#NO. I WILL CHOOSE LOVE. I WILL CHOOSE FAITH.

[liberalsarecool]

From Professor Christopher Robichaud, Senior Lecturer in Ethics and Public Policy, Harvard:

“I'll say this, and then I likely won't be saying much more on here for quite some time, to the relief of some, I'm sure. But my farewell warning is this.

Everyone in the days and weeks ahead will use this loss as an opportunity to seek validation for their own hobby horse complaint. Harris lost because she campaigned with Liz Cheney. Harris lost because she didn't embrace Gaza. Harris lost because she didn't choose Shapiro. Harris lost because she wasn't progressive enough (possibly my favorite one).

Take a good, hard look at the map, my friends. Trump has won the popular vote. Trump ran the table. Explaining that with your hobby horse issue isn't going to cut it, tempting and consoling as it may be. The problem isn't the electoral college. The problem isn't that we didn't have a full primary. The problem isn't Harris. The problem isn't that Dems didn't have the right message. The problem isn't even inflation or the border.

The problem is so much worse than any of those things. Those are all technical problems, with straightforward expertise fixes. If only it were so! No, our problem is not technical. It's very much adaptive. A party that embraced the Big Lie, supported an insurrection, and has been selling conspiracy-addled madness for years, [which] was widely and enthusiastically embraced. Voter turnout was profound! People didn't sit this out.

Simply put, the problem--as some of you have rightly posted--is cultural. America, culturally, has completely abandoned a politics of decency and respect and has embraced instead a politics of resentment, revenge, false nostalgia, and bullying. And if you look at the demographics, you also won't be able to comfort yourself that it's just a white thing, or a working class thing, or an education thing. It's multi-class, multi-gender, multi-educational, and multi-racial. That's what winning the popular vote means. That's what running the table amounts to.

A culture that has descended to this level of debasement is not easily fixed. In fact it may not ever be fixed. The timeline for changing something like this is decades--at best--not two-to-four year election cycles. You can extend that in this case, because with the GOP likely controlling all branches of federal government and the courts, they will ensure that mechanisms are in place to keep them in power long after their popularity has waned. You can count on that.

The GOP evolved into a party of rage, lies, and revenge--and it correctly diagnosed that there was and is a large appetite for that. That's what the country wants. At least enough of the country wants it to ensure broad appeal and widespread electoral success. The old GOP will never return, and the Dems have nothing to say to American culture at the moment. Nothing. They've been speaking to a country that's gone, like dust in the wind.

And that's my final thought, which my posts last night alluded to. The America I knew and loved is gone. This new America--nah, I won't even bother. I will say that cultural change is less likely to occur in politics or in the academy. You're not going to get people to see how vulgar they've become through a clever argument or a nice campaign speech, that's for sure.

This would be time for the arts, broadly understood, to step in. The arts can change hearts and minds. Too bad the arts have been systematically dismantled in education in this country, and on the other end, the tech industry's assault on the arts through AI is sure to hollow out any good-faith efforts that might emerge.

And for the rest of the world, America's rightward lurch is, I'm afraid, bad news for you too. I know you know this. Because it's not isolated, is it? It's just at the moment the most prominent example of a burgeoning trend. And this will embolden others in other countries, to be sure. We need not speculate what happens when countries become mired in lies, embrace resentment, and savor bullying. We know exactly what happens. Bloody conflict and global destabilization.

The first quarter of the 21st century will, therefore, in hindsight, be viewed as the seed-planting stage for the absolute shit show that's about to unfold globally over the next two and a half decades. Count on it.

Adopt whatever coping and endurance strategies you have available. You're going to need it.

I think that's all I've left to say.”

The least evolved. The most paternalistic.

The bully. The liar. The most resentful.

This is the reality we are in. FOX and Republicans have been repeating the script for decades.

The Dark Ages are conservative aspirations.

The abdication of values/principles is complete.

'Good faith' no longer exists on the Right. The more reprehensible the action/person, the bigger the addiction. Trump proves this.

Anti-paternalism, anti-fascism and anti-bullying are my paths forward. Join me.

[apoloadonisandnarcissus]

“I have many names”: Halbrand, the Repentant Mairon in “Rings of Power”

The themes of redemption, second chances and forgiveness are major in Tolkien legendarium. This is due to Tolkien’s Catholic faith, and the belief that no one is irredeemable in the eyes of God, no matter how low they might have fallen.

And we see “Rings of Power” exploring these themes with Sauron’s character in Season 1. Or better yet, with Halbrand, which is the name the show chose for “Repentant Mairon” (Sauron’s original name) of Tolkien lore.

Nothing is Evil in the Beginning

This is the first quote in “Rings of Power”, narrated by Galadriel. This is a reference to Elrond’s quote in “Fellowship of the Ring” book: “For nothing is evil in the beginning. Even Sauron was not so.”

In the beginning of time, in the Days before Days, Mairon (the admirable) was created by Eru (God) as a Maia of Aulë, and he was one of the most powerful Maiar (demigods or angels). He was a Maia of smithing, perfection, order and beauty, with qualities like goodness, purity of heart and loyalty, and a dislike for wastefulness. He helped shape Eä (the material universe) alongside the Valar and the other Maiar, during the Ainulindalë (the music of the Ainur), and these qualities (smithing, perfection, order and beauty) were, most likely, his contributions.

Due to his power, he was targeted by the Dark Lord Melkor/Morgoth (the most powerful of the Valar), who seduced him, with promises of greater power. Morgoth is the Satan of Tolkien lore; he was envious of Eru’s capacity of creation, and wanted it for himself. Unable to have it, he devoted himself to corrupt it (which included the corruption of several Maiar), and destroy it.

Becoming Sauron

Mairon, being an idealist, betrayed the Valar and joined Melkor, seeing in him the opportunity to make his ideas a reality. He went on to become Morgoth’s most devoted servant and chief lieutenant, in charge of Angband fortress, in Middle-earth, during the First Age.

Mairon was corrupted by Morgoth, and reshaped into darkness, and all of his qualities reversed: his love became obsession; of order and perfection into dominion and tyranny; beauty into ugliness and monstrosity (by the breeding of the Orcs), goodness into evil, and his loyalty and purity of heart into treachery and deception, becoming the “great deceiver”. The Elves created the name “Sauron” (the abhorrent), as a mockery of his own.

Eventually, Mairon started to resent Melkor, because their goals turned out to be opposite: while Melkor is chaos and destruction, Mairon is order and perfection. Melkor is brute force, Mairon is the brain. What Melkor wanted to destroy, Mairon wished to perfect. Melkor is chaotic evil, while Mairon is lawful evil.

Mairon’s whereabouts are unknown during several periods of time, especially after his defeat at the hands of Lúthien and Huan, the Hound of Valinor (so it’s uncertain if he was hiding from Morgoth, or if Morgoth locked him up somewhere).

Season 2 of “Rings of Power” has already began shedding some light on this, in 2x07:

Sauron: Be not afraid. This too shall pass. I promise you, when Middle-earth is healed, and its people see what you and I did here… all our sufferings will be worth it. Celebrimbor: “Our sufferings”?

Do you know what it is to be tortured at the hands of a god?

Sauron mentioning Morgoth next and how he treated him, seems to indicate that’s what he meant by “all our sufferings will be worth it”. And this idea goes on in this dialogue:

Sauron: Sometimes, the pain almost became a reward. Became a game. A contest, to see whose will was the mightier. Celebrimbor: And after all that, you would still choose to inflict the same pain upon me? Sauron: No. You chose it. Not I. Celebrimbor: What?

I already analyzed this scene from Tolkien theological views of this dynamic, but we can also talk about the wild amount of projection Sauron is doing here. Because the core theme of this scene is Morgoth’s treatment of Sauron, and how he’s replicating that with Celebrimbor. Which might indicate these were things Sauron himself heard from Morgoth in the past: the pain is a reward; you chose it; you [are] the true author of your own torment.

And Celebrimbor saw through this, which explains his reply to Sauron’s nonsense:

And his advise to Galadriel, in the same episode:

We also see Sauron crying while hearing Adar’s tale, in 2x01: “I was in your place once. In the eldest of the Elder Days. Thirteen of us were chosen to be blessed of Morgoth’s hand, with the promise of power. A new birth. I was led up to a dark and nameless peak. Chained and left.”

There are many interpretations on why Sauron cries, but I think it’s because he’s recalling his own experience of being “blessed by Morgoth’s hand”, which might have been somewhat similar, but far worse, because Mairon is truly immortal, meaning he can be subjected to every sort of torture imaginable, without truly dying, because he can always re-embody.

And even before any explicit mention of torture, this was already clear when we saw Sauron being resistant to extreme physical pain, hinting it’s something he’s very familiar with: not only he was tortured by Morgoth, but his previous physical form got stabbed into oblivion by the Orcs, without him making a sound.

@love-and-doom asked me why didn’t the Valar or other Maiar intervene when Mairon was being corrupted/tortured by Morgoth? Or why didn’t Aulë tried to get Mairon back? Sauron himself answered to that: because he “chose it”, and he’s the true author of [his] own torment.

Free will is another major theme in Tolkien lore. And neither the Valar, and less alone any Maia, could do anything without Eru’s permission. And the moment a character sides with evil in Tolkien lore, it’s stuck with the consequences. And this goes for Marion, Adar and Celebrimbor. Because all of these characters are both victims and accomplices of Morgoth (the original source of evil), directly (Mairon and Adar), or indirectly (Celebrimbor).

Which also explains why Sauron hates and resents the Gods so much; he probably feels they have forsaken him, like they did with Middle-earth after the War of Wrath, hence him stepping in to rebuild and heal it (because no other Vala would); symbolizing his own desire of healing himself from Morgoth’s corruption.

Sauron in Truth Repented

In 2x01, we saw Sauron getting taught some humility by Adar and the Orcs unionizing against him, when he gets his physical form destroyed, by the means of Morgoth’s crown. Afterwards, Sauron is trapped in a cave for centuries, until he’s able to get out.

He, eventually, re-embodies and is able to recover his physical “fair form”, after centuries as a slimy dark substance.

When Morgoth was defeated, it was as if a great, clenched fist had released its grasp from my neck. And in the stillness of that first sunrise, at last, I felt the light of The One again. And I knew if ever I was to be forgiven... That I had to heal everything that I had helped ruin. Sauron tells Galadriel, 1x08

Soon, we see him brought low, depressed and unsure on what path to take; having a identity crisis. Some centuries trapped in a cave being goo will do that, even to a demigod (Maia).

We see him lingering on Middle-earth, and by the visual clues (wardrobe and sword) it can indicate that he might have dwelled among humans for a unknown period of time, and even found himself work as smith (sword).

The passage of time is not only hinted by his clothes, but when we, the audience, last saw him he was at Forodwaith (Northern Waste), and when he meets Diarmid, he’s in the Southlands; which means, he traveled all the way from the north to the southeast of Middle-earth.

The Trials of Mairon: Diarmid

When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë, the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not within the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgment of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation and to receive from the Valar a sentence, in might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-Earth. The Silmarillion

There is a theory that Diarmid might have been Eönwë in disguise, sent by Manwë, and his mission was to test Mairon and bring him home to Aman. I subscribe to this theory, because not only it’s aligned with what Tolkien wrote, but because Amazon has limited rights to “The Silmarillion”, and needs to adapt and work around it.

And there’s some clues towards this in the dialogue itself:

That way lies death, friend. […] I know you’ve suffered. I can see it in your eyes. There’s another life waiting for you. You just have to turn toward it. […] A sure path may crumble, but there’s always another. Often, it can lead us someplace better. Someplace good. They say there’s places across the sea, a man can escape himself. Find another path. Perhaps another life. Come with us, if you like. Or, walk on. And keep chasing death. Choice is yours, friend.

Diarmid also wears the pouch of the King of the Southlands, which might be another clue; “A symbol of kings, long-dead […] My family served them.”

This is also connected with what Mairon tells Galadriel in 1x03: Be careful, Elf. The heir to this mark is heir to more than just nobility. For it was his ancestor who swore a blood oath to Morgoth. I am not the hero you seek. For it was my family that lost the war.

In "Rings of Power"; this pouch is symbolical of Mairon's blowing up his redemption, and falling back into evil.

The connection between the Southlanders and Morgoth was also a major theme throughout Season 1. This was, after all, the reason why the Elves kept watch over them for centuries: It has changed much, Watch warden. But the Men who live here have not. The blood of those who stood with Morgoth still darkens their veins. (Revion to Arondir; 1x01).

You were right to watch us. Because we are destined for the darkness. It's how we survive. Perhaps it's who we are. Who we will always be. Bronwyn to Arondir, 1x05

What we see here is that Southlanders were kept watch by the Elves to make sure they were fulfilling their penitence for siding with Morgoth, and obtaining their pardon from the Valar.

Hence Diarmid/Eönwë wearing the pouch of the King of the Southlands, as a test for Mairon: will you choose good and redemption (save Diarmid)? Or will you choose evil and Morgoth (the pouch)?

Diarmid: Nightmares again? What haunts you so? Mairon: I've done evil. Diarmid: All of us have done things that we care not to admit. Mairon: Not like I have. Diarmid: Find forgiveness. You are alive because you have chosen good. Mairon: But what of tomorrow? Diarmid: You have to choose it again. And the next day. And the next. Until it becomes a part of your nature.

And this makes even more sense with the sea serpent destroying the ship Diarmid and Mairon were traveling on, in the Sundering Seas, near Valinor. A sea creature, most likely, sent by Ulmo, the Vala of the sea. Or even Ossë, the Maia of Inner Seas, himself.

We have the Gods uniting to test Mairon and killing a bunch of humans in the process. Why I’m telling you this? Because the “Rings of Power” fandom has not yet grasped the concept of “being a God” and how Gods are d*cks, overall, who don’t care about individual lives, they look at the full picture and see reality in 5D. Like Sauron himself. And if they need to kill a bunch of people to accomplish their goals, they will. Even Eru sinks an entire island to punish its people, and He’s the ultimate good (and authority) in Tolkien lore.

And Mairon failed the test, because he chose Morgoth (the pouch), and left Diarmid to die.

The Trials of Mairon: Galadriel and Númenor

Sauron was of course not 'evil' in origin. He was a 'spirit' corrupted by the Prime Dark Lord (the Prime sub-creative Rebel) Morgoth. He was given an opportunity of repentance, when Morgoth was overcome, but could not face the humiliation of recantation, and suing for pardon; and so his temporary turn to good and 'benevolence' ended in a greater relapse. Tolkien Letter 153

Having failed one test, the Valar didn’t give up on Mairon, for they send him another: Galadriel. Who also turned her back on Heaven, by choosing to remain in Middle-earth due to her pride, and desire of hunting down Sauron. And, so, this time, they were both getting tested by the Gods. And even Mairon sees through her, in 1x02: At last, a little honesty. If you want to murder Orcs and settle a score, that's your affair. Don't dress it up as heroism.

When Mairon arrives at Númenor, he sees it as “the place across the sea” Diarmid told him about. Where he can find another path, another life. A island gifted by the Valar themselves to Men, and where they are ever watchful. And so, he believes this is where he can prove his good faith to the Valar and sought their forgiveness for his past sins and crimes under Morgoth.

However, Mairon recognizes that Galadriel can be a liability on his plan of staying at Númenor, not only due to her antagonistic atitude towards the Númenóreans, but also the bad blood between them and the Elves. And that explains his advises to her, in 1x03: “I suggest we set history aside for the moment and show some restraint. Let's try not to antagonize these people.”

When things turn sour in their meeting with Tar-Míriel, we see him employing his charming ways, and acting the diplomat: “It seems to me that our leaving presents some complications. Perhaps it'd be better if we stayed... […] Long enough, good Queen, to give you and your advisors adequate time to weigh our request. A few days, perhaps?”

Of course, Mairon’s intention is not to stay in Númenor for just a “few days”. He wants to stay there in servitude, and prove his good will to the Valar: “I have been searching for my peace for longer than you know. Please, for both our sakes, let me keep it.”

to receive from the Valar a sentence, in might be, of long servitude in proof of his [Sauron] good faith; The Silmarillion

When the petals of Nimloth, the White Tree of Númenor, fall, according to Queen-regent Míriel, the Faithful see in them the tears of the Valar, “a living reminder that their eyes and judgment are ever upon us.”

Which explains Mairon's next actions: after the meeting, he goes straight to Númenor forge, to find himself work there:

There is not another man on this isle that knows this craft better than I. I will shovel coal if needs be, I’ll splinter wood, I’ll shape a sea anchor for you, free of charge, sturdier than anything you have ever seen. How’s that? I’m here to start anew. Lend me that chance. Please. And I won’t forget it. Halbrand/Mairon asks for work at Númenor forge, 1x03

Mairon is told he needs a guild crest in order to be a smith in Númenor, and he’ll do just about anything to get it. And this is when his bounds to Morgoth and his old ways come to the surface: not only does he steal the crest from one of the smiths (and gets into a bloody street fight), but he also tells Ar-Pharazôn of Galadriel’s plans. And this was confirmed by Galadriel herself in 1x05: I wondered how the queen knew to waylay me at her father's bedside. It never occurred to me you'd hand me over for a guild crest.

And we see Mairon working at the forge, and he’s happy. It’s not random that the times we see Mairon truly happy in Season 1 is when he’s smithing; both in Númenor, and at Eregion, alongside Celebrimbor. This was what he was created to do and to be, by Eru himself. This is his purpose, and what’s he’s meant to be doing. Not getting high on power trips (Morgoth).

And this is a great contrast with Season 2: as Mairon goes deeper into evil, he embraces the sorcerer and neglects the smith. We barely saw him doing any actual smithing in Eregion, in Season 2, while in Season 1, he was involved in the entire process.

And, as Galadriel leaves, the petals of Nimloth, the White Tree of Númenor, fall. The Valar “cry”: my theory it’s in approval of Mairon’s decision of staying in Númenor, in servitude. He has proven his good will (“in truth repented”) and needs to stay on his current path (redemption is a process). But Míriel looks at it, all wrong (like her father will warn her about), and thinks it’s a warning to follow Galadriel, when it’s actually the other way around.

And 1x05, we see Galadriel acting behind his back and involving Míriel, Queen regent of Númenor, in her plans of getting herself an army to fight “Sauron” in the Southlands (the army she claims Sauron promised her, in 2x06).

And Mairon is vexed. He doesn’t want any part in this; he wants his redemption. And this is very clear in this scene:

Míriel: My thanks, Lord Halbrand. I'm certain your fellowship will prove just as invaluable once we make landfall. Mairon: "Landfall?" Míriel: Galadriel informed us of your aspiration to unite your people. Mairon: Did she now? Galadriel: I trust she was not speaking in haste? Mairon: As a matter of fact, it was my intention... [to stay in Númenor] Galadriel: My companion is merely feeling the weight of his task. I have no doubt, come time, he will do his part. Míriel: Given that I've staked my name upon it, I should hope so. Edda: Queen Regent, your father has requested your presence in the tower. Mairon: "Galadriel informed us." Galadriel: I wondered how the queen knew to waylay me at her father's bedside. It never occurred to me you'd hand me over for a guild crest. Mairon: You used me. After I all but begged you to let me be. Galadriel: I have just convinced Númenor to send five ships and 500 men to aid your people and place a crown upon your head. Many might assume you used me. Mairon: Find another head to crown.

This is Mairon symbolically rejecting Morgoth. And this is the “good” he should have chosen. This is him passing the test, and a step closer to his redemption.

But Morgoth/Galadriel won’t give up, and she goes to the forge to persuade him into taking up the role of King of the Southlands.

I already talked about this on several posts; in Season 1, we see Galadriel being the “Morgoth” to Mairon’s “Sauron” on several occasions, by tempting him with promises of power. And this Númenor forge scene is a direct parallel with Morgoth tempting Mairon with promises of power in Aulë forge.

This idea is also present in Míriel's scene with her father, the king of Númenor, on the same episode, when Tar-Palantir warns her against going to Middle-earth and follow Galadriel:

Tar-Palantir: The kingdom! The kingdom is in danger. I must... Míriel: The danger has passed, Father. We are doing now what you always believed we must. We're restoring our connection with the Elves. I'm going to Middle-earth. Tar-Palantir: Míriel? Míriel: Yes, Father. It's me. Tar-Palantir: Don't go to Middle-earth. All that awaits you there is... Míriel: What, Father? What awaits me? Tar-Palantir: Darkness.

And this is true to both Míriel and Mairon, because darkness is what awaits for them there, should they follow Galadriel. Because, just like Adar tells her, in 1x06: It would seem I'm not the only Elf alive who has been transformed by darkness. Perhaps your search for Morgoth's successor should have ended in your own mirror.

And we see this dynamic with Galadriel and Mairon in the forge scene, where the pouch (Morgoth) is used as a plot device; while Galadriel wants him to take it, Mairon rejects it.

Galadriel: I was wrong to use you. For that, I'm sorry. Tomorrow, the queen will call you to audience. Your voice at that meeting may well decide whether this mission stands or falls. Help me. Mairon: I think I've helped you quite enough. Galadriel: Then help yourself. Stop fighting me, and together, let us fight them.

And this is when Galadriel tells him about her brother's death (although Mairon was already aware of this). But that's not what makes him reconsider, and essentially ruin his redemption. It’s when Galadriel says this:

The company I led mutinied against me. My closest friend conspired with the king to exile me. And each of them acted as they did… Because I believe they could no longer distinguish me… from the evil I was fighting.

And this is personal to Mairon. Because of what happened with Adar and Orcs; not only they mutinied against him, but they could no longer distinguish him from Morgoth.

And this is related with what Adar himself tells Galadriel in 1x06: After Morgoth's defeat, the one you call Sauron… Devoted himself to healing Middle-earth, bringing its ruined lands together in perfect order. He sought to craft a power not of the flesh… But over flesh. A power of the Unseen World. He bid as many as he could to follow him far north. But try as he might… Something was missing […] For my part… I sacrificed enough of my children for his aspirations. I split him open. I killed Sauron.

Your sorrow cannot ease my pain. And nor will a hammer and tongs ease yours. There is no peace to be found for you here. And nor for me. No lasting peace in any path, but that which lies across the sea. I have fought for centuries, seeking to earn mine. This is how you earn yours.

Find Forgiveness

And this is when everything collapses, and changes for Mairon. He now believes his redemption is connected to Galadriel and her forgiveness. But he’s deeply mistaken, because by following Galadriel and going to Middle-earth, all that awaits him there is darkness, like Tar-Palantir prophesied.

And that’s why Galadriel is connected to the Fall of Númenor visions: she's the “Morgoth” who brings "Sauron" back, like Gil-galad foresaw, in 1x01: “We foresaw that if it had, she [Galadriel] might have inadvertently kept alive the very evil she sought to defeat [Sauron]. For the same wind that seeks to blow out a fire may also cause its spread.”

By following Galadriel, Mairon chooses deception over redemption. And it’s like Elrond says to Galadriel in 2x02: “It was entirely of your choosing. Sauron looked inside you, plucked the very song of your soul, note by note, making himself out to be exactly what you needed. "The Lost King" who could ride you to victory.”

And this is exactly what Mairon does, hoping to earn Galadriel’s forgiveness, and redeem himself. And he makes his choice. And he chooses wrong. He fails the test; and he chooses Morgoth (the pouch), all over again.

And in 1x06, we see Mairon helping people, and guiding them to safety. And he thinks it’s because of Galadriel’s influence on him, and not of his own doing. Because he’s a Maia, he was created as a servant, and he needs to serve someone, otherwise he’s lost.

Galadriel: Whatever it was he did to you, and whatever it was you did... Be free of it. Mairon: I never believed I could be... Until today. Fighting at your side, I... I felt... If I could just hold on to that feeling, keep it with me always, bind it to my very being, then I...

And when Galadriel tells him “I’ve felt it too”; it’s the confirmation and validation Mairon needed. He thinks she’ll be willing to bind herself to him, and keep him in the light, and he'll achieve the redemption he so desperately wants.

But Galadriel’s light is merely aesthetic; it’s the light of the Two Trees of Valinor, who shines on every Elf who was born during the Years of the Trees. But in her case it’s more perceptible, because of her legendary golden, shot with silver, hair. And it’s her beauty that blinds Mairon; the Maia who loves beautiful things.

Forgiveness takes an Age

Forgiveness doesn't come to folk like me. Sooner or later, they'll cast me out, you know they will. Estrid to Isildur, 2x03

In Tolkien legendarium “forgiveness” is not just “earned”, it’s given, as well. And we see this with Frodo and Gollum in “Lord of the Rings”: it’s Frodo’s mercy and pity that ultimately allow Gollum to “redeem” himself, because he's the one who destroys the Ring, by falling down the volcano with it. Frodo, in “Fellowship of the Ring” believed Gollum deserved death and that Bilbo should have killed him when he got the chance, but Gandalf shares some wisdom with him on that topic. However, after he meets Gollum, he pities him and takes mercy on him.

And when Galadriel rejects his offer, Mairon sees it as a rejection of her forgiveness. She tells him: No penance could ever erase the evil you have done; and he sees this as confirmation of his worse fears, on a subconscious level (because he’ll try to redeem himself through the “rings of power” masterplan, still); he’s not worthy of redemption, and others will always cast him out. This is the turning point for him.

Because this is also a theme morally gray or villainous characters face in Tolkien lore (especially in The Silmarillion): they are always seen as irredeemable by others, and must die. But these characters are wrong, due to Tolkien’s ideas of redemption, rooted in Catholic faith (and this is what is called “unreliable narrators”, because “The Silmarillion” is written by the Eldar POV, and is a collection of facts, myths and gossip, essentially).

In Tolkien lore, “redemption” is a process, and a nuanced and complex idea. It’s broader than just one villain turning good overnight, because in the legendarium this process is not instantaneous. It’s pretty much like Diarmid tells Mairon in 2x01: it’s a process where the character has to progress towards good by conscious choice and free will: “you have to chose it again, until it becomes part of your nature”.

But Mairon never chooses this. And in Season 1 of “Rings of Power”, it’s exactly what Tolkien wrote: he in truth repents, temporarily turns to good and benevolence, but doesn’t see his redemption through as a result of his own choices. And the “pride” Tolkien talks about is personified in Galadriel, and him choosing to follow her, instead of staying in Númenor in servitude. But he means well throughout Season 1 and Season 2, too; when he embraces the next plot of his character arc, “Annatar the reformer”.

And this is Halbrand. And he was very much real, and not one of “Sauron’s illusions” or deceptions. He was Mairon seeking redemption and pardon from the Valar due to his crimes under Morgoth.

I'm planning on doing meta on "Annatar the Reformer" of Tolkien lore, too. But I got a feeling "he" is not over in "Rings of Power", just yet. I think that plot will continue in Season 3.

[thehopesquadhq]

Ah, yes, reediting one of my first edits ever just to present you guys Tommy of the WFA universe.

But, to be honest, this Tom (or, Tommy in this case) isn't exclusive to the WFA universe. He is the Tommy of the majority of lighter AUs the fandom creates cause canon is an overly complicated angsty mess.

Which means that AUs like @spicy-apple-pie 's Tommy would also be like this. And many other Tommy's out there too!

Anyway, some fun facts about this Tom:

Very clingy, specially with Tim, Damian and Bruce.

Spends a lot of time alone with Alfred in the manor due to his family's activitities.

He is two years younger than Damian who is 9/10 years old in WFA. so, he is like 7/8.

I feel like he still eventually joins the lab, but the buildup to it was not as complicated as "canon" Tom's. Because a lot of the canon events for the batfam are still intact (Jason's death, Damian's hard life at the League of Assasins and so on...), so, I assume such an event like the Green Light Lab event still happens... sadly.

Most of Tom's plots, at the beginning, would involve his imaginary adventures in Wonderland.

But, as Season 2 would come around the corner, we would have him meeting his canon friends.

This Tommy gets really well with Damian, whom he loves with his whole heart. If you read Mafia Nanny on webtoon, imagine Mikey and Louis.

His relationship with the rest of the family is also, all in all, better, like I can see him asking Jason to read something for him from time to time.

Although, he and Dick's relationship still has some issues, cause Dick usually spends more time with Tim or Damian.

On the merchandising episode, he would choose all the Batman merch just cause of how much he loves his dad.

This Tommy still has faith one day Selina will be a more present mom on his life, and still eagerly awaits her visits... :'(

(Also, drawing Tom as if he was basically mini Bruce is so CUTE! Canon Tom would kill me for saying it, but, it's the truth).

[mcjhay]

To my future wife, wherever you are, I want you to know that the day I put that ring on your finger, it won't just be a promise; it'll be my unbreakable vow to you. From that moment on, you'll never have to question my loyalty or wonder where my heart lies, because it'll be yours-forever. I'll be faithful to you, not just in body, but in soul, in heart, in every promise I make and every action I take. I know the weight of that commitment, and it's a choice l'll make every single day.

I won't just be your husband; I'll be your protector, your confidant, your biggest fan. I'll hold you through the good days and lift you through the hard ones, and I'll be there for every moment in between. I'll strive to be the man who loves you fiercely, who respects you endlessly, and who shows you every day how grateful I am to walk this life with you. I'll cherish you, honor you, and do everything I can to make you feel as valued as you truly are.

When I choose you as my wife, I choose to put in the work, to face challenges together, and to never give up on what we've built. I choose to be the one who will stand by you, to support your dreams, to celebrate your successes, and to comfort you in times of sorrow. And no matter what life may bring, know that my heart will always be faithful to you, my love. This is my promise to you, and I will keep it for as long as we both shall live.

[firstkanaphans]

I’ve seen this one person saying that THK will be like Kidnap; looks nice from the trailer but the real history (in kidnap the whole kidnaping thing and in the THK the brothers literally killing people) lacking. like, focusing more on the romance (im talking about kidnap here, i didn't like the couple, i didn't feel a thing watching them) and making weird decisions on the big plot (he was kidnaping some rich kid and nothing happend?)

Everything I've seen about THK seems good and coherent, the characters seem to have deep internal strugles as also in the real life. So i don’t get know why ppl are being so harsh on it, the trauma from OF turned all this ppl crazy (not in a good way),

I’m not watching Kidnap at the moment, so I can’t really compare the two, but I don’t think we can make any value judgments on the series based on a trailer alone. Isn’t that literally one of the Ten Commandments of BL? Never trust a Thai trailer?

But as for whether I think the assassin plot will be yada yada-ed through just to get to the romance, I certainly am not getting that vibe from what we’ve seen so far. In fact, the plot kind of inherently requires that storyline to be front and center because the central conflict is Fadel and Bison being forced to choose between their family and their lovers. But I do think the A plot is going to be romance because this is a BL. Although me and Jojo certainly have our differences, his writing style reminds me of mine in that all plots are just a vessel to get two pretty boys in bed.

That being said, I don’t think skimming a B plot is necessarily a bad thing. It just comes down to personal preference. For instance, nothing irks me more in a workplace BL than being forced to watch them actually work. I just do not care. I’ve watched LITA probably five times through and still have no idea what Prapai does for a living and I love that. Plenty of people wouldn’t.

So I guess what I’m saying is just wait until the show airs to make your own judgments instead of listening to bad faith actors trying to ruin our fun.

[mxgalodon]

[As Evie spoke, he listened to every last word she said. If there was one thing he'd remember, it was this.]

... I did none of those things, Miss Evie.

[Perhaps she was right. Perhaps what he was doing, now, was an improvement. Perhaps it was good. But why did it have to hurt? Why was 'good' always the single most painful option? Why must goodness be wrought with pain? Shouldn't choosing to be good bring goodness in turn?]

['I'm not giving up on you'... a poor choice, he thought, but it was her choice to make. To have faith in an evil, broken thing... a thing that was nonetheless thankful to be granted such kindness, despite all its flaws. A thing that struggled to find words to express his gratitude, his face twisting as if about to cry, but no tears would fall. He had forgotten how to let them.]

[Instead, he hung his head once again, bumping the top of it into Evie's shoulder like a cat headbutting someone they love.]

He said he wanted to hurt them... get rid of them...

Please, Evie... Please talk with my little Ava. Please. I-I need answers if I am to protect them. I can't fight something I don't understand. I'm- I don't want to lose her. I promised her I would protect her, to protect her's. I can't break my promise. I can't... I can't... I can't lose another one...

[Megalo Don entered the Weather Station, a small bag of breakfast cookies and a bowl of a rather mean-looking potato salad. His eyes wandered about the space aimlessly. He had been here before, yes, but some things still seemed new to him.]

Miss Evie? I hope I arrived at a suitable time. I can wait, if not.

@mxgalodon

*A clatter of pots precluded Evie's head popping around the corner. Her eyes brightened as she recognized her giant friend.*

Don!! Hi! You're just in time, actually! I've almost got the steak tips done! Ooooooh, is that potato salad? And cookies! Perfect! Grab a seat!

*She disappeared again, then reappeared carrying a pan of simmering steak tips in thick barbecue sauce. Shakily, she placed it on the table and sat down quickly.*

Thanks for coming, Don, I was really hoping I wasn't interrupting anything important 😅 I just wanted to do something to thank you for giving me somewhere to stay during the Rift. ☺️

[landoffreaksandfrogs]

*thinks about ult dirk* *crushes phone between my teeth*

[sergle]

man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin

[inquisitor-apologist]

Thinking about how, at the end of the day, at the fatal moment, the sunset of the Republic, it wasn’t Yoda, or Obi-Wan, or even the Chosen One himself standing in the way of Palpatine. It was Mace Windu.

Mace Windu, the inventor of Vaapad and Master of Form VII, the Jedi's strongest duelist, the only person to ever defeat Palpatine in combat. Mace Windu, Master of the Jedi Council and the youngest Master ever appointed to it, the revered leader of the Order. Mace Windu, who forgave even those who tried to kill him, who risked his life over and over again for his troops, who, after 3 years of desperate war, tried to negotiate with battle droids. Mace Windu, who knew the clones were created by the Sith and chose to trust them, who saw every Shatterpoint in the Republic, and loved it still, and fought for it until his last breath, until he was betrayed by Anakin, who he believed in and trusted despite everything.

Mace Windu, High General and hero of the Republic, the embodiment of the Light, the last and greatest champion of the Order, the best Jedi to ever live.

[dirtytransmasc]

ok but like, Modest!Alicent Hightower au (more modest than she already is) cause I feel like it, it adds ✨layers✨

Alicent who veils her hair during her day to day life, elegant laces and silks adorning her long ginger-brown hair, covering it completely at the Sept.

Alicent who wears dresses with long heavy skirts and always covers her elbows with billowing sleeves.

Alicent who conceals her silhouette with thick shaping garments. they also just helped her back during her pregnancies and taking care of kids (her servants recommended them so she'd have full range of motion and support)

Alicent who was stripped of her modesty, her dignity and sense of security whenever Viserys wanted her. stripped of it by her own father when he sent her to Viserys's chambers in a dress that didn't cover as much as she would have liked, especially when she visited a man with those (silent) instructions.

Alicent who lets her hair down around people she trusts. covering it around Rhaenyra after she abandoned her, a blow to Rhaenyra, a blatant "you hurt me and broke my trust". letting Criston see her hair after he becomes her sworn sword. covering in front of Viserys until he demands she stops. Alicent putting a little makeshift veil on her daughter, who wanted to look like her mum, promising it would protect her from how loud the world was.

Alicent who only trusts her closest servants to dress her, and even then insists on being in a full shift before they can come in.

Alicent who felt stripped bare while giving birth to her children.

little Alicent looking up to her mum who was also very modest, and spending her childhood playing in long skirts.

Alicent who wears shawls and scarves out in public or at events. Criston watches to make sure she remains properly covered. her hands fiddling with the patterns or tassels while she talks to others.

Alicent doing this with her kids:

Criston offering her his cloak when she's put in bad situations like sudden crowds or outings.

wearing flowy but opaque fabrics during the summers, looking ethereal and goddess-like with her layers skirts and sleeves.

the whole Larys situation being even more sickening.

all 3 of her sons being protective of her modesty alongside Criston, always offering their cloaks to her or standing to block her from the wind or wandering eyes. Aegon holding her veil in place when it's windy, Aemond placing a cloak over her in public, Daeron fiercely defending his mum from lusting glances or lingering stares.

Helaena continuing to veil with her mum when they go out, they love matching veils and trying ornate styles.

Alicent fixing her daughters veil in attempts to get it to stay in on dragon back. it doesn't. but they don't mind the extra bonding time none the less.

gold veils that literally make her look like she's dripping in gold.

tucking her babes in her shawls or holding them against her skirts that are practically swallowing them whole.

Alicent collecting layers. Ornate undergarments that cover her arms in gold and embroidered patterns, some almost like tapestries others more simple. undershirts that cover her neck, with "choker" patterns and sewn in jewels. modest nightgowns and robes made of the softest, most breathable fabrics in existence.

covering her face on holy days/days of importance.

I just have so many thoughts.

[captainhysunstuff]

Soichiro is worried about Light’s taste in men.  (Let’s assume that somehow Yotsuba was never involved with Kira junk in this reality, lol.)

[aingeal98]

Rewatching aos s5 and s6 and it's so funny that regardless of whether the writers intended it or not, the way Daisy communicates with fellow agents she leads makes is clear that she would in fact, be a great director. She's compassionate and practical and confident and not a single agent we see outside of fs family and yoyo have issues with her. Her fatal flaw is that she's too attached to her old friends who she loves and trusts despite them both having gone a little evil and ruthlessly immoral due to the past season's trauma. Like literally if fitzsimmons respected her as much as they respect each other and as much as Daisy respects them, s5 and s6 would be drastically more positive for the whole team.

[maripr]

I think John Ward deserves to break down a little at the end of FAITH bc he just destroyed the cult that groomed him since childhood and abused him and his childhood friend, he's managed to protect everyone he loves, he's realized God's been with him the entire time, he has fred all the souls that were taken hostages in the rite of the second death, and he has been forgiven by the very person he wronged. He deserves to break down a bit, after things have calmed down, as Lisa and Garcia both hold him as his falls on his knees and his shoulder shake and he holds his crucifix close like he's hugging it and he wails like a child and as the tears fall on the cross once bronze, they leave golden streak, cleansing his vision of it, cleansing his heart.

[pande-monty-um]

If the Seed's had daemons (like His Dark Materials) Faith would have a Praying Mantis.

Also have a headcanon that they would go pale like the flowers and the Judge wolves after becoming Angels.

[twelverriver]

faith lehane + favourite outfit ↳  requested by @chasingfictions

[widowshill]

— And do you or do you not have difficulty remembering such simple instructions? — Only during thunderstorms, sir.

THE SOUND OF MUSIC (1965) / DARK SHADOWS (1966)