the person who abandoned her: Justin Hawthorne. There are ripples of dissent in Four Paths, and Harper seizes an opportunity to take down the Hawthornes and change her destiny--to what extent, even she doesn't yet know. The Gray is growing stronger every day, and its victims are piling up. When Violet accidentally unleashes the monster, all three must band together with the other Founders to unearth the dark truths behind their families' abilities...before the Gray devours them all.

Tell Me I'm Worthless

Alison Rumfitt

Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice's life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep. Memories of that night torment Alice, but when Ila asks her to return to the House, to go past the KEEP OUT sign and over the sick earth where teenagers dare each other to venture, Alice knows she must go. Together, Alice and Ila must face the horrors that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, whom the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I'm Worthless is a vital work of trans fiction that examines the devastating effects of trauma and how fascism makes us destroy ourselves and each other.

[cricket-of-the-hill]

So what's the deal with Fiddleford McGucket? Why's he like that?

Fiddleford as a character is so FUN because he's so complicated and tragic and honestly a little pathetic. On one hand you have this absolutely brilliant scientist with the potential to have been the in universe Steve Jobs who figured out that the universe is a hologram and built an honest to betsy transdimensional portal (with Ford's help, yes, but let's be honest: as mathematically brilliant as Ford was, I think his intelligence laid more in the theoretical side of things, really doubt he could have actually built the portal himself).

On the other hand, we have this man who up and leves his FAMILY to chase after a college friend who calls him one day saying "hey, I'm out in Oregon building a portal to another dimension. Little help?" and he doesn't even think twice before being like "bet" and getting his ass to Oregon. And even if you take in the context clues that things weren't going well with his marriage before he left (as pieced together by the brilliant @divorcedfiddleford in this post), he still had his son and McGucket Computermajigs and he just sets all that aside for this guy, which... 😶

I am gonna write this whole post on the assumption that Fiddleford was in love with Ford, but look, even if that's the case it doesn't make any of his actions less unhinged. Break here, because the post gets kinda long 😶‍🌫️

So here's the thing: in the fandom, it's fun to think that Fidds knew about Bill and they had some sort of taunting rivalry/love triangle thing going on and that's really fun to mess with, but FIDDLEFORD HAD NO IDEA ABOUT BILL. Ford never told him! So even if Fidds leaves California thinking he's gonna have his hot girl summer/queer arthouse romcom where he reconnects with the love of his youth and they spend the summer working in this secluded house in the woods where they can finally live out their romance, what he actually gets is a fucking psychological horror thriller where the guy he loves and is kinda trapped with is either slowly going insane or straight up getting possessed.

Now, all that is 😵‍💫 enough, but it gets worse because instead of doing the normal person thing and getting the hell out of Dodge, Fiddleford stays. He continues to help Ford to build the portal despite how weird the other man is getting, he continues to go cryptid hunting even after the nightmare goblin almost eats him, even if Ford clearly doesn't appreciate the work he does (research assistant? Not even partner? Come on), and never reciprocates the kind of gestures Fidds has towards him (like the infamous double Christmas gift bonanza).

Here's where the duality of Fiddleford Hadron McGucket kicks in: the thing is that he is incredibly brave in some ways and obviously really smart but also kind of a coward and an idiot when it comes to his relationships with others. He'll hit Thee Krampus upside the head with his banjo one day to save his friend and run away to Oregon instead of discussing divorce with this wife the next. He will leave everything he knows to pursue this one guy, but he will never ever ever confess to feeling anything other than friendship towards him. He'll put up with Stanford's creepy as all hell behavior but will never confront him about it even as Ford loses more and more of himself into his project (so no little intervention not even to help this man he's giving so much up for). Like, what was he expecting to get out of all this? If he was never planning to confess to Ford or leave his wife, what was he going to do once the portal was completed? Just keep on bouncing between wherever Ford went next and his family? Did he really think his wife and son wouldn't mind him leaving them behind without so much as a thought?

Operating under the assumption that Fiddleford is a closeted queer guy from rural Deep Down South Hillbilly County Tennessee (said with love, I'm also from the south, but we all know what homophobia looks like here) during the '80s (height of the aids pandemic which would have made everything worse) one can maybe understand why Fiddleford is like that. Why he is so so so afraid and why he ultimately chooses to erase his memories rather than just go back to his family.

So picture this: you are in love with your best friend but you can't tell him 'cause best case scenario he leaves you out to dry and worst case scenario maybe someone finds your boots down by the river and lets your parents know (and we know Ford is sweet and fruity himself and with a thing for outcasts and would never. Fiddleford probably knows that himself, but let me tell you that when you grow up with that fear it goes deep. Because you've most likely seen people who are kind get absolutely bent out of shape when confronted with the mere idea of someone like you existing in their near vicinity). Eventually, you get married and have a son because that is what you were supposed to do all along and even though you love your son and maybe even love your wife everything feels wrong. They expect you to be something you are not, you can never let your guard down, never be yourself, not even in your own home. So then that call comes and it's like a golden thicket: you can leave, give it a rest for a little while, go see your friend, stretch out those inventing muscles.

As much as the fandom clowns him for it, I honestly don't even think he went out there with the intention of cheating (emotionally or otherwise). BUT I do think he was hoping something would happen. It's just that it all depended on Ford taking that first step because Fidds sure as hell wouldn't. And then Ford didn't because he was too busy doing the sin cos tan with his trigonometry homework, but if he had, we could have had a brokenback mountain situation on our hands, lads. Then Fiddleford could have just gone along with it, and done all sorts of mind parkour to convince himself that that's somehow less bad than "outright" cheating on his wife.

So he gets to the cabin, right? And maybe things are good for a little while, like when they were in college. Fiddleford lets loose a little, Ford is happy with the company, they're friends! And I get the sense that they're the kind of friends that mesh really well, like their energies really match. As much as the fandom paints Fiddleford like a sweet cinnamon roll, that man is also a freak. He's out here building psychotic post divorce revenge pterodactyl robots and drinking abducted cow milk just to see what it's like. He's a bit unhinged! He and Ford are the two people in the world that can be like "I think the universe is a hologram." "Cool! Let's prove it mathematically, bro" and "I want to build a portal to another dimension. Just cause." "Catching a ride to your place with my toolbox as we speak, buddy." (My own personal head cannon is that Fiddleford didn't really become such a shaky jelly until the nightmare goblin got him. Like, he was never as adventurous as Ford, but I think before that particular traumatizing event he was all right for it).

Anyways, things are good for a bit, but the real world is still out there. Fiddleford has to make trips home every now and then, and every time he comes back it seems like something is different. A little off. At first it's nothing big, just a smile a little sharper than usual, a coldness in a look, Ford calling him "Specs" where before he was always a variation of his name. Then it's pointed comments that Fidds chalks up to a lack of sleep (is Ford even sleeping at all? Because he could have sworn for the past three nights he he has appeared in the same place Fidds left him when he went to sleep). Then it's a flash of yellow eyes, a maniacal laugh that Ford never used to make before, spells where he seemingly forgets how to use his body (bumps into things, tries to drink soda with his eyes?). As time goes on it starts to become more and more obvious that something is seriously wrong with this friend. And things back home are just getting worse and worse, Emma May isn't happy about Fiddleford skipping town so often, Tate wont stop asking for him, and look, was Fiddleford even making money while he was with Ford? He gettin' paid? Is Emma May back home trying to bring home the bacon while virtually single parenting? (How was Ford even supporting himself while studying anomalies? I can't imagine there's a lot of grants for that.)

But Fiddleford can't leave his friend and he can't really own up to how much messier things are at home because of this whole thing. So he keeps coming back to Gravity Falls, where he also can't really face up to Ford and either demand a clear answer as to what is going on or try to get him some help (an exorcist, maybe). Because if he does say something and Ford decides that he doesn't want Fiddleford around asking questions he's gonna have to go back home where after the Christmas thing he's honestly not sure he's really wanted anymore, not really sure he deserves it if he still was. So he keeps on doing his thing, telling himself "this is fine 🙂," while he sits in a room on fire with a bill-possessed Ford hanging from the ceiling like a spider and an disapproving Emma May looking in through a window.

I think the portal incident was what finally opened his eyes to the reality of his situation, in an ironic way. He destroyed his relationship with his wife and left his son for nothing. Left his own dreams and aspirations aside just to find out that when push comes to shove his opinion and well-being matter so little to this man he was ready to break the laws of physics for. He can't stay with Ford, and he sure as hell can't go back home, because that would mean having to face that he's done burned down all his bridges. So where do you go from there? Let me tell you, if I had the chance to forget the lowest, most selfish, stupid thing I did for a person who didn't even notice it, I'd do it in a second.

[jabber-wockin]

Jabber's TMNT AU/iteration ask game!

Send an ask with a number corresponding to a question you want to ask about someone's AU or iteration

SETTING:

Where is your au/iteration set?

Do the turtles live in the sewers?

What is the lair like?

Do the turtles have money? If so, how do they get it?

What is the origin of the mutagen?

Is there a battle nexus? Is it a respected facility or operated by criminals?

Are there aliens?

Are there yokai/magical beings?

Are there other dimensions?

Are there utrom/kraang? PLOT:

Who is the main villain?

What is the main villain’s motivation?

Who are some villains that are less of a threat?

What is going on with the foot clan?

Is the Hamato clan history relevant? How did the clan originate?

Were the turtles and Splinter mutated intentionally?

Do any characters get mutated during the story?

Do any characters die during the story?

Do any characters get disabled during the story?

Do the turtles go to space?

Do the turtles time travel?

If there is a battle nexus, who fights in it? CHARACTERS:

Are there any OCs?

Is there a Bebop and Rocksteady?

Is there a Baxter Stockman?

Is there a Bishop?

Is there a Rat King? If yes, can he control Splinter?

Is there a Mona lisa?

Is there a Renet?

Is there a Venus?

Is there a Jennika?

Is there a Slash?

Is there a Metalhead?

Is there a Mondo Gecko?

Is there an Angel?

Is there an Alopex?

Is there a Leatherhead?

Is there a Tang Shen?

Is there a Karai/Miwa?

Is Saki the shredder?

Is Karai/Miwa Saki’s daughter?

Is Karai/Miwa loyal to Saki?

How old is April?

Is April a scientist?

Is April a journalist or reporter?

How old is Casey?

Is Casey a vigilante?

Does Casey play hockey? If so, what position?

Are the turtles the same species?

Are the turtles the same age?

Was Splinter born a rat or a human?

Is Donnie only knowledgeable with technology? If not, what else are they interested in?

Who is the leader of the group? How did they become the leader?

Who is the team medic?

Who is the best cook?

Who is the best fighter?

Are any characters disabled?

Are any characters neurodivergent?

Are any characters queer? CHARACTER RELATIONSHIPS:

Do Raph and Leo fight often?

What is Bebop and Rocksteady’s relationship?

What is Casey and Raph’s relationship?

Is Splinter the turtles’ dad, sensei or both?

How did Splinter meet the turtles?

Is April considered a sibling?

Does April consider Splinter a parent?

How did the turtles meet April?

How did the turtles meet Casey?

Is there a romance? If so, between which characters? SPECIFY A CHARACTER:

What hobbies does — have?

Who is —‘s favourite sibling?

What is —’s favourite kind of pizza

What interests does — have?

What weapon does — specialise in?

Tell us a fun fact about —’s species! EXTRA:

Who is your favourite character?

What character do you relate to the most?

Tell us something you want to share about your au/iteration!

I had help making this, so shoutout to @genderfluid-envy, I had a lot of fun deciding on questions with you! And thanks to everyone else in our discord server who helped out :D

[spyret-the-shitposter]

and now it's time to play WOULD GRAVITY FALLS CHARACTERS RESPECT YOUR PRONOUNS (pre-weirdmageddon) (non gravity falls fans take this as a sign.)

DIPPER PINES - not sure he'd understand the concept immediately, but would catch on quick because he understands what it's like not being called something you want to be called

MABEL PINES - YES. no question about it. there's so many things i could say here. she'd correct herself for THINKING the wrong pronouns.

STANLEY PINES - understands and correctly genders you for all the wrong, crime-related reasons! bro is the king of preferred names. you say "hey i'm actually exam/ple" and he'll be like "AH. I GET IT. WINK. DO YOU ALSO WANT TO BE NOTIFIED WHEN THE COPS ARE IN TOWN" like i cant overstate this. if you say hey i want to change my identity he will pull out a stack of fake IDs and have you pick one. he's a little confused but he got the spirit!

STANFORD PINES - if you ever need a guy to not grasp a modern-day concept, call this guy! he'd do his best, but only because he wants to be nice. he does Not understand. give him a little bit of systematic exposure and he'll get it! he will take a scientific approach! but he'll get it! somebody get this man 2024ccs of woke liberalism stat

SOOS RAMIREZ - calls you dude and bro. does not call you anything but dude and bro. he knows what you are and he respects that! but let's be real honest here.

WENDY CORDUROY - incredibly supportive and super chill. if you were still in the closet, she'd do the mouth zip motion thing. you get it. she's so awesome about you

WADDLES - oink?

GIDEON GLEEFUL - yes to your face! no behind closed doors. he'd probably call you "that queer" while villain monologuing in his room . i can hear it in his voice

BUD GLEEFUL - THE gravity falls homophobic youth pastor let's be for real he'd say "it's not too late to turn to God" as a christian trans person i'm pretty sure God thinks about lgbtq+ kids and fraudulent capitalists on two separate ends of a very long line

SHERIFF BLUBS & DEPUTY DURLAND - do i even have to say it. i'm gonna say it. solid top and DEAD SERIOUS bottom. they ARE the loud and proud gravity falls lgbtq+ community. if they're transphobic i'll eat my socks.

CANDY CHIU - i know what you guys are thinking . "oh candy's so sweet of course she'd respect your pronouns!" CANDY MOTHERFUCKING CHIU WILL NOT ONLY RESPECT YOUR PRONOUNS, BUT SHE WILL GO OUT OF HER WAY TO USE THEM AT ANY POSSIBLE MOMENT. if she sees somewhere to say your pronouns, she will DO it. because she LOVES YOU. and also she'd fight anyone who gets it wrong!

GRENDA GRENDINATOR - trans. she loves you. will help candy fight anybody who gets your pronouns wrong.

FIDDLEFORD MCGUCKET - honestly this is a hard one. he could ACKNOWLEDGE! your pronouns! but other than that i'm not sure. pre-memory wipe, i think he'd feel a little weird about it, but it would become nothing to him eventually

PACIFICA NORTHWEST - "ew. what the fuck." and then suddenly she's asking you how you figured that out. For No Reason

ROBBIE VALENTINO - calls you a faggot. is it because he is homophobic? because he is one? because he hates you specifically? the world will never know

BLENDIN BLANDIN - he lives in the year 207̃012. i find it hard to believe they haven't made respecting pronouns mandatory yet.

AGENTS POWERS & TRIGGER - are the pronouns on your legal documents????? it's not funny stop laughign

TYLER CUTEBIKER - gay. his pronouns are get/it. he will respect you (in his own ways)

LAZY SUSAN - forgets you had the wrong pronouns in the first place. she respects you by default

TIME BABY - does not refer to you

BILL CIPHER - he would call you your preferred pronouns but DON'T get it twisted. he does not respect you as a living thing. it isn't bigoted (that would be ironic considering that whole sixer thing) he just doesn't. maybe he'd make HEAVY fun of you for good measure but he's got to dig at somebody somehow. also were pronouns even real in his dimension anything could happen man ????

SHMEBULOCK - shmebulock

(did i forget anybody? let me know)

[fahye]

book recs: feb 2024

(disclaimer: I have spent nearly three months languishing and sullen with post-COVID symptoms and have read, over dec-feb, eighty-one books. this is a ruthlessly streamlined list of recs that does not include, uh, all the rereading of sarah maclean and charlie adhara and georgette heyer books.)

AT FIRST SPITE by olivia dade - what if I moved in next to the man who ruined my engagement to his younger brother, and tried to ruin his life by playing monsterfucking audiobooks really loudly?? a heartfelt and lovely romance that also expertly sets up a great small-town setting for an ongoing series.

THE REFORMATORY by tananarive due - historical horror based on the existence of a real school for boys, clear-eyed and brutal in showing the the effect of racist systems in the 1950s american south. compelling as hell. even if you're not usually into horror, I'd recommend this: the ghost aspect is light-handed and really not as important as the horror of what humans do to other humans.

SOMETHING WILD & WONDERFUL by anita kelly - this is a m/m romance about walking the pacific crest trail which made me see the appeal of very long walks. a miracle! it's gentle and emotional and well put together; the characters really grabbed me.

THE BELL IN THE FOG by lev a.c. rosen - the followup to 'lavender house', and somehow even better?? a historical mystery series featuring a queer private eye in 1950s san francisco who looks into crimes against other queer people. amazing queer history! ACAB! I hope there are fifty more books in this series.

FEAST WHILE YOU CAN* by mikaella clements & onjuli datta - beautiful, greedy, terrifying small-town horror that is also a fucking fantastic, gorgeously written sapphic love story. this one IS for the horror fans. it gave me the absolute creeps but I couldn't put it down.

LADY EVE'S LAST CON* by rebecca fraimow - I described this on bsky as 'if you like Leverage, space opera, old screwball comedies, and dashing sapphics who are at all times spiritually wearing a leather jacket: this one is for you' and I stand by that. huge amounts of fun.

LONG LIVE EVIL* by sarah rees brennan - I will be screaming from here until forever about SRB's first adult fantasy book. if you like the isekai'd-into-a-villain-character setup and want it to be hilarious, genre-savvy and wildly angry and clever, you will roll around in this like a blood-stained mud puddle and then beg for more.

THE LAST HOUR BETWEEN WORLDS* by melissa caruso - really clever and original fantasy about a woman on maternity leave who gets dragged into saving a cocktail party which is falling through increasingly murderous and bizarre dimensions. LISTEN, JUST GO WITH IT. it's a seriously cool adventure.

YOU SHOULD BE SO LUCKY* by cat sebastian - yes, it's another m/m romance about queer history in the mid 20th century, this one between a baseball player and the journalist assigned to write a story about his slump. made me care about baseball. cat is a genius.

*I read these as ARCs, they're not available yet but consider preordering or keep your eye out for them!

[thewistlingbadger]

Is Spider-Gwen trans: An analysis

After leaving the theater yesterday for Spiderman: Across The Spiderverse, one thought sat in my mind: could Gwen be trans? This may seem like a reach, but just hear me out.

1. Trans Flags

There are two trans flags that I spotted in the movie, both of them are in Gwen's home. In Gwen's room, a small trans flags with the phrase "Protect trans kids" hangs above her doorway. Now, if Gwen isn't trans, then why would she have a trans flag in her room? Most ally's wouldn't have a trans flag in their room. Maybe someone she's close to is trans? There's only 3 people Gwen has in her life. Her father, her dead best friend, and Miles. There isn't any evidence to suggest that any of them are trans. Especially her dad and Peter, since they didn't have much screen time. The phrase is an important clue too. If she was just an ally, why the phrase "Protect trans kids"? Why not "trans rights are human rights"? That phrase is equally as popular and it's more general. Protect trans kids is personal and usually refers to anti trans legislation that affects minors. Gwen is a minor, so is it really too unbelievable to suggest that she has the flag because she's trans?

The second flag is a patch on Gwen's dad's police jacket. Does this flag mean that her dad is trans? Or, is this a dad wearing a trans flag in support of his daughter?

2. Color theory

This is a weak point, but I'm going to include it anyway. Gwen's world is full of pastels. In fact, in most scenes with Gwen in her dimension, the colors light blue, light pink, and white are in the background. Those are literally the colors of the trans flag

3. Spiderman as a trans allegory.

Now, it's no secret that a lot of trans people like the character/concept of Spiderman. For a long time, I, as a fellow trans person, didn't understand the obsession until seeing this movie. A main theme of this movie, if not Mile's franchise, is that anyone can be Spiderman. Anyone can wear the mask, each Spiderperson is unique. Spiderman isn't really a person, it's a concept, and that's why its so applicable to everyone, regardless of who they are. Spiderman is a good person with a "secret" identity who goes trough struggles and also lives a "double life". And when you look at the story like that, the trans allegory becomes clear. Across the spiderverese is a brilliant movie with an abundance of representation. To black spiderpeople, Indian spiderpeople, disabled spiderpeople, hijabi spiderpeople, even spiderpeople who are cowboys and all sorts of other different variants. If all these different people can be Spiderman at the same time, then who's to say there isn't a trans spider person? And who's to say that person isn't Gwen?

So, is Gwen Stacy trans? I don't know, and I'm not saying she is. But I think it's entirely possible and the fact that it is, the fact that any spiderperson could potentially be queer, is something to be celebrated because it opens more doors for representation.

[gallusrostromegalus]

How're gonna go about making Chizuru Likeable? I'm guessing she's Tatsuki's ex?

Well. Uh.

I kinda stripped her for parts.

Here's the thing: besides being a pretty homophobic and creepy joke character, Chizuru... Doesn't do much in the plot, and I already have an enormous cast. It was easier to take her best qualities and assign them to other characters.

Chizuru's guts to be an openly queer minor in 1999? Now part of Tatsuki.

Chizuru's joy at finding a deep friendship with Orihime despite kind of being a little freak? A new facet to Rukia's personality.

Chizuru's ability to notice stuff and do plot exposition? Chad.

Chizuru's deep fascination with Tiddies? Hallibel.

Like an organ donor, the concept of Chizuru lives in in everyone else.

Last I checked, all the women in AEIWAM who are interested in sex are some flavor of sapphic because nearly the entire cast is what could be called Bisexual or Asexual. Though using those terms kind of buries the lead that the actual axis of attraction is not sex or gender, or that the asexuality is something much weirder than simple disinterest. I honestly kind of struggle writing characters with conventional sexualities like "gay" or "straight"! All I got is:

Characters who are attracted to one very specific thing regardless of the gender anymore exhibiting that thing might be

Characters whose sexuality is predicated entirely on emotional reciprocation

Characters with a profound sense of sexuality who don't get to express it because of societal bias like fatphobia, or situational factors like being trapped in another dimension

Characters whose sexuality is primarily defined by their trauma, sexual or otherwise.

Characters who don't know themselves well enough to even know why they find someone attractive

Characters that don't have a sexuality per SE, but they have other deeply intense sensory drives they use as sexualities because it's close enough

Characters who are wholesale unfamiliar with the concept of sex or attraction, even as adults

Characters who participate in sexuality because they feel obligated to do so, and end up enjoying it anyway

Characters who are into features that do not normally occur in organic beings

Characters who have sexualities but they're very inconvenient so they intentionally cultivate more advantageous fetishes

Characters whose sexuality is defined less by attraction to individuals so much as how different sex acts would effect the greater group harmony

Characters who are attracted to straight up philosophical concepts.

I seem to have drifted from the original ask.