#NOW WE GET THE AFTER RAMBLE<3< /div> Explore tagged Tumblr posts

[sunset-sunbun]

fanart for Like A Wheel Ever Turning because this fic has me in a chokehold <3

(click for better quality) O ugh

i struggled so much on the smile doodle- I wanted to get the expression justttttttt right. I'm still unsure how well I did TTwTT also I'm near if not absolutely certain none of these are actual quotes from the fic just little summaries of events in my brainnn

if you want to ACTUALLY SEE THEM! THEN PLEAS PELAS PLEAS LEAS PLEASSSSSSSEEEEEEEEEEEEEEEE CHECK IT OUT

fic is by @annasofthe11thdimension and they are fucking incredible <333333

[fifthnailinstevesbat]

thinking of a new steddie fic/au hmmm.

It’s just the classic, Steve buys weed from Eddie in season 1 era, he and Tommy meet him at the bench in the woods behind school. Steve and Eddie have some playful banter and clearly get along, but it’s dismissed as just a drug deal and they go on about their lives.

Next time they meet is when a frantic Steve comes and finds Eddie after he’s just fought off the demogorgon for the first time. He’s rattled, and skittish, wearing a nasty black bruise on his eye, and just overall not acting like himself. He snaps at Eddie multiple times to just ‘hurry up’ and ‘get him his stuff’, and sure he’s being an asshole, but more than anything Eddie is just concerned. He has never seen The King Steve Harrington lose his cool like this. So Eddie cautiously gives him the weed, making sure not to give too much, and lets him go about his day, but not before asking if he’s alright. Steve clearly wasn’t expecting this and brushes it off defensively, but that doesn’t mean he’s not thinking about it for the rest of his week. How the hell did Eddie Munson notice something was wrong, when his own parents didn’t? Nor his “friends”?

They cross paths again a year later, the beginning of season two. Steve is still with Nancy and has freshly dumped his old douchebag crew of superficial friends. He is still sitting quite comfortably on the higher ranks of popularity, but there is no denying his status is not what it used to be. He comes to buy weed from Eddie in the first week back at school, and it’s a casual interaction. He’s still as charmingly stuck up as he ever was, but now without Tommy there to judge his every move, he seems a little more at ease when making casual conversation with Eddie. Eddie doesn’t mention the year before and Steve is so glad for it, secretly very embarrassed that he went to Eddie for some refuge after arguably his most traumatic experience to date. He gets his stuff, giving Eddie a smirk when he notices he’s dropped the price significantly for Steve when it’s just him alone. Eddie gives him a challenging smile back, almost daring him to call it out, but he doesn’t. They both just laugh and part ways.

The next run in is tina’s halloween party. They notice eachother when Steve first arrives, making eye contact and giving a polite nod. Maybe Eddie lifts his drink up to Steve in a silly salute. They don’t speak at all or make any effort to hang around eachother. That is, until Steve storms down the stairs in a rage after he’d gone up there with Nancy Wheeler. But then are those- tears? Eddie was standing on the front porch smoking a cigarette, trying to discreetly hide from one Billy Hargrove to avoid having to sell him anything, but staying visible enough that he won’t lose all chances of making any money tonight. Steve storms right past him and hits his shoulder. Eddie whips around and is about to call him a dick before he sees who it is.

Steve tries to quickly wipe his face, he won’t make eye contact with Eddie, and he’s clearly trying to get out as fast as he can. Eddie doesn’t let him, though, since he’s obviously not thinking very clearly and is most likely about to do something emotional and stupid. He asks if Steve’s alright, and his answers are all short and rushed, so he’s definitely not. They’re not really friends, but Eddie’s not an asshole.

— “Did you drive?” Eddie asks

“Yeah”

“Well, you’re drunk, Steve. You can’t get behind a wheel right now. And if I knowingly let you, then that makes me an accomplice. I’ll take you home.”

Steve tries to protest, attempting to push past him, but Eddie interjects. “Yeah, yeah, alright! Don’t thank me yet, Steve’o. This is not for you, see, I’m not trying to get a criminal record, here. I cant go to prison, Steve. Do you know what they’d do to a pretty guy like me in prison? Nope, let’s go hot stuff.” —

Eddie takes Steve home. They don’t talk much. By the time they reach Steve’s drive way and Eddie has put his van in park, Steve is making no attempt to exit the vehicle just yet. Eddie doesn’t know what to do, he didn’t really plan this far, so he’s just tapping away awkwardly at his steering wheel while Harrington stares down the dashboard so clearly lost in thought Eddie fears his head might explode. Steve tells Eddie what happened, says it’s ‘relationship troubles’, and he’s not quite sure what compelled him into being so honest with Eddie Munson, but he’s blaming the alcohol. Eddie wasn’t expecting that. They chat for a bit, Eddie makes Steve laugh and considers the whole night a success after that. Then they start cracking jokes about their shared hatred for Hargrove, and Steve looks and sounds a bit more ok to go inside. He thanks Eddie, quite sincerely actually, and it throws him a bit. He stutters a ‘yeah, for sure. It’s no problem.’ And Steve goes home.

After that, it’s a little different. Steve, doesn’t actually really have anyone, anymore. When they go back to school he’s now greeting Eddie here and there in the hallways, making conversation when they find themselves alone together, in the lunch line or at the bathroom sink. He doesn’t approach Eddie when there’s too many people around, though. As much as he’s grown, Steve Harrington still carry’s some prejudice in him about how certain things may make him look. But it doesn’t bother Eddie too much. It’s not like they are really friends, they’re just like, strange acquaintances. And Steve would never deny that they get along, that really Eddie’s ‘not so bad’. So that’s a win.

Steve finds Eddie again not long after the party to buy some more weed, a plan that sparked purely out of boredom. Eddie says yes, of course, but tells him if he wants it today he will need to wait till after school and meet Eddie at his place, since he was busy. So Steve takes a trip to the Munson trailer to make his deal. Eddie invites him inside and they sit together on the couch as he gets Steve’s bag ready. They end up making quite pleasant conversation, joking around and ultimately finding they are really enjoying each other’s company. They enjoy it so much so, that Steve ends up smoking there, with Eddie. So now they are kind of like, hanging out? And it’s fun, so they do it again. Still they’re not, friends friends, they just get along. Eddie just sells Steve weed sometimes and they keep it civil.

He doesn’t hear from Steve for a while, and the next time he sees him it’s from a distance, in passing. The man has the most roughed up face Eddie has ever seen, bruised and swollen in multiple areas, stitches and bandages all over. It’s really, concerning? completely metal, but alarming. This is the second time Eddie has seen the guy all beaten up like that. He knew that boys fight, but surely not that bad? As worried as he was, Eddie doesn’t approach him to ask questions, because they don’t know eachother like that. So he goes on about his day, and he doesn’t see Steve again after that for quite some time.

Then it’s summer, Eddie isn’t graduating again, and he’s not really sure what to do with himself over the break. The new mall has just opened up, and there’s a cool music store up on the second floor that he likes to visit sometimes with his band friends. And wouldn’t you know, working at the Scoops Ahoy located directly across from his favourite store, is Steve Harrington. The guy hasn’t come to Eddie for any weed since last year, and then there was that sighting where he looked like he’d just fallen face first into a flying fist or two, so it’s been a minute since Eddie’s seen him. And he’d be lying if he said it wasn’t a nice surprise. He only goes into scoops once. He’s curious, okay? Sue him. And, he knows the girl who works with him, Robin. So he plays it off like he had no idea he’d see Steve there. And to his surprise, Steve actually acknowledges him. He doesn’t act like Eddie is a total stranger just because they’re not in school anymore. The interaction is quick, they make very casual conversation, Eddie says hi to Robin, grabs his milkshake and goes home. That’s all. He doesn’t go back, and he doesn’t really plan to. Steve’s nice, and he knows Eddie’s around if he needs to buy from him again, and that’s really as far as their relationship goes. That’s all it ever was. It’s been fun getting to know Steve Harrington a little bit better, even if it was just for a short time. Eddie liked having the chance to see in past the quaffed hair and pressed polo shirts to learn that Steve was really just a person under it all. He never thought he’d say it, but Harrington wasn’t so bad. It was a nice little eye opening experience for Eddie.

Eddie was ready to write off his little blips of interaction with Steve Harrington as a thing of the past, no hard feelings, and move on with his life. That is, until he gets a knock at his front door in the middle of the night afew days after the big mall fire. And it’s Steve on the other side. And he looks awful, his face is the worst Eddie’s ever seen it. And he wasn’t really knocking, more like pounding. He says he needs Eddie’s help.

What the fuck?

[rev-velvet]

I find it extremely funny that Craig and Octavio are running a booth together at Grand Fest. Like you KNOW Octavio was probably like "Look your granddaughters and my grandchildren former soldiers are all here to have a good time. So truce." And then they get to old man gossiping and then maybe some reminiscing about before the war and their past friendship and words left unsaid and and and

[silentsockfeet]

with the obvious addendum that act 3 isn’t out yet and we can’t form true opinions until the show’s officially done, i’m still really feeling like it could have maybe benefited from a third season. they’re hitting all the right plot points and those moments are full of really intense emotion, but everything in the middle feels so underwhelming in comparison and so much of it still feels rushed to me. idk

[danwhobrowses]

Well Critters the year is almost up, at least for me here in England. Aside from the general pensiveness and reflection of the past year, it also means I'm about to (technically) complete my first full year of following the CR episodes as they came out; a year full of twists, turns, uprisings, downfalls, and just so much going on - only for the campaign to now be nearing its end.

We knew the end was coming sure, but since December's 4SD announced itself as the last of the campaign the number of episodes remaining has grown more finite, likely to be around 1-4 more episodes, and confronting the end is very different to acknowledging it ending. Admittedly in the confronting part I've become a liiiiittle bit of a mess, loaded with panic and worry beyond my own control; I sometimes tell myself that I'm being silly, they're fictional characters, the story's likely already recorded its end, and I never had any control or influence on the story to begin with, but as expected such attempts are both hollow and in vain. It's been a while since I was this invested in a story, or fandom for that matter, and the fact that most key and decisive moments will be determined by dice rolls continuously does nothing to soothe my nerves, or my uncertainties towards how it'll end - after all, the hardest battle has yet to be fought, the biggest decisions yet to be made, and Ludinus Da'leth is way WAY too calm about being trapped in a Force Cage for my liking.

I wonder if the fear and dread was the same for those watching the end of the previous two campaigns? If it was more or less than it is now by comparison? In hindsight, while the final stage so far feels more grounded compared to the more spectacular, massive miniature, larger-than-life endgame battles against Vecna and Lucien's Neo-Somnovem phases, it feels like the stakes are riskier for Bells Hells, on a low Level 15 with no cleric, dismal openings for additional support, and little wiggle room to get creative, especially since killing Ludinus - who continues to be touted as the 'strongest mage of our time' and could get even stronger depending on which way Matt goes with him - alone potentially won't end the overarching conflict, though he should still die nonetheless. At the very least I want the Hells (as we have for VM and the Nein) to all be free to live happily, be it settling down, embarking on new adventures, or just being the best they can be - and doing so with the people that mean the most to them - and at the very most I want them to make the best and kindest decision for the world as a whole, which I hope they get the chance and take the opportunity to do so.

It's still difficult to ready myself for it ending mind you, since I could have very easily spent another year with these idiots and still not be fully ready to say goodbye to them. On that however, I know not everyone shares my sentiment; some are truly ready for the campaign to be over and for C4 for explode (pun intended) onto the scene with brand new characters that in a few years time we'll also likely be unready to say goodbye to, and that's fine. But for all that can and will be said about Campaign 3 - positively and critically - it has very much delighted, disheveled, and deranged me for most of the year, usually at my desk of work, so trying to brace myself for the climax has, and continues to be, a lot of mental effort. Keeping myself positive and hopeful in these situations is tough especially when on the verge of a big battle; sometimes the negative thoughts creep in, Youtube videos full of pessimists and clickbait titles appearing unwantedly on my recommendations don't help, nor does the memory of what happened the last time the Hells were in a major boss battle at the tail end of their time on Ruidus, but when the campaign does end I want it to be looked upon fondly, and a lot of that does hinge on its conclusion. Obviously, I trust the group and Matt's storytelling, but that is only to an extent; defeating Ludinus is something I know Bells Hells are capable of doing - so long as the dice gods play ball and Matt doesn't inexplicably overbuff Ludinus to the nth degree like he did with Otohan - but the Predathos decision remains the root and focal point of the campaign's criticisms for good reason, often overshadowing and playing obstacle to character growth and direction. There is a satisfying and spectacular conclusion in there, but navigating it - even for a group that embraces 'when given two options, we pick option 3' more times than not - let alone achieving it is a very delicate path of fine margins, one that can indeed make or break the campaign - and a lot of my worries lie there, that and approaching/confronting an entity so voracious and eager to escape that it makes the gods terrified enough to deliberate breaking down the Divine Gate.

Without talking more to death about the god stuff and Predathos thing like we the fandom have already done aplenty, there's not much else I can say except that I'm worried but also trying to be hopeful. The campaign ending in tragedy or a pyrrhic victory is possible but it's not an outcome I personally desire or want to entertain. You could perhaps aptly translate that to my general feelings towards the new year too; having wants and wishes, hopes and hesitancies, fears and fandom, just currently a bit more compressed here than it is for the full year - and given our recent run of the years playing dystopia simulator, I'm more hopeful in one than the other right now - and perhaps it would do good to start the year with something to smile about. Right now, it's just that it's happening; it's happening, it's soon, and it's very apparent how close we are to finishing, which means I'm panicking and rambling, and panicking, and of course, rambling. I don't know what emotions will January send me through, but I do hope with all my being that they'll be positive ones.

So whether or not you reached the end of this, I wish you all a Happy New Year and, much like the end of Campaign 3, I hope it's a good one.

[kissingarthurclaus]

Concept sketch of my new JJBA self insert and her stand, BellaDonna (who will eventually be known as Madonna). Inspired by the song 'Like a Prayer' by...well, Madonna! @sapphire-heart-tippy

(lore dump under the cut, TW for mentions of animal injury and religious trauma)

My self insert (who will also go by Jane) grew up in a deeply religious family and tried to be a good jehovah's witness child that made her parents proud.

One day, she comes up with the power to heal various injuries and ailments, almost to the point of being able to revive the dead. She figures she's given this power by the lord himself and vows to do good with it, but when she's found using them to heal a bird that had been wounded by a cat, her mother falls into hysterics thinking that she MUST be possessed by the devil to have such abilities.

She's punished and shunned by her community while her mother prays for a cure and though she tries to repent her power doesn't seem to go away, so eventually her mother snaps and drags her into the wilderness and attempts to throw her to the bottom of an old well.

Her Stand, which had previously not manifested physically, appears then to cushion her fall and eventually she manages to pull herself out of the well with her Stand's help, who she now believes to be a guardian angel. But not wanting to return home, she runs away to face the world alone, growing jaded and bitter over time. She loses all of her faith, and the power to heal inverts itself, becoming a sort of poison. Something that LEECHES life, rather than heal it.

When she's an adult (my age irl so 25 I guess) she's made her way by becomes a bounty hunter/assassin using her Stand and eventually catches the attention of Dio. Who takes her in and explains to her what her Stand REALLY is, promising to teach her how to properly wield those powers if she agrees to serve him. She reluctantly takes his offer, but starts to see him as a familial figure, since no one else had ever tried to nurture or even accept her gift. Dio is the one who giver her Stand the name BellaDonna, after the deadly plant!

[goldiipond]

ohhh my friend came over and we somehow ended up watching the entirety of tpn season one and ray still makes me so fucking sick. im goig to tear apart steel beams with my teeth

[xxplastic-cubexx]

Magneto would love lumpia meanwhile Charles would have his Bibingka and Puto Bungbong hehe

Happy Holidays!

asks that remind me my bitchass friend kayla promised to make me *puto two years ago and she still hasnt

*puto is a filipino rice cake i do know it also means 'bitch' in spanish we do not have to address that thank you

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner

[yellowloid]

girls when it's been a year since the car tour started and it's all gonna be over in a couple of months

[szkicel]

anyway sorry for being inactive for like a month - i was busy and also i got into my first dnd campaign and unfortunately i developed brain worms for it and my half orc cleric 😔

i might post later some doodles i did for it :3c

[earl-grey-crow]

.

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[screechingfromthevoid]

Things that scare me about Bell's hells and their end game:

We literally don't know anything about how the emergence of Predathos entails. Is it floaty and metaphysical like the red strings connecting the ruidus born? Or is this thing going to hatch like a big red egg and just leave no hope for anyone on the moon?

Imogen and Fearne have expressed splitting him up and taking him in. Will that work? What happens when they die? WILL they die if they have a piece of an immortal God inside them?

If they do take him and control him, what of the gods? Do they leave? Do they try to stay even though this will keep happening regardless of the existence of a god eater? Maybe they'll try being mortal again.

And if nothing works as intended? If no one can contain him and he breaks out and he chases the gods away, does he crush the ants in his path? Is exandria saved? Is it torn to shreds? Is it left to the mercy of the betrayers?

Who fucking knows besides Matt Mercer. And then again. Even then, he doesn't know what the bells hells will do.

[sapphire-rb]

Some interesting text found on the code: Part 1.2 - Leftovers from DQB1

Split from this because it turned from 'fun trivia' to 'theory territory' and I wanted to keep the other post more informative than rambly.

5:

Look at that! I don't need to translate that, just read it for yourselves!

Inside the menu code there's text hinting at a chapter-structure thing, like the one from the first game!

What I think happened was that originally during early development the 4 islands were planned the same way the 4 DQB1 chapters had been planned, and then they connected them with a more lineal plotline (since there were complaints about the disconnect between chapters in the first game).

Then the game would start you from the beginning if you hit 'new game', and as you advanced through the islands you would unlock the ability to start a new game jumping directly to that part of the story, like how you unlock chapters and can replay them individually without having to complete the previous ones in the original.

That's why there's a "for beginners" and "for experienced" prompt. It'd be a little weird to tell you about "beginners" if you unlocked the menu as postgame, and there's no way they'd let you skip to the end minutes after turning on the game for the first time.

Here's the menu from the first game as a reminder:

(Also! Default builder name bonus. They are the same across both games)

And! There's no Skelkatraz in the menu, but there is a Malhalla, so Skelkatraz can't have been omitted for spoiler reasons, right? Or maybe it is, since 'before Malhalla' is slotted at the end... Was that not on the list originally because didn't want to spoil Malhalla on the menu, but eventually decided it was too important and had to add it?

But wait- can that mean that there was no 'before Malhalla' planned at the beginning? That after leaving Moonbrooke you would be basically thrown into Malhalla instead of having to build the Steppe (Steppe that just pauses the Builder-Malroth character arc for no reason)?

Because if you think about it- why is there an 'After Malhalla'? that's just a glorified cutscene away from 'After Credits'. Unless Cerulean Steppe was planned to happen after Malhalla originally and not before, which would explain why there would be content between Malhalla and Credits (prompting a need to give you the option between 'after' one and 'after' the other) , but none between Moonbrooke and Malhalla (meaning both 'After Moonbrooke' and 'Before Malhalla' would be the same point in time). And then afterwards they moved the Steppe to between Moonbrooke and Malhalla because it made more plot sense.

And think about the castle. In-game the villagers just build the shell of it, and the game just tells you to 'build it properly' post-credits. And I've heard player complaints about the game not bothering to give you a proper castle. But if Cerulean Steppe was originally a post-game IoA part, then the castle had always been planned for post-game content, and when they had to put the Steppe into the main plot they had to compromise with the shell to keep the original post-game castle idea intact.

So if that's true, and you think about the fact that Skelkatraz is omitted there, maybe the original 'structure breaker' was Malhalla breaking in the Cerulean Steppe part. But then that was cut, and Skelkatraz was slotted in during the Scarlet Sands part to fulfil the 'structure breaker' role. And Skelkatraz adds the plot point about the Children of Hargon attacking the island- and would you look at that, it just so happens that that plot point is resolved in the Cerulean Steppe part, right before Malhalla! (being the only thing that gets resolved during the Cerulean Steppe part)

And Skelkatraz is also a very buggy part of the game, so it being a last minute addition also checks out.

So, I wanted to add at the beginning of this text, the idea that if the 4 islands were planned like the 4 DQB1 chapters, that maybe IoA had been planned like how Terra Incognita had been planned. Something a little bit outside of the main plot.

Considering the idea that the Skelkatraz sequence didn't exist originally, it makes sense that the Cerulean Steppe would be out of the plot, because it means that all 3 IoA sequences were themselves 'out of plot', and you would have the 4 islands plot as the main story while going to the IoA was more of a 'side quest' thing.

Now, I'm not saying that IoA used to be like Terra Incognita. I'm pretty sure that IoA has always been like IoA, but maybe at first they had planned it to be like the little sandbox safe haven Terra Incognita is, before the realised that if they wanted to make a more intertwined plot they couldn't just have the hub of the game be completely removed from it and doing its own thing.

...You know... IoA only gets 'unlocked' after Furrowfield... The same way Terra Incognita is only unlocked after Cantlin...

ok I don't think my rambles are coherent at this point. Sorry. Got too excited. But anyway, I think it's fun to think about how the game was planned and changed around. Makes you appreciate how much work goes into it.

[sableeira]

confession time: soukoku give me the worst case of secondhand embarrassment ever. they are so cringe. you can’t take them anywhere.