#London product photographer

[happywebdesign]

CANADA

[grandmaster-anne]

Great-grandchildren of Mary, Princess Royal and Countess of Harewood

via George Lascelles, 7th Earl of Harewood → Hon. James Edward Lascelles

Sophie Amber Lascelles Pearce (1973)

Rowan Nash Lascelles (1977)

Tanit Lee Lascelles (1981)

Tewa Ziyane Robert George Lascelles (1985)

[chloekempson]

As a London-based commercial photographer specializing in beauty, skincare, jewellery, and makeup photography, I'm excited to share my latest article on the behind-the-scenes process of commercial beauty photoshoots with a London makeup brand. From pre-production planning to on-set production and post-production editing and retouching, there's so much that goes into creating stunning imagery that accurately reflects a brand's message and values.

Check out the article to learn more about the key aspects of successful commercial beauty photography and how they can help you achieve your brand's creative vision. And if you're looking for a highly skilled and experienced commercial beauty photographer in London, feel free to get in touch to discuss your project and learn more about my services.

[pinetreestudios12]

Elevate Your Brand with Expert Lifestyle Product Photography Services

Investing in lifestyle product photography services are essential for brands looking to elevate their marketing efforts. Unlike traditional product photography, which regularly focuses completely on the item itself, lifestyle photography captures products in real-global settings, showcasing them in use and demonstrating their price to ability customers. This approach creates a story that resonates with consumers, permitting them to envision how the product suits their personal lives.

By utilizing the way of life product picture offerings, organizations can decorate their logo identity and engage audiences more effectively. High-high-quality photographs no longer simply appeal to attention but additionally build acceptance as true and credibility. When customers see products being used by relatable people in genuine conditions, it fosters an emotional connection that static pictures virtually cannot achieve.

Furthermore, those services are flexible and can be tailor-made to healthy various platforms—whether it is social media campaigns, e-commerce websites, or print classified ads. In a crowded market wherein first impressions count number immensely, making an investment in expert way-of-life product pictures can set your logo other from the competition and drive sales like by no means earlier than. Don't pass over in this possibility to convert your marketing strategy; make lifestyle product photography a concern nowadays!

Source URL: https://lifestyleproductphotographyservices.blogspot.com/2024/10/the-best-lifestyle-product-photography.html

[martinworsterphotography]

Martin Worster's Luxurious Product Photography Will Boost Your E-Commerce

Get the premium product photography of Martin Worster to improve your online presence. Martin specializes in crisp, well-composed shots and provides studio and on-location services to present your goods in the best possible light. obtainable for global projects.

Book Now: https://martinworsterphotography.com/product/

[sheltiechicago]

Tree One by ecoLogicStudio © COURTESY YOON JOONHWAN

EcoLogicStudio Grows Air-Purifying Architecture with Algae

London-based architects Claudia Pasquero and Marco Poletto draw on the intrinsic intelligence of natural organisms and artificial intelligence to create structures that turn pollutants into clean air.

AirOffice by ecoLogicStudio ©MATTHIEU CROIZIER

Tree One by ecoLogicStudio ©YOON JOONHWAN

Air Bubble by ecoLogicStudio installed in Cairo ©CREWMOON MEDIA PRODUCTION EGYPT

[howlettphoto]

Mastering the Art of Diamond Photography: A Guide to Capturing Brilliance

Diamonds are revered for their exquisite beauty and brilliance, but capturing their essence in a still life photograph can be a challenging endeavor. However, with the right techniques and a little understanding of light composition and product photography, you can showcase the true allure of these precious gemstones. In this blog post, we will explore the art of diamond still life jewellery photography and provide you with valuable tips to help you capture stunning images that do justice to their timeless elegance.

Set the Stage:

Creating an ideal environment for diamond photography is crucial. Start by selecting a clean, uncluttered background to ensure that the focus remains solely on the diamonds. A neutral-colored background, such as white or black, is often preferred to enhance the gemstone's brilliance. You can also experiment with complementary colors to add a touch of creativity to your compositions. When using textured backgournds like the sand shot on the left, consider how it will effect the over all image when shot in macro.

Lighting is Key:

Lighting plays a vital role in diamond photography as it affects the stone's sparkle and scintillation. Natural diffused light is ideal for capturing the brilliance of diamonds. In some situation i would suggest to avoid using harsh, direct light, as it can create unwanted reflections and shadows however you can combine shots togheter to create a balance. Use a soft box or scrim to evenly illuminate the diamond. Experiment with the angle and intensity of light to achieve the desired effect.

Use Reflective Surfaces:

To amplify the diamond's sparkle, consider incorporating reflective surfaces into your setup. A piece of white foam core or a mirror strategically placed can bounce light back onto the diamond, enhancing its brilliance and adding depth to your photographs. Experiment with different angles and positions to find the perfect balance of reflections.

Macro Photography:

Macro photography allows you to capture the intricate details of a diamond. Use a macro lens or macro extension tubes to achieve a close-up shot that reveals the gemstone's facets, clarity, and unique characteristics. Pay attention to the focus and ensure that the most important aspects of the diamond, such as its table and crown, are sharp and well-defined.

Tripod and Remote Shutter Release:

To achieve sharp images and minimize camera shake, it's advisable to use a tripod for stability. Mount your camera securely and use a remote shutter release or timer to capture the shot without touching the camera. This technique ensures maximum sharpness, especially when shooting with longer exposure times.

Composition and Angles:

Experiment with different angles and compositions to highlight the diamond's beauty. Try shooting from various perspectives, such as top-down, side-view, or even at an angle to capture interesting reflections and patterns. Play with negative space to draw attention to the gemstone, and consider using a shallow depth of field to create a pleasing bokeh effect, isolating the diamond from the background.

Post-Processing:

After capturing your diamond photographs, post-processing can enhance the final results. Use photo editing software like Adobe Photoshop or Lightroom to adjust exposure, contrast, and color balance. Be careful not to overdo the edits, as maintaining the natural beauty of the diamond should be the primary goal.

Conclusion:

Photographing diamonds requires a blend of technical knowledge, artistic vision, and attention to detail. By understanding the principles of lighting, composition, and macro photography, you can capture stunning images that convey the brilliance and allure of these exquisite gemstones. Remember to experiment, be patient, and let your creativity shine through. With practice and perseverance, you'll master the art of diamond photography and create captivating visuals that showcase these timeless treasures in their full glory.

[dandelionsresilience]

Good News - July 15-21

Like these weekly compilations? Tip me at $kaybarr1735! (Or check out my new(ly repurposed) Patreon!)

1. Thai tiger numbers swell as prey populations stabilize in western forests

“The tiger population density in a series of protected areas in western Thailand has more than doubled over the past two decades, according to new survey data. […] The most recent year of surveys, which concluded in November 2023, photographed 94 individual tigers, up from 75 individuals in the previous year, and from fewer than 40 in 2007. […] A total of 291 individual tigers older than 1 year were recorded, as well as 67 cubs younger than 1 year.”

2. Work starts to rewild former cattle farm

“Ecologists have started work to turn a former livestock farm into a nature reserve [… which] will become a "mosaic of habitats" for insects, birds and mammals. [… R]ewilding farmland could benefit food security locally by encouraging pollinators, improving soil health and soaking up flood water. [… “N]ature restoration doesn't preclude food production. We want to address [food security] by using nature-based solutions."”

3. Harnessing ‘invisible forests in plain view’ to reforest the world

“[… T]he degraded land contained numerous such stumps with intact root systems capable of regenerating themselves, plus millions of tree seeds hidden in the soil, which farmers could simply encourage to grow and reforest the landscape[….] Today, the technique of letting trees resprout and protecting their growth from livestock and wildlife [… has] massive potential to help tackle biodiversity loss and food insecurity through resilient agroforestry systems. [… The UN’s] reported solution includes investing in land restoration, “nature-positive” food production, and rewilding, which could return between $7 and $30 for every dollar spent.”

4. California bars school districts from outing LGBTQ+ kids to their parents

“Gov. Gavin Newsom signed the SAFETY Act today – a bill that prohibits the forced outing of transgender and gay students, making California the first state to explicitly prohibit school districts from doing so. […] Matt Adams, a head of department at a West London state school, told PinkNews at the time: “Teachers and schools do not have all the information about every child’s home environment and instead of supporting a pupil to be themselves in school, we could be putting them at risk of harm.””

5. 85% of new electricity built in 2023 came from renewables

“Electricity supplied by renewables, like hydropower, solar, and wind, has increased gradually over the past few decades — but rapidly in recent years. [… C]lean energy now makes up around 43 percent of global electricity capacity. In terms of generation — the actual power produced by energy sources — renewables were responsible for 30 percent of electricity production last year. […] Along with the rise of renewable sources has come a slowdown in construction of non-renewable power plants as well as a move to decommission more fossil fuel facilities.”

6. Deadly cobra bites to "drastically reduce" as scientists discover new antivenom

“After successful human trials, the snake venom antidote could be rolled out relatively quickly to become a "cheap, safe and effective drug for treating cobra bites" and saving lives around the globe, say scientists. Scientists have found that a commonly used blood thinner known as heparin can be repurposed as an inexpensive antidote for cobra venom. […] Using CRISPR gene-editing technology […] they successfully repurposed heparin, proving that the common blood thinner can stop the necrosis caused by cobra bites.”

7. FruitFlow: a new citizen science initiative unlocks orchard secrets

“"FruitWatch" has significantly refined phenological models by integrating extensive citizen-sourced data, which spans a wider geographical area than traditional methods. These enhanced models offer growers precise, location-specific predictions, essential for optimizing agricultural planning and interventions. […] By improving the accuracy of phenological models, farmers can better align their operations with natural biological cycles, enhancing both yield and quality.”

8. July 4th Means Freedom for Humpback Whale Near Valdez, Alaska

“The NOAA Fisheries Alaska Marine Mammal Stranding Hotline received numerous reports late afternoon on July 3. A young humpback whale was entangled in the middle of the Port of Valdez[….] “The success of this mission was due to the support of the community, as they were the foundation of the effort,” said Moran. [… Members of the community] were able to fill the critical role of acting as first responders to a marine mammal emergency. “Calling in these reports is extremely valuable as it allows us to respond when safe and appropriate, and also helps us gain information on various threats affecting the animals,” said Lyman.”

9. Elephants Receive First of Its Kind Vaccine

“Elephant endotheliotropic herpesvirus is the leading cause of death for Asian elephants (Elephas maximus) born in facilities in North America and also causes calf deaths in the wild in Asia. A 40-year-old female received the new mRNA vaccine, which is expected to help the animal boost immunity[….]”

10. Conservation partners and Indigenous communities working together to restore forests in Guatemala

“The K’iche have successfully managed their natural resources for centuries using their traditional governing body and ancestral knowledge. As a result, Totonicapán is home to Guatemala’s largest remaining stand of conifer forest. […] EcoLogic has spearheaded a large-scale forest restoration project at Totonicapán, where 13 greenhouses now hold about 16,000 plants apiece, including native cypresses, pines, firs, and alders. […] The process begins each November when community members gather seeds. These seeds then go into planters that include upcycled coconut fibers and mycorrhizal fungi, which help kickstart fertilization. When the plantings reach about 12 inches, they’re ready for distribution.”

July 8-14 news here | (all credit for images and written material can be found at the source linked; I don’t claim credit for anything but curating.)

[peacephotography]

Metamorphosis, a London-based firm growing food underground, 2022 The intersection between technology and agriculture informs this series, examining radical responses to the varied difficulties facing food production.

Photograph: Joanna Vestey

[royalteachitchat]

Wow! 👏👏👏 JDEadonWriter on X, put this amazing post out today. Check this out!

Are Meghan Markle's kids FAKE? 🤔

Megnant

1 Size: Bump drastically altering in size, even in a single day 😯

2 Slip: Bump slipped down to her knees in Birkenhead, UK 😯

3 Wobble: Bump wobbled side-to-side as she crossed the street. 😯

4 Clutching: Supporting her bump with her hands overly often. 🤔

5 Popping: audibly popped in a video, and wafted her clothes😯

6 Shape: Bump unnaturally shaped on Netflix🤔

7 Straps: Moonbump straps outlines visible under clothing in several photos. And something snapped, impacting the clothing fabric (video of H&M in London)😯

8 Biology: An absence of swelling of ankles, and other subtle biological (non)signs.🤔

9 Holding: Carrying a (doll?) infant on her bump, instead of on her hip.🤔

10 Squats: Squatting, effortlessly, with her knees together in videos and photos. In heels.😯

Births

11 Announcements: Royal official birth announcements are indirect. One states they are delighted "by the news of the" (not by the actual) birth.🤔

12 Coverup? A medic who certified a birth closed down her practice shortly afterwards.😯

13 Certificates: Questions linger over the birth certificates signatures, etc.🤔

14 Leak: An official Royal twitter account tweet indicated that Meghan’s kids are fake, before being taken down. An innocent prank?😁

15 Recovery: Epidural (ouch!) birth in a bath description anomalies and arriving home too soon afterwards to be quite plausible.🤔

16 Born Of Body?: Meghan allegedly told a friend she was infertile, when at college, and there was a reported alleged hysterectomy before the births.

17 Silence: Meghan is silent on her claimed births, despite always flashing her bump; having a "Capacity for over sharing"; boasting about being a “Mom”, and always talking about herself (apparently) on her feminist podcast. 🤔

Rented Infants

18 Archie Model: The real parents of the infant predominantly shown in Archie photos are identified. 💥

19 Lilibet Model: Parents of the infant shown in Lilibet photos are identified.💥

20 Loan: Mother of “Lilibet” commented on Insta that she does not "loan" her daughter to Meghan any longer.😯

21 Shape-Shifting: Different infants used in photos of both Archie and Lilibet.😯

22 Photoshopping: A litany of incompetently-photoshopped “family” photos. (A huge topic in itself).🤔

Dolls

23 Reborn Doll: Seemingly cradling a doll (a product called Darren) in official photo of Archie 🪆

24 Party Doll: Meghan seemingly cradled a similar doll when gate-crashing a polo match party, begetting astonished looks.😯

25 Bumpy Ride: Meghan seemed to be lugging an inanimate doll on top of her bump through some woods in Canada. Whilst grinning at a hired pap.🪆

26 Twisted: In one photograph, Archie's head is twisted more than 90 degrees 🪆

27 Carrying: A high % of photographs show them carrying the “kids” 🪆

28 Backs-Turned: A high % of Photos are of kids facing away from the camera 🤔

Other Oddities

29 Website: A startling absence of updates of Royal website on Meghan’s offspring.🤔

30 Bishop: Los Angeles christening cleric was not the official Bishop the Harkles claimed he was.🤔

31 Implausible Platitudes: Claiming Archie’s first word was “Crocodile”, and that he demands a Leica camera for his birthday. As tots do...🤔

32 Merch: An uncharacteristic unwillingness to merchandise their kids, for $$$ or PR.🤔

33 Invisible: The Harkles are never seen with their kids. There are hints of "home schooling" (will they ever be allowed out?)😯

34 Family Holidays: Weirdly, the Harkles never take their kids on holiday, and, if they pretend they did, they incompetently photoshop them into pap snaps on Insta.🤔

35 Everything Else: All the stuff I overlooked in this hastily speed-typed list.🤔

🤔🤔🤔

Why does it matter? 🤔

Because rich Prince Harry wants we skint, long-suffering tax payers, to pay for his security expenses; he’s a traitor, and, well, it’s fraud, isn’t it? 💥

Feel free to leave evidence I missed out in the comments. 👍

#MeghanMarkleIsAGrifter

#MeghanMarkleExposed

#WhereAreTheKids

#sussexbabyscam

[chaoticnutcase]

On the 19th of June 1973, The Rocky Horror Show had its official opening night in the 63 seat Royal Court Theatre Upstairs, London.

This photograph of Tim Curry as the now iconic Frank N Furter was taken by Leslie Hamilton. The image was captured approximately 1 week before the original production began previews and when it was presented to Tim for him to sign he reminisced that he “had blue hair in the picture, and it was taken before I learned how to pose.”

[happywebdesign]

Alastair Strong Studio

[ludmilachaibemachado]

During the production of A Hard Day's Night the Beatles enjoyed several weeks of living a 9 to 5 type schedule and having many evenings free. Astrid Kirchherr visited from Hamburg and photographed the Beatles and their families on set and during intimate moments at home in London and Liverpool🌼🌹🌸

Via 1964 - Beatles at Home in London & Liverpool FB🌷

Via Something About the Beatles’ Girls FB💐

[complementaryhalves]

here, have about 1k of unedited random paulos stuff. might continue it, might not

set on media day in Austin, warning for implied future cheating/debatably open relationships (i haven't decided)

Over nearly ten years spent in Formula One, Carlos has learned that most paddock VIP guests fall into one of two categories: either they’re people he’s never heard of and cares very little about, or they’re celebrities he knows and admires. In the first case, he usually has to rely on the info given by his media officer to hold a few minutes of awkward small talk, take a few photographs for social media, and then forget their names as soon as they're gone. In the second case,  he’s normally more excited and happier to engage. He often asks questions about their field of work, and gladly answers any they might have about his. A few times, like with Will Smith in Baku, he got properly starstruck, leading his teammate to make fun of him for being too flustered.

The experience of meeting Paul Mescal falls somewhere in between those two extremes.

He knows who the guy is—caught a few moments of a show he’s in that Rebecca occasionally rewatches, just enough to see that he was handsome and quite talented, at least in Carlos’ uneducated opinion. When he saw that he would star in the new Gladiator, he wasn’t all that against it. Sure, he was no Russel Crowe, but he had the look, and surely he could be convincing.  

When Ferrari told them they would do a collaboration with the film, Carlos was elated. He may not care about fashion as much as Charles, but he did enjoy working with Rocco on their outfits for the London premiere, and the thought of walking the red carpet among movie stars was exciting, in its own strange way. He even had Rebecca give him some posing lessons, mostly for fun. He was sure that once there he would forget all of her advice, but it would be fine—or so Silvia swore.

She was the one who told them Paul would join them for media day in Austin to be photographed with them and film some content, and Carlos was happy enough. He would have preferred to meet Pedro Pascal, but he could settle for the less famous guy. It would be easier, he thought. When he told Rebecca, he joked that he was glad she couldn’t be there to meet him, feigning a jealousy he didn’t feel, and she laughed and informed him that he’s got a girlfriend anyway.

It was only when they actually met, Thursday morning in Austin, that he realised there was little to joke about.

Paul Mescal, Carlos discovers on that warm Texan morning, is an extremely pleasant person to be around. More handsome in person than he is on-screen, at least from what Carlos remembers of that show he did. Casual in a way that looks intentional, handsomely scruffy, with a hint of edginess in the simple silver earring that keeps catching the sunlight as they talk outside the garage. He’s also funny, well-spoken, polite, easy-going. Eager to know more about what it is to be an F1 driver, happy to answer all of Carlos’ questions about what it is to star in a production like the Gladiator, excited to take part in the silly games the media team has devised for them.

Another characteristic Carlos notices about Paul quite early on is that he’s quite the flirt. Carlos knows the type—he’s had that kind of banter with Daniel or Nico before, and he knows how to take it in stride without thinking much of it and to give back the same energy just for the fun of it, with no real intentions behind it.

When Paul asks him if he’d give him a hot lap in a Ferrari, Carlos shrugs a light-hearted “sure”, dares him to name a model he’d like to try, and laughs when Paul grins and says, “I don’t care as long as it’s red and it’s got you at the wheel.”

A bit later, after Carlos has asked his many questions about making films, Paul asks him whether he’s considering a career change. When Carlos snorts his dissent, saying he definitely doesn’t have that talent, Paul gives him a once-over and tells him he’s surely got the look, to which Carlos laughs an unserious thanks.

And then again, when they somehow end up talking about Gaelic football, Paul laughs at Carlos’ obvious confusion about the rules, and proposes instead he should just take him to see a game back in Ireland. Genuinely interested in the proposal, Carlos enthusiastically says he’d gladly accept the invitation, before adding that his girlfriend would surely also enjoy a trip to Ireland. If the conversation becomes a bit stilted after that, he thinks nothing of it, and shortly after the three of them are ushered inside so they can get ready to film the challenge.

Charles stops him by the door while Paul is taken away by his media rep for a last minute briefing and make up check, and after putting a hand on his shoulder, he gives him an amused look and says, “You really broke his heart right then.”

When Carlos gives him an inquisitive look, silently asking him to elaborate, Charles widens his eyes and laughs at him, openly mocking.

“Mate, you really didn’t notice? He’s been flirting with you since he got here.”

“No, he hasn’t,” Carlos responds, making a face. Charles always thinks people they meet are after them in that sense; Carlos never agrees. “He’s just friendly.”

Predictably, Charles rolls his eyes. “He wasn’t that friendly to me.”

Grinning, Carlos wiggles an eyebrow at him. “Maybe he doesn’t like you.”

“Fuck off,” Charles scoffs, pushing his shoulder. “Everyone likes me,” he says, and while Carlos makes a sarcastic ‘yeah, sure’ face, he adds, “He was just nicer to you so he can get in your pants.”

“Don’t be crass, Charles. It doesn’t suit you,” Carlos responds with a disgusted grimace before shrugging his hand away.

Charles raises his hands, signalling that he’s giving up on that conversation, and thankfully, Carlos can’t think too hard about what he said. Ollie just entered the room, and Silvia is coming over to explain to them what games they planned for the video.

[pers-books]

Obituary

William Russell obituary

Stage and screen actor who was part of the original cast of Doctor Who

Michael Coveney Tue 4 Jun 2024 17.40 BST

William Russell, left, as Ian Chesterton, with William Hartnell as the Doctor, Jacqueline Hill as Barbara and Carole Ann Ford as Susan in the Doctor Who serial The Keys of Marinus, 1964. Photograph: BBC

On 23 November 1963 – the day after the assassination of President John F Kennedy – the actor William Russell, who has died aged 99, appearing in a new BBC television series, approached what looked like an old-fashioned police box in a scrapyard, from which an old chap emerged, saying he was the doctor. Russell responded: “Doctor Who?”

And so was launched one of the most popular TV series of all time, although the viewing figures that night were low because of the political upheaval, so the same episode was shown again a week later. It caught on, big time, with Russell – as the science schoolteacher Ian Chesterton – and William Hartnell as the Doctor establishing themselves alongside Jacqueline Hill as the history teacher Barbara Wright and Carole Ann Ford as Susan Foreman.

Russell stayed until 1965, returning to the show in 2022 in a cameo appearance as Ian and, since then, participating happily in all the hoop-la and fanzine convention-hopping, signing and schmoozing that such a phenomenon engenders.

Before that, though, Russell had achieved prominence in the title role of the ITV series The Adventures of Sir Lancelot (1956-57) – he was strongly built with an air of dashing bravado about him; he had been an RAF officer in the later stages of the second world war – and as the lead in a 1957 BBC television adaptation of Nicholas Nickleby, transmitted live in 18 weekly episodes.

William Russell on the set of the 1950s television series The Adventures of Sir Lancelot. Photograph: Mirrorpix/Getty Images

When Sir Lancelot went to the US, the first British TV import to be shot in colour for an American audience, Russell rode down Fifth Avenue on a horse in full regalia, like some returning, mystical, medieval knight in the heart of Normandy. The show was a smash hit.

By now he was established in movies, playing a servant to John Mills in The Gift Horse (1952) and a clutch of second world war action movies including They Who Dare (1954) opposite Dirk Bogarde, directed by Lewis “All Quiet on the Western Front” Milestone – he met his first wife, the French model and actor Balbina Gutierrez on a boat sailing to Cyprus to a location shoot in Malta – and Ronald Neame’s The Man Who Never Was (1956), the first Operation Mincemeat movie, in which he played Gloria Grahame’s fiance.

Until this point in his career, he was known as Russell Enoch. But Norman Wisdom, with whom he played in the knockabout comedy farce One Good Turn (1955) objected to his surname because he felt (oddly) that it would publicise a vaudevillian rival of his called Enoch. So, somewhat meekly, and to keep Wisdom happy, he became William Russell, although, in the 1980s, for happy and productive periods with the Actors Touring Company and the RSC, he reverted to the name Russell Enoch. Later, he settled again on William Russell. All very confusing for the historians. His doorbell across the road from me in north London bore the legend “Enoch”.

He was born in Sunderland, the only child of Alfred Enoch, a salesman and small business entrepreneur, and his wife, Eva (nee Pile). They moved to Solihull, and then Wolverhampton, where William attended the grammar school before moving on to Fettes college in Edinburgh and Trinity College, Oxford, where his economics tutor was the brilliant Labour parliamentarian Anthony Crosland.

But Russell didn’t “get” the economics part of the PPE (philosophy, politics and economics) course and switched, much to Crosland’s relief, to English. In those years, 1943-46, he worked out his national service and appeared in revues and plays with such talented contemporaries as Kenneth Tynan, Tony Richardson and Sandy Wilson.

Derek Ware, a fight co-ordinator, runs through a scene with Russell during a break in filming the Doctor Who story The Crusades at the BBC studios, Ealing, in 1965. Photograph: Mirrorpix/Getty Images

On graduating, he played in weekly rep in Tunbridge Wells, fortnightly rep at the Oxford Playhouse and featured, modestly, in the Alec Guinness Hamlet of 1951 at the New (now the Noël Coward) theatre. He had big roles in seasons at the Bristol Old Vic and the Oxford Playhouse in the early 60s, while on television he was in JB Priestley’s An Inspector Calls with John Gregson, and was St John Rivers in Jane Eyre.

He played Shylock and Ford (in the Merry Wives of Windsor) in 1968-69 at the Open Air, Regent’s Park, before joining the RSC in 1970 as the Provost in Measure for Measure (with Ian Richardson and Ben Kingsley), Lord Rivers in Norman Rodway’s Richard III and Salisbury in a touring King John, with the title role played by Patrick Stewart.

His billing slipped in movies, but he played small parts in good films such as Superman (1978), starring Christopher Reeve, as one of the Elders; as a passerby drawn into the violence in the Spanish-American slasher film Deadly Manor (1990); and in Bertrand Tavernier’s Death Watch (1980), a sci-fi futuristic fable about celebrity, reality TV and corruption, starring Romy Schneider and Harvey Keitel.

With John Retallack’s Actors Touring Company in the 80s, he was a lurching, apoplectic Sir John Brute in John Vanbrugh’s The Provok’d Wife, possessing, said Jonathan Keates in the Guardian, “a weirdly philosophical elegance”; a civilised Alonso, expertly discharging some of the best speeches in The Tempest; and a quick-change virtuosic king, peasant, soldier and tsar in Alfred Jarry’s 1896 surrealist satire Ubu Roi in the Cyril Connolly translation.

Back at the RSC in 1989, he was the courtly official Egeus in white spats (Helena wore Doc Martens) in an outstanding production of A Midsummer Night’s Dream by John Caird, and both the Ghost and First Player in Mark Rylance’s pyjama-clad Hamlet directed by Ron Daniels. In 1994 he took over (from Peter Cellier) as Pinchard in Peter Hall’s delightful production of Feydeau’s Le Dindon, retitled in translation An Absolute Turkey, which it wasn’t.

He rejoined Rylance in that actor/director’s opening season in 1997 at the new Shakespeare’s Globe. He was King Charles VI of France in Henry V and Tutor to Tim in Thomas Middleton’s riotous Jacobean city comedy, A Chaste Maid in Cheapside. Many years later, in 2021, his son Alfred Enoch (Dean Thomas in the Harry Potter movies), would play on the same stage as a fired-up Romeo.

Russell is survived by his second wife, Etheline (nee Lewis), a doctor, whom he married in 1984, and their son, Alfred, and by his children, Vanessa, Laetitia and Robert, from his marriage to Balbina, which ended in divorce, and four grandchildren, James, Elise, Amy and Ayo.

 William Russell Enoch, actor, born 19 November 1924; died 3 June 2024.

-- I'm a bit annoyed there's no mention of the fact that William continued to play Ian Chesterton for Big Finish.

[thepastisalreadywritten]

The Year’s Most Spectacular Photos from the James Webb Telescope

By Jeffrey Kluger

December 22, 2023

Close to 1,500 light years from Earth lie a pair of baby stellar twins known as Herbig-Haro 46/47 — which are barely a few thousand years old.

A star the size of our sun, by contrast, takes an average of 50 million years to reach even the stellar equivalent of young adulthood It's Herbig-Haro 46/47's extreme youth that gives the formation more of a blob-like appearance than the stellar duo it is.

Young stars are buried in clouds of dust and gas, which they absorb as they grow. Sometimes, however the infant stars ingest too much material too fast.

When that happens, dust and gas erupts from both sides of the formation, giving the young pair their misshapen look.

But if you have patience — 50 million years worth of patience — what is a blob today will be stars tomorrow.

NASA, ESA, CSA. Image Processing: Joseph DePasquale (STScI)

A pair of brilliant stellar nurseries located 1,600 light years from Earth, the Orion Nebula and Trapezium Cluster are home to a relative handful of very young but very bright stars.

Four of the stars are easy to see with a simple, amateur, four-inch telescope.

One of the four — the beast of the young litter — is especially visible, a full 20,000 times brighter than our sun.

Apart from their four main stars, the Orion Nebula and Trapezium cluster contain approximately 700 additional young stars at various stages of gestation.

NASA, ESA, CSA/Science leads and image processing: M. McCaughrean, S. Pearson, CC BY-SA 3.0 IGO

(L): It’s not easy being a Wolf-Rayet star, like this specimen imaged by the Webb telescope at a distance of 15,000 light years.

A rare species of stellar beast — NASA estimates there are only 220 of them in a Milky Way galaxy with at least 100 billion stars — the Wolf-Rayet burns hot and burns fast, with temperatures 20 to 40 times the surface of the sun.

All of that rapidly expended energy causes the star to lose its hydrogen envelope quickly and expose its helium core.

The result: a very early and very violent death.

A star like our sun burns for about 10 billion years. As for a Wolf-Rayet? Just a few hundred thousand before it dissolves into cosmic dust.

NASA, ESA, CSA, STScI, Webb ERO Production Team

(R): If the Wolf-Rayet star dies an ugly and violent death, the celebrated Ring Nebula, photographed by the Webb at a distance of 2,000 light years from Earth, has been expiring beautifully.

The glowing remains of a sun-like star, the nebula was discovered in 1779 by the French astronomer Antoine Darquier de Pellepoix.

As the nebula throws off its outer layers of ionized gas, it reveals its characteristic blue interior, composed of hydrogen and oxygen that have not yet been expelled off by the nebula’s stellar wind.

ESA/Webb, NASA, CSA, M. Barlow (University College London), N. Cox (ACRI-ST), R. Wesson (Cardiff University)

Dwarf galaxy NGC 6822 lives up to to its name — home to just 10 million stars, compared to the minimum of 100 billion in the Milky Way.

But what NGC 6822 lacks in numbers, it makes up in spectacle — which the keen eye of the Webb telescope has revealed.

Discovered in 1884 by American astronomer E.E Barnard, NGC 6822, is now known to have a prodigious dust tail measuring 200 light years across..

What's more, it's home to a dense flock of stars that glow 100,000 times brighter than our sun.

ESA/Webb, NASA & CSA, M. Meixnev

Spiral galaxies are often defined by uneven — and even ragged — arms.

But not galaxy M51, which lies 27 million light years from Earth and is defined by the tautness of its arms and the compactness of its structure.

M51 isn't alone in space. Nearby lies the companion galaxy NGC 5195.

The two galaxies are engaged in something of a gravitational tug of war — one that the NGC 5195 is winning.

NGC's constant gravitational pull is thought to account for both the tightly woven structure of M51's arms and for tidal forces that are thought lead to the creation of new stars in the arms.

ESA/Webb, NASA & CSA, A. Adamo (Stockholm University) and the FEAST JWST team

Just below Orion’s belt lies one of the most celebrated objects in the night sky: the Orion Nebula, a stellar nursery that is home to about 700 young stars.

This Webb image focuses not on the entirety of the nebula but on a structure in the lower left-hand quadrant known as the Orion Bar.

So named because of its diagonal, ridge-like appearance, the bar is shaped by the powerful radiation of the hot, young stars surrounding it.

ESA/Webb, NASA, CSA, M. Zamani (ESA/Webb), and the PDRs4All ERS Team

A baby by stellar standards, the IC 348 Star cluster is just five million years old and located about 1,000 light years from Earth.

Composed of an estimated 700 stars, IC 348 has a structure similar to wispy curtains, created by dust that reflects the light of the stars.

The conspicuous loop in the right hand side of the image is likely created by the gusting of solar winds blowing in the direction that, from Earth, would be west to east.

NASA, ESA, CSA, STScI, Kevin Luhman (PSU), Catarina Alves de Oliveira (ESA)

When it comes to galaxies, there's big and then there's huge and by any measure, Pandora's Cluster — more formally, known as Abell 2744 — qualifies as the latter.

Not just a galaxy, and not even a cluster of galaxies, Abell 2744 is a cluster of four clusters, which long ago collided with one another.

Located 3.5 billion light years from Earth, Pandora's Cluster measures a staggering 350 million years across.

The cluster's massive collective gravity allows astronomers to use it as a gravitational lens, bending and magnifying the light of foreground objects, making them easier to study.

NASA, ESA, CSA, I. Labbe (Swinburne University of Technology) and R. Bezanson (University of Pittsburgh). Image processing: Alyssa Pagan (STScI)

Webb was built principally to look at the oldest and most distant objects in the universe, some of 13.4 billion light years away.

But doesn't prevent the telescope from peering into its own back yard.

This image of Saturn and some of its 146 moons, rivals the images obtained by the Pioneer and Voyager probes.

NASA, ESA, CSA, STScI, Matt Tiscareno (SETI Institute), Matt Hedman (University of Idaho), Maryame El Moutamid (Cornell University), Mark Showalter (SETI Institute), Leigh Fletcher (University of Leicester), Heidi Hammel (AURA). Image processing: J. DePasquale (STScI)

Infant stars are born all over the universe, but the closest stellar birthing suite to Earth is the Rho Ophiuchi cloud complex, located just 460 light years distant.

A turbulent — even violent — place, Rho Ophiuchi is defined by jets of gas roaring from young stars.

Most of the stars in this comparatively modest nursery are more or less the size of the sun.

But one, known as S1, is far bigger — so much so that it is self-immolating, carving a great cavity around itself with its stellar wind, the storm of charged particle's all stars emit, though few with the gale-force power of S1.

NASA, ESA, CSA, STScI, Klaus Pontoppidan (STScI)