#Like honestly if you look at the route as the ONLY route you play

[raichukfm]

I played Undertale recently. My favorite character is Chara. No, I didn't kill anybody. I am going to go on about them, now.

Spoilers for Undertale, all the routes. "It came out nearly a decade ago!" Yeah and I first played it last week and was happily surprised by the sheer amount of things I hadn't been spoiled on, so. Have a courtesy warning! Also courtesy warning: Too many fucking words. I'm sorry.

As a preface: Undertale really genuinely touched me. I bring this up as a preface because I think it's important to why it is exactly I feel how I feel, and that is important to how I perceived Chara.

And it having such an impact honestly surprised me; Undertale seemed cute and fun but silly and something I had felt… prepared for? Like, inadvertently, from hearing about it and its characters for so long. And for some parts early on, I was, at least in part. I liked Sans and Papyrus from the start, but in the way that I liked a gimmick, and it took time for the enjoyment to get more and more… not genuine, it already was, but I can't find the word I'm looking for. I guess it struck me with less artificiality? It started actually getting to me. This was happening throughout the whole length of things, like, I really genuinely liked Toriel basically from the start, but the farther in I got the more it was happening. Actually, looking back, the intro cinematic really hit for me in a way that should have clued me in that this game was going to get me.

Because I really connected with Chara as the character I was playing as, to an extent that honestly really surprised me? It felt emotionally resonant. Admittedly, naming Chara the way that I did probably did a fair amount of lifting there; I used a nickname of mine that isn't used that often. I think that hit more than it would have if I had used one of my first names, since it was distant enough to easily have differentiation while also close enough to feel so immediately personal. Chara is someone where most things with them are up to interpretation, but I just had a specific interpretation readily and naturally come to me.

Of course, I knew the Chara and Frisk distinction beforehand, and that informed my interpretation pretty heavily; but I hadn't really heard much of anything about Chara other than the Genocide Route stuff, prior. I mostly saw them treated as like some pure evil nasty may-as-well-have-been-demon. I hadn't been reading like narraChara theories or anything (amazing name, 10/10 whoever coined it). I just landed there naturally. When Undertale was giving the early hints that Chara had actually come before the human you played as, like in the garbage dump, it only amplified those feelings.

My read was that I as the player I was, largely, controlling Frisk's actions, but seeing Chara's thoughts. Every time I saw or heard memories, they were Chara's. But I don't think Chara was in control of the body or anything. I think Chara was there tagging along as an observer, at first not sure what exactly was happening or understanding why; but linked to Frisk's SOUL and so having Frisk's feelings resonate through them. So, they decided to help. They not only lent their lingering Determination but also just tried to help Frisk stay determined in the normal sense. But that was what they were doing: Not acting, but watching Frisk's actions and feeling their feelings.

And in my playthrough, Frisk was a dogged pacifist who was very reluctant to even slightly hurt anyone and very willing to put themselves into terrible danger because of that. And I think seeing that, feeling the feelings behind it resonating with them, made Chara a better person. A profoundly better person. Just in itself, the way it would anyone, but… Here's an example of the best of humanity, that same humanity they despised. Here's someone willing to refuse violence even if it puts them at risk of dying, even actually dying once before they discovered they could LOAD even after death, if they remained determined. Someone who again and again and again takes attacks and doesn't fight back unless it's absolutely necessary, who sees a whole people that have time and time again just tried to callously kill them and keeps choosing to help them. To trust them, and reach out to them, again and again and again, and who each time is proven right. Even when there's nothing to reach out to but dead human children whose SOULs had been absorbed for power by an entity whose power was represented in their SAVE by the highest numbers expressible there.

I think seeing all of that really challenged Chara's worldview in general and view of humanity in particular. I think they understood that they had been wrong, and done wrong.

And then Frisk goes back one more time to set things right and save everyone. Chara is there experiencing what Frisk is feeling as they go through that lab, as they learn about Determination... when they find those videotapes and learn about how Chara died intentionally, hoping to wreak violence on humanity and then break the Barrier. And Chara learns that Flowey was their adoptive brother, all along. Sees with what must be horror what has become of sweet little Asriel, knowing that this only happened because of then. Understanding what Asriel chose in the end, why he chose it, and now seeing what trying to make up for that 'mistake' had done to him. And Chara sees Frisk try so hard to save him, even after everything he's done, just because he's another person. And Chara does everything they can to help Frisk, together mustering enough Determination to deny death itself, as many times as needed, until Frisk does it. Reaches out to Asriel and helps him to get over what happened enough to stop fighting, to start to heal, to give up on godhood... To use a moment of unity to bring down the Barrier without needing to hurt anyone else.

And Chara watched their brother realize that Frisk isn't them, and that that is good. That Frisk is a better person, and one whom Asriel wishes he could have had in his life before, as he admits to himself that Chara wasn't a good person. And Chara lets go. They let Frisk and everyone else go to their happy ending, while they stay behind.

And then Asriel and Chara have one last moment, in the game. Chara comes back and Asriel, even once again lacking a SOUL, cares enough about everyone else to ask Chara to let them be happy, to not tear them away from everything. But Asriel doesn't trust Chara, and so asks that if they are going to rip them out of their happy ending… do it to him too. Don't make him sit through everything repeating. Don't make him become deadened all over again by seeing everything play out over and over and over again in countless variations. And then he imagines that this exchange has happened again and again and again and Chara must be tired of hearing it. Because that is what Chara would do, isn't it?

But Chara doesn't say anything. Maybe they can't, maybe they just choose not to. Instead, they let their brother say goodbye to them. And then they choose to let go. Chara couldn't be the one to save Asriel; it had to be Frisk. Once Frisk has... What waits for them and their brother… I don't know. But I hope they can be happy. I hope they got their closure. And, maybe vainly, I hope they can find some way to have each other again, but healthily this time. But that's for them, not for me. Maybe one or both choose to let go entirely and fade away, return to the death that had once taken them. All I've got is hopes for the future of these people that aren't even real.

Immersion is a powerful thing, huh?

...

So, about the Genocide Route. There's a lot of characterization for Chara there, and some for Asriel too. I know people tend to read the Genocide Route as Chara taking Frisk over and unleashing their preexisting violent impulses, but I really don't think that's right. I don't think that route shows what Chara was like before much at all. I think the Genocide Route is what happens when Chara finds themselves brought back from the pall of death, given some sort of second chance, and all they can do in it is watch Frisk murder everyone they encounter. When they see their mother get murdered in cold blood, and can feel how little Frisk cared about her while doing it. When all they can feel when it happens is that sick sense of pleasure at an accomplishment. When they're forced to find some kind of meaning in that, some reason for why they were brought back and made to be complicit in this, some purpose to this existence.

And they find it. They find it in their idea of numerical invincibility, and they cling to it. And they are abraded down until all that's left of them is their worst impulses stripped of context, magnified, and then redefined under the light of this 'purpose'… and that sick sense of accomplishment. More and more, Chara wears down to this thing that only cares about power and violence, and more and more Chara loses their sense of distinction from Frisk, sees these actions as their own; or maybe they become more and more able to exert control of the actions as they redefine themselves to be better at wielding power. Either way, Chara murders their father. Chara murders their brother. Then Chara destroys humanity, not even out of hatred, but simply for the sake of power. They destroy all the monsters they missed, too. Only power matters; the gaining of it, and also the exercise of it for its own sake. The only thing they don't destroy is Frisk, their reliable partner, the one who showed them their purpose. The one they are perversely grateful to, but will betray the moment it suits them, now that they have the power to do so.

I've heard a lot about how this is criticism of RPG players, and I can see that but more and more I don't think that the purpose of this is to moralize, or at least that that's not the only purpose. Because this shows Chara become their worst self, this epitome of power in a husk of a person. Someone who wasn't a great person from the start falls to horrific depths. And then they can't climb back out. You can't help them out. Chara defines themselves as Numbers Go Up because after all this trauma from the first moment that their plan went awry and Asriel held back their powers, and they both died a second time… All they have refuge in is that belief in invincibility. Chara believes you can escape suffering if you become the strongest thing in the world. And so Chara does just that. And it's all they can hold onto, because it's the only thing holding them together.

But really they're just another lost soul who you no longer have the power to save or comfort or bring positive emotions to, someone tricking themselves into thinking they're an unfeeling demon beyond sentimentality just to feel like they have some control, so they can delight in exercising power over others without guilt or regret.

Frisk can give them their SOUL and Chara doesn't change, doesn't really feel anything more, no matter what Frisk shows them. Because they've closed their heart to those feelings. You can't take this back. You can't save them. They're the only person you can't save. Sometimes, when you hurt people you make them worse and you can't be the one to help them after that. And you can't cheat. Whatever you do… Chara remembers it. You can't just take it back, can't do it over. You can only look on in horror at what Chara has become and accept or deny your fault in it.

In the Pacifist Route… I think Chara feels something like that when learning that Flowey was Asriel all along, and knowing it was their fault.

It's easy to blame what Asriel became on the lack of his SOUL. But I really believe that's not what it was. Maybe that does dull feelings, but you don't need a SOUL to love, to care. We see that, with Asriel-as-Flowey asking Chara to leave the others to their happy ending. We can see it in how Chara, at their worst, gets a SOUL and gets no better. How Chara, with a SOUL, does not understand the sentimentality still held by the player who has already given up theirs. Flowey didn't become a monster because of the lack of his SOUL. He was a traumatized little kid who couldn't get his life back, couldn't get his sibling back, but had the power to evade consequences and abused it to try and cope until it further wore down his ability to care. So he retreated to seeing things as less than real to cope with it all, resorted to cruelty and vindictiveness just to feel something.

Where Asriel as Flowey makes a performative show of his petty cruelty and vindictiveness, Chara dresses it up with dispassion and a veneer of objective judgement. But, deep down? They're the same. If you don't let yourself feel anything you can't be hurt.

The Genocide Route isn't some creepypasta about a demon taking over an innocent. Nothing so convenient as that. Because the point is that you choose to do it. You do it, and you choose it every step of the way, and only at the very very end does it become too late to turn back. So it fits it better, I think, if it's not about Chara corrupting Frisk... But about you corrupting Chara. Whether that you is Frisk, or you the player, you make someone who was a bad person to start with so much worse.

Asriel was pressured and manipulated by Chara and became a worse person for it, and then retreated to the toxic ideology of "kill or be killed" to cope with that and further trauma, as well as denying his own emotionality in an attempt to make himself invincible. And in the Genocide Route, Chara does the exact same fucking thing. A different toxic ideology, that the only thing that matters is acquiring power, a different mask to deny their emotions which is impassive rather than irreverent, but so similar. Beat for beat. Even down to the fact that Asriel still idolized the person who hurt him, considered them special, the only person worth caring about: Chara wants you to come with them to conquer and destroy new worlds, considers you the perfect partner, doesn't kill you even when you try to resist them, even keeps remaking the world for you when you ask despite already getting your SOUL the first time. You showed them the truth of their existence, after all, even without meaning to. Just as Chara showed Asriel that this world is kill or be killed, even without meaning to.

So… Knowing that all of this could happen…

It adds a lot, I think, to the Pacifist Ending. To Chara getting better, growing as a person and helping everyone, learning they were wrong about the world and humanity, and letting power go. Letting Frisk go. Letting everyone go. Hearing out Asriel's grievances with what they did and accepting them. Just being happy that Asriel could be saved along with everyone else, before the end, despite the negative impact they had had on him and how coming back as a flower no one recognized as him fucked him up even worse.

I just like those two poor siblings, and can't help but be sympathetic to somebody young making a nasty plan with good intentions but without a real appreciation for what they were doing. I am so glad that such a tragic and awful thing got better the way it did, amidst everyone else getting their happy ending. And I think Chara just gets me so much because they become so much better than they were to begin with, and because I felt I was there with them. Immersion is a powerful thing. But maybe even more than that... It's that Frisk doesn't save Chara. Frisk can't save Chara. Frisk can just give Chara the chance they needed to save themselves.

[isan0rt]

You know, when you consider Azure Moon as a self-contained narrative, the use of ‘unanswered questions’ and ambiguity as a reinforcement of the themes of the route are really effective. I honestly think having the route not address the Slithers was the best narrative choice IntSys could possibly have made given the themes of Azure Moon.

Like. The developers didn’t really expect people to actually play all the routes; they designed the game so ‘everyone would have a different experience.’ As a result, all the routes have very different themes and scopes. Azure Moon is the tightest, most character-driven narrative despite not being the shortest route.

And Azure Moon is about grief.

Grief hangs over the entire route; except for Mercedes, every single one of the Blue Lions is haunted by the Tragedy of Duscur and the unanswered questions surrounding it. Felix loses his brother directly, and his worldview and best friend to the aftermath. Ingrid loses her fiance, but also her sense of security; without Glenn, her people may starve, and her personal future is now uncertain. Sylvain and Glenn were the same age, so we can assume they were friends, though his loss is less direct; Sylvain is surrounded by people broken by loss, including his own father. Annette’s father leaves her family in disgrace over being unable to stop the tragedy. Ashe loses his foster brother to the aftermath; and later his foster father as well. 

Dimitri and Dedue lose everything.

All of them spend the whole route wanting to find answers and some kind of closure for this event. It drives the entire narrative for all of the Lions actually from Faerghus. Mercedes, meanwhile, stands as an outside observer to that tragedy - but she is also dealing with her own personal tragedy and unanswered questions about her brother, and that drives her during Azure Moon.

And the thing about grief is that sometimes you never get closure. But you still have to move on, anyway.

That’s the whole point of Azure Moon. Dimitri has to move on. All the Lions have to move on. 

Mercedes cannot regain her brother, whether you find out his identity or not in the route. She has to move on anyway. Dimitri cannot reconcile with his family, not with Rufus (Did Dimitri kill him? We the viewer can never really know for sure) and not with Edelgard. He never finds out whether Patricia wanted to kill his father, or whether she loved Dimitri at all (and we the viewer don’t, either). He has to move on anyway. The Lions never find out the cause of the tragedy.

They have to move on anyway.

Involving the Slithers at that point would not only add a bunch of last-minute narrative complications that aren’t necessary in Azure Moon, it would undermine the emotional impact of the route (in much the same way the last map of Verdant Wind does, honestly). The themes of Azure Moon not only don’t need to answer the question of the Slithers; not answering that question is the point. Bringing up the Slithers at that point would take all the air out of the personal drama the route takes its entire runtime addressing.

Dimitri hesitates at the end. He stops, and tries to look back, and Byleth stops him. He has to move on. He can’t keep looking back at Duscur. He’s got to walk forward. 

And that means leaving his questions unanswered. 

[ricecaqes]

i wish i had the right words for this rn but yall dont know how happy i am to like actually play through darkmoon ruins. its always been popular but i feel like it very easily could be a case of ppl saying its good automatically because its hardlist or whatever but like . going through it has been the most fun ive had in celeste in a While. this map is so fucking good yall !!!!!

[bomber-grl]

Main 6 - Cuddle Headcanons

PAIRING(S): Asra Alnazar x Gn!Reader, Julian Devorak x Gn!Reader, Nadia Satrinava x Gn!Reader, Muriel x Gn!Reader, Portia x Gn!Reader, Lucio x Gn!Reader

.

Cuddling positions are practically never ending with Asra. They love to just be close to you and doesn’t have much of a preference.

However, there are some cuddle positions that are preferred after a long day of existing.

One of them is him laying on your chest. Usually this is your way of helping them unwind, especially when you massage his scalp and play with his hair.

Other than that, just hearing your heartbeat and feeling the rise and fall of your chest comforts them, even after all that’s happened.

Then there’s the time when he just wants to show you that he loves you.

This usually prompts them to start kissing you all over your face and you end up falling into his arms, all bundled up by the warm blankets.

Honestly overall, they just love to cuddle in bed with you and whatever position you two end up laying in

Even if it isn’t always the same position you wake up in

Also bonus points if you end up letting Faust cuddle up with you two, she does get cold sometimes yknow

Which she most likely always does end up doing

In Nadia’s route, it’s noted that there is only once bed in the shop so it’s likely Asra and you share it even when you’re not cuddling

So most times he’d fall asleep from exhaustion near you, with faust slithering on him

Probably hugs you around your waist too

And if you try to strike a “sexy” pose he’ll laugh and play along

The worst

Ofc he’s not actually the worst Lucio still exists but the way he cuddles at times is a hit or miss

Especially since most times he ends up sprawling his limbs out wherever they can, usually ending up on top of you unless you spoon him.

When it’s actually enjoyable to cuddle with him, most times he enjoys being spooned or mutual holding.

We all know how self deprecating he is so might as well show him how well he can be loved, even if you’re shorter or smaller, that’s no excuse

Just don’t mind his long limbs

Regardless of how you choose to hold him, he’ll always hold onto you back. Now on the other end of the spectrum where it’s damn near torture-

He has no regard for you- in his sleep at least

Like bro is genuinely squishing you with his limbs, and you can’t even move them because you’re trapped 💔

He probably unknowingly hogs the blanket too since he’s slipped off the bed more times than he’d like to admit and has taken the blanket with him.

He has all his weight on it, making damn near impossible to get the blanket from under him, leaving you shivering and timbering in the cold

If you’d prefer to be the one held then he’d be more than happy to 😭 just be prepared for him to be pretty flustered by being the one “in charge”

He does apologize to you when he wakes up if he’s been squishing you, etc etc though

Mother

She definitely one of the LI that are on the podium of best cuddlers. she holds you so warm and tight it’s honestly the best.

She is not the type to be all that physically affectionate, which is honestly a bummer because her hugs and cuddles are the best ever.

Often times at the end of an exhausting day as countess, she loves to spoil you and hold you in her arms.

She’s more than happy to massage your scalp or shoulders, even feeding you some fruit would be sufficient

Sleep wise, she’s as elegant as she is when she’s awake. Her hair is somehow perfect (must be the rose colored lenses talking-) and she’s not a blanket hogger of any kind

She’s really considerate even in her sleep and she’ll randomly wake up in the middle of the night and look for you

If you’re not covered by the blanket, she’ll tuck you in and go back to bed.

Either that or she’ll also hold you in her arms depending on if she believes that you want your space.

Now, if you’re more a sprawler, always falling off the bed, or just not that pretty of a sleeper she find it super endearing

She’ll literally get up from her cozy place on the bed to help you back up. Even going as far as carrying you if that’s what would be more comfortable.

Now, we all know Nadia prefers to be the one “in charge” she prefers to pamper and that’s alright.

But, if you prefer to also show her your affection that same way she’ll be more than happy to oblige- although it’ll be done with a blush.

When cuddling Muriel is super gentle and is hyper aware because of his larger stature, making him scared at the possibility of hurting you.

Which, you have to reassure him would never happen because you’d be happy to be crushed by him

With your constant reassurance and how often you tend to flop yourself on top of him, he eventually just gets used to it.

Cuddle wise, he’s usually big spoon for obvious reasons, he’ll hold you against his chest too along with Inanna being sandwiched by you both.

Again, you tend to be the one laying on him and when he chooses to sleep on his back, you’re laying on his chest and just absorbing his warmth.

I think it’d be obvious, but Muriel would also enjoy being held aswell. When you confront him with the idea he’s flustered because not only has he never considered it but he’s so touch starved.

If you have him lay his head on your chest, being held in your arms or even go as far as have him be little spoon, well his blush is out of this world.

If anything, he’s just happy that you’d want him to feel loved, as if you being around him isn’t enough

It isn’t

He’s basically beet red and he just accepts the affection ,laying there with you because again, he loves it.

Whenever/ if he tries to argue and say that he’s too big or whatever just say that you want him 🔛🔝 of you and just watch him squirm and get so flustered that he forgets

He ends up inevitably bringing it up again, so just cuddle the man

Sleep wise, Muriel is also really considerate. He tries not to take as much space and if you end up subconsciously tugging a blanket that he’s on, he’ll immediately move to give it to you.

Treat him well.

Yes, yes, yes, just yes

She’s the absolute best person to cuddle with, she’s such a cuddle bug and honestly neither of you guys have a preference most times and so it ends in just cuddling however.

Most times it’s either of you on the others chest. Mostly it’s Portia that enjoys having you rest on her and she enjoys playing with your hair or just massaging your scalp.

She’s more than happy to be the big spoon if that’s what you prefer, maybe she’d even tease you for being so “bold” as to ask.

Ironic considering that the instant that you insist on coddling her she’s flushed from head to toe.

Literally almost literally every time you two cuddle she’ll always put a leg over you.

Just a quirk of hers that you’ve noticed and a definite plus is how warm she is which causes you to cling to her.

Which definitely warrants some teasing for clinging onto her like some koala. She finds it endearing though and is definitely worth is since she ends up peppering kisses all over your face

W

Is it really cuddling with Portia if you exclude Pepi? No, no it’s not

Pepi is so cute!! It’s a well known fact and she’ll always end up crawling and making her way through the bundle of blankets to rest her little self in between you and Portia.

Sleep wise, Portia is also a hit or miss 😭

She’ll either cling to you in her sleep while also being considerate so it’s not bothersome

Or she’ll sleep lazily and drool a bit, causing her to be a bit embarrassed once she finally wakes up.

The worst motherfucker to cuddle with, EVER (up to interpretation whether it’s said with love)

Not likely)

Like he sleeps in either of two ways and neither of them are necessarily the best.

The first way is him being all lovey dovey and cuddly with you while the second one makes you wish death (again) upon him.

The first one is admittedly really nice. He’s in your arms and just being the needy, clingy bastard we all know Lucio to be.

It’s not so nice because of how this doesn’t change even during the summer time. You’ll definitely end up getting a heatstroke because of him clinging onto you one day.

That’s just the first way though.

The second way is him being sprawled out all over you without a care in the world.

His limbs are so freaking heavy too, it’s not like you could escape even if you desperately wanted to.

Worst part? He steals the fucking blanket all the time

Literally refuses to let go of his weirdly tight grip on the blanket in his sleep, leaving you shivering and timbering all night.

And then he has the audacity of getting mad at you for pushing him off the bed.

Smh

That’s all i have on this fucker

[siren-141]

unholy

summary: you get picked up by a mechanic shop owner after your car breaks down. the night turns into something that you both needed. pairing: mechanic shop owner Simon "Ghost" Riley x reader warnings: car sex, age gap (reader is at least mid-20s, simon is about 40 in this one), slight size kink if you squint, semi-public sex but not really (in reader's driveway but nobody's around), fingering, oral (m rec), justified cheating (not against reader; simon's married but his wife fucking sucks and is cheating on him already) word count: 2.8k a/n: so this actually took me two months to write lol but enjoy :)))

COD masterlist ☾ main masterlist

18+ only, minors DNI

This was honestly the last thing you needed.

Standing on the side of the road, you looked at your pathetic car, tire barely hanging onto the wheel after it was blown out. You hadn’t even realized that you were speeding down the old road, let alone that you were flying over a fairly deep pothole. You realized it though when you had to hit the brakes and saw the smoke from your front passenger side rising up.

It was just around midnight, and you had just left the bar where a local band had been playing. You needed a pick-me-up after the week you’d have – hell, after the month you’d had. Busy in school, assignments coming at you non-stop, dealing with being newly single and frustrated. Why did guys have to suck so much? Whatever – no time to think about that now.

Calling a few tow truck services, there was no luck. Either you were too far out or too expensive, taking advantage of the female voice they were talking to to jack up their prices. Family over an hour away and friends that were close enough to come get you, but you couldn’t leave your car here on the side of the road, who knew if it would still be there in the morning? All you could do was thank the gods that you had taken the back roads home, choosing the scenic route so you could blast your music and take your time getting home, instead of going on the interstate and having a blowout.

While you were tapping away at your phone trying to think of different options, you could see headlights in the distance. Squinting, you couldn’t decide if you wanted the person to stop or if you’d rather take your chances being out at night alone. Watching as they got closer, you breathed a sigh of relief as you watched the truck pull off to the side of the road just up ahead.

The door opened, and out came this hulking of a man. Easily 6’4”, shoulders broad as ever, sauntering over to you in a scuffed up pair of work pants, a white shirt that wasn’t so white with all the oil stains on it, and an unzipped black jacket. You couldn’t really see his face, a plain black mask covering from his nose down. From his look alone, you didn’t know if you should be turned on or afraid for your life – somehow, you chose the first.

“You okay?” he called out, voice deep and gruff.

“Yeah, I just-” you sighed, cutting yourself off. “Left the bar earlier. Tire blew out, I hit that pothole back there. Towing companies are either too far out or charging too much.”

He nodded his head, walking around to inspect your wheel. He squatted down and even as close to the ground as he was, he still came up to your stomach. Fuck, this guy was big.

“I can get a ride home but I don’t want to leave my car out overnight, probably wouldn’t be here by the time I came to get it tomorrow,” you explained, fidgeting with your phone. You could see the man’s shoulders and back move, almost like he had scoffed at your suggestion.

“Nonsense,” he stood back up, walking closer to you – taking in how you looked. Black lacy top with dramatic bell sleeves on it, a flowy black miniskirt. Platform boots that made you a few inches taller, but still much smaller than him. There was no way on earth that he’d have seen you and not pulled over to help. “I can call one of my guys to come pick up your car and bring it to my shop to stay overnight. I can bring you home if you wouldn’t mind, your friends wouldn’t have to wake up and drive out here.”

You weighed your options and somehow, that was the best one you had. “Okay, yeah. Thank you.”

About 10 minutes later, a man pulled up in a tow truck, having the man move his truck from in front of you so he could back the tow truck up to the front of your car. As the man got out of the car, you saw that he was attractive too – dark brown skin that looked as smooth as ever, sparkling eyes that smiled kindly at you even though it was half past midnight. Grey sweats and a black hoodie with a mechanic shop logo on the front – you guessed that they worked together. You stood back as you watched the two men hook up your car and load it up.

“Thanks Gaz, owe you one.”

“‘s no problem, Simon,” Gaz clapped him on the shoulder, giving you a quaint smile and wave before getting into the tow truck and hauling your car back the way he had just come from.

–

“So,” you said as you got into the truck with your savior for the night. “You just know a 24/7 road service guy, huh?”

“Mhm,” he said, driving down the road. “I own that mechanic shop a couple miles back that way. Opened it up whenever I retired. He works with me.”

You nodded your head, keeping the conversation light. You figured he wasn’t one for nonsensical small talk, considering he had been quiet so far, only really saying what was needed. You could appreciate that.

“So where’d you retire from?” You asked him, looking out the side window at the trees starting to disappear the more you got into town.

“Military,” was all he said, still keeping it short and light. You hummed, figuring he’d talk more about it if he wanted to.

“What do you do?”

Your eyes unfocused from the trees, and you shifted in your seat. “I’m in school, grad school. Work in one of the offices on campus during the week. Gets boring but it pays for my schooling, and I enjoy being there, so that’s what counts I guess.”

It was silent for a minute.

“Got out of the military couple of years back, whole squad actually retired together. Came back, married a nice girl. Two step-kids – teeangers, really. Boy and a girl.”

You almost deflated in your seat. Of course, you shouldn’t have expected much – your love life was filled with disappointments littered throughout. Maybe his friend Gaz was single. But this was still a kind stranger that thankfully was not a serial killer, and you were still grateful for all of his help tonight.

“Oh, that’s nice.” He grunted, rolling his eyes at the statement. Whoops.

“She’s busy at her office. Works at one of the law firm buildings downtown. Got her sister watching the kids at her house.”

“Thought they closed at 5..?” you asked, eyebrows creased in confusion.

“They do. The CEO stays late sometimes though. Think she just wanted an upgrade from a shop owner.”

Oh.

“Sorry,” you said quietly, focusing your attention back on the buildings going past you.

“So you went to the bar by yourself?” he asked, cutting the silence once again. You confirmed for him, telling him your friends either had work that night or just couldn’t make it for some other reason.

“Mm. Boyfriend didn’t come out with you then?” Now you snorted, rolling your eyes.

“No such thing. Actually just left him about a week ago. Too immature,” you started. “He could never keep up with anything…no job, no hobbies. Never any time for me either way.”

“Hm. Sounds like you need a real man in your life then, yeah?”

You could feel your face heat up. Shifting in your seat to press your thighs together without him noticing, you tried to keep your cool. You weren’t dumb – you could see that Simon was older than you at least by 15 years. Not only did he have a job, but he owned the damn place. Established. Smart. Married. But, married to a cheating wife in a loveless marriage. And here you were: had a job, in school. Established for your age. Frustrated. Sexually frustrated.

“Guess so,” you looked over at him, meeting his eyes briefly until you had to look away, face heating up. He focused back on the road.

It was silent after that. The radio played classic rock on its station, and you found yourself deep in thought about everything going on – about the man giving you a ride home. Your leg bounced up and down nervously, and didn’t stop when he pulled into the driveway of your apartment. Biting at the inside of your lip, you didn’t even realize that you had made it yet.

You could hear him sigh, and it snapped you out of your thoughts. Before you could even think about thanking him and going inside, he reached over and grabbed your thigh. “Stop the bouncing, love.”

Your lips parted, not expecting his actions. Your leg stopped bouncing, your heart taking its place, hammering in your chest. You watched his thumb run across your skin before you looked over at him, honey eyes meeting yours.

His hand crept up your thigh, squeezing at the plushness of it before continuing upwards. He gently nudged at your other leg, and you caught the hint, slightly spreading them – just enough room for his hand to fit in the middle. His finger lightly rubbed over your clothed clit, feeling the lace of your panties under the rough pad of his fingertip.

He looked down, taking off his mask and carefully putting it on his gear shift. When he looked up at you again, you scanned his face. He was easily one of the most attractive men you had seen – amber-colored eyes looking right back at you, a scar running through his eyebrow and one cutting into his top lip.

He pressed a little harder against your clit, a shiver going down your spine and a small gasp coming from you. You were sure that if you looked in a mirror, your pupils would have been completely dilated at that point.

“Tell me to stop,” he said, leaning in closer but continuing his movements. You could see his hardened cock straining against his pants.

“We shouldn’t be doing this,” you breathed against him, his lips just inches from yours.

“I know,” his fingers slipped past the lace and began to rub directly onto your clit, dipping down to bring your slick up for more lube. You held back a whimper at the feeling of his finger rubbing circles into your nub, legs opening wider. “So tell me to stop.”

His fingers pushed into you, going slow to let you adjust to the new feeling. You can’t remember the last time anything other than your toys or your own fingers was down there. Two fingers slid in and out of you, and you could hear the sound of your slick, very audible in the small cab of his truck. Crooking his fingers, he pressed against your sweet spot, and you couldn’t hold back the whine that came from your lips. “Answer.”

“I can’t,” his lips crashed against yours, your hand coming up to the back of his neck to pull him closer. His tongue slipped into your mouth, taking control – you let him. There was nothing more that you wanted in this moment than for him to take control. His lips fit perfectly against yours, slotted as you kissed for what seemed like forever before he pulled away.

“Take these off,” he snapped the waistband of your panties and you rushed to slide them off, leaving your skirt on. Your hands shook with anticipation as you kicked the fabric off from around your boots, leaving it on the floor of his truck. His large hand cupped the side of your face, leading you right back to him to kiss you again. You reached over to grab at his bulge, and he lifted his hips up just enough to slide his pants and briefs down to his thighs and free his hard cock. Wrapping your hand around it, he groaned and you broke the kiss to get a good look at him.

Eyes going wide, he was huge. You could have assumed, given the size of his body, but fuck. Your fingers could barely touch when wrapped around his cock, vein running on the underside of it, his tip growing red and leaking. “Shit,” you whispered, eyes fixated on him. You gave him a couple of strokes, thumb pressing on top of his tip, and his head tilted back until it hit the headrest of the seat, eyes closed. You couldn’t hold yourself back anymore, feeling like you were going to go into a frenzy.

Leaning down, you took him into your mouth slowly, moaning around him from the taste. “Up,” he said, tapping your back, and you popped off of him, repositioning yourself to kneel sideways in the passenger seat. Going back to your previous actions, you bent down and took him into your mouth again, lapping at his head while you stroked the rest of him with your hand. You could feel him shift, and then felt his hand gripping at your ass.

Even though you couldn’t see it, you could feel that his entire hand covered most of your ass, and you could only imagine what it looked like. His fingers ran through your cunt, feeling the slick that had gathered there and smeared on your thighs. He toyed at your clit before pushing two of his fingers back in, making you moan around his cock. The feeling of being filled pushed you, bobbing your head down further down his cock.

“Fuck, you feel so good, love,” he breathed out, squeezing his eyes shut before opening them again, taking in the sight in front of him. Pretty girl sucking his cock, hair pulled back out of your face with his large hand, back arched in the seat next to him as he fingered your tight hole.

You raised your head up, letting spit pool in your mouth before letting it drop onto his cock, adding more lubricant to suck him off easier. As you went back down, he picked up his pace. You arched your back even more, pushing back against his hand for more, and he pulled your hair a little tighter in his hand.

He could tell you were about to cum – you didn’t even have to say it. He could feel your walls tightening around his fingers, could see how you’d deepen the arch every time he hit that magic spot in you. He could feel you unintentionally slowing down.

Crooking his fingers just right, he pushed deeper into you and that was your undoing. Your voice was partially muffled as you came, moaning and whimpering around his cock as much as you could, stopping all movement with your tongue but unintentionally sinking down further on him as your whole body tightened from your orgasm washing over you. Goosebumps rose on your skin as you preened at the euphoric feeling running through your veins, head a little dizzy from the lack of oxygen and the blood pumping hard through you.

Seeing you come undone and your brain essentially melt from the orgasm was the last straw for Simon. Pressing his head back into the truck’s headrest, he groaned as he spilled down your throat, large hand squeezing at your ass enough to leave reddened skin behind. His hips pushed up just the tiniest bit each time more cum would spurt out, and you gladly swallowed it all.

Your mind was a haze as you pulled off of him, weakly sitting up and the both of you fixing your clothing. You adjusted back to normal in your seat, reaching down to grab your panties that had been tossed on the floor, and before you could even think of putting them back on or at the very least walking inside with them, the man beside you took them out of your hand. You watched as he pocketed them.

“Just something to remember you by, hm?” You looked down, hands fidgeting as a small smile crept on your face.

“Well…thanks for the ride,” you said awkwardly, avoiding eye contact as if your jaw wasn’t starting to ache from being stuffed full just minutes ago. Before you could grab for the door handle, Simon had cupped the back of your neck and kissed you again, this time gentler.

“Remember your car tomorrow,” he said, almost a whisper. From the look in his eyes, you knew that this was far from the last time you’d be meeting him under these circumstances. From the look in your eyes, he knew that you needed this just as much as he did.

Nodding your head, you gave him a small smile and left the truck, walking inside your apartment and shutting the door behind you. You listened to him drive off after he saw that you had made it in safely, and your head just spun. You don’t know what the hell just happened, but you’re glad it did.

[electrosuite]

bathroom sex with eddie munson pls!

warnings: swearing, unprotected sex, public sex, descriptive sex, oral sex

word count: 1.1k

masterlist

You weren't sure you'd be able to pull it off, but when you finally convinced Eddie to come with you to your family reunion, you were ecstatic. You hated going to them; you always thought they were stupid and cheesy. But you knew this would be a perfect opportunity to introduce him to your whole family, saving you multiple occasions of meetings.

This year it was at your cousin's house in Carmel, Indiana, which was only about a forty minute drive. Eddie was so nervous to drive that you decided to do it, knowing the route better anyway.

"They're gonna love you."

"No, they're not."

"They're not like most people, y'know. They're not so judgmental."

"You say that."

"I know that. I promise they're gonna love you."

You could tell he still wasn't trusting of that, but you knew your family. And you knew they would love him.

But he mostly kept to himself or you. At one point, your aunt dragged you away to help set up some activity and he gave you a panicked look as you walked off.

When you came back to the table you'd left him at, he was gone. After asking around, you found him standing alone in a corner with a plastic cup full of some kind of soda.

You wrapped your arms around one of his and you could feel anxiety lift from his shoulders.

"Sorry," you said quietly. "She has the grip of an eagle. What are you doing over here?"

He shook his head. "Just standing." He dipped his head down a bit to kiss you.

You smirked at him for a moment, then looked around. When you saw that no one was looking, you grabbed the drink out of Eddie's hand and laid it on the bookshelf next to him.

"What are you-" You interrupted him by pulling him into the bathroom behind him. You locked the door behind you and leaned back against the door. "What are you doing?"

You just looked at him, putting on the face that he knew too well.

His eyes widened and he pointed at you. "I know what you're trying to do."

"What am I trying to do, exactly?" you asked coyly.

"Your family is right outside."

You were silent for a moment, and you could hear loud, muffled music begin to play through speakers all throughout the house.

"I dunno, I doubt they'd be able to even hear us talking."

"I don't wanna fuck up my first impression with your family."

"I don't know what you're talking about. I'm just standing here." You adjusted your position so your hips pressed backwards against the door, accentuating your curves.

He stepped over to you slowly and stopped when he was only a couple of inches from your face.

"Oh, is that all you're doing?"

"All I'm doing."

He sighed teasingly, unable to hold back a smirk.

"You're such a tease."

He kissed you, his hands cupping your face. He kept you pushed against the door for a moment, not waiting long before pulling you by the face to the vanity. He scooped you up onto it and you leaned back against the mirror, his kisses following you.

You hiked your dress up to your hips and pulled your underwear to the side, Eddie crouching down and throwing your legs onto his shoulders. He immediately found your clit with his tongue and you gripped the edge of the sink, trying to be quiet even though the music outside was drowning out your voice.

Honestly, the fact that there were people — all of whom you were related to — that could hear you on the other side of the door was a bit of a turn on for you, and you weren't sure why.

Eddie seemed to be holding back a bit, and you knew why. Normally when he ate you out, he had you screaming just from that. He was incredible with his tongue, able to manipulate that sensitive little bud in ways not even you could. The combination of his tongue swirling and lips sucking was like the most intense vibrator ever, and it was all you wanted most of the time.

This orgasm wasn't even close to as intense as they normally were, because both of you knew that if they were, you'd get caught for sure. But it was still enough that you struggled to stay quiet.

"I don't have a condom with me," he whispered into your neck.

"S'alright." You leaned into his ear. "I wanted you to bust in me anyway."

He gulped at that, never fully getting used to hearing you dirty talk.

"You're disgusting," he joked. "Walking around your family reunion with my cum inside of you?"

"Mmm, yes please."

And with that, he was inside of you. His arms snaked under your knees and pressed them closer to your chest to allow himself to go deeper. He really filled you to your brim, and you didn't think you'd be able to take any more had he been even an inch bigger.

"Fuck, you feel so good, Eddie."

"Yeah?" he breathed. "How good?"

"So fucking good, Eddie. Fuck."

After a few more seconds, he pulled out of you and turned you around so you were facing the mirror.

"Look at yourself getting fucked."

You made eye contact with your reflection, seeing how lust-filled your eyes were. You felt him pull your loose hair into a ponytail with his fist, keeping a tight tension on your scalp. His other hand was on your shoulder, keeping you firmly in place where he wanted you.

You'd never done doggystyle with both of you standing. Usually you were on your knees on the edge of the bed and he was standing on the floor to keep better control, but this — your back arched, your head pulled slightly back, and your tits bouncing in the mirror — this was different.

It was better. Maybe you'd have to incorporate a mirror into sex every time from now on.

"Y/N, I'm already close."

"Already?" you moaned. "What, can't even last three minutes today?"

He yanked you back by your hair, your back flush against his chest. The hand in your hair was now around your neck, his other hand reaching down to finger you.

"Maybe I would if your whole family wasn't outside."

"Turning you on?"

He grunted and laughed as you moaned from the extra friction. It was literal seconds later that he had to clamp his hand on your mouth to keep you from screaming at your second orgasm.

And once it had ended, you felt his warm cum fill your hole, gushing out onto your thighs. That feeling alone could've made you cum again if he hadn't have stopped.

You both stood standing for a moment, your legs trembling slightly.

"Shit," he whispered, pressing kisses to your neck. When he pulled out, you felt cum dripping down your legs and you rushed over to the toilet, cleaning yourself up a bit. "Maybe we should fuck in public more."

[struwberrii]

haikyuu!! boys date night 𝄞⨾𓍢ִ໋

here are my cute headcanons on where i think haikyuu boys would take you on dates!! hope you guys enjoy (*ᴗ͈ˬᴗ͈)ꕤ*.ﾟ

characters: kageyama, tsukishim, kuroo, kenma, bokuto, akaashi, oikawa, iwaizumi

˚⊱🪷⊰˚

kageyama

movie date!!

he would def pick you up super awkwardly but try his best to show that he’s excited to be with you

pays for all your snacks, also buys himself snacks even though he’s not hungry so you don’t have to eat alone

would probably watch a rom-com with you

leaves the movie in tears because he thought it was cute but he tries to hide it (╥﹏╥)

wins you a plushie at a crane machine on your way out

walks you home too :)

would shyly ask you to be his partner at the door to your house

tsukishima

arcade date!!

meets you there

smokes you in every game, shows no mercy (¬_¬")

wins you prizes though

gets you drinks/candy

if you actually do beat him in a game he says he let you win (he totally did NOT let you win!!!!!)

would probably want to stop and get fast food on the way out

walks you home and thanks you for letting him take you out

probably gives you like a keychain or something as a gift lol

kuroo

escape room!!

he picks you up from your house

you guys stop and get food before you get there

he catches onto most stuff pretty fast but slows down so you don’t feel bad if you don’t catch on as fast lol

still teases you a little if you don’t get something

gets super into it when he’s trying to solve a puzzle

genuinely stressing out if you can’t solve something ᯣ.ᯣ

when you guys escape he gives you a kiss on the cheek

like hes so happy he was taking it so seriously

walks you home and says next time he takes you out it’ll be as your boyfriend (>_<)

kenma

lego building date!!

i don’t see him as the type of guy who would want to go out if he doesn’t really have to so he’d probably invite you over

he picks you up from your house and walks with you to his for your date

also wants to play video games with you

he buys a lego for you guys to build together

you guys have really good convos :3

hes honestly kind of shy (ᵕ—ᴗ—)

also orders you food for you guys to eat together

not much to it;

he walks you back home at the end of it

bokuto

amusement park!!

def tries to talk you into going on all the tallest and fastest rides and almost passes out on all of them

he still gets back on the scary rides though

buys you funnel cake and ice cream

probably carries you on his back if youre tired

buys you guys matching hats too

makes you take pictures of him with all the mascots (˶˃⤙˂˶)

you guys take the cutest photobooth pictures and he ends up kissing your head in one of them (such a cutie pie ♡)

your amusement park pictures are his lock screen

brings you home too

akaashi

home cooked dinner!!

hes really awkward and anxious so i think he'd avoid somewhere super crowded but still would want to talk to you

you guys watch an online cooking class and make food for eachother :)

you guys have super good convos all night

he romantically wipes food from the corner of your mouth at some point (idk guys sorry)

hes super sweet all night and cracking jokes awkwardly (っ- ‸ - ς)

you guys build a puzzle together :D

probably end up watching a movie together too

oikawa

mini golf date!!

probably only takes you there since hes pretty decent at it

kind of shows off but still praises you for your for your skills (or lack there off)

takes so many pictures of you guys

he probably cheated behind your back and kicked his ball into the hole

gets you food and drinks after obliterating you in mini golf (he didnt he actually went easy but still didnt let him beat you)

carries all your stuff for you when youre finished

takes you home after and asks if he can kiss you ദ്ദി ˉ͈̀꒳ˉ͈́ )✧

iwaizumi

hiking date!!

doesnt take you down a crazy path but its still a bit of a workout

def picks a route with nice scenery

takes a picture of you in front of the view and cant shut up about how pretty/handsome you look (cutie patootie ♡⸜(˃ ᵕ ˂ )⸝

constantly pushing you to keep going (hes literally so fit its hard to keep up!!!)

he probably ends up having to carry you back (its ok guys i couldnt keep up with him either)

takes you to a cute sandwich shop after (healthy king)

brings you home and kisses you goodnight <3

[star-girl-05]

Green or Red

James Wilson x Reader

~★~❤︎~✦~

“I’ve been Wilson's best friend for years, I’ve outlasted countless of Wilson's wives and girlfriends. Do you really think someone that's not even sleeping with him has more of a say then me” House wasn’t wrong he has known Wilson longer than you but Wilson was a known simp so you still had a chance.

“Why don’t you put your money where your mouth is then” 

“What do you have in mind?” 

“Hmmm.. Oh I know we’ll see who can get Wilson to wear a certain coloured tie.” 

“Really that’s what you want” You just nod your head, feeling more confident by the second. “Fine, twenty bucks I can get Wilson to wear a red tie”

“Make it thirty and you have deal” House laughed agreeing to your terms

“What colour are you going for?” He asked as you started to head for the door. 

“Green”

~~

“James just the guy I was looking for” You intercepted him on his way to the clinic.

“Really what can I help you with ?” 

“Well I just wanted to say you look quite dapper today, you look lovely in this blue tie but I think green would look even better” you weren't being subtle at all but you desperately wanted to win this bet. 

A blush coated his cheeks in an adorable boy scout way, “Thanks” he fiddles with the end of his tie, “You look lovely today as well.” You smile at the compliment, Wilson is always the sweetest. 

“I’ll see you later then” you give him a small wave before walking away. 

~~~ House ~~~ 

“New tie?” House calls out as he pushes his way into the lunch line, forcing Wilson to pay for his meal. 

“You're the second one to mention it,” Wilson mumbles as he walks over to a table. 

“Not surprised since it's such an eye-sore” House was taking a completely different route than you. Instead of complimenting Wilson he was going to shit on his tie and then suggest a red tie. 

“What are you talking about? Y/n just complimented me on it” Wilson is not sure if House is messing with him or if he’s being truthful. He’s more inclined to believe that House is full of shit due to the fact you had no reason to lie to him, but neither does House. 

“I’m sure she did” he took an obnoxious large bite of his food, punctuating his sentence. House should have known you would get to Wilson first but not to worry he can convince him otherwise.

“Care to elaborate or are you going to continue to beat around the bush?” 

“Y/n lied about your tie being nice because she wants you to look bad at work, because she has a huge crush on you and wants you to look bad so no one else flirts with you. I mean come on your like catnip for the nurses,” Houses says in between bites of food.  

Wilson had no idea what to say, did you really have a crush on him, and did this tie look good or bad on him. “I can’t follow you today, and I have no idea why everyone is so obsessed with my tie”

“I’m not obsessed, just thought as your friend you’d like to know you’d look better in a red tie.” He shrugged his shoulders grabbing some fries off Wilsons tray before walking away. 

~~

Wilson Knew something was going on between House and You there's just no way both of you coincidently mentioned his tie. Honestly he’s not sure he wants to know. Though when he bumps into you he can’t help but try to pry some hints out of you. 

“Hey y/n I was talking to house and he told me something interesting” 

“Really what did he say?” 

“He was talking about my tie” 

“Oh, well I wouldn’t take fashion advice from him, have you seen the way he dresses?” You add a little chuckle. 

“He was just saying the same thing about you”, of course he was. 

So this weird thing you have going on with House is about his tie. 

“That’s a fun coincidence, anywho I better get going but I’ll see you tonight” 

“Tonight?” He has absolutely no idea what you're talking about. 

“Yeah I’m going to let you take me out on a date”, This may be playing dirty but you were not going to let house win. The stakes are not high but if he wins he’ll constantly hold it over your head. Not that you were only going on a date with Wilson because of this bet. You did really like him but you were planning on making him work a little for it, but you're glad to go on a date with him a little earlier than you originally planned. 

~~~~

“Wilson was just telling me about your little date tonight” you knew when House heard about your date with Wilson he would come to tease you about it. “Honestly I’m surprised that you're willing to sleep with him for a messily thirty bucks.”

“I’m not going to sleep with him for a bet” 

“I’m not judging, I'm just impressed” 

“That’s worse” you call after him, he’s already walking away “I don’t want your approval” but he’s already gone. 

~~Later that night~~

After your date with Wilson you did end up going back to his house, and the two of you did end up sleeping together. What can you say? He's very charming. 

When you were getting dressed that morning you couldn’t help but smile when he pulled out a green tie. You’ll buy him lunch with your new thirty bucks.

[mynameisjag]

Prompt: Ghost are still considered non-sentient, which leads to people playing Pokémon with the ghost and unfortunately for Danny, he's basically a legendary with some high stats and it was only time before someone was able to snatch him up.

Ghost being more beasty or ethereal looking, they communicate through Ghost speak which just sounds like hisses/growls to other species. Danny looks like a Naga and communicates like one.

Warning: The Bats treating Phantom like a wild newly discovered creature species. Scientific discussions about his body in front of him, discussions about Ghosts possibly being able to breed because in Phantom form, Danny is duel gendered.

“How!?”

“Jealous?”, Jason watched in amusement as the youngest in the family fumed and stomped around, the kid honestly looked like an angry kitten. Not his fault he managed to snag the Ghost before the rest of them, besides it was in his Alley, so he had rights to it anyway.

Didn’t stop Damian from glaring and huffing about it being unfair, everyone else was either ignoring them or just rolling their eyes in expiration.

Not that he could blame the kid, catching Phantom was basically hitting the lottery, the Ghost was on the top of the list of most wanted. There were videos, essays, debates, everything on them from species type, to power sets, possible weaknesses, likely Obsessions…and Jason caught them. He pinned them down and snapped the collar on as soon as he saw who exactly was haunting his territory.

Currently Phantom was going through an observation…okay, they were currently being poked at by Tim and Bruce, the Replacement eagerly jotting down things he found or didn’t find, treating procedure like a puzzle.

The Ghost was curled up in the observation table, currently wrapped up in a snake like tail instead of legs, giving off Naga vibes that included hissing and snapping teeth in mock bites.

There was no real threat behind the actions considering the poor things condition, whatever or whoever had tried to catch the feral beastie did a number on them before Jason was able to snatch them for his own.

No matter, Jason took care of his things and he’ll have his new companion looking all shiny and pretty before long.

Dick was lazily spinning in Bruce’s computer chair, legs hanging askew, “Sooo, how are going to register them? Can’t exactly put down Red Hood in the Owner’s signature?”

“Going to go with the ‘Jason Todd and Red Hood being “secret” partners route’, as far as the docs will show, Phantom got caught by Hood in his territory and made a lovely gift to the Alley’s biggest supporter.”

“Nice.”

A silent agreeable silence passed between them as everything started to truly settle for the night.

Phantom was still hissing as Tim held out a device to scan over the Ghost, “Mostly exhaustion, energy drained, malnutrition, probably due to being on the run and unable to get a proper meal. Oh, congratulations, it’s a…hermaphrodite…huh…”

Bruce just hummed in response, taking the device from his son, “Not unusual, there have been reported cases of similar body formations, if you look here in this area, this is very close in resemblance to that of snakes cloaca, given how its been recorded of their ability to shift from tail to legs, it’s a high probability that there is an external and internal shift to match the forms and still keep the functionality of both genitalia.”

“So…wait! That means they can breed! Which means other Ghosts that are similar can too! Which means there are natural born Ghosts?”

“Ghost is only a common used term, coined by the Fentons, real ghosts like Deadman aren’t like these creatures, and given how terrible the Fentons research was…we are unable to fully understand most habits and causes of the species.”

Tim reached back for the scanner, eyes scrolling over the details in excited glee, beings that were basically unknown, improbably recorded, a huge mystery with smaller mysteries within, “I’m going to compare these scans with known species of reptiles, might get a standard bar of health in comparison and possible hints at behavior.”

Another hum came from the Dark Knight, focus turning to watching the youngest move his way in between him and Tim, Damian had came back dressed in civilian clothes and was holding an apple out to the Ghost, “I have brought you a treat.”

They all watched as Phantom hesitated, hissing slowly dissipating as it takes in the fruit, a clawed hand reaching out to take it, sniffing it before taking a small bite.

“So can eat fruit? Can they all eat fruit or just Phantom?”

“Hush, Drake, your voice is grating and might cause them to lash out in hopes of peaceful silence.”

“Excuse you!”

The two continued to bicker, the creature on the examination table just steadily continued eating, bright pure green eyes watching them before taking in the room.

Dick made an attention whistle at Jason, nodding at the way the Ghost was eyeing possible exits, his brother just shrugged in response.

With that collar, there wasn’t any place the other could hide without a Bat knowing exactly where they were.

[hiramaris]

I'm gonna request something for haley bc i love how you write her and not so obsessed. im not sure if you are writing for request? but im gonna give my shot

a prompt where haley as wife, and the farmer was late passed midnight because of mining shit. and almost died (lmao). she got home safely, but limping with her wounds and bruise. then there's haley, saw her wife barely walking and her reaction, just comfort, fluff, worried and taking care of the farmer.

that's all, thanks, no pressure <3

Kiss it Off Me

CHAPTER 7

Chapter Summary:

"I don't like your stupid gift!" She didn't intend for it to sound harsh, but as soon as her mouth opened, she couldn't stop the words from spilling out. "I honestly thought you'd know better than to give me something like this."

Pairings: Haley x Fem!farmer

Disclaimer:  I do not own Stardew Valley or any of the related characters. Stardew Valley is created by and owned by ConcernedApe. This fanfiction is intended for entertainment only. I am not making any profit from this story. All rights of the original Stardew Valley story belong to ConcernedApe.

Warning: violence, blood

Notes:

thanks to anon for being the first-ever reader to request a prompt. I initially thought to make a separate fic for this one but I realized why not make it as a new chapter? There would be some adjustments to the prompt, instead of Haley being the farmer's wife, she'd be somewhere in between a friend and a woman struggling to put a name to what she's feeling with the farmer. I'm really sorry anon for not following the route you're hoping for but I do hope you'll like this one.

Summer 9

The sound of thunder clapping from above her made it difficult for sleep to come that night. Despite the late hour, the darkness outside was illuminated intermittently by flashes of lightning, casting eerie shadows across the walls of her room.

Rain drummed steadily against the glass, a constant reminder of Yoba's fury. The room felt oppressive, suffocating almost, as if the storm had seeped its way indoors, invading her sanctuary.

She had always hated rain. Well, the main reason is it's horrible weather for a dashing photographer like her. Not only does it ruin her hair that she spent all morning fixing, but it could also ruin her equipment. Oh, did she also mention it gives an awful lighting?

She also shares the same level of dislike for storms because they destroy the calmness of rain. It's aggressive, cold, and destructive.

That's why the moment the news announced there would be a storm for the next three days, she was quick to stock every little favorite snack she could think of because there was no way she was waltzing outside in that kind of weather.

Haley popped out a tired eye as she looked at the clock beside her.

1:56 AM.

Oh, joy it's almost two in the morning. How in Yoba's name could she go outside with bags under her eyes probably heavier than all of Emily's hippie gems combined?

'I mean– there's always a concealer,' she thought but quickly dismissed the idea.

She has been minimizing her makeup since... since whatever (when you told her she looked prettier even without them) PLUS with summer's sweltering heat, layering on cosmetics seemed suffocating.

With a groan, she pushed herself up from the bed, determination flashing in her tired eyes as she made her way to the kitchen to get a glass of milk, hoping that this little solution would finally give her the sleep she'd been craving for.

But as she reached for the milk, a cacophony outside shattered the stillness of the night. Haley froze, her heart pounding in her chest. It's kind of hard to tell with the harsh rain and thunder and everything.

As if to confirm that her mind wasn't playing tricks on her, a set of audible coughs echoed just behind the door. Haley's heart thumped so loud she was afraid it might come out of her chest.

That could only be an intruder.

In Haley's sleep-deprived mind, she didn't stop to even realize that Pelican Town had never experienced a robbery in the dead of night. Instead, she quickly bolted to her room, grabbing Alex's old baseball bat he had left here one time, not even having the presence of mind to wake up Emily to face this 'intruder' together.

****

Spoiler alert, it wasn't an intruder but an idiotic farmer covered in dirt and unbelievably wet from the rain.

You were holding your rucksack close to your chest for dear life with your sword held tightly by your other hand when Haley found you slumped against the door.

"What the hell are you doing outside at this hour and in this weather?" was the first words she uttered when her eyes spotted you. She was quick to help you up and bring you inside, not even minding the mud and water accumulating from where you stood.

When you didn't respond, Haley met your eyes.

Haley's heart nearly stopped at the sight beyond her. Without being hidden by the darkness, she could finally see your whole state.

There standing is the farmer herself. Your white hoodie was tattered and looked burned. Your hoodie's sleeves are ripped too up to your upper arms, and your left arm has a cut with fresh blood still gushing out of it.

You were missing the other pair of your shoes, and your hair was disheveled and covered with slime. You even had multiple scratches and scrapes all over your body. Your right cheek has some small scratches, and blood is rushing out of the wound on your forehead.

"Yoba..." Haley's voice was barely a whisper as she gently cupped your cheeks, careful not to aggravate your wounds. Her eyes flickered to the gash on your forehead, blood still seeping from the wound. "What happened, Y/n/n? We need to get you to Harvey!"

You shook your head weakly, struggling to stand upright. "No... H-harvey," you protested, your voice strained. "H-he'll kill me."

"Y/n!" Haley's arms enveloped you in a tight embrace as you nearly stumbled over her. She wanted to reprimand you, to demand answers, but the rush of blood in her ears and the pounding of her heart against her chest prevented her from doing so.

For now, she needed to make sure you were okay.

You only grunted in response as you gave in to her, allowing her to guide you onto the cushions.

"I'm just gonna get a towel and the first aid." Her lips trembled as she said those words.

In record time, she was able to get everything she thought you'd need, afraid if she missed any more seconds you wouldn't be breathing.

When she returned to the living room, she almost went ballistic when she spotted your form unmoving from your seat.

"Y/n! Wake up, for Yoba's sake! Don't you dare die on—" Haley's words caught in her throat as you rasped out a response.

"...oh, look an angel," you managed with a small grin, your tired eyes fluttering open.

Haley couldn't help but smile softly at your attempt to lighten the mood. "Very funny," she replied, relief flooding through her as she saw you conscious, if only barely.

Wordlessly, she draped a towel over you, tucking it gently to ensure you stayed warm. It was the same blanket she used during storms like this when she felt cold herself.

With a purposeful stride, she made her way to the fireplace, adding more wood to the fire in hopes of warming you further.

"Keep your eyes open, please? I'm just gonna get some rags to clean up your wound," she requested gently.

She placed the first aid kit on the coffee table in front of you before heading to the kitchen to gather clean rags and a sponge.

Returning to the living room, she filled a bowl with tap water and carried it carefully as she made her way back to you.

With great tenderness, Haley cautiously wiped the blood from your body with the sponge, dampening it in the tap water she had prepared. She winced as the color of the water turned red.

"You lost too much blood," Haley commented, masking the shakiness of her voice. She wasn't a great fan of blood but she was not naive with treating minor injuries either. She silently thanked Yoba for letting Emily force her to learn a thing or two about first aid.

You only grunted in response to her observation.

"What happened, Y/n?" She couldn't hide the worry in her voice even if she dared try. "I should call Harvey and get you to the clinic."

You groaned as she accidentally applied too much pressure to your wound. "No... it's okay. It's n-nothing, I'm fine."

"These serious injuries don't shout nothing, Y/n. What the hell happened?"

"'I went to the mine..." you explained, and Haley waited expectantly for you to continue.

"It's storming."

"I know..." You couldn't look at her in the eye. "It's just that there's not much going on in the farm so I thought I should continue my expeditions in the mine. I thought it would be safe but..."

"But it wasn't." Haley couldn't helped but deadpan.

You visibly winced, unsure if it was because of your wounds, Haley's biting remark, or just both. "I heard from Marlon I could find rare items once I reached the hundredth floor, which I did," you explained, tapping your rucksack beside you. "But I should have known better that those items are rare for a reason. Not because they're hard to find, but because they're hard to acquire. Once I got hold of this baby," you gestured to your bag, "the whole cave was swarmed by slimes and shadow people."

"What?" Haley's voice sputtered with disbelief, her brows furrowing in concern. "Shadow people? I thought they were just myths!"

You tried to nod in confirmation, but Haley kept a firm hand on your cheeks, preventing the movement. "Uhuh, they're very real," you affirmed, your voice tinged with exhaustion. "And I can say they aren't really fond of us humans and, uh, dwarves I think. They're more scared of me than intimidating. I tried not to, y'know, hurt them."

"That's a stupid idea."

"I know," you admitted, your gaze dropping to the floor. "But given our history with them, I didn't want to give them any more reason to hate us. Plus, I was the one invading their homes."

Haley let out a heavy sigh, her shoulders slumping with weariness. "Still, you should have fought back. What if they had killed you in there? How would we have known you were down there and rotting? You're the only one crazy enough to go down there anyway."

You didn't speak after that, and Haley mistook that as compliance. She was too busy fuming at your lack of self-preservation to notice the frown creasing on your features.

After managing to cleanse the visible injuries of your body, she began to grab some clean rags to apply some pressure on your forehead and your forearm to keep your bleeding to an absolute minimum.

She cursed softly under her breath, trying to think of what to do next.

"…Y/n? Y/n, wake up, stop sleeping," Haley's voice was quiet, her tone laced with urgency as she gently tapped your cheek.

Your eyes pulled themselves open and looked tiredly at her. "Hn?"

"I need you to sit up straight and pull your hoodie off. What do you have underneath?" Haley's words were gentle but firm as she carefully supported your shoulder and hip.

"…just a tank top."

Slowly, you strained to sit upright, wincing with discomfort. Haley could tell from the way your grip tightened on her wrist that you were not comfortable sitting for very long.

With Haley's assistance, you managed to pull your hoodie off, careful not to aggravate any wounds. Once the clothes were removed, Haley's eyes lingered on the minor cuts just below your chest, blood still seeping from the wounds. She grabbed the sponge again, gently brushing away the blood from your cuts.

After cleansing the wounds, Haley applied alcohol and antibiotics, causing you to grunt in discomfort. No words were exchanged as she skillfully wrapped bandages around your forehead, forearm, and abdomen. She then helped you into warmer clothes she found in her wardrobe, her movements gentle and reassuring.

"How do you feel?" Haley bit her lip, anxious. Honestly speaking, she wasn't confident in her abilities to treat injuries, so she anxiously awaited your response, hoping she hadn't made things worse.

"…I'm alright now," you rasped, your voice hoarse with exhaustion. "…thank you, Hay."

Haley felt a wave of relief wash over her at your words. Your face had regained some color compared to earlier when you looked as pale as a ghost.

"Do you want anything to eat?" she questioned tentatively. "I'll whip you up some tea and soup."

You swallowed gently and nodded your head.

"I'll be back soon then. Rest. I'll wake you when your soup is done."

****

About twenty minutes later, Haley went back into the living room, a tray in her hands. She found you sprawled on the couch (thankfully not moving too much), embracing your rucksack in your arms once again. She wanted to question what was inside and why you couldn't part with it so much but decided to make sure you were okay first.

The things she does for you.

She placed the tray of food on the coffee table and sat beside you, taking in your sleeping form.

"Y/n/n? Food's ready," Haley said softly, tapping your thigh to rouse you from your slumber.

Startled and kind of a forced of habit, you tried to sit up straight. Thankfully, Haley was fast enough to stop you.

"Don't get up. | don't want to wrap your wounds again," Haley admonished, her tone firm.

She grabbed a pillow and propped it behind your back to elevate your head slightly. As she picked up the bowl of chicken soup, she could feel your eyes on her.

"I can feed myself, Haley. Thank you," you finally spoke. Haley's eyes met yours briefly before she averted her gaze, a flicker of emotion passing over her features.

"Clearly, you aren't capable of feeding yourself. Stop being a baby and let me do this."

Your eyes settled on her for probably a full minute before you sighed in resignation. Despite the hardened gaze she probably wore on her face, Haley gently placed a spoonful of soup in your mouth.

"I know you can, Y/n," Haley spoke after a few moments. "But you lost too much blood already, I don't want you to bleed again."

"I'm sorry for causing you all this trouble," you uttered softly.

Haley paused and finally looked at you, like, really looked at you properly this time. Since you had arrived covered in mud and blood, she had been operating on autopilot, with only one mission: ensuring you were okay. It's the only thing running through her mind, leaving no room for anything else. Mainly, she hadn't thought about the impact of her words.

"Don't be ridiculous. It's no trouble. I'm just..." Haley paused, thinking about what words to use without giving away that she cared too much. "I'm just glad that you're okay."

Once you had finished eating, Haley placed the empty bowl down and reached for a damp cloth. Brushing away a stray lock of your hair, she gently wiped away a few drops of blood and dirt, her touch surprisingly gentle. She was so focused on her task that she didn't notice you watching her quietly, your expression softening as she attended to the blemish on your face.

"Haley..." you called softly, breaking the silence. Haley looked down at you, her eyes startled. A small, appreciative smile graced your lips as you continued, "Thank you."

Haley couldn't help but smile in return. Sometimes it's hard to stay mad at you. "You can thank me by resting and making sure this won't happen again."

You chuckled softly as you closed your eyes, resting your head against the pillow once more. "No promises."

Seeing that you were getting sleepy, Haley quickly gathered the empty bowl and cup and placed them in the sink. When she returned, she extended a hand to help you up, much to your confusion.

"Come, let's get you to my room."

"Haley," you protested weakly. "I couldn't possibly impose more than I already have."

"Shut up. I won't let an injured woman sleep on the couch, Y/n."

Despite your protests, Haley managed to convince you to agree with her proposed setup. While Haley wasn't entirely keen on sleeping on the couch herself, it's not like she has a choice on the matter. The cushion is uncomfortable as hell, it's like sitting on a pile of bricks. That's more than enough reason to let you sleep on her bed. Plus, with the mess and worry weighing on her mind, she doubted she'd be able to sleep anyway.

She was about to leave to clean the mess in the living room when she finally sat you down on her bed, but a hand stopped her.

"…have you seen my bag, Hay?"

"Oh, that? Do you want me to get it for you?"

"No, no. Thanks but I can get it myself." You made a move to stand but Haley kept a firm grip on your shoulder.

Haley frowned. "You can't barely even stand. Do you think I'm gonna let you walk by yourself? What's in the bag anyway? I'll get it for you."

"I'm wounded, not disabled–" you tried to say but Haley only raised an eyebrow at you, daring you to finish your sentence. You sighed when you realized that you wouldn't win against her again. "It's... it's a gift."

"For whom?" Haley couldn't help but ask. Who could you possibly want to give a gift that you almost died just to get it?

Was it for Penny? Haley heard she liked gems as well. Or was it Maru? If she could remember correctly, tomorrow's her birthday and she seemed to like everything you can find in caves. This totally makes sense.

But why did her heart clench at the thought? More importantly, how did she even remember all this information when she didn't care about them at all?

Before you could respond, Haley left the room to retrieve your rucksack. She felt like she didn't need to hear the answer to her question.

When she returned, she wordlessly handed the bag to you, prepared to leave the room once more. However, your voice stopped her in her tracks.

"It's for you."

She turned, mouth agape. "What?"

"It's for you." You smiled warmly as you held out a familiar-looking crystalline gem, about the size of a palm, emitting a dazzling array of colors.

Haley's initial surprise quickly turned to dismay as she recognized the mineral. Her frown deepened, and a flicker of discomfort passed through her eyes at the sight of it. She knew what it was, and just the thought of touching it made her feel physically ill.

"What's wrong?" you asked, concerned at her sudden change in demeanor.

"I don't like your stupid gift!" She didn't intend for it to sound harsh, but as soon as her mouth opened, she couldn't stop the words from spilling out. "I honestly thought you'd know better than to give me something like this."

"I..."

"Keep it," she said with finality. "Good night, Y/n."

With a curt nod, she turned on her heel and stormed off, the sound of the door slamming shut echoing in the room as she left.

****

She shouldn't have said that. She knows she shouldn't have but she was just so worried she couldn't control anything else spouting from her foul mouth.

She hated how she caused the light in your eyes to die down. Hated the way you weren't able to say anything else. Hated the way she just couldn't probably express her worries properly.

Now you probably thought she hated your guts.

Which is far from the truth. Kind of the opposite actually but she's far too tired and confused to delve into her feelings further at the moment.

It's true she doesn't share the same passion for gems and rocks as her sister Emily, and people will generally thank someone who will give them a prismatic shard because for one, they are pretty, she's not gonna lie about that. Secondly, they're super rare and by extension, expensive.

Haley just couldn't bring herself to appreciate it in the same way.

She hated them with passion. And she hated people assuming she liked shiny things because of her personality.

While it's true she's kind of materialistic, it was a trait ingrained in her from years of her parents trying to compensate for their absence by showering her with gifts.

She didn't like being materialistic, but she's so used to it that it's hard to stop.

And she hated how you seemed to think the same way about her when you thought about giving her a prismatic shard as a gift. That all she ever was were just pretty and expensive gifts.

And she hated how you let yourself get hurt just to give her this.

She hated everything about this.

****

Haley spent the majority of the night cleaning the living room, hoping to tire herself out enough to dull the heaviness and emptiness in her heart. She didn't know it was possible to feel both at the same time, but there she was, experiencing it firsthand, and she despised every moment of it.

And she hated herself more now because she found herself padding her way towards her room. Her steps faltered when she saw you peacefully sleeping on her bed. A gentle smile touched her lips at the sight of your chest rising and falling in a steady rhythm.

Unable to resist, Haley approached you quietly. She carefully tucked you in, a tenderness in her actions that betrayed the turmoil in her heart. Leaning down, she pressed a soft kiss to your bandaged forehead, a gesture she had learned from her late grandmother.

"To kiss the pain away," her grandmother used to say, and Haley found solace in that belief.

With one last caress of your cheek, Haley settled onto the foot of her bed, a magazine in hand, silently hoping for the sun's rays to finally peek behind the horizon by her room's window.

****

Haley woke up surprisingly lacking any back pains. She didn't feel sleep-deprived either.

Wait—

How'd she get in her bed? You're supposed to be– Oh.

She sat up straight when she realized she was holding a letter in her hand. Straightening up the almost crumpled paper, she could recognize your handwriting immediately.

Good morning, Haley. Sorry for the disturbance last night, and thank you for taking care of me. It means a lot. I didn't want to impose more than I already have so I excused myself while you were asleep. Thank you again. — Y/n

Haley studied the letter, noting the hastily scribbled handwriting that differed from your usual neat script. She could imagine you rushing to write it just to avoid dealing with her.

It hurt more than she cared to admit. But after what she said to you, who was she to complain?

At this point, it would be a miracle if you still talked to her.

"Good morning, sis!" Emily chirped, her voice echoing through the room as Haley emerged from her room. She sat on the couch, casually knitting what appeared to be another sweatshirt.

Haley's expression was one of mild annoyance as she replied, "It's noon."

"Storm has passed but Caroline canceled, just to be safe," Emily responded, her fingers deftly working the knitting needles as she spoke. "And I know it's noon. Just wanted to emphasize you slept late, little lady."

She glanced around the living room, noting the sunlight filtering in through the curtains, indicating that the day was well underway and the storm had thankfully subsided.

"Why are you here anyway? Don't you have a yoga class to attend to?"

Haley let out a resigned groan, her movements sluggish as she made her way toward the kitchen to avoid further conversation with her sister.

"Just so you know, I saw Y/n/n come out of your room!" Emily called out from the living room, her tone playful yet teasing.

Haley froze mid-step, her grip tightening on the handle of her mug. "Wha—" Her voice wavered slightly, betraying her surprise. "Nothing happened!"

"Of course, nothing's going to happen in that state she's in," Emily retorted.

Haley couldn't ignore the sense of urgency that suddenly gripped her at the mention of your state. You're in no condition to go home all by yourself.

"Just tell me you took her home," she pleaded, her tone softening slightly as she returned to the living room.

Thankfully, Emily's too caught up with her work to notice that brief slip-up of vulnerability Haley rarely shows.

"I volunteered actually, but Penny saw us on our way and insisted she could do the job," Emily explained, her tone matter-of-fact.

"And you agreed?!" she sputtered incredulously.

"Of course, I would!" Emily readily defended. "She volunteered!"

Haley's sigh was heavy as she sank down onto the couch next to Emily. "You should have woken me up."

She could feel Emily's eyes settling on her as if trying to decipher what's got her so distressed.

"I tried, but Y/n/n won't let me. Said you needed the sleep," Emily finally answered after a few moments of silence.

"You're unbelievable." Haley couldn't help but massage the bridge of her nose at Emily's casualness about the situation as if seeing a heavily injured farmer waltz out of Haley's room was just a normal occurrence. "I suppose she told you what happened then?"

"Uh-huh. Accident in the mines, right? And she went here instead to the clinic because Harvey would kill her once he saw her state." Emily chuckled, her tone light as if discussing the weather. "He just literally told her last time to take it easy."

Haley blinked in disbelief. "And how do you know this?"

"Everyone knows this, Haley." Emily looked at her as if wondering why she didn't know this piece of information. "It's practically a common thing to see Y/n/n passed out outside in the morning."

Haley's brows furrowed in frustration, her mind racing with thoughts. Of course, she doesn't know this. If she would have known, she would have told you to take it easy. Hell, she'll help with farming if it will make things easier for you. This thing where you pass out and overwork yourself shouldn't be normalized. Actually, if anything—

She stopped herself from this line of thinking because why the hell was she even considering helping out with your farm when she, in fact, hated dirt?

"She also told me how you stepped up and helped her," Emily continued, her voice pulling Haley back to the present moment. She felt Emily's hand pat her shoulder in a gesture of reassurance. "I saw she's well-cleaned up. I'm proud of you, sis."

Haley forced a smile, though it didn't quite reach her eyes. I'm not proud of what I did, Em.

*****

Summer 10

The sky was painted with hues of pink and orange as Haley sat alone on the shore, the gentle sound of waves lapping against the sand providing a soothing rhythm to her troubled thoughts. She had come here seeking solace, the ocean always offering her a sense of peace in times of distress.

The events yesterday had bothered her more than she had let on. She convinced herself you'd understand why she reacted the way she did but a part of herself thinks she should apologize.

But as stubborn as she is, she instead spent the whole day sulking, which is what she did.

She embraced her knees closer to her chest, fingers brushing the bracelet adorning her wrist. It was her great-grandma's, a delicate piece of jewelry passed down through generations adorned in gold and pearl on the middle part. Her grandmother has given it to her instead of her mom because she'd rather wear luxurious things than some hand-me-down jewelry. But Haley loved them, and it's probably the only piece of jewelry she'd ever wear aside from the shell necklace she was wearing now.

It was a ritual of sorts for her, wearing the bracelet whenever she felt sad and alone. It's as if wearing it made her feel like her grandma was with her at this very moment, comforting her.

She was so lost in her own thoughts that she didn't realize her bracelet had slipped from her wrist. It wasn't until she reached to adjust it that she felt its absence.

"Oh, no..."

With trembling hands, she combed through the sand, her movements growing more frantic with each passing moment. Her eyes scanned the water's edge, fearing the worst as she desperately sought any glimmer of gold amidst the grains of sand.

No, no... impossible. She made sure she was far enough from the water for that specific reason.

An hour passed with no sign of the precious heirloom, and Haley felt tears welling up in her eyes as desperation threatened to consume her. She practically combed the whole beach for it and still no signs of the bracelet.

She couldn't help but slump back to the sand. She's feeling everything too much.

She's such a useless piece of shit. She couldn't even kept an important heirloom. How the hell can she even keep someone like you in her life?

Everyone's right. She's way up high in the clouds that everything she touches crumbles within her fingertips.

The tears are threatening to fall from her eyes and a sob is rising on her throat.

And just before a tear fell from her eyes, a hand shot up and grabbed her by the shoulder.

She looked up and met a pair of gray eyes staring into her own. The grayish color of your eyes is stark and deep and seemed a little bluish from the illumination of the sun. It almost looked like the sky during spring or the ocean seen from a cruising ship as a cold tundra threatened to ruin the quiet solitude of the season. Your eyes telltale thousands of untold stories with every blink, stories too ambiguous, too dark for any of them to understand. Though not dark enough to feed her thoughts of the midnight sea, of storms and drowning.

Calloused fingertips thumbed mascara stains from her cheeks with such gentleness Haley doesn't think she deserves.

"I'm here," you murmured. "What happened, Haley?"

"I l-lost it," she whispered, her voice trembling with emotion as she struggled to hold back tears. "My bracelet... it's gone! I know I had it on when I got here... But now it's gone, Y/n and I can't find it anywhere..."

She couldn't help the sob that escaped her as she burrows closer into you. She had probably stained your shirt with expensive make-up and salty tears but she didn't care as she dug her face deeper into your collar bone further and sucks a shaky breath.

"Shh," you soothed, sturdy arms wrapped around her tightened instinctively. "I'll go find it, don't worry."

"I'll never find another one like it..."

"I'm really sorry..." she felt you murmur against her hair. "I'm sure it's just around here somewhere."

"...maybe it'll wash up on another shore," she hiccuped between sobs. "I can't bear to think of it at the bottom of the ocean."

"We'll find it, okay?" you assured her, and Haley swore her heart stopped beating when you planted a soft kiss on her forehead. "Stay here. We're not leaving until we find your bracelet."

****

And truth be told you did find it.

After what seemed like an eternity of combing through the sand, Haley's eyes lit up as she spotted the familiar-looking bracelet in your hands.

With a smile so bright it rivaled the sun, you approached her.

"You found it!" she cheered as she run towards you, hopping from the sand and straight to your arms.

You weren't deterred by this and proceeded to secure your arms around her to prevent her from falling.

"Careful there, we don't want to drop it again, do we?" You barked out a laugh but Haley was quick to recognize the grunt of pain in them.

"Yoba, I'm sorry! I forgot you're still wounded!" Haley made a move to let you go but you weren't having any of it. If anything, you hold her tighter. Haley couldn't help but let out a laugh as well as she wrapped her arms around your neck just as firmly. "Thank you so much, Y/n. You're a lifesaver."

"You're welcome," you murmured against her chest. "Here, I'll help you wear it."

You gently set her down, much to her disappointment, and began to fasten the bracelet around her wrist, your actions filled with care and tenderness.

"Thank you, Y/n. Really," she murmured softly. "You're always there whenever I needed you and all you get as a thank you is me being... a bitch to you. I'm sorry."

You frowned. "You're not a... 'b' word. Far from it."

"'B' word,"she scoffed, a small smile playing at the corners of her lips "What are you, twelve?"

"Hey!" you protested in mock indignation. "I can cuss. I just don't want to use it around you. I don't want to get used to it."

Haley's gaze softened drastically. If you keep this kind of consistency around her then Haley's bound to fall hard on her back. And since it's with you, you'd probably made your way to ensure she'll be falling in a pile of pillows and flowers. You're thoughtful like that.

"I'm sorry for giving you that gift yesterday..." you started after a moment of silence. "Let me finish first," you interrupted gently when you saw her mouth open to speak. "I just... prismatic shards are rare to find and I wanted to give it to you because I thought it's something you'd like to photograph."

You took her hand in yours, a tender gesture that made Haley's heart skip a beat, her cheeks flushing slightly at the warmth of your touch. The soft morning light bathed the shoreline in a golden hue, casting long shadows across the sand as gentle waves lapped against the shore.

"But then I realized how it may have looked like to you, and I'm sorry I made you feel that way."

"Y/n..."

"So I like to try again." Without further explanation, you strode towards the boat beside Elliot's cabin, your steps confident and purposeful, and produced a bouquet of—wait, are those sunflowers?

"No way!" she sputtered as she tried to fight the grin threatening to spill on her face. You're not supposed to look this dashing walking towards her with a bouquet in hand. It's unfair!

"Yes way." you grinned at her as you handed her the flowers, your eyes sparkling with mischief. "I hope I'm forgiven."

"I'm supposed to be the one saying sorry, you dunce!" Haley playfully slapped your shoulders before accepting them. "They're beautiful, Y/n! These are my absolute favorite! Thank you."

"No worries. And if you're free you can take a look at them at my farm."

"You planted them?" Now that she had mentioned it, it sounded like a stupid question. Of course, you planted them yourself, where else can you get these flowers?

But as usual, being the kind and patient person that you are, you only beamed at her and nodded. "Yep! I planted a whole yard."

"For real?"

"For real," you affirmed, your smile widening at her incredulous expression.

"But why? I mean compared to other crops I'm sure sunflowers aren't that profitable."

You shrugged again, your expression softening. "Eh, I wasn't aiming for the profit. I was aiming for your smile."

****

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A/n: my toes are curling while I wrote this, I hope you felt the same. Anyway, the bouquet of sunflowers isn't the same bouquet that makes Haley your girlfriend. It's just a regular ol' bouquet our farmer has personally crafted because she's a simp for our queen but just too oblivious to see it. Sorry for the delay, I had just finished my clinical recently so I was busy the whole month of April. Hope y'all like this one!

P.S. comments are much appreciated!

THANK YOU FOR 2500 LIKES! YOU GUYS ARE THE BEST, SERIOUSLY.

taglist:

@joordynn

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[jesncin]

Caped Crusader, "Safe Diversity", and Catwoman

We're at a point where it's expected that a new incarnation of any story previously with a white-dominated cast would be reimagined with a "more diverse" cast. This can mean racebending them, genderbending them or making them queer, but for the purposes of this analysis we'll be focusing on racebends. Most of the time, executives will take the "safer" routes with diversifying their cast- pick a couple of unproblematic supporting characters to be incidentally "diverse this time". Other times, there might be "braver" takes where more prominent characters (perhaps even the main character) are racebent. This doesn't necessarily mean racebending prominent characters is an inherently better thing to do.

I've been more than critical of MAWS' portrayal of BIPOC characters but especially their Asian Lois before. Sometimes BIPOC representation is just a decorative palette-swap change for these shows. Caped Crusader however, is different. It's more complicated- but it's rooted in very similar problems. Unlike MAWS (though I can only speak for S1), CC is far more willing to take on political topics: classism, sexism, police corruption and brutality, even beauty standards in the entertainment industry! Yet, in choosing to portray these topics in their stylistically anachronistic 30s-40s set piece- it makes it so the show's reluctance to discuss race intersecting with any of these topics far more apparent.

(spoilers for all of Caped Crusader)

Take for instance, episode 2: "...And Be A Villain". The story is about Basil Karlo, a less than handsome actor who wishes his appearance wasn't holding him back from both love and playing roles saved for better looking people. He makes a deal with Jack Ellman, an experimental makeup artist who turns him into Clayface. This story is set in motion when Miss Yvonne Francis, a beautiful actress, goes missing. Miss Francis is a woman of color (brown skinned, unspecified) played by Lacey Chabert: a white actress. CC goes for a generally colorblind casting what with Stephie (a white girl) being voiced by Amari McCoy (a Black actress) but it always feels icky when a white actor voices a character of color. Prominent characters of color in CC are more accurately casted. However I do think animation should be wary of using their medium to get away with their show appearing more diverse than the actual talent behind it.

The episode's theme is pretty clear on how unfair the entertainment industry is in regards to who it prioritizes in leading roles. Basil is constantly emphasized as a tragically talented actor whose appearance is holding him back. "With your talent you should be a leading man, Basil." Yvonne says to Basil in a flashback. Meanwhile as Alfred is watching through movie clips featuring Yvonne and Basil together, he comments "while lovely to look at, Miss Francis is no Gloria Swanson." So Yvonne has the looks, but not the talent and still gets prestigious roles because that's showbiz. The only time this is weirdly inconsistent is when Yvonne calls out Basil/Clayface in the finale, saying:

"I don't believe your performance. You're chewing on scenery. Relying on makeup effects to enhance weak characterization. It's insincere, Basil. It's not real."

I honestly feel like this scene was just meant to quickly "subvert" Yvonne being a damsel in distress by having her call out Basil's acting. It's a moment that isn't reinforced by anything the episode set up. After all, according to Alfred, she's not as good an actor compared to Basil. That's supposed to be how they foil each other, so this moment feels unmotivated. Again, I get what they're going for, that Basil's performance ironically relies on his newfound appearance so much that even a bad actress like Yvonne can spot his meager acting. But it doesn't work when our protagonists were actually convinced by his imitation of others. She's still a damsel in distress character regardless of her having a bit of attitude when calling her captor out.

What I don't understand is: why make Yvonne a woman of color if this was the story you wanted to tell? It's not like they're paying homage to how her voice actress looks, after all. Why, in your story set in purposely anachronistic 30s-40s era noir, did the character who was meant to represent the epitome of "not talented but gets by the industry because of her conventional beauty and pretty privilege" a woman of color? We're missing the very obvious conversation here where Tinsel Town is a white industry with white biases to what it considers attractive. It doesn't matter how many attractive actors of color exist, they're still pigeon holed into stereotyped and often racist roles (especially back then), and have to work twice as hard to get the opportunities their white colleagues get. Why is Basil, a white man, the only one afforded a marginalized narrative when Yvonne is quite literally a woman of color right next to him? The episode is especially painful to sit through when Basil is afforded so much sympathy compared to Yvonne.

"He didn't have the right look. He didn't have the right face."

"The camera is kind to some, but cruel to others."

This is transparently a colorblind narrative. Yvonne is written and even casted as a white woman. The CC crew just decided she should be a WOC likely because "wouldn't it be neat if the beautiful actress in this story is POC" without thinking about how that would drastically change a narrative already critical of the showbiz industry based on appearances. It's not intersectional and flattens the narrative to being selective of the prejudices Tinsel Town has. This episode is a great example to what CC generally does with diversity. It's not afraid to be critical of society, but it gets oddly squeamish with discussing how race intersects with these topics- opting mostly for a palette-change type of representation.

It's not entirely fair to say CC doesn't ever touch on the topic of racism. It sort of does: if you read between the lines for why the mayor gives Jim Gordon his commissioner role, and more prominently with the Gentleman Ghost (a rich aristocrat ghost that steals from the poor, believing wealth is his right) being offended that his mansion is sold to Lucius Fox (saying "and you would sell it to rabble like this?")- racism is somewhat present in the world of CC. We see the women in this show experience misogyny, but it's ambiguous if any of their struggles are intersectional with that of race. But that's... just about it. Racism isn't discussed more than it is alluded to, whenever the writers decide it's relevant. Because of this, CC has a spectrum of hits and misses when it comes to integrating characters of color in their reimagined cast.

Here's how I would visualize that spectrum using canonized instances of Asian Lois Lane. I should emphasize that representation of people of color doesn't entail the narrative owing us "a racism arc" or what have you. This spectrum is more used to measure how much racial identity was integrated in the characterization of the character: whether that be cultural identity or history. Being a person of color isn't just "person who goes through racism".

This is how I'd personally place the prominent characters of color in CC on my "spectrum of racebends" chart. Generally most of the characters of color (whether reimagined that way or were originally POC already) are fairly harmless in how they were integrated into CC's world, but none of the characters feel bespoke as a reimagining of the character and are interchangeable with their white counterparts. To quote cartoonist Juni Ba (in a discussion on CC):

"...stripping characters of color in these time period stories of any cultural, [a]esthetic or social signifiers that’d make them true to the groups being represented. Instead they dress, act and speak very western."

In my opinion, the only character that is an exception to this is Linton Midnite (or as he's popularly known as: "Papa Midnite"). Midnite is a character so interlinked with Haitian culture and mysticism that even CC couldn't erase that aspect of his identity (important note: historically, the portrayal of Midnite since his creation is riddled in racism, but that's not my place to discuss here). Midnite at most speaks with an accent, dresses more nonconformingly compared to the western standard dress of all the other characters, and practices occultish stuff (though I don't think there was anything culturally specific in that episode, please correct me otherwise if someone has more insight!). That's a lot more cultural representation than just about any other character of color in CC. Midnite can't be changed to a white character, his African identity is too interlinked with who he is.

There are a few characters I consider in poor taste to be POC- that being Arnold Flass, Yvonne Francis (who we've covered already), and Harley Quinn (who will be getting her own post, as her case is complicated). So let's talk about cops, then.

I tend to be indifferent about media choosing to diversify cop characters because it feels like choosing the most "respectable to society" role for a marginalized character to play. Cops uphold bigoted systems of power at the end of the day, so that's a very comfortable place to represent your marginalized characters. It's why we keep getting gay or lesbian cops, which Batman media absolutely perpetuates as well with Renee Montoya. It's hard to cheer for two women of color being allowed to date and kiss in public when one of them is a cop, y'know? But this doesn't mean re-imagining cop characters doesn't have narrative merit.

In regards to Jim Gordon being reimagined as a Black cop, I'm gonna refer to La'Ron Readus' video on "Fixing the Batman's Copaganda problem" where he goes into detail about the missed potential of Black!Jim Gordon from Reeves' The Batman (2022). Generally, I felt that opportunity was missed in CC as well. While I love that Barbara Gordon is in CC, nothing about her being a WOC is integrated into this version of her. It felt like if either character was white, the story wouldn't be that different. The bigger issue here is the choice to racebend Arnold Flass- a previously white, blonde, cunningly smart, and brutally corrupt cop.

CC follows some of this in their version of Arnold Flass- he's paired with Harvey Bullock (also a corrupt cop). While Bullock is the brawns of the duo, Flass is the smarts. He's cunning and even implied to be willing to frame Bullock if the worse comes to it. It isn't an inherently bad idea to racebend a corrupt white cop into a Black cop. If the writers want to tell a story about how the police force assimilates people of color into the system and forces them to be just as if not more brutal than their white counterparts, then by all means tell that story.

But that's not what CC gave us. By rarely acknowledging race, we don't get to have a conversation or themes surrounding that delicate intersection of identities. We just have "diverse Flass". Look at these panels from Year One for example, can you imagine how Flass' casual disrespect for Gordon by constantly calling him "Jimmy" could be re-contextualized with a race change? Unlike other characters who just feel like missed opportunities for not integrating race into their characterization, Flass is an elephant in the room. To not acknowledge his race in themes of police corruption and brutality is to white wash the narrative with diverse paint.

I personally think the stronger narrative decision would have been to racebend Bullock as Black instead of Flass. Flass could still be the conniving cop, but he encourages Black!Bullock to be the more "violent brute" who does the dirty work for him. It would put a newfound racial layer to how Flass considers Bullock disposable. Then we could have some kind of commentary on how the police force encourages a system of abuse that makes even fellow POC turn on each other. It'd also make it so a certain scene would be better in optics.

I have many criticisms for the scene where Batman holds a gun to Flass in the finale of CC. It's a narratively unmotivated (see my criticisms for CC's Two Face here for elaboration) and weak moment that relies on metatextual shock value to cover up how underdeveloped this take on Batman is. But it's also just very uncomfortable optics-wise. It's a common and valid criticism that Batman as a character can very easily fall into copaganda, with his status, goals, and collaboration with the police force. In many ways, Batman is often written to be committing his own kind of vigilante police brutality.

Caped Crusader wants to be a deconstruction of a Batman tied to power and hellbent on his mission to eliminate crime. But because CC occasionally omits race from its narrative, the scene where Batman holds a gun to a Black cop-a man stripped of his ability to fight back-just falls flat for me. There's no acknowledgement in this scene that Batman basically gets to be an anonymous cop, "warning shots" and all. Batman shoots at an unarmed Black man several times. It's meant to be shocking to us how Bruce is willing to stoop to such a level and indulge in gratuitous gun violence, but it honestly hits too close to real incidents where this is racially the case for me to enjoy the narrative point of this scene.

You know a character who would be perfect for calling out Batman's many privileges? Selina Kyle. Let's talk about Caped Crusader's biggest downgrade.

I've heard just about all the arguments in favor for CC's reimagining of Catwoman and none have convinced me that this was in any way a good take on the character. I see people saying that this Catwoman is a return to her golden age roots, and there's a lot of misconception surrounding that assumption. So bear with me as looking at Catwoman's history is necessary to discuss race and how a character evolves.

Catwoman debuted in the 1940s as a jewel thief who disguised herself as an old lady. She was just called "The Cat" and would not don her more feline appearance until later. True to the mystery woman femme fatale trope she was inspired by, her backstory was left unknown for a long time. 10 years later, in Batman #62 it is revealed that after a plane accident bonked her head, the now named Selina Kyle got amnesia and went on a crime spree. Giving her leeway to reform and be an ally to Batman. This would historically inform how Selina Kyle toed the line between good and evil as an anti-hero.

Her origin would be revisited in 1983, in the Brave and the Bold #197. Although not canon to the mainline universe, it is still a crucial development for her character's history. In this story, Selina reveals that she lied about having amnesia to get out of facing punishment. Her true story was that she entered a life of crime to escape an abusive relationship with a rich man. The only loss her husband understood was material loss, loss of property, so stealing was how Selina fought back.

This crucial re-examination of her character transformed her from shenanigans inducing femme fatale, to a marginalized fighter. Shortly later in 1987 in Batman Year One, Catwoman is reimagined as a street-hardened sex worker in poverty. She is inspired by the Batman to become a vigilante for her own goals and gets annoyed that she's assumed to be his sidekick.

The moment Catwoman became marginalized by power, was the point where she became worthy of solo-character status. She was not only a compelling foil to Batman-capable of going toe to toe with him and make him question his motives even though she did not share his privilege-she could lead her own adventures reflecting a side of Gotham Bruce Wayne's perspective doesn't. She actively makes the setting of Gotham stronger because of how she's evolved as a character.

Catwoman's character would continue to evolve, with some iterations reimagining her as a latina woman and others where she's canonically bisexual.

While Catwoman has been portrayed by Black actresses before, I want to focus on the most recent and prominent iteration of a race-swapped Catwoman. When Matt Reeves' The Batman (2022) featured Zoe Kravitz as Selina Kyle, an explicitly biracial character within the text of the story, we see another step this character evolves. I think La'Ron Readus' video on "Why Race-Swapped Characters Are Not The Full Story" does a fantastic job of explaining why this is a narratively great race swap. To summarize (though I do encourage watching his video as he goes into depth about 2022 Batman's Jim Gordon as well among many other examples) and add analysis of my own: Selina being the byproduct of an Italian crime lord and a Black sex worker is a brilliant marriage of her original backstory (being connected to and abused by powerful men) and her modern backstory where she's poverty stricken (and tangentially related to a sex worker if we're talking about Batman Year One).

We understand why someone of her background would have an affinity for stray cats because of how she lost her mom at a young age, she is sympathetic to fellow people from the lower class, and explicitly calls out privileged white people- including Batman who attempted to over moralize Selina's partner as a sex worker.

"All anyone cares about in this place, are these white privileged assholes."

It's especially that last line that makes it so Selina's character isn't interchangeable with her white counterpart. She's a textually rich character to contrast Bruce in Batman 2022, and we can see how years of history and evolution has brought such an empathetic character to the screen. Interestingly, Readus feels that while 2022 Selina was an example of a race-swap that works, he believes it was great by coincidence, because of the miss that was Gordon's characterization in the same movie. I think with Reeves as a collaborator on Caped Crusader, that assumption was correct.

Selina in CC is back to being a rich socialite, but (unlike her Golden Age counterpart) she's not married into wealth- she's got generational wealth (with a dad serving jail time for tax evasion). Worse yet, she's taking what little remains of her money and spending it on superficially imitating the Batman to create her Catwoman persona. She even has her own reluctant Alfred, a Catmobile, the works. Selina steals things because. She likes shiny things. And is something of a kleptomaniac. Catwoman is instantly discovered to be Selina because of course she's not as good as Batman is with keeping a secret identity (another key difference from her Golden Age counterpart, whose backstory was shrouded in mystery for a decade).

It is laughable to me that CC touts that their version of Harley Quinn has an origin of her own outside of the Joker, only to turn around and make a Catwoman that is completely tied to copying a man as her origin (did they decide Harley's goofyness as a character needed to be replicated in Selina for some reason? In their supposed dark and edgy show?). What a strange choice to fixate on the part in Year One where Selina didn't like being mistaken for Batman's assistant despite being inspired by him and turn it into a quirky bit. It feels like such a regressive take that frames Selina as a sillier, whimsical version of Bruce that just spends money on a whim because women just aren't smart enough to know how to keep track of their money. They're too busy looking for shiny things to steal. The fact that both 2022 Batman and CC have a scene where Selina is looking through her many bills she's yet to pay is wild to me. How am I supposed to care for a Selina that has the expendable wealth to create a Catwoman costume, car, and gadgets, but delay paying her maid? One of these versions of Selina is far more sympathetic than the other.

Again, I get what CC is going for. Batman is characterized to be hellbent on catching criminals, Catwoman is supposed to serve as some kind of reflection of his obsession. They're both self destructive in their goals, but one is vengeance and the other is chasing thrills. But is that really as interesting a foil as having Catwoman be marginalized, just as skilled, and making Batman second guess himself? Is it a take that strengthens Gotham as a setting by shedding light on its lower class characters? Is it a take that makes her worth revisiting as a perpetual rogue and not a one off episode where's she's basically a shenanigans-inducing nuisance to Batman? Evolved takes on Catwoman have talked about her desire to seek thrills and paired it with how she dismantles power. So it's not like CC's take is particularly unique, it just lacks all the depth that usually surrounds Selina's thrill seeking.

In a show that is frankly desperate to make it so Bruce doesn't have a personal relationship to his rogues gallery because he's too busy being "A cold, remorseless avenger of evil, seemingly more machine than man. Forged in the fire of tragedy, every fiber of his being is dedicated to the eradication of crime." (according to promo) that's how we end up with Barbara as the foil and humanity to both Harvey Dent and Harley Quinn. How the show focuses on the police force more than Bruce. It feels especially pointed that Catwoman is characterized this way. When she doesn't contrast Bruce, she becomes less personal to him as a character that is poverty stricken but still matches up to him in skill. She can't challenge him or his worldview, he can't find her fascinating as an equal, all of their chemistry and intrigue is erased.

All this to say that of the characters revealed for CC, I was honestly surprised that Selina wasn't one of the many characters racebent. CC followed up on a Black Jim and Barbara Gordon, two characters that have been race swapped before in previous media. Most prominently! Harley is Asian in this iteration, something never done before. So why is it that Selina doesn't follow up on the many times she's been portrayed by Black actresses?

It's because it's an actual good racebend if written well. It wouldn't be a "safe" racebend because writing Selina this way means you'd have to acknowledge racism, and it would be much more noticeable if you didn't. There is no canonized version of Asian Lois Lane that parallels her relationship to Superman as an immigrant. But there is a version of Selina as a Black woman who directly calls out white people and is aware of systemic power. It's in something as prominent and mainstream as Matt Reeves' 2022 Batman. So instead it just reads as cowardice to me that CC couldn't follow up on this evolution of Selina.

Not only does it weaken Catwoman and Batman's relationship to regress Selina this way, but it actively weakens Gotham as a setting and the very themes of Caped Crusader. I personally think all the energy that went into Harley Quinn should have been shared with (or straight up gone to) Selina Kyle. Because unlike CC's take on Harley, the way Selina Kyle's marginalization intersects with race and queerness would have actually critiqued Gotham's class corruption effectively. As a Black queer woman, Selina would be among the most vulnerable people in Gotham. We don't have prominent characters in CC that truly reflect the lower class, there are these unnamed characters Harvey Dent sits next to on a train. There are some orphans with Batfam names. A proper Catwoman reimagining that takes advantage of her evolution would have filled this gap in their narrative.

But that's not how "safe diversity" works. CC would rather racebend and canonize the queerness of a character like their take on Harley Quinn. A WOC who gets to kiss a cop and call out powerful men, but not in a way that makes white people uncomfortable.

If I could edit the Sandman quote that "The great stories will always return to their original forms" for Superheroes, I'd say "The great stories will always return to their most resonant forms" because without iterations we don't get characters like the Kents, Alfred or Catwoman as we know her today. Classics are good to look to, but we like these characters because they evolve. In my opinion, none of CC's takes on these characters of color feel resonant. They're not definitive to the level of Mister Freeze's tragic love story in BTAS, among many standout narrative choices in BTAS that continue across media iterations.

In my opinion, CC isn't as thoroughly clumsy as MAWS is in regards to POC representation and race-swaps (all characters of color in MAWS get put in the left side of that chart I made. In the Sunken Place. Where they all Missed The Movement). However, I can't help but see Caped Crusader's take on the world of Gotham as nothing more than an anecdote in the evolution of Batman's story for the modern era. "It's BTAS but superficially more diverse and with less compelling narrative choices."

[ir-abelas-vhenan]

Something Something Yeah It's Still Solavellan Hours (Mythal is kind of here, too)

I've seen a few very beautifully articulated posts talking about the conflicted responses players are finding themselves having in regards to the decision by writers* to have Solas' atonement route possible because of his conversation with one of the remaining fragments of Mythal.

(*honestly I hesitate to put the weight of bigger game events on their shoulders because of how much I know bigger players in the company were involved, so when you read 'writers' know I just mean whoever had final say on plot)

I love reading where people are at on this, and having now breathed, re-played the scene, cried, read some more theories, and then played the scene again enough times I think I'm now able to figure out where I'm at.

TLDR: in my humble opinion, the conversation Solas has with Mythal doesn't bring him any actual closure at all. It is only the version of the atonement ending that has Lavellan in which he is actually set upon a road to redemption.

This, like everything else where I lose my mind, will be long. I tried to restrain myself and here we are, unhinged as ever.

I was unhappy at first that Mythal's incredibly brief conversation with Solas where she releases him from her service seemed to be what finally allowed him to make a decision based on his wants and not hers. My concern stemmed mostly from the fact that a lot of us are trying to be active participants in a society that recognizes patterns of abuse and seeks to establish channels through which individuals can pursue healing without the approval, consent, or demise of their abuser.

But the more I look at the scene, the more I wonder what would have happened in a world where Veilguard got just a little more time in development. Could we have gotten a scene that more elegantly conveys the theme that we cannot heal every part of our loved ones, much as we might like to?

In an imperfect world it isn't always up to us how someone finds closure, which really sucks when you'd like to ensure a loved one finds it in a way that preserves their dignity and limits exposure to the individuals who have harmed them.

And while it could be left there, I'd like to actually push back on the idea that Mythal is in any way responsible for "healing" Solas in this moment.

I went on a different tirade a few days ago about how at the end of Inquisition, Mythal says words to Solas that on their surface seem well-intentioned or placating, but they actually just serve to further bind him in guilt and a position of servitude. In Veilguard's finale, she still does not take accountability for exactly how much of a role she played in the pain that Solas, a man others have revered and feared as a god, has gone through as he cowers, actually cowers before her.

Mythal's interaction with Solas conveys exactly two things to him as far as I am concerned (I'm going to botch these quotes but my laptop is dying so please accept some paraphrase as I rush to finish this before I go cry about this analysis to my uncaring dog):

"The terrible things we did, we did together." You are forever tied to me.

"I release you from my service." But what am I releasing you to?

Because up until Lavellan joins the fray here, all I take away from the physical and unwilling emotional cues Solas gives in this scene (he is a master in trickery, for goodness' sake, the thought of so many witnesses seeing him unable to hide behind a mask has to leave him feeling anguished on top of everything else) is that Mythal has once again reminded him of everything he did in her name and telling him that all that's left for him is to go back to the fade prison and, as he as always done, endure the crushing weight of his failures alone.

To me, in my interpretation, the Solas that hears this from Mythal with no Lavellan intervention may choose to willingly step down from his original plan (and yeah, that's gonna do some damage) but he is certainly not free of his past. He's going to be reminded of it every time he turns a corner and finds more blight to try and soothe, and even the moments that he rests will be filled with more manifestations of his regret. He says it himself: where he's going? It's terrible.

Enter Lavellan. Yeah, he couldn't bring himself to listen to her at her first plea (but like damn how many times are we going to have to watch her give a heartfelt speech only for him to be like 'something something beautiful elven rejection'). But I know that you know that our clever icon knows better than to take what Solas says at face value. She tells Rook plainly that he's absolute dogshit at lies of the heart, and she says it with her whole chest.

Lavellan sees the way his shoulders slump (in resignation yes, but you can't convince me there's not a little bit of relief there, too), she hears the agony in the "vhenan" that escapes his lips (which, don't even get me started on the fact that it's been like nine years and he has no hesitation at all calling her his heart, it just spills out of him). It is not the sound of a man delighting in the steps he's about to take. They're certainly not steps he does not dislike that lead to a destination he enjoys.

And then she watches Mythal (who I can't imagine she feels any sort of fondness or respect for) pull some weird nonsense on her love one final time, and she knows it's her moment to shine.

Mythal, I would argue, pushes Solas down one more time, shames him into seeking atonement, into once again being alone.

It is the romanced Lavellan that kneels so that he cannot fail to meet her eyes. It is she who invokes their connection, not to remind him of his failures but to reaffirm his greatest strength: their love and their love alone is inevitable. Not the consequences of his past, not the regret he thinks will consume him as he seeks to mend what has been broken. It has only ever been them.

"There is no fate but the love we share". We are forever tied together.

"There is no fate but the love we share." *I* am releasing you from everything else save for this love.

Put colloquially: get absolutely fucking wrecked, Mythal.

Body language comparison to chase up the dialogue one, anyone? The way Solas shrinks before Mythal as opposed to him walking off into the fade with Lavellan at his side and standing tall, and he does not flinch when she lifts a hand to his shoulder?

Ultimately, Mythal is a part of the atonement endings no matter what. But it is only Lavellan that refuses to let him walk alone. It is only Lavellan that guarantees that his dinan'shiral ends not in a prison of regret, but a place of promise.

Mythal bends Solas until he breaks one last time. Lavellan takes each piece, claims it as hers, and uses them to build the beginnings of a future.

[gothwineaunts]

I don't want to make you feel guilty about it but do you have any updates about Shiloh?

Don't worry, I've been wanting to tell y'all what's up with Shiloh for awhile now! I just want to start with the disclaimer that I don't really have what I'd call "news" on it. It's in limbo at the moment, but for good reason. When you sign on with Webtoon you agree to give them digital exclusivity for a period of time. This is so you can't go and post your series somewhere else, because ofc webtoon wants readers to only be able to read it on their app. This is all fine, like it's all above-board, normal stuff. But as a result there's a span of time where you cannot post the series anywhere else, even if the series is finished. I don't wanna get too specific, but a few years. You've probably heard about Let's Play, right? How Mongie left the platform? The reason she can't immediately start posting Let's Play somewhere else, is because of this same thing. She, like all the other webtoons that leave or are canceled, needs to wait until the term is up before she can continue elsewhere. The clock on this resets whenever you post a new episode. So it's not like episode 1 is okay to post somewhere else before episode 10 is, it's the whole series or nothing. So with all that said. Shiloh's almost to the end of this term, and past a certain point we felt it no longer made sense to try to post S3 as a webtoon original because the moment we post even one episode, we'd have to wait all these years over again if/when we left. There's also been some writing on the wall for a minute that webtoon isn't keen on renewing Shiloh after S3, so there was also a possibility we'd come back, just to be canceled. And honestly that's alright with us, we have thought for some time now that Shiloh is better suited to a longer monthly issue release rather than shorter weekly ones, just with the genre it is. And besides, we wouldn't be able to keep up with webtoon's mandated weekly schedule while we're working on Nevermore at the same time. So TLDR; when Shiloh comes back it won't be as a webtoon original. But I'm not sure what it'll look like yet. Could be on canvas. Could be on patreon as like a free/fastpass sort of route, potentially. We know we want people to be able to read it for free no matter what. But the details are all sort of a toss up at the moment, because we still have a little more time to wait before we can do anything anyway. I'm sorry if that's not a very satisfying answer! It's why I've been dragging my feet on a proper announcement, because I don't have any hard dates or plans for y'all yet. But we have not abandoned Shiloh! It's been in deep freeze, but intentionally. And with plans to return at some point. We won't be abandoning it, it's a huge passion project for us. <3

[phas3d]

Slytherin boys as gamer bfs and what games they would play with their significant other?

Gamers >:) | Slytherin Boys

type :: fluff

tw/cw :: cock fighting, animal cruelty, gambling, threats (these are all for fucking tom bc ofc it is...) - suicide joke (mattheo)

contains :: draco, tom. mattheo, theodore, lorenzo

notes :: im ngl idk half of these games in depth - i just heard and seen the sterotypes of these games - fps = first person shooter, dbh = detroit become human, abg = asian baby girl, bow = breathe of the wild ||

DRACO MALFOY sims 4 / roblox

This man sucks ass at gaming, he literally can't do it

His aim is shit, he screams when he's in a fight, and he rage quits the second he loses

So he has to stick to girly games

He has so many mods and cc for sims that it's insane

His pc runs like it's on life support because of this, pls save that poor computer

And he likes playing roblox too sometimes

But he doesn't even play the normal games

Bro plays Dress To Impress and Maple Hospital...

Like what the fuck are you doing there??? Go on BloxFruits or smth man

What's even worse is he eats EVERYONEEE up in Dress to Impress, he literally always top 3

And when he isn't top 3, he curses and swears but it doesn't go through cause tags

He literally cannot do obbys either oh my fucking god

You know that one meme of Sadness from Inside Out dropping her popcorn and someone quote-tweets it saying, "Damn she can't do anything"

That's exactly who Draco is when it comes to gaming

TOM RIDDLE dark web gambling / elden ring

Oh my fucking God this guy can't have a normal hobby ever

He doesn't game at all,,, literally just gambling bruh

He hosts illegal gambling rings online and even host some in the school basement

One time he even hosted an illegal cock ring fight...

Yes,,, he stole the chickens from Hagrid and made them fight....

He even used magic to give them powers like pokemon....

He made a fucking WATER chicken and FIRE chicken fight

Thank god he didn't actually let them kill each other, he just did it until one was near death

But back to gambling - he also manipulates people in so many ways

He casts a spell that silently chants "go all in, go all in" so it subconsciously makes people bet more

Bro even gets some students in DEBT!?!?! Like how tf did you do that and WHYYY would you do that

If someone doesn't come down to the basement in a while to gamble,,, then Tom will fix that

Besides illegal gamlbing...

He plays Elden Ring, which is pretty normal

Besides the fact that he BEAT THAT SHIT IN LIKE 2 DAYS?!!??!!?

Normally streamers, pro gamers, they all take weeks and sometimes even months just to make progress

But Tom is just,,, just better ig?

So yeah... He sticks to gambling cause every other game is just too easy for him

MATTHEO RIDDLE gta V / fortnite / rocket league / nba 2k24

God this guy is the worst sterotypical middle school boy ever

He even had the ugly ass big blue headset with the shit mic on it

Plays GTA V every now and then, only when he's angry

That's when he goes around town and just beats the shit out of everyone

Likes playing Fortnite for hours on end with his friends, mostly Theo and Lorenzo cause they can actually keep up with him (Draco is ass at FPS and

Plays rocket league and NBA 2k24 because of fucking course he does - look at him....

He's just a boy....

A really toxic one.....

Definitely screams "KILL YOURSELFFFFF!!!!!!" if he loses and honestly he's kinda real for that

THEODORE NOTT god of war / detroit become human

Loves games that have a long story

It's a good mix of story and fighting, he can't really get into pure FPS games

Have done most routes in DBH and even found easter eggs and hacks

Tries to get you into the lore as well but sometimes it goes so deep you get confused

"NO!!! Connor in route 8 is actually a pretty neutral guy and he's-"

Like bro what??? Why do you know everything about this "Connor" guy??? smh

He dabbles in some FPS sometimes, like playing Fortnite with Matt and Enzo

And he actually REALLY good

Has great aim and precision

But he just can't get into it for some reason, it's not his type

LORENZO BERKSHIRE valorant / zelda breath of the wild

I feel like Enzo playing Valorant makes so so sooo much sense

He's not AS toxic as the other guys, but he's still weird and fuck-boy-ish in his own way

Definitely plays with e-girls and tries to bag an ABG

But he gets catfished....

He's pretty good at Valorant, surprisingly

His mic stays on for every single game... Even if no one else is talking

This man will talk to a fucking wall and still be yapping

"Okay guys way I need to pee" ...

There's only bots in his server.........

He also loves RPG games and stuff like that

So BOW is perfect for him to shut off his mind and just roam and do useless tasks

[cursedtransby]

Ryoshu and Grief

Ryoshu as a sinner is defined by her lust for blood, art, and the beauty that comes with both. However I think a large chunk of people realize that this is not her only trait, and this is something that has slowly been fed out across the Cantos and Egos we’ve gotten for her.

Spoilers for basically all of Limbus.

Since her reveal, we’ve had some plenty of reads that PMoon is not taking her inspiration, Hell Screen, as mere setup for an insane artist. Her constant connection with Spider-Bud and family shows that she is at the bare minimum connected to the lore of the family torn apart by lust for a perfect painting of Hell itself.

Ryoshu’s identity in relation to Hell Screen and a traditional family setup is something that honestly deserves more attention in a separate post, but it’s clear something massive happened between her family and it’s caused her a massive trauma response that triggers grief quite often...even if it doesn't seem like that.

Most of Ryoshu’s behavior is opposite to how people usually think of grieving, but it’s still a form of grieving nonetheless. She tries to repress her emotions through increasing forms of ecstasy. As someone who has depression and has gone through losses of my own, one of the possible responses you can have is to try to chase some emotion, regardless of what it is and how unhealthy it is for yourself and those around you. You’ll do anything for that warm feeling of positivity about yourself.

Regardless of this though, that sadness still exists in Ryoshu. We know this thanks to her mood during Canto 7 being rather quiet aside from the betrayal of Hugo, where she immediately decides to cut off his arms due to it being “unoriginal and played out”. Otherwise she’s being bristly towards the concept of family, but not actively aggressive or particularly violent. In fact, the one time I'd say she has a strong reaction in this Canto is to Sinclair's interpretation of her usual acronym stuff.

Ryoshu and Sinclair honestly ALSO deserve their own post because there is a lot to go into, but to put a cap on it I'll simply state that Ryoshu has a lot of emotions regarding Sinclair. It's the only thing that can rouse her aside from the art of betrayal she sees from Hugo, because the concept of family triggers her that much. There's a reason that the ONLY Ryoshu ID to have Gloom in their kit is Spider Eyes, because she's having to directly confront the very concept of family and protecting others, and it's reflected in her giving out more support than most of her other kits and in story by helping calm Yi Sang.

This sadness and desire to care exists across the Mirror Worlds as well, she just does a far better job of hiding it under her usual veneer of "insane artist only pursuing ecstasy". Edgar Family Butler is all about taking the role of caretaker of things, and she normally helps take care of her fellow butlers, only changing her attitude when they are about to be raided by the Wild Hunt and die. Even in something like her W Corp or 7 Association identities, she still has her kit showing off some support by giving out fragility for the team or even giving out barrier in W Corp.

No matter what she does, it's inescapable for her, and something she is desperately hiding away in order to keep things moving. The very same way Yosihide continued his painting, Ryoshu keeps spreading violence to hide away her grief. But it will always be there, underneath the surface, if you look closely enough.

Overall, it's a fascinating take on grief and how one can cope with it, and PMoon has always done a wonderful job on not taking the typical route with things. They did it before with Roland's grief, and it's clear that they're doing similar things with Hell Screen's adaptation. Also thanks to @lu-is-not-ok for inspiring me to write up more about one of my favorite sinners, since their posts analyzing The Red Chamber and Hong Lu fascinate me to no end. Additionally thanks to @ryoshudoodles for making beautiful art themselves and showing off the duality of Ryoshu's lust and gloom beautifully.

[toomuchracket]

girl of your dreams (d word matty x reader smut)

early days of the relationship, sneaky post-show hotel room sex. warnings for d word mention (duh), exactly one (1) spank, matty going down soft sound, unprotected sex (girly is on the pill tho), and creampies. enjoy <3

“yeah, yeah, goodnight,” matty smiles as his bandmates disappear into their respective rooms, entering his own when the locking mechanism clicks open. he's used to that sound now, used to quickly sliding the do not disturb hanger onto the handle, used to kicking his shoes off and placing the keycard near the door and yawning as he turns the corner into the bedroom proper.

what he's not used to, however, is seeing you there, sprawled out on his bed watching tv, wearing your glasses and a champagne-coloured satin nightgown that quite honestly makes him go weak in the knees.

he wants to get used to it, though. really, really wants to. he's determined to, actually. but first, he's determined to make up for being later to your rendezvous than planned. “hi, darling,” he smiles (how could he not, looking at you?), shrugging his jacket off en route to the bed. “i'm so sorry it took me so long to get here.”

“s'alright, baby, i understand. newcastle show and all,” you crawl to the end of the bed to meet him, and the way your tits swing as you do affects him almost as much as the pet name does; both of these things pale in comparison to the way you kiss him, though, all soft lips and quiet sighs, hand coming up to hold his face while you smile into him. when the kiss ends, you press your forehead to matty's, and it takes all his focus not to swoon. “your family are lovely, by the way. ‘specially your dad.”

matty laughs softly. “yeah, he was telling me how canny he thinks you are. says i should be paying you extra for the fact you're the one waking me up every morning.”

“oh, no, i like the kiss currency thing we've got,” you giggle, pressing one to his nose and sending his heart racing. “but were you really that much of a nightmare when you were little?”

“christ, yeah. he didn't detail it?”

“no, he was very sweet. maybe he was trying to make you seem cool,” your pretty face shifts into a smirk, and matty braces himself for the inevitable. “i mean, your family are all so concerned with when you plan on settling down - maybe he was trying to make you seem appealing to me.”

“take it you heard them asking me if i was seeing anyone, then?”

“yeah. was funny,” you peck his lips. “and your answer was very good.”

matty hums, thinking back to the there's someone, yeah, but she's too good for me so i'm playing it cool right now he'd placated his family with. which, to be honest, isn't a total lie. “good, good,” he gently lowers you so you're lying on the bed, crawling atop you and resting his arms on either side of your head; yours rest on his shoulders, pretty nails gently scratching at the back of his head the way he likes. “and was my dad successful?”

“at making you appeal to me? oh, yeah,” the playfulness in your eyes is addictive. “i’m really quite fond of you, matthew.”

god, the way you say his name! “feeling's mutual, gorgeous,” matty leans back, letting his calloused hands lightly skim up the sides of your torso. “love this outfit, by the way.”

“m'glad. bought it with you in mind,” the revelation sends matty reeling, and it's only worsened by what comes next. “dunno if you could call it an outfit, though.”

“why not?”

you smile, sweet as sugar. “because i'm not actually wearing anything else, darling.”

jesus christ. blood rushing in his ears, matty stutters out a response. “you serious?”

a nod, a suggestive bite of your own fingertip. “see for yourself.”

what a fool he would be to do otherwise. blood still pumping in his ears, and travelling more towards his trousers by the nanosecond, matty drags himself down your body and settles himself on the bed between your - fucking gorgeous - legs. with something almost resembling trepidation, he slowly pushes the silk up your thighs, jaw dropping in a groan as he takes in the enticing wetness pooling between them on your cunt. “fucking hell, sweetheart,” he moans, hand tracing up your slit and circling your clit as if on instinct, making you jerk with a whine and his dick jump as a result. when he brings his fingers to his lips and the delectable tang of you hits his tongue, matty's necessary next step becomes crystal clear. “please, please let me eat you out.”

your reply nearly makes him cum there and then - another thing matty's still unused to is the new nickname you've been trying out together, but it isn't half fucking incredible. “yes, daddy.”

matty thinks he breathed out a “thank you” as soon as the words left your lips, but he can't be sure; the only thing he can focus on is getting his mouth on you, licking upwards to your clit before wrapping his lips around the bundle of nerves and flicking over it with the tip of his tongue, just the way he was elated to discover you like. he can't help but moan into you when he hears your little whimper of “oh, just like that, yeah”, smiling when you moan louder in response and clamp your thighs around his head - a second later, when realisation seems to hit, you go to loosen your grip with a half-whined “m'sorry, daddy”, but matty just shakes his head (which has you moaning again as his tongue slices across your clit) and shuffles himself around so he can wrap his arms around your thighs and keep them there. not out of masochism - well, part of it is - but more out of the fact that your thighs locked around his head is proof that this is really happening, and he isn't just dreaming about going down on you like he did for months after first meeting you. 

of course, reality is so much better than those dreams: matty could never have imagined how good you actually taste when he's licking into you with nothing short of desperation, or how beautiful you look when you're all fucked-out, or the way your voice goes all shaky when you're about to cum. which, incidentally, is what's happening now - “m'close, daddy, m'so fucking close. wanna cum, please, please let me cum!”

seems as good a time as any for matty to take a breath, he thinks. pulling away from you just long enough to take in a lungful or air, he nods. “cum, princess.”

with a dazed smile so beautiful it breaks his heart a little bit, and a breathy “thank you”, you obey, body tensing and releasing a final time, accompanied by shaking limbs and broken whimpers of his name and his nickname and god only knows what else. matty kisses your inner thigh, resting his head on it and letting you come back down to earth in your own time; he likes watching you like this, anyway, worn-out from pleasure and a little bit haphazard. your hair's a mess, your glasses are askew (he's also far more into them than he initially thought, to be honest), and your nightgown is really quite crinkled, but he can practically feel the adoration for you emanating from himself. 

you're so beautiful. and you're his. he still can't quite believe it's not a dream.

you rake a hand through his sweaty curls, and he's reminded that this is all real. he kisses your thigh again, and you giggle. “hi.”

“hi, darling,” matty rubs a little loveheart on your thigh with his thumb. “how you feeling?”

“so good. thank you, gorgeous,” you smile, while matty's cheeks burn at the compliment. “how are you?”

“i'm good, angel, i'm really good.”

“tired at all?”

he shakes his head. “not really. but we can go to sleep now if you want,” he smirks when you shake your head enthusiastically. “no? there's something else you wanna stay up for… princess?”

you bite your lip, nodding. he huffs out a laugh. “need you to tell me what it is so we can do it, sweet girl. come on,” he pulls himself up slowly, pressing kisses up your stomach and resting his head on your tits. “tell daddy what you want.”

“i - oh, fuck,” you whimper as matty tugs down the top of your dress and mouths at your nipple. “want- want you to fuck me, daddy. please.”

he knew it was coming, and yet matty still feels heat trickle down his chest right to his dick when you speak. “good girl. and how do you want to be fucked, princess?”

“in front of the mirror,” your voice is clear, sure, sexy; it crumbles when you talk again, but matty thinks your secret desire is even hotter. “wanna watch.”

the next few minutes are a blur to matty, which he reckons he would put down to some weird primitive horny instinct to just fuck you as soon as he can. he remembers kissing you, but nothing about how he got you on your hands and knees before the mirror or undressed himself; post-kiss, the only thing he can focus on is the feeling of inching inside your soaked cunt, watching your eyes roll back into your head, listening to the choked moan that leaves your kiss-bitten lips as he bottoms out inside you with a murmured “fuck”. he kisses your shoulder, smiling into your summer-scented skin at the way you giggle deliriously. “feel so good around me, baby. you want me to fuck you now?”

“please,” your jaw slackens as matty starts to move his hips; when he speeds up, groaning at how wet you are, how brain-meltingly tight, you whimper, and he has to force himself not to cum then and there. “daddy…”

“i know, sweetheart, i know. doing so well for me,” matty coos, eyes fixated on the reflection of your tits bouncing in the genuinely most perfect way with every thrust. christ, he's really lucked out with you, hasn't he? sweet, smart, fucking gorgeous… he's punching well above his weight. “my beautiful girl. want me to get you off again, princess?”

you nod, whimpering when his hand meets your asscheek; as he rubs the stinging skin, matty sighs. “words, baby, come on.”

“sorry, daddy. yes please.”

he leans forward to kiss the nape of your neck, moving to whisper in your ear. “good girl.”

his hips speed up, so much so that he can already feel the muscle aches he'll wake up with tomorrow. but it's more than worth it to see you like this, to make you like this, wanton and writhing and whining every time your bodies meet; the way you're beginning to clench around him in the way matty's learned is a sign that you're about to cum spurs him on, too, desperate to get you off and chase his own release. “c'mon, princess,” he pants, gripping your hips as tight as possible to keep up momentum. “need you to cum for me, yeah? cum, and i'll fill you up. know you fucking love it when i do that, don't you? love being a good girl for daddy.”

“yeah,” comes the broken cry in response. your cheeks are stained with mascara tears, streaming from your hazy eyes, and your whole body appears to be shaking - suddenly, it tenses, and matty hisses at the feeling of you vice-tight around his dick. “m'cumming, oh fuck, fuck!”

there's an influx of warmth and wetness around him, and matty can't help but follow in your footsteps. “shit, me too,” he moans, brain foggy but body still slamming into yours, syncopated now; he clings to you as he cums, eyes rolling back into his head as he finishes deep inside your cunt. your arms give out, and matty follows your fall onto the bed, draping himself over you without pulling out and pressing his lips to the back of your neck. “jesus christ, princess, you're so good,” he kisses your cheek when you giggle, a sweetness incongruous with the fact he can feel his cum dripping out of you. “y'alright?”

“yeah,” you turn to catch his lips with yours, a tender kiss that ends with you looking at him so adoringly he almost can't take it. “thank you, baby.”

“anytime. s'my pleasure. and yours, i s'pose.”

“you're so silly.”

“and you're into it.”

“i am, yeah,” you smile, and matty swears he can feel butterflies in his stomach. “i'm just very into you.”

“i feel the same about you,” matty strokes your hair, yawning. “shall we shower? or d'you wanna stay like this for a bit, darling?”

you beam. “wanna stay like this forever, matty. but,” you wink. “given that we're both working tomorrow, maybe we should limit it to, let's say, five minutes of this before we shower?”

god, he's so obsessed with you. “whatever you want, my girl.”