#No spoilers just aesthetics of my feelings

[heartlesscorpse]

AHH HII!!! saw the mr crawling fic u posted and it's adorable :(( can i please have a mr crawling x reader where they have a condition that makes them sleepy? andAND because of this, sometimes they do strange things like, for example, talking non coherently, sleeping in weird places and having tics while sleeping!! i really want some fluff with this man...... *holds my hands out like a poor victorian child*

As always, take your time!! your aesthetic and work is genuinely really good!! you are great at this <3 mwahmwah. 🐁

Mr Crawling and Narcoleptic!reader

A/N: *shakes you violently* OMG ANON YOU'RE A GENIUS you just made my day with this btw — ask and ye shall receive >:)) As for the condition I think you might be asking for a Narcoleptic reader or something of those lines but YEAH I can totally do that, here you go, mini oneshot for you 🫵🏻🫵🏻

Summary: Mr Crawling’s been noticing some weird behaviours from you lately for the past few days and it’s both funny and worrying, are you okay???

WARNING: This is set after the Blissful Love Life ending, if you don’t want spoilers then keep scrolling!

It’s been little over a few days now since you and Mr. Crawling escaped his world, and the two of you were perfectly settled together at your place. Mr. Crawling so far’s been pretty happy overall, getting to stay home with you in your world and has grown pretty attached to you. But, as of lately, he’s been noticing some…'strange' behaviours from you.

You seemed to be more sluggish when moving around the house and sleepy, he even found you crashed in the bathroom, at your desk, and other places in the house. He found the sight to be cute but at the same time it was also getting a little worrisome.

Were humans always this sleepy?? He’s never seen you this sleepy when the both of you were still in his world. Well, maybe he did a few times without realizing it, but he failed to pick up on it.

He even caught you mumbling incoherent things and twitching in your sleep while the two of you were cuddled up in bed. He thought you were hurting somewhere whenever he felt you quivering in his arms, which made him hug you tighter and run his fingers through your hair, trying to soothe you. It was another day done of hours of work when you came back home, had food, and shortly went to bed with Mr. Crawling following after you like a lost puppy. Considering how exhausted you were from work, you passed out in seconds the moment you flopped onto the bed.

Later in the night, Mr. Crawling was curled up under the covers, with you spooned in his arms, the bedroom completely pitch black with the curtains drawn closed and there was a comfortable silence that filled the room. His arms were wrapped securely around you in a comforting squeeze, he nuzzled his face into the back of your neck, inhaling your scent for a moment and he instinctively squeezed you a little tighter. Relishing in the warmth your body radiated...

The silence then was suddenly broken when he heard you mumbling things in a slurred tone, (unfortunately he picked up little words he could understand considering he still had a lot to learn with your language), and he could feel your muscles twitching once in awhile. Mr. Crawling however grew worried again, he lied there uncertain if he should try to wake you up or not. He didn’t want you getting cranky or annoyed for waking you up, but this was really starting to bug him and he wanted to help.

Mr. Crawling began to shake you gently to rouse you from your slumber, but you weren’t budging much, so he shook you a tad harder. “Human? Wake?” He murmured quietly. It took him another few tries until you started to stir from your sleep and you shifted in his arms to your discomfort.

“Mmn?… Mr. Crawling?….” You mumbled out quietly, your words sounding slurred in your half-asleep state.

Oh, good, you’re not mad. “Human hurt? Why twitching in sleep?” Mr. Crawling questioned, his fingers curled into the fabric of your night shirt. “Me worry, me want to help.”

You shifted under the covers again and you turned over to face Mr. Crawling, stretching your legs in a sluggish manner and your muscles relaxed. “I’m okay bud, I’m not hurt,…” Your words trailed off for a moment, straining back another yawn and your fingers found their way into Mr. Crawling’s hair, gently patting him. “It’s just my narcolepsy acting up, nothing to worry about…”

Narcolepsy?

Of course the term sounded unfamiliar to Mr. Crawling’s ears, “Narc-lep-see?…” He repeated, confused. As you could feel yourself slowly slipping in and out of unconsciousness, you did your best to try and explain your condition to Mr. Crawling. Mr. Crawling failed grasp much of it (in complicating terms-wise), but he seemed to understand it was something that made you very sleepy throughout the day. He also had the look of disappointment when you mentioned it was incurable, surely it could be fixable. If Mr. Silvair was here he might’ve found a way!

Before Mr. Crawling could even ask more questions about it, you were now unresponsive and had drifted off to sleep. He couldn’t be mad at you (not like he would anyways), he did abruptly wake you up after all. So he decided to keep quiet and save the rest of his questions for the morning, his arms fastened around you again and he rests his chin on the top of your head. Intently listening to your soft breathing and the dark noise of the bedroom that filled his ears. From this point on starting tomorrow, he’ll do the best he can to help you out…

[ddarker-dreams]

lock's otome game recs

i received some asks indicating an interest in a compilation of my favorite otome games, so i decided to go for it!! i've played about fourteen otome games, but of those fourteen, only these six left a lasting impression on me. there are still some that i intend to check out, so the rankings may update in the future. i'll give a very general overview of each game and how i'd score the categories that i find the most important in an otome game — the heroine, story, art, enjoyability, along with the characters i liked the most.

number 6 - piofiore fated memories.

heroine: 6/10 story: 6.5/10 characters: 7/10 art: 10/10 enjoyability: 8/10 favorite characters: dante (ishikawa kaito), nicola (kimura ryouhei) and yang (okamoto nobuhiko)

this game centers around the heroine, with the default name liliana adornato, who finds herself entangled in the politics of the region's three most prominent crime organizations. the game has an italian backdrop and iirc, takes place in the 1930s.

the overarching narrative, while it has its fair share of intrigue, isn't the game's strongest point. it's the interactions with the characters themselves that made the game feel worthwhile. each love interest has more to them than what meets the eye, so it's satisfying to watch the relationship between them and the heroine develop.

the heroine takes a passive role throughout much of the game, events sorta just happen to her. still, she has a kind disposition that makes her likable and doesn't make stupid decisions that has you wanting to fling your console across the room. her characterization changes slightly depending on the route. for instance, without getting into spoilers, she's more assertive throughout yang's route. the resulting dynamic made yang's route the most memorable, even if he's my third favorite character from the bunch.

what feels unique to this game is the effort put into the bad endings. in most visual novels, bad endings can feel like gimmicks. you make one or two wrong decisions and you're rewarded with a few paragraphs. the downward spiral of the characters in the bad endings are decently fleshed out and you can see how they arrived at this 'worst' version of themselves. they're suitably dark and it shouldn't come as a surprise that i enjoyed them because of that 😭

then there's the art. it's stunning, the details in each CG are mindboggling. the heroine gets to wear a variety of pretty outfits which is something i like to see. even in the story's weaker moments, a stunning CG would pop up that had me forgiving everything. i still glance through the gallery to this day.

number five - cupid parasite.

heroine: 9.5/10 story: 7/10 characters: 7/10 art: 9/10 enjoyability: 9/10 favorite characters: ryuki keisaiin (junya enoki) & gill lovecraft (kimura ryouhei)

iconic. showstopping. a little bit camp.

cupid parasite stars one of my favorite heroines, lynette. she works as a bridal advisor whose ambition is to ensure everyone finds their soulmate. in actuality, she's the goddess cupid, who left her post in celestia to better understand humanity and create lasting pairs. she's a delight to play as.

this game's presentation and overall aesthetic is the most distinct from any otome game i've played. aside from the presentation, the story itself is unlike any of the others on this list. when it comes to romance, i typically prefer them to be dark and mature. this game opts for a more lighthearted approach. it vacillates between being a romcom and dipping into the absurdist genre. there were times i was literally left speechless (glances at gill's route)... but it makes for an entertaining experience. the game's plenty funny as well.

personally, i enjoyed the more grounded moments when the mythological elements remained in the background. because of this, the true ending doesn't do it for me as much as they do in other games. as with anything, this is a personal preference though. i liked all of the routes and found the game handles the development of each love interest well. we're introduced to these men at their most pathetic and get to help them become a little more well-adjusted. lowering the cringe meter, if you will. it makes their growth all the most satisfying as the narrative progresses.

number four - even if tempest.

heroine: 9/10 story: 8.5/10 characters: 8/10 art: 6/10 enjoyability: 9/10 favorite characters: the heroine herself, tyril i lister (noriaki sugiyama), crius castlerock (makoto furukawa) and lucien neuschburn (kaito ishikawa)

right from the get-go, this game's premise had me hooked. it features the heroine, anastasia (<3!), who leads an incredibly tragic life. she's bestowed the ability to reverse time following each of her deaths and uses this to unravel a mess of mysteries the world's setting is tangled in.

this game is absolutely anastasia's story. without spoiling anything, i loved the approach they took with the time rewinding ability. how it's incorporated is unique to an otome game, which they take full advantage of to amplify the tragic romances. on that note, the romance itself occasionally takes a backseat to the narrative as a whole. personally, i didn't mind this in the moment, since i found the story so interesting. in retrospect, i do wish that we got more moments between the heroine and each love interest, especially in the true ending.

there are more gameplay elements here as well. you have to conduct investigations, gather evidence, and apply what you've learned during these trial segments. when i first read about this, i thought it'd be a gimmick, but i liked playing through them. it incentivizes you to pay extra close attention to the world.

while i liked the narrative as a whole, i do wish we got more worldbuilding. there are hints of political subterfuge and religious oligarchy that, while touched upon, could've been leaned into more to give the setting a distinct feeling.

number three - olympia soiree

heroine: 8/10 story: 8/10 characters: 8/10 art: 10/10 enjoyability: 10/10 favorite characters: akaza (yoshitsugu matsuoka), himuka (shun horie), and yosuga (yuma uchida)

in olympia soirée, the eponymous heroine, olympia, lives in a society divided into castes based on colors. she is the last surviving member of a clan that can perform rituals to keep the sun aglow. this game is a lengthier title, i believe i clocked in around 25 ish hours (i don't use auto-play so that sheds some time). the story benefits from this, as olympia has rich worldbuilding and lore that's revealed throughout the route's progression.

we get to see the consequences of this caste system and olympia's growth as she becomes determined to realize a better future for the islands. this makes the heroine someone that you want to root for. personally, i'm a sucker for stories that center around a sheltered individual being forced to face the harsh realities of the world and maturing in their own way. this, paired with the struggles specific to this setting, make for a gripping backdrop for the character's routes. all the love interests have problems of their own that they need to address.

this is certainly a mature title, there's plenty of steamy scenes featuring gorgeous artwork. seriously... all the pretty CGs are absolute eye candy. i enjoyed the balance between the main narrative and the development of the romantic relationships, i don't remember ever feeling bored.

ironically enough, i think this is the darkest game from the bunch listed here, surpassing the game with actual horror elements. there's a whole litany of trigger warnings to be mindful of when going through the game's bad ends. they are, as the term suggests, Bad. not light or humorous in the slightest. the poor heroine goes through it. please be mindful of these more touchy subjects.

number two - 9 r.i.p

heroine: 8/10 story: 8/10 characters: 9/10 art: 10/10 enjoyability: 10/10 favorite characters: minami (nobuhiko okamoto), hibiki (shunichi toki), kureha (toshiki masuda), and koyo (ryota suzuki)

i was looking forward to the english localization of this game before it was even announced ... i'd been wanting an otome game with this vibe for ages. and it didn't disappoint! there are four different overarching story sections, with two characters each having their routes fall under them. this makes it difficult to give a summary since each route has a vastly different feel. some routes lean heavy into supernatural horror (such as hibiki and kureha), whereas others are just... supernatural (like with yukimaro and koharu).

the basic premise is that the main character, misa, is a high school girl burdened with her career survey. she's uncertain what she wants for the future and is being pressured by his mother to pursue a career in medicine. in one way or another, depending on the story section, she comes into contact with the afterlife and those who inhabit it.

i loved this game, i couldn't put it down. the routes that leaned heavy into horror were my favorites, which shouldn't be a surprise lol. i do feel some love interests were given preferential treatment of others, i wanted more from sena's storyline in particular, since he's voiced by one of my favorite VAs (tetsuya kakihara, the voice of scaramouche) 😭... apparently this game is receiving a fandisc, so hopefully they'll remedy that in the future.

minami stole the show for me. from what i've gauged online, he's a divisive character, you either find him grating or love him (like i do). i'm biased but i do think he has the most interesting and well-written story out of the love interests, i've played through it three times already. i just adored the dynamic between him and the heroine. he's petulant, selfish, and a bit immature, yet he goes to extremes for her as he realizes his unhinged feelings.

hibiki is a close second. the most yandere-coded of the bunch, he's soft-spoken and polite, but that exterior hides a creepy personality. like all of the characters in this game, there's a tragic element to him. i was worried about the role the heroine would play in helping him 'overcome' this, but i think they handled it well. it doesn't feel like the heroine's fixing him so much as she's helping him have a different perspective on certain events.

yeah i'm not normal about this game, i cannot recommend it enough. it would've taken the top slot if some of the routes were a bit more polished. i didn't care for yukimaro's at all, for example. routes like minami's, hibiki's, and koyo's more than make up for it though.

number one - collar x malice

heroine: 10/10 story: 10/10 characters: 10/10 art: 10/10 enjoyability: 10/10 favorite characters: takeru sasazuka (daisuke namikawa), kei okazaki (yuki kaji), and aiji yanagi (masakazu morita)

the holy grail. the otome games that died for our sins. this isn't just a good otome game, it's an excellent story, with a very human cast, commentary on issues like the nature of crime, and you're left wanting to solve the various mysterious as much as the heroine does. speaking of the heroine, miss hoshino ichika is my all-time favorite heroine. she's clever, resolute, compassionate, and you can't help but fall in love with her a little yourself 😭😭

i'm not sure if this makes sense, but the world feels very... full? you get this sense that ichika exists outside just interacting with the love interests. she has her career, friends, and her younger brother that act as more than passing NPCs. the writers ensured all the characters with portraits are given some level of depth. i left caring about more characters than the heroine and love interests.

each route is dedicated to working through a certain case, which keeps the story intriguing as you progress. finally, all of the little hints that have been littered throughout coalesce into the 'true' route, where questions you've had since the first chapter are given satisfactory conclusions. at the same time, you're left wondering about a few things, such as the complete philosophy of the main antagonist.

ichika's relationship with each of the love interests develops alongside the case they're investigating, which almost always have connections or parallels to the LI's past. this helped ground them in reality and flesh them out into dynamic characters. you come to care deeply about them alongside ichika. the romance feels earned and doesn't come on too fast, which some otome games suffer from.

if you like otome games and haven't played collar x malice yet, i fully recommend it!!!!!!!! it's the strongest title from what i've played so far.

[jesncin]

Spirit World, Ride the Cyclone and Death. A weird comparative analysis

Gonna combine my musical nerd and cape comics fixation together for a rambling meta thought. I've been reflecting on how taboo the topic of death is in media after getting into Ride The Cyclone (highly recommend watching the slime tutorial and Waiting in the Wings' documentary on it) but also contrasting that musical with how Spirit World handled similar topics.

Both stories cover characters whose lives were cut short from a tragic circumstance, but while Cyclone directly talks frankly about how each character uniquely grieves over their lost life (and eventually accepts death)- Spirit World uses death as largely an aesthetic to a generic fantasy superhero adventure.

[spoilers for Ride the Cyclone and Spirit World]

Spirit World is about non-binary, half dead half living Envoy Xanthe Zhou, as they go into the Spirit World with John Constantine to rescue Cassandra Cain Batgirl. They eventually go toe to toe with the spirit of a bitter dead poet.

Ride the Cyclone is about 6 choir teenagers who die in a roller coaster accident in their small town. In the afterlife, they are given the chance to vote which one of them they believe should be resurrected.

For Spirit World, do we even know how Xanthe feels about being "half dead"? What does that even mean? They died as (what looks like) a 3 year old, and have clearly aged 15 more years since then. So they can age? Do they need to eat or drink (they're seen with a drink in a Pride comic)? Xanthe keeps mentioning they're half dead and half living, but the comic doesn't seem to want to discuss what that means. How would Xanthe feel that they were essentially given a job as an Envoy the minute they died as a very young child? Was this even a choice?

We've already covered the numerous plot holes in Xanthe Zhou's poorly thought out backstory so I won't go over that again. But honestly apart from the thematically loose "the dead shouldn't be forgotten" moral, a lot of how death is presented in Spirit World feels so superficial. When Xanthe is formally introduced as this cool character with a giant sword hanging around a gravesite, fighting all these hopping vampire creatures... this scene would play out the same if you swapped the setting with a forest and zombies as bad guys.

The Spirit World is less an afterlife for the spirits to move onto and more an MMORPG setting for our superheroes to travel across and fight generic evil beings and encounter eviler, bigger, boss battles at the end. Then there's the poet clout villain whose problems are just easily solved by Xanthe promising to remember her. I've already covered what a lost opportunity thematically this character was in my last Xanthe essay, but this time I want to contrast her with Ride the Cyclone's Jane Doe. I also want to compare Xanthe with Noel Gruber afterwards.

Ride the Cyclone's musical numbers follow each character performing a song reflecting their wishes, and musings on life (this sounds depressing but the musical handles all this with comedy and wit), hoping to prove themselves as worthy of a second chance at life. Of the characters, Jane Doe is the mysterious odd one out. The accident decapitated her, leaving her to enter the after life with no memories and the people of the living unable to identify her.

You might see where I'm going with this. So in Spirit World, Wan Yujing was this famous poet mourned by an entire empire. She only goes monster mode when a handwave-y "time erodes all" happens in the Spirit World and she is eventually forgotten- so she becomes desperate to demand to be reincarnated by the Jade Court. Because her clout ran out. Again, I already made the critique in my previous essay that this villain would better link to our protagonist if she was a queer poet whose poetry was being purposefully straight washed as an act of queer historical erasure. But I want to bring up how truly unsympathetic this villain is. She gets Shakespeare levels of clout but still demands more because she isn't getting reincarnated fast enough. Xanthe promises that as an immortal "half dead half living" person that they will remember Wan Yujing, so she too can be immortal in some way.

I think about all the Jane Doe-s in the Spirit World who don't get to be famous poets that have Empires remembering who they were. People who died anonymously without a past. In Cyclone, the main character chooses Jane Doe as the person who should be brought back to life. Our cast of teens come to terms with the fact that while it's tragic that their lives ended shortly, they conclude "to say that if one dies young, they die needlessly... that is to discount the years we had. We had a life, she didn't. That's my vote." Since Jane Doe has no memory of who she is, it's only fair that she is given that second chance.

I get that Spirit World is choosing these "larger than life" characters as villains, but it's at the expense of their own supposed themes. Of all the people to die and face off our hero as the villain, a character who's essentially an influencer but somehow has an entire empire forget about her anyway feels thematically hollow.

Modern Superhero comics are suffering from a specific problem right now; they're not really about anything. Characters don't feel like people with interior lives informed by the context of who they are. Class, race and bigotry are only touched upon as lightly as possible. Queer characters are now Pride ads with no personhood or flaws. They punch gentrified crime and fight for no one in particular. Even recent adapted media such as My Adventures with Superman and Caped Crusader follow this. Superman fights white-washed xenophobia, while Batman fights gentrified, white-washed classicism. It's why comics like Superman Smashes the Klan, Catwoman Lonely City and Alan Scott Green Lantern stand out so much. It's been a while since these characters talked about anything that matters. Don't get me wrong, slop that's about nothing exists in every industry. But when these characters and worlds historically used to have more bite- it's especially obvious.

If I could be playfully conspiracy theory-like for a second; I believe Xanthe Zhou was pitched so that DC Comics can buff out their Pride Anthology or AAPI anthology with a new younger character. The company will give this character one limited series, but that's it. Xanthe will appear in the larger DC universe whenever big magic plots happen, but that's it. Maybe they'll get a YA graphic novel. I would love to be proven wrong, but the problems with Xanthe are baked in the dough.

Because they don't feel like a person, Xanthe feels more like an industry planted Pride ad. They're designed to be the most palatable and marketable image of Asian androgyny. They literally have no flaws to grow out of, and their backstory makes no sense. They weren't built to be a sustainable solo character.

So I want to contrast Xanthe Zhou against Noel Gruber from Ride the Cyclone. Because they're both queer characters whose lives were cut short at a young age.

In a dramatic lament, Noel Gruber expresses how if he had a chance to live, he'd want to live the horrible cinematic messy life of a French sex worker woman in post-war France. He struggled as the only gay boy in a small town and never got to kiss a boy before he died. It's a look into a queer life that could've been lived, one with all the messy texture and self destruction Noel couldn't have but desires. We get to see how death and queerness intersect into rich, unflattering, gender-messy themes. "I want to be that fucked up girl." Noel sings.

But what's Xanthe's deal? They died as a 3 year old, got brought back, avoided their family at all costs for 15 years, and then had a transphobic confrontation with their family when they're invited to dinner way later. If Xanthe grew up in a transphobic household, how did they ever figure out they were non-binary when they were 3? Could they even verbalize it? Or did they instead figure out their queerness after they died? But how is that possible when they already held a level of familiar resentment towards their family's transphobia as if they've had several fights about it? It's hard to picture a 3 year old having multiple heated debates about gender with their parents for this level of resentment to make any sense.

Details aside, how does Xanthe's queerness intersect with themes of death and grief? Well, it just doesn't. This scene ends with Xanthe's sister telling them that she bothered remembering them even though their parents moved on from their death (which makes no sense since the parents wanted to have dinner with a random 18 year old they correctly assumed was their long dead "daughter" but whatever). Honestly, the only reason queerness exists in this family drama is so that Xanthe has a tense relationship with their family. The story would be exactly the same if Xanthe was a troublemaker that brought shame to their family. Who they are isn't specific to whatever grief exists in the comic.

When people give the critique that modern Superhero comics aren't about anything anymore, we usually think of these comics as "lacking political bite and commentary". We don't often think of something like Death to be political. And even though it is in many ways, it's also a social taboo to talk about. Death is an uncomfortable thing to confront, even in the safety of fiction. It's what made Ride the Cyclone such a difficult stage musical to market.

So how does a modern mainstream comic like Spirit World fit into that? It just sits there in this non-committal way. Yes, this is a story about a trans teenager who died, but only in a cool Superhero Origin Way, not in any way that would make readers uncomfortable. Bury Your Gays is a stereotype after all, so we can't talk about how queer people feel about death. We don't get to know how Xanthe feels about death as a non-binary Asian American. Especially if it's messy. It's the reason why Wan Yujing's character can never commentate on themes of historical queer erasure. God forbid superhero comics be about something.

I think about how, in the original Hellblazer run from the 80s, John Constantine had an elderly gay friend who was diagnosed with AIDS but was killed by a homophobic hate group. The comic openly talks about the sheer amount of gay people dying of the epidemic, a looming threat that informs John's queer life. It's such a culture shock, to contrast these early comics with how John Constantine is written in Spirit World. A character stripped of his own queer history and is at the mercy of incessant slutty bi jokes. Where is the desire to talk about how death informs a queer person's life? The mourning of a lost generation to the AIDS crisis? Something John lived through?

How about how any of this intersects with being an Asian American queer person? Queer people of color are often erased or purposefully excluded from queer history and communities. As a Queer Asian American, what does it mean to have identities that are often perceived to be in conflict with each other? Would your queer Asian ancestors even be remembered? Cultural differences with how you'd mourn your communities? But answering any of these questions means an uncomfortable conversation for Spirit World. For Xanthe. It threatens to be about something.

Which makes it all the more silly that, of the two stories, a musical about teenagers dying from a rollercoaster malfunction is more willing to have that uncomfortable conversation. You should ride the Cyclone.

[pigeon--lord]

Arcane Season 2- No Spoilers

God, I love the writing and everything else in Arcane, but sometimes I wish we had an alternate universe spin off series, because my heart can't handle all of the heartbreak and masterfully woven tragedies. I just want for all (almost all) of the characters to be happy, remain friends with each other, and there to be no nuanced writing aside from the power of friendship and sparkles.

Anyways, go watch Arcane season 2, Act 1, maybe write a fix-it-everything-is-fine-fanfiction, marvel at the animation & writing, and go rewatch season 1 to be even more depressed while waiting for Act 2.

[autumnblooms]

Papa’s got a new suit~

[wonderholegifs]

Rhett & Link's Wonderhole

[alphacrone]

Lockwood & Co. - What Could Have Been (Season 2)

[pitter-patt-art]

Ace Attorney AU August (halfway progress update!)

Okay technically it's the 16th (lol, 17th by the time this is done) so a little over halfway actually, but still I thought since I haven't had anything finished to post the past few days this would be a fun alternative!

I've been going a little nuts (affectionate) over @augustwritingchallenge's AU-gust prompts list this year so August has been a wild ride (about 40k words of one, in fact. so far.) but seeing as I will get attached to even the jokiest of AU ideas instantly, I've completed* a whopping 5 whole fics of 16, lol. Considering the shortest of those is over 3k and the longest is over 12k, I think the problem with not finishing these in a timely manner is entirely on my verbose foolish thick skull, haha, but I'm still having a blast with it.

Here is my ao3 series where I'm posting!

And a rundown / progress report / quick teaser of all the AUs including those I've yet to finish, if anyone's interested:

(*by "completed" I should note two of the already posted fics are basically assuredly going to be continued past the challenge, but let's say "completed enough to post and be on theme")

1. Canon Divergence - complete - 4.5k words ("For the Murder of Mr. Wrong" link)

Mia POV, gen. What if Dahlia succeeded in poisoning Phoenix and framed Doug Swallow instead (and then Mia defended him in court)? Basically a 3-1 rewrite. Fun Fact: I only came up with this AU because before I even remembered AU-gust existed at all, I'd come up with like 4 totally separate AUs in which I poison Phoenix in various ways With Real Consequences because it amuses me, lol, but he survives all those other ones and I eventually realized I hadn't even considered straight up killing him off yet so I figured I should try it at least once, haha.

2. Colorless - complete 1st chapter - 3.2k words ("Grey Matters" link)

Phoenix POV (for 1st ch --prob alternating after), wrightworth. "You can't see color until the first time you touch your soulmate"-soulmate AU. 1st chapter is their first meeting as kids (skipping the class trial itself). Fun Fact(s): I really love a color soulmate AU! Big fan of the "only see the color of their eyes" type of one too but uhhh on top of that working better for things that have wild anime eye colors, you could not pay me enough to try to figure out what the HELL is going on with Ace Attorney eye colors at any given time lmfao. (Also--spoilers for what i haven't written yet but hey if you're here you earned it--this IS one of my very many "teehee what if i poison Phoenix just a smidge as a treat for me" fics. NOT my fault the man ATE GLASS. That's on him.)

3. Dark Academia - complete "1st chapter" - 4.4k words ("The Spirit of the Laws of Magic" link)

Mia POV, lanamia. Magical boarding school setting featuring corruption and missing-student conspiracies and a most likely overthought system of magic with hierarchies and prejudices in societal views of academic/formulaic vs folk/innate magic. Fun Fact: I really thought for SURE i was going to skip this day entirely, lol. (foolish.) I don't think i've actually ever personally read anything "dark academia", technically--so if this doesn't read EXACTLY that way, there you go, but i did my best. I also then thought I could live with keeping this vague but I accidentally thought about it too long so... plus at least two people on top of myself at this point have expressed interest in more of this and so I have some semi-concrete Plans™ now.

4. Zombie Apocalypse - conceptualized (but not started)

Concept: probably gen and Phoenix POV, but also because I'm me and they're them, at least a little bit wrightworth even if it isn't necessarily explicit in any meaningful way bc they are Not Normal about each other lol. A little sketchy on how much of an "AU" this counts for, since it could probably be argued to be canon compliant somehow, but basically just: Universe where they make a Pride and Prejudice and Zombies-type Steel Samurai reboot movie thing (featuring, you guessed it, zombies), and Miles comes over and forces Phoenix to watch it with him just to have someone to bitch about it at, and then during that time Maya blows her way into Phoenix's apartment as well with the exact same intentions except her "day job" isn't quite as time-sensitive-strict so she's already finished watching it earlier and knows all the spoilers. Honestly a good chance Phoenix and Pearl (who came with Maya) end up hiding out in the kitchen together to let Maya and Miles rile each other up in front of the TV, but I'm never exactly sure where they'll take me once I wind them up and set them loose on the page, so who knows. I also hadn't necessarily determined the exact time frame yet but for it to make sense as a reboot-type movie/special episode/whatever it probably should be 7yg-or-later so Trucy may or may not be there as well. (That said, in my struggles to complete an actually short one-shot, I probably shouldn't even include Pearl let alone Trucy, lol.) Fun Fact: I also thought I'd skip this day bc I'm not the biggest zombie guy in the world, and to be fair, I managed to do Way Less with it than the dark academia prompt so, yippie?

5. Chess Players - incomplete (currently 3k word WIP)

Miles POV, wrightworth. Miles is a chess grandmaster and back in Japanifornia for the upcoming world cup tournament, but his greatest challenge is actually to FINALLY best Franziska in their annual who-can-get-the-best-Christmas-gift competition. Luckily, he just so happened to hear of an artist who makes bespoke chess sets, so the plan is to get a custom board made for Franziska without her finding out. The plan is not to get trapped in a weird art collective labyrinth with some model-photographer named Cindy who keeps hitting on him but also happens to be protective of the artist he's there to see because "she and her boyfriend kinda-sorta owe him big time", but this is what he gets for coming here without doing any extra research into the artist besides seeing his work and hearing only "his name is White, or, eh, something like that, you know how those artist types are" from Mr. Amano. (AU where we replace law with chess and no I don't think Phoenix could necessarily hack it in the top-world-grandmasters-level of chess tournaments HOWEVER have you considered he DID go to art school so what if he just tries selling custom chess sets until somehow that reconnects him with Miles. Is that somehow a more insane plan than studying law? Maybe. Did Manfred still shoot Gregory but now it was over fucking chess? Maybe. Idk. But I did let Greg live this time at least!) Fun Fact: we can all DEFINITIVELY blame my lovely, terrible, very wonderful friend Ben (shameless friend plug! she's an outstanding writer and has some AA fics of her own too!! @kindlystrawberry on tumblr!!) for making a total joke about "well what about au where they make chess pieces instead" while i lamented not knowing enough about chess to write an actual match and spawning this ENTIRE concept. It is her fault. 100%. She is the guilty party. (I want to finish this one VERY BADLY. Save me.)

EVIDENCE!!!!! Guilty.

6. Reality Show - incomplete (currently 700 word WIP)

Phoenix (& Franziska) POV(s), background wrightworth wedding planning going on as set up but it's also definitely just one of my many excuses to set Phoenix and Franziska up as bitchy worsties who can't admit they enjoy each other's company and will cut you down if you suggest it as such. So far I've only written the quote "set-up" section which is in Phoenix's POV, but that was SUPPOSED to be like 5 paragraphs and cut away and then lead into my actual plan for the main body, which was to be in Franz's instead, so. This is very similar to the zombie one in that it's them watching reality tv instead of being contestants on a show (I don't personally like or watch a lot of reality tv so my creative well was somewhat dry on how to make that work) and then I accidentally thought about Phoenix and Franziska watching something just to judge and tear apart the decisions of every person on it and that was too fun to not consider further, haha. Basically the plan is just they get left alone together and don't know what to do with that and end up wine-drunk and making fun of some reality dating show of some kind and Miles and Trucy come back to them losing it together over something stupid and are like "......uh. what's happening." Fun Facts: I really love the thought experiment of Franziska somehow discovering how often Phoenix's internal dialogue/reads on situations and especially people can be So Bitchy And Judgey despite his affable complexion, and her unfortunately finding his opinions to SOMETIMES be somehow slightly okay. Moderately correct, even--occasionally. I know the section she follows you-as-Phoenix around in T&T is really not long at ALL, but I adore it. There's something about it that so badly makes me want to force them into proximity more (to both their chagrin, I'm sure).

7. Farm/Ranch - complete - 12k words ("Two Little Dickey Byrdes" link)

Gumshoe POV, gumbyrde (tho i still think dickeybyrde is a funnier ship name). 5+1 things--except more like maybe 7-or-8+1 to be honest--so it's more: over 5 times Dick and Maggey sit on a wall together and 1 time they find someone else there instead. AKA: Dick runs his family's small farm (think fantasy farm like in a farming sim or maybe horse girl novel type of thing that has nothing to do with what a real farm is like lol don't worry about it) and Maggey starts working at the next farm over as the latest of her many odd jobs. Fun Fact: oh god this one got so far away from me. it was not supposed to be this long lmao. it's literally the elaborate set-up to a very silly Nursery-Rhyme-I-Didn't-Even-Know-About-Prior-To-This -based punchline!?! still, i was pleasantly surprised by how happy i was with this once it was done... two sittings and about 16 total hours later. haha).

8. Nomad - incomplete (planned/outlined)

Apollo (or possibly Klavier) POV, klapollo. Sort of Jove-Thalassa swap adjacent, but basically: AU where Jove survives the Khura'in fire but loses his memories for [contrived convince sake reasons]. (And also possibly loses some or all of his eyesight just to really go for the parallels?) Therefore: Jove and Apollo stay with Dhurke and Nahyuta and the Defiant Dragons for a time, while Jove recovers, but eventually they leave and head out on their own, just the two of them, and do the traveling musician thing, both because it's dangerous in Khura'in and Dhurke already canonically didn't want Apollo to get caught up in it and potentially get hurt to begin with and because with a functioning actual parent Apollo doesn't need to be taken in by him--and also Jove from what little we know seems like he prefers to be on the move and was already a world traveler anyhow, so even amnesiac maybe he gets a little antsy stuck in one place too long. And so like amnesiac Thalassa, Jove thusly becoming a renowned mysterious musician--and then Apollo, sweet tone deaf Apollo, becoming the sonager of all time (like a momager but...you get it) because he's not that into music but he IS into arguing for better conditions/making deals (contracts!! international legalese!! woohoo!!) with venues and promoters and stuff. And then--oops dang Lamioir still exists and now they have a meet-cute (2 electric bugaloo) (but by then it's later enough Trucy still exists because it will be a cold day in hell when I don't find a way to make her work) and they do music collabs or join up to form a group or whatever and OOPS this means now that Apollo and Jove are with Lamioir when The Gavinners / Klavier specifically meet her and get her to come to do the Guitar's Serenade concert eventually. And Apollo and Klavier ofc thusly also have a meet-cute and then talk and bond etc etc. AND THEN the au STOPS THERE and I DON'T think about how without Apollo Phoenix is totally getting convicted of Zak's murder because there's no way that trial works out as well for him with some other attorney and I also don't think about how reasonable it would then be that maybe Trucy ends up helping Valant with his work setting up the trick for the concert afterward on account of the one father in prison and the other being dead and having left behind a notarized confession clearing Valant's name of suspicion, etc. AND I DEFINITELY do not think about how i could then still so easily get everyone in one place at the concert for Turnabout Serenade and/or any possible funny Sibling (And Thalassa) Reveal that could happen i dont i dont i do not--

9. Accidental Baby Acquisition - conceptualized (not started)

Gen, possibly my weakest / least defined idea on this list, but basically: Phoenix kind of already lives this in canon, lol (insomuch as an 8yo counts as a baby) so I thought, well, how to take it a different direction, then? And I thought, I don't usually go for a Phoenix Fey kind of au because I personally really love the relationships he has with all the Feys as-is in canon and so it's not quite as funny to me as, say, a Miles Fey AU where like Misty and Gregory are married, or any of the ones in that bent, because I'm sorry but that's just SO funny (and sad, but mostly funny) any way you slice it--plus his NAME is RIGHT THERE mia-miles-maya he FITS--anyhow, that completely aside, there are just a lot of reasons I really love the platonic relationships the Feys already have with Phoenix and I don't think it NEEDS to be made specifically familial to still be so very important, y'know? BUT. That said. AU where Phoenix is idk abandoned as a baby or maybe his parents die young or something and it's like a Thing to leave babies at temples or churches or whatever, right? So like--Phoenix adopted by the Feys AU but only because the more i considered it the more i thought it would be WILD for him to literally know Maya her entire life, and it's fascinating to me to consider a Maya who ISN'T basically left all alone to her own devices (and Morgan's) and who has someone absolutely in her corner in the village the entire time even after Mia leaves (who isn't a baby when Mia leaves, love you tho Pearls), AND also and perhaps more importantly, the ships-passing-in-the-night-ness of a scene where, like: Morgan does something sketchy or whatever and Phoenix wants to keep Mia updated but for whatever reason decides to go down to the city and actually tell her in person and so he's waiting outside the courthouse or something (possibly part of or perhaps Most Of the reason he goes in person is because he knows her first courtroom trial is that day and he wants to see her + hear how it went) and when he gets there she's in a heated argument with some asshole in a fancy over-embellished jacket and once that guy leaves Phoenix is like "Sheesh, what's his problem?" You know???? And maybe he really would never even know!!!! Bc he grew up in Kurain!!!! And has no reason to care!!! About some random prosecutor who was mean to Mia!! Aaaah!!! So that, and on top of that, Diego would be there too ofc at that point, and I feel like he would ALSO be quite a funny interaction in this scenario. ("Wow, someone's popular, kitten, you have all sorts of guys waiting on a chance to talk to you, heh?" "Uh.--I'm sorry, WHAT did you just call her")

10. Enemies-to-Allies - incomplete (currently 370 word WIP)

Ema POV, faraskye. Cyberpunk AU where Lana is still under Gant's thumb and Ema, with no other way to stay close to her and getting rejected from any of the sorts of jobs she really wants to do, decides to just join the security force (or cyber police or w/e I decide to call it) and is tasked with hunting down the Yatagarasu, guerilla hacker supreme who is threatening the sanctity of the capitalist overlords. Except Ema's squad gets ambushed and she's captured and tied to a pole, and with her useless fop partner seemingly not coming to rescue her (if he even noticed her absence), she does some quick cost-benefit analysis and decides she didn't really like that job anyway and maybe there's another way she can get her sister back in her life. So she breaks free of her own handcuffs (which she definitely didn't modify into incidental ineffectiveness she's still testing for bugs) and helps fix the "Little Thief" device her captor seems to have broken despite how obviously valuable and impressive the tech is, and they eventually come to something of an agreement. If you can't beat 'em, join 'em, and all that. Either Ema as the hardware-engineer one and Kay as the software-programming one as the two sides of the tech coin, or else Kay can just be like doing the physical sneaking kind of spy stuff only--or maybe she knows a little about software but not so much she's a pro the way she is with infiltration and such. Possibly toying with the idea Kay herself is just completely an android, but if not, I think she has some cybernetic cyborg things going on regardless. Possibly from or inspired by her father? I also like the idea that Gant did something maybe more drastic with regards to having dirt on Ema to get Lana to do his bidding--like maybe Ema has a whole cybernetic hand because instead of just her handprint on a leather jacket, Gant has some sicko jar with her entire hand in it in his office safe, or something. I don't know why this would be useful to him but it is certainly an image. I also find it funny if Miss Fingerprint Powder Enthusiast doesn't actually have any fingerprints of her own anymore somehow in this AU, lol.

11. Retail Worker - complete - 6.7k words ("The Bake Anything Boulangerie" link)

Apollo POV, gen. Phoenix gets a job at a bakery instead of the Borscht Bowl Club during the 7 year gap, and Apollo happens to stumble across it and ends up meeting the Wrights while he's still in high school. He becomes a regular at the bakery and is already close to them by the time "Shadi Smith's" murder comes around. And also, yes, sibling reveal right away--at least as soon as Phoenix realizes and can reveal it. As a treat. (Other reveals, though, I might put poor Apollo through on a delayed basis. Also as a treat, lmao, just not one for him.) Fun Fact: I'm being redundant bc this is also in my a/n, but, Baker Phoenix lives rent-free in my brain because Professor Layton vs Phoenix Wright was in fact the very first Ace Attorney game I ever played, technically, and Maya and Phoenix semi-brainwashed in that bakery was literally one of my first impressions of them. ........followed immediately by starting a let's play of Justice for All (which i watched through the first case, after which I was like oKAY fine maybe i DO need more context here, i should probably figure out what the actual first game is, and went back to start the series properly at the beginning hahaha). What do you MEAN i have a disproportionate fascination with amnesiac Phoenix, even if I have yet to finish and publish one of my myriad AUs that utilize stupid, unrealistic, plot convenient re-temporary amnesia?? Hm???? Idk what you're talking about. Also everyone who complains about 2-1 is wrong lmao it's objectively (okay subjectively is what i'm saying yes BUT objectively) such a funny place to start without knowing broad plot strokes, it's great. I both knew so much and absolutely shit-all nothing about Maya after PLvPW and 2-1, LMAO. god.

12. Animagus Wings (Joker) - incomplete (planned/outlined)

Miles POV, wrightworth. Angel/Demon AU, except I'm playing super fast and loose with the rules on that because all my knowledge of Christian-mythos comes from firstly and unknowingly the Chronicles of Narnia and more recently and cognizantly Lucifer (Netflix) and Good Omens. I know that's probably more or less what we're all doing with this kind of AU but still, I'm not even sure I want to refer to Heaven and Hell here, I'm kinda on the fence about maybe just keeping it all very vague? I also accidentally semi-worldbuilt more than i intended incidentally on account of "But Then How-Why Names If Angelic Creatures?" Format-wise it would semi-follow gomens s1 where it's hopping through some meetings between long stretches but also a kind of pre- and post- Fall type of thing? And potentially à la Lucifer becoming, like, these are My Mortal Humans and i will be Spending Time With Them, screw you celestial duties, I'm making my own Free Will, etc. And i mean i guess Lucifer is also a crime procedural lmao maybe they still solve crimes in the end too. Fun Fact: I didn't want to do the original prompt for several reasons, and sure fuck jkr is one of them but even before I knew about her I still wasn't really the biggest hp person in the first place? So i wouldn't know/don't remember at all the way it works without having to do the specific research and i...don't want to haha. Hence. And I know the prompt seems to be using it loosely / might just be borrowing the word and not actually referencing hp specifically but tbh either way human-animal shifter things just in general I can be somewhat picky about haha. (Okay okay plus full disclosure the ONLY idea I have for this sort of thing actually ties into my day-3-dark-academia-extended-au-verse and i COULD make my life simpler by just connecting the two days but Heh who would I be if I simplified things for myself... *sigh*) All that to say: I saw "wings" on the wild card list and I thought, ooh, well that's still sort of a related concept! Let's tag that one in! So it's still kind of day 12 prompt-adjacent, if you squint.

13. Found Footage - incomplete (planned/outlined)

Video Transcript POV? Is that a thing? Possibly capped by a little Phoenix POV (but i don't want that to get too long), wrightworth. Larry's new girlfriend of the month bakes weed brownies and Larry does not realize this and swings by the Wrights' apartment to beg some kind of help off Phoenix and forgets the whole tray there somehow (because it's Larry) and they leave to deal with Larry's thing and by the time they figure the brownies out, in some twist of fate Miles and Trucy have been hanging out (last minute babysitter/adult supervision? but she's at the very very least 14 or 15 here and most likely older, and Nick clearly isn't the most strict about like uhhh supervision in general lol sooo idk. he's helping her with a project or smth. it doesn't really actually matter; he's THERE, that's the important thing.) The point I'm very clearly getting at is they accidentally get incredibly high (not dangerously so because I'm not going that far haha but also, neither of them has actually been high before, so they are Affected) before Phoenix finds out what was in the brownies and tries to warn Trucy and hurry home to like, dispose of them or at least put a warning label on them or whatever, but he is too late lol. By a lot. Definitely an underage drugs tag on this bad boy because it's definitely sometime 18-or-earlier for Trucy, let alone 21. (idk about other places but as a Californian I can tell you Japanifornia "LA" could theoretically have it legalized at 21 for anyone (like alcohol) and 18 with Dr's permission--which Trucy definitely does not have in this AU lol.) Basically, Phoenix grabs Trucy's phone to get photo evidence so he can let them never live this down (after making sure they're okay lmao), but he ofc doesn't get technology so he doesn't realize he leaves the phone still recording when Trucy asks him for something / needs his help, so the recording just keeps going and captures a lot of tomfoolery and eventually some inebriated-to-Extremely-sober Feelings-Adjacent confessions (or maybe more like allusions). Idk, this was actually a fic I thought of before August and wanted to use as an excuse to try a Weird Format for fun, but then i saw this was a prompt on the list and...well. Fun Fact: Cannabis was legalized in California on November 8, 2016 (the first election I could vote in!!! ......uh, rip. lol. but yeah babey I helped legalize weed at least!! gotta remember the positives), which means it was legal right in time for Miles' case(s) / Turnabout Goodbyes!!! Yay!! I mean, I suppose that's genuinely seriously one way to try to mitigate nightmares and manage insomnia--not that I think Miles Edgeworth would ever deign stoop so low as to use an aid to manage his severe PTSD and trauma symptoms, psshaw, who do you take him for? (Get these people some help lol. They all need so much therapy.)

14. Princes & Princesses - conceptualized (not started)

So I've been reading a lot (a LOT) of isekai and/or revenge reincarnation romance fantasy manhwas lately (like, oh, too many, hahaha. they're quite good and they're VERY popular in webcomics at the moment.) Soooo. Soft pitch: Apollo already gets slapped into so many wild backstories he's constantly trying to dodge in an effort to be just a Normal Guy, he's honestly, like, the PERFECT protagonist for one of these lmao. And tell me Kristoph doesn't make a perfect "Upstanding Duke" kind of persona, and Klavier couldn't be the "wild rake" younger brother no one expects much from, and all I'm saying is it wouldn't be that hard to contrive a reason Apollo tries to get Klavier to agree to a contract marriage the way all these stories go, lol. And also, something something, Apollo from the "real world" is an orphan/has an absent family (also like so many of these manhwa protagonists, lol) but then he gets to actually have one in his second life!! I'm such a sucker for that shit. Slightly harder pitch, and the reason I did not let myself actually start writing anything (...yet): so what if the actual plot of the "original romance novel" Apollo is familiar with from the "real world (Earth)" is actually about the slightly older generation and something something instead of admiring Phoenix as a defense attorney, it's just that he instead was Apollo's favorite "love interest" character (not, like, for himself, just the one he most liked to read about) in every way except what a blithering idiot he became when the author had him fall for the female lead--but BEFORE that, he's a cool information guild leader guy who seems like he's trying to work toward some way to improve conditions for commoners in the kingdom (but abruptly there are no more mentions of this after he gets involved with the lead, which is annoying). Aaaand... I guess what I'm saying is, Dahlia is the original female lead because she REALLY fits the whole White Lotus trope, and I'm thinking Klavier is the original male lead because A) hilarious, B) fits in with the idea there's more going on in the ACTUAL world Apollo ends up in that is written in such a way as to make things seem different in the novel (like, that Dahlia and Klavier are actually as nice as they seem and that the terrible things that happen around them are just the trials and tribulations of being main characters and not anything they're directly involved in). And Apollo, the character in the novel Apollo, is an adopted prince of Khura'in, but he's the sickly younger prince and of course not actually of the royal bloodline (and also a man, considering Khura'in is matrilineal), so Rayfa and Nahyuta are the ones the public and other nobles actually know and care about and deal with. But wait! As it so turns out, The Wright Anything Information Guild (I feel like the actual guild name CAN'T have their freaking name on it front and center lol but you get the idea) happens to know some other things that aren't really expanded on in the original novel, and might be key to preventing Apollo's death so he doesn't follow the path of the original story, and also idk maybe Apollo and Trucy are half-fae or something like that and instead of like Aw Yay Bracelet in this AU it's more of a secret Iron Shackle Tool That Will Hurt I Mean Totally-Definitely-Help Us Later (still, in a way, passed down to him by Thalassa, but more as, like... she's kind of a secret hostage and does not manage to hide pregnancy number one so Apollo's now also a secret hostage, but she manages to escape so they don't know about Trucy, only she didn't tell Apollo basically anything to "keep him as safe as possible" or w/e, and......) Well, anyway. It got away from me before I even really wrote anything, that's all.

15. Secretly Alien - unfinished (currently 2.6k WIP)

Trucy POV, gen. Apollo gets sick of very consistently always losing the card games they play at the Wright Anything Agency (usually and in the specific instance the fic starts, Bullshit/BS) and in a stroke of inspiration somehow ropes everyone into playing Among Us instead. ("What! It's still a game of trying to lie/trick everyone else--like you like!--but I actually stand a freaking chance, so we're playing this or I'm going home.") Yes. This is my Among Us AU. Hi. They play Among Us. I'm justifying this one as prime AU territory however because A) Among Us has to exist in this universe, and even more pressingly, B) I found a way to force Phoenix to have--for at least a period of time if not moving forward in perpetuity--an actual smartphone instead of a Nokia-type brick cellphone. Which even under the wild but somehow plausible considering Ace Attorney circumstances I contrived, is just automatically a complete AU lmao. Fun Fact: I am so mad this one wasn't just totally finished day-of, lol. Why I ever thought I could give myself run of an entire WAA 4-person conversation and NOT get instantly derailed is beyond me. (And I want to get the prosecutors there, too?? Someone take the characters away from me.) Anyway. No, I have not written ANY of the actual Among Us part yet. Sigh. Also I haven't personally played amogus since like, 2021? maybe? And I know (now) that it's been pretty updated since then, but, ehhh, I'm just gonna run off like, lockdown-era amogus rules and vibes, lol. If I can get to the game part.

16 - Hobby Drama - conceptualized

I'm going to go out of order this time to say: Fun Fact: I have ALWAYS wanted to write a Reddit-style fic!!! I absolutely love them and I've read some REALLY, really good ones, so I've always wanted to try my hand at it. So theoretically this is the perfect time to make that a reality and write a r/HobbyDrama subreddit fic, buuut I got stuck before starting because I'm torn on two possible routes to take it (I can easily foresee myself caving and just doing both lol). - Option 1: Steel Samurai fandom discourse, always a fun/funny thing to think about, definitely would enjoy having Maya and Miles post some stuff for that. - Option 2: courtroom law fandom discourse, because come ON, how are those galleries ALWAYS SO FULL. The little wiggling rabba-rabba onlookers have GOT to have investment in this shit. And why WOULDN'T they, honestly. I've seen those trials and I have, in fact, spent a Lot of time thinking about them, not that any posts I've made lately would reflect that in any way or anything. Like I know it's hard to tell, but if I can be invested in the Lawyers Fandom, who's to say the people in the courtrooms aren't????? And I LOVE an outsider POV fic actually, I think they're so fun. So anyway. Reddit fic. You will be mine. Just as soon as I can hone my energy

And, what the hell, since it's so late now by the time I complete this "Heh This'll Be So Quick To Throw Together" post, I'll include today's, too:

17 - Flower Shop - conceptualized (at work earlier today. lol)

AU where Daddy Hawthorne is like, 97% less shitty. And the Hawthornes have a flower shop instead of like a gemstone industry or whatever. And he takes both Dahlia and Iris with him instead of dumping one of his daughters at a fucking secluded mountain temple and seemingly forgetting about her forever. On second thought, maybe what I actually mean is he's like 999% less shitty, lmfao. Anyway, Iris POV, but Dahlia (while not a "nice" person by any stretch) is not pushed to such extremes or nearly as desperate as canon, so Valerie lives, Terry Fawles lives, Doug Swallow lives, and Dahlia gets to live a good life overall--because as much fun as I love using her as a villain, she's really such a product of the absolute worst circumstances and I really do find her interesting so I've been kind of wanting to explore her in a less cartoonishly evil light, haha. (Don't get me wrong, I do love the cartoonishly evil light too, but I like spicing things up sometimes.) Like, she does (more) normal teen rebellion things ("Look at my inappropriately older boyfriend, Dad" "I'm going to talk my way out of speeding tickets and petty shoplifting as a bid for attention" etc.) and she still totally orders Iris around and Iris still totally does whatever she asks very much to her own detriment and has to learn to break away and be her own person. Fun Fact: I have a very passionate love for Iris/Adrian Andrews. Is that. Um. Is that a ship anyone else has ever considered before? Is that just me? I'm not sure but very possibly I'll just make this a rarepair fic as a treat, for me alone, teehee. (Like... it's about the becoming the master of your own destiny it's about breaking out of codependent cycles it's about how I genuinely honestly think they'd be each other's type and have chemistry even though they've obviously never interacted lmao... idk what to tell you.)

AND THATS MY AU-GUST UPDATE POST!!!

If you made it this far, take a sprinkle of my undying affection, and may you be blessed with AU inspiration if you so desire it!! (If you do not desire it, hopefully you are not cursed with it. I do not take refunds if you are. Sorry.)

Wish me luck with completing some more fics soon!!! Unfortunately weekends are actually my least free time because I work the most and the earliest hours so I have less time and am more tired, but also on Wednesday I'm leaving for a family vacation, which will either be the BEST thing to happen in regards to AU-gust or the WORST thing lmfao. If nothing else I have 2 flights, and I actually Love writing on an airplane, so fingers crossed for it being Good. <3

EDIT: Now with part 2 for the rest of the month here!

[whirlwindofcomplications]

putting my f1 pride and prejudice au out in the world bc at some point i was like jenson button?? jenson BINGLEY??? they're both blond. clearly this is fate. and then never looked back

so jenson as bingley, and then mark as darcy of course. this makes sebastian elizabeth, and then nico jane. to me this meant that all their siblings had to be blondes, and either german or finnish (their parents are michael and mika, mika being mrs bennet for. reasons).

kimi's kitty, valterri's mary (now valerie) and mick is lydia (now marceline). these are their 'formal' names - for the ease of understanding for the f1 fan, the sisters will, in informal settings, be referred to as kimi, val, and mick, respectively.

georgiana is george simply for naming reasons, and i have not yet figured out who bingley's sister should be.

the one guy cringe enough to be mr collins? fernando. (vettonso snark my beloved) also mr collins falling over backwards bc of darcy's connections to de bourgh? webbonso... and mr collins basically aiming to take over mr bingley's estate? michael vs fernando let's go!

so lady catherine de bourgh? lady flavia de bourgh. unfortunately sir lewis de bourgh IS lewis my man is literally not in the narrative but he's still suffering because i married him off to flavio briatore of all people. i'm not sorry.

I decided to just. not have the lydia and wickham plot because the only person i could actually decide on being wickham was. DC. on account of wickham once being friends with darcy and then the betrayal and all. and him and mick? no. so if anyone has any other suggestions please!! i do not know david coulthard like that i have no idea how im going to write him TT currently wickham’s dastardliness is exposed through other means and sweet micolas is safe <3

but marceline seems to be awfully close to her friend caelia... (callum illott) she elopes to london with her, and threatens michael to run away to america if they make her marry some guy instead of letting her be with the love of her life. sico convince their parents that since they're marrying darcy and bingley, marceline’s future is secured, so pas de problem. homophobia who?

still not decided on how im going to incorporate the whole 'the sisters need to get married bc #society and #inheritance' (omegaverse? genderbend? suspense of belief?) i did come up with the rest of the sisters names so at this point i do want to use them...

[bitchfitch]

MOTHER FUCKER SPOTTED T POSING. GAY SHIT IM GOING TO HAVE TO BANISH THE CHILD FOR TO ENSUE.

[zazikels]

MR HADES................WHAT ARE WE

Bonus:

[blightoath]

my hot take for datv is that the lore for the lords of fortune and the crows is fine, actually, it's just poorly explored because they crammed too many factions into one game and didn't give each the depth of exploration necessary to actually make those changes make sense.

like, treasure hunters who want to also do some good in the world and return artifacts to different cultures? ok, neat twist on an old trope! i can buy it, especially from isabela--she's seen first hand the fallout a treasure hunter can suffer from stealing something incredibly culturally important (qunari chasing you) and also seen how that stolen culture impacts those left bereft (friendship with merrill). but there needs to be more engagement than just explaining in one line how it's supposed to work--because usually, theory and practice vary wildly (and i don't think it's problematic for a solution to raise more questions, it's just the nature of problem solving). so, the lords say they have cultural advisors who're supposed to tell you when something's important to a culture. ok, but to which part of that culture? you might be able to argue that the qunari are unified, but the dwarves aren't. elves are highly fragmented, and don't even look at humans like jfc. and to what aspect of a culture? smithing? literature? daily life? religion? also, how are you finding these experts? what's the vetting process? what if they lie for profit? or, backing it up even further to an organizational level, how do the lords of fortune enforce this philosophy of treasure hunting for good at a larger scale? how do you make people give up things they worked hard for when your cultural advisor says it's gotta go? is everyone satisfied? what enemies have you made along the way? and there's a thousand other questions all wrapped up in twisting the treasure hunter trope. but rather than fleshing it out and engaging in any number of those questions, even a little, it's left at the very surface level.

it's almost the same for the crows. like ok, i can buy that when zevran was talking about his childhood, the practices (buying children, abusive training, etc) were mainly done by house arainai, as that was what he had experience with. but perhaps not every single crow house and associated talon acts that way. or perhaps more have, but in the 20 years having the black shadow hunt the worst offenders for sport, some finally got the hint and have started to shape up. fine, variation between the houses and some learning curves. and i can even understand that an antaam occupation may unite the crows in such a way that they become a rebellious, freedom fighting rallying point when city governments and royalties don't do shit. but "freedom" is a very nebulous term and even when an organization agrees to a goal, rarely do they all agree on how to execute it. it's fine that teia and viago agree, but what about the rest of the talons? what does free mean to them? how many want to go back to the usual ways of doing business? who wants to use this as a chance to change? who's using the chaos as a power grab? who's saying the right things at one meeting but taking contracts against the effort on the other side? and how is all this funded? historically, crow contracts come from the rich and powerful--is that still the case? is that how some aspects of antivan royalty are fighting back? are they open to taking contracts from the poorer folk? if so, are they losing money? is there only so much they can do to help the city due to funding? there's a lot of questions here, just like with the lof, lots of juicy things to dig into when you present these factions with new twists... that's just kinda untouched.

there's some shallow writing in datv when it comes to the factions, and i think it's due to having too many of them. truth be told, the veil jumpers and wardens seem to be the big movers and shakers with the most thought and depth in their writing and quest lines. the the crows and shadow dragons seem second best, but the shadow dragons succeed in ways because their organization is intentionally without a formalized structure--most of the interaction, then, just feels like you're talking to a bunch of individuals rather than an organization meant to last and profit off it's ventures. lords of fortune and mournwatch then kind of hit third and suffer from not having the same level of depth and care given to them as the other two groups.

[warlordfelwinter]

FINE bungie i'll admit it you got me with the old tower and cayde ok

[icewindandboringhorror]

I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?

(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)

Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c

[starlene]

Layers of symbolism in Barbie (2023)

I’ve seen Barbie twice now, and I’ve spent a lot of time thinking about the symbolism in the story. It’s a lot!

So, I wrote a breakdown.

Barbie (the character)’s story

In Barbie’s story…

👠 Barbieland symbolizes girlhood, childhood, innocence, immaturity, and naivety.

👟 The Real World symbolizes womanhood, adulthood, growing older and more mature, and becoming a fully realized human. It also symbolizes accepting the inevitability of change, aging, and death.

🏢 Mattel symbolizes society in general, and men in particular, telling women how to live their lives.

✂ Weird Barbie is an example of a woman who does not look and do as she is told. For that, other Barbies have punished her by calling her names and pushing her aside – so at first, Barbie is terrified of becoming like her. At the same time, Weird Barbie is a wise female mentor who helps Barbie along on her journey.

→ For Barbie, moving to The Real World means she is free of the expectations Mattel, and people in general, put on Barbie dolls: she doesn’t have to be perfect or only dress in pink and pastels anymore. No one can put her into a box anymore.

→ At the same time, Barbie leaving her hyper-feminine aesthetic behind when she leaves Barbieland for good symbolically connects that aesthetic with childhood and immaturity. In turn, her more subdued costume in the last scene of the movie symbolically connects that aesthetic to adulthood and maturity.

→ Moving to The Real World is a positive change for Barbie: she becomes more mature and learns to appreciate the beauty in aging. However, I think it’s noteworthy how the movie mostly shows The Real World in a negative light: while in The Real World, Barbie gets disappointed, harassed, and chased down, and all of this makes her experience anxiety for the first time.

→ In the end, Barbie can’t stay in Barbieland because she’s grown too mature for it, showing that it’s impossible to escape growing up – even when the world of grown-ups seems very chaotic and unfair. Becoming a woman means you have to encounter, and learn to deal with, toxic masculinity and the patriarchy.

Ken (the character)’s story

In Ken’s story…

🕺 Ken himself symbolizes a young, immature man who hasn’t found his place within society and who has a very low self-confidence. Instead of placing value on himself and his inherent qualities, he has tied his whole sense of self-worth to Barbie’s approval. As a group, Kens are oppressed within Barbieland.

💃 Barbie symbolizes an idealized image of a perfect girlfriend. At the same time, she is someone who inadvertently hurts Ken because she doesn’t understand her own privileged position within their society. As a group, Barbies are the oppressors within Barbieland.

👠 Barbieland symbolizes oppression, marginalization, and social exclusion. For Ken, it’s a society that has no place for him or people like him.

👟 The Real World symbolizes patriarchy, which Ken interprets to mean a society where things are better for Kens than they are in Barbieland. (In truth, as Ken grows to learn, it’s a system that harms all genders with its strict and oppressive gender roles.)

🐎 Horses symbolize all the positive, joyous, healthy, harmless, non-toxic parts of masculinity.

→ In short, Ken’s story is about a young man falling into the manosphere, and how good self-confidence and supportive connections with other men can help battle toxic masculinity.

→ Just like Barbie, Ken too matures during the course of his character arc: he acknowledges that he’s been wrong about the patriarchy, he starts to feel a sense of self-worth that’s not tied to Barbie, and he learns to lean on other Kens for support.

→ Unlike Barbie, though, Ken remains in Barbieland at the end of the movie, and presumably starts working together with other Kens and Barbies to shape it into a more equal society. This is because to Ken, Barbieland does not symbolize childhood like it does to Barbie, so he doesn’t have to leave it behind when he grows up.

→ When you think about Barbie as a part of Ken’s story, it feels disappointing that when they arrive in The Real World and Barbie experiences the way real women are mistreated, she doesn’t seem to make much of a connection to the way Barbies mistreat Kens in Barbieland. This is, again, because The Real World symbolizes different things to Barbie and Ken.

→ Unfortunately, all too often, the joyous parts of masculinity become tied together with sexism and toxic ideas. The way horses are often seen as a girly thing in our modern-day culture underlines how ridiculous this is: Ken assumes horses and the patriarchy go together and gets into both, though actually, they have nothing to do with each other. In reality, Ken just wants to enjoy the majesty of horses – that is, the positive parts of his own masculinity.

Barbie <3 Ken

👫 The relationship between Barbie and Ken symbolizes heteronormativity and amatonormativity, and the way those concepts are forced down all our throats practically from toddlerhood.

→ Barbie and Ken are not in a real relationship with each other. At the start of the movie, they’re both too immature to understand what being in a relationship means – let alone if they really want that for themselves and each other.

→ Ken is in love with an idealized image of Barbie he has created in his mind. He tries to play the part of a perfect boyfriend, though he doesn’t really know or understand what being a boyfriend entails.

→ Barbie, in turn, is not romantically interested in Ken at all.

→ Despite all this, people (and even Barbie and Ken themselves) expect Barbie and Ken to be together. Notably, the Mattel CEO thinks that Barbie’s ending is that she is in love with Ken, even though there has been literally no evidence in the entire movie that this is the case.

From a female point of view

To the human characters Gloria and Sasha, and also to many real women watching the movie…

👭 Barbies symbolize idealized, stereotypical, perfect femininity.

👠 Barbieland symbolizes girlhood, childhood, imagination, and fun. It’s a thought experiment; a safe haven reminiscent of the innocence of childhood; a place where women can be whatever they want while looking and acting unashamedly feminine.

👟 The Real World is a place where the idealized femininity of Barbies and Barbieland is unobtainable. For many women, instead of being a source of inspiration, idealized depictions of womanhood turn into a burden, something that restricts and disheartens women instead of uplifting them.

Barbieland

👠 Apart from its role in the arcs of individual characters, Barbieland is an exaggerated mirror image of the real world we live in. It’s a joke that criticizes the gender inequality of our world – and as such, it acknowledges that one gender holding power over others is not a good thing.

→ Somewhat confusingly, it’s treated as a victory when Barbies take Barbieland back from Kens – even though that means returning to the unequal matriarchy, not becoming a truly equal society.

→ This is because in Barbie (the character)’s story and to Gloria and Sasha, instead of being a symbol of an unequal society, Barbieland symbolizes girlhood innocence and unabashed femininity. The Barbies, Gloria and Sasha take the joy they feel in their girlhood and femininity back from the patriarchy, which is certainly a feat worth celebrating!

Mattel (the fictional version of the company)

Finally, from the fictional Mattel board of directors’ point of view…

👠 Barbieland is a reflection of their Barbie brand and products, though it’s also shaped by the people who buy Barbies and play with them.

👭 Barbies are a way of making money. Because of that, the executives think they have to be perfectly beautiful and, thus, marketable. Notably, the Mattel CEO doesn’t like Gloria’s idea of a Normal Barbie – until he’s shown evidence that it will make Mattel loads of money, which causes him to immediately change his mind.

✂ Weird Barbie shows the way many children really play with Barbies. Rough play is not in line with Mattel’s pristine brand for Barbie, so Weird Barbie is pushed aside in Barbieland.

→ Barbieland is the way that it is partially because that’s how Mattel has designed it, partially because that’s how the girls who play with Barbies want it. For example, Kens are oppressed because no one likes to play with Kens as much as they like playing with Barbies, and thus, Mattel also puts less resources in designing and marketing them.

→ Somewhat confusingly, this connection goes both ways: the things that happen in Barbieland also affect the things that Mattel does. For example, when Ken redecorates Barbie’s Dreamhouse so it becomes Ken’s Mojo Dojo Casa House, Mattel’s factory starts producing Mojo Dojo Casa Houses in The Real World. What is that all about??

~

This is all I can think of right now. Let me know if you’ve interpreted something differently, or if you think I’ve missed something!

[mishy-mashy]

*COUGH*

The Resistance has PTSD of AFO using Cynthia's piano theme

*COUGH*