#LISTEN TO IT GENUINELY ACTUALLY GO

[desire-mona]

SHOSTAKOVICH'S STRING QUARTET NO. 8 IN C MINOR, OP. 110 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

[overlymetaromantic]

Dungeon Meshi, or as I like to call it, Marcille's-increasingly-difficult-to-ignore-revelations-that-her-endless-devotion-to-Falin-may-in-fact-be-more-rooted-in-lesbianism-than-she-originally-thought

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[getosugurusbangs]

fallen angel.

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[stevethehairington]

He needs a break. A chance to breathe for a moment. This lifestyle sometimes feels like the corsets that Robin is always complaining about — too tight, too constricting, and superfluously unnecessary. Steve pities Robin, and the rest of the poor women, who have to deal with both. The circumstance and the corsets.

Steve knows better than to complain, though. He lives a lavish existence, one that many people would give anything to have. It isn’t fair of him to pity himself like this when there are so many people out there that are so much worse off than him. He should feel grateful. Lucky, even.

But it’s hard not to feel suffocated instead, sometimes.

The alcove is quiet, thank god, and void of any stray party guests. It’s hidden away, tucked between two rocks that overlook the seaside, and the crash of waves from down below has a mollifying effect on Steve’s agitated disposition.

He reaches for the cravat at his neck, loosening it with deft fingers. He’s in the act of tugging it away from his throat when the clear crunch of a footstep has him spinning around sharply.

And there, emerging from the shadows to block Steve’s only escape route, is a man.

The first thing Steve notices about the man is the curtain of dark curls that frame his face. They’re long enough to tumble freely over his shoulders, and they’re pulled back by a thick swath of fabric, deep red in color. The ends of his bangs peek out from beneath the bandana, as do a pair of thin braids, each tied off with two hollowed out pearls.

With his hair out of his face, Steve can see it all. Every single feature, open and on display — those soft cheekbones, that sloping nose, the gnarled scar that stretches across the left side of his jaw and pulls the corner of his mouth into a twisted, permanent smile.

Steve is sure that he’s never seen this man before, and yet there is something achingly familiar about him. A tugging within his gut; it feels like he should know him, but from what, he can’t quite place.

The man’s left ear is pierced through twice, two identical gold hoops looped through the skin. And just beneath his ear he has a small mark. A tattoo. Steve isn’t quite close enough to make out just what it’s of. He squints his eyes and nearly takes a step closer to take a proper look, but catches himself before he does.

It’s then that Steve realizes that he’s been staring, borderline ogling, for much longer than is appropriate, too. His cheeks warm as he averts his eyes to the ground. But rather than the cobblestone path below, his gaze falls to the man’s feet.

Flared brown boots cover those feet, rising up nearly to his knees. They’re old looking, worn and well-purposed, but still sturdy, even after countless strops though mud and water and sand and all sorts of other rough terrains. Beneath the boots, his stalwart calves and strong thighs are encased in rough-hewn black breeches, tight, yet functional.

Steve’s eyes stray further up, despite his best efforts. 

The man wears a thick brown leather belt, layered with a silken red cloth and an even thinner black belt, this one scaled like a dragon, with a shiny gold buckle. It sits around his waist, atop an open black vest that accentuates his slim figure. His blouse beneath is a deep wine red, made from a gauzy looking material that clings to his skin. Steve imagines that if it were to get wet it would be absolutely sinful. The neck of it is rather plunging, too, exposing the man’s collarbones, and the corner of another tattoo on his chest. 

And there, above his heart and to the right, in the very center, hangs a pendant — some sort of serpentine creature with wings, gaudy and golden and absolutely eye-catching.

Steve feels a little hot under the collar, taking it all in. He has to look away.

The man makes an amused humming sort of noise. “Like what you see, sweetheart?” He drawls, flicking both eyebrows up at once. A lazy grin unfurls across his full lips, and he practically drapes himself over the rock behind him.

The position puts his whole body even further on display, in an entirely new way this time, and looking away is futile now. Steve’s eyes are heedlessly drawn back to it, raking over every inch. It feels… dangerous, to be looking this much, this long, but he can’t help it.

The man lifts a hand to examine his black varnished nails, an air of boredom to the action. His fingers are adorned with chunky silver rings that glint in the mid-afternoon sunlight. Casually, he pulls a dagger from its hiding place amongst the belts and uses the sharp tip to pick at one of his nails.

Idly, he starts to whistle — a low, warbling tune that has an almost menacing edge to it.

It, too, strikes a chord of remembrance in Steve, and he wracks his brain trying to think of where he’s heard it. And then it hits him.

“You’re a pirate!” He gasps out. It sounds scandalized, when he says it, though, really, he isn’t scandalized at all. He doesn’t find himself very afraid, either, though he knows he should be. Instead, he’s just intrigued.

The man snickers. “Very good, sweetheart,” he commends, tucking the dagger away again. He brushes his knuckles against his shirt. “What gave it away?”

Steve frowns. “What are you doing here? Where’s your ship?”

“What am I doing here?” The man repeats. Laughs this breezy little thing. “I’m meant to be taking you prisoner, actually,” he tells Steve.

“Take me— prisoner?” Steve repeats, shock coloring his tone. He doesn’t know what he’d been expecting, but it certainly wasn’t that.

“Oh, yes,” the man replies, pushing himself off of the rock. He starts to circle Steve. “I’m meant to be snatching you up— well, that’s the interpretation of it, anyways. All they said was that I needed to deal with you, and, really, that’s so vague.”

He starts to circle Steve, slinking around him slowly, purposefully. His voice carries as he does. “Pirates are supposed to be unscrupulous, though, aren’t they? What with all the threatening and the stealing and the killing and the like. I figured it only makes sense that I take you.”

Steve has a million questions — like who the hell is they? And what do they want with him? And why did they send a pirate to do their dirty work?

Instead, what comes out is, “I guess that would make sense.”

He folds his arms over his chest, just for something to do with them, and then a thought surfaces to the forefront of his brain.

A crease forms between his eyebrows, and his lower lip pushes out into a contemplative pout as he mulls it over. “But what if—” he starts. Pauses. Cuts himself off like he won’t dare finish the thought.

Only it’s too enticing, too tempting not to. 

“What if you didn’t take me?”

The man comes to a stop right in front of Steve. He’s close, much closer than anyone would normally be comfortable with, but Steve doesn’t care. If anything, he has to refrain from curling his fingers into that necklace and using it to leverage him even closer.

Steve looks into the man’s dark eyes. Big, endless, easy to lose himself to. But he doesn’t. He meets them head on, unwavering with his gaze, as if he’s challenging him.

“Sweetheart,” the man starts, dripping with condescension. He raises a hand and flattens it against the rock behind Steve, boxing him in. Another wry chuckle tumbles past his lips. “I don’t think you get it,” he says. “I have an order. I need to follow it.”

Steve just his chin up, defiant. “I don’t think you get it,” he returns, poking the man in the chest, much to his astonishment.

“What if you didn’t take me,” Steve repeats slowly, putting emphasis on his meaning. “But what if I… went with you anyways?”

It takes a moment for the words to properly sink in, but when they do, a slow spreading surprise settles over the man’s face. “Oh,” he says, sounding pleased. His lips curl back into a grin that bares his teeth. “How rebellious of you,” he tuts.

“You say rebellious, I say free-thinking,” Steve replies, brushing him off.

The man’s smirk grows, but he doesn’t accept the proposition. Not yet. Instead, he watches Steve carefully, like he expects his bravado to fall away any second now and for Steve to renege. 

But Steve holds his ground. He’s not taking it back. He’s not chickening out. In fact, he’s never been more sure of anything in his life.

He’s going to go with this man.

Finally, the man relents. “If that’s what you want,” he says.

“It is,” Steve replies, without hesitation.

The man gives a firm nod, and without another word, he turns on his heel and starts to briskly walk away.

Steve scrambles to follow him, out through the opening of the rocks and across the open courtyard that leads towards the port. He glances behind him every so often to make sure that he hasn’t been spotted or followed by any of the partygoers. By any of his family. 

But each time he looks, there’s no one.

He doesn’t know whether to be disappointed or thrilled by that.

The further he gets from the party, though, the easier it gets to breathe. Like the noose around his neck loosens with each step. That almost makes him want to laugh, considering his choice here would earn him a real one, permanently.

Ships line the port, when they finally make it to the water’s edge. Great big ones, with hulking hulls and dozens of ballooning sails. There are at least four, anchored in the bay, but none of them stick out to Steve as a pirate ship. Not that Steve’s ever actually seen a pirate ship before. He’s only heard tales. Still, he expected that they’d be distinct.

The man approaches one of the ships, and he doesn’t hesitate before tromping up the shoddy wooden gangway and stepping foot onto the polished deck. His hands slide onto his hips and he casts a wide glance around. He takes in a deep breath, then lets it out slowly, his whole body relaxing as he does. Like he’s finally home.

He turns then, back towards Steve and offers out his hand.

Steve looks down at it, then back up at the man.

“I’m Steve,” he says, taking it. The man’s palm is rough against Steve’s, but it’s warm too. It feels nice.

The man laughs. “I know,” he says. “And I’m—”

It’s then that Steve notices it. It’s subtle, in the sense that it’s just the one detail. But that detail itself is anything but. Just past the man’s head, right in the center of the biggest sail, a red devil. Pointed horns protruding from its skull, wicked yellow eyes, razor sharp teeth. 

It is unmistakable.

“You’re Eddie Munson,” Steve says, recognition finally hitting. And, jesus christ, he feels so stupid for not realizing sooner. The most notorious pirate in all of the seven seas — how could he have forgotten?

“That I am,” Eddie muses. Then he uses his grip on Steve’s hand to pull him the rest of the way onboard.

It tightens, and he doesn’t let go right away, like maybe he thinks Steve will try and make a run for it now that he knows who he is. 

But Steve doesn’t. He stands his ground, holds Eddie’s gaze steady.

Something zings up Steve’s spine as Eddie’s big eyes bore back into his own, and he thinks briefly to himself that whatever he’s gotten himself into here, it’s going to be well worth it. He’s in for the adventure of a lifetime here.

Eddie drops his hand then, and a slow grin, just as devilish as his flag unfurls across his pretty lips. He flourishes one of his own hands out around him.

“Steve Harrington,” he practically purrs. “Welcome to Hellfire.”

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[twitterdotcom]

Im sorry but the writers did not show Ed cleaning things up after he shot Izzy as a parallel when he started cleaning up after Stede left him so people could still say that he was healing and actually fine in s1ep10

[adventure-showdown]

What is your favourite Doctor Who story?

TOURNAMENT MASTERPOST

synopses and propaganda under the cut

Blink

Synopsis

In an abandoned house, the Weeping Angels wait. The only hope to stop them is a young woman named Sally Sparrow and her friend Larry Nightingale. The only catch: the Weeping Angels can move in the blink of an eye. To defeat the ruthless enemy — with only a half of a conversation from the Tenth Doctor as help — the one rule is this: don't turn your back, don't look away and don't blink!

Propaganda no propaganda submitted

City of Death

Synopsis

While taking in the sights of Paris in 1979, the Fourth Doctor and Romana sense that someone is tampering with time. Who is the mysterious Count Scarlioni? Why does he seem to have counterparts scattered through time? And just how many copies of the Mona Lisa did Leonardo da Vinci paint?

Propaganda

even if your not a classic who fan, you have seen moments from this, “wonderful butler, he’s so violent”, “youre a beautiful woman, probably”, “if you wanted an omelette I’d expect to find a pile of broken crockery, a cooker in flames, and an unconscious chef”. The location shooting, iconic, the music, iconic, the plot, so iconic I was once watching something (non doctor who) that referenced it as a fake historical event. Dare I say duggan is the greatest side character of all time. Romana’s outfit, the design of scaroth, the implication time lords can fly. it’s not my favourite overall, but its damn near close, it deserves AT LEAST the semi finals, AT LEAST. If you’ve not seen it or any classic who, go watch it, its so good, one of the best of the era. Also, how could I forget, the most watched episode on broadcast out of all of doctor who, including new who. (yes it was because itv was off the air due to strikes, but im glad its this episode that holds the record) (anonymous)

[drabbles-of-writing]

“Amity and Hunter maul each other” listen to me carefully we were all FOOLS. Luz and Hunter maul each other on the living room floor and yes biting IS on the table. Amity and Hunter are competitive rivals who are extremely sassy and petty when they talk shit. They are the only people in the entire family who can say the most SCATHING out of pocket things to each other and take it as friendly banter.

Make no mistake, sometimes it would result in a brawl, but these two are such near-mirrors of each other that it’s never serious and they think they’re hilarious. "How’s the divorce?” “Horrendous. How’s the face?” is a greeting they’ll have at like 8 in the morning and give everyone instantaneous cardiac arrest

[soaked-ghost]

hahaha what if I made an alphys au oc and made her ink's friend lol. actually that's a lie there is no what if I just did that

[personnotfound]

i've decided my method for listening to tmagp is this:

I am going to relisten to all of TMA+bonus content on the feed to the end, then all of TMAGP+new episodes and bonus content, then do it all again. Over and over and over again until TMAGP is finished. Possibly after. I did listen to TMA six or seven times before it was even announced.

This is the best and least insane way to do it.

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[iwritenarrativesandstuff]

Feel like making people miserable today. Anyways, here's Gon experiencing like. Textbook symptoms of trauma in the CAA, in case there was any lingering doubt about this or anything:

Initial denial that the experience happened or was traumatic

[ID: A screenshot from episode 85 of HxH 2011. Gon, eyes bright and with a smile, says "Kite is alive!" End ID.]

Flashbacks

[ID: Two screenshots from episode 95, and a third from episode 110. In the first, Kite's arm is shown in the foreground, bleeding and blurred. In the second, a close of Pitou's wide eyes, looking animalistic. In the last, puppet Kite's mangled and scarred face stares emptily ahead - the scene is greyed out. End ID.]

Intense distress at real or symbolic reminders of the trauma

[ID: Two screenshots from episode 116. In the first, Gon's fist can be seen in the foreground, with Pitou shielding an unconscious Komugi just barely seen. The narrator says "The girl lying before them brought back". In the second, Komugi has a medical respirator on. The narrator continues "images of a broken Kite to Gon's mind". End ID.]

Physical sensations such as pain, sweating, nausea or trembling

[ID: A screenshot from episode 116. Gon's fists slam into the ground as he says "That isn't fair...". Sweat drips down his arms. End ID.]

Extreme alertness/hypervigilance

[ID: A screenshot from episode 116. Part of Pitou can be seen in the foreground as Gon stares at them intensely, crouched on the ground with his arm resting on his knee, obscuring his lower face. End ID.]

Angry outbursts or other extreme behaviour

[ID: Two screenshots, one from episode 116, and the other from episode 127. In the first, Gon shouts "Is something wrong with you?!" as his face contorts with rage. His aura floats black around him. In the second, Gon, his face shadowed eerily with thin lines, says "The next time you try to delay me, I'll kill her." End ID.]

Feeling like you have to keep busy

[ID: A screenshot from episode 94. A close up of Gon's face from the side as he says "I want to focus on my training." End ID.]

Doing things that are reckless and self-destructive

[ID: Three screenshots, one from episode 95 and the other two from episode 131. The first is stylized as a black outline of Gon's figure over a background like parchment or a projector - he's been hit in the face and sent to the right from the force of the blow. The second is a close up of Gon's face, almost completely shadowed, with intense and vacant eyes - he says "I don't care". The third continues with a close up of his eye filling with darkness - "if this is the end..." End ID.]

Feeling like nobody understands ("since it means nothing to you")

[ID: A screenshot from episode 116. In a whitish-room with a crack on the wall between them, Gon stands ahead of Killua, facing away from him. They are both in shadow. End ID.]

Ignoring offers of help and shutting out loved ones... poor Killua :(

[ID: A screenshot from episode 136. A spotlight on both Killua, in the foreground, and Gon, walking away from him in the background. Killua thinks "I wanted you to ask for my help in defeating Pitou!" End ID.]

Self-loathing, self-punishment, and lack of self regard

[ID: Three screenshots, two from episode 110 and the third from episode 131. The first is a close up of Gon's face over Morel asking "When would you try to hurt yourself?" The second is a continuation. Morel looks down at Gon who is facing away from the camera as Gon replies "When I couldn't forgive myself." In the last, adult Gon, staring ahead, is animated in black and white with the only colour being the blood from the stump of his right arm. His left hand grips his shoulder. End ID.]

Blaming yourself for what happened

[ID: Two screenshots, one from episode 95 and the other from episode 130. In the first, Gon hugs puppet Kite around his waist. In the second, Gon stares blankly ahead with tears streaming down his face as he thinks "I killed Kite." End ID.]

Overwhelming feelings of anger, sadness, guilt, and shame

[sparkleofstardust]

things the arkham knight and the red hood have in common

both are mysterious helmet-wearing guys who suddenly show up in gotham with violent anger issues directed at batman specifically

(also both of their helmets look very fancy, yes this is important)

know way too much about batman and his weaknesses

address him in a hauntingly familiar way like they've met each other before, even when this is supposedly their first meeting

massive, and i mean massive daddy issues

[hypermascbishounen]

There's a deep irony in Berserk being so admired by people who really really hate what Berserk is about on an emotional level, but especially when writers want to take influence from it. Because Berserk is very strong thematically, and someone who can't acknowledge subtext is going to whiff on emulating anything good.