#Plus we see her in more in the trailer

[movietimegirl]

And yes, I don't think Giah is dead. She survived that somehow.

[pear1ridge-a]

the struggle of wanting to make sim cassie her bedroom vs the reality of the. of. i dont wanna make the whole michaels house its so big

[rafesangelita]

Rafe x reader x Barry threesome??

warnings: dealer!rafe, bambi!reader, arguing, threesome, dubcon, face sitting, oral (m & f. receiving), barry is so sleazy in this

“this isn’t all my money, country club.” barry ran a hand down his face, pinching the bridge of his nose in frustration. rafe was quick with his response, an uneasy feeling settling over you. “look, there’s a party tomorrow night back on figure eight, if you could lend me something to flip i’ll have the rest of your paper, plus interest, alright?” barry shook his head, feeling for the gun he had in the waistband of his shorts.

rafe’s eyes traveled down to where the metal glinted under the dim light of barry’s trailer. “come on, man, i got my girl here.” your boyfriend took a seat next to you, pulling you into his side. “calm down with the gun, barry, forreal.” you glanced up, only to see rafe’s business partner already looking at you. “i got bills to pay, rafe, and i need to collect.” he sat back in his chair, a smirk forming on his lips.

“you didn’t tell me your girl was so pretty.. what is that? ‘that lace?” you looked down at your stockings that peeked out from under your skirt, nodding as rafe fixed your bottoms so barry couldn’t look at you anymore. “just let us leave from here and we won’t have any problems, i’ll bring you your money asap and we could go on with our business.” rafe wanted nothing more than to gouge barry’s eyes out of his skull for looking at any other part of you besides your face.

“m’afraid i can’t do that, country club.” rafe scoffed, getting up from the dingy couch before pulling you up with him. “fuck you, man, we’re outta here. c’mon, baby-” barry chuckled, “i wouldn’t do that if i were you, unless you want to be gunned down as soon as you open that door. ‘would be a shame if your little girlfriend was left here all by herself..” you shivered at his words, both you and rafe exchanging looks.

“do you fuckin’ hear yourself? i told you i don’t have the rest of your money, barry. what do you want?” rafe watched as barry’s eyes moved over to you, basically sizing you up as he motioned his head in your direction. “her.” rafe stared blankly at the man in front of him, the gears in his head turning. “i could kill you right now.” you swallowed nervously, eyeing rafe as his face began to redden.

“yeah? so could i.” your heart dropped when you heard the metal click of barry’s gun. “no!” you cut in, both men zeroing in on you. “there’s no need for that.. barry.” rafe looked confused as you got closer to him, “please don’t do that.” you met rafe’s gaze, your own eyes brimming with tears. “i’m not letting this fucker touch you-” he grabbed your wrist pulling you back before barry could do anything.

“he said he was going to shoot you!” you whispered, nearly losing your footing. rafe knew barry wasn’t playing, he’d do anything if money was involved, even if that meant killing his partner. “just let him, rafe..” your voice broke rafe’s heart in two, the look on your face forever ingrained in his brain. “no.” he shook his head. you turned towards barry anyways. “i’ll do it, but only under one condition.”

both men waited with uneven breaths. “rafe has to join us.” at yours words, barry glanced at your boyfriend behind you. “fuck no.” he got up, about to reach for you before rafe got in the way. “i can’t do it without him.” you shook your head, hiding behind rafe. barry huffed, shooting daggers in rafe’s direction. “fine.” you clung to rafe’s arm, a chill running down your spine as barry motioned both of you towards the hallway.

“after you.”

if someone told you, you’d be sitting on barry’s face while rafe shoved his cock down your throat as a solution for missing payment, you wouldn’t believe them. “son of a bitch, you’re one lucky bastard, country club. she’s so fucking sweet.” both you and rafe ignored barry’s words, a groan rumbling from rafe’s chest when he felt you swallow around him. your hips moved languidly against barry’s mouth, the tip of his nose nudging your clit.

in a way this wasn’t so bad. with barry underneath you, and your view only being rafe’s pleasure filled face, it was easy to pretend like the man wasn’t even there. since you didn’t let barry take you the way he wanted to, he settled for fucking his fist while eating you like a man starved. you couldn’t deny the way barry’s tongue worked skillfully on your soaked cunt, but it was nowhere near as good as the way of your boyfriend’s.

you looked down when you felt barry’s bruising grip on your thigh, a whimper leaving your lips at the pain. rafe swore to himself he was going to punch barry when he least expected it as pay back for hurting you. softly tugging on the roots of your hair, rafe mumbled a ‘keep your eyes on me, baby’ as he felt himself nearing his climax. “fuck..” barry grunted, spilling his load in his hand while working to make you cum on his tongue.

you cried out when barry sucked your clit, your hips stuttering as your orgasm hit you in waves of ecstasy. rafe followed suit, his jaw going slack as he painted the inside of your mouth with his cum, his fingertips threading themselves in your hair to keep you in place. swallowing rafe’s load was second nature to you and it drove him crazy. you sighed through your nose, rafe moving your mouth off of his cock.

he quickly pulled up his jeans, adjusting his belt before pulling you off of barry’s face. “there, asshole. you don’t get to relish in it afterwards.” your legs were still shaking from the aftershocks of your orgasm, your boyfriend dressing you as barry laid there on his bed. he looked like he was coming down from the best high he ever had, even licking the remnants of you from his lips. “you okay?” rafe cupped your face, stroking your chin. “mhmm.” you hummed, ready to get out of barry’s trailer already.

“consider yourself debt free.” barry sat up, “but next time you’re short, i’m fucking her.”

[luveline]

jade!! can we please get something with junie’s mom and eddie? <3 missing them today

thank you for requesting! 1.3k

Eddie met you two weeks after you moved into the park, he’s pretty sure. Your baby ran out down the road because you didn’t know that all the trailers have the same bum lock, and she ended up on the Munson porch trying to get back home. 

He still remembers how she could barely talk. He had no idea how quickly babies explode with words. 

“Love you.” Junie smiles up at him, her waiting for a reciprocation all the more impressive. She’s just turned three, and Eddie would argue she doesn’t look it. She’s still a baby in his head. 

“I love you,” he says, leaning down to tap their noses together. 

“Can I have a hug?” 

Just a few short months ago she would’ve shouted “Hug!” and dove into his neck, or said nothing at all. He doesn’t see why that should change. 

“Babe, you don’t have to ask,” he says, wrapping his arms around her. 

She sighs in contentment, relaxing under his hand where he pulls it up and down her back. She’s getting bigger. Eddie can’t believe she’s already three. Where the hell does the time go? Days, weeks slip away. 

But at least they’re with you. God, he can’t believe they’re with you. 

“I’m feeling left out,” you say, laying on the floor of the trailer with your hands held over your chest. You’d been colouring with June a half hour ago, but she got bored fast and left you there. You’ve yet to get up. 

Eddie twists June in his lap so she can see you. He hugs her, and he presses his face to the top of her head, one eye open to see you and the other screwed closed. “You want us to come over?” he asks. 

You think about it. “No. I’m too tired to hug.” 

You’re always tired. Eddie knows that there’s a life he could give you one day where you don’t have to work. He’s not sure you’d let him, but he’d like to get promoted and move you out. He’d like to ask you properly to be his forever, to be permanent, and to live together as a family. Wayne’s telling him not to rush into things, but he really didn’t. You and Eddie were friends for half a year before he finally couldn’t take it anymore, and he doesn’t see that time as wasted, but he knows now that getting to kiss you is something he missed out on. 

Plus, being your boyfriend means he’s actually allowed to take care of you without dousing you in shame. You like being looked after. It’s why Eddie works a ten hour shift and comes straight home to you, so he can fold your laundry and you can get some rest. 

Every time you yawn, it’s a reminder for Eddie that he’s not making your life as easy as he could. (It’s not a healthy way to think about it. It’s not your fault or his that life is hard. But he thinks about it anyway.) 

Eddie gives June a kiss behind the ear and sets her down in the corner of the couch. He grins at her as he does, hoping for a detachment without tears, popping his head into his hand in mock nonchalance. “Babe, I’m gonna go hug your mom back to life. I’ll be right back. Cool?” 

“Cool.” 

Eddie pats her knee and she sits back to watch as he drops to the floor on his knees, crawling around crayons and gel pens and markers to your side. You laugh, flinching as his hand lands on your stomach, but he’s not there to tickle you. He holds your face in the other hand, really holds it, bending time. The mental snapshot he takes of you tired and lovely regardless can join an endless gallery. 

“You’re beautiful,” he says. 

“So are you.” 

“You want some help getting up?” he asks. 

You nod your affirmation. Eddie slides his hands under your arms, murmurs a too tender, “I got you,” as you sit up. He stands and pulls you with him, half drags your tired limbs to the couch where your girl is still sitting patiently. 

He puts you down. Kisses your cheek, throws a blanket across your knees. He picks Junie up to sit where she’d been in the corner and promptly settles with her on his thigh, the other arm open. 

“We’re napping?” Junie asks. 

“Would that be okay?” Eddie asks. “Mom’s tired.” 

“I’m not tired,” Junie says. 

“I know, baby, me neither. I was thinking we’d just lay here and hug mommy for a while, and then we’d have lunch.” 

“I don’t need a nap,” you say, though your eyes are heavy, darting to the empty place in his arms carved out especially for you. 

“Then just hug me,” Eddie whispers. Commanding, disbelieving, he knows you’ll be dozing in five minutes or less. All you need is a little light goading. 

You lay against his side. Junie wiggles to be on her front, chest to chest with Eddie as he sinks down. He kicks up his legs beside you, the three of you collapsing inward, his favourite girls in the world. 

There’s argument on if you can choose your family or not. Eddie doesn’t remember choosing you, just suddenly knowing you, and ever so slowly loving. He loves your face, your arms, the way you breathe. He loves how you turn into his chest and how you seem thrilled to be there, your hand coasting a loving line across him, fingers pressing into his stomach. It’s like you’re waving on his skin. He has no idea where you learned how to touch someone with that much love, but he leans down to kiss the skin just shy of your hairline so you know he feels it. 

Junie’s all little legs and sweetness as she yawns on his shoulder. “Mom, can I have some… some blanky?”

You pull it off your legs to cover hers. Eddie squares it up. Everyone covered, he lets his head tip back against the couch.

He’s not tired. He doesn’t think he’ll sleep. You fall asleep first in a slow series of exhales he knows well, that deepening, your fingers growing still against his t-shirt. 

Junie goes second. She squirms at first, not wanting to give in, but Eddie’s getting better at his dad-pats. He finds the space on her lower back, her off button ever since he’s known her, and he taps his hand against it until she’s breathing heavily against his neck. 

“Eddie?” she asks tiredly. 

“What, rockstar?” 

“Goodnight.” 

He scratches her back lightly. “Goodnight, sweetheart. Do you need me to take you to bed?” 

“No. We can sleep on you.” 

“Who should I sleep on?” he whispers. 

She shakes her head. Unhappy with his question, or maybe her nose is itchy. She falls asleep with her face pressed to his chest a few seconds later, leaving Eddie awake and unsure of what to do now. He trapped himself. 

He can’t find it in himself to mind, worried first about boredom, and then struck with a realisation. How could he ever be bored with you under his arm? 

He has time now to trace your nose, count your eyelashes, whatever he likes. 

“Love you,” he says, pressing his nose to your head. 

It takes a few seconds. “Love you,” you murmur. 

He rubs your arm until you’re sleeping again. It was selfish of him to wake you, but he’d wanted to hear it.

[maxiemumdamage]

See, I know people like the idea of Loona giving Octavia a gentle talking to about how her father does care and she hasn’t been abandoned and she needs to give him the chance…

…but I would be just as happy, and I think it might be more realistic, if instead Loona went off on Octavia.

Because realistically? I think if Octavia were asked what Stolas should have done instead in that situation — whether he should’ve instead stayed quiet and not taken the blame and let Blitzø die?

She’d say yes, he should have.

Octavia doesn’t like Blitzø. Of course she doesn’t, her dad acts like a horny weirdo around him, this random Imp doesn’t actually seem to respect or like Stolas to begin with, and she definitely at least partially blames him for her parents divorce.

(Of course she does, she’s not even wrong to — even if their marriage was miserable and abusive before that, Stolas only had the nerve and hope to leave it because of Blitzø.)

But the minute she voices any of that sentiment, I think Loona — who already has a temper, who came so fucking close to watching her own dad die right in front of her, specifically to watching him be executed by a court full of snotty nobles like Octavia, for a crime he didn’t commit that Octavia’s mother and uncle framed him for (which their noble status enabled them to do) — would snap. Rightly so.

Because it really doesn’t seem like Octavia has thought very deeply about…any of the stuff between Stolas and Blitzø and Stella. Of course she hasn’t, she’s a teenager and it’s much easier to pretend her family was perfect until an outsider (Blitzø) screwed everything up.

And now? Now it will be very easy to blame Stolas, say he doesn’t care about her and never did. We know from the season 2 trailer that Octavia will say this!

But Loona has. Uh. Not to compare traumas, but she’s been through way worse. When it comes to parental abandonment and messy family, just the tiny snippet of her life before being adopted was pretty awful. And she’s had plenty of misery with the whole Stolitz drama, too.

I don’t think Sinsmas will be the end of the Octavia plot line, but the beginning of it. It will establish how poorly she currently thinks of everyone involved…

…and then hearing some judgment from Loona, who was previously pretty sympathetic to her familial plight, will make her wake up to how much more complicated the situation actually is. And Octavia will start to actually think about her parents, about Stolas and Stella’s treatment of her.

It’s a good place to set up some flashbacks for season 3 — showing what Stolas’s section of the Goetia family actually looked like, some of the good things that he’s lost with the end of Mastermind. Plus…

Then, just as season 2 opened with the Circus and a flashback to Blitzø and Stolas as kids, season 3 can then give us backstory on Octavia (and by extension Stella) and Loona during their childhoods.

[damienkarras73]

An essay on Furiosa, the politics of the Wasteland, Arthurian literature and realistic vs. formalistic CGI

Mad Max: Fury Road absolutely enraptured me when it came out nearly a decade ago, and I will cop to seeing it four times at the theatre. For me (and many others who saw the light of George Miller) it set new standards for action filmmaking, storytelling and worldbuilding, and I could pop in its Blu Ray at any time and never get tired of it. Perhaps not surprisingly, I was deeply apprehensive about the announced prequel for Fury Road's actual main character, Furiosa, even if Miller was still writing and directing. We didn't need backstory for Furiosa—hell, Fury Road is told in such a way that NOTHING in it requires explicit backstory. And since it focuses on the Yung Furiosa, it meant Charlize Theron couldn't return with another career-defining performance. Plus, look at all that CGI in the trailer, it can't be as good as Fury Road.

Turns out I was silly to doubt George Miller, M.D., A.O., writer and director of Babe: Pig in the City and Happy Feet One & Two.

Furiosa: A Mad Max Saga is excellent, and I needn't have worried about it not being as good as Fury Road because it is not remotely trying to be Fury Road. Fury Road is a lean, mean machine with no fat on it, nothing extraneous, operating with constant forward momentum and only occasionally letting up to let you breathe a little; Furiosa is a classical epic, sprawling in scope, scale and structure, and more than happy to let the audience simmer in a quiet, almost painfully still moment. If its opening spoken word sequence by that Gandalf of the Wastes himself, the First History Man, didn't already clue you in, it unfolds like something out of myth, a tale told over and over again and whose possible embellishments are called attention to in the dialogue itself. Where Fury Road scratched the action nerd itch in my head like you wouldn't believe, Furiosa was the equivalent of Miller giving the undulating folds of my English major brain a deep tissue massage. That's great! I, for one, love when sequels/prequels endeavour to be fundamentally different movies from what they're succeeding/preceding, operating in different modes, formats and even genres, and more filmmakers should aim for it when building on an existing series.

This movie has been on my mind so much in the past week that I've ended up dedicating several cognitive processes to keeping track of all of the different ponderings it's spawned. Thankfully, Furiosa is divided into chapters (fun fact: putting chapter cards in your movie is a quick way to my heart), so it only seems fitting that I break up all of these cascading thoughts accordingly.

1. The Pole of Inaccessibility

Furiosa herself actually isn't the protagonist for the first chapter of her own movie, instead occupying the role of a (very crafty and resourceful) damsel in distress for those initial 30-40 minutes. The real hero of the opening act, which plays out like a game of cat and mouse, is Furiosa's mother Mary Jabassa, who rides out into the wasteland first on horseback and then astride a motorcycle to track down the band of raiders that has stolen away her daughter. Mary's brought to life by Miller and Nico Lathouris' economical writing and a magnetic performance by newcomer Charlee Fraser, who radiates so much screen presence in such relatively little time and with one of those instant "who is SHE??" faces. She doesn't have many lines, but who needs them when Fraser can convey volumes about Mary with just a flash of her eyes or the effortless way she swaps out one of her motorcycle's wheels for another. To be quite candid, I'm not sure of the last time I fell in love with a character so quickly.

You notice a neat aesthetic contrast between mother and daughter in retrospect: Mary Jabassa darts into the desert barefoot, clad in a simple yet elegant dress, her wolf cut immaculate, only briefly disguising herself with the ugly armour of a raider she just sniped, and when she attacks it's almost with grace, like some Greek goddess set loose in the post-apocalyptic Aussie outback with just her wits and a bolt-action rifle; we track Furiosa's growth over the years by how much of her initially conventional beauty she has shed, quite literally in one case (hair buzzed, severed arm augmented with a chunky mechanical prosthesis, smeared in grease and dirt from head to toe, growling her lines at a lower octave), and by how she loses her mother's graceful approach to movement and violence, eventually carrying herself like a blunt instrument. Yet I have zero doubt the former raised the latter, both angels of different feathers but with the same steel and resolve. Of fucking course this woman is Furiosa's mother, and in the short time we know her we quickly understand exactly why Furiosa has the drive and morals she does without needing to resort to didactic exposition.

Anyway, I was tearing up by the end of the first chapter. Great start!

2. Lessons from the Wasteland

Most movies—most stories, really—don't actually tell the entire narrative from A to Z. Perhaps the real meat of the thing is found from H to T, and A-G or U-Z are unnecessary for conveying the key narrative and themes. So many prequels fail by insisting on telling the A-G part of the story, explaining how the hero earned a certain nickname or met their memorable sidekick—but if that stuff was actually interesting, they likely would have included it in the original work. The greatest thing a prequel can actually do is recontextualize, putting iconic characters or moments in a new light, allowing you to appreciate them from a different angle. All of season 2 of Fargo serves to explain why Molly Solverson's dad is appropriately wary when Lorne Malvo enters his diner for a SINGLE SCENE in the show's first season. David's arc from the Alien prequels Prometheus and Covenant—polarizing as those entries are—adds another layer to why Ash is so protective of the creature in the first movie. Andor gives you a sense of what it's like for a normal, non-Jedi person to live under the boot of the Empire and why so many of them would join up with the Rebel Alliance—or why they would desire to wear that boot, or even just crave the chance to lick it.

Furiosa is one of those rare great prequels because it makes us take a step back and consider the established world with a little more nuance, even if it's still all so absurd. In Fury Road, Immortan Joe is an awesome, endlessly quotable villain, completely irredeemable, and basically a cartoon. He works perfectly as the antagonist of that breakneck, Road Runner and Wile E. Coyote-ass movie, but if you step outside of its adrenaline-pumping narrative for even a moment you risk questioning why nobody in the Citadel or its surrounding settlements has risen up against him before. Hell, why would Furiosa even work for him to begin with? But then you see Dementus and company tear-assing around the wasteland, seizing settlements and running them into the ground, and you realize Joe and his consortium offer something that Dementus reasonably can't: stability—granted, an unwavering, unchangeable stability weighted in favour of Joe's own brutal caste system, but stability nonetheless. It really makes you wonder, how badly does a guy have to suck to make IMMORTAN JOE of all people look like a sane, competent and reasonable ruler by comparison?!?

…and then they open the door to the vault where he keeps his wives, and in a flash you're reminded just how awful Joe is and why Furiosa will risk her life to help some of these women flee from him years later. This new context enriches Joe and makes it more believable that he could maintain power for so long, but it doesn't make him any less of a monster, and it says a lot about Furiosa's hate for Dementus that she could grit her teeth and work for this sick old tyrant.

3. The Stowaway

Here's another wild bit of trivia about this movie: you don't actually see top-billed actress Anya Taylor-Joy pop up on screen until roughly halfway through, once Furiosa is in her late teens/early twenties. Up until this point she's been played by Alyla Browne, who through the use of some seamless and honestly really impressive CGI has been given Anya's distinctive bug eyes [complimentary]. It's one of those bold choices that really works because Miller commits to it so hard, though it does make me wish Browne's name was up on the poster next to Taylor-Joy's.

Speaking of CGI, I should talk about what seems to be a sticking point for quite a few people: if there's been one consistent criticism of Furiosa so far, it's that it doesn't look nearly as practical or grounded as Fury Road, with more obvious greenscreen and compositing, and what previously would've been physical stunt performers and pyrotechnics have been replaced with their digital equivalents for many shots. Simply put, it doesn't look as real! For a lot of people, that practicality was one of Fury Road's primary draws, so I won't try to quibble if they're let down by Furiosa's overt artificiality, but to be honest I'm actually quite fine with it. It helps that this visual discrepancy doesn't sneak up on you but is incredibly apparent right from the aerial zoom-down into Australia in the very first scene, so I didn't feel misled or duped.

Fury Road never asks you to suspend your disbelief because it all looks so believable; Furiosa jovially prods you to suspend that disbelief from the get-go and tune into it on a different wavelength. It's a classical epic, and like the classical epics of the 1950s and 60s it has a lot of actors standing in front of what clearly are matte paintings. It feels right! We're not watching fact, we're watching myth. I'm willing to concede there might be a little bit of post-hoc rationalization on my part because I simply love this movie so much, but I'm not holding the effects in Furiosa to the same standard as those in Fury Road because I simply don't believe Miller and his crew are attempting to replicate that approach. Without the extensive CGI, we don't get that impressive long, panning take where a stranded Furiosa scans the empty, dust-and-sun-scoured wasteland (75% Sergio Leone, 25% Andrei Tarkovsky), or the Octoboss and his parasailing goons. For the sake of intellectual exercise I did try imagining them filming the Octoboss/war rig sequence with the same immersive practical approach they used for Fury Road's stunts, however I just kept picturing dead stunt performers, so perhaps the tradeoff was worth it!

4. Homeward

Around the same time we meet the Taylor-Joy-pilled Furiosa in Chapter 3, we're introduced to Praetorian Jack, the chief driver for the convoys running between the Citadel and its allied settlements. Jack's played by Tom Burke, who pulled off a very good Orson Welles in Mank! and who I should really check out in The Souvenir one of these days. He's also a cool dude! Here are some facts about Praetorian Jack:

He's decked out in road leathers with a pauldron stitched to one shoulder

He's stoic and wary, but still more or less personable and can carry on a conversation

Professes to a certain cynicism, to quote Special Agent Albert Rosenfield, but ultimately has a capacity for kindness and will do the right thing

Shoots a gun real good

Can drive like nobody's business

So in other words, Jack is Mad Max. But also, no, he clearly isn't! He looks and dresses like Mad Max (particularly Mel Gibson's) and does a lot of the same things "Mad" Max Rockatansky does, but he's also very explicitly a distinct character. It's a choice that seems inexplicable and perhaps even lazy on its face, except this is a George Miller movie, so of course this parallel is extremely purposeful. Miller has gone on record saying he avoids any kind of strict chronology or continuity for his Mad Max movies, compared to the rigid canons for Star Trek and Star Wars, and bless him for doing so. It's more fun viewing each Mad Max entry as a new revision or elaboration on a story being told again and again generations after the fall, mutating in style, structure and focus with every iteration, becoming less grounded as its core narrative is passed from elder to youth, community to community, genre to genre, until it becomes myth. (At least, my English major brain thinks it's more fun.) In fact there's actually something Arthurian to it, where at first King Arthur was mentioned in several Welsh legends before Geoffrey of Monmouth crafted an actual narrative around him, then Chrétien de Troyes added elements like Lancelot and infused the stories with more romance, and then with Le Morte d'Arthur Thomas Malory whipped the whole cycle together into one volume, which T.H. White would chop and screw and deconstruct with The Once and Future King centuries later.

All this to say: maybe Praetorian Jack looks and sounds and acts like Max because he sorta kinda basically is, being just one of many men driving back and forth across the wasteland, lending a hand on occasion, who'll be conflated into a single, legendary "Mad Max" at some point down the line in a different History Man's retelling of Furiosa's odyssey. Sometimes that Max rips across the desert in his V8 Interceptor, other times driving a big rig. Perhaps there's a dog tagging along and/or a scraggly and at first aggravating ally played by Bruce Spence or Nicholas Hoult. Usually he has a shotgun. But so long as you aren't trying to kill him, he'll help you out.

5. Beyond Vengeance

The Mad Max movies have incredibly iconic villains—Immortan Joe! Toecutter! the Lord Humongous!—but they are exactly that, capital V Villains devoid of humanizing qualities who you can't wait to watch bad things happen to. Furiosa appears to continue this trend by giving us a villain who in fact has a mustache long enough that he could reasonably twirl it if he so wanted, but ironically Dementus ends up being the most layered antagonist in the entire series, even moreso than the late Tina Turner's comparatively benevolent Aunty Entity from Beyond Thunderdome. And because he's played by Chris Hemsworth, whose comedic delivery rivals his stupidly handsome looks, you lock in every time he's on screen.

Something so fascinating about Dementus is that, for a main antagonist, he's NOT all-powerful, and in fact quite the opposite: he's more conman than warlord, looking for the next hustle, the next gullible crowd he can preach to and dupe—though never for long. For all his bluster, at every turn he finds himself in way over his head and writing cheques he can't cash, and this self-induced Sisyphean torment makes him riveting to watch. You're tempted to pity Dementus but it's also quite difficult to spare sympathy for someone who's so quick to channel their rage and hurt and ego into thoughtless, burn-it-all-down destruction. When you're not laughing at him, you're hating his guts, and it's indisputably the best work of Chris Hemsworth's career.

It's in this final chapter that everything naturally comes to a head: Furiosa's final evolution into the character we meet at the start of Fury Road, the predictable toppling of Dementus' precariously built house of cards, and the mythmaking that has been teased since the very first scene becoming diagetic text, the last of which allows the movie to thoroughly explore the themes of vengeance it's been building to. A brief war begins, is summarized and is over in the span of roughly a minute, and on its face it's a baffling narrative choice that most other filmmakers would have botched. But our man Miller's smart enough to recognize that the result of this war is the most foregone of conclusions if you've been paying even the slightest bit of attention, so he effectively brushes past it to get to the emotional heart of the climax and an incredible "Oh shit!" payoff that cements Miller as one of mainstream cinema's greatest sickos.

Fury Road remains the greatest Mad Max film, but Furiosa might be the best thing George Miller has ever made. If not his magnum opus, it does at least feel like his dissertation, and it makes me wish Warner Bros. puts enough trust in him despite Furiosa's poor box office performance that he's able to make The Wasteland. Absolutely ridiculous that a man just short of his 80th birthday was able to pull this off, and with it I feel confident calling him one of my favourite directors.

[chipistrate]

HAND SAGA MENTION LETS GO

Hiiiiiiii Haz :3

Whom do you think the HW2 protag is I'm curious

hiiii chipity :3

Well you see my friend i am very caught because well you see.

….there is. So much…. I’m just gonna say. NOT CASSIE’S DAD FOR SURESIES. Peace and love… my biggest contrasting things are the hands vs. being the last security employee if it’s a kid or nessa but shrug emoji. I’m content waiting and seeing :3 what do you think!!!

[storiesforallfandoms]

the space cowboy and the pa ~ tom ryder;the fall guy

word count: 2869

request?: no

description: in which the big movie star takes interest in the pa of his new movie

pairing: tom ryder x female!reader

warnings: swearing, tom being tom, use of y/n

masterlist (one, two, three)

When you were hired as a PA on a major sci-fi blockbuster, you were obviously beyond ecstatic. It was a big deal for many reasons, and it would look great on your resume as the first film you worked on.

What you didn't expect was for your job to essentially become you running after Tom Ryder all the time.

You knew who Tom Ryder was before you were hired on to Metalstorm. Everyone did. His face was on every screen and every poster. But besides knowing him for his work, you were also warned about his work ethic and entitled attitude. You couldn't say you were surprised to hear that. You figured most celebrities of his status were all into themselves. But when you started working with him, you realized it wasn't just his stuck up-ness, it was his lack of work ethic. Truly, you had no idea how any of his movies ever got made.

You didn't agree to work on Metalstorm so you could chase a self obsessed ego maniac around all day and convince him to come do his job. That's now what a PA is meant to do. On the plus side, Jody was very sympathetic and apologetic to you over this. Jody had worked with Tom for years, and had actually been the one to warn you about Tom's behavior. She knew you didn't want to just be a lacky to Tom Ryder, but when Tom's personal assistant was constantly out taking care of his dogs or getting him his super (annoyingly) specific Starbucks order, and everyone else was too busy trying to make a huge blockbuster to do it themselves, the responsibility had to fall to someone.

So, when you arrived on set to see Jody with her head in her hands, a sign that she was stressed, you already knew what was happening.

"He was supposed to be here an hour ago," Jody said, exasperated. "We don't have much time left for this shoot and there's still so much to be done, but he's nowhere to be found."

You looked up at Gail, sipping her usual Diet Coke. She shrugged her shoulders and said, "I've already gone to his trailer twice. Each time he said he was on his way to set."

"Clearly he wasn't," you muttered. "I'll go find him."

"(Y/N), no - " Jody started.

"Try to film something with Colt in place of Tom or something," you told her. "I'll get the dickhead to set."

You made off for Tom's trailer. It was incredibly easy to find among the sea of other cast and crew trailers because it was the biggest one. He could probably live out of it if he hadn't gotten a huge apartment to stay in while filming. His name was printed in big, bold letters on the door, as if the size of the trailer alone wasn't enough to signal that it belonged to the star of the movie.

You walked in without knocking, something you'd realize later you might've regretted if you had found Tom in a more...revealing position. Luckily, he was just laying on the trailer couch, a sleep mask over his eyes and AirPods in his ears. He didn't notice you walked into his trailer, so you did something else you'd probably regret: you flicked Tom's forehead to get his attention.

He jumped and ripped off his sleep mask, snapping, "What the fuck?!"

You crossed your arms as his eyes readjusted to the light. He looked up at you and took out a headphone. "What do you want?"

You rolled your eyes. "You, on set, now."

"Gail already came to tell me it was call time. I'll be there in a minute."

"You were meant to be on set an hour ago. There's no more 'minutes', you're coming now."

Tom sat up. "Listen, assistant, I have a very intense process before I start filming that takes time and concentration. Gail already interrupted me, and now that you have as well I'll have to start all over. Tell Jody not to worry a hair on her pretty head, I will be there."

A combination of general frustration with Tom's behavior and the fact that he was dismissing you as just an "assistant" caused you to finally snapped. You grabbed Tom's sleep mask and snatched his headphones from his ears. He protested, but you ignored him as you kicked open his trailer door and chucked the objects as far as you could.

When you turned back to Tom, he was on his feet and he looked furious. But you refused to be intimidated by him.

"You listen to me, Tom Ryder," you said. "I don't give a shit about your stupid fucking pre-filming rituals. What I do give a shit about is this movie, that you're supposed to be the star of. I am sick and tired of chasing you around like a toddle to round you onto set when that is not my job. So, please, get off your ass and do your job."

You turned to leave, but paused to add, "And I'm a PA, not your assistant."

You walked out of his trailer, the frustration slowly starting to evaporate. You didn't think your words were going to have any effect on Tom. If anything, you were sure it would just make him pissed off and he probably wouldn't even come to set at all now. You'd feel worried for your job if you weren't so happy with yourself for finally telling Tom off.

You were planning on how you were going to tell Jody about what happened with Tom when you heard his trailer door open. You turned to see Tom stepping out of the trailer, already dressed in his gold space cowboy outfit which you hadn't noticed before.

He brushed past you, saying, "Let's shoot this fucking thing."

You let out a sigh of relief as you trailed after him.

Tom, luckily, was super professional and fantastic at his job for the remainder of the day. So much so that Jody was literally jumping from her seat to praise the cast, and to show her relief that the day had finally gone well. You were equally thrilled by this because it meant you were finally able to do your actual job.

When Jody finally called it for the day, you were collecting your stuff and noticed someone approaching you. You looked up to see it was Tom. You braced yourself for the verbal berating you were likely about to get.

"Hey," he said. "PA. What's your name?"

You'd be offended if it were anyone else asking. You had been working with Tom for months, so most people would expect that he'd know your name, but considering that he viewed you as just another assistant until hours ago, you weren't shocked that he hadn't deemed you important enough to remember your name.

"(Y/N)," you told him. "And, listen, I'm sorry about what I said earlier - "

"No you're not," Tom cut you off. "That level of verbal smackdown only happens when you've been holding something in for a long time and you've finally had enough. And you're right, I haven't been making things easy for anyone on set this whole filming process."

Was this some sort of joke? Were the cameras still rolling trying to film your reaction? Had you passed out suddenly while filming and now you were dreaming? There was no way that Tom Ryder of all people was admitting to his faults, especially to someone he couldn't even be bothered to learn the name or occupation of until seconds ago.

When you didn't respond, Tom continued on, "What are you doing tonight?"

"Uh...just going back to my hotel room, I guess. Maybe grab a drink with Jody at the hotel bar."

"Change your plans. You're gonna come have a drink with me instead."

It wasn't a question because Tom Ryder didn't have to ask questions. Tom Ryder was used to just smiling at a woman - or at a man honestly - and having them fall to his feet immediately.

So imagine his surprise when you said, "No."

You started to walk away from him, but he quickly moved to follow you. "Uh...maybe you didn't hear me correctly."

"No, I heard you just fine," you said. "The answer is no."

"But...why?"

You stopped walking to turn and face him. "Tom, you are the star of this movie, and I am a production assistant. There are so many levels of not right about me getting drinks with you."

"It's just drinks," he said with a shrug.

"It's a date, and I can't go on a date with you while we're working together."

You turned to walk away from him again. This time, he didn't follow. He watched you go for a while before calling out, "What about when we're not working together?"

You looked over your shoulder and smiled at him. "We'll see."

~~~~~~

Weeks later, the filming of Metalstorm came to a close. It have become much less painful on set as Tom was always in costume and on set at the time he was supposed to be, sometimes even earlier. Everyone was so shocked by his sudden change, but no one was going to question it. There was too much left of the movie to be filmed to start bringing attention to the fact that Tom was actually being a professional.

During the last few weeks, Tom did not give up on his pursuit of you. He didn't ask you out again, but he was constantly sending you gifts to remind you that he still wanted to go out with you: flowers, chocolates, stuffed animals. The one that really made you laugh was when you found a magazine with him on the cover, shirtless, in front of your hotel room door.

The last day on set, as everyone was celebrating the end of the shoot and saying their emotional goodbyes, you walked up to Tom and slipped a piece of paper into his hand. When he opened it, he saw your number written on it.

You got a text almost immediately after: "drinks, my place. i'll send a car for you"

You got ready at the hotel, putting on the nicest thing you had packed. You hadn't really packed any dresses or outfits that would be date worthy because you weren't expecting to go on any dates. The closest thing you had was a nice pair of jeans and a short sleeved button up blouse that was white with red and pink flowers on it. It seemed more professional work vibes than date vibes, but that's all you had really prepared for.

You also hadn't packed makeup, not expecting to need any when you were just here for work, so you had to hope Tom wasn't expecting you to show up completely dolled up.

The car he had sent for you showed up around 8pm and took you directly to his apartment. He was waiting for you by the door, also dressed more casually than fancy for a date, so you felt a little relieved.

"Hey," he said when you got out of the car. "You look great."

"Thanks," you said. "Are we, um, staying in for drinks?"

"Yeah, I figure that's probably the better option. Less likely to be surrounded by paparazzi or crazy fans if we just hang out in my place."

Right, that would make sense.

You hadn't really thought about the fact that someone like Tom probably didn't get to go out as much as a normal person would. He hadn't been to any of the Metalstorm cast and crew nights out, but you had chalked that up to him thinking he was too good to go out with everyone else. Maybe it was actually because he felt like he couldn't.

You followed Tom into his apartment. Although, "apartment" was definitely an understatement. The place was bigger than the house you had grown up in, and even had two floors and a rooftop pool. You couldn't help but marvel at everything - the largeness of it, as well as all the film memorabilia Tom had placed on the walls and the shelves. And then you came across the walls covered in sticky notes and found yourself confused.

Tom noticed the look on your face as you stopped to read a few of the notes and laughed. "I like to remember things."

"'Next role: paramedic vampire'?" you read, giving Tom a playful look.

"I think that could be a good role. Imagine a paramedic who is also a vampire, and sometimes they have to struggle with all the blood they're exposed to every day."

"So basically Carlisle Cullen from Twilight?"

"I've never seen those movies so I don't know."

You chuckled as you followed him to the mini bar.

"What do you drink?" he asked. "I have...basically everything."

"Give me a whiskey neat." He raised an eyebrow at you. "I had a lot of hard nights during film school. You learn to enjoy the hard stuff."

He smiled and grabbed you a glass. He filled it halfway with a whiskey that definitely looked very expensive, and then got himself a glass as well. He held his glass up to you, and you tapped yours against his.

"What are we toasting to?" you asked him.

"To the movie finally wrapping so I could take you on a date."

You couldn't help but smile as you took a sip of your whiskey.

"There's something I have to ask you before we move forward, though," you said. Tom leaned against the island between you two and motioned for you to continue. "When did you and Iggy stop dating? I mean...obviously you've stopped dating...right?"

Tom chuckled. "Would I have asked you on a date if we hadn't?"

"I don't know how you big hot shot celebrity couples do relationships. Maybe you guys are like...open? I don't know."

"We're not, and we're not together. We broke up just before Metalstorm started filming."

You winced. "That's rough."

"That's acting. You can't just throw away a whole role because you have to act alongside your ex. Besides, it was mutual, and now she's dating Jason Momoa."

"And you're on a date with the PA from Metalstorm."

Tom gave you a look. "Don't say that as if it's a downgrade or something. I like you, that's all that matters."

You were speechless. This was the most sincere you had ever heard Tom be. Usually he was yelling or cursing on set because he felt like the take he did was awful, or he was annoyed by the Australian heat in his shiny gold costume. You had no idea that Tom Ryder had a softer side of him. Actually, you weren't sure anyone knew that.

You and Tom eventually moved from the car to the couch in his lounge. He turned on a movie ("I promise it won't be my own", he had joked) and the two of you sat close but not close enough to be touching. Tom had his arm across the back of the couch behind you, just begging for you to lean into him. You'd keep inching closer every so often until finally your side was pressed against his, and you were able to rest your head on his shoulder.

You couldn't help but think about how surprised you were with how quickly things had changed these last few weeks. For a majority of filming, you had basically hated Tom. You thought he was egotistical and annoying. You never would've thought you'd be on a date with him once filming had wrapped. Sure, you thought he was attractive. Anyone with eyes could see that. But you didn't think he would ever see you as someone to go on a date with, let alone that you would have agreed if he asked.

At some point during the movie, Tom shifted and moved away from you. You looked up at him, confused, to find him already looking down at you.

"I really want to kiss you," he admitted.

"What's stopping you?" you asked.

The answer was nothing, because once the words were out of your mouth Tom was cupping your cheek and pulling you in for a kiss. It was one of those magical kisses that people in TV shows and movies always talk about. The ones where they say you feel a spark and you see stars. You didn't want it to end.

But eventually you had to pull away for air. You looked up at Tom, who now had a small grin on his face.

"I suppose there's no chance you'd want to stay over?" he asked.

You really wanted to say yes, but you knew you shouldn't. You weren't the type of person to put out on the first date, and you knew there was a huge risk of that happening if you stayed at Tom's for the night.

So, you sighed and shook your haed.

"Thought so," Tom said. "I'll just have to get enough kissing in before I have to let you go."

You giggled as he leaned in to kiss you again.

[blackbird-brewster]

Highlights from Catherine Tate's Q&A Panel at Armageddon Expo 2024 (NZ) :

[I took notes best I could during the panel but some may be paraphrased]

Q: What's your favourite Doctor Who alien?

CT: The wonderful Ood!

Q: Who's your favourite Doctor? (Crowd gasps in anticipation)

CT: Well, I get asked this a lot, and obviously it's David (Tennant). I don't know what number he is, he keeps coming back. But definitely, David. Although, someone recently pointed out that I was technically the first ever female Doctor. So you know what? Me, I'm my favourite Doctor.

Q: What's your favourite episode you were in of Doctor Who?

CT:The Runaway Bride, because that's where it all began.

Q: What's a favourite memory of working with David Tennant on Doctor Who?

CT: The scene in 'Partners in Crime', the one with the Adipose, there's the scene where Donna and the Doctor see each other from across a room. But they're both behind glass and they have the whole mime scene with the windows. Well, I remember it was about 3am when we were filming that - - Russel really likes to film at night if the story is taking place at night - so it was 3am, and I said to the director 'Uh, right here it just says Donna Mimes' and he said 'Yeah do whatever'.

So that whole scene was ad-lib during shooting and David and I were so in sync with it, we did that first take and the director said cut and print!

Q: How emotional were you filming your final scene in Journey's End?

CT: So, we didn't always film in order. And I'm not really a sentimental person, but I will say I thought Donna's ending was absolutely perfect. When she meets the Doctor she was always yelling at the world, and she was so different than what she was by the end, she had so much growth with the Doctor and she changed so much in her time with him, but then, she forgets the him and all those memories. And that final scene, what really got me was how he says 'Donna, I'm off' and she's just, I think she's on the phone, and she just waves dismissively. She doesn't know him anymore. Russell, the way he ties things together, he's brilliant, that man.

Q: What was it like working with Bernard (Cribbins)?

CT: Oh, Bernard. God, I love him. He was so funny and talented. He always had stories and voices and sound effects. He loved making people laugh. But we had a gag where every single time I called him I'd say (Donna Voice) 'GRANDAD!'

He'd say, "Who is this?"

"It's Catherine."

"Catherine who?"

"Catherine Tate"

"Never heard of her."

We did this every time I called him and I loved it.

Q: Is there anything annoying about working with David Tennant?

CT: No, absolutely not. He's perfect. He's the best person to work with. I will say though, I was annoying him a lot. When we did the 60th Anniversary specials, our trailers looked exactly the same and I never knew where my trailer was. I'd walk into his all the time!

Sometimes I'd walk in and see his shoes in the trailer and instead of thinking 'Oops, wrong trailer', my brain went 'What's he gone and left his shoes in my trailer for?'

It got so bad, sometimes I'd walk up the stairs and from inside I'd hear 'NO.'

Q: Was it weird coming back to play Donna after all these years? Especially when it was along side David Tennant?

CT: It was a bit weird, more in the 'Oh I hope i still know how to do this' way than anything. But I did think it would be hilarious if David and I arrived on set and every take we just did completely wrong voices. Just thought it'd be hilarious for him to go (in an airy upper-crust British accent) 'Ohhhh, hellloooo. I'm the Doctor'

Q: If you could take any prop from set, what would you take?

CT: Ohhhh, I'd have very large pockets and see what I could fit. But mostly I think it'd be a sonic screwdriver. It's gotta be a sonic screwdriver, doesn't it? It's small and mobile... Easy to steal. Plus, it'd fetch a great price on Ebay!

Q: Best show you've ever worked on?

CT: The Office, they paid me tons of money.

Q: My mum loves David Tennant, is there something you can say to dissuade her?

CT: Hm, something to convince her he's not.... Oh, he doesn't believe in astrology! I'll say 'It's Mercury Retrograde' and he'll say 'NO, NO, NO I DON'T WANT TO HEAR IT'.

Other Highlights:

As soon as she came out, she saw the stage had no steps to the audience, so she stayed on mic and went the long way round to go into the audience and interview people, trying to find who had traveled the furthest to be here. She was sorely disappointed everyone was just from Aotearoa 🤣

Donna Lines She Performed:

"Oi Spaceman! You're not mating with me sunshine!" (Crowd went wild for that)

"Binary. Binary. Binary." (🥺)

She did some of her characters: Lauren Cooper mostly, but also wished someone Happy birthday as Nan

[daddydixonscrossbow]

Summary: Reader travels to hilltop to find out some important news.

Warnings: twd themes, zombies, weapons, blood/gore, strong language, age gap (reader is in their late 20’s), pregnant!reader, talk of pregnancy, kissing, mainly fluff

Word Count: 3.4k | unedited

ᖭི༏ᖫྀ ⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆ᖭི༏ᖫྀ ⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆ᖭི༏ᖫྀ ⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆ᖭི༏ᖫྀ

“Hey.” You smile at Michonne, “Mind if I catch a ride with you to hilltop?”

She smiles, “Not at all. Hop in.”

You nod, “I gotta go let Daryl know, I’ll be right back.”

You turn, walking back towards the house when Daryl walks out, “You goin’ with Michonne?” You tilt your head, “How’d you know?”

Dog breaks through the crack of the door and runs up to you, nuzzling his nose into your leg, “Hi, boy. I’ll see you soon, okay?” You bend down, allowing him sniff your face.

“Saw you talkin’ t’her.” Daryl walks down, reaching out to scratch Dog’s head, “It’s fine if you are.”

“I want to go talk to Maggie, see if she needs any help. Plus, I want to help Michonne with getting those people a home.” You stand back up, “Why don’t you come with?”

He shakes his head, “I gotta help Rick, goin’ for a run, I’ll come up tomorrow?”

You nod, “Yeah, that works.” You step in towards him, “Good luck.” He smirks and nods, “You, too.” He pecks your lips, “Love you.”

You smile, “Love you.”

You turn around to walk away and Dog bark, following you. Daryl yells, “Hey, Dog. C’mon, boy. Thought you liked me better.”

You smile at Daryl, scratching Dog’s head before motioning back to Daryl, “Go, boy. Go with dad.” Dog whines and nudges your leg with his nose.

You take a deep breath and walk him back to Daryl, “Okay. Now I’m going.” You smile at him and make your way to the wagon, climbing up in with the others.

“Ready?” Michonne asks and you nod, “Yep.”

The wagon starts going and you wave to Daryl as you exit the gate. He lifts his hand, giving you a small smile.

You turn back, extending your hand out to the one girl, “Y/n.” She shakes your hand, “Magna.” She points as she introduces each person in her group, “Luke, Yumiko, Kelly, and Connie.”

Connie signs and you smile, signing back, “Nice to meet you, too.” You spell out your name, “I’m y/n.”

She smiles and nods.

“Have you been with these guys long?” Magna asks and you nod, “Few years, yeah. They’re good people, I came with to help try and get you guys into Hilltop.”

“We appreciate it. It was getting old being out there, constantly on the run.” Magna rolls her eyes and you nod, “That’s how I was, right before I was found by Rick and his group.”

“Were you alone?” She asks and you nod, “Yep. And it was hell.”

The ride to hilltop was mainly smooth, other than a few walkers that people at the front took care of, so you really, and luckily, didn’t have to do much of anything on the ride there, which is what you had hoped for.

You were exhausted, way more than normal, but you didn’t want anyone to ask questions so you played it off as best you could.

Once you arrived to hilltop, you got out and walked up to the gate where you were greeted by Maggie, “Glad to see you. How’s Daryl?”

You nod stepping back, “He’s good. Coming up tomorrow.”

She nods, “Good. Who do you have with you?” She motions towards the people walking in and Michonne walks up, “This group needs a home, I told them that we’d bring them to you, they can help with their part.”

Maggie nods, “Let’s talk inside.”

“Y/n, you comin’?” Michonne looks back at you and you nod, “Yeah, I’ll be in then. I’m going to see if anyone needs any help out here.”

Maggie smiles and Michonne nods, “Alright. Suit yourself.”

You manage to sneak away, subtly and casually making your way to the medical trailer, “Hey, Dr. Carson.”

“Y/n. Great to see you.” He looks you up and down, “Are you hurt?”

You shake your head, glancing back to the door and lowering your voice, “I need you to do me a favor, and it has to stay between us.”

He raises a brow, “Okay? What can I do?”

“I need an ultrasound.”

“Like.. a pre-“

“Yes.” You nod, cutting him off, “And I don’t want anyone to know about it.”

He nods, motioning to the table, “You got it. Have you been having any symptoms?” He gets the machine ready and you sigh, “Um, kind of? I’ve been more tired, eating makes me want to barf, and I’ve been super bloated.”

“Before we continue, I have to ask.”

You shake your head, “Daryl doesn’t know.”

Carson nods, “Okay, but I was going to ask how you feel about this.”

You laugh slightly, “Um, well.” Tears form in your eyes and you take a shaky breath, “I might be pregnant during the apocalypse, so how do you think I feel?”

“Is the grouchiness a new thing, too?” He smiles and you can’t help but laugh, “How’d you know?”

“You usually never had an attitude unless someone does wrong by you or someone you care a lot about.” He shrugs, “Just trying to cover all the bases.”

He motions for you to pull up your shirt and you comply. Taking a few deep breathes as he puts a gel on your stomach.

You weren’t ready for it. But you forced yourself, you needed to know.

“Okay, so there’s your uterine tissue, and if we go down just a tad..” Carson stops talking and you stare at the screen, “h-how far a long?”

“Looks to be about ten or so weeks. Healthy little thing, that’s for sure.”

“Ten!?” You lay your arm over your face, “I think I’m going to be sick.” Carson wipes off your stomach and helps sit you up, “I know, you were probably hoping for other news, but..”

You shake your head, “No, no. I mean we didn’t plan this, obviously..” you stand up, “I just, I don’t know. I don’t know how I feel about this.”

“That’s okay, y/n. As your friend, it’s totally okay to feel unsure, but as your doctor, telling Daryl is the best thing you can do.”

You close your eyes, “Oh my god.” You turn your head, “You said they were good? They’re healthy?”

He nods, “Oh yeah. But I want to see you back here in about three, four weeks if you can.”

You nod, “Three, four weeks. Got it.”

“And try and cut back on the walker killing. Don’t strain yourself, too much. Okay?”

“I’ll try.” You take a deep breath, slowly blowing it out, “I’m going to go now before I puke all over your work space.”

As you walk to the door, Carson walks over, “Here.” He hands you the ultrasound picture and you can’t help but smile as you take it, “Thank you.”

He nods, “Anything at all, you know where to find me.”

You nod, shoving the picture into your back pocket and walking out. As soon as you step onto the ground, it hits you. You run over to the back of the trailer and bend over, puking up what you can.

“Y/n?”

You wipe your mouth and stand up, “Maggie, hi.”

“What are you doing?” She tilts her head, “Are you okay?”

“Oh yeah, I’m fantastic.” You lean against the trailer and she walks over, reaching up to feel your forehead, “You’re not runnin’ a fever, did you tell Dr. Car-“

“I just came from there.” You take a deep breath, “I’m going to tell you something, but it needs to stay between us, for now at least.”

“How far along are ya?”

You bring your head back and you laugh, “How did you know?”

She smiles, “Please. I have like a weird sixth sense when it comes to that. C’mon, let’s see it.” She holds her hand out and you bring the ultrasound from your back pocket, “Here. Carson says about ten weeks or so. Healthy little thing.”

She just her lip out and looks up at you, “How does Daryl feel about this?”

Your smile fades and tears well up in your eyes, “I-I haven’t told him yet.”

Maggie hands you back the picture and she wraps her arm around you, “C’mon, let’s go inside and talk.” You wipe your face before you start walking and you shove the picture into your sweatshirt pocket.

She leads you inside to her office and closes the door, “When did you first think you were?”

You sit down and sigh, “Probably a few weeks ago, but there’s just so much going on at Alexandria, I never really had a moment to break away and get checked for sure.”

“Would be nice to find a workin’ ultrasound machine for there.” Maggie shakes her head, “But I’m glad you hitched a ride with Michonne. It’s good to get checked out.”

You nod, “Daryl said he’ll be here tomorrow and I just-“ you close your eyes, “I’m scared of how he might react.”

Maggie laughs and you look at her like she just kicked your puppy, “Sorry, I just-“ she shakes her head, laying her hand over her mouth, “in all my years of knowing Daryl, he was never one to give anyone the attention he gives to you.”

“Really?” You ask, your voice cracking as you fight back more tears, “Sorry, these hormones. Everything all makes sense now.” You laugh slightly, “ When I was alone out there, before you guys found me.. I never thought I’d find anyone else, let alone someone to love me like Daryl does.”

“See.” Maggie smiles, “I think it’ll be a shock to him at first, but I think he’ll be happy once that wears off.”

You lay a hand on your forehead, “I hope. I’m just so.. nervous about it all.” You laugh, “Oh my god.”

“It not as bad as you think.” Maggie shrugs, “I had Hershel here. Carson and a few others were absolutely amazing.”

“It’s just scary to think-“

“Don’t think like that. If you want, you and Daryl can stay here for the duration if you want, just so you’re close to Carson.” Maggie offers and you nod, “I’ll have to see what, and how Daryl feels about that.”

“I think it’ll be fine.” Maggie tilts her head, “I think ya’ll are havin’ a girl.”

You smile, “You think so?”

She nods, “Daryl has girl mom written all over him.” She laughs, “I know he’s probably want a boy, but that’s also why I’m thinkin’ girl.”

You laugh and lean back against the chair, “I think I’m still in shock, partially.”

“It never goes away.” Maggie shakes her head, “C’mon, let’s go get you something to eat. I have some ginger lyin’ around her somewhere. It’ll help with the nausea.”

——

You tosses and turned all night.

One, because you couldn’t get comfortable. Two, because you missed Daryl, you hated being away from him, and three, your nerves were still eating you alive.

You sat up, swinging your legs off the bed and you just sat there.

Different ways of telling Daryl running through your mind.

“Fucking hell.” You get up, quietly making your way to where the radio is set up. You click the mic and take a deep breath, “Hilltop to Alexandria.”

You give it a little before calling again, “Hilltop to Alexandria. This is y/n, over.”

“You’ve reached Alexandria, this is Eugene speaking, over.”

“Eugene.” You sigh, “Do you know if Daryl is around, or even awake?”

“Is everything all good on that side of the trees? I do believe he’s patrolling because according to my observation, he can’t stand it when you aren’t here.”

You laugh slightly, “Yeah, yeah. Everything is fine, I just.. can’t stand it when I’m not there with him either.”

“Sit tight, hold your horses. I’ll be back before the goose can squawk, over.”

You shake your head, smiling as you rest your chin in your palm as you wait. A few minutes later, you hear the click and let out a sigh of relief when you hear Daryl say your name, “Y/n, what’s goin’ on?”

“I can’t sleep.”

“Yeah.” Daryl chuckles, “Me either. I shoulda’ came with ya.”

You laugh slightly, “Or you could have just let Dog come with me.” Daryl laughs, “You know damn well if I gave that dog a’choice, he’d pick you.”

“What can I say.” You sniffle, trying to stay calm, “I’m his favorite.”

“What’s wrong?”

You knew hiding something from Daryl was impossible. He could sniff it out a thousand miles away, “Nothing, nothing, I just.. wish I would have stayed, that’s all.”

“It’ll be okay, darlin’. I’ll be there as soon as I can, too dangerous t’ride at night like this.”

“No, honey. I know. I’m just, being a.. a big baby right now.”

“Ain’t nothin’ wrong with that.” He laughs and you nod to yourself, looking out the window, “Should only be a few more hours until day break, right?”

“That’s right, baby.” Daryl sighs, “Why don’t y’try and get some sleep, hmm?”

“I’m not making any promises.” You laugh quietly, “I love you.”

“I love you, I’ll see you in the mornin’ alright?”

“Alright.” You can hear him walk off and Eugene picks up, “Goodnight, y/n.”

“Goodnight, Eugene. Thank you.”

“Anytime.”

You walk back to your room and lay down. You stare up at the ceiling, hand on your stomach. You remember the ultrasound picture and pull it from your pocket. You look at it in the glow of the moonlight, a small smile resting on your lips.

Maybe this wasn’t such a bad thing, children were the future after all, right?

You tucked the picture back into your pocket and rolled over, getting as comfy as you can before you finally got some sleep.

You up as soon as the light started shining through the window, glaring right in your eyes. You sat up, making your way to the bathroom to get as ready for the day as you could.

An hour or so later, you hear the gates open, the sound of Daryl’s bike and Dog barking.

You turn, bending down to meet Dog as he runs up to you, “Hi my handsome boy! Did you miss me? Huh?” You laugh as he licks your chin and you look up, seeing Daryl walk up to you with a smile, “Did y’get any sleep?”

You walk over to him, wrapping your arms around him, “Took a little, but yeah. Eventually.”

He holds you tight and kisses your head, “Ya eat anything yet?”

You shake your head and he nods, “Yeah, me neither, c’mon.”

You walk inside and Maggie walks up, “Hey Daryl.” As she’s is hugging him, she gives you a look and you shake your head.

She nods and leans back, “Breakfast is almost done. Hang tight, okay?”

Daryl nods and turns around, “I don’t think you can ever do that again.” You smile, tilting your head, “Do what?”

“Leave me back home like that.” He pulls you into a hug and dog nudges at you again. Daryl groans, “Dog, what is your problem? Can’t I get five minutes with her?”

He whines and you look up at Daryl, “I think I might know what’s going on.” He tilts his head and you look around, “Come with me.”

You lead him to a room and close the door, “I didn’t..” you take a deep breath, “Fuck, okay.” You shake your hands and rub them on your thighs, “I’m nervous, hold on.”

“What are’ya nervous about, y/n?” Daryl walks up to you and you reach into your pocket, slowly pulling out the ultrasound, “This is why I came here.”

He looks down at your hand and takes the picture, flipping it over and he scoffs, a small smirk on his lips, “Ain’t no way.”

“A-are you mad?” You can feel your eyes burn from the tears that are forming and he looks up at you, shaking his head, “Mad? Why the hell would I be mad?”

He places his hands on your hips, “Look at me.” He reaches up, gently pushing your chin upward, “We’ll figure things out, alright? Things change, and that’s okay.”

He swipes away a stray tear on your cheek with his thumb, “We always have, right?” You nod, sniffling and he cups your cheek, “We always will.” He kisses your head and pulls you into, “That’s prolly’why dog has been up your ass lately.”

You laugh, “Yeah, maybe I’m not the favorite.”

Daryl chuckles and shakes his head, “Don’t say that.” He steps back, walking over to the window to look at the picture in better light.

He studies it for a few seconds, “How far along are ya?”

You walk over, “Carson said about ten weeks. They’re healthy, too. Which is a good thing.”

He nods, “Yeah, yeah it is.” He looks up, shaking his head, “I just..” he scoffs, laughing slightly, “Did you know before, or?”

You shake your head, “I had a feeling, and a few symptoms, but things have been so crazy back home I just didn’t have time to-“

“Nah, you don’t need to be doing anythin’ like y’been.” Daryl shakes his head, “You have two things to worry about and that’s you and our baby.”

You smile, nodding your head.

“Does anyone else know?” He asks as he turns towards you. You nod, “Carson and Maggie. She walked up on me puking outside of the medical trailer and she just knew.”

“Yeah, she’s got some sort’a sixth sense when it comes to this kinda thing.”

“That’s what Maggie said.” You laugh and step towards him, your arms wrapping around him. His arms snake around you and he buries his face into your neck.

“I’m sorry I was nervous.” You whisper and Daryl shakes his head as he stands up, “Don’t, you don’t ever have to say sorry.” He pinches your chin gently, “Not to me.”

You nod, reaching up to tuck hair behind his ear, “Maggie says you’re a girl dad.”

He scoffs, “I’m sure she did.” He smirks and holds up the ultrasound, “Y’think Carson is busy?”

“Only one way to find out.” You smile and take Daryl’s hand, walking out to the medical trailer. When you walk in, he turns around and smiles, “I see you took my advice.”

You nod, “Yeah, I did.” You motion to Daryl, “He wants to see, if you have some time.”

Carson nods towards the table, “of course.”

You walk over to the table and Daryl is right there, his hand in yours while his other presses into your back to help you lay down.

You pull your shirt up and Carson puts the gel on again.

Daryl keeps a hold of your hand, watching everything Carson down intently, “Now what that?” He points to your stomach and Carson smiles slightly, “It’s a gel, basically helps the picture be clearer.”

Daryl nods, watching as he places the wand on your stomach, “So right here..” Carson points to the screen, “Is your baby.”

You look from the screen to Daryl, “That’s our baby.”

Daryl shakes his hair from his face and takes a deep breath, “Yeah, yeah it is.”

You push your bottom lip out, “Are you okay?”

He nods, “Yeah, it just..” he looks down, wiping away his face and you smile, turning your head back to the screen as you squeeze his hand.

“When can we find out what it is?” You look up at Carson and he shrugs, “usually, between eighteen and twenty two weeks, but it really comes down to if the baby wants to cooperate.”

“They’ll be stubborn.” Daryl chuckles, squeezing your hand, “Just like mom.”

“Excuse me?” You raise your brows, giving him a laugh, “I don’t think I’m as anywhere as stubborn as you are, Mr. Dixon.”

He laughs and shakes his head, bending down to kiss your forehead, “Alright, alright.”

Carson wipes off your stomach and Daryl helps you sit up, “When do you want to see her back?”

“Few weeks, but I told her that if she needs anything, she knows where to find me. You both do.” Carson looks between you and Daryl and nods.

“C’mon, let’s go get you somethin’ t’eat.” Daryl runs your back and you look at him, “Maggie gave us an offer to stay here if you want.”

He thinks for a moment and nods, “Let’s go talk t’Maggie.”

ᖭི༏ᖫྀ ⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆ᖭི༏ᖫྀ ⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆ᖭི༏ᖫྀ ⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆ᖭི༏ᖫྀ

Thank you so much for reading! 🖤

Likes and reblogs are majorly appreciated!

[ghostdiva]

ok so the new trailer for episode 3 just dropped. big hype. here are some theory's, notes, and observations.

also I took a lot of screenshots...

anyway here we go.

so the adventure is set to be "The Mystery of Mildenhall Manor". Now, I do think that Caine is gonna be the quest giver this time, sending the gang to find something inside the spooky, probably haunted manor.

small guess is that they gotta find Matilda, one of the ghosts haunting the manor, and trap her in a vacuum. idk why, it's literally just a hunch.

Jax also takes a moment to harass Pomni with a vacuum, which just makes me think of Luigi's Mansion.

anyway, the gang (minus Zooble) are gonna go in the manor and try to find whatever they're looking for, and either by agreement or random set of events, the gang is gonna split up, Pomni and Kinger being paired up. I don't really know if Ragatha, Gangle, and Jax stick together or not, as they're not really shown much in the trailer.

I am inclined to believe it is a set of events that separates the gang tho.

it's the one of the reasons I can think of that'd make Pomni climb on the door like that.

I mean... outside of the very spooky decorum.....

which Pomni has a pretty reasonable reaction to

btw, I fucking love Pomni's cartoon physics with the squash and stretch rubber-hose animation. it's so expressive and fun to watch.

anyway, it seems Caine is determined to have Zooble go on adventures. so he literally sits them down and tries to therapize them.

though with Caine being an AI with very little knowledge of how the human mind works, this goes predictably horribly.

I imagine Zooble tries on some level to convey to Caine the ludicrousness of their situation. stuck in a digital world getting repeatedly traumatized by meaningless adventures that seem to do more harm than good. though I get the feeling Caine would miss the point, leading Zooble to correct him, and/or get upset at him for not understanding. watching this verbal fight happen between these 2 will probably lead to us, the viewer, understanding more about Zooble.

anyway, back to the manor with this cute little guy.

look at him, he's so cute and squishable. unfortunately this guy is the only cute and squishable NPC here because Pomni and Kinger seems to really be going through it.

they're mostly poking around, opening drawers and stuff. maybe they're looking for a key to get back with the others or something? who knows.

they both probably stumble around in the dark for a bit, both figuratively and literally.

they might end up stumbling into an antagonist NPC, which is the only way I can explain some of these screenshots.

it looks to me like Kinger is facing something. I mean, He's missing an eye in the first one, smacking something with a gun in the second, and looking really worried in the third. Plus the fist 2 have similar lighting so I'm inclined to believe those 2 pics come from clips in close time frames to each other.

there's also another image that has similar lighting...

now... this may sound weird, but I think that either Pomni got Possessed somehow, or something tried to take her shape. Possession seems more feasible since we know at least 2 of the NPC's in this adventure are ghosts, and at least in media ghosts are known to possess people. seeing as digital circus seems to love pulling from video game mechanics, this wouldn't surprise me at all.

this would also kind of explain why in the "POMNI WAKE UP!! IT'S TIME TO GO ON AN ADVENTURE" video, in the "Kinger with a shotgun" clip, he seems to be hitting Pomni with the gun. it makes a lot more sense if Pomni ends up getting possessed somehow, forcing Kinger to hit her in order to defend himself from the ghost.

this also could tie back to the worried look on Kingers face in the screenshot before Possessed Pomni. Cause he'd know what he has to do, even though he doesn't want to hurt Pomni.

Hell, I'm pretty sure Kinger even openly protects Pomni in this episode.

because of the shot in the trailer taken from this hole's perspective

not only is Pomni hiding behind Kinger, but he has one of his hands out in front of her, as if to protect her from whatever is in that hole.

also in regards to guns, Kinger isn't the only one who gets to have a gun.

Pomni gets to wield a shotgun too, and it's likely to help both herself and Kinger fight off whatever was after them in the hole.

Ghost possession and gun-slinging aside, I do think that Pomni and Kinger have a little heart to heart in this episode.

boy doesn't that screenshot look familiar. reminds me of episode 2 with the blue lighting and concerned expression on Pomni's face. That scene in the test room where Pomni comforts Gumigoo. this time tho, she's comforting Kinger. it almost makes me wonder if this will be a reoccurring theme, with all the other characters eventually having a heart to heart with Pomni, and Pomni comforting them.

it'd really make her live up to her quote in episode 2 "I guess I just don't want you to feel like you're nothing. I don't want anyone to feel like that".

the only thing I do still have questions about, is wtf is Kinger looking at here?

I mean, it looks like the eyes of a ghost, if they could make their eyes glow like that.

ya know what, maybe he's looking at a mound of pillows or something.

yeah, like that.

[ihaveforgortoomany]

The dichotomy of Greenlake and Highway 77: rambling.

(Just general thoughts on both horror patches - I will be discussing spoilers for 2.1 here, and uh 1.2's as well if anyone is worried about spoilers for a almost year old patch)

I will give credit to Bluepoch here, having the next horror patch take a darker tone in the form of the Western Horror in comparison to 1.2's slasher horror genre was very cool.

You can see the impression of 1.2 effect people's inital perception of 2.1 from the first trailer and poster.

"Oh maybe its gonna be like Jessica and this is an illusion and no one dies!" 🙃

The signs of this patch taking a more serious and darker turn did become obvious in the pv, a literal body, actual red blood, the music and framing of scenes in the pv aimed at this darker tone, having Kimberely here, after the impression she left in 2.0 as such a terrifying and powerful character to be absolutely terrified here also adds to the theme. Then you have Tuesday's character trailer, maybe by this point you think, "shes a little creepy like Isolde but not that bad. right?"

Then you play the actual story and I think Tuesday's character really does shine in "how crazy is she?" question slowly becoming more and more apparent until it becomes "how fucked up is she?".

Case and point:

With Jessica, the scary part about her was the extent she fully tended to keep Blonney, and rhe Greenlake gang there; plus her misunderstanding that "maybe people do not like to be subject to slasher horror style scenarios outside of the film screen". Jessica is very much harmless and really desires companionship after being isolated to the campsite for so long.

Tuesday? She is partially influenced by the tragdey that befell her prior to 2.1 (Ill finish her character story later), there is this active enjoyment and thrill she gets from her victims and fear, either from others or even herself when Argus threatens to shoot her.

Tuesday is scary how she actively enjoys the fears she instills in others, this balance between a gentle and caring maid vs the terrifying fear enjoying person we fully see by the end. Part of it comes down to the va, who as of this post is unknown but the way her voice balances between caring and sinister is amazing.

Even genre wise is fascinating: in terms of Slasher Horror 1.2 plays on the satirical and overused aspect of the genre, literally Horrorpedia embodies this overused tropes and predictability the genre has come be known for. Alot of the patch was about noticing these tropes and attempting to avoid them.

In contrast I think its safe to say Western Horror is much more scarier and arguably less well known horror: fear of the mysteries of open roads, small towns, cult activity, the strange motel in the middle of nowhere - the fear of the unknown is a stable of the Western Horror.

Summary - the contrast between the 1.2 and 2.1 patches is very fun, I like seeing a horror genre that got me into horror initially getting the spotlight here.

[princess-unipeg]

Having watched Jentry Chau vs. The Underworld as soon as it dropped, I can definitely say it lives up to the hype and Netflix should renew it for more seasons. It does feel weird that this dropped during Christmas season and not earlier like around Halloween. This show just vibes more with the spookier season.

JCVSTU definitely surprised me. I mean they killed off Jentry’s great aunt Flora AKA “Gugu” in the very first episode and in the following episode they buried her body in the backyard which makes me wonder if they are even zoned for that.

It was very interesting in how they went about the “isolated and ostracized” main character route by showing how at first Jentry was accepted very quickly by the rest of her peers only to be rejected following the revelation with her role in the town fire that ruined many lives. The vice principal really had it in for her but as soon as other demons came in he quickly turned a 180 and was begging her for protection. Overall they eventually accepted Jentry again. The whole “saving everyone from demons” probably helped eased their opinions on her.

I was also caught off guard that Kit, the cute boy that was presented in the trailer as a love interest, was actually a demon. A Painted Skin which is a creature from Chinese mythology and this was the first time we see it in western animation. The way he died so that he could redeem himself makes me wonder if the opening credits was foreshadowing his reincarnation which would grant him the soul he always wanted.

I really adore the rest of the characters. Especially Jentry’s friends from Korea. It’s a shame that we didn’t get to see more of them. I mean they knew about Jentry’s powers and they accepted her anyway.

That isn’t to say that Stella and Michael aren’t great. They are also amazing for not only forgiving Jentry for the town fire years past but also for fighting by her side when demons started attacking.

I also like what they did with Stella. She’s really sweet even though she was introduced as a love rival which didn’t go anywhere thankfully. She decided on her own to dump Michael since he wasn’t fully sure about their future together. Stella doesn’t blame Jentry for the break up and was very accepting of her even following the revelation that she started the town fire all those years ago. She was a fully realized character which helped the LGBTQAII+ representation she demonstrated at the season finale episode.

Michael Ole was also interesting. As in I actually didn’t expect him to be the childhood friend/love interest. The rise of LGBTQAII+ representation in western animation made me think he was in love with Kit not Jentry. I’m not fully 100% invested in him as a love interest yet. At the end of the season I’m not sure where he and Jentry are relationship wise and I hope more episodes would remedy that.

At the very least I’m invested in Michael character wise. I mean he had future visions which had nothing to do with Jentry and his parents seem to know more than they let on. They should really explore this in season 2.

I enjoyed the decision to have Jentry go back to Korea with her mother. It was when she was at her most happiest after the fire incident. She had friends who accepted her and she thrived. Plus with her portal making abilities she can come and go to Texas as she pleases and keep in constant contact with Michael and Stella. After everything she went through because of those powers, it was nice that she was finally benefiting from them. Really helped saved a fortune in international moving costs.

I’m craving more from this show and Netflix should deliver if it knows what good business is.

[warblogs17282]

IT'S NOW LESS THAN A WEEK BEFORE WE GET MASTERMIND!

So here's everything that we know about Mastermind, just as a quick little recap:

It was confirmed at a panel that Vassago will be making an appearance in Mastermind, meaning that there's less than a week before Vassago's debut, who is voiced by Harvey Guillén. It was also confirmed at the same panel that Vassago is not a one-off character, and will be appearing 'much more' in season 3.

According to this bluesky user, at the YC Con Panel, Vivzie stated that there's an 'incredible song' she's really proud of in Mastermind, the episode also has a specific tone to it and that the mentioned tone of the episode is different from the other episodes.

Finally, here are the scenes in the trailer that we haven't seen in the show so far:

The cloaked figures. "We've got you surrounded!"

The scene where they're trying to escape something. "Get ready for a life on the run gang!"

The IMP gang being attacked by something, we don't know what this something is at the moment, in the hallway where IMP is located.

Vassago in a courtroom, presumably something related to a trial of sorts. "Where is Stolas anyway?" "We need to summon him at once!"

Satan reveal - "You're a disgrace."

Stolas getting attacked by someone. Attacker has been theorized to be either Andrealphus or Paimon.

Mammon giving someone the middle fingers, also appears to take place inside the courtroom. (I am still obsessed with the finger skateboard and fidget spinner Mammon has in this scene)

Andrealphus powers up and takes over Stolas' palace.

Stella discussing something with someone in what looks like Andrealphus' palace.

Octavia gets to show off her magic in cool visuals, and what is most likely a visual during a song. "You never loved mother and you don't love me. You love him!"

ngl, I like how we're occasionally being fed little vague crumbs about the episode, it really keeps me looking forward to see what ends up happening in Mastermind, plus the fact that we don't really know much about Mastermind as well right now.

[nanamincreampie]

Race Driver Choso

Choso Kamo x black plus size reader

Warnings: 18+ MDNI, jealousy sex, possessiveness

Race Driver!Choso who always notices you, his eyes following every move you make as part of his pit crew. You’re focused, swift, and always on top of your game, but that doesn’t stop him from teasing you. Every time you bend over the car, or adjust something under the hood, his gaze lingers just a second longer than necessary, making your heart skip a beat.

Race Driver!Choso who finds any excuse to get close to you during the race. He leans in to adjust the tire pressure, his broad chest brushing against your back, his breath warm on your neck. “Need me to help, baby?” he murmurs, his deep voice teasing as he rests a hand on your waist. You can’t help but shiver under his touch, but you keep your cool, offering a simple “I’ve got it” with a smile, even though your pulse is racing.

Race Driver!Choso who watches you closely, his eyes darkening whenever you catch his gaze. Your body moves with purpose, your full chest rising with each breath, your thick thighs flexing as you kneel by the car, adjusting the settings. He can’t help but be captivated by you, the way your curves move under the tight-fitting pit crew gear. “You look damn good working on that car,” he comments, his tone almost like a growl, his eyes following the way your hips sway.

Race Driver!Choso who knows exactly how to get under your skin, often dropping little compliments that make you blush. “You’re way more talented than half these guys, you know that?” he says with a cocky grin. “Don’t let them think you’re just some girl in a pit crew. You’ve got it all, mama.” The playful teasing is always there, but there’s something more in his eyes something deeper.

Race Driver!Choso who gets possessive when he sees a rival, Race Driver Suguru trying to flirt with you after the race. As you walk towards the pit after the final lap, you catch sight of one of the other drivers, his eyes scanning you with that annoying, smug grin. He takes a step toward you, leaning in with confidence, “You deserve someone who can treat you right,” he says, his voice smooth and sure. “What do you say we grab a drink?

Race Driver!Choso who sees red the second he notices the rival driver’s flirtation. He steps in before you can even reply, his voice sharp and commanding, “She’s not interested.” His posture is tense, the challenge in his eyes making it clear that this conversation is over. The rival driver stumbles back slightly, surprised by the sudden intervention.

Suguru raises an eyebrow, trying to maintain composure. “Hey, no need to get all worked up,” he says, hands held up in mock surrender, but the tension in the air is thick.

Race Driver!Choso who doesn’t waste a second, his hand grabbing your forearm firmly as he pulls you away from the scene. “Let’s go,” he mutters, his grip strong but not harsh as he leads you towards his trailer, his anger simmering beneath the surface. You don’t have time to react before he’s guiding you into the quiet space.

Inside the trailer, Choso doesn’t give you any time to catch your breath. The door shuts behind you with a click, and suddenly he’s there, his body close, his breath hot against your neck as he presses you against the cool metal of the wall. His hands trace your curves with an urgency you hadn’t expected, his lips brushing over your skin. “You’re mine,” he growls, his voice low and rough with desire.

Feeling the heat rush through your body, barely manages to respond, her breath shaky. “What are you doing Choso?” you ask, but the question comes out as a whisper because his lips are already on yours, claiming you with a kiss that’s as intense as it is passionate.

Race Driver!Choso who kisses you with such hunger, it feels like he's been waiting for this moment for too long. His hands roam over your body, his fingers dipping beneath your clothes, his touch sending shockwaves of heat through your core. “I’m done pretending,” he murmurs between kisses. “I need you, now.”

Your heart pounding, hands grabbing at his shirt, feeling a rush of emotions as his hands start to undo your clothes. “Choso, wait—” you try to say, but the words die in your throat as he lifts you effortlessly, his lips trailing down your neck. His mouth leaves a trail of fiery kisses that make your legs weak.

Race Driver!Choso who moves with purpose, undressing you slowly, savoring the moment as if he’s memorizing every inch of your body. “So perfect,” he groans as he pushes your clothes off, his eyes drinking in the sight of your soft curves. His hands caress your skin like he’s in awe of you, his touch worshipful as he traces every dip and curve.

Race Driver!Choso who doesn’t waste any time worshipping your body. His lips travel to your breasts, his tongue flicking over your nipple as he groans in satisfaction. “You have no idea what you do to me,” he growls, his voice husky with desire. His hands roam down your body, exploring every inch of you with reverence.

Your breath coming in quick gasps, her body trembling under his touch. “Choso, please…” you moan, your fingers digging into his shoulders as you press your body closer to his. You want more, need more, but you’re not sure if you can handle it.

Race Driver!Choso who chuckles darkly, his lips brushing against your ear as he lifts you again, positioning you so you can feel the hard length of him pressing against you. “You’re mine, baby,” he growls, guiding himself into you slowly, both of you gasping at the sensation. “You’re gonna feel every inch of me.”

[goldblumluv]

FIRST TIME HUGH REALISES HE IS ATTRACTED TO YOU

I’ve just finished Flawless and I just love a cowboy romance and a lot of what I’ve read it is grumpy x sunshine. This isn’t a cowboy Hugh story but I like the idea of like a forbidden romance / he shouldn’t like you (but he does) but he kind of acts out to pretend he doesn’t like you.

tags: female reader. Hugh’s POV. Angst. Slow burn. Confusion. Some fluff.

w/c: 4.5k

summary: you are a makeup artist on set of deadpool and wolverine. you’ve actually managed to get assistant head of makeup so you’re quite high up and you do work a lot on Hugh (and a little on Ryan) - instead of extras etc. you’re one month in so you’ve started to build a work relationship with Hugh but it’s starting to get flirtatious and the next level. Hughs POV (I love when books do this)

“More lube” Shawn shouts. She comes running over with a bottle in hand. I can see her cheeks flush pink as she touches me and her breaths become deeper. I must admit I didn’t take my eyes off her as she rubbed across my chest and down my stomach. Luckily, everyone is moving equipment to get ready for this scene, so it feels like it’s just us. She doesn’t even look at me once, so I know she’s avoiding my eye contact. She acts so confident back in the trailer but seeing how innocent she is right now is driving me crazy. Has she not touched a lot of men before? Why is she shying away? When she finishes she playfully slaps me right on the chest, but is giving me the eyes. “All done” she says with a devilish smile. Her back is turned before I could say something; she is giving Shawn the thumbs up to let her know she’s ready so I also throw up a thumbs up. I check her out one last time. As times got on her makeup has got less and her hair is a bit more carefree, and she’s only more beautiful for it. Plus it makes me feel good she’s obviously feeling more relaxed and comfortable. However today she is wearing a tight top plus tight jeans, which only highlight the curves of her body. I change the direction of my gaze quickly because I can feel an erection growing.

After filming, we go back to the trailer. I hardly speak to her. I don’t want to. This is the first time it’s gone from puppy love to Oh, I want to have sex with you. I want to see what you look like naked. And I can’t be having these thoughts for oh so many reasons. We work together. She is younger than half my age. My divorce hasn’t even gone public yet. Can you imagine I’m seen with a 25 year old before the divorce has gotten public? We start walking together whilst she’s telling me how good the shooting went, asking if I hurt. She’s caring and reassuring. She quickly gets out of her phone and picks up her pace whilst I stay trailing behind. Part of me knows she’s doing it cause she feels awkward at my lack of response but her walking ahead, is not helping my cause right now. It’s just us in the trailer. It’s the end of the shoot, so she’s just taking everything off me. The dirt, the lube, the eyebrow gel that colours in the greys in my beard that are probably… no… are older than her. She steps back, “what’s up? you’re being off” “I’m just tired” “hm” She carries on her job. I’m lying through my teeth. The radio is filling the silence between us. I can tell from that murmur she’s defensive straight away, not believing me. “Do you want to get food?” I feel my dick twitch. Is she asking me out? “I think I’m just going go back to the hotel” She is asking me out and I deny her which I hate. “You might feel better if you eat” persuasive. “Honestly I’ll be better tomorrow, I’ve just hit my wall”

I usually help her tidy up at the end of the day. I still do this. If I don’t I know she will be on my back, hurt, upset or confused. “You can go, if you want, I don’t mind” “No it’s fine, you’ll be able to leave quicker if I help” Even though I do have a crush on her like a 16 year old boy that’s just got his first dose of testosterone, I am still 56 and need to act like it. I know how she organises everything. We leave together. We’re staying in the same hotel but how you imagine, me and Ryan and Shawn are up top whilst she’s lower down. Which I believe isn’t fair. I don’t need the biggest room. We take the elevator and when it reaches her floor she fist bumps me, almost like she’s a 16 year old boy as well. I wonder if she feels the same? How do you know? How you do know especially when the girl very obviously does not know how to talk to men?

After a few hours she texts me. This is normal routine again. It won’t be a full conversation, considering we see each other in person nearly every day, so you might as well save the conversation for in person. It’s usually along the lines of she’s listening to a song I’ve recommended or a film I’ve spoke about. And to be honest, I do the same back. I really want to know what inspires her. She texts me a photo of her out for dinner, with a man’s hands. I immediately heat up with jealousy. Who the fuck is that? I’m trying to think of seeing her day to day speaking to any men, there’s a couple on her team. She speaks to Ryan and Shawn. I know she’s spoken to lighting and cinematography and the camera men when she’s asking for their opinions on how it looks. But does she really spend a lot of time talking to a man? That’s not me? No. And we are shooting in England, but she said she’s so far from her hometown and she has no one this way. I want to bite and ask her, but the more that this is entertained the deeper and worse it’ll be. So I don’t.

I start to fist my dick to the thought of her. My plan today is not working, at all. After I finish, I just think about this guy. Which ruins the mood completely. Part of me wants to tell Ryan, but not yet. Especially in the middle of shooting. I don’t want Ryan to also be awkward around her.

The next couple of days are well… awkward. I don’t know what to do. You know the last time I was in this situation? Never. You know last time I was getting feelings for someone? Over 30 years ago. At first, I’m met with a lot of “you’re quiet” which feels like her prodding and asking what’s going on, without saying it. “I don’t like it” she says outright. Yeah, me neither. She doesn’t let my grunts deter her for a while. She could possibly have a conversation with herself I’ve discovered. I found out the guy she went to food with was someone on lighting. Closer to her age. I’ve seen them speak a couple of times and didn’t think anything of it. I thought she was giving her opinion and asking for his. Now there’s another guy in the mix? Jesus Christ. But luckily she blurts out she doesn’t like him, and she’s just someone she’s found as a friend but she doesn’t know if he feels like that. Which eases me a bit, but not entirely. I don’t want him here at all. “Was it a date?” That might be the first full question I’ve muttered and I can see the slight eyebrow raise of shock. “I didn’t think so. We were just texting about food and he asked if we should go get some and I thought I’m hungry so why not. But I didn’t put any effort in. And we went back afterwards. I don’t know if he put effort in” Right, so if I got over myself, that could’ve been us. Whether we went out for greasy food and ordered greasy food to us, I had the invite first.

Tensions are high. She’s meeting my passive aggression with…. Passive aggression. She really does give out the energy she gets. I wish she understood this was for the better. Times of walking to set together is now met with excuses for “I’ll meet you there” and on breaks she finds some of her team to sit with. One day Ryan asks where I’m going and I reply I’m going eat in my trailer. Like that was the plan all along. He looks concerned but lets me do it. How have I messed this up. I sit and eat and just think about how I’ve built up this relationship and pushed her out.

One day she was sitting with Luke- this lighting guy on break. I don’t say anything but I ping with jealousy. At the end of the shoot, I don’t tidy up with her. “Aren’t you helping today?” She asks. “Ask Luke” I say as I walk out. I see her eyebrows furrow as I walk out. “Where’s Georgia” Ryan asks. “She’s got a lot on” “You’re being weird” “I’m not” I say avoiding eye contact. “You won’t even look at me?” “Can we eat in your room” Ryan pulls the same face as her. Trust me to fall for a girl that absolutely mirrors my best mate. “Okay” is all he musters as we get in the same car for once.

“I’ve got myself in a situation and I think I’ve done something I might regret” Ryan nods but his face tells me he’s anxious. “I’ve gotten attached to someone” “Blake?” Ryan asks almost instinctively. “No you fucking idiot. Actually Blake might’ve been socially better” I laugh. “Is it y/n?” Ryan teases. I drop my mouth. “How do you know?” “Who doesn’t know?” I repeat the question back to him in shock. Do people know? “We have eyes… that can see… you two attached at the hip to one another… I know she works with the you the closest but taking breaks together and walking together all the time is not part of the job description” I put my hand on my head and do an exasperated sigh. “Why couldn’t we be friends?” “Hugh… me and you are friends… I don’t see you moping when I need to have a meeting with Shawn so we can’t eat dinner together” I cover my face. I thought it was hidden well. “This can’t be happening” Ryan looks smug in my negative emotions. “Do I think it’s weird? Yes. You could be her dad. But you aren’t and it’s legal. But these really exceptional circumstances. You’re together nearly every day, of course you’re going to get feelings or whatever you called it.” “Do you think it’s wrong she is staff and I’m an actor?” “Do YOU think there is? Because I think there would be more of a power imbalance if this was someone off the street. You’re always going to be seen as a higher power cause you’re Hugh Jackman, but she’s put in so much work to be here. Let her be her own person.” “Why are you encouraging it?” “Because I get to watch you like a lovesick puppy even if you don’t realise what you’re doing so I think you should stop caring what other people might think- if it feels right you should try” “my divorce isn’t finalised yet” “I’m not telling you to marry her, oh my god. *I smile* I’m just saying if you like her.. be more intentional with her” “I think I’ve fucked up anyway” Ryan groans “why?” “I saw her with someone else and got jealous and made a comment” “I KNEW SOMETHING HAS BEEN UP WITH YOU” “I’ve been a prick to her the past week or so and I know I have but I don’t know what to do” “that’s not very nicest man alive of you” that makes me roll my eyes. “She started to give me a boner and that’s a line too far so I wanted to distance myself.” Ryan giggles like a little girl. “So you had a tantrum?” “Not at first, I’ve just stopped talking to her so much so she’s made excuses to not be with me on set. Instead she’s been with Luke. I usually help her clean up and we leave together but instead I start to leave and she asked what I was doing, and I told her to ask Luke to help her.” Ryan’s face flattens. “Why are you acting like that?” “Cause I don’t know what to do” “APOLOGISE” I groan. “I know” We go back to eating in silence. “Just don’t bring any shit onto my film” I salute.

The next day in work, it isn’t even icy. It’s worse. She’s totally professional with me. She never wasn’t in the first place, but we have no general conversation. Whether it’s in front of the team or when we’re alone. It’s only “look down” “look up” “twist your neck for me.” All work related. Who knew I’d crave a conversation about your weirdest dreams or something more ridiculous. When we’re alone I try to address it. “I shouldn’t have said that.” She looks me dead in the eye. “Okay” “that’s it?” “What do you want me say?” “Don’t you want to know why I said it?” She holds her hands up “your business is your business” Suddenly she’s gone from asking me all these questions and feeling like a safe space to nothing. That comment hurts the most. It’s gone from being a team to nothing. Someone knocks asking if I’m ready. “You should go” she says. I would almost prefer her to be pissed at me. Make a scene. Cause this only makes me doubt she doesn’t feel anything to me. “Are you going see him later?” I ask. “No?” She replies like I’ve asked her the most stupid question. “I told you it’s just friends, if you think something else that’s on you” “are we friends?” “That’s also on you” She’s being too easy. “So we need talk about it” “You need get to set” “aren’t you coming?” “Nope” she smiles. I groan. It makes her laugh. “Go” I do as told.

The next few days are the same. Only work talk. “I feel like I need explain” “You don’t” “can I… for my peace?” Ryan would rip into me if he heard me like this. Even I smile at how I’m pleading. “Not at work” “Will you meet me at my room?” “You want speak to me… you come to my room. Also you haven’t even apologised for being rude yet.” I touch her arm, and she lets me. She always gives me physical touch; not sexual but I’ve noticed when she’s trying to be genuine and reassuring she does gently touch you, and I know she would like that back. It brings her to attention. “I’m sorry” she winces “it’s a start” I’m so happy she’s not completely righting me off. We’ve had a conversation before how she finds it easy to de attach herself and doesn’t give second chances. I know I’ve still got a foot in here, and I know I really need to make it up for her. I think… I know how I acted would’ve hurt her worse than what I said, over the fact I’m jealous.

I haven’t seen her for a couple hours. I actually go try to find her. I’m walking up and down trailers. Shawn asks what I’m doing and I just smile at him dumbstruck, and he gives me a knowing smile back. “Good luck” Oh I’m not used to this at all. This is scary. I can hear shouting from the editing. Y/N storms out shaking. I grab her elbow to stop her, so she has to speak to me. “What happened?” “He’s a stupid fucking cunt” She grabs her arm back. I walk in the trailer. Before I even say anything “Tell your child bride that she doesn’t know better than people that have trained in this” I walk out instinctively. I was going to ask him calmly what has happened. I feel sorry for her, she does love to talk to people. She’s soft. But I also know sometimes she gives unwarranted opinions, even if it’s delivered in a lovely way, and some of the 40 year old men do not appreciate it. I’m shaking. First of all, to reduce her like that? Ridiculous. You don’t speak to anyone like that. Especially, even if this is old fashioned, you don’t scream and shout at a woman and one younger than you at that. I go find Shawn and Ryan and they fire him on the spot. I feel small, telling Shawn and Ryan about this, but it’s not my film. I don’t have that power. But they do it, no trying to compromise, which I appreciate. “Tell her we’ve sorted it and we won’t let anyone be bullied” I go straight to the makeup trailer. It’s locked. I know she’s in there. I knock and no reply. “It’s me”

She opens up. I just pull her into a hug. She kind of resists at first; not putting her arms around me. But she does after an initial second; sink into me. “He’s gone” “what do you mean?” “He’s fired” She lifts her head to look at me. She’s been crying but has stopped by the time I got here. Her eyes are glassy. There’s a quick flash of annoyance but she blinks it back, “thank you” I can tell she’s trying. I know part of her wants to know why I did that; the same part that struggles to let someone help her. But she’s let me help. I’ll make sure to bring this up later. She puts her head back on my chest and I’m sure she can hear how fast my heart is pounding. “Do you want to go home?” “Not really but I can’t lie my heart isn’t in it today” “go home” she looks back up confused “who will do the work?” “Give me the numbers of people on your team and I’ll sort it.” “Also who made you boss?” She smiles. “I’m not the boss but it’s a perk when I’m best friends with them” She’s thinking of a response “you don’t need to carry the world on your shoulders” “okay” she grabs her personal items after sorting out her cover. “Do you want to go to my room?” She pulls her face and laughs. “No” “you don’t want to relax in a big bed and a big bath?” “I do” She looks at me deep in the eyes. Trying to read me. I just hold my key out. We’re both looking at each and smiling for about… 3 seconds.. but it feels like forever. I also think sex would be less intimate than this. She’s looking right into my bones, trying to read me. I am reading her. I know her better than she thinks. I don’t think she’s ever had someone she can rely on, and I want to do that for her. I think her confidence is almost a facade, or an aid, for how much she’s done alone and I think she’s never really had someone she can trust. That’s why she can detach herself easily. That’s why I saw a flash of anger at me getting involved. But I can see she’s trying to give me a chance. And I ruined it the other day by having a tantrum. I don’t want to be another person she pulls down her walls for and then has to put them back up. When she takes my keys, I let out of a breath of relief. I know I still have more work to do.

I text her to let her know I’m on my way. Ryan asks how she is. “She’s okay I think, I’ve let her in my room” He teasingly slaps my chest, knowing what he’s implying. I smile. “No, well I wish, but not after today.” “So are we not acting like 16 year olds anymore” “No” I deadpan. I knock on and I can hear her unlock. Her hair is natural. No makeup whatsoever. In a robe. She looks angelic. Then I start to think what’s under the robe. I let out a deep breath. “Have you got clothes on under that” I cringe as I say it. She throws her head back and opens her robe. She’s in pyjamas. A long t shirt and shorts. Not form fitting but my eyes trail up her legs” “don’t worry- you told me to relax so I am” She starts to walk off and I follow. “This room is lovely” “it is but it’s not necessary” she doesn’t say anything. I get on the bed and she follows. “I’m sorry for acting how I did, I let my jealousy get the better of me” “didn’t know you’d have feelings at your age?” I smile “yes, your heart doesn’t stop” I can tell she feels better in herself with these smart ass comments. “What are you jealous of?” She asks smugly. Knowingly. I stutter on my words. “You said you wanted talk about it.” “I have a crush on you” There’s painful silence. I’m looking at her with yearning in my eyes. I end up covering my face, exasperated by her silence. “I’m too old to feel like this I know” She does an evil laugh. “Is that why you’re jealous? Of him?” I nod. “I’ve told you we’re just friends” “I know but you look happy together” “God forbid” she jokes. “Come on you’re meant to be listening right now” “I am!” “Also he’s good looking, age appropriate, why would you not like him?” She gets a serious look on her face. “I feel a way for you too” I think I sit up slightly too eager. “- but I don’t appreciate how you acted at all. Especially at your age. That wasn’t okay. Even if you didn’t want to help, I didn’t like the walking out on me with a snide comment. You need to speak to me.” I salute. “I know and I’m sorry, I knew that would’ve hurt the most. I won’t do it again. I think how I handled it was to be honest, based a lot on I don’t understand what I’m feeling and I didn’t know how you felt so it really won’t happen again” “do you feel better knowing I feel the same?” I lie back on the bed. My back hurts. “I feel more comfortable and confident now to not be a prick”

I open my arms to a hug. She sinks into me. It feels natural. Also I’m realising we’re cuddling on a bed. I’m controlling my dick. Think of ugly sad things Hugh. Who knew at this age I’m still ready to go. But not today. My hands are under MY robe that’s she’s wearing, rubbing up and down her back. Starting to feel the gentle curve of her ass and where her breasts are pushed slightly out. “I hated not speaking to you” “I didn’t like it either and I can tell you how sorry I am” her confession makes my heart flutter. “If it helps I don’t really know what I’m doing either- I’m not very good at being with someone… or even getting close to that” “I don’t understand why” “Uhm….. this is a conversation for another time… but I don’t think a lot of people are attracted to me” It hurts she doesn’t see how attractive she is. “I don’t really ooze sexiness” she says looking at me with the same eyes I would love to see in between my legs. “I’m awkward and I’m not funny- people my age just want to have sex and I want a relationship where they’re my best friend” “all these reasons make you special to me” “do I say thank you?” We both laugh. “I don’t know” “what happens now?” “Well Ryan has said we can’t bring shit back onto the film set so we just carry on as we were” this whole conversation she was on my chest, which made this slightly easier. She suddenly sit up on her hands “what does Ryan know?” “Will you be mad?” “No…” she leaves a pause. “Well I told him everything… well my side. That I’m getting feelings for you and I don’t know what to do so I’ve acted out” “what did he say?” “Everyone knows anyway” “Whaaaaaat!” “Yeah apparently we’re not very good at hiding how we feel.” “Well I thought I knew how you felt but then you didn’t speak to me for a week so I thought you were confusing” “I had no idea how you felt until you blushed when touching my stomach” she goes back down to cover her face. “Don’t tell me anymore” I cackle. Y/N admits she’s not used to this and I need to be patient with her. “You need be patient with me. I don’t know what I’m doing. God, ignoring the circumstances of this, my divorce isn’t even final, that’s a whole seperate ballpark. What if someone sees us? I don’t think we should set any times or goals or anything but now it might be easier.” “I didn’t even think about paparazzi or that side.” The tension is the air is thick. I act like nearly 60 year old man I am. “We don’t have to think that far yet though, you might be sick of me by then. We should just enjoy it for what it is right now” She goes to say something and stops herself “Okay sir” This makes me grab at her but I quickly stop. That’s not what a polite gentleman would do. “What were you going say?” “You might decide you don’t want me” “Spending nearly all week with someone, you get to know them quickly and decide how you feel about them and I don’t think I’ll decide that.” She lifts her head back up. Reading my face. She goes back down. “Okay” we stay like this for a while. “Do you want me to go?” I tap her so she sits up. “No, stay.”

We get up and order greasy food. We lie back on the bed full. “Wait… you shouldn’t have had that” “it’s okay I’ll go harder at the gym” She laughs. We’re watching a quiz show. “What happened earlier?” I ask. I was looking at scales and I noticed an error. A genuine error. I tried to tell them but I suppose they were stressed and bit my head off. So I bit his head off.” “If I didn’t get involved, what would you have done?” She shrugs “nothing” “I know it’s hard for you but I never want you go through anything alone, especially not anything like that. I’m here to help” She registers my face. “Okay” She then snuggles up to me. With every touch and comment that is slightly more vulnerable, I feel pride. Like I’ve accomplished something. I know it’ll be a long journey but I’m happy she is seeing me as a person she can trust. She doesn’t have to carry everything alone.