#Meleto
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bocadosdefilosofia · 2 years ago
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«SÓCRATES: Y el arte de la mayéutica, ¿no nos está diciendo que todo esto ha nacido como algo vano y que no vale la pena nuestro cuidado?
TEETETO: Sí, sin duda.
SÓCRATES: Pues bien, Teeteto, si después de esto intentas quedar encinto de otras cosas, si logras hacerlo, estarás lleno de cosas mejores gracias al examen que hemos llevado a cabo ahora; si quedas estéril, serás menos pesado y más amable para los que se relacionan contigo, pues con sensatez no creerás saber lo que no sabes. Tanto —y nada más— es lo único que mi arte puede hacer, y no sé nada de lo que los demás —cuantos son y han sido hombres grandes y admirables— saben. Pero este arte de dar a luz lo recibimos en suerte mi madre y yo de un dios; ella lo pone en práctica entre las mujeres; yo, en cambio, entre los  jóvenes que revelan nobleza y son meritorios. Y bien, ahora debo comparecer ante el Pórtico del Rey para hacer frente a la acusación que Meleto ha presentado contra mí. Sin embargo, mañana temprano, Teodoro, regresaremos de nuevo aquí».
Platón: Teeteto. Editorial Losada, pág. 247. Buenos Aires, 2006.
TGO
@bocadosdefilosofia
@dias-de-la-ira-1
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mayolfederico · 4 months ago
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Una strage ~ 4. I Tedeschi: Alarmkompanie o corpi speciali?
    Dobbiamo a Carlo Gentile la probabile individuazione delle truppe responsabili delle stragi di Civitella e di Cavriglia. Secondo lo storico, consulente prima della procura militare di Dortmund e poi di quella di La Spezia che istruì il processo per i fatti di Civitella della Chiana, nel periodo a cavallo di giugno e luglio, ci troviamo di fronte ad un ampio ed unico complesso di operazioni…
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izvletchenie · 11 months ago
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“Meletos, Son of Laros, Athenian, orator. This man, together with Anytos, indicted Socrates. There are also tragedies which are his work. He was stoned [to death] by the Athenians. And he lived at the time of Zeno of Elea and Empedokles. This man wrote about existence. He was also a political opponent of Perikles; and as general in charge of the Samians he fought a sea-battle against Sophokles the tragic poet, in the 84th Olympiad.”
Suda
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jd-arts319 · 2 years ago
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Vampire!Au Wally Darling:The "Zing"
Info: from the song "Zing" from Hotel Transylvania.
It begins in a large Village called Meleto,in said village,faraway from the said area and another side,is a domain belonging to the owner of the Manor Home,Wallace Darling along with his "Family".
It is known to the Village that the Lord of the Manor is charismatic yet aloof and cold,never once smiling and only shown it to his "Family",they only appear alongside their said "Family" on a special occasion where the Night Of The Hunt begins.
Howard Pillard or Howdy known to others as the Viper Caterpillar Hunter for his known reputation to Hunt down supernatural creatures.
One of them is the known Vampire Lord,Wallace Darling.the two had been enemies since first encounter and battle, because of that they will toy with each other every chance they get whenever they crossed path.but when the Night Of The Hunt comes,it is known they take it out heavily.
But things change when on the Night Of The Hunt happens a particular maiden,had been out late due to her work and forgotten that it was the Month of the Hunt to begin, because her brother is so busy,that he hadn't known that his dear sister will soon have an encounter with the Vampire Lord.
Wallace Darling or Wally,the Vampire Lord of the Lacus Manor,had been preparing for the Hunt with Julie.but when the Night Of The Hunt begins,things change from there when after being wounded by one of Howdy's arrows,he was found by a mysterious maiden.
But this maiden appearance shook him to the core.
Why?
Because she looks exactly like his dead Love,who he lost in the Raid of Villagers from their previous Home,1000 yrs.ago and the pain was still there after losing her.
But to see her again,to see her alive-
Wally suddenly found himself taking the Maiden into his Manor and before he realized what he had done-
That Month Of The Hunt took a drastic turn when the news of the young lady and sister of the Hunter,Howdy Pillard was taken by someone and no one knew who took her.
When Howdy found out about what happened to his sister,he was filled in grief and anger.He soon changed,hunting every creature down who took his dear sister.
His adopted Sister,Ginger Graceful who he and his parents had taken in after she lost hers.she, who brought smile upon Howdy's every time he came home and the one who became his reason to be a Hunter.
But now she is gone and taken…
Everything soon turns upside down in the Meleto Village,all the while the said sister?
She was confused, scared and felt a sudden attraction to her captor after she just helped him tend his wounds.she doesn't how to feel about everything now,she should have known about the Night Of The Hunt and should have come home earlier from her work.
Wally cursing himself internally,he should have done that and yet-
He couldn't just leave-
Knowing that his dead love was here, standing in front of him-
Even though it wasn't the same yet-
He could feel an odd connection to her…
…and she felt that too…
________________________
Psst! @nonomives
Vampire! Wally Au: Zing (c) me
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oldsardens · 9 months ago
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Norbert Tadeusz - Meleto. 1987
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chouncazzodicasino · 4 months ago
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Ciao! ho visto un posto della principersa con delle carte bellissime tu le conosci? eccolo: https://www.tumblr.com/principersadanimo/757336419480027136?source=share
Bellissime, sono entrambe di Borastapeter, un marchio svedese.
Quella nella prima foto si chiama Ingrid Marie ed è stupenda a fondo blu scuro, sembra di camminare in un meleto, nella seconda e nella terza foto Dahlia Garden una "rivisitazione" scandinava dei fioroni alla Morris, secondo me. Molto belle!
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@principersadanimo :)
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daimonclub · 1 year ago
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Daimon origin and meanings
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Daimon origin and meanings Daimon origin and meanings, character and destiny, the history of etymology and evolution of the concept, from the ancient Greece of Socrates and Plato to Hillman's psychology and Brown's methodology. "... We refuse to establish a principled opposition between the two sets of etiological factors (constitutional and accidental), but admit that they always act together in the production of the observed effect. Daimon kai tuke (natural heritage and fate) decide the fate of a man; rarely, if ever, a single one of these forces." Sigmund Freud (1912): Dynamics of translation. Perhaps he could have chosen in the best way, but his Daimon was not so reliable, moreover Dada doubted everything, and for this reason he almost never knew how to make the most appropriate choice, however he enjoyed trying, not without a certain nostalgic and melancholic suffering. Carl William Brown Of the celestial stars I will invoke the sacred splendor with voices conforming to the rite, calling the demons holy. Orphic hymns, Scent of the stars-aromas Ethos anthropoi daimon. (Character is destiny.) Heraclitus Character is destiny, that is, our life is closely linked to our behavior and vice versa. Carl William Brown The daimon that forces us, with need, to take the way: the little individual god, the Shiva within. Carl Gustave Jung The soul always metaphorizes. Plotinus A demon from ancient Greek δαίμων, trasl. dáimōn, "divine being" is a being who stands halfway between what is divine and what is human. In religious culture it acts as an obstacle between these two dimensions, in Greek philosophy, it acts as an intermediary between man and the divine. According to Welcker, the term daimon is one of the oldest principles of Greek philosophy.
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The Daimon that forces us In Hesiod, who lived between the eighth and seventh centuries BC, the demon is the post-mortem state assumed by the beings of the first golden generation: "Then, after the earth this race had covered, they are, by the will of the great Zeus, propitious demons, who are on earth, guardians of mortals, and observing the judgments of justice and wicked deeds, clothed in foggy air, everywhere prowling the earth, dispensers of riches: this royal privilege they possess." Hesiod Then the first generation, the aura living at the time of Cronus, disappeared overwhelmed by sleep, Zeus then transformed them into demons, "guardians of mortals", protectors of mankind. In the Orphic religion the demon is the very essence of the soul, imprisoned in the body for a guilt committed and from which it tries to free itself. Heraclitus (fifth century BC) speaks of it as a destiny linked to nature: "The character of a man is his daimon". Socrates Socrates refers to a dàimon or "divine guide" who often assists him in his every decision. It would be a sort of "moral conscience" that is progressively revealed as a form of divine delirium and inspiration, a voice identifiable as the authentic nature of the human soul, its rediscovered self-awareness. According to Plato's testimony, the daimon of which Socrates speaks consists in fact of a divine presence, similar to a tutelary genius, which is felt in him through signs to stimulate his reason to execute the most suitable choice, but not so much to induce him to perform certain actions, but rather to divert him: "There is within me I know nothing but divine and demonic spirit; the one of which even Meleto, joking about it, wrote in the indictment. And it is like a voice that I have had inside since I was a child; which, whenever it makes me heard, always dissuades me from something I am about to do, and never makes me proposals." Apology of Socrates, 31 d Through the daimon Socrates thus manages to express the highest degree of his typical irony even in the religious dimension.
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Eros is a great Daimon The interpreters were for the most part very disconcerted and gave the Socratic daimonion very disparate exegesis. Someone believed they could cut the question in the trunk, putting entirely into account the Socratic irony and its inventiveness the whole thing of the daimonion; others have understood this very peculiar Socratic experience in a psychiatric key, so to speak, that is, as a fact of a psychopathic nature; others, more moderately, have reduced it to the voice of conscience, or to the feeling of the convenient, or to the feeling that pervades genius; And the examples could be multiplied, up to modern interpretations in a psychoanalytic key or inspired by psychoanalysis. In truth, these are scholars who do not believe in the religious fact and resolve and dissolve it in a positivistic or rationalistic or psychological or psychoanalytic way and who, consequently, irreparably misrepresent what is peculiar in the experience of the Socratic daimonion. First of all, it should be noted that daimonion is a neutral, and that therefore (and on this the interpreters of positivistic or rationalistic extraction have reason to insist) does not indicate a demon-person, that is, a personal being (a kind of angel or genius), but a fact or event or divine phenomenon: in fact never, neither in Plato nor in Xenophon, The daimonion is called "Demon", but it is called "sign" and "divine voice". Having clarified this, however, it is immediately to be noted the following: a) expressly Socrates, in Plato's Apology, connects the "divine sign" with the demons, explaining that, to the extent that he believes in "demonic things", he believes in the demons and therefore in the Gods, from which the demons derive b) moreover, just as expressly, he connects him with God himself, saying without the possibility of equivocation that the sign and the voice he heard within himself were a sign of God and the voice of God. Now, all Greekness has considered demons intermediaries between gods and men and it is highly probable, not to say certain, that this was also the belief of Socrates. For the Greek, it was not easy to think of an immediate contact or relationship of God with man, and the pluralistic conception of the divine, which, as we have seen, even shared Socrates, led in itself to think about the relationship between God and man through the intermediary of demons. The "divine sign" therefore had to come to Socrates through a demon, however he avoided this word and it is not correct (as many do) to translate certainly daimonion with demon, because, in doing so, it makes explicit what Socrates deliberately left in the indeterminate: he, in fact, preferred to stick to what he felt in himself and to qualify this phenomenon as divine, without deepening the way in which it took place and for what mediation. Continuing our analysis we must conclude that the real meaning of the "daimon" for Socrates has been variously interpreted: with this term, according to Paolo De Bernardi, he seemed to indicate the authentic nature of the human soul, its newfound self-awareness. While for Gregory Vlastos the dáimon sent its signs in order to stimulate the reason of Socrates to make the most suitable choice. Giovanni Reale following Vlastos believes that the dáimon in Socrates expressed the highest degree of Socratic irony also in the religious dimension. However, the authors agree that in the Socratic conception the element of interiority referred to eudemonia was prevalent, that is, happiness, inner serenity was the effect of a rational behavior directed to virtue. This is the so-called ethical intellectualism of Socrates who maintained that the only possible cause of evil was ignorance of the good "I know instead that committing injustice and disobeying those who are better than us, god or man, is ugly and bad. Therefore, in the face of evils that I know to be evil, I will not fear and I will never flee those that I do not know if they are also goods." but once the good was known, it was not possible to refrain from acting morally by realizing the good that was in itself "pleasant" as it generated eudemonia, the serenity of the soul.
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Daimon is our destiny Eudaimonism "Eudemonism. Every doctrine that assumes happiness as the principle and foundation of the moral life." Nicola Abbagnano placeholder image The term Daimon also appears central to eudemonism, that is, the moral doctrine that placing the good in happiness (eudaimonia) pursues it as a natural end of human life. From eudemonism must be distinguished hedonism which proposes as the end of human action the "attainment of immediate pleasure" understood as enjoyment (as the Cyrenaic school of Aristippus thought) or as the absence of pain (according to the Epicurean conception). The term derives from the Greek  - εὐδαιμονισμός - (eudaimonismòs), from - εὐδαιμονία - (eudaimonìa), composed of good (εὖ èu) and spirit guide-fate (δαίμων dàimōn), a term also associated with "divine being", "genius", "spirit guide"' or "conscience". In a broad sense, "eudemonia" means "to be in the company of a good spirit". Emilio Lledò, professor of History of Philosophy at the Universidad Central of Barcelona, responds on the research around the good, the good existence, in Greek philosophy and explains the concept of eudaimonia, whose semantic field in Greek is wider than that of "happiness" in Italian. According to his etymology, this word refers to a conception according to which happiness depends rather on the benevolence (eu) of the daimon than on the autonomous action of man. Lledò refers here in particular to Aristotle, who after having, in Book I of the Nicomachean Ethics, put in close relationship the pursuit of good with the search for happiness and virtue, returns to another place of the same treatise (L. IX, 9, 1169 b) to refute the adage that "he who has a good daimon does not need friends". Returning to the deep meaning of the term in question and to the character related to the personal Daimon by Heraclitus and then also by Freud, I feel I am very close to Aristotle who believed that each individual was endowed with a particular vocation, a special inclination, I could add a more or less creative genius, that he called "daimon". For the undersigned, therefore, everyone has his own Daimon that must be protected, studied, deepened, researched, perfected, cultivated, and put in close relationship and communication with the most intimate, intellectual and spiritual part of our person. Let's also say that it is a symbolic and metaphorical element that characterizes us and that should push us towards good and therefore a constant improvement, or towards more problematic experiences and perhaps harmful to ourselves, which is why in this case it would be a negative Daimon, which instead of helping us to feel better, would do its best to make us feel worse. In any case, the Daimon always identifies with ourselves and is obviously not an element external to our individuality. Plato and Xenocrates In Plato the demon Eros, son of Penia and Porus, is that demonic force that allows man to rise towards the supersensible. Thus in Plato's Symposium the teaching on Eros imparted by Diotima to Socrates is narrated: "Eros is a great demon, O Socrates: for all that is demonic is intermediate between God and mortal. It has the power to interpret and bring to the gods the things that come from men and to men the things that come from the gods: of men the prayers and sacrifices, of the gods, instead, the commands and rewards of sacrifices. And standing between them, it works a completion, so that the whole is well connected with itself." Plato, Symposium 202, G-D A fundamental idea, inherent in the name itself, that Plato helped to spread is precisely that of the Daimon. "Daimonia kaina" literally means "new divine (creatures)". The daimonion spoken of in the Apology is the neutral adjective that comes from daimon (from daiomai: pantry, do in lote), a divine creature not necessarily malevolent, who presides over the fate of men, a kind of tutelary genius, a spirit that advises and directs us, and that stimulates us to reflect, without imposing its decisions on us. A daimon is contained in the word eudaimonia (happiness), which means, etymologically, something like: "a good daimon rules my destiny". The daimon is the divine creature who presides over the destiny of each one. In Er's story, the daimon does not happen to be a lot, but is the object of a choice. Freedom of choice makes virtue "without a master", unlike what happened in traditional morality, where this was the prerogative of a well-determined social figure, the aristos, or in any case of an extremely small group.
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The Socratic Daimon In another dialogue, The Symposium, Plato describes demons as messengers of the divine will and beings of contact between mortals and gods: It is thanks to the demonic element that divination and the practices of priests could have taken place, in relation to things that have to do with sacrifices, initiation rites, spells, different prophecies and magic. (202E-203A) With Xenocrates the figure of the demon taken from Plato's work is analyzed. The demons for Xenocrates are always intermediary beings between men and gods, they are more powerful than men but less than gods. Unlike the latter who are always good, among the demons there are also bad ones. When the ancient myths tell of divinities fighting each other involved in human passions they, for Xenocrates, speak of demons not gods. Demons have a prominent place both in acts of worship and in oracles. The demons finally correspond to human souls freed from bodies after death, remaining in them the conflict between good and evil, they transfer it from the Earth to the celestial world. The same theses of Xenocrates can be found in the text De deo Socratis by Apuleius. Stoicism Even the Stoics maintain the existence of demons as beings who watch over men by sharing their feelings. Thus Diogenes Laertius: "The Stoics say, then, that there are also some demons who have sympathy for men, who watch over human affairs, and also that there are heroes, that is, the surviving souls of the virtuous." Diogenes Laërtius, Lives and Doctrines of the Illustrious Philosophers Book VII, 151 Marcus Aurelius indicates as a demon the intellectual soul that must be cared for and deprived of disturbances: "Moreover, there remains the care not to sully the demon that has taken up residence in our breast, the care not to disturb it with confused and manifold impressions; to keep him serene and kind, giving him ritual and honor as to a God; and say nothing that is contrary to the truth; do nothing against justice." Marcus Aurelius, Conversations with Himself Book III, 16 Middle and Neo-Platonism With medioplatonism the figure of the demon is characterized in an increasingly articulated way and is inserted as the third aspect of the hierarchy of the divine after the supreme god and the secondary gods. Thus Plutarch: "Plato, Pythagoras, Xenocrates, Chrysippus, followers of the primitive writers of sacred things, affirm that the Demons are endowed with superhuman strength, indeed they far surpass our nature by extension of power, but they do not possess, moreover, the pure and uncontaminated divine element, but participate, at the same time, in a double fate, as to a spiritual nature and bodily sensation, so it welcomes pleasure and labor; And this mixed element is precisely the source of the disturbance, greater in some, lesser in others. So it is that even among demons, no more and no less than among men, differences arise in the gradation of good and evil." Plutarch, Isis and Osiris, 25 Alexander of Aphrodisias argues that the daimon of every man consists in his own nature. In Neoplatonism, Plotinus entrusts to the "daimon that has befallen us by lot" the task of guiding us in the ascent to the suprasensible, through the power of eros and beauty. Since conscious and purely logical thought is not enough, it is also a mystical inspiration, the spark of a divine spirit thanks to which it is possible to rise from the material to the intelligible dimension. According to Porphyry, Plotinus himself was assisted "by one of these demons who are close to the gods".
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Daimon origin and evolution Change of meaning Subsequently, the negative use gave the Christian vocabulary the term to designate the evil spirit (devil), becoming from then on the object of study of demonology. In positive terms, however, the meaning of daimon can be compared in some ways to the guardian angel, or to the notion of tutelary guide or genius. Renaissance philosophers loved to compare the texts of Plato and Aristotle with Arabic astrology with the precise purpose of investigating on themselves the spiritual meaning of the Daimon of birth, a mysterious force from which character, vocation and fortune originate. Interpreting Mercury, the Sun or Mars on the ascendant of birth meant in fact being predisposed to exercise some bodily talents over others, or certain mental abilities over others. Those who had the female planets on the point of the zodiac where the sun rose could instead expand the qualities of the soul, namely perception, intuition and sensory awareness, essential qualities to become artists, poets and court jesters. The Greek term Daimon means genius, spirit guide, divine power, and also, inferior deity or deified hero, but not only, in fact the verb expressed by this word also meant to divide, distribute, share, share and the suffix "from" was common to words such as democracy, demiurge and other terms that derived from the name "demos" ie people, And perhaps this is why he was never looked upon favorably by the official power, which did not want to share its privileges and saw in the genius of criticism the devil of evil. Thus Satan was born from genius, for Carducci "the vindex force of reason", for Baudelaire "le plus savant et le plus beau des anges". Carl William Brown "Before birth, the soul of each of us chooses an image or design that we will then live on earth, and receives a tutelary spirit to guide us, a daimon, which is unique and typical of us. However, in coming into the world, we forget all this and believe that we have come empty. Read the full article
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themouthofthehell · 1 year ago
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Anytos ve meletos da böyle düşünmüş olmalı
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saa-ufu · 2 months ago
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"Há algum homem, Meleto, que reconheça a existência de coisas humanas, mas não reconheça os homens?" – Sócrates, Apologia de Sócrates.
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experience-made-chella · 4 months ago
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painterontheshore · 10 months ago
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Sobre el aplomo
La esencia del bien es cierta clase de albedrío; la del mal, cierta clase de albedrío. Entonces, ¿qué es lo exterior? Materias para el albedrío, en cuyo trato alcanzará su propio bien o mal. ¿Cómo alcanzará el bien? Si no admira las materias. Pues si las opiniones sobre las materias son correctas, hacen bueno el albedrío, pero si son torcidas y desviadas, 4 malo. La divinidad puso esta ley y dice: «Si quieres algo bueno, tómalo de ti mismo». Pero tú dices: «No, sino de otro». Entonces, cuando el tirano amenace y me llame, diré: «¿A quién amenaza?». Si dice: «Te encadenaré», digo: «Amenaza a mis manos y mis pies». Si dice: «Te haré degollar», digo: «Amenaza a mi cuello». Si dice: «Te meteré en la cárcel», digo: «A todas mis carnes». Y si amenaza con el destierro, lo mismo.
--¿Así que a ti no te amenaza nada?
Si siento que esas cosas para mí no significan nada, no. Pero si temo alguna de ellas, me amenaza a mí. Luego, ¿a quién temo? ¿Al que es dueño de qué? ¿De lo que depende de mí? Nadie es dueño de lo que depende de mí. ¿De lo que no depende de mí? ¿Y a mí qué me importa?
--Entonces, ¿vosotros, los filósofos, enseñáis a despreciar a los reyes?
--¡Desde luego que no! ¿Quién de nosotros enseña a oponérseles en aquello sobre lo que tienen poder? Toma el cuerpecillo, toma la hacienda, toma la fama, toma a los que me rodean. Si convenciese a alguien de que les dispute esto, sí, que me lo reprochen. «Sí, pero también quiero gobernar 11 tus opiniones». ¿Y a ti quién te ha dado ese poder? ¿Cómo puedes vencer una opinión ajena?
--Aplicándole el miedo la venceré --responde--.
No sabes que la opinión se vence a sí misma, que no es vencida por otra cosa; ni que al albedrío ninguna otra cosa puede vencerlo sino él a sí mismo. Por eso también la ley de la divinidad es la más poderosa y la más justa: que lo superior venza siempre a lo inferior. Diez son superiores a uno. ¿Para qué? Para encadenarlo, para matarlo, para llevárselo a donde quieran, para arrebatarle sus bienes. Por tanto, los diez vencen al uno en esto, en lo que son superiores. Entonces, ¿en qué son inferiores? Si el uno tiene opiniones correctas y los otros no. Entonces, jqué? ¿Pueden vencerle en eso? ¿De qué? Si lo ponemos en la balanza, ¿no habrá de arrastrarla el que más pese?
¿Y que Sócrates sufriera lo que sufrió a manos de los atenienses?
Esclavo, ¿por qué dices «Sócrates»? Di las cosas como son: «¿Que se llevaran el cuerpecillo de Sócrates y los más fuertes lo arrastraran a la cárcel y uno le diera la cicuta al cuerpecillo de Sócrates y éste se enfriara?» ¿Eso te parece sorprendente, injusto, por eso reclamas a la divinidad? ¿Es que Sócrates no tenía nada frente a eso? ¿Dónde estaba para él la esencia del bien? ¿A quién hemos de prestar atención? ¿A ti o a él? Y él, ¿qué dice? «A mí Ánito y Meleto pueden matarme, pero no perjudicarme» . Y en otra ocasión: «Si así agrada a la divinidad, así sea». Pero demuéstrame que con opiniones inferiores se domina al que es superior en opiniones. No lo demostrarás ni de lejos. Pues ésta es la ley de la naturaleza y de la divinidad: Que lo superior venza siempre a lo inferior. ¿En qué? En lo que es superior. Un cuerpo más fuerte a otro cuerpo, los más al uno, el ladrón al no ladrón. Por eso precisamente perdí yo mi candil, porque el ladrón era superior a mí en estar despierto. ¡Lo que ganó él con el candil! Por un candil se hizo ladrón; por un candil, indigno de confianza; por un candil, brutal. Eso le pareció de provecho.
De acuerdo, pero alguien me agarra de la túnica y me arrastra a la plaza y entonces chillan los demás: «¡Filósofo! ¿De qué te han servido las opiniones? ¡Mira, te arrastran a la cárcel! ¡Mira, van a degollarte!». ¿Y qué instrucción he tenido yo para que, si uno más fuerte me agarra de la túnica, no me arrastre? ¿Para qué, si diez me meten en la cárcel a empujones, no me quede encerrado? ¿Es que no he aprendido ninguna otra cosa? He aprendido a ver que todo lo que sucede, si no depende del albedrío, nada tiene que ver conmigo. ¿Y eso no te sirve de ayuda en el caso presente? Entonces, ¿por qué buscas la ayuda en algo distinto de lo que aprendiste? Y luego, sentado en la cárcel, digo: «Ése, el que da esas voces, ni escucha lo que se le ordena ni entiende lo que se le dice ni le importa en absoluto saber de los filósofos qué dicen o qué hacen. iDéjale!»
--Sí, pero ¡sal de nuevo de la cárcel!
Si ya no tenéis necesidad de mí en la cárcel, saldré; pero si volvéis a tenerla, entraré. ¿Hasta cuándo? Mientras la razón prefiera que yo conviva con el cuerpecillo. Cuando no lo prefiera, tomadlo y que os vaya bien. Lo único, que no sea irracionalmente, que no sea cobardemente, que no sea por cualquier pretexto. Y lo digo porque la divinidad no quiere eso: necesita un mundo como éste, personas en la tierra que se comporten como éstas. Pero si como a Sócrates, ordena la retirada, hay que obedecer al que la ordena como a un general.
Entonces, ¿qué? ¿Hay que decirle eso al vulgo? ¿Para qué? ¿No basta con obedecer uno mismo? Porque a los niños, cuando vienen dando palmas y diciendo: «¡Que bien!», ¡hoy, las Saturnales!», ¿les decimos: «Nada de '¡Qué bien!'»? De ninguna manera, sino que también nosotros nos ponemos a dar palmas. Así que tú también, cuando no puedas hacer cambiar de opinión a uno, piensa que es un niño y da palmas con él. Y si no quieres hacerlo, entonces cállate.
Eso hay que recordar y saber cuando a uno le llaman a una circunstancia semejante: que ha llegado el momento de demostrar si estamos instruidos. Pues el joven que sale de la escuela y va a dar en una circunstancia así es semejante al que ha estudiado cómo resolver silogismos y si alguien le propone uno fácil le dice: «Proponedme mejor uno bien complicado, para que me ejercite». También a los atletas les desagradan los contrincantes de poco peso: «No me levanta», dice. Ése es un muchacho bien dotado. Pues no, sino que cuando la ocasión le reclama ha de llorar y decir: «Quisiera aprender todavía». ¿El qué? Si no lo aprendiste como para demostrarlo con las obras, ¿para qué lo aprendiste? Yo pienso que alguno de los que están sentados aquí está sufriendo en sus adentros y diciéndose: «¡Y que a mí no me llegue una circunstancia como la que le llegó a ése! ¡Que yo ahora me consuma sentado en un rincón, pudiendo ser coronado en Olimpia! ¿Cuándo me traerá alguien la noticia de un certamen semejante?». Así debíais ser todos vosotros. Por otra parte, entre los gladiadores del César, los hay que se enfadan porque nadie los hace avanzar ni los empareja y ruegan a la divinidad y se acercan a los encargados para pedirles combatir; y entre vosotros, ¿ninguno se mostrará como ellos? Estaría dispuesto a hacerme a la mar sólo para ver qué hace mi atleta, cómo trabaja el supuesto.
--Ése no lo quiero --dice--.
¿Está en tu mano tomar el supuesto que quieras? Te ha sido dado ese cuerpo, esos padres, esos hermanos, esa patria, ese lugar en ella; y ahora vienes y me dices: «Cámbiame el supuesto». ¿No tienes recursos para servirte de lo que se te ha dado? Lo tuyo es proponer, lo mío aplicarme a ello correctamente. Pero no, sino que «No me plantees esa figura, sino ésta otra; no me plantees esa conclusión, sino esta otra». Pronto llegará un momento en que los actores crean que ellos son máscaras y cotumos y colas de vestidos. Hombre, eso lo tienes como material y supuesto. Declama algo, para que veamos si eres un actor trágico o cómico. Pues lo demás lo tienen ambos en común. Por ello, si alguien le quita los coturnos y la máscara y le hace salir como una sombra, ¿se acabó el actor o sigue estando? Si tiene voz, sigue estando.
Y aquí: «Toma un cargo». Lo tomo y al tomarlo muestro cómo se comporta un hombre instruido.
«Deja la laticlava, toma unos andrajos y preséntate en tal papel». ¿Qué? ¿No me ha sido dado lucir una buena voz?
«Entonces, ¿cómo te presentas ahora?» «Como testigo llamado por la divinidad». «Ven tú y da testimonio en favor mío. Pues tú eres digno de que yo te presente por testigo. ¿Acaso es un bien o un mal algo externo al albedrío? ¿Acaso perjudico a alguien? ¿Acaso puse el provecho de cada uno en otra cosa sino en sí mismo?»
¿Qué testimonio das en favor de la divinidad? «Estoy en una situación tremenda, Señor, y soy desdichado; nadie se ocupa de mí; nadie me da nada, todos me censuran y hablan mal de mí». ¿Vas a testificar eso y a poner en vergüenza el llamamiento que se te hizo, el que se te concediera tal honor y se te considerara digno de presentarte para un testimonio de tanta calidad?
Pero el que tiene la potestad declaró: «Juzgo que eres impío y sacrílego». ¿Qué te ha ocurrido? «Se juzgó que eras impío y sacrílego». ¿Nada más? Nada. Pero si hubiera juzgado sobre una proposición hipotética y dado la sentencia: «Juzgo que es mentira eso de que, si es de día, hay luz», ¿qué le habría sucedido a la proposición hipotética? ¿Quién es juzgado aquí, quién es condenado? ¿La proposición hipotética o el que se engaña sobre ella? Entonces, ¿quién es ese que tiene potestad para dar una sentencia sobre ti? ¿Sabe qué es lo piadoso y lo impío? ¿Se ha interesado por ello? ¿Lo ha estudiado? ¿En dónde? ¿Con quién? Un músico no se interesa sobre si él declara de la nota más aguda que es la más grave, ni un geómetra si falla que los radios de la circunferencia no son iguales; ¿y el verdaderamente instruido se preocupará de un individuo ignorante que dé algún fallo sobre lo sagrado y lo sacrílego y lo justo y lo injusto?
¡Oh, la gran injusticia de los instruidos! ¿Eso aprendiste aquí? ¿No estás dispuesto a dejarles los argumentitos sobre esos asuntos a otros, desdichados hombrecillos, para que, sentados en su rincón, reciban sus suelditos o anden rezongando que nadie les da nada, mientras que tú, pasando de largo, te sirves de lo que aprendiste? ¡Que no son discursitos lo que nos falta ahora, que los libros de los estoicos están llenos de argumentitos! Entonces, ¿qué es lo que falta? Quien se sirva de ellos, quien dé testimonio de sus palabras con sus obras. Desempeña tú ese papel, para que ya no nos sigamos sirviendo en la escuela de ejemplos antiguos, sino que tengamos también algún ejemplo de nuestro tiempo.
Entonces, ¿a quién le corresponde contemplar estas cosas? A quien tiene tiempo para dedicárselo. Y es que el ser vivo es amante de la contemplación. Pero es vergonzoso contemplarlas como los esclavos fugitivos; ahora hemos de sentamos y escuchar atentamente al actor trágico, luego al citaredo, no como hacen aquéllos: está atento y alaba al actor y al mismo tiempo está mirando en torno suyo. Y luego, si alguien dice «amo», de inmediato se agitan, se alteran. Es vergonzoso que también los filósofos contemplen así las obras de la naturaleza. Pues, ¿qué es un amo? El hombre no es amo del hombre, sino que lo son la muerte y la vida y el placer y el esfuerzo. Porque, sin eso, traedme al César y veréis cómo conservo el aplomo. Pero como venga tronando y relampagueando con esas cosas y yo tenga miedo de ellas, ¿qué otra cosa he hecho sino reconocer al amo, como el fugitivo? Y mientras me sienta retenido por ellas, estaré en el teatro igual que el esclavo fugitivo. Me baño, bebo, canto ... todo con miedo y sufrimiento. Pero si me libero a mí mismo de los amos, es decir, de aquellas cosas por las que los amos son temibles, ¿qué problema seguiré teniendo, qué amo?
Entonces, ¿qué? ¿Hay que pregonar esto ante todos? No, sino que hay que saber tratar a los ignorantes y decir: «Éste me aconseja también a mí lo que cree que para él mismo es un bien. Le comprendo». Pues también Sócrates se mostró comprensivo con el lloroso carcelero, cuando estaba a punto de beber la cicuta, y dijo: «qué noblemente llora por mí!». ¿Verdad que no le replica: «¿Para esto echamos a las mujeres?'»? Eso a los conocidos, a los que podían escucharlo. Pero a aquél lo trata como a un niño.
--Epicteto en sus "Disertaciones"
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mayolfederico · 4 months ago
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Una strage ~ 10. Le storie di Masseto
Una strage ~ 10. Le storie di Masseto http://wp.me/p5hAe5-jd
    «Ho vissuto a Meleto tutta la mia vita»   Nella metà del 1944, Meleto[1] è un paese che vive ai margini del comune di Cavriglia nel lembo estremo della provincia di Arezzo, abitato da circa 500 persone. A causa dei bombardamenti alleati su San Giovanni Valdarno, il centro più grande dei dintorni, ospita in quel periodo molti sfollati che occupano case di amici o affittate da abitanti del…
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ifnowhynot · 11 months ago
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Wines of the year, 2023
Given the nature of my work and the fine wine folk I am so lucky to rub elbows with on the regular, I taste thousands of wines each year. These are the ones I remember most fondly: the way they opened the world, the way they centred experience, and all the kind souls that shared them with me. 
I will remember 2023 as the year I really shed my ignorance and fell in love with Bordeaux and a year in which my partner and I continued our love affair with Jura Chards and Loire Chenins and entered into a new obsession with the great dessert wines of the world.
This list probably looks unhinged to the non-obsessed haha. Without having a social media outlet these last few years, it feels like some small gesture to the hardworking producers who crafted these works of art to be able to shout them out and thank them for their work. So here were the gems:
MY TOP 12 WHITES
Dom BELARGUS 2018 ‘Rouères’ Chenin Blanc, Anjou AOC, Loire
Dom STÉPHANE TISSOT 2018 ‘Les Bruyères’ Chardonnay, Arbois AOC, Jura
O'ROURKE FAMILY ESTATE 2020 'Twisted Pine' Chardonnay, Lake Country, BC
LA FRENZ 2011 ‘Knorr Vineyard’ Semillon, Naramata Bench, BC
PATRICK SULLIVAN 2020 Baw Baw Shire Chardonnay, Victoria, Australia
BIEN NACIDO 2020 Estate Chardonnay, Santa Maria Valley, California
CLOS DU MOULIN AUX MOINES 2020 Pernand-Vergelesses AOC 'Les Combottes', Burgundy
Dom BITOUZET-PRIEUR 2017 Meursault AOC 1er Cru Perrières, Chardonnay, Burgundy
M. CHAPOUTIER 2018 Hermitage AOC ‘Chante-Alouette’, Marsanne, Rhône
LITTORAI 2013 ‘Mays Canyon’ Chardonnay, Sonoma Coast, California
BINDI 2015 ‘Kostas Rind’ Chardonnay, Mornington Peninsula, Australia
RAMEY 2019 Hyde Vineyard Chardonnay, Napa Valley, California
MY TOP 10 REDS
Ch LÉOVILLE-LAS-CASES 1975 Grand Vin, Saint-Julien AOC, Grand Cru Classé Deuxième, Bordeaux
Ch LA TOUR DE MONS 1982 Margaux AOC, Bordeaux
Dom MUGNERET-GIBOURG 2020 Échezeaux Grand Cru AOC, Burgundy
HIYU 2017 ‘Aura’, Pinot Gris & Pinot Noir, Columbia Gorge, Oregon
TWO VINTNERS 2019 ‘The Waiting List’ Syrah, Yakima Valley, Washington
AGRI SEGRETUM 2018 Todi DOC ‘Marmocchio’, Sangiovese/Sagrantino, Umbria
TROON VINEYARD 2022 ‘Siskiyou’ Syrah, Applegate Valley, Oregon
CLENDENEN 2018 ‘Bricco Buon Natale’ Nebbiolo, Bien Nacido Vineyard, California
REINE PÉDAUQUE 1978 Savigny-lès-Beaune AOC 1er Cru Clos des Guettes, Burgundy
CA' LA BIONDA 2010 'CasalVegri' Valpolicella Classico Superiore DOC, Veneto
MY TOP 10 APERITIF & DESSERT WINES
PATRICIUS 2008 Tokaj Aszú 6 Puttonyos, Hungary
Dom BELARGUS 2018 ‘Quarts’, Quarts-de-Chaume Grand Cru AOC, Chenin, Loire
DONNAFUGATA 2015 ‘Ben Ryé’ Passito di Pantelleria DOC, Zibibbo, Sicily
ROLET 2010 Arbois Vin Jaune AOC, Savagnin, Jura
CASTELLO DI MELETO 2011 Vin Santo di Chianti Classico, Toscana
BARBEITO 20yo Malvasia 'Ribeiro Real', Madeira
COCKBURNS 1997 Vintage Port
Dom BERTHET-BONDET 2009 Château-Chalon AOC Vin Jaune, Jura
MARCEL CABELIER 2008 Château-Chalon AOC Vin Jaune, Jura
THUNEVIN-CALVET 1982 Maury, Vin Doux Naturel, Grenache, Roussillon
HONOURABLE MENTIONS:
BUBBLES
LELARGE-PUGEOT 2008 Quintessence Millésime Brut, Vrigny 1er Cru, Champagne
EGLY-OURIET NV Brut Rosé Grand Cru, Ambonnay, Champagne
RIVETTO 2016 ‘Kaskal’ Blanc de Nebbiolo Brut Nature, Barolo, Piemonte
PETER LAUER 1992 Réserve Sekt Riesling, Mosel
MOVIA 2015 Puro, Brda, Slovenia
LELARGE-PUGEOT 2008 Millésime Extra Brut, Vrigny 1er Cru, Champagne
R.C. LEMAIRE 2012 ‘Les Hautes Prieures’ Blanc de Blancs, Hautvillers 1er Cru, Champagne
MONMARTHE NV 'Les Grimpants' Blanc de Noirs, Ludes 1er Cru, Pinot Noir, Champagne
ANDRE CLOUET NV ‘Un jour de 1911…’ Brut, Pinot Noir, Bouzy Grand Cru, Champagne
Dom STÉPHANE TISSOT NV ‘BBF’ Blanc de Blancs Crémant du Jura AOC
Dom MANN 2014 Crémant d’Alsace AOC ‘Infiniment Fou’, Chardonnay
ALBERT BICHOT NV Crémant de Bourgogne AOC Blanc de Blancs Extra Brut
POMMERY 2004 Cuvée Louise, Champagne
LAURENT-PERRIER 2008 Millésimé Brut, Champagne
WHITES
France - Loire
Dom BELARGUS 2018 ‘Coteau des Treilles' Monopole, Chenin Blanc, Anjou AOC, Loire
Dom BELARGUS 2020 ‘Rouères’ Chenin Blanc, Sec, Anjou AOC, Loire
Dom BELARGUS 2019 ‘Gaudrets’ Chenin Blanc, Savennieres AOC, Loire
DAMIEN LAUREAU 2015 'Le Bel Ouvrage' Savennières AOC, Chenin Blanc, Loire
LUNEAU PAPIN 2010 ‘L d’Or’ Muscadet Sèvre et Maine Sur Lie, Loire
LUNEAU PAPIN 2007 ‘L d’Or’ Muscadet Sèvre et Maine Sur Lie, Loire
LUNEAU PAPIN 2006 ‘Excelsior’ Muscadet Sèvre et Maine AOC Goulaine, Loire
France - Burgundy & Jura
Dom HEITZ-LOCHARDET 2014 Chassagne-Montrachet AOC 1er Cru La Maltroie, Chardonnay
Dom BITOUZET-PRIEUR 2017 Meursault AOC 1er Cru Charmes, Chardonnay
Dom BITOUZET-PRIEUR 2017 Meursault AOC ‘Clos du Cromin’, Chardonnay
Dom BITOUZET-PRIEUR 2017 Puligny-Montrachet AOC ‘Les Levrons’, Chardonnay
Dom LATOUR-GIRARD 2017 Meursault AOC Cuvée Charles Maxime, Chardonnay
Dom DUREUIL-JANTHIAL 2020 Puligny Montrachet AOC ‘Corvée des Vignes’
Dom DEUX ROCHES 2021 Pouilly Fuissé AOC ‘Vieilles Vignes’
France - Alsace
Dom TRIMBACH 2007 ‘Clos Ste Hune’, Grand Cru Rosacker, Riesling
Dom WEINBACH 2012 ‘Cuvée Ste Catherine’, Pinot Gris
Dom ALBERT BOXLER 2014 Alsace Grand Cru AOC Brand, Pinot Gris
Dom TRIMBACH 2016 Alsace Grand Cru AOC Mandelberg, Riesling
France - Rhône
RAYMOND USSEGLIO 2017 ‘Pure Roussanne’ Châteauneuf-du-Pape AOC Blanc
GRAND VENEUR 2004 ‘La Fontaine’ Châteauneuf-du-Pape AOC Blanc, Roussanne
DOMAINE DE LA SOLITUDE 2021 Châteauneuf-du-Pape AOC Blanc
Dom CHANTE CIGALE 2011 Châteauneuf-du-Pape AOC Blanc
France - Other
LELARGE-PUGEOT 2016 Vrigny Blanc, Coteaux Champenois AOC, Chardonnay
Dom STÉPHANE TISSOT 2018 ‘Les Graviers’ Chardonnay, Arbois AOC, Jura
Dom STÉPHANE TISSOT 2019 ‘Patchwork’ Chardonnay, Arbois AOC, Jura
Dom DES MARNES BLANCHES 2020 Savagnin ‘Les Molates’, Côtes du Jura AOC
Germany
SELBACH OSTER 2007 Graacher Domprost Riesling Spätlese, Mosel
DR. BÜRKLIN-WOLF 1997 Ruppertsberger Gaisböhl ‘R’ Riesling Aisles, Pfalz
HEXAMER 2010 Schlossböckelheimer In den Felsen Riesling ‘No.1’, Nahe
DÖNNHOFF 2015 Wessburgunder Trocken, Nahe
USA
HOPE WELL 2015 ‘Improbable’ Riesling, Eola-Amity Hills, Oregon
ALEX GAMBAL / PETER WORK 2017 Sta. Rita Hills Chardonnay, California
ST. ROMEDIUS 2019 Napa Valley Chardonnay, California
TROON VINEYARD 2022 Vermentino, Applegate Valley, Oregon
TABLAS CREEK 2014 'Esprit Blanc' Roussanne/Gren.Blanc/Picpoul, Paso Robles, California
EVENING LAND 2022 ’Seven Springs’ Chardonnay, Eola-Amity Hills, Oregon
CHATEAU MONTELENA 2019 Napa Valley Chardonnay, California
ST. INNOCENT 2017 'Freedom Hill Vineyard' Chardonnay, Willamette Valley
DELILLE CELLARS 2021 'Chaleur' Blanc, Sauv Blanc/Semillon, Columbia Valley, Washington
LIÉGEOIS DUPONT 2021 ‘Le Blanc’, Marsanne/Viognier, Red Mountain, Washington
CHAPPELLET 2015 Napa Valley Chardonnay, California
PATZ & HALL 2016 Sonoma Coast Chardonnay, California
Canada
O'ROURKE FAMILY ESTATE 2020 Estate Chardonnay, Lake Country, Okanagan
CAVE SPRING 2004 ‘Réserve’ Riesling, Niagara Peninsula, Ontario
TANTALUS 2020 ‘Old Vines’ Riesling, Okanagan Valley
PINARD & FILS 2021 ‘Nuance de Gris’ Frontenac Gris, Quebec
NORMAN HARDIE 2014 ‘Unfiltered’ Chardonnay, Prince Edward County, Ontario
Australia
LEEUWEN ESTATE 2002 ‘Art Series’ Chardonnay, Margaret River
TYRELL’S WINES 2013 ‘Single Vineyard HVD Hunter Semillon’
UMAMU 2010 Sauvignon Blanc Semillon, Margaret River
South Africa
KEN FORRESTER 2016 ‘The FMC’ Chenin Blanc, Stellenbosch
HAMILTON RUSSELL 2014 Chardonnay, Hemel-en-Aarde
BOEKENHOUTSKLOOF 2007 Semillon, Franschhoek
Italy
DARIO PRINČIČ NV ‘Vino Bianco’, Friuli Venezia Giulia
SUAVIA 2017 ‘Monte Carbonare’ Soave Classico AOC, Garganega, Veneto
MARRAMIERO 2016 'Punta di Colle' Chardonnay, Colline Pescarese, Abruzzo
Other
LÓPEZ DE HEREDIA 2006 Viña Tondonia Reserva Blanco, Rioja DOCa, Spain
RAUL PÉREZ 2019 ‘Sketch’ Albariño, Rias Baixas DO, Spain
SOUS LE VÉGETAL NV ‘Octave’ Muscat, Samos, Greece
ALTAR ECO 2018 'Edad Media' Blanco, Chard/Chenin/Sauv Blanc, Uco Valley, Argentina
REDS
France - Bordeaux
Ch LE PUY 2010 Barthélemy, Francs Côtes de Bordeaux
Ch D’ISSAN 2009 Margaux AOC, Grand Cru Classé Troisième
Ch LANGOA-BARTON 2015 Saint-Julien AOC, Grand Cru Classé Troisième
Ch GRESSIER GRAND POUJEAUX 1983 Moulis-en-Médoc AOC
Ch FOURCAS HOSTEN 1983 Listrac-Médoc AOC
Ch CANTEMERLE 2019 Haut-Médoc AOC, Grand Cru Classé, Cinquième
France - Burgundy
Dom VINCENT LATOUR 2013 Meursault AOC 1er Cru Les Cras
CLOS DU MOULIN AUX MOINES 2020 Auxey-Duresses AOC ‘Clos du Moulin aux Moines’ Monopole
Dom BITOUZET-PRIEUR 2017 Volnay AOC 1er Cru Taillepieds
Dom BITOUZET-PRIEUR 2017 Volnay AOC 1er Cru Caillerets, Pinot Noir
Dom BITOUZET-PRIEUR 2017 Volnay AOC 1er Cru Clos des Chênes
Dom BITOUZET-PRIEUR 2017 Volnay AOC 1er Cru Pitures
ALBERT BICHOT 2018 Fixin AOC 1er Cru Clos de la Perrière Monopole
JEAN-CLAUDE RAMONET 2020 Monthelie AOC
France - Rhône
MICHEL COURTIAL 1986 Hermitage AOC, Syrah
ALAIN GRAILLOT 1991 Crozes-Hermitage AOC, Syrah
DOMAINE DE LA SOLITUDE 2020 ‘Vin de la Solitude’ Châteauneuf-du-Pape AOC Rouge
MARTIN TEXIER 2021 'Cérouan Vieilles Vigne du Clau' Serrine
FRANCK BALTHAZAR 2020 Cornas AOC, Syrah
YVES CUILLERON 2011 Saint-Joseph AOC ‘L’Amarybelle’, Syrah
YVES CUILLERON 2016 Cornas ‘Les Côtes’, Syrah
Ch DE BEAUCASTEL 2001 Châteauneuf-du-Pape AOC Rouge
XAVIER VIGNON 2010 ‘Cuvée Anonyme’ Châteauneuf-du-Pape AOC Rouge
DOMAINE DU PEGAU 2017 Châteauneuf-du-Pâpe AOC Rouge, Rhône
France - Other
Dom DES MASQUES 2020 ‘Syrahdictive’, Syrah/Viognier, Provence
J.L. DENOIS 2019 Pinot Noir ‘Grand Vin’, Limoux
Dom BOBINET 2014 'Amatéüs Bobi' Saumur-Champigny, Cabernet Franc, Loire
Dom BONNET COTTON 2022 Beaujolais AOC Cru Brouilly, Gamay, Beaujolais
Dom STÉPHANE TISSOT 2018 ‘DD’ Rouge, Arbois AOC, Pinot Noir/Trousseau/Poulsard, Jura
Italy
ROAGNA 2011 ‘Pajè’ Barbaresco DOCG, Piemonte
CASA RAIA 2018 Brunello di Montalcino DOCG, Sangiovese Grosso, Toscana
È JAMU 2021 ‘Vertigine’ Canaiolo, Chianti, Toscana
CASA RAIA 2011 Brunello di Montalcino DOCG, Toscana
CASTELLO ROMITORIO 2007 Brunello di Montalcino DOCG, Toscana
MASI 1988 Amarone della Valpolicella Classico DOCG, Veneto
RIVETTO 2021 ‘Vigna Lirano’ Amphora Nebbiolo d’Alba DOC, Serralunga d’Alba, Barolo
ROCCHE DEI MANZONI 2015 Bricco Manzoni, Red Blend, Langhe, Piemonte
NINO NEGRI 2006 ‘5 Stelle Sfursat’, Nebbiolo, Sforzato di Valtellina DOCG, Lombardia
VILLA PAPIANO 2017 ‘I Probi’ Romagna Sangiovese Modigliana Riserva DOC, Emilia-Romagna
PLANETA 2013 ‘Santa Cecilia’ Noto DOC, Nero d’Avola, Sicily
FORADORI 2016 Sgarzon Teroldego, Alto Adige
SASSICAIA 2015 Bolgheri Sassicaia DOC, Toscana
Spain
ALVAR DE DIOS 2020 ‘Camino de los Arrieros’ Red Field Blend, Arribes
SIERRA DE TOLOÑO 2021 ‘La Dula Garnachas de Altura’ Grenache, Rioja Alavesa DOCa
SCALA DEI 2017 ‘Cartoixa de Scala Dei’ Priorat DOQ, Garnacha/Cariñena
LOPEZ DE HEREDIA 2007 Viña Bosconia Reserva Tinto, Rioja DOCa
COMANDO G 2018 ‘Bruja de Rosaz’ Garnacha, Sierra de Gredos
USA
HIYU 2019 ‘Moon Dog’, thirty different clones of heirloom Pinot Noir, Columbia Gorge, Oregon
MARGINS 2022 Counoise, Santa Clara Valley, California
GROUNDED WINE CO. 2021 ‘Steady State’ Cabernet Sauvignon, Oak Knoll District, Napa, California
BETZ FAMILY WINERY 2018 ‘Père de Famille’ Cabernet Sauvignon, Columbia Valley, Washington
SKY 2015 Mt. Veeder Napa Valley Zinfandel, California
SKY 2015 Mt. Veeder Napa Valley Syrah, California
HOPE WELL 2019 ‘Sunday’s Child’ Pinot Noir, Eola-Amity Hills, Oregon
PURPLE HANDS 2021 Haakon Lenai Vineyard Pinot Noir, Dundee Hills, Oregon
LITTORIA 2021 ‘The Pivot Vineyard’ Pinot Noir, Sonoma Coast, California
DUMOL 2021 ‘Wester Reach’ Pinot Noir, Russian River Valley, California
Australia
BONDAR 2020 ‘Rayner Vineyard’ Shiraz, McLaren Vale
ELDERTON 2018 Command Vineyard Shiraz, Barossa Valley
OCHOTA BARRELS 2017 ‘Fugazi Vineyard’ Grenache, McLaren Vale
Other
GARRAFEIRA 2011 ‘Sidónia de Sousa’ Baga, Bairrada DOC, Portugal
LE RICHE 2011 Reserve Cabernet Sauvignon, Stellenbosch, South Africa
GREYSTONE VINEYARD 2020 ‘Ferment’ Pinot Noir, North Canterbury, New Zealand
BURN COTTAGE 2019 ‘Sauvage Vineyard’ Pinot Noir, Bannockburn, Central Otago, New Zealand
GUT OGGAU 2017 ‘Atanasius’ Rot, Burgenland, Austria
SANTA RITA 1996 Casa Réal Cabernet Sauvignon, Maípo Valley DO, Chile
NICOLUZO 2013 Merlot, Corfu, Greece
HENRY OF PELHAM 2012 Baco Noir ‘Reserve’, Ontario, Canada
APERITIF & DESSERT WINES
Dom DES MARNES BLANCHES NV Blanc Macvin du Jura AOC, France
RABL 2017 Riesling Trockenbeerenauslese, Langenlois DAC, Austria
Dom BELARGUS 2018 ‘Layon’ Moelleux, Chenin, Coteaux du Layon 1er Cru Chaume, France
BARBEITO 10yo Sercial Reserva Velha, Madeira, Portugal
BODEGA DIOS BACO ‘Baco Imperial’ 20 Year Old Amontillado Sherry VOS, Spain
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Ad Agliè il 9 e 10 settembre Figure dimenticate del Piemonte
Si terrà ad Agliè sabato 9 e domenica 10 settembre la seconda edizione del festival letterario “Figure dimenticate del Piemonte”, che quest’anno verterà suGuido Gozzano. La precedente edizione era stata dedicata a Salvator Gotta. L’evento, con il patrocinio di Torino Città Metropolitana e del Comune di Agliè, avrà luogo presso la Casa-Museo Il Meleto. Gestisce la due giorni letteraria la Edizioni…
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mywinepal · 1 year ago
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Are You A Chianti Classico Lover? Take This Quiz.
Are You A #ChiantiClassico Lover? Take This #Quiz. @chianticlassico #somm #winelover
Castello di Meleto Chianti Classico DOCG 2016, Castello Vicchiomaggio Chianti Classico DOCG  Riserva Agostino Petri 2015, and Conti Capponi Chianti Classico DOCG Villa Calcinaia 2016 Chianti Classico, one of Italy’s most renowned wines, has a rich and storied history. Its origins can be traced back to the 13th century when the Chianti region, located in Tuscany, began producing wine. Today,…
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destinationweddings · 2 years ago
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Beautiful Weddings in Tuscany
Weddings in Tuscany: Tuscany is one of the most popular and amazing places to have a wedding in Italy. Tuscany is easy to navigate as it has major airports nearby and private transfers are available.
Villa Reale
Villa Reale located in the heart of Tuscany boasts its gardens and historical buildings. It is the perfect Tuscany wedding venue for luxury high-profile events and weddings. It offers various spaces to host from the water theatre to the Green theatre, from the lemon garden to the Spanish Garden choose your space.
It is one of the exclusive villas in Italy renowned for its small private lake and historic buildings.
La Pescaia Resort
La Pescaia Resort is located in the natural setting of Tuscany. It is an ideal wedding venue in Tuscany for fairytale weddings among ancient olive groves.
Explore the hidden paths, pristine forests, and over six thousand olive groves in this 19th-century farm villa. It is located at the base of hills between Siena and Rome.
Host your weddings in the garden or within the villa. Exchange vows with picturesque scenery as a backdrop with the scent of Jasmine among the magic woodland.
Lucca Luxury villa
Plan a romantic wedding in Tuscany at Lucca luxury villa. It is located near the ancient city walls of Lucca and surrounded by olive groves, cypress trees, and 16th-century fountains, it is one of the finest historic villas to rent for a wedding in Tuscany. With the very best service and delicious cuisine, this aristocratic estate emanates beauty and elegance.
Maximum Venue Capacity: 200
Castello Di Meleto
Looking for a beautiful wedding venue in Tuscany? This 11th-century castle has a history of hosting some of the grandest weddings in Tuscany. It was transformed into a villa in the 18th century and houses a fantastic selection of rooms from grand gardens to spectacular terraces and even a ballroom. The flourishing Vineyard is frescoed 18th-century rooms as decor.
Maximum Venue Capacity: elegant hall – 70 guests, Stables- 160, and smaller hall – 40 guests
Tuscan Love Vineyard wedding estate
Tucked away in the picturesque Tuscan hills, the cypresses, vineyards, olive groves, and medieval architecture, this place is an absolute beauty for a destination wedding in Tuscany. The hotel has a gourmet Tuscan restaurant housed in a historic villa, where you can satisfy your tastebuds with authentic Tuscan cuisine. It is one of the best wedding venues in Tuscany to host your special day!
Maximum Venue Capacity: Outdoor and Indoor spaces can host up to 80 guests.
Castello di Petrata
The Petrata castle, located near Perugia, looks over the beautiful Assisi. It is a XIV century castle and easily accessible from the city. The setting is perfect if you want a romantic destination wedding in Tuscany, Italy with a beautiful backdrop.
The cost of a Tuscany wedding varies depending on your requirements, feel free to get in touch with us for more details.
Maximum Venue Capacity: It can host up to 100 guests.
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