#Macedonian cinema

[mellxncollie]

Housekeeping for Beginners (2023) dir. Goran Stolevski

[kino-zoo]

You Won't Be Alone (2022)

[sloshed-cinema]

You Won't Be Alone (2022)

When you bring a child into the world, what does it mean to protect them? It’s a big place out there, with plenty of wonders and dangers, and how a parent views that space can inform their treatment of their child. When Nevena’s mother is visited by a vengeful witch out for blood, she makes a bargain with this “Wolf-Eateress” to buy time with her infant. But is that time so great? Nevena lives in a cave away from everything, with nothing but the dirt and leaves to keep her company. It’s a smothering sort of love, a guarded one. But when Maria comes to claim her prize and make Nevena a witch in turn, her worldview is colored by rage and a desire for vengeance. Maria doesn’t coddle the young witch, smacking Nevena around as she throws her off the deep end into this world of blood and death. Nevena must instead find a path for herself.

Now we have a better idea of what a Terence Malick version of Poor Things might look like, at least in part. The central swath of You Won’t Be Alone concerns Nevena’s journey of discovery and self-actualization as she comes to understand society and maybe even try to find a place within it for herself. Where Nevena’s mother fears witches and Maria loathes humanity for what was done to her, Nevena herself seeks a middle path. She hops from body to body, experiencing different facets of the human experience as she struggles to adapt to each new corpse. In this way, she is a sort of pre-modern Bella Baxter, characterized by toddler-like movements and a thorough set of encounters with “furious jumping.” This is much more serious and introspective, with inner monologue for the voiceless woman replacing Bella’s outspoken and frank assessments of things around her. It’s also got a sumptuous period setting with a boxy aspect ratio still able to gasp in awe at the countryside with its rolling hills, rivers, and rocky caves. If it is tragic in its core, there is the hope that in Nevena’s daughter this relationship of fear and hate between witches and humans can be attenuated.

THE RULES

SIP

God is evoked in some way.

Witch claws in a scene.

A witch takes on a new form.

Some exclamation to the effect of "my, my, my"

BIG DRINK

A color is named.

Maria shows up unwanted.

[nomallmovieschicago]

17 April 2024

Film: HOUSEKEEPING FOR BEGINNERS (dir. Goran Stolevski, Poland-Serbia-Australia-Croatia-Kosovo-North Macedonia-USA)

Forum: AMC River East  Format: DCP

Observations: Two other folks in the house besides us. If anyone doubts that the influence of Stanley Kramer is now a guiding light in world cinema, here's yet another example. It's a celebration of a blended, LGBTQ+ household holding itself together with falsified papers and a pasteboard marriage against the outside forces of reaction and oppression. The story is complicated by interpersonal conflicts, which nearly drive the characters apart, but the "happy" (if uneasy) conclusion is just around the bend. If that sounds like I didn't enjoy it, well, no, I really found the experience of rooting (sometimes cringing) for these people enjoyable and satisfying. Then again, maybe I like Stanley Kramer as a flmmaker more than the smart folks, too.

[justforbooks]

Autumn in Thessaloniki

Known as the “Bride of the Thermaic Gulf” to romantics and the “co-capital” to pragmatist Greeks, Thessaloniki bears the name of Alexander the Great’s wife and sister with pride. This city, founded in 315 BC, defies simple categorization.

How can one capture the unique energy of Greece’s second-largest metropolis, now emerging as one of Europe’s most dynamic urban centers? Or convey the rhythm of a cosmopolitan hub that cherishes its millennia-old heritage while embracing global trends? Thessaloniki is a destination that enchants travelers, whether they come for an experience-packed city break or a longer stay that never seems quite long enough.

A journey to ever-relevant Thessaloniki is never just an escape or a change of scenery. It’s a multifaceted experience in a city that stands proudly among Europe’s most captivating capitals.

Thessaloniki’s love for the arts is evident not only in its domestic and international festivals and various artistic expressions but also in its fascinating museums and no fewer than 15 UNESCO World Heritage monuments. The 11 halls of the Museum of Byzantine Culture will transport you to the glorious era of the Byzantine Empire, revealing all aspects of private and public life of the period through rich collections of archaeological objects, relics, and works of art.

The War Museum presents the modern and contemporary history of our country, while the Archaeological Museum unfolds the entire history of Macedonia through masterful works of art and findings. At the Macedonian Museum of Contemporary Art – MOMus, you’ll admire works from the Iolas, Xydis, and Apergis collections among contemporary artistic trends from abroad and Greece. Two related and equally interesting cultural institutions will bring you to the Old Port and Pier A, a wonderful walk in any case. There, at the Museum of Photography, you’ll see unique images of a constantly changing city and get to know older and contemporary trends in the art of photography through a vast collection covering the period 1890-2015, while at the Cinema Museum, the magical world of Greek cinema comes to life.

Thessaloniki’s shopping scene is also a major draw, where you can indulge in retail therapy along the three main parallel streets of Proxenou Koromila, Mitropoleos, and Tsimiski, but don’t miss their perpendicular alleys, which hide shops full of treasures. The famous covered markets are also a unique experience, such as Kapani Market, a true feast of flavors and aromas, where, following the locals’ example, you’ll drink Greek coffee at the corner traditional cafe Modigliani. Nearby, a stroll through the also covered Modiano Market, known to older generations as the “Central Food Market,” is the new must-stop on the list for foodies and non-foodies alike. The 75 stores housed in the fully renovated space, which still retains its historic architectural character, compose a unique kaleidoscope of culinary trends and proposals that has nothing to envy from similar markets abroad. After enjoying the vibrant atmosphere, you’ll stock up on select delicatessen products and indulge in one of the top sweet Thessaloniki temptations, the amazing syrupy sweets from Hatzis pastry shop.

Thessaloniki’s emblematic monuments, scattered throughout the city, will enrich your walks between shopping streets, the waterfront, and up-and-coming entertainment neighborhoods with a historical dimension. Near Saint Demetrios, the city’s most important church worth a visit not only because it celebrates this month but also because it’s a monument of particular importance as the martyrdom site of Thessaloniki’s patron saint, the city’s Roman past comes alive in the ruins of the baths, square, and a gallery of the Roman Agora, dating back to the 2nd century AD. Also impressive is the nearby Kamara or Arch of Galerius, bearing the honorary name of a Roman emperor and detailed decorative reliefs from his victorious campaign against the Persians in the early 4th century AD. A few meters to the north, another recognizable landmark, the massive Rotunda from the same period, is preserved in excellent condition due to its conversion into a Christian church and is famous for its beautiful mosaics.

Daily inspiration. Discover more photos at Just for Books���?

[tilbageidanmark]

Movies I watched this Week #118 (Year 3/Week 14):

My 3rd re-watch of Lawrence of Arabia, David Lean’s magnificent, all-male epic and the movie that Steven Spielberg had seen more than any other film. It’s so grand that the nearly 4 hours spectacle opens with 4+ minutes of orchestral music prelude on a dark screen and includes an ‘intermission’.

It got me to realize that most all movies (maybe because of the economics of movie-financing) always show deference to authority; The influences they represent, whether government, military, religion, civil powers, or simply ‘the big man’, the rulers are always accepted as masters.

🍿  

The Garden of Words, my second anime ever, and coincidentally also my second by Makoto Shinkai (After ‘Your name’). A melancholy and poetic story about a 15-year-old aspiring shoe-maker student who keeps meeting a woman skipping work on a park bench at the beautiful Shinjuku Gyo-en gardens during the raining season. Gorgeous visuals of nature and rain.

The Wikipedia page for this film is nearly as long as the one for Obama!

🍿

3 more terrific debut films by young female directors:

🍿 For some unclear reasons, I’ve seen a large number of Parisian high school dramas recently. Spring blossom is one of the best. A gentle drama of a shy 16 year old girl who falls in love with a 35 man she sees outside a local theater.

And like Quinn Shephard’s ‘Blame’, it’s twice as impressive, because it was written by the talented Suzanne Lindon when she was only 15, and she directed it and starred in it before she was 20. Je l'adore! 8/10.

🍿 The Hive, my first film from Kosovo. Another on my growing list of “Debut films directed by female filmmakers”. The “first film in Sundance Festival history to win all three main awards – the Grand Jury Prize, the Audience Award and the Directing Award – in the World Cinema Dramatic Competition”. Based on a true story, it tells simply but touchingly about a war widow who started a small business, making homemade Ajvar and empowering the women in her village. Highly recommended. 100% on Rotten Tomatoes. And of course, reminiscent of the Macedonian documentary ‘Honeyland’. 8/10.

🍿 Rye Lane, a cute new rom-com about two young black South London strangers who meet at random and spend the day getting to know each other. Fresh and original.

🍿  

My 7th by Finnish master Aki Kaurismäki. Every time I watch another of his movies, I get elated. There is nobody who make movies like him, he’s one of a kind. The man without a past, the second of his “Losers” trilogy, opens with a cinematic gut pinch and doesn’t let go until the end. My favorite of all his films so far?...

The trailer. 9/10.

🍿    

The Hollywood Reporter Critics put out a new list of their ‘50 best films of the first 21 years of the 21st century’, and I decided to go through the ones I haven’t seen yet.

First was Far from Heaven, my 4th tragedy by Todd Haynes. A precursor to his masterful ‘Carol’, this is another Douglas Sirk-inspired melodrama of oppression and unrequited desire in middle class America of the mid 50′s. Drenched in luminous colors over all (except of the scenes of illicit dangers, in the gay bar and black cafe), and accompanied by another expansive score, it’s a devastating tale of the price of conformity. The husband who can’t control his homosexual urges, and the wife who falls for a black gardener are doomed, and their lives will be shattered. The poor players had simply nowhere to go. 8/10.

🍿 

‘Today I learned’ about ‘Elite Panic’ describing the “behavior of members of the elite during disaster events, typically characterized by a fear of civil disorder” and the shifting of focus away from disaster relief towards implementing measures of "command and control".

New order, my third memorable film by Mexican auteur Michel Franco (after the terrific ‘Sundown’ and the disturbing ‘April’s daughter’) describes a society collapsing, the exact moment when the shit finally hits the fan, when the riots on the TV screen cross over and knock on your door. It’s a brutal and unforgiving story, ugly, violent and without any sentimental sympathy. Shocking anarchy escalates quickly when the pressure gets too much.

When the revolution comes down, it will bring some serious bloodshed. No wonder the greatest boogieman the ruling class warns us all about is “Class Warfare”. The most distressing film of the week - 9/10!

🍿  

To catch a thief, Hitchock’s romantic thriller. The Good: Grace Kelly on the French Riviera, the ultimate glamour of the lifestyles of the rich and famous at Cannes and Nice, Hitchcock’s first (?) use of helicopter shots and modern car chases. The Bad: The genre roles & sexual politics of the husband-seeking unmarried young woman would not fly today.

I watched it solely because of this clip.

🍿 

2 with Brigitte Fossey (of ‘Jeux interdits’):

🍿 “...The square is mine!...”

I forgot that she played the grown-up Elena in Cinema Paradiso, one of Ennio Morricone’s most popular movies. And yes, without his magnificent score, the 3-hour long nostalgic trip to the heart of cinema, would not be half as enjoyable.

The question that was not well-answered was: Why did he not bother to visit his mother for 30 year? (Re-watch).

🍿 The happy road, a mediocre 1957 children comedy about 10 year old American boy and French girl, who escape from a Swiss boarding school, and hitchhike to Paris. Directed by and starring Gene Kelly, falling for the girl’s mother. 3/10.

🍿    

Inside, the new Willem Defoe survival thriller. He’s an art thief who breaks into a hi-end NYC penthouse of a wealthy art collector, intending to steal 3 paintings by Egon Schiele. But the security system traps him inside, and he’s unable to escape for many months. Captivating hi-concept and one-trick film, but a bit too long. 6/10.

🍿    

...”Never forget how much he loved you, Kubo”...

After being seriously obsessed with everything ‘Coraline’ all of last year, Adora moved on to Laika Studio’s next stop-motion animated story Kubo and the two strings. A Japanese-inspired action story about a one-eyed Samurai son who creates magical origami figures from his 3-stringed shamisen. But it was as if all the pretty parts were combined by an AI-engine. 4/10.

I will introduce her next to ‘The Iron Giant’, and ‘Isle of dogs’.

🍿    

First watch: The green room, one of the last few François Truffaut films I haven’t seen yet. In it, he plays a somber 1920′s journalist obsessed with death who builds a shrine to everybody he had lost. I love his human directing style, but this was a confusing mess. 2/10

🍿    

RIP, Ryuichi Sakamoto X 2:

🍿 In remembrance of his passing I started re-watching Bertolucci’s ‘The Last Emperor’, but to be honest, I got bored after 30 minutes; I blame the less than HD version of my pirated copy. So maybe I’ll try it another time.

Instead, I went back to my of favorite ‘Black Mirror' episodes, and the only one he composed the score for, Smithereens. It was directed by the same man who did my other cherished story ‘Hated in the nation’, and was also about online media frenzy that spirals out of control. This ‘Tyranny of the Screens’ parable received mixed reviews, because it wasn’t futuristic enough, but for my money it is a tense thriller on par with the best of them. 10/10.

Sakamoto’s dark score is subtle and minimal. You have to strain to notice it. Perfect!

...”This is my last day!”...

🍿 Psychedelic Afternoon, a 2013 animated short, featuring David Byrne, and released to raise money for children who survived the 2011 tsunami.

🍿  

‘Mad men’ is one of the few TV-shows I've seen, and I’ve seen it 3 or 4 times (including once last year). “Hazel” of YouTube ‘Dream Dimension Productions’ analyzes one “Perfect Scene” from Season 3 finale “Shut the door, have a seat”.

A terrific breakdown, which got me to watch it again, together with a few more.

Extra: Her ‘Netflix has a content problem’, which I also agree with, as I was attempting to avoid 90% of all their content.  

🍿   Talk to her, my 3rd unsatisfying film by Pedro Almodóvar (after ‘All about my mother’ and ‘The human voice’). A twisted story about two unappealing men who befriend each other at a clinic where they both care for comatose women. His editing choices and scattered direction, constantly focusing on unrelated detail in every scene turned me off. Some artistic perversions (like a silent film clip of a tiny man entering a giant vagina) notwithstanding. I guess I’m not a fan. 4/10.

🍿   2 more by Noah Baumbach (both with Adam Driver):

🍿 The last film I saw this week was also the best one:

I started watching the new Adam Driver dinosaur fantasy ‘65′. but it felt so stupid the moment Adam Driver opened his mouth, that I had to switch it off within 5 minutes. Instead, I turn to Marriage Story again. An absolute masterpiece, so painful and so true, for all divorced couples and parents of children of divorce. (That 10 minutes long scene at the apartment was raw! - Screenshot Above). 10/10 deservedly and without any reservations. 

(And now I must see ‘Two for the road’!)

🍿 (Actually, I ended up with his uneven While we’re young, which didn’t measure up to that. The milieu of hipster millennial poseurs and Brooklyn wannabe documentary filmmakers was uninteresting, and I also can’t stand Ben Stiller.)

Still I will look for the rest of his movies I had missed.

🍿

(My complete movie list is here)

[zooterchet]

The Failures of the Pashas (The Three Swords)

Joe Chill: Joseph Chilton, was a successful Macedonian mercenary, for generations, during the Punic Wars; the wars against Carthage, over the control of the white bloodline, held as sport and rape by "blacks", those of Sub-Saharan blood. A "Chinee", a Chinese prostitute incapable of Islam, a true Sunni, held bed to Joseph Chilton, and birthed Joseph Chill, a "junior"; the opposite of his father, a Rosecrucian, the order of Centurions. Mithras, the seizure of women as prostitutes, for a night, a guaranteed orgasm, and a child and lands and pastures, to make them women off of the street, having lost their fathers through war. An inclusion into Rome. Jesus, tucked in his right thumb, called an "imami", the slur for a homosexual, and broke rules, within law non-legalized, the code of the Gauls. You called him "Jesus"; prizefights, police badges, and wine bets, the origin of the athletics leagues, breeding the constable. The origin of the military tribunal, to kill him.

Adolf Hitler: Adolf Hitler, was the son of a military engineer, having outed a Catholic Cardinal for pederasty, the conversion of one of the Hitlers to Rabbinical order; however, the Rabbinical having Romalian blood, an "Azaz", angels, having jumped and bounded, in a living agony, despite having all the attributes of the Stasi, the Huns and Uighurs and Boers and Amish and Americans and Germans, the sacred points against Napoleon Bonaparte. A "Sheriff", the term for a political deacon, hired by any international actor, a politician, under Realpolitik's rules, out of embassy, those of Bismarck. Fire marshal, the mark of the Swastika, on the left pectoral or breast, breast if a woman, the father of Adolf having slain one, his son gay, under Calvinist code, not replied in type print of law, but in fact of transvestite observation. A homosexual dominatrix. Adolf, tucked his in his elbow at court's oath, called a "Jewish doctor", under code of testimony, and created a movement of beer swillers, killing Ernst Rohm, the "Boelyn", an innocent panda fighter, the creator of all of German culture and ales. You called him "Fuhrer"; creator of film arts, cinema, and psychiatric film, the creation of the movie part to determine medicine, a cop's drama. The origin of the castration clinic, having been stolen of semen by prostitute.

Ted Bundy: Theodore Charlebois, was removed from the Bombardiers, Philip J. Morris, and born through the McMahons, the World Wrestling Federation, the sales of cigarettes and Atavan, for pilots and from cats, a High House of Enver Pasha; that of the Harpoon brewing fortune, microbrews and state universities, all of the State Police, the Reserve Officers Training Corps, and the COBRA cop and teacher funds and court date appraisals, at his fingertips. He was CIA from birth, a child soldier, as marked on his DMV license, but was a whaling expert; spotting his market declined, he wrote nautical penmanship as "Buddy", the blood of Booth, the actor's stage wright, hunted by Israeli intelligence services, "Meir", since birth, "Fillmore Lodge"; the Rotary Association associated with strip malls, malls, and prison labor, a proper cop among the households of United States Presidencies, the intelligence adjuncts of the United States. The criminal guilds, this one being CRASH. He supborned a book on Spider-Man, early in the publication's run, teaching writers how to write backwards, a past news edifice, instead of forwards, and intended pattern of treaty, and therefore, to create a predictable pattern, a procedure drama. This was a pedophile, by judgement of his family, the Charleboises, and he was expelled, hunted by MI-6 assassin Alice O'Neill, Army intelligence Jeffrey Dahmer, Catholic friar Steven Charlebois, and Los Angeles police detective Richard Ramirez. Ted Bundy mastered print, and with it, the Grand Ol' Party turned to pederasty, with international scandal breaking out at dozens of murderers running through prostitutes circuits at the writer's duels, luring them into his realm, the written pen. In the end, he was seized, having killed a child for NAMBLA, and was put to death, by his conjugal liaison, a beautiful temptress in his mind, however the sex unsatisfying. It was his first, and last sex, having refused to see a hooker. His mark was the "Spider", a Hopkins, the middle and ring fingers tucked in, but he wasn't a Ludlow; he was a Charlebois, the name meaning "Cain"; the first murderer, the Inquistor's Oath.

[qnewsau]

Housekeeping for Beginners follows a queer chosen family

New Post has been published on https://qnews.com.au/housekeeping-for-beginners-follows-a-queer-chosen-family/

Housekeeping for Beginners follows a queer chosen family

Macedonian-Australian filmmaker Goran Stolevski’s award-winning film about a rowdy queer chosen family, Housekeeping For Beginners, is out in Australian cinemas this week.

It’s the gay writer-director’s follow-up to his queer romantic drama Of An Age, and the brilliant new domestic drama is also getting great reviews.

Housekeeping for Beginners got the prestigious Queer Lion Award after its world premiere at the Venice Film Festival.

Shortly after that, North Macedonia picked the queer flick as its international Oscar submission.

In the movie, set in North Macedonia, lesbian woman Dita never planned to be a mother, but became one anyway.

Living in capital city Skopje, Dita finds herself as the matriarch of a very crowded and chaotic house full of queer folk.

Young Mia is a bundle of energy. Vanesa is a rebellious teenager who’s desperate to branch out on her own.

Gay man Toni also lives under Dita’s roof with his younger lover Ali, who moves in after a one-night stand.

The family is rocked when Dita’s girlfriend gets a serious cancer diagnosis. She forces Dita to promise to take custody of her two daughters after she dies.

Dita must convince a very reluctant Toni to help her fight the homophobic legal system that threatens to tear their entire queer family apart.

Goran Stolevski on the origin of Housekeeping for Beginners

Goran Stolevski said the idea of making a film about a queer household came from a photograph. He saw the photo online of a gay couple living with eight queer women.

“There was an image I saw of a group of queer people living in a warehouse, essentially, in the ‘70s in Melbourne,” he told Filmink.

“I updated it to present day Macedonia… I grew up in a two bedroom apartment, there were six of us living in it.

“And that doesn’t count the 49 cousins that came in and out of the house every single day.

“That was what reality was to me. I’m still close with all of those cousins. I go back all the time to Macedonia.”

But Goran said, this particular story could be set anywhere.

“Macedonia is small and obscure and barely anyone has heard of it. But in terms of the way people live day to day, it’s much more similar to the majority of the world,” he said.

In the film, numerous characters are not only queer but also Romani, further putting them on the fringes in their own country.

“I don’t give a s__t about the politics or making a statement. I never expect to ever change anyone’s mind about anything,” Goran told Filmink.

“But I do believe in preserving that feeling of what day-to-day life was like for a certain kind of person in a certain time.

“If we don’t do it right now, it’s going to disappear, without a record.”

Housekeeping for Beginners is in select Australian cinemas on Thursday (May 9). Of An Age is streaming in Australia on Prime Video.

For the latest LGBTIQA+ Sister Girl and Brother Boy news, entertainment, community stories in Australia, visit qnews.com.au. Check out our latest magazines or find us on Facebook, Twitter, Instagram and YouTube.

[fox-and-his-friends-records]

(FOX012LP) MIRKO KRSTIČEVIĆ - ALL AND NOTHING AT ALL (FILM AND THEATRE MUSIC 1977 - 1988) LP

This is a collection of music for the various films and theatre plays by Mirko Krstičević, Croatian and Yugoslavian composer and musician active since 1970s. "All and Nothing at All (Film and Theatre Music 1978 - 1988)" ["Sve i ništa (Filmska i scenska glazba 1978. - 1988." in Croatian] focuses on his work for the underground and avant-garde cinema from the era: directors Ivan Martinac, Svemir Pavić, Lordan Zafranović, Aleksandar F. Stasenko and Vanča Kljaković are all part of the Split Cinema Club association; their work explores art, death, sexuality and eroticism. Krstičević compositions for various theatre plays are also included.

★ From the Original Master Tapes ★ LP Vinyl Gatefold LP ★ Extensive Liner Notes ★ Photographs from the Films ★ Direct Metal Mastering (DMM) by Record Industry NL ★ Standard Edition + Limited Edition with 12-page full color booklet with filmographies, essays and additional photographs (in Croatian and English) ★ First 100 hand-numbered copies with booklet are not available in stores. BUY HERE: https://foxandhisfriends.bigcartel.com

Svemir Pavić's portrait of surrealist painter Ljuba Popović, made in the same year as its counterpart by Walerian Borowczyk, features scenes form Beaubourg Gallery in Paris and Udo Kier as a guest. Side B of the record is all about theatre: plays by Sam Shepard, Rainer Werner Fassbinder and Jean Giraudoux were all produced in Sarajevo and Split in the 1980s, with the rare electronic takes by Mirko Krstičević and his subtle minimalist soundings of the themes from the Cold War era. This unique and diverse compositions by founder of the rock band Metak and sound studio Tetrapak from Split, are document of the time that is, especially in the closing Chernobyl theme, relevant again.

Composer, musician and musical arranger Mirko Krstičević was born in 1948 in Šibenik. He graduated in music theory at the Pedagogical Academy in Split and then at the Music Academy in Sarajevo. He studied composition with Josip Magdić, Mladen Pozajić and Miroslav Špiler. He is the co-founder of the Tetrapak music studio in Split, where numerous performers and musicians have recorded (Animatori, D'Boys, Haustor, Oliver Mandić, Gibonni, Srđan Marjanović, Stil, Trotakt Projekt and others).

Together with Ranko Boban and Momčilo Popadić, he founded the Metak group in the spring of 1978 in Prigradica on Korčula. In the group, he is the author of songs and lyrics, and he also plays the bass guitar. "Da mi je biti morski pas" is the group's most successful single, which in 1980 became one of the most played songs on radio and television. Metak performed in Belgrade in front of 70,000 people, and the media declared them the best group along with Macedonian Leb i sol. In compositional work and arrangements for other pop and rock artists, Krstičevic had high commercial success with Tutti Frutti Balkan Band, Biljana Petrović, Seid Memić Vajta, Pepel in kri, Osmi putnik, Oliver Dragojević , Đorđi Peruzović, Henda and others.

Parallel to his pop and rock career, Krstičević composed stage and film music for 45 films, mostly collaborating with the circle of experimental and amateur directors of the Split Cinema Club (Kino klub Split) as well as the rest of the local underground scene. He is the author of stage music for 130 theatre plays, and also records his own compositions in the field of contemporary music. He wrote over 30 works for solo instruments, 4 operas, chamber and symphonic music. He is the winner of numerous awards, lives and works in Split.

File under: Soundtrack, Stage, Electronica

TRACKS FILM SIDE: The Second Dreams (Theme from House on the Sand) The Torture (Theme from Time of Heroes) Motorcycle (Theme from The Exile) The Opening Night (Theme from Ljuba par lui même) In the Beaubourg Gallery (Theme from Ljuba par lui même) All and Nothing at All (Main Theme from All and Nothing at All) All and Nothing at All (Unused Theme from All and Nothing at All) Jere and Marija in the Room (Theme from Marjuča or Death)

TRACKS THEATRE SIDE The Bitter Tears of Petra von Kant I (Theme from The Bitter Tears of Petra von Kant) The Bitter Tears of Petra von Kant II (Theme from The Bitter Tears of Petra von Kant) Cassandra (Theme from The Trojan War Will Not Take Place) Peace (Theme from The Trojan War Will Not Take Place) Fourth Choir: Sun Ray (Theme from Biedermann und die Brandstifter) Second Choir: Marching Step (Theme from Biedermann und die Brandstifter) The Beginning before the Beginning (Theme from Fool for Love / Savage Love) She Runs Away (Theme from Fool for Love / Savage Love) Eddie Enters (Theme from Fool for Love / Savage Love) A Jerk (Theme from Fear and Hope of the German Federal Republic) Song 3 (Theme from Fear and Hope of the German Federal Republic) Chernobyl (Theme from Fear and Hope of the German Federal Republic)

Composed, arranged and all instruments performed by Mirko Krstičević. Clarinet on A4 by Ivica Borčić. Saxophone on B9 by Mate Carić. Guitar on B7 and B8 by Zlatko Brodarić. Additional instruments: Emax E-mu Systems Model 2100, Yamaha DX7, Fender Rhodes Piano, Korg Poly-61, Oberheim OB-Xa, Wurlitzer 200A, Electronic Piano, Linn Drum LM-2. Recorded at Studio Tetrapak, Split, 1978-1988. Recording engineer: Ivica Čović - Pipo

Executive producers, creative direction and audio-digitization: Leri Ahel & Željko Luketić Selected and programmed by Leri Ahel & Željko Luketić Research, liner notes & music editing by Željko Luketić Artwork by Martin Peranović Mastering by Toni Milohanić (at Ambulanta 2 Studio) DMM cut by Record Industry Netherlands Rights Society: HDS/BIEM ©℗ 2024 Fox & His Friends Records

©℗ 2024 Fox & His Friends Records

Links:

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[productsreviewings]

There is a fixed flood of recent films on HBO Max, which is without doubt one of the many causes we have chosen it for the most effective streaming service. February 2023 brings a batch of nice new films, together with the Sandra Bullock/George Clooney house thriller Gravity, the 2023 film Empire of Mild and the acclaimed documentary Honeyland.The catalog of the most effective HBO Max films is stacked with outdated classics and new blockbusters. A number of 2023 Oscar-nominated films are streaming on the service, together with Inishrin and Elvis' Banshees. Earlier than we get to the large checklist of recent films on HBO Max this month, let's check out our prime three picks:New Motion pictures on HBO Max: Editor's PicksEmpire of Mild (2023)Sam Mendes' movie obtained blended opinions (leaning extra in direction of the destructive, to be sincere), regardless of his acclaimed physique of labor and the casting of Olivia Colman within the lead function. Just like the splashier Babylon, Empire of Mild is a love letter to cinema. Coleman is a small theater supervisor in a sleepy English coastal city. He suffers from psychological well being issues that require him to work. When a brand new black colleague (Michael Ward) joins the employees, romance blossoms between them. However life has turned out to be rather more difficult than the films.on HBO Max (opens in new tab) From 7 FebruaryGravity (2013)So far as harmful jobs go, astronauts should be on the prime of the checklist. Alfonso Cuaron's thriller will get your pulse pounding because the story follows two astronauts stranded in deep house. Dr. Ryan Stone (Sandra Bullock) is a medical engineer on his first shuttle mission, whereas Commander Matt Kowalski (George Clooney) is a veteran on his final flight earlier than retirement. Throughout a daily house stroll, catastrophe strikes and destroys the shuttle. They haven't any hope of rescue with out the possibility of distance... in the event that they enterprise deeper into house.From February 23 on HBO MaxHoneyland (2019)The acclaimed Macedonian documentary Honeyland is the primary movie to obtain Oscar nominations for each Greatest Worldwide Characteristic Movie and Greatest Documentary Characteristic. It follows Hatija Muratova, a beekeeper within the distant mountains of northern Macedonia, who makes use of historical traditions to domesticate honey. The arrival of a brand new neighbor disrupts his life and livelihood. Administrators Tamara Kotevska and Ljubomir Stefanov use Muratova's story to look at problems with local weather change, useful resource depletion and the impression of consumerism on the pure world.on HBO Max (opens in new tab) From February 1New films on HBO Max on February 1Acts of Vengeance, 2017 (HBO)One other nation, 2023A Watchman, 2018 (HBO)Blair Witch, 2016 (HBO)Birdman or (The Surprising Advantage of Ignorance), 2014 (HBO)Blame it on Rio, 1984 (HBO).Bride Wars, 2009 (HBO)Bull Durham, 1988 (HBO)Cannot Hardly Wait, 1998, (HBO)On line casino Royale, 2006 (HBO)Catch Me If You Can, 2002 (HBO)Come and Discover Me, 2016 (HBO)Cooties, 2014 (HBO)Diamonds Are Without end, 1971 (HBO)Do not Play Us Low-cost, 1972Dr. No, 1962 (HBO)Eighth Grade, 2018 (HBO)Actuality: Love Off the Grid, Season 1Meals: Hungry for SolutionsFootloose, 1984 (HBO)Drive Majeure, 2014 (HBO)Lady with a Pearl Earring, 2003 (HBO)Goldeneye, 1995 (HBO)Good Boy!, 2003 (HBO)Gossip, 2000 (HBO)Graffiti Bridge, 1990 (HBO)Hannibal, 2001 (HBO)Heist, 2001 (HBO)Excessive Society, 1956Honeyland, 2019 (HBO)Resort for Canines, 2009 (HBO)How I Stay Now, 2013 (HBO)I am Wrath, 2016 (HBO)Simply Trigger, 1995 (HBO)Stay Free or Die Laborious, 2007 (HBO)Luce, 2019 (HBO)Mandavi, 1968 Model Two: On the Transfer, 1991 (HBO)Mermaids, 2003 (HBO)Murakar, 1979 (HBO)By no means Develop Previous, 2019 (HBO)Nyaye, 1964Nothing Just like the Holidays, 2008 (HBO)Octopusy, 1983 (HBO)Personal: Nice Soul Meals Prepare dinner OffPen and Pencil, 2023Individual

to Individual, 2017 (HBO)Platoon, 1986 (HBO)Quantum of Solace, 2008 (HBO)Pink, 2010 (HBO)Scary Film, 2000 (HBO)Scary Film 2, 2001 (HBO)Scary Film 3, 2003 (HBO)Sleepy Hole, 1999 (HBO)So I Married an Ax Assassin, 1993House is the Place, 1974 Superbad, 2007Suspect Zero, 2004 (HBO)Swiss Military Man, 2016 (HBO)Take This Waltz, 2011 (HBO)Taxi Driver, 1976Thanks for Sharing, 2012 (HBO)The Artwork of Self-Protection, 2019 (HBO)The most effective of Blaxploitation The Crazies, 2010 (HBO)The Dwelling Daylights, 1987 (HBO)The Man with the Golden Gun, 1974 (HBO)The Man Who Stares at Goats, 2009 (HBO)The Mexican, 2001 (HBO)The Miracle Employee, 1962 (HBO)The Monster, 2016 (HBO)The Music Man, 1962The Present, 2020 (HBO)The Silence of the Lambs, 1991 (HBO)The Story of the Three Day Cross, 1967The Terminator, 1984 (HBO)Vow, 2012Throw Mama from the Practice, 1987 (HBO)Thunderball, 1965 (HBO)Tommy Boy, 1995 (HBO)Tomorrow By no means Dies, 1997 (HBO)The Village of the Cursed, 1960Warfare of the Worlds, 2005 (HBO)Wayne's World, 1992 (HBO)Wayne's World 2, 1993 (HBO)White Fowl in Blizzard, 2014 (HBO)You Solely Stay Twice, 1967 (HBO)February 2 New Motion pictures on HBO MaxDionne Warwick: Do not Make Me Over, Max Authentic Premiere Tremendous Villains, The Investigation (aka Supervillains, l'enquête), Max Authentic Premiere February 3 New Motion pictures on HBO MaxThe Hobbit: The Battle of the 5 Armies, 2014 Prolonged Version (HBO)February 7 New Motion pictures on HBO MaxAll That Breaths, 2023 (HBO)Fringe of Tomorrow, 2014 (HBO)Empire of Mild, 2023 (HBO)New Motion pictures on HBO Max February 23Extra new films to observe on-lineYou most likely have extra streaming companies outdoors of HBO Max. So, we suggest you to take a look at the checklist of what is new on Netflix. That checklist contains each films, exhibits and different specials. We even have a calendar of recent films on Amazon Prime Video. Take a look at our checklist of the highest new films it's best to watch on-line this week for the newest set of movie suggestions.

[mellxncollie]

It's a different kind of love, hon. But just as strong. The strongest.

Housekeeping for Beginners (2023) dir. Goran Stolevski

[thequeereview]

Exclusive Interview: Goran Stolevski for Of An Age

Writer-director-editor Goran Stolevski’s achingly romantic and emotionally potent sophomore feature, Of An Age, opened Queer Screen’s 30th Mardi Gras Film Festival this week and is playing in US cinemas from today. The Macedonian-born, Australian-raised queer filmmaker followed his Sundance award-winning short Would You Look At Her by directing several episodes of the fourth season of Nowhere…

[laplanetesauvage1]

Before the Rain / Пред дождот (1994)

[thejewofkansas]

The Weekly Gravy #22

Well, that was a hell of a week, no? Gonna be feeling the effects of that for a while. I didn’t get a ton of movies watched this week, although less because of the news and more because I was out of town over the weekend and working most of yesterday. So I only have two major reviews this time, but they’re both pretty important films for this point in time—and they’re both really good! And we…

[lostgoonie1980]

97. Honeyland (Медена земја / Honeyland, 2019), dir. Tamara Kotevska & Ljubomir Stefanov

[cinemarthek]

Kako ubiv svetec (How I Killed a Saint | Teona Strugar Mitevska | 2004)

La mujer sin cabeza (The Headless Woman | Lucrecia Martel | 2008)