#Like objectively excellent

[hatchetation]

the way teenage bounty hunters DESERVED a second season. like what a tightly written, quippy, funny little show with so much heart. there’s so much good going on in it but things I particularly love:

Twin themes!! There’s so much good foreshadowing surrounding the big reveal (iykyk) and there’s also so much DOUBLING. Double lives especially is a big theme. Like, Debbie hiding Dana; sterling and Blair hiding their bounty hunting; the (functional) froyo shop being bowser’s bounty hunting lair; Terrance the lone wolf bounty hunter and bowser with his little “teen white savior” teammates; Yolanda’s sister who is a perfect foil for her; miles hiding Blair from his family; sterling hiding april from Blair…and then april hiding sterling period.

And I guess the doubling is kind of showing like, here are all the possibilities and here’s what happens when we let love in and here’s what happens when we shut it out

so much good stuff about being from the American south. As someone who grew up in the south and who grew up visiting close family in Atlanta…it is cool as fuck the way the south is portrayed in all of its complexity. The show does not shy away from issues of race, religion, SES, etc SPECFICALLY in Atlanta and manages to do it in a way that doesn’t come across as heavy handed. This show could ONLY be set in the south—it would be a fundamentally different show in any other setting

Also, like I said with the doubling points above, this show is full of secrets and secret keeping!!! But yet a fundamental point of the show is that being silenced is one of the worst things that can happen to a human being. There’s a scene where Blair is telling sterling that her dad yelled at her and that the worst part of all is that he told her to Be Quiet! And like in some ways that scene highlights what a loving household Blair has grown up in that the one of the worst things her Dad has ever said to her is be quiet (not even shut up)…but it really made me be like wow being told to stop questioning and be quiet IS something terrible. It’s a denial and a violation of our right to use our voices

and like it’s not a coincidence that in the final ep Dana gags sterling. Because the way sterling is talking to her is powerful and you can tell it is making her hesitate and question her whole life

so yeah anyway watch teenage bounty hunters! Or if you haven’t in a while, it’s definitely worth a rewatch

[deoidesign]

For my birthday... read my webcomic! It's literally free! (Unless you want books. Those are not free)

It's beautiful, it's gentle, it's funny, they're canonically t4t and gay... And it's about time traveling vampires solving supernatural mysteries!

I've spent thousands of hours writing and drawing it, and it's really good! I'm not biased!

It's on hiatus right now and coming back in 2 months, so it's the perfect time to get caught up

[thisbluespirit]

Films watched (1990s): THE WINSLOW BOY (1999); dir. & screenplay David Mamet (adapted from the play by Terence Rattigan). Starring Nigel Hawthorne, Jeremy Northam, Rebecca Pidgeon & Gemma Jones.

"No, not justice. Right. Easy to do justice. Very hard to do right."

[rabbiteclair]

do other fields have this thing where 80% of people who are, in theory, mid-career experienced professionals are barely capable of performing fairly basic tasks without personalized guidance, or is software development just suffering under the curse of an entire generation being told to go into the field if they want to earn enough money to pay rent

[crescentfool]

having the hc that minato is ace is incredibly funny sometimes when you think about how ryoji is oh so very bi because it's like. "ah. death stole my ability to be attracted to people," in the same way that ryoji stole minato's eye color and energy level. like wow, thanks ryoji, you just keep finding things to steal from minato!

[bumblingbabooshka]

Star Trek TOS : Metamorphosis. It's fine, don't think about it.

[vigilskeep]

hai :3 do u rec aeducan or brosca for first time players

they are both just so good!!

my personal preference veers towards aeducan because i love the fantasy of royal court scheming and backstabbing, but that’s specifically my tastes. if i had to pick one for a first time player i would probably suggest brosca! it’s a really good introduction to the world, super versatile for making a character, and it’s such a solid opening to the main story. brosca as the warden makes so much sense

[dawnleaf37]

object shows with a guy and there’s one specific scene with them that is really uncomfortably horrifying and well enacted that makes you go . “oh . ohhhouhhghhh . uougahhh”

[thebookofbill]

what’s your favorite muppet?

GONZO‼️‼️ I was cast as Gonzo in a second grade play, and I made his nose out of papier-mâché. He’s been my favorite ever since. I also love that he’s the weirdest one! (I’m guessing I got the role for a reason.)

Also, please look at how he dresses

[viillette]

it's so crazy how few historical fiction novels are like sharon kay penman's. the way that they're built out of the skeleton of the historical record seems so obvious, but there's so few people who are actually willing to commit to it in the way that she did. it seems like so often that's just a starting point which gets reformed to fit a coherent narrative, but she makes no real attempt to do that. there's themes and foils and patterns, but first and foremost it is a reconstruction. you can't really know what someone who lived that long ago was like, only what they did, and you can feel how she takes these isolated, dramatic events and builds a whole life around them. the books are nothing more than an answer to the question 'what might someone have been like, what could the history between these people have been, to possibly explain something like this?' the ability to string together a handful of facts and events from medieval chronicles to create people that feel so real, and psychology and relationships that develop so naturally that these distant, seemingly impenetrable choices suddenly feel so immediate and clear is just beyond belief. you know this probably wasn't actually how things happened, but it doesn't matter because it was something like this. the particulars are less important the crushing awareness that at one point all of this made sense. there was a time when all of this was right now. the world is unrecognizable and exactly the same. that's something which sounds very simple but is incredibly difficult to accomplish.

you come to know these people so well, their loves and hatreds and ambitions and failures, and those things are rarely resolved in the end. you know them from the time that they're children, you watch each one of them die, and none of it means anything in particular except that they were a human being. things which seem like they must be building to some tragic fallout end in anticlimax. things which seem utterly inconsequential in the moment manifest again decades later in cataclysmic disaster. and then you see it all play out again from the beginning with their children, and their children's children. all these uncanny echoes, this endlessly unfolding palimpsest of lives, each laid over the triumphs and mistakes of those who came before. i've never read anything so epic with so much mastery over the micro and macro levels of history. it's the minute, seemingly inconsequential everyday details, which build into a lifetime, which builds into generation of lives, which builds into the rise and fall of kingdoms and empires. it's the merciless endlessly turning wheel of fortune that replays the same songs in different keys again and again for all time. a person is both an individual with free will, and the prisoner of their blood and circumstances. somehow everything has infinite weight, is tied to everything that has come before and will come after, is the culmination of someone's entire existence—their pains and joys and fears and hopes—and yet is simultaneously completely meaningless, just one more victim of fate in an endless procession of lives and choices. the whole impotent tragedy of humanity is laid out in front of you and it's so repulsive and beautiful. it's deep love and unfathomable, senseless horror briefly and miraculously reverberating in a vacuum, an absurd aberration fading into silence.

if it's not obvious these books have made me cry like 10 different times

[doctorwhoisadhd]

starting umbrella academy s3 and tbh not a fan of how this team is like. disabled people in it and theyre supposed ot be the bad guys. like multiple people with facial scars / other facial differences. why do characters with that stuff always have to be villains :/

[homoeroticgrappling]

Love everything about this tbh

[stiltonbasket]

💙 (blue) for the other ask 🙈🙈🙈

💙: Which character is not as hot as everyone else seems to think?

As a flaming asexual, I'm probably the wrong person to ask about this...or the right person, because to me, nobody is as hot as everyone else seems to think except maybe figuratively? I'm bad at distinguishing whether attractiveness is being spoken of "seriously" or .... theoretically?...or as a joke, or...yeah, I honestly don't know. Characters whose personalities I especially like immediately become adorable to me (if that makes sense) so I get cute aggression every time I see my favorite little guys.

[avephelis]

MUTANT MAYHEM THOUGHTS IT WAS SUPER AWESOME LET'S FUCKING GOO

BANGER BANGER BANGER FILM. definitely the thing i liked most was the visuals - the style is SO UNIQUE (with the deliberately misshapen designs and grungy colours with harsh neon contrast and the FUCKING !! SKETCH/SCRATCH LINES DUUDE), and the animation was just so full of personality and an absolute joy to watch.

AND SHOUT OUT TO THE EFFECTS AND LIGHTING ANIMATION ESPECIALLY HOLY SHIT ??? every time they had the scratched on light rays or scribbled smoke and dust i started like DROOLING dude.

the cinematography was also just absolutely amazing - incredible use of the medium to do these fantastic running shots with complex angles. favourite sequence was definitely the side shots of the boys fighting and interrogating people (SO smooth and the fighting choreography was incredible and showcased their styles and personalities so well, and the intercut sense of MOTION. dude. banger.)

AND !! THE FUCKING SOUND DESIGN!! especially the score dude MY GOD i loved the use of pitchy and unconventional instruments it fit the movie to a tee.

LOVED THE CHARACTERS! particularly the boys and the other mutants (mondo wingnut and leatherhead especially). all the interactions were super sweet and well-written and i just LOVED the VA performances - played off each other immaculately. i love how cringe and unapologetically TEEN the turtles are. and adored splinter too.

i think i'm glad they focused more on developing their relationship as a family than individual character arcs, because it helped reduce any bias or favouritism for specific turtles (COUGH leo and raph ahem), and also worked best with the super fast pacing, i think. didn't feel too cramped in all the busyness.

that said, i did struggle with the comedy a bit? particularly the reference humour. NOT THAT IT WAS ALL BAD! quite a few got a laugh out of me, but there were so many packed into such a small amount of time that it ended up getting a bit distracting. felt a bit like "let's wave all our properties in your face" and kind of out of place at times (i would've preferred for them to be less frequent, or for the references to be knock-offs)

i don't think the plot was the MOST compelling, either, but really that's fine, because it wasn't trying to be. the focus was on the art and action and dynamics and it is completely fine for it to focus more on that than thematic and emotional beats.

oh also i can't decide whether i love or hate the milking joke. funny at times but the more they retreaded it the more uncomfortable it felt lmao.

overall i think it is the most technically impressive tmnt movie, that i've seen at least, and from a cinematography point of view? ABSOLUTELY MIND-BLOWING. but it isn't necessarily the most emotionally compelling tmnt movie, and you know what? that's okay! because is wasn't trying to be, and it absolutely excels at what it aims itself towards.

[whiskeyswifty]

i also think that her finally winning soty for anti-hero would have a certain career capping and skill evolutionary significance to it. not only is it one that has ironically eluded her, due to circumstance and submitting perhaps weaker songs, as one of america's widely agreed upon most gifted songwriters, but this particular submission i think really exemplifies and makes a case for it's own win. soty is typically, although not always, referred to as a ballad category as the recording academy is a bunch of old white fogies with thumbs up their asses who think a ballad is the best vehicle for the most ~profound~ songwriting. the kind of category that ATW, had it been appreciated at the time writ large and submitted by her, would have easily walked away with the trophy for. but anti-hero i think is an even more deserving win (i know shocking coming from me). she's proven she can write a catchy and silly and frothy pop song and she's proven she can write an deft and clever and emotionally resonant ballad. but anti hero deploys that same deftness and cleverness and emotional resonance within the confines of a catchy and silly and frothy pop song. it's deft and clever in spite of the fact that it's a frothy pop song. and its a showcase in how after all her years of experience, she's learned to fuse her two talents together to really break the mold for what a "great" song can sound like, which is a far more accomplished skill than anything before. blank space is the original to do this in her body of work, although that still defaulted into the trappings of a silly pop song. the satire was only understandable to those who knew the broader context, but not too blatant to someone who simply wanted a petty and snarky pop song about nothing serious, children and adults alike. anti-hero insists upon it's darkness, mocks it even, and makes the case for a pop song to be just as self reflective and rich and mournful as a ballad. it's not the first pop song to do that, not by a mile, but it's the first pop song in a long time that's managed to do all that, be all that, but also be incredibly catchy and have the whole country singing along to an adult woman going through her depression spiral. it's a marvelous trick and feat and mastery of songwriting and the one i think she deserves most.

[rowenabean]

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