#LOOK AT THEM THEY'RE SO PRETTY TOGETHER

[nevermeyers]

i found the only two good things about 269

[cherrirui-official]

I hope u guys don't mind me posting these au doodles while I work on things ahaha

I also gave JD slightly longer hair in these doodles as a funny haha but I don't think it's funny anymore he looks genuinely good with his hair like that ahahaha I hope you're not mad at me for changing his au design a bit

[cheesecake801]

They're dancing ! 🕺 (close up and alt expression below cut)

Aren't they the cutest ?? ✨️✨️ I used to find Eelektross scary but it's impossible to see him as scary anymore after looking at these two having fun together !

[sincericida]

ANDREW GARFIELD and FLORENCE PUGH for Bustle.

“'Ultimately, it’s a story about choosing the life we want for ourselves and making the most of the time we have." Bustle cover stars Andrew Garfield and Florence Pugh on their once-in-a-lifetime love story ‘We Live In Time’ - in theaters NY/LA today, nationwide October 18.”

(X)

[whetstonefires]

Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?

I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.

So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.

What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.

Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!

But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.

There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.

The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.

Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.

Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.

The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.

Incels, basically.

It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?

So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.

He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.

So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.

But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.

And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.

[ssaraexposs]

Let's just squish them and protect them from Yokohama

[lokimobius]

LOKI S02E01 "Ouroboros"

[sysig]

It’ll all go fine if you’d just don’t worry about it, probably (Patreon)

[marihem]

Hiiiiiiii!!! I need your frans AUs injected into my veins POST HASTE. I'm lowkey missing your Roommate AU rn! Your probs super busy with art and comms, but I'd love to hear about any of your head canons for how their specific story goes and if they'll ever realize their affections for each other (if ever)

AAAAAWWWWW I'm really glad to hear that dear anon 🥹🥹 Thank you for thinking about them even while I'm on a break from them ^^ (unbelievable, what kind of a parent am I smh). I am indeed a tad bit busy with the comms but it's mostly because I'm juggling with college works on the side...or rather it's the comm works that should be the side work, you know, priorities. And also because I'm a hella slow drawer that it's actually painful to see how damm slow I am haha

Aaahh Roommate Banter AU...to set the scene, it takes place in a universe where there wasn't any war between monsters and humans and they've always lived in cohesive (like Deltarune). Frisk is an adopted child of Asgore and Toriel Dreemurr who are now seperated (lol) but are on good terms. Frisk is closer to Asgore who's the mayor of their small town which motivated them to pursue in Political Science. Sans and Papyrus are just orphans who, after some hard work, live stably in their home and jobs. Frisk and Sans were in the same neighborhood for a long time and in later events, they both decided to rent an apartment together that is near Frisk's university (going back for Master's in political science) and Sans' job (intern at the Ebbott City Lab). And they were roommates...(please say the Line for me)

And honestly, I don't have any plans of a story for this AU. This is more of a slice of life style thing with no plot. I could go into stuff about the Sans' job at the Lab and what Frisk does with their knowledge to contribute to upgrading their town and community together with Asgore. But I'm too dumb for that and all I wanna focus on is these two lil guys. Maybe they will recognise their affection for each other some day and do something about it but until then, this is what you'll have. Because I'm a lover of slow burn who lives for the build ups and times before the getting-together, who thinks a slow burn should take 150k words MINIMUM (still haven't gotten it), all you'll get from me is the prankings, the pinings, the bickerings, annoying roommate moments, etc etc. with no plan for them get together :3 I'm sorry! ✋️✋️

Anyways thank you for being interested in my blorbos ^^ I had to make a doodle for you! I wish you a wonderful day/night pal <3

[originalcontent]

I can't find art of my ship anywhere so I GUESS that means I have to make it myself, here are some doodles.

[feroluce]

So I went to the wiki page for the henghill Bullet & Brain mission of 2.2 looking for some dialogue I had missed and

a) I found something incredibly tasty that slotted into some other thoughts I'd been having, more on that on another day, and

b) I saw this super fun little trivia at the bottom, which!

I knew Penacony characters like Boothill took a lot of inspirations from old movies, but I didn't realize it was even in his and Dan Heng's relationship, that's so cool!!

It fits them very well, it's such a fun reference. "Butch Cassidy and the Sundance Kid" was an old buddy Western film (from 1969- nice) about a pair of outlaws. Butch Cassidy was the leader of a gang, and described as clever, affable, and talkative. Meanwhile, his closest companion, the Sundance Kid, was known as a man of few words.

Cassidy's original birth name was much more plain, but similar to Boothill, he took on a new moniker when he became an outlaw. "Cassidy" had been the last name of his beloved mentor, who taught him how to shoot and ride. And Sundance Kid was known as he was because Sundance was the name of his hometown, and it was the only place that had ever managed to catch and jail him, back when he'd been younger (also similar to Dan Heng, but ouch).

These two stick together like glue throughout the length of the film- through Cassidy's leadership of the gang being challenged, through a train robbery gone wrong, through being pursued by mercenaries, and even through fleeing to Bolivia and trying to start over together.

I don't want to say too much more, since the mission title is referencing one specific movie that I've never seen. I kinda wanna watch it now, though, just to see the inspiration that went into Boothill and Dan Heng and how they get along. I just think it's really sweet that these two were literally made to be the best of bros, how lovely is that. 💕

[jessicas-pi]

hear me out on this ok. ROTS AU where Anakin still turns to the dark side but that's Palpatine's problem.

So, Palpatine decides last minute that ehhhh maybe dooku could come in handy later and he doesn't encourage Anakin to kill him, and Dooku gets arrested and imprisoned in the Jedi Temple awaiting trial. (Also he didn't get his hands cut off because of uhh plot reasons?)

Fast forward.

Palpatine is encouraging Anakin towards the Dark side, tells him about Plagueis the Wise, etc. etc. But see, the thing is, Anakin is at the end of his tether, probably hasn't slept more than three hours over the past week, and has no remaining impulse control or inhibitions, and upon hearing that the Dark Side can save people from death, his first thought is, "wait a sec, we've got a Sith Lord in-house at the moment!" and he sprints out of the space opera and books it back to the temple.

Now, Dooku has been calmly waiting in Temple custody, confident that Darth Sidious will arrange his escape. But THEN Anakin barges into the cell like OMG THE CHANCELLOR TOLD ME THE SITH KNOW HOW TO KEEP PEOPLE FROM DYING AND I'M HAVING DREAMS ABOUT SOMEONE DYING AND I NEED YOUR HELP TO SAVE THEM

At which point, Dooku realizes Palpatine's plan. He's going to tempt Skywalker to the Dark side and REPLACE DOOKU. this is totally uncool.

So he's like "...who are you dreaming about, exactly?"

Anakin freezes. He can't admit it's Padme because their relationship is top-secret and he can't admit how important she is to him so he tries to think of a good fib and goes "uhhhh OBI-WAN! Obi-Wan, it's Obi-Wan, I'm dreaming about Obi-Wan dying-" and he just throws himself into the drama because now he IS imagining obi-wan dying because Obi-Wan is fighting grievous at the moment and he MIGHT ACTUALLY DIE and that's in addition to Padme dying and he's totally spiraling at this point- "pleasepleaseplease you gotta help me he's like the only father i've ever known I don't know what i'll do without obi-wan I have to save him YOU GOTTA TELL ME WHAT TO DO I'LL DO ANYTHING--"

Dooku begins to smile.

(Would stealing Skywalker out from under his Master's nose be petty? Oh, yeah.)

(But it would also be very, very satisfying.)

---

Obi-Wan calls in to a council meeting to report his defeat of Grievous, but before he can say so, Mace announces that Dooku has escaped and the Sith Master has been killed.

Silence falls between the eleven councilmembers (eleven, not twelve, because their newest one is conspicuously absent. Obi-Wan wonders just what Anakin's up to now. Honestly, that boy will be the death of him.)

Obi-Wan clears his throat.

"...indeed," he says, trying to handle the shocking news with composure. "Well... at least we're down to one Sith, now."

Another awkward pause.

"Yeah, about that--" Mace begins.

[anxiouslowercase]

sas rh: let eoin survive the fall au » a tale of two lieutenants (part two)

[sincericida]

ANDREW GARFIELD and FLORENCE PUGH for Bustle.

Read the article, because he is wonderful.

[vultures-and-scavengers]

no, i am a huge sucker for 'aloof character learns to lean on others and makes it through trials via the power of love and friendship and really supportive hugs' actually.

that, and enemies to lovers. she is orlesian, after all.

[creative-hanyou-girl]

2000's Trio 2020's Trio

Imagine how great it would be if the PJO show is successful and gets the Harry Potter treatment where we get to see these kids grow up throughout the show!

If the Golden Trio was our big 2000's trio, I hope the Original Trio will be our big 2020's trio💙💙💙