#Live a Wonderful Life

[fantastic-nonsense]

[rainyinautumn]

Etho's behavior in session 5 was frankly unhinged. he killed Bdubs' horse IN FRONT OF HIM and managed to get away scot-free in the chaos of the situation. AND THEN he stole the chicken farm hopper while HALF THE TEAM was in their base without them noticing, tried to trade it BACK to them, and finally returned it after GAINING THEIR ALLIANCE? what even. good for him.

[minecraftrelatedrandomness]

dan povenmire (co-creator of phineas and ferb and voice actor of heinz doofenshmirtz himself): hey, jimmy! if i had a nickel for every time you weren't the first out in a minecraft life series, i'd have two nickels! which isn't a lot, but it's weird that it happened twice, right?

this is insane. wild, you might even say

[rocketbirdie]

i don't want to lose you. i don't want to lose this

[pencilscratchins]

sorry i stopped posting, i got medicated and also engaged

[s0fter-sin]

something people just don’t think about is how often chronically ill and disabled people just don’t have access to good food. not healthy food, good food; well made, tasty meals that don’t come from a jar or a freezer. how many of us are housebound or can’t drive? delivery services only offer within certain distances, if you live outside a city they aren’t an option. many people don’t have the energy or ability to cook for themselves if they have the skill to begin with. many certainly don’t have the ability to learn how. it’s something that goes completely unnoticed, just the opportunity to have a good meal and how much that wears you down

[gnomewithalaptop]

Thinking about Tim and Cassie as narrative reflections of each other -- about how they both started out as normal kids with no obligation to their mentors, good kids who just wanted to help, and how gradually, bit by bit, that choice they made as thirteen-year-olds lowkey ruined any chance they had for a normal life

[sleepy-spaceman]

Something about Jacobi’s clone in “time to kill” really messes me up. Because, like, after you listen to the episode where you find out that Lovelace isn’t the original Lovelace, we also find out that the clones don’t actually know that they aren’t the original person. The Jacobi clone was completely convinced that he was the original, so when the others left him outside, his last thought was probably that his friends had just made the worst possible mistake they could have made in that situation, that they had left him, the real Jacobi, to die and now they’re all in danger because there is something else that isn’t him on the ship with them. He died thinking that theres this thing that’s taking his place. This is the worse case scenario and there was nothing he could do about it. On the other hand, the real Jacobi, (assuming that the real Jacobi was the one inside the ship the whole time), had to listen to himself die. And i bet that after he finds out about how Lovelace is an alien, he thinks to himself, what if he isn’t the real Jacobi, that the real Jacobi died when they left him outside, and that he is the alien and just doesn’t know it. Because how could he know that? Lovelace didn’t, and he would never have any solid proof that he doesn’t know either. I bet it drives him a bit crazy, if he constantly has that thought going through his head.

I dont know. I think about this quite often.

[pien-art]

babygirl i hold tension in my body in places you cant even imagine

[idkaguyorsomething]

the convoluted doctor who lore gets extra funny when you realize that, at two separate points in the past, two different companions to two different doctors ended up running into rasputin but both came to the conclusion that he was a pretty nice and normal guy. which, depending on how you interpret the power of the doctor, is either a nice subversion of a lot of tropes of stories used in pre-soviet russia, or side-splittingly hilarious as you start imagining the master getting roped into various adventures with different versions of the doctor that he can’t fuck with yet or else he’ll destroy the timeline, forcing him to play nice with the humans as part of his 4D Time Chess Master Disguise Plan #3852

[decibly]

Barry was hungry. Normally this wouldn’t be a problem, as he could just grab some snacks from the kitchen, but he was watching a movie, and he was comfy. He really, really didn’t want to try and wriggle back to where he was now

“Phantom?” he called out hopefully.

A white glove emerged from the wall behind him, dropping an unopened bag of chips on top of his head. When Barry reached up to grab it, he saw that it was salt and vinegar, which explained why it was still uneaten. Phantom seemed to refuse those chips under all circumstances.

Barry didn’t really get it, because salt and vinegar was awesome, but that didn’t really matter. The point was, Phantom was a great person, even if he probably wasn’t human, and it didn’t matter if Barry hadn’t ever actually seen more of him than his arm, and he had told Barry his name by leaving a piece of paper on a table when he turned his back for three seconds after asking if there was a name for the ‘friend in the walls’, as Wally had called him.

“Thanks, Phantom!” The hand stuck itself out the wall again, forming a thumbs up.

***** ***** *****

Diana had found a bit of a problem. It wasn’t a big one, and was honestly more of an annoyance than anything, but her paper copy of Earth’s current standing with all known alien civilization was missing. She could get access to it again in a few hours, once the security upgrade to their computers was finished, but she had been intending to review it for a few weeks now and could use the extra time. 

An idea came to her suddenly, and Diana quietly asked, “Phantom? Are you here?” In answer, a chilly breeze blew through her hair. He was, then. “By any chance, would you happen to have seen my copy of th-” Interrupting her, the very papers she was looking for appeared out of nowhere on her desk. A green sticky note was stuck to it, reading ‘This? Sorry for taking it, but it was really interesting’

Diana smiled, hopefully in the ghosts direction. “Yes, that. If you want, I could see if I could get you your own copy?” Another green sticky note appeared on top of the first, this one just oozing the feeling of happiness. ‘YES PLEASE!!!’

***** ***** *****

Bruce… didn’t really know what to do about the teenager floating just outside the Watchtower. He looked like Phantom, from the few times anyone had actually seen the ghost, and he appeared to be enjoying himself in the vacuum outside instead of dying painfully, which was another point of evidence for that theory. Unsure of what else he could do, he knocked on the window on the off chance that he could get Phantom’s attention that way.

The ghost immediately vanished from view, and a strong, freezing cold breze blew in from the direction of the window Phantom had been outside. Bruce shivered violently from the unexpected chill.

Next time he would leave Phantom alone. Being out in space seemed to make him happy, and it was best not ruin that.

[thatgaywizardoverthere]

Arthur “Disaster Bi” Pendragon learning about true loves kiss as a cure like:

Gwaine: For fuck’s sake, he’s not enchanted every time he smiles at someone else, Arthur! He was literally just laughing at my joke!

Arthur, aggressively frenching Merlin on the council room floor: YOU CAN NEVER BE TOO CAREFUL OKAY-

[cracklewink]

Science-themed mermay day 3: Parasite (Sea Trout + Tongue-eating Louse)

Shoutout to @moose__chan on twitter/insta for helping me double check the ASL!

Bonus:

[roach-works]

ok im waffling on about fallout instead of having breakfast but i saw a criticism of how the prisoners were treated that's stuck with me.

spoilers!

so i think the criticism wasn't incorrect, per se: it condemned the way the show portrayed the vault dweller's naive intention to rehabilitate their murderous captives. it found fault with a common, and horrible, message that tv shows like to say, which is that carcerial violence and even the death penalty is the only effective way to deal with criminals, who are a fundamentally Bad category of human. im sick of that message too! but i think that wasn't what was going on here, actually.

so like, the vault dwellers had only ever experienced violent loss the once, and didn't really know how to cope other than denial and repression of the ordeal. but they were all hopeful and enthusiastic that their prisoners, the invaders that came to kill them all and take their stuff, could be eventually welcomed into the community as their comrades. the champions of this cause were nebbishy dorks and painfully out of touch academics. this is pretty normal for how prison reformers are portrayed, if extremely fucking annoying for those of us who ARE in favor of prison reform.

but so of course when the son of the former overseer, Norm, speaks up and suggests killing the prisoners, because why should they share resources with invaders who explicitly wanted to keep hurting them? why should they show mercy to their attackers? everyone is appalled by this suggestion. because they had to reinvent the whole concept of vengeance right then and there, because grudges and cycles of violence are anathema to a bottle society like theirs. they have been raised all their lives to forgive and forget and now, put to the test, they're recommitting to this ethos: get along, let the past go, look towards the future, believe the best of everyone.

but the prisoners die, anyway. the prisoners are killed with rat poison. and the thing is that Norm who suggested it didn't do it himself. and the prison guard who's blamed for it, even though she privately agreed with Norm that the prisoners are dangerous and unforgiveable, she didn't do it either. it's not a moment of triumphant, cathartic vengeance and it doesn't prove that there's no way to negotiate with terrorists and invaders but kill them like vermin because that's not what the message is meant to be.

the message is that norm stands there in the middle of these inconvenient prisoners, these corpses dressed in his own people's uniforms, and he looks at the new overseer. and he knows that she killed them, and she knows that he knows. she wanted him to know. this is her message and he's reading her loud and clear. and he doesn't look like a guy who's just been backed up by authority, who's just been validated in his desire for the ultimate control over those who have wronged him.

he's scared and pale and the music is ominous as fuck. and he's inside the cell, he's directly in the middle of it.

because what just happened is that he realized his entire society is being held prisoner, and the overseer is the one with the rat poison. and that he doesn't know, anymore, what freedom and safety and justice actually mean, just that he doesn't have them and he doesn't know where to find them.

that's what that scene meant. not that rehabilitative justice is a pathetic delusion of people who have no idea how to make hard choices.

but that before you advocate for killing prisoners, you might want to see how big that prison is, first.

and which side of the bars you're standing on.

[demaparbat-hp]

When I saw you making For the Spirits art I was so excited, wow, one of my favourite artists is reading this too, how nice!! Then I realised you’re actually the author and I just want to ask, how?? Are you so talented???? I love this fic and I love your art so so much, thank you for sharing it all with us. Can’t wait for the next update!!

Ah, thank you! This is literally so sweet! For the Spirits (adding a link for the curious folks out there!) is my love child. This project owns my heart and soul, and it's truly so rewarding that you like it! I want to sketch so many different scenes, really, but I'm doing my best to give you some quality artwork of my favorite moments in the story. It's a slow process.

As for next chapter—soon! I'm working on some sketches for this particular scene, and I am so excited to share it with everyone! Things start to pick up from here... But, for now, have a (very little) sneak peek ❤️

Zuko stood at the end of the world, surrounded by miles of snow and the resounding echo of his own shallow breaths. He took everything in, closed his eyes to receive Agni’s light, and howled.

Something howled back, and he smiled.

[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.