#LLC vs others

[kids-worldfun]

How Does a California LLC Compare to Other Business Structures?

Choosing the right business structure is a crucial decision for any entrepreneur. The structure you select affects many aspects of your business, including your liability, taxes, and ability to raise capital. In California, one popular option is forming a Limited Liability Company (LLC). But how does a California LLC compare to other business structures? Let’s explore the key differences in…

[icewindandboringhorror]

Bad news, got back from the vet and my beautiful baby son is going to have to be put down soon, probably tomorrow or the next day, so send him best of wishes for his next few days~ Luckily, he's actually not in a lot of pain (for now, hopefully he won't be) and is acting pretty normal, so I'm hoping he won't suffer at all and everything will be peaceful for him.

[chubbychiquita]

also hello sorry for being xtra chaotic lately, it's kitten season, i'm trying to take advantage of my good insurance before i turn 26, and they gave me new adhd medicine that makes me go 😬😬😬😬😬😬 balancing work (getting enormous) vs. work (social media, dms, content creation, taxes, llc formation) vs. cat volunteering vs. other life stuff has been tough

[yardsards]

the main adventure zone trios and their ability to survive the dungeon meshi dungeon:

tres horny bois: they'd take to the dungeon pretty naturally. these motherfuckers are eating monsters, touden party style, without it even being necessary. magnus "double barrel unicorn special" "ate a rock once" burnsides would be like "hey taako i bet you can't make walking mushroom taste good" and taako "sizzle it up with taako" taaco would be like "BET". these guys are used to exploring and surviving in unfamiliar worlds. they're also used to dying and being revived but that means they might get a bit reckless. also either taako or magnus would need to learn a healing spell bc merle cannot stop getting got by dryads or man eating plants. thus is the struggle of such a small party.

pine guard: the dungeon is just as much about survival as it is about fighting, and this group is pretty skilled at survival. exactly how well they fare is contingent on if they have ned or if they have thacker here, though. thacker would be an absolute natural in this environment cuz exploring unknown weird magical environments is His Whole Deal, but ned wouldn't do so well without his social connections or access to his base.

thundermen llc: they're not super cut out for this kind of thing, as their skills lie more in interpersonal and business, but they still ARE powerful fighters in their own right, and have good teamwork. the firbolg would absolutely be carrying the other two survival-wise though. also fitzroy would complain the whole time.

coriolis crew: not great. they're adapted for ocean adventures, not dungeon crawls. also, zoox would keep trying to mind-meld with monsters, and amber and devo would get into a huge fight over who would get to be king if they reach the bottom of the dungeon and if the prophesy is true.

poppy's pals: these are just guys. they might be able to survive like cockroaches on the first floor by doing some shady business deals but any deeper and they'd fuckin beef it

vs dracula: honestly not totally caught up with this season but i have on good authority (my friends in my phone who ARE fully caught up) that these three would do reasonably well. makes sense from the episodes i did listen to, they seem like a strong and balanced party and mutt's survival skills could come in handy.

feel free to add or disagree

[essential-randomness]

Your angle or yuor devil: choosing between LLC and nonprofit

It's time! For this week's Tuesday Content, I'm cheating a little: first, it's Wednesday; second, instead of new content, I'm "unpaywalling" a section of my $upporters-only "Quarterly Extravaganza".

Learn below (or in the blogpost) about the eternal dilemma: should our org be a nonprofit or an LLC?

To support our project (and get early access to this content), support me on Patreon!

The first step to settle the LLC vs nonprofit debate was to look at the path chosen by other fandom-adjacent entities. Turns out, there's historical examples of both!

So, armed with grit, we took the logical next step: get clarity on the legal differences between the two!

Cutting to the chase, we chose to (very soon) incorporate as an LLC. It was not an easy choice, and we went back and forth–and agonized over it–for quite a while.

However, a few considerations tipped the scales:

First, while our projects have a “charitable intent” that would allow us to qualify for 501c3 status (a.k.a. become a nonprofit), we decided that the procedures required would place a too heavy weight on our already-stretched shoulders.

Next, as we spearhead many ambitious projects with very little budget, we wanted to be able to reward those who took a bet on us with their time and work, should our efforts eventually pay off.

(You can learn about these projects here)

Finally–without mincing words–the online (and fandom) discourse around nonprofits made us uncomfortable: while it’s true that nonprofits have a charitable intent, they still have a balance sheet to balance, and produce work that deserves to be paid for. This is too easy to forget!

Obviously, given that our projects have a clear “anti-corporate bent”, becoming a for profit corporation came with concerns.

However, we found that LLCs are an incredibly-flexible legal structure that gives us ample power to add ethical guardrails!

There's a lot to say about the various options, and we've just started exploring them. If you want to learn more about these, you can read the article/slides or watch this video by the excellent Sustainable Economies Law Center, whose help has been invaluable throughout all this!

(To be clear: until we have more resources in place and a better understanding of our future, we’re going to keep things simple: at first, our LLC will be what’s called a “single-member LLC”, owned by yours truly (me). We'll keep evaluating options as we work to reach stability!)

...and that is all for this week! Once again, to support this journey towards a better web, you can donate on Patreon or on my own website!

You can also help us by reblogging this post and sharing the blogpost with all your friends and fandom-oriented Discord servers!

We'll keep you updated about this all as the year progresses. Look forward to it!

[ptbf2002]

Everyone Hates Miraculous Tales Of LadyBug And Cat Noir

because of that shit, i stopped watching Disney Channel nowadays, proving that miraculous became Disney Chamberlain Cash Grabbing Machine. Marinette is the Mary Sue in this show. miraculous ladybug is keeps on milking the show all over again. it's also like Star Vs. The Forces Of Evil, which was fallen apart and turned into a romantic drama. because of only focusing on Star Butterfly And Marco Diaz. over a stupid Starco. Starco now became my guilty pleasure. i mean seriously?! what in the name of Mickey Mouse is going, airing Miraculous all over again?! this is ridiculous! Disney Channel was like a masterpiece that made a lot of great shows, such as, The Replacements, American Dragon: Jake Long, Recess, Kim Possible, Lilo And Stitch, House Of Mouse, Phineas And Ferb, Kick Buttowski and etc. even great live-action shows like The Suite Like Of Zack And Cody, Jonas, The wizards of waverly place, zeek and luther, aaron stone, K.C Undercover, and others. and now it's nothing but filling up Disney Channel with stupid Miraculous shit. this is why i stopped watching Disney Channel nowadays, and this is why i should move to Disney XD since i want to watch good Disney shows, or watch Disney+. i mean why would Disney has acquired Mediawan and The ZAG franchise, i almost feel embarassed

Original Templates:

https://www.deviantart.com/zmcdonald09/art/Who-Likes-or-Hates-Miraculous-Ladybug-1037238627

https://www.deviantart.com/tagirovo/art/40-Angry-Characters-Reaction-Template-1038191867

Credit Goes To @Tagirovo

SpongeBob SquarePants Belongs To Stephen Hillenburg, Rough Draft Studios, Inc. Carbunkle Cartoons, SEK Animation Studio, Wang Film Productions Co., Ltd. Rough Draft Korea Co., Ltd. United Plankton Pictures Inc. Joe Murray Productions Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Mickey Mouse (2013) Belongs To Walt Disney, Ub Iwerks, Paul Rudish, Mercury Filmworks, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Looney Tunes Show Belongs To Leon Schlesinger, Hugh Harman, Rudolf Ising, Sam Register, Spike Brandt, Tony Cervone, Yearim Productions Co., Ltd. Toon City Animation Inc. Lotto Animation, Inc. Rough Draft Korea Co., Ltd. Crew 972 Ltd. Warner Bros. Animation Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Oggy and the Cockroaches Belongs To Jean-Yves Raimbaud, Big Star Enterprise, Armada TMT, Digital Emation, Inc. Neon Pumpkin, DongWoo Animation Co. Ltd. Gaumont Multimedia, The Gaumont Film Company, Xilam Animation, France 3, France Télévisions S.A. CANAL+ Family, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Gulli, Canal J, Metropole Télévision S.A. And Groupe M6

The Simpsons Belongs To Matt Groening, Anivision, DR Movie, Film Roman, LLC Hanho Heung-Up Company, Klasky-Csupo, Inc. Rough Draft Korea Co., Ltd. Toon Boom Animation, Toonzone Entertainment, Wild Horse Animation Group, Gracie Films, 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company

The New Woody Woodpecker Show Belongs To Walter Lantz, Bob Jaques, Kelly Armstrong, Big Star Enterprise, Inc. Studio B Productions, Inc. DHX Media Vancouver, WildBrain Studios, DHX Media, Ltd. WildBrain Ltd. Duck Soup Studios, Mercury Filmworks, Sunwoo & Company Co., Ltd. Walter Lantz Productions, Universal Cartoon Studios, Universal Animation Studios LLC, Universal Television LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, And Comcast Corporation

Pink Panther and Pals Belongs To Blake Edwards, Maurice Richlin, David H. DePatie, Friz Freleng, Toon City Animation, Inc. DQ Entertainment Animation Studio, DQ Entertainment International Limited, Desert Panther Productions, Mirish-Geoffrey-DePatie-Freleng, Rubicon Studios, Rubicon Group Holding, MGM Worldwide Television Distribution, MGM Television, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon MGM Studios, Amazon, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

Hilda Belongs To Luke Pearson, Mercury Filmworks, Atomic Cartoons Inc. Thunderbird Entertainment Group Inc. Nobrow Press, Flying Eye Books, Silvergate Media Limited, Sony Pictures Television Kids, Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.

Animaniacs (2020 Reboot) Belongs To Tom Ruegger, Wellesley Wild, Steven Spielberg, Digital eMation, Inc. Saerom Animation, Inc. Snipple Animation Studios, Tiger Animation, Titmouse Animation, Inc. Tonic DNA Animation, Toon City Animation, Inc. Yowza! Animation, Giant Ant Animation, Studio Yotta, Birdo Studio, Flystudio, Screen Novelties, Amblin Television, Amblin Entertainment, Inc. Amblin Partners, LLC. Warner Bros. Animation Inc. Hulu, LLC. Disney Streaming, Disney Entertainment, The Walt Disney Company, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Danger Mouse (2015 TV series) Belongs To Brian Cosgrove, Mark Hall, Cosgrove Hall Fitzpatrick Entertainment, CHF Entertainment, FremantleMedia Kids & Family Entertainment, Fremantle Limited, Boulder Media Limited, Boat Rocker Media Inc. CBBC Production, Windmill Lane Studios, CBBC, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)

Trolls The Beat Goes On! Belongs To Jonathan Aibel, Glenn Berger, Erica Rivinoja, Matthew Beans, Hannah Friedman, Sam Friedman, Digital emation, Inc. NE4U, Inc. DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

The Loud House Belongs To Chris Savino, Jam Filled Entertainment, Boat Rocker Media Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

The Casagrandes Belongs To Chris Savino, Michael Rubiner, Miguel Puga, Jam Filled Entertainment, Boat Rocker Media Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Magiki Belongs To Eryk Casemiro, Cyril Deydier, Pegbar Animation, Animasia Studio, Rainbow S.P.A. Paramount Media Networks, Inc. Paramount Global, DeAgostini Publishing Italy S.P.A. DeAgostini Editore S.P.A. DeAKids, DeA Junior, DeAgostini S.P.A. DeAPlaneta Kids And Family, DeAPlaneta Entertainment, Télé Images Productions, Zodiak Kids Studios France, Zodiak Kids & Family, Banijay Kids & Family, Banijay Entertainment S.A. Banijay Group N.V. Ketchup TV, KidsMe S.R.L. Gulli, TiJi, Metropole Télévision S.A. Groupe M6, Frisbee, Switchover Media, Discovery Italia S.R.L. Discovery Networks Italia, Discovery Networks EMEA, Discovery Networks International, Discovery, Inc. And Warner Bros. Discovery, Inc.

Amphibia Belongs To Matt Braly, Saerom Animation, Inc. Sunmin Image Pictures Co., Ltd. Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Harvey Street Kids/Harvey Girls Forever! Belongs To Alfred Harvey, Emily Brundige, Dave Enterprises, Digital Emation, Inc. NE4U, Inc. The Harvey Entertainment Company, Classic Media, LLC, DreamWorks Classics, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

South Park Belongs To Trey Parker, Matt Stone, Bardel Entertainment, Inc. Titmouse Canada Animation Inc. Titmouse, Inc. Celluloid Studios, Braniff Productions, Parker-Stone Productions, South Park Studios, MTV Entertainment Studios, Comedy Central, Comedy Partners, MTV Entertainment Group, Paramount+, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Paramount Streaming And Paramount Global

Rise of the Teenage Mutant Ninja Turtles Belongs To Kevin Eastman, Peter Laird, Andy Suriano, Ant Ward, Digitoonz Media & Entertainment Pvt. Ltd. Flying Bark Productions Pty. Ltd. Studio 100 N.V. Mirage Studios, Image Comics, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Atomic Betty Belongs To Trevor Bentley, Mauro Casalese, Rob Davies, Olaf Miller, 2 Minutes Animation, Hong Guang Animation (Su Zhou), Caribara, Atomic Cartoons Inc. Thunderbird Entertainment Group Inc. Breakthrough Entertainment, Télé Images Kids, Télé Images Productions, Marathon Media, Marathon Animation, Marathon Productions, Marathon Media Group, Zodiak Kids, Zodiak Kids Studios France, Zodiak Kids & Family, Banijay Kids & Family, Banijay S.A. TELETOON, TELETOON Canada, Inc. Corus Entertainment Inc. M6 (TV channel), Metropole Télévision S.A. Groupe M6, TÉLÉTOON+, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Phil Roman Entertainment, Breakthrough Distribution, Cartoon Network, The Cartoon Network, Inc. Turner Broadcasting System, Inc. WarnerMedia Entertainment, WarnerMedia Studios & Networks, Warner Bros. Entertainment Inc. WarnerMedia, AT&T Inc. The Hub, Hub Network, Discovery Family, Hasbro Entertainment, Hasbro, Inc. Discovery Networks U.S. Discovery Networks International, Discovery, Inc. And Warner Bros. Discovery, Inc.

The Owl House Belongs To Dana Terrace, Sunmin Image Pictures Co., Ltd. Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Sonic Prime Belongs To Yuji Naka, Naoto Ohshima, Hirokazu Yasuhara, Joe Kelly, Joe Casey, Duncan Rouleau, Steven T. Seagle, Jam Filled Entertainment, Boat Rocker Media Inc. Flixzilla Aura, Sonic Team, SEGA of America, SEGA Corporation, SEGA Sammy Holdings Inc. Man of Action Entertainment, WildBrain Studios, WildBrain Ltd. Netflix Animation Studios, Netflix Worldwide Entertainment, LLC, And Netflix, Inc.

Cleopatra in Space (TV series) Belongs To Doug Langdale, Fitzy Fitzmaurice, Titmouse, Inc. Inspidea Sdn. Bhd. Digitoonz Media & Entertainment Pvt. Ltd. DreamWorks Animation Television, DreamWorks Animation LLC, Hulu, LLC. Disney Streaming, Disney Entertainment, The Walt Disney Company, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, And Comcast Corporation

Avatar: The Last Airbender Belongs To Michael Dante DiMartino, Bryan Konietzko, DR Movie Co., Ltd. JM Animation Co., Ltd. MOI Animation, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Paramount+ Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. Paramount Streaming, And Paramount Global

The Legend of Korra Belongs To Michael Dante DiMartino, Bryan Konietzko, Studio Mir Co., Ltd. Pierrot Co., Ltd. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

The Curse of Molly McGee/The Ghost and Molly McGee Belongs To Bill Motz, Bob Roth, Mercury Filmworks, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Proud Family: Louder and Prouder Belongs To Bruce W. Smith, Ralph Farquhar, Snipple Animation Studios, WildBrain Studios, WildBrain Ltd. Bar Productions, Disney Television Animation, Disney+, Disney Streaming, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Hazbin Hotel Belongs To Vivienne Medrano, Bento Box Animation, Princess Pictures, SpindleHorse Toons, Bento Box Entertainment, FOX Entertainment, FOX Corporation, A24 Television, A24 Films LLC, Amazon Prime Video, Amazon MGM Studios, Amazon Content Services, LLC, And Amazon, Inc.

Unikitty! Belongs To Phil Lord, Christopher Miller, Ed Skudder, Lynn Wang, Renegade Animation, Snipple Animation Studios, Rideback, Lord Miller Productions, VERTIGO Entertainment, LEGO System A/S, Warner Bros. Animation Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, HBO Max, WarnerMedia Direct, LLC. Warner Bros. Discovery Global Streaming and Interactive Entertainment, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Star vs the Forces of Evil Belongs To Daron Nefcy, Mercury Filmworks Toon City Animation, Inc. Rough Draft Korea Co, Ltd. Sugarcube Animation, Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Rocko's Modern Life Belongs To Joe Murray, Animal-Ya, Klasky-Csupo, Inc. Pacific Rim Productions, Inc. Rough Draft Korea Co., Ltd. Wang Film Productions Co., Ltd. Sunwoo Entertainment, Co., Ltd. Shanghai Rainbow Animation Tama Production, Wang Film Productions Company, Joe Murray Productions Inc. Games Animation Inc. Nickelodeon Animation Studio, Nickelodeon, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Angry Birds: Summer Madness Belongs To Rob Doherty, Scott Sonneborn, Yowza! Animation, Kickstart Entertainment, CAKE Entertainment Ltd. Rovio Animation, Ltd. Rovio Entertainment Corporation, SEGA Corporation, SEGA Sammy Holdings Inc. Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.

Moon Girl and Devil Dinosaur Belongs To Brandon Montclare, Amy Reeder, Natacha Bustos, Jack Kirby, Steve Loter, Jeffrey M. Howard, Kate Kondell, Flying Bark Productions Pty. Ltd. Studio 100 N.V. Cinema Gypsy Productions, MARVEL Animation, Inc. MARVEL Television, MARVEL Studios, LLC, MARVEL Entertainment, LLC, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Family Guy Belongs To Seth MacFarlane, Digital eMation, Inc. Film Roman, LLC, CNK International, Grimsaem Animation Co. Ltd. Sunwoo Entertainment, Co., Ltd. Rough Draft Korea Co., Ltd. Rough Draft Studios, Inc. Toon Boom Animation Inc. Yeson Entertainment, Yearim Productions Co., Ltd. Fuzzy Door Productions, Inc. 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company

Teen Titans Belongs To Bob Haney, Bruno Premiani, Glen Murakami, David Slack, Sam Register, MOI Animation Co., Ltd. Lotto Animation, Inc. DongWoo Animation Co. Ltd. DC Comics, Inc. DC Studios, DC Entertainment, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

My Life as a Teenage Robot Belongs To Rob Renzetti, Rough Draft Studios, Inc. Frederator Studios, Frederator Networks, Inc. WOW! Unlimited Media Inc. Kartoon Studios, Inc. Nelvana Limited, Corus Entertainment Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Ninjago Belongs To Thomas Sørensen, Tommy Andreasen, Thomas Kristensen, Simon Lucas, Nelson LaMonica, Menelaos Florides, William Stahl, Scott Godon-Decoteau, Maarten Simons, Michael Svane Knap, Toby Dutkiewicz, Brian Nielsen, Lars Danielsen, Tommy Kalmar, Cerim Manovi, Robert May, Heidi Rathschau Nielsen, Kevin Burke, Chris "Doc" Wyatt, LEGO System A/S, WILFilm ApS, WildBrain Studios, WildBrain Ltd. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Lego Monkie Kid Belongs To Simon Lucas, LEGO System A/S, Flying Bark Productions Pty. Ltd. Studio 100 N.V. WildBrain Studios, WildBrain Ltd. Tencent Video, Tencent Holdings Ltd. Youku Tudou Inc. Alibaba Group Holding Limited, iQIYI, Baidu, Inc. 9Go! Nine Network, Nine Entertainment Co. Holdings Limited, Cartoon Network (Australia & New Zealand), Discovery NZ Limited, Turner Broadcasting System Asia Pacific, WarnerMedia Entertainment Networks Asia Pacific, Turner Broadcasting System International, WarnerMedia International, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Kung Fu Panda: The Dragon Knight Belongs To Mitch Watson, Peter Hastings, Technicolor Animation Productions, Mikros Animation, Dave Enterprises, Stellar Creative Labs, 88 Pictures, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

Hailey's On It! Belongs To Devin Bunje, Nick Stanton, Saerom Animation, Inc. Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Bravest Warriors Belongs To Pendleton Ward, Breehn Burns, Will McRobb, Chris Viscardi, Portfolio Animation, Portfolio Entertainment Inc. 9 Story Media Group Inc. Frederator Studios, Frederator Networks, Inc. WOW! Unlimited Media Inc. Kartoon Studios, Inc. Nelvana Limited, Corus Entertainment Inc. YouTube Studio, YouTube, Google LLC, Alphabet Inc. TELETOON, TELETOON Canada, Inc. VRV, Crunchyroll, LLC, Aniplex, Inc. Sony Music Entertainment (Japan) Inc. Sony Group Corporation, Disney XD (Canada), Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, The Walt Disney Company Cartoon Network (Japan), Discovery Japan, Turner Broadcasting System Asia Pacific, WarnerMedia Entertainment Networks Asia Pacific, Turner Broadcasting System International, WarnerMedia International, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

[beardedmrbean]

Gov. Ron DeSantis signed a Florida bill prohibiting children under 14 from joining social media.

Parents can sue social media companies for $10k for not promptly deleting an account of a child under 14.

Similar bills signed in other states have faced constitutional challenges from NetChoice LLC.

A new Florida bill could open the floodgates for parents to sue for up to $10,000 if social media companies fail to remove flagged accounts of their underage children in a timely manner.

The new bill, HB3, was signed by Florida Gov. Ron DeSantis on Monday. It prohibits children under 14 from being on social media. Children ages 14 and 15 need their parent's consent to join the platform.

The Florida Gov. argued pedophiles are taking advantage of children on the apps. The Speaker of the Florida House, Paul Renner, echoed those concerns and also brought up mental health concerns associated with the platforms.

"You can have a kid in the house safe seemingly and then you have predators that can get right in there into your own home," DeSantis said at the bill signing ceremony. "You can be doing everything right, but they know how to manipulate these different platforms."

The bill requires social media companies to delete already existing accounts that belong to children under 14, by the child's request within five business days, or a parent's request within 10 business days. For 14 or 15-year-old children, the account must be confirmed by a parent. If it isn't, the user has 90 days to file a dispute before being terminated.

Companies that allow minors access after being aware of their age could be responsible for up to $50,000 in penalties or fines per violation if the charges are found to be a "consistent pattern of knowing or reckless conduct."

Parents can also sue companies on behalf of their child if the platform doesn't comply and take down the account, potentially receiving up to $10,000 in damages.

Privacy vs. protection

While the legislation is set to go into place by January 2025, Stacey Lee, a professor of law & ethics at the Johns Hopkins Carey Business School said the bill will likely face "significant legal obstacles" related to First Amendment issues.

Lee said regulating social media has become a "hot-button political issue," but these efforts are consistently met with constitutional hurdles, which DeSantis has acknowledged.

The bill's effectiveness in preventing minors from accessing social media also remains questionable, Lee said.

"Regulating the digital landscape for minors without infringing on these principles presents a formidable challenge calling for thoughtful consideration and innovative solutions," Lee said.

Other states with similar bills like California, Utah, Ohio, and Arkansas, have been challenged by tech coalition NetChoice LLC for signing similar laws. Both California and Arkansas received preliminary injunctions and Ohio received a temporary restraining order on its social media law, according to spokesperson Krista Chavez. The case in Utah hasn't had its hearing yet.

NetChoice is a major coalition of social media platforms opposing these restrictions and it includes TikTok, Meta, Google, and X among others. NetChoice has cited privacy concerns in its reasoning against these kinds of laws.

Chavez said NetChoice has repeatedly expressed constitutional concerns with HB3 in public statements, testimony, and in a letter to Gov. DeSantis about the bill.

NetChoice Vice President & General Counsel Carl Szabo referred to HB3 as a "bad policy" in a statement shared with BI.

Szabo said the bill poses a data risk because it forces users to hand over sensitive personal information to websites or lose their access to information channels. It also infringes on First Amendment rights to share and access online speech, he said.

"We're disappointed to see Gov. DeSantis sign onto this route," Szabo said in the statement. "There are better ways to keep Floridians, their families, and their data safe and secure online without violating their freedoms."

Another attempt at regulating social media

DeSantis voted against a more restrictive version of the bill that proposed banning social media for children under 16 and required proof of ID to join social media.

The governor said in a post on X, formerly Twitter, that he "vetoed HB 1 because the Legislature is about to produce a different, superior bill."

It's not the first time the Florida governor has focused his legislation on protecting children.

DeSantis passed a bill last year that restricted children's use of cellphones in the classroom.

"Being buried in those devices all day is not the best way to grow up," DeSantis said at the signing ceremony. "It's not the best way to get a good education."

The latest bill follows a series of legislative attempts from the government to place restrictions on social media.

An attempt to ban or force a sale of TikTok recently passed the House on March 13 with 352 votes in favor of the bill. It will next be voted on by the Senate, at which point, if it passes, it will end up on the desk of President Joe Biden — who has said he'd sign it.

[cedar-glade]

Silene rotundifolia,

Growing nearly upside down as a sandstone chasmophyte( this is it’s in-situ niche), in a dry rockshelter vs a backcove(humidity ducting terminal), in more exposure to sunlight than many other Ilp endemics. We have hummingbird and butterfly pollinated round leaf catch fly.

As an ILP sandstone endemic species that has barely breached the Allegheny Plateau due to it’s overlap into the ILP it seems to be the most wide spread overall; as geological borders while physical have mixing zones that are never fully abrupt. In ecological systems many factors besides geology and evolutionary time come into play with ranges though these seem to be the main contributors. Gale( or is it Gail) from natives in harmony llc, actually managed to grow these ex-situ in limestone gravel that was unwashed, which shut down my theory about chemistry as a leading factor in it’s range.

We can see that valley of the gods in Illinois had no history of this, The other site that surprised me is a lack of the continued line in Adams, Scioto, Lawrence counties of Ohio. Lewis County Kentucky has none either. Or perhaps the strangest spot missing would be Cuyahoga National Park in Ohio while we have records from a northern county adjacent( most northern pop).

[intothemonsterverse]

Multiple Monsterverse Games Are Coming!

"Legendary's cinematic Monsterverse is set to enter the realm of video games in a big way later this year following the success of Godzilla x Kong: The New Empire at the box office, with three Monsterverse games set to release in the back half of 2024."

"One of those upcoming titles is the newly announced Kong: Survivor Instinct, described as a 2.5D action-adventure game set during and after the events of 2021's Godzilla vs. Kong. The game will see players take on the role of a father searching for his lost daughter through the wreckage left in the wake of Kong and Godzilla's battle. Of the three upcoming games, Kong: Survivor Instinct will be the only one released as a standalone product on PC and current-gen consoles."

"As for the other two Monsterverse games on the way, one will be inside Roblox, where players will be able to "become Monarch operatives" and interact with various Titans in an interactive experience. The other is a 4X mobile strategy game, Godzilla x Kong: Titan Chasers. Developed by Hunted Cow Games and published by Tilting Point LLC, players in Godzilla x Kong: Titan Chasers will build bases, recruit Titan Chasers, and battle it out in turn-based combat with monsters on the newly emerged Siren Isles. When players aren't fighting monsters, they'll also be finding ways to engage with and support Godzilla and Kong themselves. The game is already playable in certain regions but will be releasing globally soon."

[found-family-tournament]

Found Family Tournament Round 1 Part 19 Group 95

Propaganda and further pictures under the cut

Cheer Factory: Goo & Bot

Submissions are still open!

Cheer Factory:

waves at you . hi !!!!! (pastes in my pre made rant and slightly edits and adds onto i

you have NO IDEA how much ‘found family’ energy these two give off (unless yyou do . by coincidence.uhm) like?? they find out theyre on the pink team and BOTH bot and goo shout “YEAHHH,, PINK TEAM !!” in unison . and then they immediately start getting along throughout the show . they are siblings to me they are the duo ever theyre like so silly theyre like two little kids in a trench coat/pos

okay so let me talk about bot first of all bot is . theyre heavily implied to be trans actually NO not heavily implied it’s practically CANON because bot is supposed to be the robot replica of a dead person named bow but later on they say they “aren’t bow” and that they wanna be a different person !!!! in the newer episodes literally when they were drawing what they wanna look like they put they/them on the paper and it was shown ON SCREEN !!!!!/pos/silly and in the new episode they GOT their new look and when they noticed their eyelashes were gone and all the other cool details they got they said “it’s so… me !! :D” ALSO: this small speech they gave

“yknow, lately ive been worried,, if i went by a different name, or maybe even ,, looked a little different.. i wouldnt be me anymore., but you helped me realize that,, no matter what you put out there.. youre still you” UWAHHHHHH/POS okay now goo second of all goo is like the silliest little goofball ive seen on a web series . he dances with PINECONES and makes weird analogies and made a 3 hour film for bot after they came out he did NOT deserve to be voted out for that i really hope they reunite because they didnt get to talk much before goo’s elimination and not ONLY that but literally goo got eliminated BEFORE he got to see bot’s new look he doesn’t even know that their name is bot he still thinks its tbd as far as i know (also because the only pictures of them together so far are literally before bot got their new look so. im gonna have to separate them when i submit photos💔💔) and the interaction right before his elimination was like kinda awkward unfortunately but it made me sob/hj

"yeah,, i liked it !! but.. it was,,. a lot :[ listen goo,, i-i dont need this new identity to be such a big grand spectacle , i just want you to treat me like. llike me . with all the uncertainty lately, it helps everything feel just a bit more,, normal , yknow .?" “oh,, ohfor sure ,! i get it !! it’s like,, you just wanted a slice of cake, and i went and gave you the whole bakery ,:D !!” “hehe, yyup, nailed it !! ,:)” ↑↑↑ UWAHHHHHHH😭/LH/POS and third of all their alliance name they are literally called THE CHEER FACTORY because they wanna CHEER PEOPLE UP and they did !!!!! they cheered up clover and the floor ithink yes the floor is a character ssshshshshhsshh and goo literally lost one of the challengesbecause he laughed at the floor’s joke AND HE DID NOT CARE he was just glad he got to cheer somebody up !!!!! “another satisfied customer at the,, CHEER FACTORY !!! :D” LITERALLY HE WAS SO HAPPY and also when they were separated into two seperate teams goo is IMMEDIATELY sad when he notices bot isnt with him “sigh… i guess the cheer factory has become the.., cheer llc. :[“ I FELT SO BAD FOR THE BOTH OF THEM also can you tell whos my favorite/hj/lh anyways theyre silly theyre blorbos theyre the duo ever and thats why they should be in this competition (psssssst pstpst hhey im not gonna force you or anything btw but watch this video that interviews goo after he got eliminated from the show please/nf/ ineed to provide more evidence/hj/lh) || https://www.youtube.com/watch?v=eb4iAbI2f3s

goo literally made a video that was like 3 hours.long which was dedicated to bot's new identity after they said they were a robot and weren't "bow" and also they both have their own silly little alliance in the show called "The Cheer Factory" ❗❗❗ cmon theyre like. theyre literally like two little kids in a trenchcoat/silly theyrefound family siblings to me

Naruto & Umino:

everyone in the village hated naruto since the day he was born bc of the demon that lives in his insides somewhere (this sounds crazy if you haven't seen the show but trust me here). iruka was his teacher at school. when everyone was graduating, naruto failed and some side character told him that if he stole a secret scroll he'd pass (since he failed). they were using him tho, and were planning on killing him (i think). and then iruka goes after him and finds him with the scroll before the other person did, and was the first person to actively defend naruto, and was the first person to believe him and see him as the person he was (he's like 12 here btw). and then, iruka always acts as a father figure to naruto, and at the very end of the series, when naruto gets married, he asks iruka to be his father at his wedding. i cried like a little bitch and i swear to god i just lvoe them so much. i doubt anyone will submit them butAAAAAA. ALSO IRUKA PASSED HIM IN THE END AND GAVE HIM HIS OWN FUCKING HEADBAND!!! SOBS AND CRIES AND SCREAMS

iruka was the first person to ever believe in naruto. it’s mentioned throughout the story how much of an impact iruka had on naruto just by believing in him, and it’s super sweet. the real kicker is that at the end of the show, naruto asks iruka to play the role of his father at his wedding, and i will never not cry about it!! literally look at them!!! never shutting up about this!!

[religion-is-a-mental-illness]

By: Brandon W. Yan, MD, MPH1,2; Elizabeth Arias, PhD3; Alan C. Geller, MPH, RN2; et al

Published: Nov 13, 2023

As life expectancy at birth in the US decreased for the second consecutive year, from 78.8 years (2019) to 77.0 years (2020) and 76.1 years (2021), the gap between women and men widened to 5.8 years, its largest since 1996 and an increase from a low of 4.8 years in 2010.1,2 For more than a century, US women have outlived US men, attributable to lower cardiovascular and lung cancer death rates related largely to differences in smoking behavior.1,2 This study systematically examines the contributions of COVID-19 and other underlying causes of death to the widened gender life expectancy gap from 2010 to 2021.

Methods

Analyses were performed from March to July 2023 using Stata, version 17.0 (StataCorp LLC) and Office Excel (Microsoft). Using mortality data from the National Center for Health Statistics, this cross-sectional study examines the association of changes in cause-specific mortality with changes in the gap in life expectancy at birth between men and women from 2010 to 2021, divided by pre– and post–COVID-19 years. We used a decomposition technique to partition changes in the life expectancy gap between men and women into component additive parts that identify the causes of death having the greatest assocation, positive or negative, with changes in life expectancy.3 Cause of death categories are based on the International Statistical Classification of Diseases and Related Health Problems, Tenth Revision. For further specificity, we partitioned changes in unintentional injuries into select components (unintentional poisoning [mostly drug overdose], unintentional transport-related injuries, and all other injuries). We estimated the differences between men and women in the age-adjusted death rates for the top causes of death associated with changes in the life expectancy gender gap. This study was exempt from review from the Harvard Longwood Campus institutional review board, and informed consent was not required because this study used deidentified data. This study followed the STROBE reporting guideline.

Results

The gender life expectancy gap increased 0.23 years from 2010 to 2019 and 0.70 years from 2019 to 2021. Prior to COVID-19 in 2020, the largest contributors to worsening life expectancy for men vs women were unintentional injuries (−0.23 years [−0.23246/−0.5116 = 45.4%]), diabetes (−0.05 years [10.1%]), suicide (−0.04 years [7.8%]), homicide (−0.03 years [5.3%]), and heart disease (−0.03 years [4.9%]) (Figure, A). This was offset by differential improvement for men vs women in mortality from cancer (0.12 years [43.1%]), Alzheimer disease (0.06 years [20.5%]), and chronic lower respiratory disease (0.04 years [12.3%]), among others.

From 2019 to 2021, COVID-19 became the leading contributor to the widening gender life expectancy gap (−0.33 years [39.8%]) followed by unintentional injuries (−0.27 years [32.5%]) (Figure, B). The increasing maternal deaths among women and the relative reductions in cancer and perinatal conditions among men partially mitigated the increasing gap (Figure, B). From 2010 to 2021, unintentional poisonings (mostly drug overdoses) and unintentional transport-related injuries contributed 0.44 (86.3%) and 0.06 (11.8%) of the 0.51-year decrease in life expectancy from unintentional injuries. The absolute difference in age-adjusted death rates between men and women increased from 252 to 315 per 100 000 between 2010 and 2021, with a persistent gap for heart disease and widening gaps for COVID-19, unintentional injuries, and several other causes (Table).

Discussion

This analysis finds that COVID-19 and the drug-overdose epidemic were major contributors to the widening gender gap in life expectancy in recent years. Men experienced higher COVID-19 death rates for likely multifactorial reasons, including higher burden of comorbidities and differences in health behaviors and socioeconomic factors, such as labor force participation, incarceration, and homelessness.4,5 Differentially worsening mortality from diabetes, heart disease, homicide, and suicide suggest that chronic metabolic disease and mental illness may also contribute. The increase in overdose deaths, homicide, and suicide underscore twin crises of deaths from despair and firearm violence.6 Limitations include binary gender classification and unexplored heterogeneity within disease classifications and across geographic and demographic subgroups. Future analyses could explore whether these trends changed after 2021, especially as the pandemic recedes, with further detail on specific causes.

==

Look at that COVID differential. Nobody talked about how the two greatest contributing factors to COVID death where obesity and being male.

Life is the greatest privilege of all.

Followed by the privilege of anyone caring about your wellbeing.

[crazylistlady]

Movies to watch in October

(feel free to add any other suggestions)

Classics (Pre 1970s)

Frankenstein

House on Haunted Hill (1959 version)

Rosemary's Baby

Dracula (Legosi)

The Cabinet of Dr. Caligari

The Wolfman

The house of usher

Creature from the black lagoon

The Haunting

Eyes without a face

The adventure of Ichabod and Mr Toad

Night of the living dead

It's the great pumpkin Charlie Brown

Horror

Halloween (OG or Rob Zom remake)

Poltergeist (OG, do not watch remake)

Trick r Treat

Hell house LLC

All Hallows Eve

The Exorcist

Nightmare on Elm street

Sleepy Hallow

Pans Labyrinth

The Omen

The Crow

The Craft

The Evil Dead (1981 or 2013)

Scary stories to tell in the dark

Spawn

Sleepy Hollow

The Fear street trilogy

Dracula (Oldman)

Family friendly

Practical Magic

Monster House

Paranorman

The Addams Family (both 90s movies)

Halloweentown

The little vampire (2000,s or 2017)

Casper

Return to Oz

Witches (90s)

Ernest scared stupid

When Good ghouls go bad

Hocus Pocus

Spaced Invaders

Scooby Doo (live action or cartoon)

The House with a clock in its walls

Coraline

Musical

Over the garden wall (Its a mini series, but its 2 hrs in total to watch)

Corpse Bride

Little Shop of Horrors

Phantom of the Opera

The Devils carnival

Phantom of the Paradise

The Lure

Rocky Horror Picture Show

Sweeny Todd

Nightmare before Christmas

Repo! The genetic opera

Comedy

Ghostbusters

Young Frankenstein

Beetlejuice

Tucker and Dale vs. Evil

Eight legged freaks

Elvira Mistress of the dark

Death becomes her

Dracula Dead and loving it

What we do in the shadows

[plethoraworldatlas]

The presidential field is basically set, but before the Trump vs. Biden rematch begins in earnest, there are still a bunch of highly contentious primaries for the House and Senate left to be decided. On the Democratic side, none will draw more attention and money than the campaign to knock the Squad—the famed young, progressive legislators of color—out of Congress. And now, thanks to the most recent round of fundraising reports filed to the Federal Election Commission, we know exactly who’s funding that campaign.

Surprise! It’s Republican billionaires and megadonors.

Let’s back up: During the 2022 midterms, one of the super PACs affiliated with the American Israel Public Affairs Committee lobbying group—called the United Democracy Project—spent more than any other outside group during the Democratic primaries. Yes, it was spending on Democrats. But it boosted only conservative Democrats who were in races against progressive legislators, in part because progressives are, as a whole, willing to criticize Israel, and sometimes even question unconditional military aid to Benjamin Netanyahu’s government.

AIPAC’s most successful sally in 2022 was kicking Andy Levin—not only one of the most prominent Jewish members of the House, but also a former synagogue president—out of his House seat in Michigan, in favor of a more conservative, non-Jewish representative in Haley Stevens. (Levin had dared to indicate support for a two-state solution, introducing a bill that would have prevented U.S. aid from being used to fund Israeli settlements in the West Bank and that recognized East Jerusalem as “occupied territory,” among other provisions.)

AIPAC’s most successful sally in 2022 was kicking Andy Levin—not only one of the most prominent Jewish members of the House, but also a former synagogue president—out of his House seat in Michigan, in favor of a more conservative, non-Jewish representative in Haley Stevens. (Levin had dared to indicate support for a two-state solution, introducing a bill that would have prevented U.S. aid from being used to fund Israeli settlements in the West Bank and that recognized East Jerusalem as “occupied territory,” among other provisions.)

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And all of that was before Israel’s devastating war in Gaza began.

Now, AIPAC has made it a clear goal to defeat every progressive Democrat it can in 2024. At the end of January, Federal Election Commission filings revealed that the United Democracy Project super PAC already had $40 million on hand by the end of 2023, nearly double the $26 million it spent on the 2022 midterms. Those numbers will likely skyrocket further.

Massive though it is, the dollar figure is actually less notable than who donated it. Of the top 10 biggest donors to the Democrats-only super PAC during the past six months, boosters of Donald Trump abound. GOP megadonor Bernie Marcus, former CEO of the Home Depot, kicked in $1 million. An LLC affiliated with Bob Kraft, owner of the New England Patriots (who gave $1 million to Trump’s inauguration) chipped in $500,000. Paul Singer, another billionaire financier—and Nikki Haley megadonor, and Rudy Giuliani fundraiser—also kicked in $1 million. (Singer is perhaps best known as the luxury vacation sponsor of Supreme Court Justice Samuel Alito.)

[blackgirl-galactica]

Mercury: The Power of Language

NOTE: Please do not steal or repost without credit. All credit goes to Tarotladytalks LLC. Thank you.

Hey yall!

This is a post about my thoughts I had on Mercury. So if you are Mercury dominant, have Mercury as your chart ruler, or just alot of Gemini or Virgo in your chart, this post is for you!

As we know, Mercury is the planet that rules communication and rationale. Yet, I was thinking to myself these past few days about how powerful a Mercurial person can be. Mercury is the planet that is calculative, quick-witted, and adaptable thanks to the neutral, mutable energy it gives off. We may not tend to give much thought of how Mercury can use that to its advantage. Ideas and rationale usually turn into beliefs (that's where it's complement, Jupiter, comes in). The best way to understand Mercury's power is when we look at it through a historical & literary lens. The most common example is the news we watch. We know the news we consume is meant to be unbiased, impartial, and "factual." Of course nowadays (at least in the US) there is a split between what news people watch (CNN vs. Fox). With this in mind many look to the news of course for official correspondence, without a second thought most times. Yet, there are those who may be skeptical and think twice, but for the majority the news is taken at face value. As a result, the ideas we see and hear of almost daily slowly program themselves into our minds.

A specific example in recent times was the beginning of the COVID pandemic. As we know the ideas and news around this pandemic was everchanging, therefore the only ideas the public could go on was the fact that there had to be a lockdown. Now where Mercury comes in is the fact the way this communication was presented may have caused some panic and caused people in the US to panic stock, but maybe if delivered in a different manner the result may have been different. This is not to say that the news outlet should have done it a different way, but this is to show how tonal and delicate Mercury's powers are. It's quite exciting!

And what's also interesting to me about Mercury is how language and communication is a form of power. To know how to communicate, rationalize, and be quick to apply in everyday situations is a powerful skill. Without communication, where would we be? It reminds me of that saying, "It's not what you say, but how you say it." Yet, to me Mercury is skillful at what to say and how to say it at the right time. This is why people with well conditioned Mercury placements can make great public figures, businessmen/women, writers, speakers, and scientists. To know how to use communication to your benefit or the world's benefit is a superpower I think we underestimate. So alas, here are my two cents! Let me know what you think. I may edit and add more to the post later, but I was itching to get this out to you all! I hope you all have a good week! Personal tarot readings are now open at my shop on Miiriya! Search Tarotladytalks on the platform. Prices have changed and so has the way I conduct readings! See ya on the other side!

-Claude

[lady-of-glass-and-bone]

Duck's Halloween Movie Picks!

I love Halloween and spooky season in general. So here's my list of many, many (but not all) horror movies to watch this October!

🧠 Zombies 🧠

Sometimes dead is better.

Night of the Living Dead (1968) & (1990)

Return of the Living Dead (1985)

Diary of the Dead (2007)

Dawn of the Dead (2004)

Overlord (2018)

Pet Semetary (1989)

Dead Snow (2009)

Dead Alive (1992)

#alive (2020)

Train to Busan (2016)

Little Monsters (2019)

Scouts Guide to the Zombie Apocalypse (2015)

Zombie (1979)

Wonderfully Witchy

It isn't Halloween without a witch.

The Witch (2015)

The Craft (1996)

Practical Magic (not a horror movie but I don't care, I love it) (1998)

Hocus Pocus (a true classic) (1993)

The Blair Witch Project (1999)

Don't Knock Twice (2016)

Drag Me To Hell (2009)

Ghastly Ghouls

Ghosts, Demons, and Poltergeists oh my!

Includes but is not limited to: haunted houses and/or people, demons, cursed objects, beings from other dimensions, etc.

The Exorcist (1973)

Insidious (2010)

The Conjuring (2013)

The Nun (2018)

Poltergeist (1982)

Verónica (2017)

Hellraiser (1987) & (2022)

Candyman (1992) & (2021)

Thir13en Ghosts (2001)

The Shining (1980)

Evil Dead (1981)

The Fog (1980)

Paranormal Activity (2007)

House on Haunted Hill (1959) & (1999)

The Frighteners (1996)

House (1985)

Hell House LLC (2015)

Pumpkinhead (1988)

Gonjian: Haunted Asylum (2018)

Possession (1981)

Carnival of Souls (1962)

Ringu (1998)

The Entity (1982)

Vicious Vampires

Because they're bloody sexy.

Nosferatu (1922)

Bram Stoker's Dracula (1999) plus all the other million dracula movies

Interview with a Vampire (1994)

30 Days of Night (2007)

Boys From County Hell (2020)

Underworld (2003)

Bloodsucking Bastards (2015)

Near Dark (1988)

Salems Lot (1979)

From Dusk Till Dawn (1996)

Fright Night (1985) & (2011)

Stakeland (2010)

The Black Water Vampire (2014)

Werewolves

Fluffy and vicious, the perfect combo.

Dog Soldiers (2002)

An American Werewolf in London (1981)

Night of the Wolf: Late Phases (2014)

Ginger Snaps (2001)

The Wolf Man (1941) & (2010)

The Company of Wolves (1984)

Cursed (2005)

The Wolf of Snow Hollow (2020)

Howl (2015)

The Howling (1981)

Silver Bullet (1985)

Wer (2014)

Bad Moon (1996)

The Beast Must Die (1974)

Miscellaneous Monsters

All monsters need love, not just the classics.

The Creature from the Black Lagoon (1954)

The Mummy (1999)

Frankenstein

Wishmaster (1997)

Eight Legged Freaks (2002)

Feast (2007)

IT (1990) & (2017)

The Descent (2005)

Jaws (1975)

Jeepers Creepers 1 + 2 (2001) & (2003)

Horror Express (1972)

Cold Ground (2017)

Devil's Pass (2013)

The Ruins (2008)

Cabin in the Woods (2011)

The Monster Squad (1987)

Under Wraps (1997)

The Babadook (2014)

Slashers

Because people are scary too.

The Texas Chain Saw Massacre (1974)

Friday the 13th (1980)

A Nightmare on Elm Street (1984)

Halloween (1978)

The Collector (2009)

House of Wax (2005)

The Strangers (2008)

The Crazies (1973) & (2010)

SAW (2004)

Scream (1996)

The Hills Have Eyes (1977) & (2006)

The Burning (1981)

The People Under The Stairs (1991)

Sleepaway Camp (1983)

Slumber Party Massacre (1982)

Terror Train (1980)

Stage Fright (2014)

You Might Be The Killer (2018)

The Toolbox Murders (1978)

Hell Fest (2018)

Revenge (2018)

The Invitation (2016)

Audition (1999)

It Came From Space!

As if space isn't scary enough on it's own.

Includes: anything sci-fi related, not just space stuff.

The Thing (1982)

Alien (1979)

Predator (1987)

AVP: Alien vs. Predator (2004)

Event Horizon (1997)

DOOM (2005)

Monsters (2010)

Re-Animator (1985)

Bride of Re-Animator (1990)

Pandorum (2009)

Chopping Mall (1986)

The McPherson Tape (1989)

Extraterrestrial (2014)

Always Anthology

The more the scarier!

Creepshow (1982)

Creepshow 2 (1987)

Tales from the Hood (1995)

V/H/S (2012)

V/H/S: 2 (2013)

V/H/S: 94 (2021)

V/H/S: 99 (2022)

Body Bags (1993)

Asylum (1972)

Trick 'r Treat (2015)

All Hallows' Eve (2019)

Holiday Specials

We can't leave out these holidays during spooky season!

My Bloody Valentine (1981) & (2009)

Prom Night (1980)

April Fool's Day (1986)

Black Christmas (1974)