#Movie analysis

[michaelinprogress]

I’ve seen a few people talk about the importance of the axe, but I wanted to put my take on it out there too.

Lisa watched her mom get axe murdered, and then her life was uprooted. She had nobody there for her (except taffy but she was misguided). And this person comes along, one who knows her better than anyone, and uses an axe to kill someone right in front of her.

Only this time, the axe is used to protect her. Something that destroyed her entire life is now being wielded by the one person she’s beginning to trust and feel seen and heard by.

And I don’t think it’s wrong for her to be thrilled and morbidly infatuated by this!!! Reclaiming and healing from trauma isn’t always pretty like everyone wants it to be, especially for young women and girls.

The axe becomes something to protect her and get revenge on those who hurt her. People who were supposed to be good to her, that she THOUGHT were good to her, but betrayed her.

The axe is something that she now wields.

She gets to reclaim it. She gets to trust someone again. She gets to feel loved, seen, and heard.

This movie is about reclaiming trauma as much as it is about a zombie love story!!!

[jos-has-too-many-hobbies]

One of my favorite metaphors of Glass Onion is the Mona Lisa vs the Glass Onion.

Miles is constantly comparing himself, whether directly or indirectly, to the Mona Lisa. He wants to be “forever remembered in the same breath” as her. He plays up the mystery and the complexity of the painting, the artistry, the skill and the knowledge that went into it; All traits that he wants others to see in him.

But when Miles is describing the painting, who gets the closeup shot? Not Miles, but Helen. Helen is the one who gets multiple shots throughout the movie mirroring the Mona Lisa- same pose, same unreadable expression.

Because Miles isn’t the Mona Lisa, however much he wishes he was. Miles is the Glass Onion. Something trying to look complex and layered on the outside, when in reality, the center is in plain sight. Miles isn’t some enigmatic genius, he is exactly what he appears to be at first glance: an idiotic, rich, egotistical, shithead.

He didn’t make his own puzzles, he didn’t write his own murder, he didn’t create his own art, he didn’t even come up with the idea for his company. His island is filled with things made by other people. He isn’t even the person who did the thing that will forever connect him to the Mona Lisa. The thing that will forever tie him to Helen Brand.

Helen is the one with complexity. Helen is the one surrounded by mystery. Helen is the one who’s more than meets the eye. Helen is the Mona Lisa, and the Mona Lisa destroyed herself to take down Miles Bron.

[giveamadeuschohisownmovie]

Not gonna lie, watching “Twisters” has helped me understand the appeal of those cheesy romance novels with the hot models on the covers. Because the movie felt like it was written by an author of those kinds of novels.

Think about it. The plot is about this down-on-her-luck city girl (not really city, but that’s a minor point) who is feeling lost, partly because her boyfriend died in a tragic accident. So, to help her get out of her funk, she accepts an offer from her friend to go back home in rural Oklahoma.

While there, she meets a rough-and-tough, handsome country boy who comes off as a bit arrogant at first. But then she gets to know him and learns he’s actually good at heart, humble, loves dogs, helps people in need, and is genuinely just a goofy nerd about his hobby. The country boy is also intelligent since he has a college degree, he respects the protagonist’s intelligence, and he spends the 2nd half of the movie making sure she achieves her goals. He’s basically her number one fan throughout the whole movie, telling her she’s great and that he’s in awe of her work. And then, our protagonist makes the country boy chase after her, which he happily does.

I’m like…did the screenwriters read a bunch of romance novels as their inspiration?

[an-theduckin]

"You know, I'm one sixteenth Banana leaf, and we go through a lot of struggles."

In the first episode when Argos says this, we just treat it as a joke. We just think he's being ignorant and annoying.

But what if he wasn't actually being ignorant?

In Argos deals with death episode, we find out that Argos lived with his great great grandpa and he had no other family relatives, and his grandad was a banana leaf. Now in the void ppl are usually racist to banana leafs, so maybe that's the reason his grandad didn't have a lot of friends (Quote from Argos, "It's just sad..he didn't have any friends. I'm gonna be the only one at his funeral"). And also, in the Argos birthday episode, we find out that Argos never had any friends. This might be because ppl didn't wanna be friends with him cuz his grandad is a banana leaf. Which means that this quote is actually true, he did go through a lot of struggles with loneliness throughout his childhood because he's one sixteenth banana leaf. Now he did worded it weird, like people treat him badly just cuz he's one sixteenth banana leaf and not cuz of his banana leaf grandad, but can we really blame him for it? That man has never had a friend before and the only person he talked to is like small talk with random ppl he work for and also his grandad. Me personally I think this was just him trying to be empathetic and helpful, and not realise that saying that is actually pretty annoying.

[7smiles]

The way Alex lacks emotional attachment to everything and only kissed Eric as a last hurrah + experimental thing is going to kill me. Because if he cared about Eric the way Eric cared about him, he wouldnt have gunned him down mid sentence. He wouldnt have dragged his friend into this.

Alex being a truly evil person is so fascinating to me because when you watch Zero Day, you get so much introspection to Andre and Cal's emotional capacity. Alex's emotional capacity is exempt from this film because he doesn't have any at all. He has flat affect up until he smiles when telling Eric his laid out plan for their destruction.

I see people complain about Alex not having enough substance as a character, but Gus Van Sant did such a wonderful job at showing us who exactly Alex is with SO little framing. Alex is privileged, we see this in his home, his freedom, his lax parents, his ability to afford weapons- You're told this through his piano, and the cost that comes with his piano lessons. You get all of this information in very little time and not a lot of it is explained to you, Alex's character simply doesn't require monologuing.

Despite Alex's privilege, he is still troubled at school. I do think Alex is pure evil because of how he killed Eric, but there are other things i think about when diving into Alex's character. Eric's death aside, I'd like to note that I read Alex as autistic. He's visibly easily targeted, naive, his speech patterns are not like any of the "normal" characters, he gets very upset when things dont go his way (Piano scene). He has that scene in the lunch room where he seems very overstimulated, and as i mentioned before, he has flat affect. Not only that, but Alex holds a childish naivety to him- He believes that the only way to move on from his highschool torment is to kill his peers. He does not realize that things will get better, he doesnt know that there is life beyond Highschool- We have already established that he is very well off and set up for the future. I dont think autism makes his behavior okay at all, but it explains so much and this is very applicable to real life shooters as well.

Alex doesn't care, he does things for himself. I dont think he's a narcissist, but I do think he is delusional or something similar. The only time he mentions unsettlement is when he quotes "So foul and fair a day I have not seen," but I dont think it counts- He most likely only quoted this as a jab at Macbeth being a required class text + found it ironically funny that he was causing carnage and yet it was a victory for him.

Anyway, if you got this far, thanks for reading. Alex's character is painfully human and his behaviors are so interesting to read into.

[explosivities]

When people say that Elephant is a boring movie, or that it doesn’t compare to Zero Day—which came out the same year and shares an overall concept—I get the urge to facepalm. Hard.

Because not only was that the entire point of the movie, but it also shows how a lot of people who find themselves interested in the topic of shootings, and therefore indulge in media related to them, have no interest in the lives of anyone but the perpetrators.

Zero Day is about the shooters. Zero Day is a collection of tapes explaining why two overwhelmingly privileged, white, male high-schoolers decided to commit an atrocity against the people who “wronged” them. I love Zero Day more than anything, don’t get me wrong—I make most of my content for it!

But Elephant is about victims. It’s about the way a seemingly normal day can turn tragic, just because of the choices that human beings make.

It’s about the lives that are ruined and torn apart by shootings. When you follow those characters for minutes on end—it’s supposed to be boring. Mundane. Life in that school was never anything special.

John gets a kiss on the cheek, and it’s practically nothing if you consider whats about to happen next—but at that moment, before everything falls apart: life is normal.

You can find Elephant boring, and that’s ok! Everyone has their own opinions, and I’m not gonna hate on someone just because they disliked a movie. But treating Zero Day and Elephant like they had the exact same purpose is objectively wrong.

Anyways, have a good day.

[cryptids-and-muses]

The point of Into The Spiderverse is that anyone could be Spider-Man. It was the whole point of the ending speech. And Across The Spiderverse continues this theme perfectly.

The second Miguel started talking about things you need to be Spider-Man, things you have to do, patterns you have to follow, I knew he and everyone going along with this was wrong. I understand why they think this way but they’re wrong.

That miles wasn’t supposed to be a spider at all is so perfect for this. Because when you strip back all the standards and rules it does MATTER. They’re too in their own heads about it. Anyone can be Spider-Man, they just have to rise to the occasion.

And following these rules over that is where they went wrong.

[encantobrainrot365]

Julieta Madrigal

Ok, I was inspired by a previous post to write a character analysis of Julieta.

So, the deal with Julieta is that she’s not exactly the golden child, at least not at first. It’s more like she’s the Good Girl of the family. The one that Alma doesn’t have to worry about because she’s so mature for her age. She’s quiet, humble, and kind. The one who may have been overlooked in favor of her louder and more boisterous siblings.

She can heal people with the food she makes and the love she carries for everyone in the Encanto. So therefore, no, she’s not the golden child, she’s the Caretaker.

The extra set of hands Alma needed when things were too much for her. If Alma was feeling down or depressed, or too busy, and Julieta’s siblings were anxious or upset, Julieta would take care of it. No need to bother their mother unless it’s an emergency, right?

It’s been said she was born to be a mother and that’s because she’s been mothering her family and half the town since she was five. Those are the sort of expectations she carries around.

I think that’s what allows her to relate to her older daughters and sobrinos who fill a similar role of support within the family. She’s the healer, the caretaker.

She lends a listening ear; she tries to make you smile with food and words of affirmation; she shoulders the family’s burdens; she sees their hurt and tries her best to lighten the load.

She was probably the one Alma was eager to marry off first, because she would make such a good mom and matriarch to the family, kind of like Isabela. So good for the Encanto.

But instead of marrying the perfect guy, like Isa planned to, she married the perfect guy for her, Agustin.

I also think she blames herself for Bruno leaving. He was obviously hurting and she feels she failed him because she couldn’t fix it.

That’s why she parents Mirabel the way she does. She sees a lot of her brother in her daughter and that’s why she tells Mirabel not lose her way in this family the same way her brother did.

She always tries to reassure her daughter that she is perfect, that she’s enough, just the way she is. She doesn’t have to try so hard. She showers them all, with unconditional love and affection. (Something Alma wasn’t very good at doing that much growing up.)

And as great as those things are it wasn’t always what her kids needed. She’s a caretaker, but she’s also very passive. Unlike her siblings, she’s the “unproblematic” one. “Señorita Perfecta” in that she avoids making waves and causing conflict. She tries to be a good daughter, and not give her mother a hard time. That’s what I think she has someone like Agustin for. A husband who stands by her and will firmly stand up for his family, and always support them, no matter what. And that’s exactly what he does. So yeah, I think she’s an amazing mom, and a great role model with her own flaws and problems just like everyone else.

[sketches4mysw33theart]

Dead Poets Society: Some Thoughts and Analysis

Essentially a stream of consciousness I had while rewatching the movie today. In chronological order as I was making notes!

✒️ Charlie talks so much with his eyebrows

✒️ Todd is tasked with taking minutes of the meetings, but I don't believe we ever see him actually do so (although it would have been nice if he did)

✒️ Cameron looks so much like a fisherman when he's smoking his pipe

✒️ Cameron's distaste for Charlie (and often for the rest of the boys) is evident super early on (e.g. when they walk out of Mr Keating's first class and Cameron says "do you think he'll test us on that stuff?" And, when he gets shut down, he throws a very angry look at Charlie and the poets. This happens several times, but as far as I remember we never see Cameron retaliate.) From this, while I don't like it, I understand why Cameron did what he did at the end of the movie because I think he felt undermined by the others and he was considered 'useful' and 'smart' for the school

✒️ Also, I do not accept that Cameron's name is Richard Cameron, he's pulling a Zendaya and goes by one name only

✒️ Mr Keating looks so disappointed in Charlie when saying "Thank you, Mr Dalton, you just illustrated the point"

✒️ I think Knox kissing Chris at the party, while somewhat gross, is necessary to show that Carpe Diem isn't always the right thing to do, as is Charlie putting the article in the paper  - i think maybe Chris not ending up with Knox would have hammered this home, especially because she seems perfectly happy with Chet. Of course, Chet's response to what happened at the party isn't fair, but it is definitely what I can see a teenage boy on the high school football team in the 50's doing. Don't choke on the bone, Knoxious!

✒️ Is Charlie trying to get thrown out of school? With the article in the paper stunt, he must have known how serious the repercussions would be, so maybe already he was considering getting out of school because he felt it wasn't the right path for him

✒️ "You made a liar out of me, Neil" - Mr Perry, I hate you

✒️ Did all of the poets, minus Neil and Knox, really squeeze into Keating's car?!

✒️ Neils little face when he comes out of the curtain, and how quick it falls when he sees his father - he's like a little kid showing a finger painting to a parent who insults it, he just wants his Dad to be proud of him

✒️ Mr Keating's face when Neil drives away after the play - I think he had an idea what was coming

✒️ That zoom in on Neil's face when his father's saying "more of this acting business, you can forget that"- he knew, then, that his dad would never change and what he was going to do

✒️ I want the doorknobs in the Perry house, specifically Neil's

✒️ The first time I watched this movie, I was so on edge when Neil was standing in front of the open window, thinking he was going to jump, and when he didn't I was like 'phew', and then the thing happened and my blood sugar spiked way up

✒️ Mr Perry saying 'my poor son' - i don't know, it rubs me up the wrong way, he has a name, he is not simply an extension of you

✒️ Cameron isn't there when the poets tell Todd what happened to Neil

✒️ The lingering image of Charlie with a tear down his face is so beautiful

✒️ Knox just clinging to Todd in the snow

✒️ The comparison between the deleted scene of Neil and Todd running lines by the lake when it's sunny and Todd running towards the lake screaming Neil's name 💔

✒️ Similarly, the comparison between Todd not wanting to speak at all in the meetings, and then the deleted scene where he reads a poem after Mr Perry takes Neil away

✒️ Charlie not singing during Neil's assembly

✒️ Ave means farewell in literature, and Charlie closing his eyes when it's sang is beautiful

✒️ Charlie carries on smoking when Cameron's coming into the attic meeting - he either knows it's Cameron or doesn't care who tf catches him doing anything bad anymore

✒️ I don't think Cameron ever actually 'believed' in Mr Keating, definitely not to the extent the others did - he never called him captain, for example, except when he realised everyone else in the common room was, and air quotes the word 'captain' in the attic. So, it raises the question why he went along with everyone even so?

✒️ While I do somewhat sympathise with Cameron, that is one of the most satisfying punches in movie history

✒️ I think Todd's parents weren't that different from Neil's, Todd's dad is clearly very authoritarian from the minute or so he's on screen (and the fact that Todd signs the paper) and his Mom says nothing in his defense, but the way Todd mouths 'Mom' breaks my heart

✒️ In what universe does acting = what Neil did? All those theatre kids and their evil, satanic rituals, forcing our kids away from school 🙄 I hate you, Mr Perry and Mr Nolan

✒️ Todd's the last one to stand up when Nolan walks into Keating's classroom

✒️ Mr Nolan complimenting Mr Pritchard's introduction is so ridiculously funny to me considering what Keating made them do to it

✒️ Mr Keating's smile to Todd through the door in the classroom has the same energy as "All my love to you poppet. You're going to be alright."

In conclusion, I adore this film.

Robin Williams, O Captain, My Captain 🫡❤️

[iwasbored777]

I think Branch has abandonment issues because of everything he went through and Poppy knows this.

Yes, both are true and I HAVE to talk about Poppy's behaviour in Trolls Band Together more cuz she doesn't get enough appreciation for her character development and for how much she loves her boyfriend.

At the beginning of the movie she wants him to give his brothers a second chance because she wants him to be with his family. He's not happy about it at first but later he is and she's super happy because she thinks everything is perfect just like he thought.

Until it wasn't. When they both learn at the same time that his brothers don't want to see each other again after rescuing Floyd he leaves and she realizes that this means to him way more than it means to them so she doesn't waste time arguing with them (Branch already did that) and she goes with Branch. She loves him, she doesn't need her favourite boy band to reunite anymore, her priority is making her boyfriend happy again and that can only be accomplished by saving Floyd. But when she finds Branch again he is cold because he's hurt and he doesn't want her help because he thinks that she will abandon him too just like they did. I can only imagine how much it hurt her when he said that, she thought that he believes her that she loves him because she really does. She was already betrayed by a guy she cared about in the past (remember Creek? Ugh I hate him). But instead of focusing on her feelings she's focusing on his because he needs reassurance now more than she does. She trusts Branch, she loves him, she knows he loves her and she tells him that she's with him and reminds him that they've always been there for each other.

She even put his feelings before her sister, when she had to choose. No one's saying that she would never come back to find Viva after the mission is done but she came here to help Branch and that's what she's gonna do above all.

Yes, Branch is an amazing boyfriend, and I'm so thankful that the writers made him this way. I'm not saying that he doesn't deserve the praise he gets, he really does. But I'm saying that Poppy deserves more praise in general. She's so amazing and so underrated.

[insanely-lovely-and-random]

Ohhh boy wow. Just saw Challengers and my God my bisexual brain was firing all signals. Like within the first five minutes I realised 2 things about this movie. 1 it understands that tennis is a truly boring sport and instead makes it an incredibly sweaty, sexy, compelling game to watch. 2 this movie is bi as all hell and equally in love with all 3 of these people (as was I by the end of the movie).

SPOILERS:

God I was enraptured I think this films pretty subjective and can be seen in a few different ways but I just saw it as 3 people who think their playing the same game but none of them really are. Zendayas playing to win at Tennis, when she can't do it herself she plays through her husband. Art is playing to win the woman he thinks he loves and needs.

And Patrick is the most interesting of all, is he playing because unlike those two he actually needs to out of monetary needs? Maybe but doubt it. Is he playing to win Zendaya? And willing to be her champion unlike Art? Possibly but honestly I think it's the third option. He's playing to get back Art, Art is always a presense in their relationship and he puts him before himself. For sure the unusual sexual history between them is there. The strong friendship turned rivalry. The sheer sexual tension (Goddamn that churro!!) But oddly enough for the guy who may seem like the disloyal asshole type of the three he is both the most honest and oddly loyal. He may sleep with Zendaya but the second she asks him to throw the match? He's furious, he's insulted and refuses. But NOT for himself but for Art. His first words are "How could you do that to Art?" To cheapen his victory, if he were to know would crush Art. Art is always at the tip of his tounge and whats happening.

When they start making out in the dorm Zendaya won't stop talking about tennis but equally whats Patrick talking about? Art. When he finds out Arts not just interested in Zendaya but is acting snakey he's proud.

And god that sauna scene?? (I mean yeah its hot but I mean the dialouge!) He asks Art if he'd miss it and he completely doesn't understand what he's really asking. He once again is talking to somone who thinks their talking about tennis but he's talking about anything but.

I knew that bloody signal was gonna come back and when they had sex in the car I was like "okay this is it, he's gonna tell Art" but the question was.. will it be to hinder him? Make him lose his cool so he loses the game..? OR will he do it to truly spur Art into a game changing rage and unlock his fighting spirit? And as the scene unfolded I belived it was the latter. And it was NOT for Zendaya because he could've easily thrown the match like she said but NO he wanted Art to win fair and square. He wanted to help him do that.

That wordless communication they share? That Zendayas just sat on the outside of not undertanding but worried? Golden. The brutal match and then that gorgeous smile. When I think Art realises what his friend has done and really why he did it. And Patricks, the sheer joy of seeing Art smile at him again. That beautiful, fly through the air and that throw of his own racket down so he can catch Art as he gloriously wins the match. Because tennis was never really what mattered to Patrick, and neither was it really to Art. And despite it being Arts victory they've really both won.

And Zendayas roar of victory from the crowd to me was almost funny. Because she won too. Her husband, her extension of her own career and self won his match with his challenge. His/her past. She also sees it as a victory even though I really won't be suprised if it's lost her both her husband and her back up career/boyfriend. And maybe she won't mind that so much because she got what she wanted. Because she was playing a different game.

Also banging soundtrack, loved it. Also this is just my view of the film and it really can be read multiple ways I'm sure, would love to hear other peoples ideas on it! What can I say I just love some bi emotional drama!

Also Im seeing it again friday so any incorrect quotes, extra thoughts or such I'll probs fix then haha

[killrisma]

Okay so I watched the Barbie movie today and just WOW! There is so much to unpack, every choice felt intentional and it was just altogether wonderful. But one thing I wanted to touch on was Allan and how I think he represented growing up queer, especially for trans & non-binary youth.

Allan was always out of place and uncomfortable in every scene he was in, he didn’t fit in with the Kens or the Barbies, he was just Allan. Allan was the only Allan that existed, he even questions why he’s the only one in his opening scene. Another thing I noticed is that they paralleled a lot of Kens pining for Barbie back onto Allan with his longing glances and attempts to get Kens attention. He also doesn’t fit when the Kens create their whole “Kendom” patriarchy. Even though he should be benefiting from it, he’s not, because even though he’s not Barbie, he’s also not Ken.

[intersexcat-tboy]

"there is still time"

Written in chalk.

Chalk, impermanent and fleeting. Crumbling away. Vulnerable to being washed away by rain or trampled underfoot

Easily overlooked, childhood innocence

[emptyjunior]

Can we talk about how much style the first men in black had, like this was Cinematography. The greens and oranges, the blues and that pleasing hazy filter over everything.

It wasn't just like a blockbuster, and it didn't have that CGI cleaness. There was a purposeful look here, it was an unwinding, fast paced, well written conspiracy detective flick.

Like the state troopers at the start with their little uniforms getting covered in goo, the classic UFO crashing on a farm with a cow. It was acknowleding the genre of kooky alien invasion films and then world-building off of it.

It just had such a Clear premise and was able to pull it off so flawlessly cause it knew exactly what it was! And I understand why it was so popular cause it makes you want to be a part of that world, the suits, the glasses, the eye-candy weapons. It all just looks so tactile and fun,., But SO GROUNDED, it's a completely approachable film

Like not to get High Art Film Snobby😭 but can you see it, can you see the difference. It's the same place, same concept but there is such a specific signature here that has just been Stripped away

[skylightangels]

rewatched interstellar tonight and. humanity is saved not because we allow ourselves to be emotionally distant and rational and logical and care for the greater good, humanity is saved because of love. because one guy loved his daughter enough to communicate with her over space and time and she loved him enough to understand. the idea that there is a future humanity out there that is looking back at us and saying I love you. I love you enough to bend a dimension you do not yet understand to save you. Everything is about love.

[victoriadallonfan]

Lets Talk: The Predator Franchise

About two months ago, I put my thoughts into my feelings on the Alien Franchise, and why I felt that they've been faltering so much.

It felt only fitting that I do the same for the Predator franchise, but I ran into a very curious thing... there's only one bad Predator movie.

A shocking statement, I know, but I'm not counting the AVP movie series (that's it's own separate thing). The Predator (film) is easily the only bad film in the entire series, but I'll get to that later.

First things first: lets talk about Predator (1987).

It's an all time classic, a great deconstruction of the 80's action film, with insanely quotable dialogue and memorable characters - not just the Predator itself, but all the human characters are easily recognizable.

Unlike the Alien (1979) and Aliens (1986), Predator is not predominantly a horror film, nor is it emphasizing a tough topic such as sexual assault. It does HAVE horror aspects (the first time they find the skinned corpses is intensely unnerving, especially when they realize that this group of marines apparently lost all self-control and fired in all directions), and it does touch a bit on how the US government is using its own soldiers as cannon fodder to destabilize third-world countries.

But it's not really built to scare the viewer so much as to present a simple idea: what if these action heroes met a bigger, stronger, more advanced version of themselves? And the result is a near total party wipe.

Watching the original film, you realize that the Predator is depicted as incredibly unfair. The majority of its kills are it sniping someone from afar, rushing them when they aren't even looking (while cloaked), and doing a combination of the above. It would have killed Arnold while his back was turned, if the net trap hadn't been set in place.

Hell, it even kills a wounded soldier that Arnold is carrying, after Billy's "last stand" (that lasted mere moments at best, implying the Predator didn't give him the time of day).

(Also, speaking of Billy... he's psychic? Apparently?)

But yeah, the Predator depicted is not the honor clad warrior that some fans may stan (and some writers believe) but more like the equivalent of Counter-Strike hacker. The fact that it takes Arnold untold amounts of traps, ingenuity, and willpower for the Predator to finally face him man to man, no tech, no weapons is meant to be a testament to how impressive Arnold is.

Likewise, the Predator decides to blow himself the fuck up while cackling manically like a supervillain as he tries to finally kill Dutch, also opens him to showing that as alien as it is, it's remarkably human. A spite filled asshole of a human, but humanish nonetheless (amplified by him copying human speech on prior occasions).

It's a really great film about how alien life, if more advanced than our own, might see us as lesser people or outright livestock to hunt (keep a pin in that).

Predator 2 (1990) is often divided amongst fans.

Some hate the fact that it takes place in the "modern day" LA, instead of sticking to the blazing heat of the jungle (as the lore of the first movie implies that the Predator or a Predator visits at the hottest time of the season to create the local bogeyman figure), but this film does a fine job justifying the LA heatwave and honestly... the idea of keeping the Predator to one type of biome is pretty limiting. So I don't mind that.

As one can tell already, I don't think this movie is bad. As good as the first? No, it rehashes a bit too much for that. But it's still a fun and good movie.

And, notably, scarier.

But for context, Predator 2 is set in the far future of... uh, 1997 LA, where there has been open warfare between the LAPD and the Jamaican and Colombian Cartels. Like, not drug busts or stings, but actual warfare with armies of gangs and shit.

The late 80's and early 90's loved to depict LA as a dystopian hellscape where "law and order" was the only defense from total anarchy (as anyone who has ever lived in LA can tell you, racial tensions, especially between the public and police have not been good to say the least).

This entire setup is like a D.A.R.E nightmare or wet dream depending on who's asking.

(Also the Jamaican drug leader, King Willy, might also be psychic? This is the last time it's brought up, but man, I sort of wish we could see future plot lines where people are randomly psychic in these films.)

Anyways, the situation is certainly perfect for this Predator (named City Hunter to differentiate between Jungle Hunter), who takes to the city with a gusto. The difference in how the Predator is portrayed is fascinating, because the bare bones remain the same: he hunts people who are deemed as sport with alien technology.

Fitting with the ultra-violent theme of this film however, this Predator feels like a legitimately horror movie monster. Unlike the Jungle Hunter, City Hunter doesn't prefer to attack from afar, but rather ripping and tearing in close quarters combat, and when he does use ranged weaponry, it's stuff like spears, bladed discs, and nets that shred people into bloody messes.

And he's 110% a bigger asshole that Jungle Hunter: when the City Hunter decides to focus on our lead man, Danny Glover, he doesn't just hunt the man but psychologically torture him. He murders his partner - who is probably the least threatening human in the entire series - just so he can taunt Glover with his necklace at his own grave. He then copies the innocent words of a child just so he can use it as a creepy catchphrase when he decides to hunt Glover's other partners.

The iconic subway massacre perfectly exemplifies both aspects of the City Hunter. He interrupts a massive stand-off between armed civilians, gang members, and the police, just wading in and killing everyone indiscriminately as people frantically scream and claw over each other trying to escape.

(Speaking of, this film does have a LOT of fun having the Predator on modern sets. The above subway scene, City Hunter investigating a meat locker, and him performing emergency surgery in an apartment bathroom are all really cool).

Also, for being so divisive, this film creates a lot of Predator lore: the Predator won't kill (unarmed) children, he won't kill pregnant women, and he WILL kill the elderly if they are packing heat.

And this includes the trophy wall (with xenomorph skull - actually funny because we never see a Predator collect a xenomorph skull in the AVP films) and that the Predator tribe will honor and respect those who defeat their kind with a reward.

It does include that the government is aware of the Predator existence and tries to capture them, but this won't be a major plot line again until The Predator (2018) though it gets some tongue in cheek reference in Predators (2010).

Anyways solid film, lots of cheesey scenes and very tropey stuff that hasn't aged well (or aged in a way that makes it amusing). It's also that last movie that actually tries to be true horror, in my opinion. The rest of the films stick to Action with Gore, but Predator 2 is truly the last film where you feel like this was written to be a horror film.

Also, this film will be the last to really play into the world as being an overly dramatic action movie earth. It's all realism from here.

And then the film franchise will go quiet until 2004 and 2008 for the AVP films (that I won't cover here).

Finally, we get to Predators (2010), and obvious title call back to Aliens (1986) and I have to say, a pretty good trio of ideas: The human targets are actually kidnapped and dropped on a safari planet, there are multiple Predators with their own unique designs and gimmicks, and there is a internal war between the Bad Bloods (aka the Predators who break the "honor code") and the 'normal' Predator clans.

(It should be noted that Bad Bloods have been a thing for years in comics and books, but not really in the mainstream until this film introduced it to movie audiences)

I have to say, despite having a fondness for the film and loving the new ideas, this film is not as enjoyable as Predator or Predator 2. It unfortunately suffers from what I call 2010ism, where there's a lot of CGI blood/gore, a lot of lighting/shadows aren't natural in a horror sense, and the dialogue isn't memorable because it wanted to ditch the action movie dialogue.

The last part isn't necessarily too bad, and it even works with how Adrian Brody is portrayed as a cynical asshole who is purposely meant to be the opposite of Arnold in every way. But the most memorable dialogue is definitely from Walter Goggins (including his highly disturbing "bitch raping time" speech).

Also, it really wastes Topher Grace, Laurence Fishbourne, and Danny Trejo, along with the whole idea of a gang of multinational killers/soldiers/enforcers forced to work together. Not nearly enough time is given to them to bond as a team and have a moment where they show off how cool they are like Predator and Predator 2 did.

Coupled with the safari world being just... a jungle, it feels like a lot of good ideas with "safe" execution.

I don't mean to rag on the film, it's still very fun, and a lot of that is due to the Bad Bloods.

The idea of a particular group of Predators being so evil that they are even warring with their (smaller) counterparts is a great idea, imo, and these Bad Bloods are memorable for their gimmicks.

You had one who used drones as "falcons" to scan and scout out large tracks of terrain, another who employed alien "hounds" to harass humans like a fox hunt, and the leader who had a rapid-fire plasma caster that was overpowered as hell. They also employed other tech like alien bear traps, net traps, and voice decoys.

This movie definitely had the most advanced Predator tech seen on film at the time, making the Jungle Hunter and City Hunter look low tech by comparison, and I think also served to try and force the idea of the Bad Bloods being really "unfair" compared to others.

And of course, we get our first Predator vs Predator fight, which was suitably graphic and badass. Also, I liked that one Predator died by a human pulling a suicide vest attack. Idk, I thought it was pretty ironic considering that's what predators do when they are about to lose, and thought it was neat.

Ultimately, there isn't much else to say about Predators (2010), even though the film ends on a cliffhanger with more people (and aliens) being dropped on the planet. I enjoyed it, it had a lot of cool ideas, cool tech, and cool lore... but if the prior films could be compared to novels, this one felt more like a guidebook.

And now... eight years pass and we get The Predator (2018)

Where do I begin with this movie.

I guess I start with the obvious: it's bad. It's a genuinely awful movie with few redeeming qualities. I'd say it's on the tier of Alien: Resurrection, except this movie is actually offensive because of autism ableism (turns out that autism is actually the next step of human evolution and makes you naturally predisposed to using Predator technology).

And don't get me started on the sex offender controversy.

Sorry, I'm getting ahead of myself. It's just that this movie... jesus christ, I rewatched it for this post, and it feels like a fever dream.

The Predator (2018) ultimately, is a film that looked at everything that came before it and said, "What if we did it all on a grander scale? And make it bad?" The plot is that a Predator is being hunted by an even larger, more powerful Predator, because it plans on harvesting humanity. You see, in this movie, some Predators use the genes of animals they hunt to improve themselves. The Super Predator as he is called, is a massive 10 foot tall monster that has turned his body into a super weapon, with technology built directly into his biology.

The Good Predator arrives on Earth to warn humanity and deliver a "Predator Killer" suit of Iron Man armor that will help humanity defend the Earth from the oncoming invasion force. The Super Predator wants humanity harvested because... autism makes them super geniuses.... and he declares that a 12 year old boy with autism to be the greatest Predator he's ever met... just because he has autism...

Look, I don't know how the fuck I'm supposed to describe the plot of this movie. It's just bad. It's stupid. At one point they turn a Predator hound good by giving it a bullet lobotomy.

It feels like this movie hates everyone. It hates the Predators, literally killing off the Good Predator not even halfway through the film. It hates the cast, because all of them are forgettable except for Olivia Munn and Super Predator, and it kills the mystique of the Predators because it has Super Predator monologue like an actual supervillain.

The dialogue is genuinely awful, the actors have no chemistry, and the comedy (oh yes, this film acts like a comedy on several occasions) is the definition of cringe. I would call it "ChatGPT writes Predator" but honestly, ChatGPT could do it better.

Let it be known that my words do not do how awful this movie is justice. You can only understand how bad it is by watching it, but it's absolutely NOT worth the time.

Is there anything good about this movie? Besides the Holiday Special on home release?

The effects are pretty good. We see a lot of high tech Predator stuff and that's always cool. I think this had the highest budget of any of the films and it shows.

There's an action set-piece where Good Predator escapes from a government facility and uses an M4-Assault Rifle which is badass. One of the best action scenes in the movie and a neat tie-back to the government investigating them.

The Super Predator is a cool concept and I actually enjoyed him for a large part of the film. I liked that he could just pick up a human like a toy and gut him like a fish before tossing him aside. I love the idea of a Predator that isn't a hunter, but rather a soldier sent in to fuck shit up, showing off the different tech. Really gives the impression that their society has different roles and tech for Predators beyond hunting.

I wish they gave him a helmet and didn't let him monologue like a supervillain.

And that's it. That's the good stuff. Nothing else matters. It says a lot that I don't think Super Predator or the autism plot has been accepted into lore in comics or books.

It's even been argued that this film was deemed non-canon because of how abysmal the reception was.

Suffice to say, after this awful film, fans were pretty low spirit. Which made it all the more surprising when Prey (2022) was released 4 years later.

There was a lot of drama about this film: the franchise is dead, why is the film so woke for including woman and minorities, how can any human expect to beat a Predator with a bow?

This drama is stupid and should rightfully be mocked.

Prey (2022) was a breath of fresh air for the franchise and I'd argue the best film in terms of quality.

It quite literally goes back to the roots of the series and does something that really elevated the film: it made the Predator symbolise something!

This film takes place in the 18th century on the Great Plains, following Naru the Commanche healer who dreams of being a hunter. Meanwhile, a young Predator - known as the Feral Predator for his aggression - is dropped on the planet for his first ever hunt.

Obviously, you can see the parallels between the two as Naru learns to use tricks and tools to handle her weaknesses, while Feral uses brute-force and high tech equipment to slaughter the animals and humans of the planet. The Bear hunt scene, where Naru is forced to flee from a bear and helplessly watch Feral kill the creature with it's bare hands (haha), thus condemning her in his eyes as not a threat is perfect character foil.

Also, he's such a piece of shit, cheating the moment he feels like his prey has the better of him. But in a good way that makes sense for his character.

But on the grander scale, the Predator represents colonialism. A secondary antagonist of the film are the French fur trappers, who have been skinning wild buffalo and depriving the commanche of their food source, openly compared to the Predator skinning animals/humans for trophies instead of resources.

It's actually a lesson Naru has to learn from her brother and mother, that to become a true hunter is about doing so to support a community, not just for ego and idolization.

Its no accident that the Fur Trapper leader dies when Naru sabotages his gun and Feral dies when Naru does the same to his gun as well, with both of them trapped and crippled without any means of escaping their demise.

This film finally moves to make the Predators feel like evil villains who are supremely selfish, much like the first 2 films emphasized (and the third film did to a lesser extent).

But talk of how amazing Naru is as a protagonist and how great the Feral predator is as an antagonist, the film is just good. The cinematography is gorgeous, the actors are great, the Predator effects and costume are terrifying, and lore wise, it does a lot to show that the Predator society is not stagnant.

They evolve over the years and it shows.

And my god are the action scenes incredible. The Predator vs Fur Trapper fight is probably one of the most iconic scenes in the entire franchise now, and for good reason.

Or Naru's knife fight massacre

All in all, this film really shows that the Predator films can be more that action films and... whatever the fuck The Predator (2018) was trying to be.

These films can be used to explore the history of humanity and symbolize concepts that deal with oppression, bigotry, and dehumanization.

The title of Prey - the focus on making the protagonists human - versus the Predator title is incredibly fitting.

While a sequel is left up in the air, we do have confirmation that a new standalone film - titled merely Badlands - is set to come out soon.

I can only hope they learned the right lessons from Prey and we can leave the horrid past of The Predator (2018) behind us for good.