The most beautiful working people
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zines!!! I love zines!!! I think you might enjoy one sheet zines :))))
i made one of these for one of my printmaking finals! Its not very good and took me forever to come up with....last I heard, it's still the example used to explain the assignment wee hee hee...in my beautiful ideal world I'd have zine ideas to specifically screen print like this again... "Poster" on the backside and all
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get emotionally neglected idiot
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Thinks about arms outstretched and has to lie facedown on the ground for nine hours again
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Here again with more questions :] I hope you're enjoying this as much as I am!
18. How often does your character have nightmares?
2. Does your character have a secret hobby?
20. Is there a fear your character wants to learn to overcome?
7. What is a talent that your character is proud of?
9. What is a topic your character would be excited to talk about?
12. What kind of music does your character enjoy?
18) Not very often since they don't usually have dreams. They do occasionally get nightmares though, and when they do? It's pretty bad
2) I guess one of their secret hobbies would be wood carving (as previously mentioned) but I don't know how secret that really is. It isn't something that most people know about, but they're not actively trying to hide it. An actual secret hobby? Stargazing. They don't do that around other people.
20) They'd like to get over their fear of attachment. They know they need to learn how to let people in their life, but it's definitely nerve wracking.
7) They're proud of their stealth abilities, if that counts.
9) Anything to do with mechanics and technology. They'd sign until their hands get tired if someone would listen
12) Probably heavy metal (Mostly bc I like it lmao)
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✈︎ grem/gremlin
✈︎ 21+
✈︎ they/he
✈︎ archaeology major! minor is us history.
✈︎ commission status: open
✈︎ my shit: a-flying-fortress | archaeologyfjones (ask blog) | twitter
my old shit: close-air-support (old main) | grem-archive (hetalia) | archaeojones (original ask blog)
✈︎ tag guide:
misc: callsign gremlin checking in | gremlin shitpost | gremlin tankposting | gremlin’s things with wings | mooom! gremlin’s archaeologyposting again!
from the desk: alpha romeo tango | papa echo november
headcanon tags: mechanics of nations // eldritch abominations | alfred f. jones // daring to fly | mathieu williams // bear with me | mathieu & alfred // brothers earth and sky | arthur kirkland // salt wind and green garden | arthur & alfred // a king and his crown | arthur & mathieu // anchor spares none | ace family // new worlds divided | romano de cesare // luctor et emergo | ivan braginsky // Не остаться в этой траве | ludwig beilschmidt // meine Stärken und meine Schwächen
ship tags: romerica // spaghetti western | rusame // stardust on our boots | gerame // mach speed meta
my aus: sunfall // the wayward soldier | beartalia // hibernation or bust | harpytalia // world on the wing | unbound // a western saga | lemon sharks // friendly seas | ersatz // dark side of the moon
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been rolling around the idea for a few months of a fusion mechanic for interstitial that isnt amalgam-based (pure self-indulgence for when me and my friends do a campaign) which is not... too entirely far off from what about pacrim would be interesting to me as interstitial-based mechanics (read: the drift)
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hi, yes, sorry! new to the fandom! but seriously, how do you people LIVE with all the bad and inaccurate commentary there is about the show out there? I just started some videos and to my dismay, it already started building up the nihilistic!rick bullshit... which??? isn't a thing? I mean yeah Rick sells himself as one, but he's not? And his actions support that statement countless times? And not to be a bitch but like it's not that hard to see and shouldn't you like "analyse" a bit the media you're making a video essay on? Like jfc, seriously how do you people live suppressing the little voice in your head with a bit too much of a superiority complex that is ready to be down everyone's throats like "actually, you understood little to nothing of the show, shut up" or like maybe this is a me problem and I'm just an asshole.
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Ive gotten so used to not being able to play most games bc of my hands and reaction time n stuff so ive basically gotten used to hitting a ceiling in a game where i can't play normally anymore and need to use assists/cheats so every time i find a game that i Don't need to do that for whenever it ends im just like wait huh thats it???
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I've been thinking a lot lately about how Kabru deprives himself.
Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.
Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.
Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.
I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.
He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).
First, we get this:
Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.
They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.
It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.
We don't see him eat again until the harpy egg.
What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?
He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.
In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.
Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!
...but he doesn't get to enjoy it like he wanted to.
Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.
And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.
I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.
And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.
Meals are the privilege of the living.
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The Crucial Role of Seismic Analysis and Design in Building Safety According to NBCC and ASCE Guidelines
Seismic analysis and design are fundamental aspects of structural engineering that ensure buildings and their non-structural components can withstand the forces generated by earthquakes. These practices are not just essential for the safety and integrity of structures but are also mandated by comprehensive guidelines and codes such as the National Building Code of Canada (NBCC) and the American Society of Civil Engineers (ASCE). This article delves into the importance of seismic analysis and design for buildings and non-structural components, guided by the principles set forth in the NBCC and ASCE.
Understanding the Risks
Earthquakes pose a significant risk to life and property. The unpredictable nature of seismic events, combined with the potential for catastrophic damage, underscores the need for rigorous building standards. Seismic analysis and design aim to mitigate these risks by ensuring buildings can endure seismic forces without collapsing, thus safeguarding occupants and minimizing economic losses.
NBCC and ASCE Guidelines: A Benchmark for Safety
The NBCC and ASCE have established benchmarks for seismic safety in the construction industry. The NBCC, applicable in Canada, and the ASCE's standards, widely adopted in the United States and internationally, provide a framework for assessing seismic risks and implementing necessary design and construction practices.
Seismic Analysis
Seismic analysis involves evaluating how a structure responds to earthquake-induced forces. This process helps engineers understand potential stress points and the overall behavior of a building during seismic events. Both the NBCC and ASCE recommend detailed analysis methods, including linear dynamic analysis, nonlinear dynamic analysis, and modal response spectrum analysis, among others. These methodologies help in designing structures that are not only compliant with safety standards but also economically viable.
Design Considerations
The design phase is critical in integrating seismic resilience into buildings. The NBCC and ASCE guidelines emphasize the importance of ductility, redundancy, and energy dissipation in structural elements. Ductility allows parts of the structure to deform under seismic loads without failing, while redundancy ensures that if one part of the structure fails, others can take over the load-carrying responsibilities. Energy dissipation mechanisms are incorporated to reduce the energy transferred to the structure during an earthquake, thereby limiting damage.
Non-Structural Components
Seismic safety extends beyond the structural elements of a building. Non-structural components, including mechanical, electrical, and plumbing systems, as well as architectural elements like ceilings, partitions, and facades, play a crucial role in building functionality and occupant safety. The NBCC and ASCE guidelines require these components to be anchored and braced appropriately to prevent detachment or collapse, which could cause injury or block egress paths during an earthquake.
The Path Forward
In conclusion,
the seismic analysis and design of buildings and their non-structural components, as per the standards of the NBCC and ASCE, are indispensable in the pursuit of creating earthquake-resilient communities. These practices embody a proactive approach to disaster mitigation, emphasizing the critical importance of preparedness and the implementation of engineering solutions that protect both people and their environments.
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if lupus decides to make me randomly allergic to One More Thing im gonna McFreaking Lose It
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