#Let rat man be rat man

[donkeys-waffles]

I love that AFO can manipulate his appearance, it's so great to me... It makes me wonder if that's what his appearance now is, a manipulation. I like to think that he made small changes to make himself look more 'demon king' like. Like getting rid of his pupils as an example.

I like to think that his nature eye color isn't white, but green like his brother's, and obviously that he has a crap ton of freckles (can you really expect me not to though...) And he's always hated them because they make him look 'soft', (I've never seen an intimidating person with freckles.)

Izuku being born with his freckles is the only reason he's ever liked them; he loves them actually.

And I love the idea of AFO always saying that Izuku got his eye color from his uncle, when in reality Izuku got it from both AFO and his brother.

I think AFO held his brother on a pedestal, relying on him solely to meet his emotional needs while Yoichi relied on AFO for his physical needs. AFO degrades his brother, but that's a mask, much like the rest of his exterior, to show that he has nothing of importance to lose. And with that, I feel like AFO, who forced himself to play the monster his entire life for survival, doesn't believe he deserves to share Yoichi's eyes.

Yoichi's eyes are kind, warm, so are Izuku's. And AFO has never seen himself as either, in his mind he's only ever seen himself as a monster, nothing remotely close to human, incapable of human emotion.

So, instead, he says that Izuku solely got his eyes from Yoichi... Because they're kind and human and he isn't.

[kuravix]

Other chefs lay traps for rats, Sanji lays mini tables for them 💕 😭💕

[handwrittenhello]

in honor of the wettest game i’ve ever played here’s corvo crawling off into a sewer tunnel to die alone or something

[dykesevika]

fortiche studios please make her a canon dyke please and thank u

Men DNI

[kroovv]

Just a periodical reminder that i do not allow people to use my OCs as their own character/ as their character face claims. Even in your private games, please don’t :’) thanks

[emptyjunior]

Something that gets me about the rat Grinders™️ is their lives are so,,. Boring!

Everytime we don't see them, they're out in the woods spam killing monsters again and again, they're sitting in silence painstakingly writing glyph after glyph to prepare for a party that they're only going to, to do work. Ruben is making music only to fill with the same repetitive key words, Kipperlilly is campaigning day and night to zero response from the student body.

Compared to the BK's there's no joy in their life! There's no real connections being formed! Two adults intervened before they ever got to figure out what 'adventure' is and now they think adventure is repetive, boring Work.

[lovereadandwrite]

Fyodor resurrecting for the first time: 🤷🏻‍♂️:3

[lookanartdweeb]

You all are cowards "Peach is finally girbossing!" "Peach isn't the damsel!"

Cowards all of you 😔 I was there when it was written

[nhura]

some crazy ass wips to work on this week... do me a favor and hold me accountable KUDASAAAAAAAAI (⁠ ⁠≧⁠Д⁠≦⁠)

[loveapologist]

>>There has been some time already since they left the Outback. Without the constant radiation, he had noticed changes in himself. For once, he was less and less a bag of skin and bones and hair had started to grow back, not only in his scalp. Maybe the most important change was his mind. Every day it was easier to think clearly, not forgetting so much important details as where he was or what he was supposed to be doing. Maybe the pills Dr. Ziegler gave him had something to do. How was it that he couldn't recognise himself in the mirror any more? << Support me on PATREON!

[britcision]

Someone confiscate the Kabumisu Rapunzel AU from me, I am not starting a long form anything until my DPxDC novel is done but also I am ONLY capable of doing it wrong

Because:

Kabru MUST be Rapunzel. Mandatory. Milsiril is not letting that little bitch out of her tower. (Also his Main Character Energy)

Mithrun has less than zero drive to do anything ever up to and including wandering around in lonely tower infested woods to find said lost princess

These can only be resolved by Mithrun also already being inside the tower and then we’re into Beauty and The Beast territory too with the Forbidden Room but instead of Cursed Flower there is Cursed Hottie

Tbh Labrumisu would solve this problem where’s my threesome shippers we need ONE (1) character with some goddamn initiative

(Sadly still can’t be me I do not ship Laios in general he’s just not got that Ship Juice)

Milsiril just has such perfect villain vibes and okay I’m selling myself on the Labrumisu because if Laios comes in to kidnap one of her babies (and her broken former coworker) there’s a 50-50 on whether Milsiril just decides he’s young enough to adopt

This is now a main character hoarding situation Falin and Marcille have to come rescue Laios and also his boyfriends from the crazy sword elf and her army of dolls

Which is why I can’t write this one.

Look at that.

Look what happened in like 5 bullet points.

The rails have been OBLITERATED but also it’s just got such good legs someone take this idea and run with it to somewhere very different and much simpler than I am capable of

[donkeys-waffles]

I just love the versatility of AFO fans, like on one side you'll have this incredibly Indepth analysis of his childhood trauma and on the other side you have the horniness people you've ever encountered. And it's amazing.

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[umbraticstickerz]

The way Veneer grabs Velvet just looks so fucking funny to me istg

[alistairs]

THE DARK URGE ↣ [7/?]

I tolerated Orin, but I liked you.

[hauntingofhouses]

BRB thinking thoughts about Taigen's character, the TaiMizu ship, and a big chunk of fandom's perceptions regarding both those things.

(Inspired by @farintonorth's post related to this topic that just got my brain going brrrrr)

OK so let me just... start off by saying that I think that reducing stories to their tropes is seriously detrimental to the way some people are interacting with fiction, and while that honestly warrants its own post about the subject, I wanna talk specifically about how this affects the way some people in the fandom talk about Taigen and TaiMizu.

Because yeah, tropes are useful shorthand to refer to certain dynamics or archetypes etc, and they are indeed the building blocks to any story. But in a well-written story, characters and their relationships, actions, and motivations, are much more complex than just tropes. Because in a story that has characters who are more than just cardboard cutouts, their behaviours, backgrounds, motivations and all of that, are inseparable from the context of the overall story they exist in.

So like, sure, you can say Mizu and Taigen have an enemies-to-lovers or rivals-to-lovers dynamic. I also use those terms because it's easier. But I also think this is where things start to get a bit twisted, especially from an intertextual sense. Because "enemies-to-lovers" is also commonly used to refer to other ships in other media, whereby it tends to be rooted in an imbalanced power dynamic, such as oppressor-oppressed and bully-victim.

And while that's a whole can of worms that I won't be getting into because it can quickly derail into a whole separate sort of fandom discourse, I'd just like to make it clear that Mizu and Taigen, in particular, do not have an imbalanced power dynamic. They are not bully-victim or oppressor-oppressed. The only understandable reason why someone might actually think their relationship is imbalanced is if

A) they only watched the first episode, or

B) they cannot grasp the slightest bit of nuance in a character, or

C) they're being obtuse on purpose simply because the Mizu/Taigen relationship, or Taigen's character in general, just doesn't suit their tastes.

While yes, Taigen, along with his whole gang, had bullied Mizu when they were children, that dynamic does not exist between them whatsoever in adulthood. Whatever imbalanced bully-victim power dynamic that had once existed between them was decisively ripped apart the moment Mizu beat him in that duel in the dojo, and then completely obliterated by the end of the season.

Mizu is not a defenseless victim at Taigen's mercy. Mizu can beat Taigen's ass any time she wants (and she DOES, repeatedly in fact), and could even kill him if she felt like it. She taunts him openly and without fear ("I like your hair"; "I can beat you with any weapon you choose") and all he does is bark back, because that's pretty much all Taigen ever does. Time and time again, he yaps about how much he wants to kill her, but time and time again, his actions prove that all of it is just an empty threat. Because though his words say "I hate you", his actions demonstrate the complete opposite. He's shown how protective he is of Mizu, how unhesitatingly he sacrifices himself up for her, how loyal he is in enduring days-long torture to not give up information about her, how even when near-death and in pain, he's still willing to keep standing back up so he can fight by her side and help her win against her enemies.

And Mizu is not an idiot! She sees that too. She does not see him as a threat, an enemy, or even a bully. Especially not by the end of Episode 3, and definitely not by the end of the season. When she finds him in the dungeon in Episode 6, she smiles from relief, and doesn't think twice to take him with her. Mizu finds him, at best, an annoyance, or at worst, an infuriating hindrance on her quest for vengeance. Which is why, when Taigen is about to say, "It's a shame our duel's set for tomorrow; I have to kill you before you get your revenge," Mizu whacks him on the head without a second thought before he can even finish his sentence, and leaves him lying unconscious, face-down, in the snow.

And this further emphasises how he does not hold any power over her. There is no abusive power dynamic between them. She is more powerful than him, he knows this, and all he's ever done after they've met up again in adulthood is get his ass whooped by her, get mad about it and pester her and follow her around, get his ass whooped by her some more, and put his life on the line to protect her.

"OOoooOOoooH b-but he called her a demon at the end of Episode 7 and threatened to kill her again!!!" Oh my god. He called her that because he's calling her out on her selfishness to stay silent about her knowledge of Fowler's plans to attack Edo. Because to him, loyalty and honour as a samurai is more important than anything. So in his own brash-and-immature Taigen way, he felt betrayed that Mizu did not hold the same principles. That's why he got angry. He wasn't even that mad about letting Akemi get dragged off by the Tokunobu guards. It was about saving the Shogun and the Shogunate as a whole. That's why the first thing he does in Edo is not find Akemi, but try to warn the Shogun about Fowler's attack.

Look, I'm not defending his stupid ass, of course. Because calling her a demon especially after their cute little wrestling time was obviously rude and inappropriate, especially since words like "demon", "monster" and "Onryo" have had such a deep effect on Mizu throughout her life, and continue to contribute to her self-hatred. But like? That's the fun of realistic and flawed characters, and realistic and flawed relationships. They're not perfect, and it's why we as an audience root for them, wanting to see them work through their shit and find a way to prevail despite it all.

Also, him saying that was in the heat of the moment. He was angry, he felt like his initial belief of who Mizu was—a strong and loyal samurai, just like him—was shattered, and so he lashed out. Was it rude? Definitely. Was it immature of him? Yes, incredibly. But it's also very much in line with his character, because even though he's grown a lot over the course of the season, the show isn't over yet, so obviously his character arc is just beginning, as that is also the case for the other three main characters: Mizu is beginning to accept herself, Akemi is beginning to grow into her position of power, Ringo beginning to train under Master Eiji, while Taigen is beginning to simply be a better person.

On that note, when speaking of Taigen's immaturity, I think that's also one of the main things that people tend to gloss over when it comes to his character. Because when you boil everything down to its bare essentials, Taigen is, essentially, a boy. I've talked about this before, but to reiterate, Taigen very much behaves like an unhealed child. Even as an adult, he is insecure, prone to throwing tantrums, and is desperate to latch onto some material goal in hopes that it will make him feel better—initially he was chasing status/glory/greatness, and then when Mizu tells him that "Nothing comes from being a samurai but death," he immediately decides he wants to run away with Akemi in hopes that he will be happy.

And it's a big step, acknowledging that he doesn't truly want greatness, but had always just assumed it was his only path to a good life. But it's clear he still hasn't really figured it out. Because if he did run off with Akemi to get married and live in the countryside, he still wouldn't be happy. Because he still doesn't know who he really is, or what it is he really wants. Marriage at this moment is the last thing he needs, and as he is now, he would be a pretty awful husband. A simple life would be good for him, but would he be good at a simple life, when he still has so much he needs to work through?

So anyway, what I'm getting at here, is that he's trying and he is learning and growing. So yeah, he is flawed, but honestly? So is Mizu. And the funny thing is that they're flawed in very similar ways.

Because Mizu is also an unhealed child. That's why she's so angry all the time. That's why she pushes people away. That's why she, just like Taigen, is so happy when given the chance to playfully wrestle in the forge, laughing and rolling around like children without shame or pretense.

Again, this shows there is no imbalance between them. They had grown up together as peers from the same town. And while Taigen had had the upper hand back then, because he'd had a gang of other kids with him, that is definitely not the case anymore. Today, they are equally flawed, equally strong, equally skilled swordsmen, and equally bull-headed.

However, yes, Mizu is definitely leagues more mature than Taigen. But she still holds a lot of childhood wounds that mirror Taigen's own. And we see this especially in relation to her mother. Similar to Taigen who had an abusive and alcoholic father, Mizu's Mama was an opium addict and had hit her, berated her, had shaved her head without her consent as a child, and as an adult, had constantly emotionally manipulated and guilt-tripped her. Mizu's love for her Mama was what had driven her to a path of vengeance in the very beginning. And when she'd found out Mama was still alive, she had wanted nothing more than her Mama's love, and it was this alone that pushed her to agree to the marriage with Mikio in the first place. And now, knowing from Fowler that her birth mother is someone else entirely, is what makes her agree to keep him alive and haul his ass to London to seek answers.

Thus, integral to Mizu's self-hatred is also Mizu's intense longing for love and family. Just like Taigen, whose pompousness comes from his insecurity about being the son of a poor fisherman, Mizu's goals are also shaped by who her parents are. Remember, her vengeance is not against just anyone who's corrupt or evil, but specifically against the men who she believes had assaulted her mother, the men she believes had made her a monster, the men she believes had abandoned her to die and continue to try to kill her. Her vengeance is against a father, on behalf of a mother. In The Tale of the Ronin and the Bride, Mizu is not merely the Ronin, the Bride, or the Onryo, but also the Child.

This is also why Ringo is so good, not only for Mizu, but for Taigen as well. Ringo is wise and caring and considerate, but above all, he is in tune with his inner child in ways that Mizu and Taigen are not. He is always earnest and positive, he sees the world with childlike wonder, but is not naive or blind to its ugliness. His whole life has been a battle. Ringo brings out the best in Mizu, consistently acting as her moral compass and conscience, and Mizu's choice to save Akemi in the final episode is only because she promised Ringo that she would. Because it's the right thing to do. Ringo inspires her to be a better person, and to think outside of her narrow-minded goal of revenge. At the same time, Ringo also brings out the best in Taigen. While at first Taigen had looked down on both Mizu and Ringo ("Half-limb to a half-wit"), by the end of the season, he's proud to have Ringo as a friend and ally, he listens to Ringo's advice ("What would Master do?"), and asserts to the fucking Shogun that Ringo is a worthy warrior to have by his side.

Okay, I've gone on a bit of a tangent here, but my main point is that Mizu and Taigen are incredibly similar. They are equals. They are both flawed, unhealed children who are chasing some impossible outlandish goal in hopes that it will fill the void in their hearts. They also both have a long way to go in terms of character development if they were to ever build a healthy romantic relationship (either with each other, or even with anyone else). So while I believe things will be rocky (because duh, it's a story, we all live for the drama, etc), I think with Ringo's help, they'll get there eventually.