#One Race Films

[demifiendrsa]

Official character posters for FAST X

[bkenber]

'Riddick' - A Welcome Return to 'Pitch Black' Basics

After the bloated motion picture that was “The Chronicles of Riddick,” filmmaker David Twohy and star Vin Diesel return for “Riddick,” the third in a trilogy which began with the riveting “Pitch Black.” This sequel proves to be a return to as the story here is a lean one and is not about to overwhelm us with too many plot points. Also, it proves to be a stand-alone film which does not require you…

[frozen-seagrass]

The WALL-E au no one asked for

[corneredcopia]

Imagine Stone’s pain as he has to watch his once passionate and eccentric doctor reduced to a stiff, barely-alive version of his former self

[ifgosling]

hi could you make lestappen (charles + max, f1 drivers) icons please?

★﹐ Lestappen, Icons ．﹗﹑

‘Charles Leclerc, Max verstappen ．﹗﹑

Idek if that’s exactly what u wanted but hope u like it :)

[cosmicourple]

Tf: ONE A.U-ish backstory concept were when Sentinel’s team was about to remove a freshly created Orion’s T-Cog, boosh!!!!! Orion onlines, instinctively sensing danger, but also not fully aware & developed yet so he starts blindly n ferally attacking the surgeons(??) and scrabbling around the operation room (if they even used one idk fghjmnklfc) trying to escape. He even ends up biting Sentinel on the hand leaving a nasty looking scar that Sen’ does literally everything to make not be noticeable but if u looked rlly close, you could still see it hehehe, almost taking his digits clean off lol, obvsly their unsuccessful in their panicked rampage and are promptly swatted in the helm, knocked out cold, and havie his T-Cog finally removed.

Honestly, I think Sentinel shoulda’ taking it as a warning that these Mecha will not be ignorant to such bullshit forever but noOoOoOoOoO—

[httpiastri]

Can we talk about paul and his bare backk pleaaase

i fear that i have watched this video too many times to be considered sane….. (me? insane for him?? never)

like obvs we've gotten paul muscular back content before but i swear to godddd this did something special to me…. idk if you know but back muscles (esp upper back) are actually my favorite thing and the fact that he looks like this is just so 🫠🫠 the way they move and contract when he moves? i cant? anD WHY ARE HIS LATS SO BIG LIKEEE I WAS THINKING THEYRE ALRIGHT BUT THEN THE END OF THE VID COMES AND I SEE THE FULL LENGTH WND STRENGTH OF THEM AND I JUST ?? HOW?!?!? 😓😓😓 buttt how is it fair that i cant feel his muscles under my hands? why am i not allowed to draw along the lines with my fingers? press a few fleeting kisses on them maybe???

[tabooi]

Carla Pullen as Buffy filming Race 2 (+ all the racers getting their picture taken ^-^)

[wigglebox]

i think the funniest thing about jensen is actually how he literally cannot cut his hair a Specific Way TM because spn fandom will lose its shit. he can get close! he can get close! but he can't cut it short Like That TM just for shits and giggles anymore lol

[mostlyvoid-partiallyflowers]

The most recent episode of Interview with a Vampire let's us see Lestat's side of the story and see how it compares to Louis' accounting of their relationship. As a result, it reaffirms just how unreliable of a narrator Louis is, but it also further illuminates elements of his character that the director and writers have been playing with since the beginning of the show.

There's this part in the episode where Lestat turns to Louis and apologizes and it's framed with Lestat turned to Louis on one side and Claudia on his other side. They're the angel and devil on Louis' shoulders, but who is the angel and who is the devil? And as my friend said, Armand and Daniel are placed into that same dynamic with Louis later on. We are being asked to decide who to trust, who's telling the truth, who's the good guy, but the fact of unreliability robs us of that decision.

This whole story is about Louis, he's the protagonist, though not the narrator, and he is constantly being pulled in two directions, no matter when or where he is in his story. He's a mind split in two, divided by nature and circumstance. He's vampire and human, owner and owned, father and child, angel and devil. He's both telling the story and being told the story. His history is a story he tells himself, and as we've seen, sometimes that story is not whole.

Louis is the angel who saved Claudia from the fire but he's also the devil who sentenced her to an life of endless torment, the adult trapped in the body of a child. He's the angel who rescued Lestat from his grief and also the devil who abandoned him, who couldn't love him, could only kill and leave him.

He's pulled in two directions, internally and externally at all times and so it's no wonder that he feels the need to confess, first to the priest, then Daniel, and then Daniel again.

He's desperate to be heard, a Black man with power in Jim Crow America who's controlled by his position as someone with a seat at the table but one who will never be considered equal. He doesn't belong to the Black community or the white community, he can't. He acts as a go-between, a bridge, one who is pushed and pulled until he can't take it anymore. He's a fledgling child to an undead father, he's a young queer man discovering his sexual identity with an infinitely experienced partner. He's confessing because he wants to be absolved, that human part of him that was raised Catholic, that child who believed, he wants to be saved. He wants to be seen.

Louis wants to attain a forever life that is morally pure, but he can't. He's been soiled by sin, by "the devil," as he calls Lestat, and he can never be clean again. Deep down, I think he knows this, but he can't stop trying to repent. He tries to self-flagellate by staying with Lestat and then tries to repent by killing him, but can't actually follow through. He follows Claudia to Europe to try and assuage his guilt. He sets himself on fire, attempts to burn himself at the stake, to purify his body, rid himself of the dark gift.

Louis is a man endlessly trying to account for the pain he has caused and he ultimately fails, over and over again, because he can't get rid of what he is. A monster. He's an endlessly hungry monster. He's hungry for love, for respect, for power, for forgiveness, for death. He's a hole that can never be filled. He can never truly acquire any of those things because he will always be punishing himself for wanting and needing them in the first place. He will never truly believe he deserves them and as a result, can't accept them if they are ever offered. He can never be absolved for he has damned himself by accepting the dark gift and thus has tainted himself past the point of saving.

[communistkenobi]

ok my brother and I have dug ourselves out of the tom cruise ditch we were in and switched to his pre-2000s stuff. Eyes Wide Shut, Legend, The Color of Money, Risky Business, and Top Gun were all bangers. Like those are such fun movies to watch. Minority Report was 2002 but that was good too even though it was like 40mins too long. I think Oblivion & A Few Good Men were so profoundly bad it made me lose faith that he could ever be in good movies. However now that we have replenished our spirits we’re switching back to his post-2000s stuff. we’re going to watch The Last Samurai and the first Jack Reacher movie next, and I expect both of those will be bad, or worse, extremely mid

[lostinmac]

Ayrton Senna: Racing is in My Blood (1993)

Dir. Jean Claude Guiter

[bkenber]

David Twohy Looks Back at the Making of 'Riddick'

Born and raised in Los Angeles, California, filmmaker David Twohy has left a strong impression on moviegoers everywhere. He got his start as a screenwriter on “Warlock,” “The Fugitive” and “Waterworld,” and he eventually proved himself to be an effective director with the underrated “The Arrival” which starred Charlie Sheen as an astronomer who discovers evidence of intelligent alien life, and…

[jawz]

i saw the tv glow is legitimately one of the stupidest, most tryhard movies i've ever seen in my entire life. absolute dogshit. and everyone is pretending it's the most lifechanging thing they've ever seen LOL give me a break! the gall to claim this is inspired by fucking DAVID LYNCH??? i can't

[tomwambsmilk]

being 26 and hearing the words ‘Orson Welles made Citizen Kane at 25’ is like okay what if you just killed me dead right now.

[ifgosling]

𝙸. ┄─ Franco Colapinto moodboard﹒🍸