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L'Art et la mode, no. 4, 22 décembre 1883, Paris. Dessin de Mlle M. de Solar. Bibliothèque nationale de France
#L'Art et la mode#19th century#1880s#1883#on this day#December 22#periodical#fashion#fashion plate#color#bibliothèque nationale de france#dress#bustle#children
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@Bustle: #SebastianStan and Sebastian Stan's tongue stun at the 2024 #CFDAs.
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Black corded silk bodice and bustle skirt from around 1888
Fashion Museum Bath
#victorian#victorian era#victorian fashion#fashion history#historical fashion#19th century#dress#bustle
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ANDREW GARFIELD and FLORENCE PUGH for Bustle.
“'Ultimately, it’s a story about choosing the life we want for ourselves and making the most of the time we have." Bustle cover stars Andrew Garfield and Florence Pugh on their once-in-a-lifetime love story ‘We Live In Time’ - in theaters NY/LA today, nationwide October 18.”
(X)
#andrew garfield#florence pugh#the best fictional couple and the best pair of friends off the screens and only my opinion matters#best couple#i love them#they're so beautiful#bi panic#they are definitely very cool together#they're so much fun#i would watch the two together indefinitely#his smile is everything#he's so fucking beautiful#they're so adorable#she so pretty#look at him#he looks so good#we live in time#every minute counts#like 💀💀💀#released#the press tour of we live in time will be explosive#almut & tobias#tobias and almut#press tour#bustle#photoshoot#tasm peter parker#sincericida
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Le Moniteur de La Mode, 1886 🩷
#Le Moniteur de La Mode#1886#1880s#1880s dress#1880s fashion#bustle#bustle dress#bustle skirt#Victorian#Victoriana#Victorian fashion#Victorian dress#Victorian style#Victorian era#Victorian art#Victorian girl#Victorian woman#Fashion#Fashion plate#Fashion sketch#Fashion illustration#Fashion history#Historical fashion#Historical clothing#Dress history#Vintage dress#Vintage fashion#Antique dress#Antique fashion#Antique clothing
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EWAN MITCHELL FOR BUSTLE BOOTH.
“There’s something appealing to me in escaping into the [clothes] I wear for these kinds of things.”
“I’ve always been really apprehensive of doing any press [but] I was waiting for the right job. And House of the Dragon is very much the right job.”
“When you lose mystery, it’s difficult to get it back. It detracts from what I’m trying to do as an actor.”
“I want them to only see the character — I don’t want them to see me.”
Mitchell promises a wild ride ahead. While book readers know to expect “shocking moments” from Aemond, for example, he might go about them in a different way.
“I don’t know, maybe you might even root for him a little bit.”
> EWAN MITCHELL IN THE BUSTLE BOOTH QUESTIONNAIRE:
What’s your coffee order?
Black. Seven sugars.
What are the saved weather locations on your phone?
I don’t do weather locations. But right now it’s sunny in Paris.
What’s your sign?
Peace.
Favorite overused movie quote?
“Not my fucking tempo, Neiman” (from Whiplash).
What was your favorite cartoon as a kid?
Tom & Jerry. My Nan had The Cat Concerto on a beat-up VHS tape we’d fire up every day after school. Watching it now never fails to bring tears to my eyes.
What’s one movie or TV show you're currently obsessed with?
Jeff Nichols’ The Bikeriders and I haven’t even seen it yet.
Who is your celeb idol?
My favourite UFC fighter, Dustin “The Diamond” Poirier. I watched him fight in New Jersey this weekend. It was one of the best nights of my life. Pressure makes diamonds...
If you had to be on a reality TV show, what would it be?
The Kardashians.
Go-to karaoke song?
A two-hander with Tom Glynn-Carney of “Shallow” from A Star is Born. He’s got Bradley Cooper’s part. I’ve got Gaga’s.
What’s something that’s inspired you lately?
An incredible little novel by Stephen King named Joyland. There’s nothing better after putting one of his works down and missing the characters.
What is something you would want people to say about you?
Not much. Keep my name out your mouth. ;)
#house of the dragon#hotd#hotd s2#tv shows#team green#aemond targaryen#ewan mitchell#aemond one eye#interview#questionnaire#bustle#actor#magazine
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Ania Chiz for Jessilann for BUSTLE
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Le Petit écho de la mode, no. 40, vol. 10, 7 octobre 1888, Paris. 1, (1.) Toilette en drap alezan et velours noir, à 195 francs; — (2.) Toilette en peau de soie olive, surah rose pâle, à 135 francs. (S’adresser à Mme Gérardin, 60, rue de Verneuil.) Ville de Paris / Bibliothèque Forney
(1.) Toilette en drap alezan et velours noir. — Jupe ronde montée à plis, garnie au bas et devant de soutache et motifs de passementerie; polonaise droite mi-partie en drap et velours ouverte sur un plastron plat soutaché, encadré par un gilet de velours agrafé de côté, pouf rond gracieusement drapé monté à fronces au bis du dos, manche légèrement plissée avec revers de velours au bas, dessus de manche en velours. Col droit agrafé de côté.
Manière de faire cette toilette.
Sur un fond de jupe ordinaire (voir la description sur le no. 33 de la Mode Française) disposer 2 lés 1/2 de drap sur 1m,10 de haut, coupé en biais sur le côté, afin de moins gros sir les hanches, puis de gros plis plats derrière, la doublure de la polonaise est courte comme celle d’un corsage, le côté droit croise sur celui de gauche, et droit au milieu avec deux bandes de velours en biais disposées de chaque côté pour la polonaise, un lé de drap coupé eu deux forme les devants, second devant en velours, formant le dessous de bras, relevé de chaque côté, manche plate en doublure sur laquelle est plissée une bande de drap, droit fil, serré au bas par un revers de velours, taillé en biais et doublé de mousseline, bande de velours droite droit fil, formant le reste de la manche, dessous de manche en drap.
(1.) Dress in chestnut cloth and black velvet. — Round skirt set up with pleats, trimmed at the bottom and front with soutache and braiding patterns; straight half-part polish in cloth and velvet open on a flat bib with soutache, framed by a velvet waistcoat stapled on the side, round pouf gracefully draped set up with gathers at the bis of the back, slightly pleated sleeve with velvet cuffs at the bottom, upper sleeve in velvet. Straight collar stapled on the side.
How to make this dress.
On an ordinary skirt base (see the description on no. 33 of the French Fashion) arrange 2 1/2 strips of cloth 1.10 m high, cut on the bias on the side, in order to make the hips less thick, then large flat pleats behind, the lining of the polonaise is short like that of a bodice, the right side crosses over the left side, and straight in the middle with two strips of velvet on the bias arranged on each side for the polonaise, a strip of cloth cut in two forms the fronts, second front in velvet, forming the underarm, raised on each side, flat sleeve in lining on which is pleated a strip of cloth, straight grain, tightened at the bottom by a velvet cuff, cut on the bias and lined with muslin, strip of straight velvet straight grain, forming the rest of the sleeve, undersleeve in cloth.
Métrage: 3m,30 tissu pour la jupe, 2 mètres tissu pour polonaise, 4m,S0 tissu pour la jupe. Total: 6m,80 drap, 5 mètres velours.
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(2.) Toilette en peau de soie olive surah rose pâle. — Jupe unie en peau de soie, seconde jupe montée sur un plastron qui tient au corsage, formant coquillé à gauche, pouf droit à droite relevé très peu à gauche sous une ceinture en ruban même teinte, corsage court à petite pointe ouvert en V à l’encolure, garni de deux écharpes croisées sur le devant finissant dans la jupe. Manches bouffantes terminées par un plissé.
Manière de faire cette toilette.
Sur un fond de jupe ordinaire disposez à plat 5 lés de soie sur 4m,40 de haut, seconde jupe droite coupée sur 4 lés de 1m,40 de haut, ourlet non compris, sur le côté gauche enlevez une pointe en biais dans la longueur afin d’obtenir le coquillé; pour le pouf assemblez 4 lés de 1m,20 de haut, plissé à droite et monté dans la ceinture, puis relevé à gauche par quelques points, et arrondir légèrement, coque de ruban avec pans garnissant le côté; pour le devant froncé, taillez un patron plat en biais, froncez l’étoffe dessus comme l’indique la gravure, puis montez Te devant de la seconde jupe, agrafez ensuite sur le corsage une fois la jupe mise; corsage droit fil devant. Côté et des sous de bras droit fil à la taille, dos droit fil biaisé au milieu, manche d’une seule pièce droit fil, écharpe coupée sur Om,60 de haut, plissée et cousue dans l’épaule. (2.) Olive surah pale pink silk skin toilet. — Plain silk skin skirt, second skirt mounted on a plastron which is attached to the bodice, forming a shell on the left, right pouf on the right raised very slightly on the left under a ribbon belt of the same color, short bodice with a small point open in a V at the neckline, trimmed with two scarves crossed on the front ending in the skirt. Puffed sleeves finished with a pleat.
How to make this ensemble.
On an ordinary skirt base, lay flat 5 strips of silk 4.40m high, second straight skirt cut on 4 strips 1.40m high, hem not included, on the left side remove a point diagonally in the length in order to obtain the shell; for the pouf assemble 4 strips of 1m,20 high, pleated on the right and assembled in the belt, then raised on the left by a few points, and rounded slightly, ribbon shell with panels garnishing the side; for the gathered front, cut a flat pattern on the bias, gather the fabric on it as indicated in the engraving, then assemble the front of the second skirt, then staple on the bodice once the skirt is on; bodice straight grain in front. Side and underarms straight grain at the waist, back straight grain biased in the middle, sleeve in one piece straight grain, scarf cut on Om,60 high, pleated and sewn in the shoulder.
Métrage: 5m,30 pour jupe, 4m,40 tissu pour seconde jupe, 4m,80 tissu pour le pouf, 3 mètres pour corsage. Total: 17m,70; 0m,60 surah.
#Le Petit écho de la mode#19th century#1880s#1888#on this day#October 7#periodical#fashion#fashion plate#cover#cover redo#description#bibliothèque nationale de france#dress#bustle#polonaise#Modèles de chez#Madame Gérardin
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BTS the Afrovictorian ensemble: overskirts
I had some decisions to make. I still need to make 2 bodices
From these fabric choices, each a six yard piece.
But I also still want to make overskirts.
The overskirts take a little more than 4 yards plus an additional 2 to line the rears... hmm...
Oh no. I guess I'll have to buy more fabric. The horror.
But wait, if the backs are fully lined... that means the back can be reversible!
Okay, that works. Let's try the other one.
Wait a minute... I have 2 fronts and 2 backs... what if I made them interchangeable too?
Success!
Now I have a couple of head to toe looks!
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HUSTLE and BUSTLE
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ANDREW GARFIELD and FLORENCE PUGH for Bustle.
Read the article, because he is wonderful.
#andrew garfield#florence pugh#the best fictional couple and the best pair of friends off the screens and only my opinion matters#best couple#i love them#they're so beautiful#bi panic#they are definitely very cool together#they're so much fun#i would watch the two together indefinitely#his smile is everything#he's so fucking beautiful#they're so adorable#she so pretty#look at him#he looks so good#we live in time#every minute counts#like 💀💀💀#released#the press tour of we live in time will be explosive#almut & tobias#tobias and almut#press tour#bustle#photoshoot#article#gif#tasm peter parker#sincericida
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look for the name: EVEY
@resurrectionfern
{top images} selkie "fête des fleurs 'love story'" organdy empire-waisted dress w/ petticoat and adjustable bustle
{hair} ancient future golden, silver and dangling shell trinkets pendants strung into model's scarf-warpped curls
alkemia "foxfire" perfume
gucci black leather multi-strap heeled boots w/ pearl strand detailing
#evey#name#request#outfit#orange#gold#black#ornate#resurrectionfern#hope you like !#footwear#pearls#gucci#hair#ancient future#jewellry#alkemia#perfume#selkie#bustle#dress#petticoat#queue
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Journal des Demoiselles, 1883
#Journal des Demoiselles#1883#1880s#bustle#bustle dress#the gilded age#gilded age#Victorian#Victoriana#Victorian fashion#Victorian dress#Victorian style#Victorian era#Victorian art#Victorian girl#Victorian woman#Fashion#Fashionplate#Fashion sketch#Fashion illustration#Fashion history#Historical fashion#Historical clothing#Dress history#Vintage dress#Vintage fashion#Antique dress#Antique fashion#Antique clothing#19th century
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Vivienne Westwood black velvet bustle skirt (1991)
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Oil painting, 1883, French.
Painted by John Singer Sargent.
Portraying Margaret Stuyvesant Rutherfurd White in a white dress.
National Gallery of Art.
#john singer sargent#womenswear#dress#white#Margaret Stuyvesant Rutherfurd White#bustle#1883#1880s#1880s France#1880s dress#1880s painting#national gallery of art
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