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metanarrates · 6 days ago

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Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

#narrates #thanks for the kind ask! i feel a little humbled by your faith in me aha #this may be a bit scattershot. its 2 am. might update later with more thoughts idk #nyway i feel like a lot of lit classes even in college don't tell you why they're teaching you things that might feel superfluous #hopefully this lays out why certain seemingly superfluous elements of literary education can be valuable #the thing esp about giving theses and having a supporting argument... its not just because teachers need to see an essay or whatever #the point is to make you think about a text and then follow thru by performing analysis #and supporting that analysis w/ evidence from the text #u don't have to write essays but developing that mindset IS helpful. support ur conclusions yknow?#anyway thanks again hope it's illuminating

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ylangelegy · 2 months ago

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watch and learn ♾️ minghao x reader.

“show, don't tell.” # day four of (the)8 days of minghao.

☆ includes: mature content, mdni. alternate universe: non-idol, art student!minghao, f!reader, best friends & roommates, pet name (‘pretty’), cussing, nude modeling/drawing, fingering, implied oral [m receiving]. word count: >4,000

It takes you all of five minutes to figure out why your best friend-slash-roommate looks like the world has crashed down on him.

The answer comes in the form of a piece of art on the coffee table. You crane your neck to check the bright red mark on Minghao’s latest homework. “A grade of ‘B’ isn’t so bad,” you offer, even though you can already see how he’s going to react from a mile away.

Sure enough, he shoots you a sidelong glare that would be withering if you hadn’t been on the receiving end of it for years.

“That’s what the ‘B’ stands for,” he deadpans. “Bad.”

You’ve long since reconciled with Minghao’s tendencies when it came to his academics and his art. With a half roll of your eyes, you settle down onto the couch next to him. The offending assignment stares up at you.

“It’s not bad,” you say as you eye the piece. In your honest opinion, it really isn’t terrible. A part of you must admit, though, that it’s not really up to Minghao’s usual standard. The strokes are not as defined; the edges are a little rough.

What’s supposed to be a piece for his The Art of the Human Form class looks more like something akin to abstract impressionism.

Minghao lets out a low sound of displeasure at your feedback. “You don’t understand,” he says frustratedly.

When you don’t immediately respond, he runs a hand over his face. “Sorry,” he sighs. “I just— I really need to pass this class.”

You give him a reassuring pat on his knee. For a moment, the two of you just sit on the couch, staring down at the homework that’s brought him so much grief. “What’s your issue with the class, anyway?” you ask after a long moment of silence. “Is it the professor?”

“No, the professor’s good. Great, even.”

“Your material?”

“That’s never been the problem.”

“Well, what is it then?”

A groan slides past Minghao’s lips; he lets his head fall on to the back of the couch. You turn to glance at him and you see the way his face is contorted with defeat. The words he speaks next sound like they were an actual struggle for him to verbalize.

“I’m not good with live models,” he admits. A beat. He seems to realize that you’ll see right through him, so he adds, “Nude live models.”

You sink your teeth into your lower lip. Minghao catches the telltale sign of you holding back your laughter and he turns to glance at you again. “What?” he grumbles.

“You’re too… polite, Hao,” you say delicately, leaning back against the couch until your shoulders are pressed against each other.

“You think I’m a prude.”

“I didn’t say that.”

“You were thinking it. ‘Polite’ was just your way of letting me down gently.”

This time, you don’t hold back the fond giggle that escapes you. It was no secret that Minghao was a bit of a prig. When asked about his lack of experience with dating or intimacy, his answer had always been the same: Too busy. Too busy with uni to fuck around and find out, to mess with people he didn’t really care about.

Some of Minghao’s annoyance seems to ebb at the sound of your laughter. He gives a slight shake of his head like he’s ridding himself of an unbidden thought before saying, “Maybe I should just drop the damn class.”

You nudge him in the side with your elbow. “You’ve never given up on anything in your life,” you chide. “Don’t start now.”

The platitude does very little to lift Minghao’s mood. He goes into a rapid-fire tangent about his gripes with the class, ranting about everything from the models to his coursemates. You zone out a bit— knowing it was sometimes for the best to let your best friend go on and on— until you feel the buzz of your phone in your pocket.

Right. You had a study session.

You try to extricate yourself from the conversation by cutting through Minghao’s tirade with an absentminded, “Well, if you ever need my help, you know where to find me.”

That shuts him up.

“Wha— what?” he stammers.

Both of you fall into a terse moment of silence. It’s like you’ve just realized what you said, what you’ve implied, and you mentally curse yourself for spacing out to the point that you’ve suggested something so out of left field.

You rise from the couch without glancing down at Minghao; a part of you thinks this might give you some more courage to double down, to feign nonchalance. “If you need any help with the class,” you say as breezily as you can manage. “Like, if you need somebody to model for you or something.”

There’s an almost distressed way to how Minghao says your name, then. “I’m supposed to work with nude models,” he repeats, like he’s not unsure you caught it the first time.

“I’m aware.”

“Are you—”

“Only if you need it, Hao. It’s not that deep.”

It is kind of that deep, honestly. Your heart feels like it’s going to beat out of its chest, but you do your damndest to keep your expression neutral as you go to grab your things. You’ve never been so grateful to have a valid excuse to cut your time short with your roommate.

“If it’ll help you stop complaining,” you joke in a bid to inject some levity in the conversation. “Then I’m all for it.”

He only lets out a disgruntled mumble in response. His words are incoherent, lost in the way you’re already halfway out the door.

You call out your usual goodbye. “Text me what you want for dinner.”

His typical response— “Take care”— hits just as the front door closes behind you. You might’ve imagined it, you think, but Minghao’s voice sounded just a little bit strained around the two words.

It takes Minghao two weeks to come to a decision.

Clearing his mind helped, but it’s really the most recent graded assignment that gets underneath his skin. A ‘C’. Minghao has never gotten a ‘C’ in all of his years of art school.

You’re working on something by the dining table when Minghao bursts into your shared apartment.

“Does the offer still stand?” he spits out before he can change his mind.

“Hm?” You glance up at Minghao, unsuspecting as ever. “What, getting pizza for dinner? I mean, yeah.”

Your nightly text exchanges about what to have for dinner is the last thing on his mind. He takes a fortifying breath, his fingers clutching tightly around the strap of his messenger bag.

“Not dinner,” he grits out. “The other offer.”

Good Lord, he thinks with despair as you stare up at him skeptically. I’m really going to have to spell this out.

He decides to go for the ‘show, don’t tell’ route. He fishes through his bag until his fingers snag his latest graded homework. Wordlessly, he crosses the room and sets it down next to your laptop.

Your expression of confusion gives way to one of something that resembles sympathy. “Oh, Hao,” you say, and the words grate in his ears.

“I don’t need your pity.” His sharp words are dulled by the way he’s raised his fingers to pinch the bridge of his nose in a gesture of sheer exhaustion. “I just need to practice.”

The realization of your flippant offer being taken seriously seems to dawn on you. Minghao wants to die then and there. He’s already backtracking, attempting to take it back before you can say a word.

“Forget it,” he says. He can only hope his ears don’t look as red as they feel. “That was stupid.”

Your hasty call of “no, no” has him freezing. “Sorry, I just— wasn’t expecting it tonight,” you say.

Minghao can’t even look you in the eye without wanting to die of shame. You go on, your voice cautious as ever. “The offer still stands. Of course it still stands.”

He attempts to sputter out some words about you not having to do this, about not wanting to make you uncomfortable, but you’re already getting to your feet. “Don’t make this weird,” you reprimand him.

“But this is weird,” he protests weakly.

“I’m your roommate. I’m your best friend!”

“That’s precisely why this is weird.”

You’re standing in front of him, now, trying to rearrange your expression into one of sternness. It doesn’t really do much, considering the way you’re at least a head shorter than him.

“I’m the best shot you’ve got.” You plant your hands on your sides and tilt your chin up. There’s a hint of a challenge in your gaze. “So what’ll it be, Xu?”

“No need to pull out the surname,” he says dryly. After going through a single, quiet prayer in his head, he jerks his head towards the living room. “Let’s go at it, then.”

“Now?”

“When else?”

It’s your turn to blush this time. Minghao tries his darndest to keep a straight face as you stumble over your complaint. “I haven’t showered yet—”

“That’s nothing new to me,” he shoots back, earning him a swat to the chest. He rubs at the spot you hit before grumbling, “Fine, fine. How long do you need to get ready?”

“I’ll be quick,” you promise him as you dart off to the bathroom. Minghao resists the urge to say that he doubts it.

His worries aren’t unfounded. By the time you emerge from your ‘quick’ shower, over half an hour has passed. He’s doodling absentmindedly in his sketchbook when he hears the door creak open.

“About goddamn—” The last word catches in his throat as he turns to face you.

Minghao has seen you in various states of undress in your years of friendship. He’s seen you in the skimpiest outfits before heading out clubbing, seen you in sinful bikinis during your yearly beach trips. But this? The sight of you in a beige bathrobe with the belt left untied, revealing a hint of your bare front?

He clutches his pencil so tightly that he’s scared it’ll snap.

“About time,” he manages, even though he’s not entirely clear what he’s referring to.

It takes an hour for you to regret your offer.

Once the initial shyness had passed, all that was left was the restlessness. Minghao had put one of the dining room chairs in the living room for you to pose on, and you’ve spent the better half of the past sixty minutes just sitting there with your feet flat to the ground.

It’s surprisingly easy to comply with Minghao’s mumbled requests. Shift a little to the left. Move your hand to your thigh. Stop moving.

The last command is muttered with a lot more frequency. When you try to cross your legs. Stop moving. When you go to scratch your elbow. Stop moving. When your eyes wander over to some nondescript point in the room. Stop moving.

“You’re brutal,” you rumble after his nth ‘stop moving, please’. “This is inhumane.”

“You signed up for this,” Minghao answers, his gaze briefly flitting over his sketchbook before going back to his work.

There’s something undeniably attractive about the way Minghao’s fingers are clutching his graphite pencil. A lot about him was attractive— the way his brow furrowed in concentration, the purse of his plump lips as he worked. But his fingers were a whole other monster all together. Long and lithe, with the nails painted to whatever he thought matched his flavor for the week. You can almost imagine what those fingers would look like in your—

Minghao drags you out of your unbidden daydream with a call of your name.

“Could you tilt a bit to your right?” he says gruffly. You scramble to comply, almost like you’re terrified he might have heard your thoughts if you didn’t move fast enough.

He lets out a small ‘tch’ of disapproval at just how much you twist. “Not like that,” he protests, putting his pencil down for the first time in the past hour. “Only about an inch. No, no—”

“Pose me, then.”

Where did this brazenness come from? You think that your tenseness is partly to blame, but there’s also an undercut of provocation in your tone. Surprise flits across Minghao’s expression for only a moment.

He schools his expression into something more neutral as he places his sketchbook face down on the couch. This is a bad idea, you think, as he crosses the distance between you in small, measured steps.

It’s a bad idea, you muse, because if he touches you, he might just feel the rapid thump, thump, thump of your pulse.

If he does notice, he makes no indication of it. His gaze is perfectly cool as he gently holds your shoulders. You can see the pencil marks on the side of his palm, the smudges of graphite transferring to your otherwise unblemished skin.

Minghao does as you’ve asked. His pushes are light as he maneuvers you to angle yourself some certain way, and you swear there’s not a single breath of oxygen in the room.

“There,” he’s saying as he goes to take a step back.

Something akin to panic rises like bile in your throat. You don’t know why, you don’t know what has possessed you, but one of your hands shoots out for Minghao’s retreating form. He pauses when your fingers wrap around his wrist.

“Where—” The words escaping you are almost a gasp. “Where do you want my hands?”

Minghao looks down at you, his eyes imperceptibly wider now despite his attempt to keep calm. “Right where you had them,” he replies.

You swallow around the lump in your throat, your hand sliding down to clasp his instead. “I— forgot where they were,” you say. It’s a lame excuse, but Minghao doesn’t seem like he’s about to call you out on it. “Show me again?”

His hand is limp in your hold. For a long, terrible minute, you think you’ve overstepped.

Then, something in Minghao’s jaw twitches. The hand that’s holding yours pushes your arm, just enough for your elbow to rest on the back of your chair.

He goes to position your other hand right over your upper thigh. Near where you want it, where you need it, but not quite there.

Your teeth sink into your lower lip as you bite back a groan of frustration. Minghao catches the look on your face.

“Why?” he asks quietly, his voice a touch tight. “Uncomfortable?”

“No.” You freeze at how your response comes out almost like a whine. Minghao freezes, too.

You try to think of propriety and professionalism. You try to think of your years-long friendship with Minghao; of how awkward it would be to keep being roommates if you’ve somehow overread into this situation.

All that goes out the window as you shift your hand slightly upward. His hand— the one still on top of yours— follows as your fingertips brush over your core. Your tone is shaky as you prompt, “It would be better here, no?”

Minghao’s gaze snaps from your hand near the apex of your thighs, to the barely-concealed heat burning over your cheeks. His sharp features are perfectly controlled but there are the smallest signs spurring you on. His dilated pupils, the bob of his Adam’s apple.

“You want it here?” He isn’t moving his hands. He also isn’t moving away. He looms over you, one hand holding your upper arm; the other, still close to your center.

“I’m open to suggestions,” you say, your eyes roaming over his face for any signs of discomfort.

A beat. And then—

Torturously slow, Minghao begins to move. He guides your hand closer to your heat until your fingertips are pressing a little more firmly against your entrance, where wetness is already beginning to pool. You clench around the feeling of nothing as Minghao remains careful about not letting his own fingers touch you just yet.

“I think this is good.” His voice is lower now. “What do you say?”

You feel like your entire body will betray you if you try to say anything. For now, you opt to only give a jerky shake of your head.

“No?” A corner of Minghao’s lip twitches upward in the ghost of a smile. You cling to that familiar grin as he pushes your hand up just a little more, just enough to have the tip of your middle finger pressing into your entrance. At this point, he’s moved his own fingers to wrap around your wrist.

“Not enough?” he coos, even though he doesn’t look like he’s faring any better himself in the department of restraint. “What about here, then?”

Minghao tugs at your wrist until your middle finger is sliding right into your slick.

Your breath hitches in your throat. You feel your hand twitch, but Minghao only tightens his hold around your wrist.

“I need you to answer me,” he mumbles, his eyes never leaving yours. He’s keeping you from moving your finger any further, and something about his demeanor tells you that it would be a bad idea to use your free hand to regain some control. Not when he was looking at you like this.

“More,” you croak out.

Minghao’s tongue darts out to swipe over his lower lip. “More,” he repeats, his own voice equally broken. He finally breaks his gaze to look down at the way your finger is buried inside you, at how your hand is completely his to move. “Alright, then.”

Wordlessly, he guides you into pulling your finger out and then easing it back in. This time, his focus is entirely on the way you swallow up your finger with each shallow thrust; how his own movements are dictating your pace, your pleasure.

You writhe in the chair, feeling absolutely mortified at how quickly you can feel heat building in your stomach. It’s been simmering for the past hour; this was only leading you to the tipping point. And Minghao isn’t even touching you yet at this point, just helping you get off.

“Hao,” you exhale, your breath warm against his face. He finally looks back up at you and you can see all of his want on his expression, clear his day. “Hao, I need—”

Him. You need him. That’s what you mean to say.

But your best friend seems determined to drag this out for all its worth.

“You need to stop moving,” he murmurs as he deftly pries your index finger free from its curl. “I don’t think I’ve said that enough.”

This time, he helps you push two fingers into your heat.

Your head lolls back and your lips part in a silent gasp. Minghao seizes the opportunity of more skin being bared to him. He leans down to press a chaste kiss to your jawline, then to your collarbone. All the while, he keeps driving your own fingers into you.

It feels like a special kind of purgatory.

“Please, Hao,” you plead.

“Words,” he mumbles against our skin, rewarding— or punishing— you with a particularly sharp thrust of your two fingers. You fold in half at the sensation, only managing to still sit somewhat upright by virtue of Minghao’s other hand holding your back up against the chair. “Use your words, pretty.”

You bury your face in the crook of his neck. There’s a wretched quality to your voice as you pant, “Need you, please. Need your fingers instead.”

“And why’s that?”

“‘Cause—” You clench around your fingers; he feels your body tense underneath him. Both of you let out small sounds of pleasure at the reactions. “Your fingers are better, they’re— they’ll get me there faster— please, oh—”

Your incoherent babbling seems to amuse and appease Minghao, enough for him to give in.

He pulls your two fingers out and, before you can whine about the loss, he replaces them with two of his. They’re as brutally precise as you’d imagined them to be. Your knees almost close in an attempt to tide the pleasure that’s about to crash down, but Minghao holds your thighs apart with his other hand.

“Don’t.” His voice is strained with effort. “Wanna see you. Please?”

It’s the tacked on please that bowls you over, that has you nodding helplessly. You’d do anything Minghao asked if he asked in that tone.

The squelches of his two fingers thrusting into you are obscene, but not quite as filthy as the sounds that slide past your panting lips. You moan and whimper and whine, and each little noise only seems to have Minghao moving with renewed vigor. He’s pulled away from your neck to watch you, but his eyes keep darting from your microexpressions to the way his fingers are swallowed up by your velvet heat. It’s like he can’t decide where to look first.

“You’re a work of art,” he chokes out, his teeth grinding together as he focuses on your face. “So goddamn beautiful— sitting here all nice and pretty for me.”

One of your hands fly to his hip in a desperate bid to hold onto something, to anything of him.

“Gonna finish,” you sob as you force your eyes open to meet his. Inadvertently, you cant your hips upward to meet one of his sharper thrusts, and the friction has the two of you moaning a little more. “Hao, fuck, can I—?”

“Please,” he pants. “I need it. I need it so, so bad—”

You climax with a silent scream, a sound that’s muffled as you lurch forward and press your face back into his neck. His other hand holds the back of your head in a supportive gesture as you come undone, coating his two digits in your slick.

Minghao lets out a low cuss as he presses a kiss to the crown of your head. “You’re so beautiful,” he says dazedly, sliding his fingers out of you carefully. “How are you so beautiful?”

All you can manage is a shaky laugh as you come down from your high. As you keep your head pressed against Minghao, you catch sight of the tent in his sweatpants. Tentatively, you reach up one hand to cup him over the fabric.

He says your name like it had been punched out of him. “Hey—” he tries to say in warning, but his body betrays him by bucking into your hand.

“How long has that been there?” Your voice trembles, thick with a heady mix of exhaustion and desire.

Minghao’s gruff response comes as your fingers twitch around the outline of him. “Since you stepped out of the damn shower,” he admits lowly.

You let out a contemplative hum. There’s still a low ringing in your ears, a slight buzz in your brain from the last vestiges of your orgasm, but it can’t just be you who’s having all the fun.

You shift back a bit so you can meet his gaze. You’re torturously slow as you palm his aching hardness, and you revel in the way Minghao reacts above you. His eyes have all but rolled into the back of his head and breathless little gasps are rising from the back of his throat.

“You’ve posed my hands,” you say, trying— and failing— to keep your tone even. “Wanna show me where my mouth should be, Hao?”

His fingers tighten at the strands of your hair. He lets out just one more cuss before he’s using his other hand— the one still coated with your release— to pull down his bottoms.

“Watch and fuckin’ learn, pretty,” he breathes, and you have a good feeling that he’ll make good on the threat.

(Minghao gets an ‘A’ on his next assignment.)

364 notes · View notes