#Mythology Entertainment

[soapcan18]

Epic’s Hermes def fits the certain archetype of characters I go insane for. The characters that are charismatic, silly, and mischievous and you instantly gravitate toward them but under the surface they’re actually really powerful and you do NOT wanna fuck around and find out what happens if you piss them off. It’s the BEST kind of character imo and I’ve realized that way too many of my favorite characters fit this mold… It also helps that his songs and the animatics people make to them are absolute masterpieces.

[trash-and-trash-accessories]

I lost my mind when I saw this costume!

In Celtic mythology the white stag is a messenger from the otherworld, often a harbinger. It often appears when one has transgressed, and must atone or be undone. And yet it is also associated with prosperity. In this case, a white stag shows up in the house of prosperity to show them their own transgressions and brings ruin upon their house. That's Oliver. The white stag showing the aristocrats their transgressions and each of them fails to atone and is summarily undone. Except the father. The knight who banishes the white stag. Who lives out the rest of his life free of Oliver, who only returns to Saltburn upon his death.

The jacket embroidery is oak and acorns. This is often representative of power, victory, and enduring hardship. It also represents sorrow.

I saw this costume and I knew this deranged little freak would bring this house to ruin. I lost my fucking mind when I saw this costume.

[incorrectsmashbrosquotes]

Me: I'm fine

Me, internally: God I fucking love Zeus and Hera's fucked up relationship. They absolutely hate each other and can't live without each other. They'd burn down the world for each other and they'd sell each other out for a corn chip. They look at each other and know that they are the only ones who get to destroy each other, no matter how many innocents get caught in the crossfire. Zeus is obsessed with owning Hera because she's the only one who could ever destroy him and Hera will never leave Zeus because her nature forbids her to and wants to rip him apart with her own two hands. They hate each other. They love each other. The King and Queen who would destroy each other in a heartbeat and would destroy anything that would harm the other.

They're perfect each other. They're oil and fire. They'll destroy themselves, the world, and each other and they'll love every second of it.

[lyculuscaelus]

Thinking about how Menelaus talked of his good old friend Odysseus in book 4 of the Odyssey

Thinking about how he would’ve offered Odysseus an Argive city and asked him to move in along with his wealth and his son and his people, how they would’ve met each other frequently, delighted in each other’s company, until death enfolded them both

Thinking about the possibility of him actually doing that after Odysseus’s return and Odysseus actually going there with his family and people. Once again Penelope would return to her homeland for a visit though oftentimes she would just chill with Helen, and Telemachus would be able to visit Pylos once in a while, and Odysseus would be thrilled to meet up with all the friends he had made during the war, Menelaus, Nestor, and especially…Diomedes. Yes, Diomedes—but as he found out his dear friend was no longer in Argos. Now what would happen if Odysseus went on another journey to seek him out, maybe taking Telemachus along perhaps Peisistratus too— (Diomedes’s exile probably didn’t happen in the Epic Cycle but nevertheless…) Anyways everybody reunites with their friends and they all happily live ever after—

I need to see this so bad.

[pjocharacterdesign]

Figured i should start posting some of my deadangelos ref designs, so here's Camp Dads Trio

[hesbianyaoi]

The Soukokus and the Four Symbols: Pt 1

STARTING OFF BY SAYING: This is just a fun connection/"theory" (if you would call it that) I made while reading BSD, so not everything will be connected exactly to the T. I just love mythology and Byakko has already been confirmed to be a celestial being thanks to chapter 119, so in any case, buckle up and enjoy my insanity.

WHO AND WHAT EXACTLY ARE THE FOUR SYMBOLS?

The Four Symbols—also known as the Four Guardians or the Four Gods—are constellations and mythological creatures in Chinese (and other countries in the Sinosphere) culture that are believed to be the protectors of the four cardinal points: the North, South, East and West.

They also had correspondence with the Five Phases (Wuxing), the philosophy that the fundamentals to the universe were composed of elements and their relationships to one another. These elements include nature, seasons, times of day, directions, and colors.

The Four Symbols are the Azure Dragon of the East, the White Tiger of the West, the Vermilion Bird of the South, and the Black Tortoise of the North.

Sound familiar?

It's like how Soukoku + Shin Soukoku is associated with the colors blue/red and black/white. This alone wouldn't be enough for me to make this entire thing such a big post in the first place, though; it's the very nature of everything else in Bungo Stray Dogs concerning the Soukoku's and the subtle symbolism they have connecting them to these divine beings.

For the sake of my own mind, we'll be discussing Shin Soukoku in this post, as they have the most relevance to the recent update and to their associated guardians/gods. Interesting since they create such a unique Singularity, right?

ATSUSHI: BYAKKO, THE GUARDIAN OF THE WEST

We have the most information about Byakko thus far, so it only seems fair to start off with her.

Byakko's associations with Wuxing include the color white, sunsets, autumn and its desolation, and the west itself. These are things Atsushi is commonly associated with, such as sunset/moon symbolism, how the sun sets in the west during the autumn equinox, even his joke title of the Wimp of The West in chapter 33.

Atsushi's white tiger is something we already know is highly sought after from all around the world, and we already know that the tiger itself is a "bookmark" to locate the book. The Book is obviously representative of something otherworldly, something as heavenly as its association with creation and life, and of course, Byakko is the literal guide to finding it. Because of course she is.

Byakko is more than just a white tiger; it is the embodiment of justice, protectiveness, and righteousness. It is the king of beasts and a capable warrior. She's more than just an ability (as we see in Dead Apple, alongside Rashōmōn, since they're the only two that take their own forms compared to everyone else's abilities being mirrors of themselves) as she resides inside of Atsushi's body as another physical being entirely.

Canonically, abilities are described as receiving their power by their user's souls, which is why an ability will disintegrate once their user dies.

But Byakko is not just Atsushi's ability; she is an entire being residing within him, two souls in one body. And not just any being, but a god.

It's also speculation on my part, but Byakko is often referred to as the "key" to finding The Book when in actuality, she's most likely protecting it. Fitting of the White Tiger's role as a guardian of justice and morality—if it fell into the wrong hands, balance would be broken.

AKUTAGAWA: GENBU, THE GUARDIAN OF THE NORTH

Also known as the Black Warrior of the North, as the character 武 translates to warrior/knight and is a much more faithful translation. Compared to Atsushi's more blatant connection to Byakko, Akutagawa's connection to Genbu relies more on subtlety, which I would say picked up during chapters 117.

His death, becoming a vampire, and the time spanning from his death until now could also count as a form of hibernation, given the fact tortoises hibernate and winter is the prime time for hibernation to occur, which aligns with Genbu's associations with Wuxing: the color black, winter and its frost, midnight (prime time for traditional vampires), and the north itself.

From the beginning, Akutagawa has always been associated with black as his signature color. Rashomon, his armor, is his protective "shell" like that of a tortoise. In the most literal sense, he is a warrior—a true knight, further emphasized by Bram's final wishes and desires to protect. It's also worth mentioning that the Tortoise is revered as a pillar of support during challenging times.

Honestly, need I say more?

Genbu is also associated with resilience, wisdom, and most importantly, immorality. The story of the Black Tortoise (Xuanwu) varies from legend to legend, but the general base for the story is the same: Xuanwu was once a mortal who achieved enlightenment and became immortal by pulling out his stomach and intestines, the last remains of his human parts. Once he pulls them out, they become demons, and he must subdue and tame them—quite literally overcoming his own sins.

In a twisted sense, Akutagawa's death was a form of enlightenment.

He dies believing that Dazai truly didn't abandon him, that this was all just a test, and thus he dies with a smile on his face. Now that Akutagawa is awake, he doesn't remember anything besides his knightly duties. It is a new beginning for him, one without the demons of his past weighing him down internally.

He is anew. He is enlightened.

SO, WHAT COULD THIS MEAN?

That's the thing. It could mean nothing at all except for speculation. It could mean something bigger in store for the future of the story. The point is that we don't know what could happen or what any of this could mean outside of correspondence with mythological archetypes. Regardless if this actually contributes anything to the plot, the similarities between Akutagawa-Atsushi and the White Tiger-Black Warrior were too fun to resist talking about, which brings up another point.

Byakko and Genbu, Baihu and Xuanwu, Atsushi and Akutagawa, the new Double Black. They all represent the same thing: balance.

The tiger is representative of its protectiveness and righteousness whilst the tortoise is associated with its wisdom and the strength of a warrior. All four guardians are responsible for the balance of the cosmos and nature itself, and for the Soukokus, it is the same.

The balance they fight to keep is not only between themselves and each other but for Yokohama, for the fabric of reality itself. (And it's something I want to go deeper into when I focus on Dazai & Chuuya next.)

[nyssasatelier]

So i finally got my hands on translations of both the Odysee and Iliad!!!

And despite originally caring more about the story of the Odysee i decided to read the iliad first and I'm so incredibly glad i did!

About 20 pages in and two different women are separately kidnapped and taken hostage, Agamemnon and Achilles are at each others throats, the gods are getting involved, Zeus is threatening to beat up his wife and Apollo is spreading the plaque.

Meanwhile Odysseus is somehow on a peaceful road trip and has a sleep over with the boys after a fun karaoke night.

[bamfwizard]

I would compare Jayce and Viktor to Castor and Pollux but I fear that'd get me tied to a large boulder and thrown into a river

[what-have-i-unleashed]

it's way past mid-autumn festival but i'm having ideas about nightmare's gang (specifically the murder time trio) as different figures in lunar mythology. like,

killer as chang'e. desperate to live when someone threatens her so she eats the immortality elixir and ascends to the moon, the closest celestial place where she can still gaze at her husband who she left behind. imagine this but with killer and color. killer making a deal with nightmare and gaining (semi)immortality, but the price is to leave color behind. and he can only see color from afar from time to time. sad times incoming.

murder as the moon rabbit. the companion/pet to chang'e, producing moon cakes and the immortality elixir as its celestial duty. murder being acquired by nightmare to be killer's companion so he won't be lonely. murder being worked to the bone (heh), killing and killing, because that's all what he's good for.

horror as the man in the moon. the woodcutter being granted a magical tree. but once his wife accidentally waters it with unclean water, the tree uproots itself and floats upwards to heaven. and the man desperately grabs onto it and flies to the moon. horror being in a bad situation and the only branch he can hold onto being nightmare. so nightmare drags him away into his gang, leaving behind his family and community.

that's all i can think of right now lol

[yells-of-the-not-so-danged]

Sigyn and Loki while imprisoned: 99 bottles of beer on the wall, 99 bottles of beer! take one down and pass it ar-AAAAAAAAAAA!!!-ound 98 bottles of beer on the wall!

[taliesin-the-bored]

"What's the deal with Taliesin?"

A somewhat lengthy ramble about the most powerful (or most arrogant) character in Arthurian legend

One the one hand, his powers exceed Merlin’s—Merlin describes himself as “second only to Taliesin” (in “Ymddiddan Myrtin a Talyessin”), and Taliesin claims to have profound knowledge of the cosmos dating back to Creation (he says poetic inspiration was created at the same time as fresh milk, dew, and acorns). He knows everything and can shapeshift into pretty much anything, if the catalogues he gives are anything to go by. He survived being swallowed alive, being thrown in the sea ("Ystoria Taliesin"), and (it seems) going on a raid of the Otherworld during which all but seven of Arthur’s many warriors died ("Preiddeu Annwn"). Then or at some other point while he was in Annwn, he pierced 8,000 men with spears he got from Heaven ("Cad Goddeu"). That puts his casualty count above that of anyone else I can think of in Arthurian legend (They fall "by the hundred" to Bedwyr--"Pa Gur"--but by "forty score hundred" to Taliesin). For all we know, he's indestructible; from what he claims, he's omniscient.

On the other hand, he sometimes seems like Sir Kay Xtreme Bard Edition with Extra Arrogance. In The Book of Taliesin, he has a really bitter (one-sided?) feud with other scholars and monks (some variant on "pathetic men of letters” appears many a time), who he accuses of ignorance because they don’t know the answers to various questions he never gives the answers to himself, and he loses or alienates everyone until the only person who visits him is a dude named “Goronwy, from the dales of Edrywy” ("Cad Goddeu"). Not much is known about this Goronwy, though it’s been speculated that he’s the speaker in “Claf Abercuawg”, in which case he’s an ailing societal outcast and probably couldn’t get anyone to talk to him except Taliesin. There’s a strong pathos to this—time, and maybe hubris, came with a fall, leaving him somewhat like a washed-up starlet or a burned-out wunderkind, abandoned now that he’s no longer the shiny new thing.

On the third hand, which I don't have but Taliesin could probably manage if he felt like it, much of this is from his point of view, and we have no way to prove he's telling the truth. When he tells his own origin story, he claims that he was Frankensteined together by enchanters at the dawn of time. This flatly contradicts "Ystoria Taliesin", so either there are multiple canons for his life story, he's talking as the Awen rather than as himself (in which case he's still contradicting himself--he also says it's a creation of the Lord), or he's lying about some of it. Why he would want to is anyone's guess, since he is quite powerful regardless.

If we don't take Taliesin at his word about his ability to kaiju battle giant toad monsters ("Cad Goddeu"), or take it with a grain of salt, then what are his accomplishments apart from self-preservation and repaying a life debt to Elphin? I am by no means an expert on him, but in what I've read, he does almost nothing in anyone else's story. It's almost like, apart from one or two times, he isn't able to find a way to use his powers for anyone else's good.

Then again, what is his primary power? Shapeshifting seems obvious (too obvious). He uses it for self-preservation (which is valid), for the heck of it (maybe), and/or for really dubious ends (see "Angar Kyfundawt" if you really must know, but trust me, you don't want to). Fighting is a less talked about ability of his. He can cause a lot of destruction (according to himself). It's not really clear what he fights for, though the various legendary kings he hangs out with are probably implied. Then, there's...

...the Awen. Inspiration. Poetry. He can do poetry, and he can do it very well. That is what he boasts about the most, and his boasts seem pretty justified. He’s Taliesin Ben Beirdd, Taliesin “Chief of Bards”, not Taliesin “the Shapeshifter” or Taliesin “Best of Warriors”, even though he may be both of those things. Shapeshifting only benefits him, and he's seen the horrors of war more than most people: his close friend Merlin killed his own nephew in a battle. When Taliesin fights, he kills terrifying numbers of people, maybe without full control (whether he's fully cognizant while he's using his powers is an interesting question which I won't get into right now). Perhaps that's why he doesn't interfere with others' adventures much: he is too powerful to do less harm than good for the people around him and for the narrative tension. Or maybe he just doesn't feel like it, or he was in the wrong place at the wrong time, or they just don't want him there anymore, or his role as a teller of stories is more important than his role as a person in them. 

[heliomoon]

𝐏𝐄𝐑𝐒𝐄𝐔𝐒 𝐉𝐀𝐂𝐊𝐎𝐍

ℚ𝕌𝕆𝕋𝔼 𝕆𝔽 ℍ𝕀𝕊:

"𝒌𝒆𝒆𝒑 𝒄𝒍𝒊𝒎𝒃𝒊𝒏𝒈," 𝒉𝒆 𝒕𝒐𝒍𝒅 𝒉𝒊𝒎𝒔𝒆𝒍𝒇.

"𝒄𝒉𝒆𝒆𝒔𝒆𝒃𝒖𝒓𝒈𝒆𝒓𝒔," 𝒉𝒊𝒔 𝒔𝒕𝒐𝒎𝒂𝒄𝒉 𝒓𝒆𝒑𝒍𝒊𝒆𝒅.

"𝒔𝒉𝒖𝒕 𝒖𝒑," 𝒉𝒆 𝒕𝒉𝒐𝒖𝒈𝒉𝒕.

"𝒘𝒊𝒕𝒉 𝒇𝒓𝒊𝒆𝒔," 𝒉𝒊𝒔 𝒔𝒕𝒐𝒎𝒂𝒄𝒉 𝒓𝒆𝒑𝒍𝒊𝒆𝒅.

-𝓅ℯ𝓇𝒸𝓎

[hyacinthusmemorial]

The Power of Children's Stories: Why "Kid's Book" Should Not Be Considered an Insult

I do this thing when I'm walking, I listen to Kids from the Stranger Things Soundtrack and I imagine Apollo fighting Python, but then I imagine all the heroes that came after him because in a way--Apollo is the archetype of the hero. He's a child, a baby god, four days old in some stories and he's not stealing cows, he's killing a serpent. Then I imagine all the demigods that came after him, and I'm stunned because there's a reason we give children the ability to slay monsters in media when they normally are not expected to do so in real life.

I read a post by @apollosgiftofprophecy, which is a valuable critique of derogatorily labeling something "kid's book". This post I'm writing in no way disregards that, but rather highlights something similar, but different. Rick Riordan's books are powerful (recent discussion about his characterization and stories aside), and just because they are targeted at a younger audience doesn't mean they aren't powerful for everyone. I'm guilty, I called them Kid's books in this post, but to me, Kid's Books are a powerful medium and not a lower one or even a derogatory one. To me, Percy Jackson is a one million times better character than Jon Snow in Game of Thrones because GOT takes its source material so, oh so seriously that it never explores the themes of his childhood in any meaningful way. Percy Jackson on the other hand as well as Apollo because I adore those books too--they use a narration style that is clear, entertaining, and bright and humorous to express very harsh realities of life. I identified with Apollo more as an adult because he uses humor to mask his darkness, which is very much something I do (and honestly anyone in healthcare or who deals with death daily does that), but I adored Apollo because he was hiding.

Clearly, I don't write for middle grade level when I write, I write adult content, but I wanted to validate "kid's books" --not "Just kid's books." Kid's books are powerful.

Examples:

Responsible for combatting Racist views! Absolutely one of the most powerful books ever written, and it teaches CHILDREN and ADULTS to turn around and save someone even when its not the "right" thing to do, but it absolutely is. It challenges conscience. It does this while telling joke after joke after joke.

Another Example:

Another "Kid's books" but not "just kid's books"-- gosh, I could go on and on about LOTR and its themes about power. This book is important for all ages. I still analyze the hell out of it, and so do my friends. Its hopeful, not because its less of a book than its counterpart "its all quiet on the western front," but because its illustrating powerful lessons without despair. Everyone makes it home, everything is beautiful, they rebuild, the Shire endures through the darkness. The Ring is destroyed even though it still very much exists in our world.

What about the Giving Tree, or Dr. Seuss books like Yertle the Turtle or the Sneetches, Artemis Fowl, and all those "kid's books." Star Wars is for "kids," but talking about Cycles of Abuse! Luke means Hope, and he breaks his families cycle of abuse. That's powerful, and its for kids!

I would argue that Kid's books are powerful BECAUSE they are targeted for kids, not in spite of it. Stories are how we TEACH. Grimm's Fairytale's existed because storytelling was a medium through which kid's learned vital truths--they have to be dark, kid's understand darkness, they understand monsters, and while our society sanitizes death away, kid's very much should learn how to understand death too.

I read an article about how a tribe, I think perhaps one of the Inuit, uses stories instead of physical discipline and how they find that this is the superior way of teaching children and adults. Everyone listens to the stories, not just the kids. When someone makes a mistake, they develop a story to show what happens if that mistake is oft repeated. I think about our ancestors gathered around fires and they told stories, and the kids were front and center, but the adults were there too, listening, learning, remembering.

On a completely different note: when a book is "targeted" towards an audience, that's marketing. It has nothing to do with content or value. We need to separate the concept of marketed, and marketing, from the whole value of a book as a means through which to tell a story that discusses important themes.

I very much use my story as a means through which to express truths about personal issues, and I think it resonates. But, those themes and truths are universal in their basic nature, a child can understand what it means to be hurt as much as an adult. A child can understand what it means to be free as much as an adult.

[femmesandhoney]

2025 seems like the year of greek mythology in the forefront of pop culture for some reason

[roadsidegrave]

it’s interesting that movies that are so bad they’re fun and campy are generally understood to be enjoyable and entertaining to watch but books that are bad but fun and campy and people that enjoy them are judged so much harder

[i-am-trans-gwender]

What do the following three people have in common?

Loki (Norse Myth)

Supergirl (DC Comics)

Vaush (real life)