#My takes not his books lol

[jules-ln]

Some people: Don't compare Achilles to Apollo, Apollo hated Achilles 😡

Me: Achilles and Apollo are so similar that it implies that by the end of the war, when Achilles is basically being killed by Apollo, his divine equivalent, that he was dying by his own hand, meaning that his death was ultimately his fault

In a similar way Hector being killed by Athena, the Goddess most similar to him, means that his death too, was the result of his own choices

[nerdy-hyperfixations]

Listen, I love Fiddlestan as much as the next guy, but where did we start getting the idea Ford was cold and dismissive towards Fidds during their time working on the portal???

I could totally be wrong because I haven't read every single GF related thing (hell, my journals aren't decoded because I'm a slacker), but like??? The first time he saw him, he bought him his favorite snacks *and* a whole ass banjo and said he'd make it his mission that Fiddleford would be comfortable in his home.

They go adventuring together and talk about things like fashion trends and the future and go stargazing.

Ford is *so* happy when Fiddleford returns that he hugs him immediately. Abd then he feels bad that Fiddleford feels bad about his failing marriage that he throws him a holiday party even though he doesn't celebrate and hates the holidays honestly. And he put on Fiddlefords favorite song (which he despises and honestly? ME TOO FORD. I HAVE BEEF WITH THAT SONG) and drank seemingly spiked eggnog with him despite not usually liking to drink. So that he could make Fiddleford feel better.

He also just openly adores everything Fiddleford does. Maybe it's only in his journals. You could argue he doesn't say it out loud but, like, he exclusively describes him as impressive all of the time-

And I get where it's coming from in like a "oh he's a workaholic who has the pressure of Bill breathing down his neck that he has to be working on the portal 24/7." And like yeah, but in the pages he's a workaholic he's a workaholic practically begging Fiddleford to stay up with him because he loves working along side him. Fiddleford and him work *together.*

Like the page where they're sorta fighting with each other because Ford wants to work more its not "leave me alone Fiddleford, I have to do this" it's "hey! How come you won't stay up with me! Ugh this is so unfair that you're going to bed even though you know I plan to continue working for another hour."

I'm just saying if Fiddleford wanted to cuddle, I imagine Ford's response would be "Oh! Awesome, I love spending time with him 🥰🥰🥰" but he'd just end up using Fidds' back as a table for his studies. Or they'd do that thing where one of them is working on a desk and they sit on one chair in each other's arms.

And, while we're here, realistically? Emotionally stunted, slapped by more women than He's dated, "I can't cry in front of people, and the only thing I'm good for is my fists." Stanley Pines??? He's not cuddling shit. He's got that toxic masculinity ingrained into him. It doesn't matter how incredibly touch starved he is, cuddling is too emotionally intimate and "girly" for him. Honestly if Fiddleford tried to cuddle him he'd probably throw him in a headlock because he's also been on the streets for years now with people constantly trying to attack him.

And I'm not saying this to diss on Fiddlestan. Again, I *like* Fiddlestan! But when I read "Ford could never appreciate him like Stan could" I don't understand it.

They so clearly bonded well together, and if Ford truly was being an asshole (or not an asshole, but just generally unpleasant even when he wasn't possessed) the whole time, I doubt Fiddleford would've stayed. Nostalgia and physical attraction can only get you so far, and Fidds is already facing the horrors in Gravity Falls, Stanford has to be a hell of an amazing person to make someone want to stay. Like, he's a grown adult. Sure he really wanted to impress Ford and allotted himself to be "the tech guy to Ford's smarts" but if he wanted to leave, he could've. And there didn't seem to much keeping him there. Especially when he was having doubts on the portal.

[stairset]

I do feel like the way Kyoshi was written in the Avatar reboot was lowkey influenced by the fandom's perception of her. Cause like in the original show she's really just portrayed as a pragmatist who's willing to kill if necessary. Like Aang is conflicted about killing the Fire Lord and she's like "well if I were in your position I'd do it but that's just me. Good luck." And then people started making memes where she's like a murderous psychopath who thinks extreme violence is always the solution. And it was funny at first cause it was just exaggerating for comedy but now everyone thinks she was actually like that in the show when she really wasn't. And then in the remake her introductory scene is her angrily yelling at this 12 year old that he needs to stop being a little pussy and be a ruthless warrior or whatever and the only explanation I can think of is that someone in the writer's room maybe looked at a few too many of those memes.

[minty364]

DPXDC Prompt #58 Part 3

Gotham Academy High School was the sort of school where almost everyone was elite in some way or another. Some of them were from old money like Damian who held himself up to a very high standard in his academics and was the top of the class. Others from new money like Dash and the rest of his cohorts became very hateful of somebody like Danny who was given a scholarship by Bruce Wayne, in their eyes Danny was taking advantage of Damian not even knowing that Damian approached Danny for companionship two years ago.

This also meant that everyone including the teachers would compare Danny and Damian to each other even though they weren’t brothers. That didn’t matter though as Danny was associated with them so that was all the reason they needed.

Danny groaned as he sunk into the seat next to Damian. The lunchroom was filled with chatting students and Danny was glad he shared the next class with Damian, which happened to be English. Dash never bothered Danny when Damian was around, probably because Damian had threatened the jock. How he was threatened Danny didn’t know, Damian never told him what happened and he was a little scared to ask. 

The guy hadn’t stopped harassing Danny since he and Jazz transferred a couple years ago. The school year had barely begun and Dash had made Danny his primary target like he was making up for lost time over the summer. Danny sighed as he dropped his paper bagged lunch on the table with a little plop. Jazz had packed for him this morning hopefully before his parents arrived and contaminated the entire kitchen.

“Dash again?” his sister asked across the table, she was seated next to Tim.

“I was paired against him in dodgeball again,” Danny lamented, his head resting on his arms that were crossed on the table.

“Danny, could you just talk to Mr. Lancer or something?” Jazz asked before she took a bite from her sandwich.

Danny sighed again and unpacked his lunch, “I have but no one will listen! They all act like I’m lying or something.” The teachers at this school probably wouldn’t listen to a charity case like him. Dash was a football player and had plans to become captain of the team. Everyone at the school loved Dash and it was precisely why everyone except maybe the four students at the table they were seated looked down and sometimes even bullied Danny.

Danny ignored it all eventually, it was better just to let the jock tire himself out. 

Once Danny and Damian finished eating they made their way to English. Luckily it was easy to carry the material for a class that only required a small binder and whatever book they were reading, in this case it was ‘gone with the wind’. Danny didn’t really care about reading old literature like this but he did what he had to maintain the grades he had. He’d endure anything, even Dash’s bullying, to become an astronaut.

Danny could hardly concentrate today through his afternoon classes. For some reason he had a bad feeling that something was going to happen. He tried his best to ignore it, he was probably just tired or something. Soon the school day was out and Danny packed up whatever homework he had for the day and headed outside to wait with Jazz. Damian and Tim were probably wrapping up their classes. Tim had an AP class that ran an extra 30 minutes and Damian’s last class was art, they were doing a painting and it wasn’t unusual for Damian to finish up what he was working on as he found out over the last few years that he enjoyed painting.

“… Do you think it’ll work?” Jazz asked a hint of hesitation in her voice. Danny knew she was talking about the portal, the both of them had talked about it before. Danny glanced over at his sister, he could tell she was having trouble sleeping lately, her face looked tired and her posture was stiff with her arms crossed in front of her. Both of them had anxiety about the possibilities the portal possessed, and they were especially worried that their parents wouldn’t take it well if the portal didn’t work. 

He was equally concerned that it would work. “I hope not…” he said eventually. It was something that brought the siblings closer as the whole of their family fell apart. How their parents managed to pull off getting the funding in the first place seemed to be a miracle. Everyone called their parents crazy and dismissed all of their science as ludicrous garbage.

Danny wondered how they even managed to stay under Batman's radar, he thought that something like this would be cause for the vigilante to look into it but maybe the thought of ghosts was just that outlandish that even the dark knight himself thought it to be crazy too. Danny himself didn’t believe in anything his parents published, some of the papers even seemed to be biased somehow, even though his parents hadn’t ever actually encountered a ghost. That last part was probably the reason no one bothered to actually investigate his parents, there wasn’t really much to investigate.

The siblings waited in silence and eventually Tim and Damian showed up after their classes and the four headed to Alfred waiting by the car. 

If anyone tried to start a conversation with Danny he wasn’t paying attention. If he was being honest, his parents' portal scared him a lot. He wasn’t sure why he felt so nervous about it, both him and Jazz renounced the thought that ghosts could exist. Something deep down in his guts told him that he should turn and run, that what his parents were attempting was taboo and that his parents were tampering with forces unimaginable. 

No one was going to listen to a fourteen year old though so Danny kept his feelings to himself and ignored them. 

Soon they were pulled in front of their apartment and true to their word, Damian and Tim asked Alfred to park nearby. Danny and Jazz took a hesitant glance at each other as they walked into the house. 

[caligvlasaqvarivm]

Do you think if the trolls all came back, like everything in the main comic did happen and they were alive again. Do you think Feferi would actually forgive Eridan? Or want to even be his friend after everything? I don't personally like the erisol and fefertasprite interaction…felt rushed…..so I just wanted to know your opinion if things were different! :)

Yeah, I think they would be! Feferi is one of the trolls who takes dying the least badly (relentless optimism) and Eridan does genuinely feel bad, which means a lot when it's Eridan. I think she really is genuine when she says she wants them to be friends and also that she's really not the type of person to hold a grudge, and like... death is SUPER cheap in Homestuck, it's really not the horrific, irredeemable, irreperable damage that it is IRL - and if you're talking about (Feferi) and (Eridan), then they're both dead (and irrelevent) now, so the score is kind of even.

In general, the fandom - I mean, people in general, really - tend to have difficulty divorcing themselves from other people. We tend to assume that the people and characters they like will hold similar opinions to themselves. This is how people who like Karkat and don't like Eridan can mentally gloss over or even block out their clear, close friendship, or how people who dislike Cronus can end up overlooking that Meenah actually takes his opinion seriously and unironically defends his wizard thing. Feferi really isn't mad at Eridan or upset about dying the way we probably would be, because she's friends with the horrorterrors, relentlessly cheerful, comfortable with death in general, and death is also just not really that big of a deal in this setting. "I'm really sorry about that, that was shitty of me" is honestly probably all the apology she needs, especially if they came back to life anyway.

[francy-sketches]

'why does show joffrey look like that he's supposed to be handsome' no sorry there's so many ugly/not conventionally attractive characteracters being prettywashed I think the rare cases of deyassification are based as hell. I like his weird little face ❤

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[tathrin]

The Extremely Serious and Scientific Legolas Fandom Hair Colour Poll:

What colour hair do you picture in your head for your personal mental image of Legolas of the Woodland Realm? (Not necessarily which one you think is more or less "canonical"; rather just what you see in your head when you're reading something.)

Ideally, you can also share when and how you were first exposed to Lord of the Rings in the tags or reblogs, and what you think most influenced your mental image.

No I'm not procrastinating from writing stuff, go away.

[akimojo]

i don't mind seeing people interpret hope and lightning as having romantic connotations surrounding them in the lr lore, but i personally think claiming it to be proven as canon really undermines just how badly bhunivelze fucked with hope's head

"bhunivelze developed a romantic obsession with lightning because he absorbed hope's heart!" yes, but that's not all there is to it. you gotta keep in mind that bhunivelze used lightning to psychologically mess with hope for centuries, he used her image as a tool to get hope to obsess over the past and wish for nothing more than to be reunited with her (remember that the last time hope ever saw her was at the end of xiii, while everyone else aside from vanille and fang had come back at that point), and she had such a major hand in inspiring hope to become the person, the leader, he'd become since then

bhunivelze didn't inherit hope's emotions until after he had become obsessed with lightning as a symbol of the past. if you view hope's and lightning's relationship as platonic/familial (like i personally do) then bhunivelze becomes so much more sick, and it adds to the misogynistic undertones in his behavior toward mwynn and etro, his own family. he took something pure, the admiration a young boy had for an older woman who replaced his mom as his female role model, and twisted it into something dark, inappropriate and obsessive, something that would serve him. that's what he inherited. he was never able to love his mother or daughter, how could he possibly understand the familial love between hope and lightning?

bhunivelze's sudden feelings for lightning is, in my opinion, meant to disturb us because of how innocent hope's admiration for lightning actually is. turning hope back into a kid sells that even more, it specifically draws out lightning's maternal instincts toward him, just for her to be faced with what bhunivelze has twisted it into after centuries of torture. bhunivelze isn't representative of hope's and lightning's relationship, they're victims of his abuse of the human heart

again, interpreting them as romantic is fine and dandy if that's how you see them, but i feel like claiming it's all "proof that hope x lightning is canon" ignores a lot of important details surrounding them and bhunivelze, more specifically it downplays the absolutely devastating impact bhunivelze had on hope's state of mind, and subsequently, lightning's rage upon seeing it for herself

[s1lv3rp4w3dc4t]

shout out object shows with canon queer ships. I'm talking on screen kiss or even just verbal confirmation. all things considered it's a bit strange you don't really see them that much when you think about how gay everyone here is. I love you ii but c2bc did what you didn't and I think that's actually really nice.

[brinkle-brackle]

family

(a/n: SURPRISE FIC!!!!!!!! I wrote this prose poem thingy for a class writing exercise last semester and I'm very proud of it, and I wanted to put something out for bttf day so here it is now :) I hope yall enjoy it!!)

- - - - -

I have a father. A father who I am unsure if I will ever truly know in any real way. His eyes have been fixed to the television every night for as long as I can remember. He blinks in tandem with the static. He is wired, he laughs along with the laugh track. He is wired to cringe and cower beneath and stutter and laugh and laugh and laugh. His laugh, what a shaky, unsure laugh. He laughs and nods and laughs, full of fear. "Yes, sir, of course, sir, I know, sir-- hah, ouch-- yes, sir, I know, sir. You can- can count on me, sir." I ask him why he does what he does. He tells me he can do nothing else.

I have a mother, although I wonder if I ever truly had a mother. I wonder if this was something that developed as I grew up. Maybe it is just that I cannot remember her for who she used to be, or maybe she has always been like this. So jaded, so distant. A haze lies over her eyes, they are glass. Every evening they become glass. Tonight she is two vodkas in.

I have a brother who does not take his life as seriously as he should. Ever since graduating he has sat in the same place, flipping and frying. He does not like effort. He tells me that he is content as he is. A lazy smile, the stench of grease lingering from the spot he stands in even long after he has left. It is everywhere in his room. It creeps out in the wash and corrupts the rest of our clothes and bedsheets. He is turning gray before my eyes. Any longer, and I fear he will become a stone.

I have a sister, and she is miserable. Wanting and yearning, yet stifled. Aware, though. She is aware of what our parents have and what they do not have, and what they do not have she wants for herself. Her heart calls out. It tires of living in such a perpetual state of stillness, it wants to beat. A companion. A dinner for two, caring not if it will work out, just to try. That is what she wants: to try.

I have a family, and they are not you.

I have a girlfriend and she is my world. She is the sun when the clouds get thick and the clouds when the sun gets hot. She is musical laughter and stolen kisses before algebra class. She is planned-out road trips and a walk hand in hand through the town square. She is off-key, loudly-sung ABBA under the stars after leaving the cinema. She is a ride through the neighborhood, a skateboard date to 7-Eleven at twilight. She has been in the front row of every gig I have ever done (exactly two). She sings along when I practice my guitar-- not loudly, not off-key-- but just right. From her heart. She is solace.

She is everything to me, but not in the same way you are.

I sit down at the dinner table. My brother eats, but my sister prefers talking over chewing. I do not blame her, I am not hungry either. My fork becomes a rake on my plate with its slow and languid movements. Our mother speaks of her brother who will be visiting tomorrow. My sister makes a snarky comment, a blunt knife shot from between her teeth. Our mother just laughs, and it is the closest thing to genuinity I have heard from her in a long time, although it is not quite there. She calls out to our father. He does not answer, he has wired himself up to the television the way he does every night. Our mother waits, but he does not answer. He laughs along with the laugh track.

I have a father, and he is not you.

Stomach turning, I retreat to my room for the evening. I play my guitar until I hear my sister snap through the wall for me to quiet down. I prop my guitar against the wall and dial on my landline, and it rings one, two times before you answer. You greet me with warmth in your voice, you ask me how my day was. I tell you. You ask me about algebra, and I make a strange noise. You help me with my homework, we are on the phone for hours as numbers clash and meld together in my mind's eye. It is late now, and you can hear the tiredness in my voice. The math book is long gone, but we are still talking, although there are more pauses in our voices. Tomorrow is my audition, I say. You know, you remember. Come by my garage in the morning before school, you tell me-- I made something for you that might help you out with practicing. You can play without having to worry about waking your family up.

I have a father, and he is not you. But he does not ask me about my day with genuine interest. He does not help me with my algebra homework. He does not tell me his dreams and aspirations, and he does not encourage mine with equal enthusiasm. He does not give me pep talks. He does not get Burger King and offer to watch cheesy older movies with me when I have had a bad day. He does not put his heart into everything he does and include me in all of it. He does not stay on the line with me until I fall asleep, smile on my face and phone resting limply in my hand.

I am not in his world and he is not in mine. But you and I, we are engrained, woven into each others'.

I have a father, and he is not you. But family is not always the thing written in one's blood.

[hauntingofhouses]

i know I've mentioned my interpretation of mizu's gender a million times on here but i don't think i ever fully elaborated on it.

so on that note i just wanna ramble about that for a bit. basically, it's my reading of the show that mizu is nonbinary, so let me dig into that.

putting the rest under the cut because it ended up being pretty long lol. also here have a cute mizu pic of her being happy and most at ease with herself, symbolised by her letting her hair down. <3 ok let's proceed.

thus, when i refer to mizu as nonbinary, i am interpreting mizu as a woman, but not ONLY a woman. not strictly a woman. she is also a man. she is also neither of these things, she is something in between, while at the same time she is none of these at all. i've said as much many times, but i just don't want people to think that when i say nonbinary, it inherently means a "third androgynous gender" that essentially turns the gender binary into a gender trinary. not only is that going against what the term nonbinary was crafted for (to go against rigid boxes and categorisation of gender identities), but also, not all nonbinary people fall under that category or definition, and that's definitely not the way i interpret mizu.

okay before i go deeper i'd just like to address some important things. first of all, this post is an analysis of canon, and thus everything i am arguing for is about my own interpretation of the show, and not some baseless projected headcanon i am projecting onto the character. please remember there is a difference between an interpretation (subjective; interpretations will differ from viewer to viewer, but ultimately it is firmly rooted in evidence taken from the source material) VS a headcanon (unrelated and often even contrary to what is presented in canon; opinions wildly differ and they cannot be argued for because there is no canonical evidence to back it up).

ALSO please note that nonbinary is an umbrella term. this means that it applies to a vast range of gender identities. other identities that fall under the nonbinary umbrella include agender, bigender, genderfluid, and so on. however, it's my personal preference to use the term nonbinary as it is, simply because i'm not a fan of microlabels (more power to you if you do like them and find they suit you more though!).

also, before anyone fights me on this, let me clarify further that gender means something different to everyone. it's not your biological sex or physical characteristics. but at the same time, gender is not mere presentation. you can be a trans woman and still present masculine—either because you're closeted and forced to, or because you just want to—and either way, that doesn't take away from your identity as a woman. same goes for trans men. if you're a trans man but you wear skirts and don't bind or don't get top surgery, that doesn't make you any less of a man. because gender non-conformity exists, and does not only apply to cis people! some lesbians are nonbinary and prefer using he/him pronouns while dressing masculinely, but that doesn't mean they're a man, or that they're any less of a lesbian. neither does this mean that they're a cis woman.

the thing about queer identities in general is that, like i said, they mean something different to everyone, because how you identify—regardless of your biological attributes and fashion or pronouns—is an extremely personal experience. so a nonbinary person and a gnc cis woman's experiences might have plenty of overlap, but what distinguishes between the two is up to the individual. there's no set requirements to distinguish you as one or the other, but it's up to you to decide what you identify as, based on what you feel. either way, by simply identifying yourself as anything under the LGBTQ+ umbrella, you are already communicating to the world that you are not what a conservative, cisheteronormative society wants you to be.

which is why i find all this queer infighting on labels to be so ridiculous. because we're all fighting the same fight; the common enemy is a societal structure that divides us into set roles and expectations purely based on our biological parts. that's why biological essentialism in the queer community is a fucking disease. because by arguing that women are inherently weak and fragile and soft and gentle and must be protected from evil ugly men, while men are inherently strong and angry and violent and exploitative of women, these people are advocating for the same fucked up system that marginalises and abuses women as well as effeminate and/or gay men.

anyway. i'm going on a tangent. this was meant to be a blue eye samurai post. so yeah back to that— the point i'm trying to make is that there's no singular way to identify as anything, as everyone's views on gender, especially their own, is specific and personal to the individual.

so with that being said, yes you can definitely interpret mizu as a gnc cis woman and that's a totally valid reading of the text. however, interpreting her as nonbinary or transmasc also doesn't take away from her experiences with misogyny and female oppression, because nonbinary and transmasc folks also experience these things.

me, personally, i view her as nonbinary but not necessarily or not always transmasc because i still believe femininity and womanhood is a very inherent part of who mizu is. for example, from what we've seen, she does not like binding. it does not give her gender euphoria, but is instead very uncomfortable for her both physically and mentally, and represents her suppressing her true self. which is why when she "invites the whole" of herself, she stands completely bare in front of the fire, breasts unbound and hair untied. when she is on the ship heading to a new land in the ending scene, she is no longer hiding her neck and the lack of an adam's apple. we can thus infer that mizu does not have body dysmorphia. she is, in fact, comfortable in her body, and relies on it extremely, because her body is a weapon. instead, what mizu hates about herself is her face—her blue eyes. she hates herself for her hybridised racial identity, hates herself for being a racial Other. hates that she has no home in her homeland. thus it is important to note that these are not queer or feminist themes, but postcolonial ones.*

* and as a tiny aside on this subject, i really do wish more of the fandom discussion would talk about this more. it's just such an essential part to reading her character. like someone who's read homi k bhabha's location of culture and has watched this show, PLEASE talk to me so we can ramble all about how the show is all about home and alienation from community. please. okay anyway—

nevertheless, queer and feminist themes (which are not mutually exclusive by the way!) are still prevalent in her story, though they are not the main issue that she is struggling with. but she does struggle with it to some extent, and we see this especially during her marriage with mikio, where we see her struggle in women's domestic spaces.

on the other hand, though, she finds no trouble or discomfort in being a man or being around other men—even naked ones—and does not seem stifled by living as one, does not seem all that bothered or uncomfortable navigating through men's spaces. contrast this to something like disney's mulan (1998), where we do see mulan struggle in navigating through men's spaces, as she feels uncomfortable being around so many men, always feeling like she doesn't belong and that she's inherently different from them. mizu has no such experiences like this, as her very personality and approach to life is what can be categorised as typically "masculine". she is straightforward and blunt. her first meeting with mikio, she tells him straight to his face that he's old while frowning and raising a brow at him. she approaches problems with her muscles and fists (or swords), rather than with her words or mind. compare this with mulan, who, while well-trained by the end of the movie, still uses her sharp wits rather than brute strength. this is a typically "feminine" approach. it's also the approach akemi relies on throughout the show—through her intelligence and persuasive tongue, she navigates the brothel with ease. mizu, in contrast to someone like mulan and akemi, struggles with womanhood and femininity, and feels detached from it.

thus, in my opinion, mizu is not simply a man, nor is she simply a woman. she is both. man and woman. masculine and feminine. she has to accept both, rather than suppress one or the other. her name means water. fluid.

as a side note, while i do believe mizu is nonbinary, i also primarily use she/her pronouns for her, but this is a personal preference. i find it's easier to use in fanfic (singular they is confusing to write stories with, but again, that's just my feelings on it, and this is coming from someone who uses they/they pronouns). i also lean towards she/her because it's what the creators and all the official promotional copywriting of the show uses. and even though i am a "death to the author" enjoyer, i feel that when interpreting things that are left open-ended, it does help to look at the creators' take on things. also because, in general, being nonbinary simply doesn't necessitate the use of they/them pronouns. nonbinary is not just a third gender. it's about breaking the binary, in any which way, and that's exactly what mizu does, constantly.

also, i'd also like to mention that one of show's head of story even referred to her with the term "nonbinary", rather than simply "androgynous" (see pic below). and it's possible this could be a slip up on his part, in which he believes the terms are interchangeable (they're not btw), but regardless i find it a very interesting word choice, and one that supports my argument.

so anyway yeah that's my incredibly long rambling post.

TL;DR nonbinary mizu rights 👍🏻👍🏻👍🏻 congrats if you reached the end of this btw. also ily. unless you're a TERF in which case fuck off. ok i'm done.

[birdmenmanga]

A while ago I received a beautiful painting of Eishi in the mail from @kitsoa!! I've been meaning to post pictures of it but I so rarely have physical objects I wanted a proper photoshoot to do it justice <3

When I first saw this I was absolutely blown away by the colors. These magenta-maroon hues aren't ones I associate with urban cityscapes at all and yet it's beautiful and dreamlike. There are a lot of poignant moments of loneliness in this series and this piece really captures that feeling, in my opinion. I almost feel like crying when I look at it sometimes. Kitsoa just has a way with color I can never hope of coming close to; I often look at her artworks and think, "Ah, her brain's just wired in a fundamentally different way from mine." (NOT a lamentation btw-- I consider it a blessing that we are put on this earth to show each other pictures of that which the other could not conceive of)

I have it up on my wall with sticky tack (didn't want to put tape on the front in case it got damaged when I inevitably have to move away) and I look at it all the time. I love it so much!! Thank you!!

[lunarharp]

Very important conferences.

[murdleandmarot]

The gang’s all here!! They’re on the case!! And there’s no ghost that they wouldn’t chase!!!!!

@mysticalcats’s Foxglove, @toki-toro’s Chaumet, @emimii’s Clownaire, and my own Bluebelle :)

[theblankest123]

Ah lads it's happening again

(I've been slowly getting into TMA and i can feel the hyperfixation starting to develop)