#Make them popular

[hanksmc]

Astaroth and John but John is a damn freak (canon)

[buttercuparry]

Reblog the fundraisers you mfs!!!!! I don't know why you all skip those to reblog some pic of a banner saying "FREE PALESTINE" or of news from Columbia University! Literally these people from Gaza have made an account on Tumblr and is writing in english to communicate what they need and you all are coming onto my blog or on the tag and not reblogging their posts. We have people both Palestinian and non Palestinian vetting the fundraisers! I mean more the reblogs, more the chance of the fundraisers gaining momemtum, the more there would be a chance of a donation. Please donate if you can and reblog!!! and follow them if it is possible.

@/mohammedayesh has posted about getting leaflets, telling them to evacuate Rafah. They are very low on funds. Go follow them and reblog their posts and donate if possible.

We have @/haneenatya too whose mother is suffering from eye stroke and need to evacuate. Please I have been following them for some days and it doesn't seem their own posts are getting much attention.

Follow them! They are on tumblr. Reblog their posts and donate. The protests in universities are being done on account of them. They should be our focus.

(EDIT: on re-reading my post it seems as if I am dismissing all that the students of universities are doing. I am not. I just meant, since all of it is to help Palestinians, we must not ignore them when they ask for help).

[gogoakechi]

[mike-wachowski]

reblog and tag ur answer so I can see please :)

[cozylittleartblog]

girl help i have been transported back to middle school

artfight attack on @necrotic-nightshade !!

[hellouniversehowareyou]

precious idiots

[spellbird]

"Illumination Legend of Zelda isn't real, it can't hurt you!"

Illumination Link:

[nunsh0]

Yeah so i accidentaly fell into a time travel portal that took me to 2013. Yeah i can't seem to get out. Yeah i also combined hiccup x jack with genshin fucking impact. Yeah i'm ashamed don't worry ok bye love u [hangs up]

[cherubytes]

spin this wheel for a random ultrakill character and vote in the poll below

[niinnyu]

Reverie

[pinetreevillain]

Pine’s Masterpost

Linktr.ee! Support me on my Patreon, Kofi, Etsy, anywhere! 

Original Comic

Death of Me

- Meatgrinder (13 parts + short film)

Rottmnt Comics

All titles with strikes through their names are all either available ONLY on my patreon and kofi or are currently in production (and soon to be available on my patreon)

In somewhat chronological and timeline order below the cut

Timothy

Silly!

This is Tim!

Family meets Tim

Donnie brings Tim home

Fashion!

Magnet Earrings! 

I Love Listening To You Talk

Laundry

We’re Not Gay

Timothy’s Mom

Future (most of these comics are dark and sad btw)

First Kiss

Shaky Hands

What Do We Do Then? (two parts)

I Trust You (three parts)

Fallout

Not Another Mask

Twins

Hair Cut

Friends Like These (13 parts)

part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Part 7

Part 8

Part 9

Part 10

Part 11

Part 12

Part 13

Bonus part!

Intermission

Donnie Vent Comic

Watching YouTube

Brother Proof

Vignettes Vol. 1 

1, post part 3

2, post part 5

3, mid part 8

4, April

Prologue

The Car

Mr Janesh (three parts)

Confrontation (three parts)

Stray (five parts)

Reassurance (three parts)

The Greenline

Prologue

Part 1

MISC

Tim ref!

Gym Bros

My Love

Romance

Fruit

[kugisakiss]

I watched M27!! it was fun so here's some thoughts

[mrspronouns]

dear malevolent podcast fans, why does no one ever talk about john and kayne and their whole dynamic . not even necessarily ship dynamic. no one talks about them NEARLY as much as we should be.

do you guys ever think about how whenever arthur and kayne have their weird gay shit going on, john is the one Witnessing it? arthur can't even see kayne's gay ass. JOHN can though. and he DOES. do you guys ever think about that. how he's forced to watch that?

do you guys ever wonder about what exactly happened with the whole deal to get john out of the dark world? why did kayne say uhh "the things you did to make this deal happen" . WHAT things? did kayne make john give him a little kissy? like did john have to massacre millions? theres so much to be explored here guys come on why aren't we talking about them more

they have such a weird freaky power dynamic and no ones even talking about it. it doesnt NEED to be like a ship thing. just in general. BUT ALSO do they even have ??? a ship name??? these are two of the main characters of the podcast guys. i know we all care about arthur sooooo much but..... but what about them.......

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[evilkaeya]

THIS IS HOW I FIND OUT KAITO AND SHINICHI ARE COUSINS??