#Moral complexity in fantasy

[joncronshawauthor]

Redefining the Dark: Brent Weeks' Groundbreaking Impact on Fantasy

From the sun-kissed lands of Tolkien’s Middle Earth to the frostbitten realms of Martin’s Westeros, we thought we’d seen it all in fantasy. Ah, bless our naïve little socks. Little did we know, the genre was primed to be knocked squarely on its ethereal arse by an unassuming bloke named Brent Weeks and his seminal novel, “The Way of Shadows.” In the dimly-lit world of fantasy, where elves…

[zevranunderstander]

i dont think i will ever be over dragon age 2. like. bioware made an epic fantasy story about a chosen one having to save a country and stop the apocalypse and then they made the second installment of the series be about the sociopolitical climate in ONE city through the lens of a family of refugees fleeing from the war of the first game and just. made it about political tensions and class dynamics and the influences of living in a church-mandated state and the growing tension over an occupied piece of the city and political killings and interpersonal conflict and power and its story is ENTIRELY character-driven. it has easily the most iconic set of companion characters. the premise of living through a story told over the course of ten years and knowing from the start that something really bad will happen in the end was so fresh and exciting. the fact that the acts really built on top of each other andhow much the city changed over time. and the game was so mature in terms of the topic of fighting against oppression in so many ways (im usually generous and say that the short development time left some things a bit wanting), and as much as some people say that the game treats mages and templars as being equally bad, i don't think that that is actually true about the game and it very earnestly tries to grapple with some pretty complex political dynamics.

and then the game completely flopped financially and was almost universally hated for its queer themes and its sympathy for "terrorism" and a lot of the things that stemmed from basically having no production time at all and then the studio just made another epic fantasy story about a chosen one that has to save the world from the apocalypse

[fromtheseventhhell]

Very funny to me how Stansas present her character as being so interesting and complex because of her vulnerabilities, while simultaneously ignoring those same vulnerabilities in other characters. Dany is sold as a bridal slave and lacks agency throughout AGOT and after. Her dragons are either too young/small to utilize effectively or locked away for the majority of the story. They aren't some all-powerful trump card that protects her from harm. Arya is captured as a prisoner of war, forced to watch countless people tortured and murdered, and then essentially enslaved in Harrenhal with no way to fight back. She has an entire arc of feeling powerless, of being a "mouse", during ACOK. She doesn't have "kung-fu" or the ability to magically fight her way out of every situation, she's a young child lacking physical strength with only the most basic sword training.

Sansa isn't the only female character, she isn't the only young character, she isn't the only character who suffered, and no one is obligated to prioritize her. I'm so tired of Dany and Arya being mischaracterized and having their stories erased to prop Sansa up. "Sansa has kept her dignity" In other words, let's praise her for having a level of security that Dany and Arya don't have access to. She hasn't ever been forced to make a hard decision which of course means that she's morally superior to them. They can't even admit to themselves that her lack of action is due to her own passivity. If it doesn't fit their delusion, they erase it from the story and expect the rest of us to play along. Ask one of them what they like about her character without bringing up her being the ultimate victim, and I genuinely don't believe they'd be able to give you an answer. They belittle other characters more than they talk about her and these takes just scream insecurity/jealousy at the content and development other characters have in their POVs.

[jessread-s]

✩🕯️📜Series Review:

Core concepts

⋆ The Atlas Six - Physics

⋆ The Atlas Paradox - Psychology

⋆ The Atlas Complex - Philosophy

“The Atlas” series is so much more than dark academia or romance. This series studies what happens to human beings when they are promised access to infinite knowledge and power. It is about how quickly we turn on each other and abandon our own morals to gain. said knowledge and power. Each installment blew me away as I watched Blake’s six protagonists gradually find and/or destroy themselves. My mind was continuously expanded by her prose and it made me question my every decision. It’s a soul crushing read, but perhaps also a necessary one.

Cross-posted to: Instagram | Amazon | Goodreads | StoryGraph

@torpublishinggroup @olivieblake

[throwawayasoiafaccount]

literally so done with rhaegar antis at this point. we know practically nothing about this character besides all the good things other characters say about him and the fact that robert baratheon hates him and says things about rhaegar that ned disagrees with. and robert baratheon is a pos so being hated by him only does favors for rhaegar’s character imo.

but somehow all these characters who think well of rhaegar are just lying. even though almost all of the characters who have spoken/thought well of rhaegar come from different families and have different allegiances. make it make sense. explain it to me like i’m five. what do jamie and ned have to gain by thinking positively about rhaegar? what about jorah? and barristan?

seriously. stop with the “prophecy obsessed freak” and the “rhaegar was mad” bs. none of this is supported in the books.

for 1) the prophecy is real! this is a fantasy series! and it’s very likely that jon snow (his likely son) is one of the azor ahai/prince that was promised figures! the other completely certain azor ahai figure is his own sister! so yes this prophecy seems to be centered around rhaegar’s family.

2) rhaegar being “mad” is not supported whatsoever. prophecies and magic are very real in asoiaf. so believing/trying to figure out prophecies is not an act of a madman. if anything, we should praise rhaegar for having the foresight to be actively concerned about this world ending threat! he was right. and one mention, if not the first mention, of the song of ice and fire comes from a vision in the house of the undying… from rhaegar. please remember what the title of this series is…

now, it is fair to criticize rhaegar for how he treated elia at the tourney at harrenhall. he was wrong there and that was a terrible thing to do to elia. however, saying that rhaegar was awful to elia throughout their whole marriage is not supported. and saying that rhaegar was awful to his children is not supported at all.

also, getting angry at a fictional character for needing a son to secure the succession to the throne is hilarious, especially since it was necessary for not just rhaegar, but also for elia to secure their own positions at court. they both needed a male heir, but elia needed to have a son more than rhaegar to secure her position. so why are people so mad that rhaegar and elia had aegon? andal tradition says that a son comes before a daughter and a daughter before an uncle… but aerys had viserys to threaten rhaegar with because aerys was king and had the power to change the succession. having aegon was very important for both rhaegar and elias futures and protected rhaenys position as well. just look at what happened to alys karstark when all of her male brothers were gone. she was almost usurped by her uncle. do you really think aerys would let the throne pass to a girl? aerys??

anyways, we don’t know enough about rhaegar and elias relationship to actually make any concrete statements about them, but, from danys house of the undying vision of rhaegar and (likely) elia, their relationship seemed fine and they seemed open with each other. not every marriage of duty ends in nedcat and five kids, but their marriage was clearly far from the robert and cersei nightmare.

another thing rhaegar antis love to harp about is how he is a pedophile. i’m literally so sick of it. rhaegar, someone who seemingly struggled with some form of depression, finally found some joy outside of a marriage of duty. the author himself called rhaegar a love struck prince. ned never thinks ill of rhaegar, even though if the stories robert baratheon would have us believe were true then ned would be the first character who thinks rhaegar is some sort of monster. but ned doesn’t. back to the pedo argument… anyways i have issues with the age gap as well. but i know where to lay my criticism. with george. he’s weird about ages and it pisses me off. however, i won’t let this change the way i see a character, especially since westeros doesn’t have any age of consent laws.

god just criticize george already.

but to be clear, rhaegar, a tragic character who died trying to protect his family, who’s daughter hid underneath his bed for protection, is not some monster. he was born in grief, lived in grief, found some joy, and died whispering the name of the woman he loved. that’s sad. and it’s horrible that he’s blamed for his family’s deaths even though he fought and died trying to protect them. and then robert baratheon sat on his throne and drunk and whored the realm into debt. thank you mr. boar. and good riddance. cersei slayed with this one.

now if you want to blame someone for the war and what came after, then blame aerys for his cruelty. blame brandon for his foolishness. blame robert for his warmongering. blame tywin for his monstrous actions. blame gregor and amory for their terrible violence.

stop blaming the guy who died trying to protect his loved ones.

and tbh, we literally have so little knowledge of what happened before the rebellion and after harrenhall. we just don’t know what happened between rhaegar and lyanna besides what george has told us and whatever small scraps we get in the book. we don’t know if it was a rash decision or if there was some plan in place when rhaegar and lyanna ran off. we just don’t know.

so please stop treating your headcanons like canon facts. especially when your headcanon isn’t supported anywhere in the books! it’s so tiring to see! i get it! you hate this character! whatever! but stop acting like what you’re saying is canon!

rhaegar is simply a ghost haunting the narrative. but his legacy lives on in dany and (likely) jon. and both of them are saviors fighting the good fight. and based on the descriptions we have of rhaegar, i can say that he’s likely very proud of his sister and son.

[ominous-feychild]

Hello, @ominous-feychild ! 👋✨

From the QnA tag, my eyes immediately went to Tazin the theatre kid (can relate). Can you tell me a little more about this character?

Haha, it doesn't shouldn't surprise me that you'd be interested in Tazin "the theater kid" {REDACTED}, Golden! Sorry for taking a while to get to this ask, I've been busy!

(Aka I've been stubborn about trying to get to these in order, but was stuck on Ludmila's part of another ask...)

Before I begin, I figured I should clarify: Tazin's name is pronounced "tah-zeen"! I've received some questions on this in the past and I know it's unconventional, so.

Tazin {REDACTED} | aka "Svarog"

So, to begin with! Unlike most characters, Tazin's last name will never be given within these posts, haha. Not only does he purposely hide it/his family, but it's actually spoilers! His family's name appears within the story, and I definitely don't want to expose him early, haha.

The reason I call him "Tazin the theater kid" is because, predictably, he's an absolute theater kid. I mean, he's never been able to do participate in theater stuff because Glavnran (but especially Kavo, the town he grows up in) is way too poor and stuck in survival mode to be able to afford stuff like that. But, still! Just one glimpse at this kid and you'd see it.

I'll give you a few glimpses of an as-of-the-moment (and will be for a while) unpublished chapter narrated by him as a treat, haha.

It wasn’t normal for someone to be in the alley, of course. The only “decent” people to ever go there would be the pasidnyy—taking a shortcut in pursuit of a villain—or a person chasing something stolen by the wind. Why would you go through an alley when it put you at risk of running into a bolyui or some punk looking for trouble? Well, Tazin was that punk. And bolyui weren’t real. They were just a scary story told to children to make them behave for adults.

(Note: bolyui are very real. The first and second chapters prove that much, and that they are utterly terrifying. He's just an arrogant kid who thinks he knows everything. /lh)

But some of {the "everyday people" on the streets} might’ve been pretenders, like him. Some of them might be out there with ominous motives—might even be working with the khonitva. Them, or the uzhar. Like him. Except, he didn’t work with the uzhar anymore. He’d seen to that.

(This kid KILLS me, istg--)

This strategy never went wrong. Nope, nuh-uh.

A genius plan, of course. He’d come up with it, after all.

Worst case scenario, if he couldn’t lose his pursuers, he could just set another building on fire. That always distracted people. A kid goes in a building, then the building burns down. Nobody ever suspected that the kid made it out—much less that the fire was meant to cover his escape.

(If that seems unrealistic, it's because it is. The cops absolutely suspect the kid survived, especially since he's pulled that exact same stunt a few times. He just thinks he's getting away with it because he hasn't noticed anything and they're too busy putting out the fires/saving others to find him in or escaping from the site.)

But Tazin’s mind wasn’t on any of his strategies. Instead, he was thinking of the letter he’d left. ‘I left the uzhar,’ it’d begun. ‘I don’t care if you want me to stay with them, I QUIT!’ Tazin had written, aggressively underlining the word “quit.” When he’d left the uzhar, he’d destroyed one of their hideouts. The recipient probably didn’t know that, but Tazin was sure that the uzhar had figured it out. That, and the message he was trying to send by doing so. Fire was Tazin’s whole ‘thing’, after all. ‘They were horrible, just like YOU, and I hate both of you!’ he’d written, once again aggressively underlining the word “you” on top of using all caps. ‘So I’m not going back,’ Tazin had written. Little did the recipient know that Tazin wouldn’t be able to go back even if he wanted to. He’d burned that bridge—almost literally—alongside their hideout. That’s why he’d done it, after all. ‘And don’t expect me to come back to you, either,” Tazin had initially finished the letter with. ‘You’re no better than them.’ But then he’d crossed the two sentences out, running the charcoal over them so it’d be impossible for the recipient to read it. As much as he wanted to hurt the recipient of his letter, he also hated the thought of it. And calling them “no better than the uzhar” would be too far. If Tazin had told them that, they might’ve finally given up on Tazin completely. Left him alone. And, as much as Tazin tried telling himself otherwise, he didn’t want to be abandoned. Not again. So, instead of that, Tazin had replaced those lines with: ‘and tell Mom I’m NOT coming back and to STOP looking for me!!!’

THIS IS ALL FROM HIS INTRO CHAPTER BTW-- 🤣

That last "bit" (read: everything about the letter) is spaced out between paragraphs of action. He's thinking about it while doing other stuff. I think it's a great intro chapter in general that pretty solidly explains his character and a lot of his business, haha.

Then again, maybe I'm just flattering myself.

ANNNNYHOW! As you can probably tell, he's an absolute drama queen with horrible attachment issues. A little under a year before the start of the story, Tazin was kicked out of his home. His family later changed their minds and tried inviting him back, but he's stubbornly refused to return, leading to him being in the position he is at the start of the Arcane Rifts.

I don't know if it's clear from the snippet (overall it's not the biggest deal but I want to clarify), but the "recipient of the letter" isn't his dad, but someone who is/was closely associated with his family.

Overall, Tazin's genuinely a fun character to write (most of the time)! He's very overdramatic; his narration is condescending toward the reader, as though he's talking to them, because he sees his own life as a story where he's the tragic hero; and whether it's ironically or played straight, lots of people seem to find him pretty funny.

Which, hey, he'd love to hear that!

(Minus the ironically part... actually tbh young!Tazin would probably lash out at you if you told him you thought he was funny. Y'know, thinking you thought he needed the validation. Whoops.)

Like Gene, Tazin starts the story young. He's only nine at first (if you couldn't tell,,,) but progresses to fifteen by the end of book 1 (there's a lot of timeskips through Important Events as the kids age up. Trust me, I'm careful with the pacing though, haha).

But, uh... that definitely colors my perception of his character a little differently than I'm sure you guys will see him. For a long while, you'll only see him as a kid, where his more negative traits (arrogance, selfishness, refusal to admit if/when he's wrong, etc) are a lot more excusable and possibly even charming. But in my head, all I see is how that stuff carries over to Adult!Tazin (because he never gets better), and I like him a lot less because of that, haha.

On a similar note, feel free to check out the songs that represent him.

A little more relevantly! If it wasn't obvious enough already (or if you haven't stumbled upon me mentioning it before), Tazin is a fire mage and healer! Otherwise known as a sech and izsech respectively in their language. Both powers typically come from their fire god (which, out-of-universe, takes a lot of inspiration from Hestia), Rholvny.

Like most mages, Tazin has an affinity for his element... which has turned more into an obsession for him if you couldn't tell. I've mentioned before that his (actual, lowkey) obsession with arson is related to a traumatic incident in his past?

Tazin is a complicated character. As much as I (hate to hate and hate to) love him, his character arcs revolve around his family / abandonment issues; the many, many problems it caused him (he used to just be a brat, but now...); and his relationship with Gene.

The two--Gene and Tazin--grow up together supporting one another because nobody else will do so for them. Tazin faces discrimination for his arson his skin tone, being Jhandan (or Fantasy!Indian) in a xenophobic country, aaaand for his deeply problematic aggression issues. Gene, on the other hand, is disabled and autistic--and you betcha Glavnran is ableist and social darwinists, too!

On Tazin's end, their relationship is/was problematic for a few reasons. One, Gene is too timid to stand up to him, leading to Tazin's worse habits never getting corrected since he can get away with them. Two, Gene becomes an enabler for Tazin's worse traits because of their history together. Aaaand, three... while Gene sees Tazin as like a brother, Tazin develops romantic feelings for him by the end of the first book.

Yeah. There's just NO end to the problems there--

But I guess those are just some of the many tragedies associated with two kids raising themselves and each other! (Despite that, they're still cute to read the interactions of whenever Tazin isn't being toxic.)

And, of course, this is all stuff I tackle (even if only through implication) within the story!

I'm sure this all is only one of the many reasons tAR won't be the most popular of my stories. 😅😭

Sorry I got a good bit into Gene there! I don't know if you can tell, but the two are practically inseparable, and their dynamic with one another majorly shapes how they turn out! (For probably obvious reasons.)

Hope you enjoyed reading! I actually cut out a LOT of possible snippets for the sake of (nonexistent) brevity, haha. Feel free to reblog and/or tell me what you think! PS: I think I'm probably going to change Tazin's title to "the dramatic". Thoughts?

Tag list: @honeybewrites @the-golden-comet @illarian-rambling @ashirisu @urnumber1star

@the-letterbox-archives @48lexr @aalinaaaaaa

Divider by @cafekitsune

[nellasbookplanet]

I'm currently slowly working my way through the Animorphs books (just finished The Andalite Chronicles today and this goddamn tragic children's book nearly made me cry) and I'm so upset I never picked these books up as a kid, I would've adored them. But I'm also incredibly amused that one series I did imprint on as a teen was Michael Grant's Gone series, specifically for its freaky sci-fi worldbuilding and the way it portrayed kids and teens going through horrific situations and comitting horrific acts without brushing over the resulting trauma and consequences or treating it as just a 'fun adventure'. And then I find out that Grant co-wrote the Animorphs books and is married to Katherine Applegate. Yeah, I can see that.

[lucyshypemaster]

I've been seeing a lot of max hastings stans lately saying that he's an "interesting" character despite his actions so I'll bring here exactly what I posted on twitter.

[llycaons]

I do appreciate how quickly things happen tho. like xff is betrayed, almost dies, is taken in, taken on jl's identity, escapes zhennv, gets herself welcomed back by society, navigates various social hijinks and schemes, gets herself into a school, enters and nearly completes a competition, gets into a weird relationship with a member of the gentry who is maybe using her? and establishes herself as a Person To Know, all within 10 episodes. they're dense, but stuff happens and I really am enjoying the characters and themes and relationships and costumes and set designs

[joncronshawauthor]

The Impact of Gene Wolfe's "The Book of the New Sun" on Fantasy Literature

When pondering the vast, often impenetrable wilderness of fantasy literature, one cannot help but stumble upon Gene Wolfe‘s monumental series, “The Book of the New Sun.” Often hailed as a masterpiece for its intricate narrative and deep thematic complexity, this series has cast a long, ominous shadow over the genre. It’s the kind of series that lures you in with its promise of escapism, only to…

[oysterie]

got three hours into a book and quit god bless you were kinda boring. sorry butch lesbian mc you couldn't save it

[alliluyevas]

lord protect me from those of us whose standards for ideal media themes are apparently indistinguishable from those of a stalinist era soviet propagandist

[karmaphone]

chronically online guys will look at the kindness power fantasy that questions the morals of its own premise and be like 'if you like this you're a fascist'

[jessread-s]

✩👁️⌛️Review:

This book turned my brain into scrambled eggs and I’m honestly okay with that.

The conclusion to “The Atlas” series follows Callum, Reina, Parisa, Libby, Nico, and Tristan as they fight to survive the lethal terms of their initiation and face the consequences of limitless power.

The beginning of the “Atlas Complex” is so slow I nearly gave up on it, but if you find yourself in the same position, do NOT do it! Blake intentionally takes her time leading up to the novel’s explosive ending so as to focus on how the characters develop when they are given endless knowledge and power. I was gripped by each character’s point-of-view as they become corrupted by Atlas’ promise of making their wildest dreams come true—the cost of which was losing themselves and even then that proved to not be enough, a realization that came too late. Gone are the people they once were in “The Atlas Six”. Callum is consumed by obsession, Reina devotes herself to things she cannot control, Parisa sheds her vanity, Libby loses her moral compass, Nico becomes too trusting, and Tristan wants for too much. Their fates were sealed once the Society, the Archives, and the Forum became a part of their lives and this just goes to show that human beings will do anything to achieve greatness, even if that means compromising their goodness. Blake’s commentary is haunting and will make you reflect on your own choices and question what you would do and who you would betray for glory. The final chapters are an emotional overload as each character is confronted by the repercussions of their actions. It’s utter chaos…just as it should be. There was never going to be a “happily ever after”.

Cross-posted to: Instagram | Amazon | Goodreads | StoryGraph

[bee-ina-boat]

person who has done terrible unspeakable crimes and ruined lives and doesnt feel guilt for any of it and they would do it again in a heartbeat and their morals are fucked in real life: ew die please

person who has done terrible unspeakable crimes and ruined lives and doesnt feel guilt for any of it and they would do it again in a heartbeat and their morals are fucked but fictional: 💘💝💟❣💕💞💓💗💖💗💞❣❣💝💘❣💞💗💖💗💞💕❣❣💌💌💝💘❣💞💖💖💌💓💕❣💝💘❤

[the-henry-cavillian]

The Perfect Fit: Iconic Roles That Henry Cavill Was Born To Play

Henry Cavill has proven himself as a versatile actor, demonstrating charisma, physicality, and depth in his performances. In this article, we explore some iconic roles that would be a perfect fit for Cavill's talents, showcasing his ability to bring beloved characters to life with his unique presence and skill.

I. The Suave Super Spy:

Henry Cavill possesses the suave charm and physicality required to step into the shoes of a classic super spy. Whether it's James Bond or another iconic secret agent, Cavill's sophisticated demeanor and action prowess make him a natural fit for a role that demands equal parts charisma and intensity.

II. The Intrepid Adventurer:

With his rugged good looks and commanding presence, Henry Cavill would excel in a role that embodies the spirit of a fearless adventurer. Whether it's Indiana Jones or another legendary explorer, Cavill's ability to blend physicality with emotional depth would make him a captivating lead in a thrilling, globe-trotting escapade.

III. The Heroic Knight:

Henry Cavill's chiseled physique and regal aura make him an ideal candidate for a heroic knight or warrior. Whether it's a legendary character from mythology or a beloved figure from fantasy literature, Cavill's ability to convey strength, honor, and determination would bring such iconic roles to life with authenticity and gravitas.

IV. The Complex Antihero:

Henry Cavill has demonstrated his talent for playing complex characters with shades of gray. An iconic antihero, such as Batman or a morally conflicted protagonist, would provide Cavill the opportunity to showcase his acting range and delve into the depths of a character's psyche, creating a captivating portrayal that challenges traditional notions of heroism.