#Lehm
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Dietlind Wolf - Traces Tegula: Lübeck 7. bis 10.11.2024
“Traces” ist eine Keramik-Serie der Künstlerin Dietlind Wolf, die sie als dokumentarisch-poetische Spurensuche immer weiter entwickelt. Ihre Formensprache basiert zeitumfassend auf einfachen, organischen Formen der Gebrauchskeramik aller Kulturen der letzten Jahrtausende: Vasen, Gebrauchsgefäße und Platten, 2024 geschaffen als eine Transformation der Materialien aus vorausgegangener Zeit, aus…
#Beckergrube#Dietlind Wolf#Dokumentation#Erde#Forschung#Gestein#Glasur#Keramik#Kultur#Landschaft#Lüberck#Lehm#Material#Reisen#Stillleben#Ton#Traces Tegula#Transformatio#Ziegelstein
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Nachhaltiger Weleda Campus
Schwäbisch Gmünd: „…Der Naturkosmetikhersteller Weleda erweitert seinen Standort in Schwäbisch Gmünd um einen zukunftsweisenden Gebäudekomplex. Auf einem Gelände von rund 72.000 Quadratmetern wurden Lager, Logistikflächen und Verwaltungsbüros errichtet, die sich durch den Einsatz ökologischer Materialien wie Holz und Lehm auszeichnen. Dabei wurde nur ein geringer Teil des Areals bebaut, während…
#Baugrube#Campus#Fassade#Fichte#Förderung#Gebäudekomplex#Holz#Lehm#Logistikfläche#Material#Nachhaltigkeit#Neubau#ökologisch#Quadratmeter#Schwäbisch Gmünd#Streuobstwiesen#Verwaltungsbüro#Weißtanne
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I found some clay near east sea
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Lehm und Kalk – das Beste aus beiden Welten
Lehm-Kalkfarbe kommt ohne Konservierungsstoffe aus / Kalk macht Anstrich strapazierfähiger
Lehmfarbe wird als mineralischer Anstrich, der Schadstoffe bindet und die Luftfeuchtigkeit im Raum reguliert, von vielen geschätzt. Allerdings: Als streichfertige Farbe enthält sie oft synthetische Konservierungsstoffe, um die nötige Haltbarkeit zu gewährleisten.
Als Alternative bietet sich die Lehm-Kalkfarbe von Haga an. Der Schweizerische Naturbaustoff-Hersteller reichert Lehm mit naturreinem Alpenkalk an und vereint so das Beste aus beiden Welten. Der Kalk wirkt auf natürliche Art konservierend. Darüber hinaus macht er die Farbe strapazierfähiger und wasserfester. Denn reine Lehmanstriche werden wieder weich, wenn sie mit Wasser benetzt werden.
Die Lehm-Kalkfarbe entfaltet die Stärken beider Rohstoffe: Sie kann Gerüche absorbieren und ergibt eine schöne, matte Wandoberfläche, die mit dem Licht spielt. Zu den Vorteilen des Lehms zählt vor allem, dass er Feuchtigkeit aus dem Raum in besonders hohem Maß aufnehmen kann und so für ein angenehmes Raumklima sorgt. Der Kalkzusatz gibt dem Anstrich mehr Festigkeit und macht ihn widerstandsfähiger. Er trägt dazu bei, dass sich an der Oberfläche kein Kondensat bildet und reduziert dadurch auch das Schimmelrisiko.
In der Verarbeitung ist der Anstrich unkompliziert. Er kann auf nahezu alle Untergründe aufgetragen werden – selbst auf alten Dispersionsanstrichen. Verschiedene Farbtöne lassen sich durch die Zugabe natürlicher Pigmente erzielen, aber auch mineralische Vollton- und Abtönfarben können dafür verwendet werden. Mit der Haga-Farbtonkarte steht eine Vielfalt an farbigen Gestaltungsmöglichkeiten zur Verfügung. Weitere Informationen unter: www.biobaunetz.de
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Roofing Frankfurt Mid-sized farmhouse white two-story adobe exterior home photo with a tile roof
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— ˚₊‧⁺˖ THE NEW GENERATION SUPERSTARS | TO A GOOD SEASON
fandom. formula one & mcu
about. ollie and y/n talk for the first time... even if it's over text. takes part right after the strategy reveal
content warnings. smau, not edited/proofread
notes. have this first chapter before i dip into my holidays hehe
hey y/n! i hope you don't mind me reaching out, but i thought it would be good, since we're the only rookies and never properly met :) to a good season!
oh hi oliver! i don't mind at all, thank you for the message. to a good season for us
are you busy with preperations as well?
yeah
ferrari is definitely a step up from f2, haven't had a free minute for weeks now
welcome to f1 lol 😂
leclerc treating you well? it must've been a mess with sainz...
no worries, charles has been very welcoming, i'm really honored to be his teammate. and the thing with carlos... yeah, it was a bit, but we actually get along well
good good, wanna see you racing and not getting distracted by some bitch fighting in the garage
lmao 😂😂
nah nah, all good. to be honest, he's still a bit prickly about how ferrari and lewis handled those rumors... but well, it isn't really my business
good good
have to run, dad wants to wrap up our moves to ny
but we'll see each other soon, yeah? lemme know when you have time for a proper talk, we definitely have to stick together as rookies
the grid can be a cruel world
alright, have a nice day! don't know about free time yet, but the lastes we'll see each other will be in bahrain
awesome, till then oliver :)
you can call me ollie
let's meet up in bahrain
hello to you too, y/n
hello ollie
so, let's meet up
i'll be there a few day earlier, you as well?
i actually planned to come with ferrari, but i can come earlier!
awesome. you can entertain me then :)
what about the rest of your team?
kev is back with his family and doesn't want to leave them too early, my dad is busy because the president is an incompetent fuck, harley and peter are working on publishing a paper before they join and the rest is just generally busy
damn. alright, as long you plan everything? i have nothing prepared lol
sure! we can go training together and i know a few nice places we can hit before the stress begins
great!!
i'll send you the data later, don't worry, i'll pay for the hotel
you really don't have to
i don't care, you're hanging out with me, i will pay for stuff. i know you could stay at home but you're gonna spend time with me so shut it
alright
hehe, until bahrain. can't wait!!
until then, y/n 😊
taglist. @lilypadlover , @adorablezhui , @peqch-pie , @keyz-writes , @obsidianjewel , @themercyverse , @lehm-hhn , @akiraquote , @kiiyoooo , @nichmeddar , @nothingfuninthislife , @minkyungseokie , @fionaschicken , @lyrasconstellation , @spideybv28 , @keii134 , @starssfall , @tpwkstiles , @fangirl-dot-com , @lady-laura-speaks , @nikifiguerido , @hinamesgigantica , @brakingboundaries , @almostjollypizza , @yoremins , @raizelchrysanderoctavius , @celesteblack08 , @watermelon-sugars-things , @lighttsoutlewis , @radiantdanvers , @vellicora , @sterredem , @hiireadstuff , @jolixtreesunn , @mypage-myfandoms , @nelly187 , @greeneyesandsunshine , @fulla02 , @welovediaaxx , @whyamireadingthis , @67-angelofthelordme-67 , @blueberry64857959 , @winchesterwife27 , @six-call , @skywalker1dream , @mellowarcadefun , @cherry-piee , @peterholland04 , @motorsportloverf1 , @renarots , @msbyjackal , @leclucklerc , @yl90
crossed off tags mean i can't tag you!
DO YOU WANT TO JOIN THE SERIES TAGLIST? please leave a comment on this post or send a non anonymous ask!
ARKHAM MAID 2024
#f1 fic#f1 smau#f1 social media au#ollie bearman x reader#oliver bearman x reader#ollie bearman smau#f1 x reader#f1 x you#f1 female driver#female driver#fem!driver#— ˚₊‧⁺˖ creations#— ˚₊‧⁺˖ lightning on track#— ˚₊‧⁺˖ the multiverse madness
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Ein Traum aus Feuer und Luft
In meinem Traum war ich blau, wie ein indischer Gott, aber mein Kopfschmuck war eher wie einer der Mayas, und meine Lippen küssten eine widerwillige Sonne, deren Zacken sich in mich hineinbohrten. Verräterischer Himmelskörper! Ich, der ich aus braunem Lehm entstanden war, brannte, meine Liebe, meine Hingabe, meine Leidenschaft verbrannten und verpufften in Flammen und Rauch. Darunter in einem…
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Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.
Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)
I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)
The 'method' I used was:
-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.
I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.
-'ai' words are almost always pronounced with a long 'aye' sound.
-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'
-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.
-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')
-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.
-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).
Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.
#I actually did just make a post about this on my sideblog LOL I think in spite of my deciding not to conlang this is going to go full#full conlanging at some point#The main issue is that the narrative/dialogue is being written as an english 'translation' (IE the characters are speaking in their actual#tongues and it's being translated to english with accurate meaning but non-literal treatment)#Which you might say like 'Uh Yeah No Shit' but I think approaching it with that mindset at the forefront does have a different effect than#just fully writing in english. Like there's some mindfulness to what they actually might be saying and what literal meanings should be#retained to form a better understanding of the culture and what should be 'translated' non-literally but with accurate meaning#(And what should be not translated at all)#But yeah there's very little motivation for conlanging besides Pure Fun because VERY few Wardi words beyond animal/people/place names#will make it into the actual text. Like the only things I leave 'untranslated' are very key or untranslatable concepts that will be#better understood through implication than attempts to convey the meaning in english#Like the epithet 'ganmachen' is used to compliment positive traits associated with the ox zodiac sign or affectionately tease#negative ones. This idea can be established pretty naturally without exposition dumps because the zodiac signs are of cultural#importance and will come up frequently. The meaning can get across to the reader pretty well if properly set up.#So like leaving it as 'ganmachen' you can get 'oh this is an affectionate reference to an auspicious zodiac sign' but translating#it as the actual meaning of 'ox-faced' is inevitably going to come across as 'you look like a cow' regardless of any zodiac angle#^(pretty much retyped tags from other post)#Another aspect is there's a few characters that have Wardi as a second language and some of whom don't have a solid grasp on it#And I want to convey this in dialogue (which is being written in english) but I don't want it to just be like. Random '''broken''' english#like I want there to be an internal consistency to what parts of the language they have difficulties with (which then has implications for#how each language's grammar/conjugation/etc works). Like Brakul is fairly fluent in Wardi at the time of the story but still struggles#with some of the conjugation (which is inflectional in Wardi) especially future/preterite tense. So he'll sometimes just use the#verb unconjugated or inappropriately in present tense. Though this doesn't come across as starkly in text because it's#written in english. Like his future tense Wardi is depicted as like 'I am to talk with him later' instead of 'I'll talk with him later'#Which sounds unnatural but not like fully incorrect#But it would sound much more Off in Wardi. Spanish might be a better example like it would be like him approaching it with#'Voy a hablar con él más tarde' or maybe 'Hablo con él más tarde' instead of 'Hablaré con él más tarde'#(I THINK. I'm not a fluent spanish speaker sorry if the latter has anything wrong with it too)
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Hi! Your art is so gorgeous. I got obsessed with The Devil is a Handsome Man way back when and now I’m loving your Baldur’s Gate stuff. Like sometimes my jaw literally drops when I see a new piece you’ve posted. The vibes are impeccable.
Question: how do you pronounce Caelum?
Thank you so much! I’m glad that so many people are enjoying my recent obsession
Phonetically his name is pronounced Kay-lehm.
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Tänäpe luveta sanakirjat, ja opetella muutami tärkkiöi sanoi yhrel lounasel kiälel. Mil kiälel, se saa mun pualestan jäär pimentto.
ankeleekiste välttämättömästi
faarelmai/ne, -se vadelma
flatkutta latkia, koer flatkut kiältäs vesikupis
hullumi pahemmin, olis siin voinu hulluminki käyr, sano äij ko äm saunlauttelt putos ja kual
häälyt liikkua, syä nii ete hääl muuk ko silmä
jonkkus jonnekin
karat 1. juosta, juoksennella, lapsek karava pisi kattu, 2. lähteä karkuun, paeta
kolpat kulkea yöjalassa, kolppavat tual yäkaussi
kuippali paljonko
köljät kaivella, penkoa, köljät kaik ylösalasi
lamppampapeni mon. lampaan papanat
linnusilm pieni muru
maahanpanjase hautajaiset
meetter metri
mukul, -a lapsi, ei mukulist ol muut ko vasikampaska kantama ja purottava sitäki viäl pisin tiät
muulloste muulloin, ei suru ihmist muulloste kiusa ko sillon, ko ihmine ite sure
nakotta tehdä mieli, haluttaa, mnuu nakotta kovaste
nestuuk, -i nenäliina
nii mar kaiket niinpä kai
olevannas olla olevinaan, mahtailla
parev parempi, parev lehm lypsäk kon tappa, mut parev tappakki ko antta ite kualla
pöpö aave, kummitus
semmottes oikke niinpä niin
sialumpiar, -u "sielunpieru", heiveröinen, avuton henkilö, hän o valkone ko sialumpiar
sualinkaine suolimato
tyyjö tykö, luokse
tämppäi tänne päin, tuleks kettä muit tämppäi? Kysys Antersson, kon kaevom putos
ulist ulvoa
upi upoksissa, upoksiin, upota
vat vatsa, vatampolte vatsakipu
versta työhuone, -paja
viu nokas vivun kärjessä
yässeks yöksi
älät elää, hajussaki älä ko saa vaa olluks
äpö tyhmä, tylsä
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LEHMWEG
Der festgestapfte Bodensatz des Lebens, eingetreten der Schmutz von den Seelen vieler Zeiten, hart dadurch der Lehm der Wege, Sicherheit gebend, vermeintlich, nicht einzusinken ist die Drohung über den Viten, sondern zu stolpern, zu fallen, die Knochen der Pläne zu brechen, liegenzubleiben am Rande der Straße, im Graben, im Grab. Im Lehm keine Spur.
Aus Häusern am Wege ein Lärmen von Kämpfern und knackenden Knochen, heisere Schreie, dann wieder Stillegeräusche, Vorschall des Todes.
Wanderer ziehn ahnungsvoll vorbei und furchtsam, voll des Grauens vor den Abgründen des Seins, den Blick gesenkt zum Schritt hinunter, geschützt die Ohren durch Pelzmützen vor der Kälte der Welt.
Immer geht es voran. immer noch und wieder und weiter. In den Toren winkende Kinder. Vorbei.
(24.09.2024)
(c) Uwe Kühneweg
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DER GOTT MAXIMIN
Eine glossierte Umdichtung
Du schlank und rein wie eine flamme Du wie der morgen zart und licht Du blühend reis vom edlen stamme Du wie ein quell geheim und schlicht.
[Stefan George]
Die Herrin:
Du warst das inbild aller knaben Mein goldnes kind in grauen tagen Gebracht als gabe alter raben Mein hoffen schien mir ausgetragen An deiner schönheit mich zu laben.
Du schlank und rein wie eine flamme Dich nährte ich wie eine amme Den neuen gott in dir zu ehren Dich erste dunkle liebe lehren: Du blühend reis vom edlen stamme.
Das Inbild:
Du warst die herrin meiner sende Ein leib aus lehm in deinen händen Vom ersten licht bis an das ende In deinen augen lag mein blenden Du formtest mich zum Gott der Wende.
Du wie der morgen zart und licht Mich trug der wind in dein gedicht Den hauch von dir im angesicht Mich hobst du in ein solches licht: Du wie ein quell geheim und schlicht.
©️ Ambrose the Poet
#poetambrose#deutsche verse#dichtkunst#gedicht#lyrik#poesie#poem#poetry#poets on tumblr#stefan george#george kreis#ambrose the poet
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Massivdecke aus Holz und Lehm kurz vor dem Ersteinsatz
„…Leipfinger-Bader ist dabei, eine Lehm-Holz-Massivdecke als ressourcenschonende Alternative zu Stahlbeton-Deckenkonstruktionen zu entwickeln. Schon in diesem Sommer soll das neuartige Bauteil erstmals bei einem Bürogebäude in Tirschenreuth zum Einsatz kommen. Der niederbayerische Hersteller verfolgt damit langfristige Pläne. Bei der Lehm-Holz-Massivdecke, die erstmals auf der Dach+Holz 2024…
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#Deckenkonstruktion#Herstellung#Holz#Lehm#Massivdecke#Massivlehmgemisch#ressourcenschonend#Stahlbeton#tragendes Holz
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An der Lehmpfütze konnten wir den ganzen Tag die orientalischen #Mauerwespen beobachten. Es ist erstaunlich, mit welcher Präzision sie aus dem Lehm kleine Kügelchen formen und abtransportieren. Der Lehm dient ihnen als Baumaterial für ihre kunstvollen amphorenförmigen Brutzellen.
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Histone Modifications
Hello, hello! Today's topic is histone modifications. We are continuing on with the epigenetics theme after my previous educational post about DNA methylation. As described in that post, epigenetics is the study of heritable genetic modifications without a change in DNA sequence (Takuno & Gaut, 2012). Similarly to DNA methylation, histone modifications affect gene expression through regulation of accessibility of the DNA for transcription (Bartova et al, 2008). But before we get into these modifications, let's go over a bit of background information!
What is a histone, anyway? A histone is a type of protein involved in DNA compaction and organization. In order to fit a genome's worth of DNA into the nucleus of a cell, that stuff needs to be extremely tightly packed! Histones help with this by forming an octomer called a nucleosome, which the DNA wraps around. These nucleosomes then coil together to form a fiber known as chromatin, which goes on to make up a chromosome. When the chromatin is less tightly packed, it is known as euchromatin and it is available for transcription (Bartova et al, 2008). When it is more tightly packed, it is known as heterchromatin, and polymerase proteins cannot access and transcribe the DNA (Bartova et al, 2008). Histone modifications regulate the transition between heterochromatin and euchromatin (Bartova et al, 2008).
(Above image from humanoriginproject.com)
(Above image from Caputi et al, 2017)
The octomer core of a nucleosome is made up of two copies of each of four types of histones: H2A, H2B, H3, and H4 (Marino-Ramirez et al, 2017). Each of these histones includes an N-terminal tail structure, which is the main site of modification (Marino-Ramirez et al, 2017). The tails are modified through addition and removal of certain functional groups or other small structures. Types of modifications include acetylation by histone acetyltransferases, methylation by histone methyltransferases, phosphorylation by kinases, and ubiquitination (Marino-Ramirez et al, 2017). All of this information is used for naming specific histone modifications: Which histone is modified, which amino acid of the histone tail the modification is on, what type of modification is made, and in what amount. For example, H3K9me2 is the name for di-methylation of the 9th Lysine on an H3 histone's tail.
Some important histone modifications and their effects include:
H3K9me2: transcriptional activation + maintenance of CHG DNA methylation in plants
H3K9me3: transcriptional repression
H3K9ac: transcriptional activation
H3K4me1 & H3K4me3: transcriptional activation
H3K27me3: transcriptional repression
H4K16ac: transcriptional activation
H3S10p: DNA replication-related chromatin condensation
(He & Lehming, 2003)
Important Terms: histone, nucleosome, heterochromatin, euchromatin, transcription, epigenetics
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