#Just the way he reacts to things kills me

[cazort]

This is such a great post and I want more people to read it. You articulate a lot of things that I've experienced, better than I've been able to.

I want to add one thing, which is that, under the guise of "many feminist men have no friends", I am nonbinary but was living closeted, as male, for most of my life and still am often seen as such. And some people, including both women and "feminist" men, can be really, really nasty to me when I express even the slightest disagreement with something that they have framed in feminist language, even if the sentiment itself is deeply regressive.

Examples include:

(a) disagreeing or speaking out against statements like "men are scum" or "men or trash"

(b) disagreeing with or speaking out against other negative overgeneralizations about men

(c) disagreeing with statements or defending men when a woman makes a remark that reads negative intent in his action, even in cases where I know the man and know that that was not his intent.

Some examples of this reading of negative intent include:

(1) people thinking a man is coming from a place of misogyny because he is intimidated by a woman (i.e. they assume he is intimidated by her intelligence and want women to be "dumb" or intimidated by her assertiveness and want women to be passive, but in reality the man is intimidated because the woman wields a great deal more social power than the man, i.e. often it's a woman of high socioeconomic status, or a woman who is well-connected in a subculture, and the man is of a lower socioeconomic status and/or is an outsider in the specific subculture, so the women are shaming men for perceived "misogyny" when in reality the women are actually acting out classism towards the man.

(2) a man oversteps a boundary of a woman in a way that she feels uncomfortable with, it could be something like how he looks at her, something he says to her, or a way he touches her. the woman assumes the intent was to make the woman uncomfortable and/or exert power over her. but in reality the man never wanted to make her uncomfortable and he would have never done what he did had he known the woman would have reacted negatively. the actual cause of the overstepping of boundaries can be diverse, it could be autism leading to poor reading of social norms or cues, cultural differences leading to different social expectations and norms, or just individual preferences (the man has had most women before like or respond well to the behavior, and this woman is just different), or it could be social anxiety (the man is anxious and is "lost in his head" and in doing so, overlooks or misreads social cues the woman thinks are obvious), and here's the most aggravating thing, often the woman is intentionally withholding any verbal or even nonverbal expressing of boundaries, like trying to act "nice" and "polite" either intentionally or unintentionally because women are often socialized that way in our society.

These sorts of things happen frequently, but I've noticed that it's totally taboo for men (or rather, anyone perceived as men) to challenge them. When I have done this, I've often gotten a disproportionate amount of hostility directed at me. I have people use harsh negative language, like calling me a "potential rapist" or a "rape apologist" if I say something very mild or gentle like: "Do you think there could have been any cultural differences that led this man to act the way he did?" or "Are you sure that he was able to accurately read your cues and that he didn't just accidentally misread you?" And when I say things like: "Did you try expressing the boundary to him verbally?" people practically explode at me, escalating to language talking about violence, like talking about being afraid of the man killing her, things like that, and then implying that I want women to get murdered and condemning me for it.

It's absolute batshit the way people can react.

So it's not just right-wing circles that can be hostile to men, it's a lot of left-wing circles as well.

Thankfully, I've found great social circles where my friends aren't like this. But it's a serious problem and I want people talking about it.

Thank you for your post!

If your vision for the deradicalization of right-wing men begins and ends with "other men telling them that that's gross and to stop it" then I'm sorry, you do not understand how masculinity works.

"Men who hold patriarchal status" and "men who are feminists" are two groups who overlap less than you want them to. I'm sorry. That's not solely because men are so happy with patriarchal status that they don't want to risk it by policing misogyny/queerphobia/racism, It's because being misogynistic, queerphobic, and racist, end expressing other forms of toxic masculinity(and often abusively so) are part of how people establish and maintain patriarchal status. The men who have the ability to stop this via nothing but peer pressure are the very people who are doing it. That's by design. And engaging in feminist intervention is, in and of itself, usually the abrupt end of that status and its associated power to persuade misogynistic men.

Like, I have worked in blue collar jobs as a notably queer person. It was pretty much a constant deluge of verbal abuse. In my experience, most blue collar work environments are exploitative, abusive, and bigoted, and very gleefully so. On the occasions I have spoken up about someone saying something that was super fucking out of line (asking me which of the girls walking by was hottest. We were installing a portable classroom at a middle school), believe it or not, they completely failed to be shamed! Because nobody else on the crew gave a fuck. *I* was the weird one. They ghosted me. A full blown company ghosted me. I suddenly didn't have a job anymore because they just straightforwardly stopped telling me where the next job site was.

Like, this doesn't mean that it's your job to do it, but this vision you have of these big groups of men where everyone is on the fence and there is precisely one shit stirrer who can be shut down by a brave feminist man who can single handedly set the example for all these other guys...you are high. You are describing an "everybody clapped" level absurd scenario. Most of these truly virulent misogynistic guys either have zero friends, because, you know, our society is atomized to fuck, or they are in a group where the feminist guy is actually the weirdo who can be shut down and ostracized much, much easier than the misogynists, because there is no such thing as a man misogynists respect who stands up for women.

You might be saying "well, we're talking about longstanding personal relationships, actually. Like, they need to have to want to spend time with you and then, as a side effect, you can mind control them out of being a threat to us."

Problem with that being:

1: Many feminist men also have no friends, see the atomized society above.

2: Feminist men already stopped hanging out with men who make rape jokes because why the fuck would we want to spend time with them.

3: That isn't just because we respect women so hard. We are in many cases talking about men who are also deeply queerphobic, heirarchical, violent and abusive to other men. What initially drew me to feminism and women was a lack of heirarchical squabbling and constant bullying, and the ability to be openly queer. A lot of men who came to feminism did so because they knew that the patriarchy was not a place they would find success or acceptance. These are not the men who are gonna be able to change right wing minds.

4. Men do not view themselves as a monolith. There is no universal brotherhood of men. The actual meaning of the term "Fragile masculinity" is that men are constantly expected to prove that they are deserving of the status of being a member of their own gender. There are large swathes of men--including most of the men who you'd look to as examples of good, feminist men who you want to undertake this project--who are considered failed men, sissies, f****ts, soyboys, ect. They are. Not. Going. To. Convince. These. Men. Of. Jack. Shit. Much less successfully *shame* them. Jesus.

I know all of this sucks. I know it would be cool to be able to just point at a group and have them be responsible for the work. But nah. It's gonna have to be a societal project, one that will probably outlast all of us. Sorry. The thing you want these men to do is, absolutely, the morally correct thing to do. But presuming that it would be effective is, and once again I am so sorry about this, just ignorance of how these social groups function.

[crimson-and-clover-1717]

Ed’s Initial Intentions regarding Stede

Thank you so much for your attention to the poll. The consensus is it’s complicated - and I sort of agree - although I’m swayed towards Fascination alone.

This is my interpretation…

Stede causes Ed to access hidden or denied parts of himself before they’ve even met. And it causes a change in Ed’s behaviour. Ed’s come across many rich or aristocratic folks to rob whom he would see killed without issue; but not someone who’s also a pirate, doing their own original thing, and who seems ambivalent towards Blackbeard’s existence. It’s dopamine to Ed’s novelty-starved brain. It’s not as if Ed carries out a usual raid on the Revenge intending to kill Stede, only to find himself unexpectedly charmed. Ed’s bewitched even before he meets Stede, which means Ed’s entire approach and thought-processes are altered.

Killing Stede and the crew isn’t necessarily off the table should the need arise, but I don’t think it’s actively on in any capacity. There’s no plan, and there’s no ‘uszh’ for once either. Because none of this is uszh. Ed’s engagement with the Revenge is not his normal MO. History’s most brilliant tactician is free-styling. Possibly free-falling.

At the end of 102, Izzy states, ‘Captain says follow that ship.’ And Fang answers ‘Oh really? Why?’ To which Izzy replies, ‘How should I know? The man’s half-insane.’ This conversation shows this isn’t usual strategy. Even Fang asks why - he thought they’d seen the last of those ‘fancyboys’. And Ivan’s sad he didn’t get the chance to murder them, which seems the usual way of things. Plus they’d already had the chance to take or plunder the ship when it ran aground, so this stalking manoeuvre is out of the ordinary. It feels like wasted time and energy.

By the start of episode three, Blackbeard’s ship is a few hundred yards out from the Revenge, and Izzy’s trying to manipulate Ed into usual strategy again by suggesting opening fire, or boarding and throwing the Revenge crew to the sharks. Instead, Ed wants to wait until they make landfall and invite them aboard his ship. Ed’s doing something very different again because he’s unwittingly engaging with an unfamiliar part of himself. And interestingly ‘Go suck eggs in Hell’ appears not to insult, but to somewhat seduce him further. Before meeting Stede, he’s already out of his depth emotionally, and acting out of character, literally.

Despite what Ed would do normally, I just cannot see him landing on the Revenge with the active intent of plundering the ship and / or killing Stede and the crew. His words and actions suggest he’s already through the looking-glass.

So, to The Plan. We have three interesting moments which lead up to its revelation: the clothes swap, ‘careful of your face’ and ‘show me the ways of an aristocrat’.

For me, the three strands, which have no previous connection (other than Ed and Stede playing together), come together in Ed’s mind somewhere between Ed leaving Stede on the lookout, and Ed speaking with Izzy below: a matter of seconds. It reminds me of Keyser Söze in The Usual Suspects, pulling together disparate ideas into a cohesive story spontaneously. It’s the mind of a quick-thinker. And it’s in-keeping with Ed’s ability of reacting in the moment to the moment when necessary.

I think Ed also feels forced to perform Blackbeard for Izzy because Izzy’s threatening to leave pushes on that white father-figure emotional bruise. At this stage, Ed doesn’t have enough emotional loyalty to Stede to not voice such a plan; whilst his identity is still too caught in Izzy’s web to let him go - ‘you’re needed here’. For me, the plan to kill Stede is brought about in the moment via an act of psychological coercive control.

But Ed’s also kicking the can down the road. It’s a sort of Faustian bargain. Why not promise Izzy both their souls if it means Ed and Stede can hang out a little longer? Yet on another level Ed’s possibly hoping the debt won’t be called in, such is the complexity of the push and pull here. He’s putting it on the tab, the never-never. He’ll out-manoeuvre it if he decides that’s what he wants. Of course there’s doublethink going on because Ed’s in the middle of an identity crisis.

Ed daren’t admit his real reason for wanting to stay on the Revenge. He can’t comprehend himself even how deep this goes. His look as he turns is one of exhaustion and confusion. Stede Bonnet has him rattled. What started as a trickle of unease and ennui before they’d even met is now a whirlpool of unidentifiable feelings around both Stede, and Ed’s own perception of self.

Ed’s free-falling in liminal space.

[thenationofzaun]

The way Ekko has been surgically removed from the Vi/Jinx story is criminal. He is the only other surviving member of the family from the Act 1 era, and the closest relation to Vi after Jinx. They keep trying to push the "Vi has nothing left in Zaun/everyone in Vi's life has changed" angle to force Caitvi and her enforcer arc, but Ekko is right fucking there! Leading a tight-knit group just like Vander did, opposing Silco just like Vi does. So what the fuck is Vi talking about, with everyone she loves changing? She should be ecstatic that she still has Ekko right? That she still has someone she knows from her childhood who is alive and fighting Silco? Little Man, the kid she hosed down whenever he got dirty, the little boy she taught how to fight.

They are trying to push the angle that joining the enforcers is her only option, when joining the Firelights is still on the table for her. But nope, for some reason, she doesn't think about or care about him. Doesn't look for him, doesn't care if he survived, doesn't return to the Firelights. This is such a glaring hole in the storytelling but the show thinks it can distract me with pretty visuals and music videos.

First ever thing Vi should have done in Season 2 is look for the Firelights. Reunite with Ekko and talk. About Jinx, about the war, and what they want to do about it. Caitlyn got to talk with Jayce, why not Vi and Ekko? Instead they make Vi get drunk with a nameless new character? Maybe Ekko could invite Vi to join his side, Vi tells him she needs to be there for Caitlyn first during her mother's funeral but she will return. And then Caitlyn gets to Vi. Offers the badge, convinces her joining the Firelights isn't the best option, that the strikeforce is where she truly belongs and can be the most help to prevent collateral damage to innocents in Zaun. Just like how Vander worked with Grayson to prevent collateral damage to innocents. So Vi takes Caitlyn's offer, betraying her promise to join Ekko. Returns to Zaun but in the enforcer uniform. Have Ekko actually react to this. The video game has some lines from Ekko admonishing Vi as a traitor, right? Why aren't they including it in the show? Why isn't Ekko at all involved in Vi's plot, reacting to her enforcer arc?

Oh right, because they added a billion other plot lines into the show and they don't have the time to explore so many character dynamics anymore. Suddenly Ekko is involved with Heimerdinger and now the Arcane is fucking with the tree, and Ekko has to get packed up and sent to another dimension. Okay.

Season 2 makes it seem like Vi and Ekko are complete strangers. Vi has no curiosity about him, and he has no curiosity about her. He fought Jinx so Vi could talk to the Council. Last thing he knows, Jinx blew herself up. Now suddenly it turns out she survived and killed the very Council Vi was supposed to meet. His reaction to this?? What does he think happened to Vi?? Nah, let's have him joke around with fucking Heimerdinger while breaking into Jayce's lab. It's so unnatural.

[whereispearlescentmoon]

A ficlet based on the idea that the snails just hang around after the end of the session and also reflect their respective players true feelings. (yes I saw the one someone made earlier about Pearl’s snail with Gem but I had this written already and I’m not gonna not post it just because someone else posted the idea first.)

Pearl was, frankly, sick and tired of the snails. She kept checking the seams of their new base to ensure that nothing can get in. Her fingernails had bits of debris caught underneath them from each time she ran them over the corners, over the grout holding the cobblestone walls together, over everything. Grian said the snails won’t want to kill them anymore, but Pearl wasn’t taking any chances. Cleo and Scott seemed content to have theirs hanging around, and even Impulse wasn’t as wary, but while she thought they were cute at first, it’s a little less cute when they’ve killed you twice.

“Aw look at it! It loves Scott!” Cleo cooed happily. Pearl was actually trying very hard NOT to look at Cleo’s especially. Like Cleo, it was stitched together of green undead flesh. But unlike Cleo, Pearl had no affection for it and thus her disgust overpowered anything else. When she did take a glance at her teammates, Scott was happily patting ZombieSnail’s shell as it snuggled into him. Snailjor was similarly content to curl up against Cleo, who was petting it almost like a cat.

Impulse was reacting a bit more normally in Pearl’s opinion. ISnail was following him around as he changed into a more comfortable set of clothes to sleep in (cargo shorts are very practical, but not very soft), occasionally nudging at Impulse’s ankle. It made Pearl ache to be back on Hermitcraft, with Olive getting in her way as she tidied up. They had to stay the normal length of the session though, even if they had cut the killing short. It would be a few more days before anyone could go anywhere.

Then there was Pearl’s own snail. It was, frankly, nowhere to be seen. It seemed to want as little to do with her as she did with it. Oh well. Another soul bound (that is what Grian had called them, right? It seemed like he was making things up to torment Pearl specifically at this point) rejecting her. Whatever.

Maybe she had spoken too soon, she thought, as a light rustling came from outside the walls. It was followed by the sound of those stupid propellers the things had been using to fly around all session.

“I’m not in the mood, dude,” Pearl called out, as she, like Impulse, searched their chests for the sleep shorts she had brought. As her back was turned, she could hear the snail still approaching, and sighed as its cold and slimy body nudged against her leg. “Seriously, can you just-“

Her words caught in her throat as she looked down at the snail. Instead of the brown shell, navy blue jacket, and oddly long hair that she had been running from all session, there was a light orange shell and little set of overalls. Gem’s then. Pearl crouched beside it, eying it suspiciously. She still really didn’t get why Gem was so angry at her, but it couldn’t be a good sign that her murder snail was here.

“What’s up little Gem?” Pearl asked, putting her hand out. The snail, predictably, bit her, drawing blood with its oddly sharp teeth. Pearl drew back with a yelp, curling the hand into her jacket. “Dang it! Jeez Louise Gem, if you wanted to kill me outside of session time, wait till we’re back home at least,”

And home had been odd, frankly. It seemed like Gem might have been avoiding her on Hermitcraft. The Life Series wasn’t normally like that. It got kind of fuzzy when you weren’t in the server proper. Only a couple of weeks after Pearl had slaughtered them both in Double Life, she had been planning with Impulse and laughing with Cleo. She had done some clean up for Scar the same week she had put up a wall between her and the Clockers. Hell, even right after Secret Life her and Gem had hung out like nothing was the matter, chatting about the series casually. Something about being back here had dug up feelings Gem had clearly chosen not to address with her, and could Pearl really be blamed for that? No, she decided, and she wouldn’t take Gem’s snail letting out those feelings like this either.

“Whoa, what happened?” Scott had come rushing over at Pearl’s yelp. She sighed, gesturing with her now bleeding finger. Scott hissed through his teeth, “Woof, that’s nasty. What did you do to tick off Gem’s snail?”

Pearl growled, frustrating welling up. “The same thing I’ve done to Gem! Nothing! It came up to me to bite me! I literally didn’t do anything!”

Scott put his hands up, looking for all the world like he didn’t believe her.

“Alright, alright, let me look at that finger then, don’t want it to get infected. You’ve already lost more lives than you can afford.” His tone was joking, but Pearl couldn’t help but be a little hurt. She wasn’t trying to lose lives! Really! She didn’t want to win, but she didn’t want to go out first. It was just hard with the wild cards to find her normal footing.

Usually in these games her biggest strength was the ability to hide and outlast her opponents, but the twists had made that impossible. She was a good fighter, could hold her own when inevitably there was only a handful of people left and she had to fight, but she usually avoided getting involved until then. Now, she might be dead before those final bloodbath days, when the whole server was red and all was going to hell, even happened.

While Scott took the time to properly clean out the cut, the snail nudged at Pearl’s ankle again. She shook it off with a frustrated huff.

“See what I mean? It’s trying to come up to me! What am I supposed to do about that?” Scott finished wrapping her finger and looked down at the snail, which seemed frankly uninterested in him, beady green eyes fixated on Pearl alone.

“Maybe it’s like an abused cat,” he proposed, “It wants to show you affection but when you do it back, it starts hissing and biting. You’ve just got to let it come to you and pretend you don’t even notice it,”

“Or, we could leave it outside the base and hope it goes back to Gem?” She suggested, hopefully. Scott gave her an exasperated look.

“Didn’t it fly over the wall to get her in the first place?” Pearl pouted and huffed, crossing her arms.

She titled her head to get a good look at the snail. Her right eye had gone red tinted and it made it harder to see out of, forcing her to crane her neck at odd angles to see with the left. The Gem snail had come crawling back and was circling the log Pearl had sat down on. Every subsequent circle, it got closer and closer, until it was brushing Pearl’s leg. Finally, as Pearl sat still so as to not provoke another attack, it settled on the log beside her, leaning its weight against her thigh. Pearl ignored it pointedly, holding back a shudder at the weird feeling of its slug-like body.

It wasn’t until the next morning that the Gem snail finally left. Pearl had barely been able to sleep, halfway between comforted and afraid of the thing snoozing beside her. She didn’t want to provoke it. She hadn’t wanted to provoke Gem. Maybe she was doing all of this wrong. Or maybe Gem was. Either way, she just wanted to go home and have things be normal again.

Somewhere, in the forest, Pearlescentsnail found a tree and climbed up it to sleep. She looked around, making sure there was no one else there, sank into her shell, and stayed there until the session ended. She went out alone.

[dors-ee]

Oh yeeees it's the one where he's like "lots of mouths and teeth, yes so good" 🤣 Still laughing at it. And if I remember correctly you find it like on the island to kill Ghilan'Nain? Tension is high, you are toward the end, and you find that 🤣 (or in his temple which... same thing. Extra tense and stressful and you get him saying that 🤣) "my big dragon" "she wrong but eh. Will concess cause she sad.", "Give my drgaon lots of mouths and teeth. and bigger. Yeah so cool. My dragon is so cool. My dragon is the coolest" (him with Davrin and Emmrich, speaking of their kids. "Mine can fly!", "Mine learnt to talk!", "Mine is big and he'll get lots of mouths and teeths!") and showing a strange form of care for Ghilan'nain.

Some side thoughts -not joking :

like... for me it strips him of some of his prestance, BUT also gives him something more. and even this act of "taking" some mythos out of him thematically works bc well we are told again and again : they are no gods.

It is shown that he cares in a weird way when he gets Ghilan'nain in Hossberg, and here when he, in his weird and a bit condescending way, cares for her mood... There's also the codex fragment with Ghilan'nain, answering to him about Andruil. I don't remember what she says exactly, but it seems she answers him about... a concern? about this. Or just that he spekls of bringing back Andruil (I believe that's what she answers "no let her be" or something like that, for me, is a way of showing a sort of care.).

He also cares about his dragon size, "mine is the biggest! nah!" and seems to share at least a fragment of Ghilan'nain's love for "lots of teeth and mouths". Which if they really are siblings, I thought it was a nice touch to show that one. Both freaks... and both brilliant, even if now blighted.

He is a bit thicker of a cardboard with those elements. More so than when Mythal speak of him having been twisted too, as a spirit.

And I'd rather fight with such an opponent rather than just a cardboard villain that is just vile. Elgar'Nan has a bit of depth, even in his talk with Solas, it is interesting how he reacts. It isn't just pure villain mocking his opponent. Or at least didn't feel like it. speaking of this talk the subject of the other evanuris also for me there was something in how Elgar'nan reacrs and speaks, of that, of the past, etc. Does he only wants to bring his empire back for the sake of power and his ego as a god, like a pure villain... or bc he misses it and misses the other evanuris too? Maybe I'm reaching with this one.

It also is this dialogue bringing how Elgar'nan was brilliant too. and maybe it's just me but I did feel something at the mention of his descent and the dulling of his mind with the blight. Of the loss of this core element of him, and the brillance of him -representation of the brillance of the eleves, also lost?-. He lost his empire, his fellow gods and himself. Like... even what made him a good opponent, a good bad guy, is lost now. He lost himself first when he got twisted as a spirit, thrn became a god/slaver, where he still had lesst was a good bad guy apparently and would-be-wrong-God. But now he doesn't even have that. What a fall eh? for a "risen god".

Don't know if this passage is clear sorry. Writing not confusing and clear literary analyzes is hard enough in my language (my big issue I had during my bachelor degree in literature. Managing to write my thoughts clearly and with structure) so in english x).

Although why having a dulled mind would make him speak the common tongue? shouldn't it be rhe reverse and he's speak his native tongue only? (aka elven) isn't common a learnt secondary language for them?

Yet again : just a tad more development and scenes with him to flesh him not only as this very threatening scary guy but also as a character, as in more of a person, that would have been nice. Helped with the build up too.

elgar'nan, all-father, the eldest of the sun, he who overthrew his father, god of sun and vengeance: NOPE MY DRAGON WAS DEFINITELY BIGGER, HE SHRUNK IN THE WASH

[fumifooms]

Jinx’s eyes and lost innocence

This sequence.

A bomb like she made in her youth. Except that unlike then, this one works, this one explodes… With paint and glitter and powder, instead of intending to kill or hurt.

The man who shielded himself from it sure that it would be his end, surprised, checking himself for wounds with disbelief, covered in paint, as if it was just some harmless prank. Relief. But the second surprise comes with the sound of the gun behind him. We see their eyes shift, both of them, her steeling and readying her shot without urgency and him understanding with urgency that yes, he is going to die, at her hand, and the bomb was just a fluke, a cruel prank, a distraction at best.

And this. These are the seconds that interest me, what ties it all together. The way we linger. The way she lingers. To, during a fight scene, slow down the pace to watch her face as she pulls the trigger and feels the recoil of her gun, watch her take in how she just took another life, watch her mouth part and her eyelids flutter when she notices the kid.

There are not enough emotions on her face for someone who just killed, but also there are more than there should be for a cold-blooded killer showing as much practice ease as she is. Does she always have this moment when killing someone? Did seeing her paint bomb go off, shooting someone covered in her paint and glitter of it, make her feel anything? Did she see the change in her that empowered her that she both loathes and clings onto in that split moment, too? Why did she even remake that first bomb? Why make it work and make it work to shoot off harmless fun showy things? Why indulge in this remnant of her past, why with that innocent intent intact stills if it didn’t get warped with the use of distracting an enemy to better sneak attack? Why taint that memory? Is the reaction only when she sees the kid?

Why does the camera linger, why does she linger? We’re not sure, and I’m sure she herself doesn’t know, but what we know is that she’s changed, and yeah, we’re low.

The kid, watching the fresh corpse fall, with curiosity more than anything.

Jinx with the gun gesture, reflecting their earlier conversation, referencing it. A shared secret, shared smirks, a relationship forming. Complicity. Jinx is knowingly or not taking her under her wing, shaping her by example like mentorship. A little girl that she resembled once getting desensitized to violence at her hand, encouraged to see killing positively. Empowering.

Episode 2 explores her past and upbringing in many ways, talking about Silco, her many mistakes, seeking out Sevika the last remnant of a person of her life with him and sticking with her, doing something for her despite knowing she should be betraying her any minute now. But fast forward to episode 3, the next time she has to confront it and herself.

Jinx praises Vi for finally using the right name for her, Jinx, and Vi talks about how she’ll kill her so she stops sullying the memory of Powder, blahblahblah. They exchange some punches and rows of bullets, we see Jinx’s eyes take in and calculate and shift here too, react and then react. Vi using the same mirror Caitlyn shot into intending to kill Jinx to shield herself from Jinx’s shot.

But this is it. When Vi uses her huge metal hextech fists to rip her invention, her gun, apart. Jinx is not the only one sullying memories, Vi is here, as an enforcer for Piltover, using Vander’s choice of weapon, and she uses it to hurt her, destroy her things, her inventions whose worth was such a source of insecurity and identity growing up.

This is when Jinx sees so very closely, at the other end of it, her sister’s rage and murderous intent as she rips metal apart.

We see her expression shift again and again during these few shots and the ones before and after. Her face as she watches Vi’s through the wires of her gun. As Vi roars. She grows less confident, less sure, more nervous, dare I say more fearful.

The music kicking up. Jinx’s face right then cutting to Jayce’s with a very similar expression, staring at something he doesn’t understand. "What have we done" he says.

Vi has always always been stronger than Jinx, inventions were how she made herself strong, and Vi can destroy them, Vi can rip metal apart.

And oh. Oh. This is truly really for real now. A fight to the death. No punches pulled.

She crawls away from Vi and it’s only the hextech malfunction that saves her.

Sevika smiles at Caitlyn biting her hand, with newfound respect as she draws blood. At her will, her bloodthirst, how far she’ll lower herself to hurt and fight. This is a scene about corruption arcs.

Jinx stands before Vi whose symbol of corruption just failed her, chained her to the ground vulnerable, and Jinx pulls the trigger just like Caitlyn, just like Vi was ready to do. No punches pulled.

Except they are. Jinx has steeled herself but Vi is softening. Vi is strong but she is vulnerable too and she can be made weak with Jinx’s guns and bombs.

And despite this when Jinx falls from her own weapon misfiring at a shot meant to kill her Vi is reaching out to catch, not hurt. Hold, not claw. Deflect, not counter.

Push, not punch.

Jinx’s eye shines pink like shimmer and this is when Vi shifts on the offensive, just before Jinx fires the shot that barelly misses her as she throws Jinx roughly at a wall.

And now they’ve fully switched places. The longer Vi has to fight Jinx the more she’s conflicted, the more Jinx loses herself to the fight the more she rages.

The chorus swells. "Just when you’ve done it all / you will turn it all / to ashes and blood" No words left to say, nothing left to mend.

She’s ready to die when she lunges at Vi with only her fists, she expects to die, hopes so. Knows from experience their respective results in that punching arcade game full well, even if she were to try with all her might, having tried all her might. She’s felt cursed by fate for a long time and she accepts it, just wants to go out with the most fireworks, to have been seen, to have mattered one way or another.

Vi punches the altar next to Jinx even as she’s got her pinned down defenseless and she readies her fist. And she has all the time to do it, she could have done it, except she couldn’t. And it costs them the chance to killl her.

The scene as a whole has a split focus on Jayce, Jinx and Vi centrally, and the song lyrics match that quite well. The full ones lyrics are worth looking at but to keep it quick: "How does it feel to reach the line that no one ever got to cross? Does it make you a god now?" A rethoric question of course, the song spells it out like it’s a damning wake-up call. The scene is all about regret. Our choices have led us here, it says. Jayce is dreading and afraid of what he’s done, Jinx is empty and as self-loathing as ever, Vi wants to stop blaming herself and is still conflicted on what side she should be on. "Catch the fire burning out your soul / Just make it die or you will turn it all / To ashes and blood" Jinx, accepting this is where she dies. She’s said in episode two she wants to kill the last of her family, but we all know it’s a lie, she’s never wanted to destroy and break things, never wanted to cause ashes and blood. She wants to fix things. She wants things to fix. She just wanted glitter bombs and arcade games. She wants there to be something left she can fix, but it’s all just dust now.

Jinx has never been in that place before, she took the time to draw all those Powders and Vis on pillars while waiting for her to show up so they can kill each other. She’s lingering on the past again, bringing it into the now to use it as a stage for battle.

Jayce is reckoning with the consequences of what he’s created and done, that he might cause a lot of ashes and blood. Vi being corrupted too, by Piltover, by rage, by Jinx, by Powder. Vi is being turned to ashes and blood, this is what jinx has made of her, what she’s made of herself. Vi is being corrupted too, by Piltover, by rage, by Jinx, by Powder. Vi has changed, too. Their whole society, their whole lives, their world figuratively and literally, it’s all crumbling.

"Every sin will be forgiven / If you lay down your weapons to the ground" But that’s not really how this works, is it. Jayce or Jinx can’t fix what they’ve done. Vi can’t say this, can’t fix her. No, they’ve dug their graves and the ground is where they’ll all be. Powder is dead.

Just when you think you’ve lost everything. Everything can get ruined and marred a little more, always. The past is not only in the past, it’s here and it’s haunting. Jinx will keep sullying the memory of Powder for Vi and Vi will keep tainting Jinx’s memories of her sister and their childhood.

[fanofstuff01]

Okay this post was originally supposed to be longer and going into more depths of the subject but I decided to separate it in parts. Because I cannot write that long of an essay in one day lmao

But anyway here's part one

Wohoo

Why Adam from Hazbin Hotel Not Coming Back In Future Seasons Doesn't Make Sense (To Me)

Part One: Logical Problems

Now this section, even though it is still my favorite in the parts, can be fixed easily if Vivienne just gives a logical answer to all of it. But it is just my perspective and what I saw from this show.

Let's get started yippie

-

A: Him not coming back contradicts the show in my opinion.

-You see, when Sir Pentious died to Adam's holy light, all the other characters react like they think he's one hundred percent gone. And it was previously stated by Vivziepop that sinners cannot die unless it's from an angelic weapon, otherwise they just respawn somewhere else in Pride hence why the exterminations exist.

So this implies that Sir Pentious died permanently here, from an angelic attack and then became a winner, in other words respawned in Heaven.

Then.. Why can’t Adam, someone who we know (for now) that died to a weapon designed to kill souls permanently, come back exactly Vivzie? This doesn't make any cucking sense for me. Why are you showing us that a soul can rise after being perma killed, but then treat as if the other Alex Brightman died permanently and now there's no way for him to come back?

-"But maybe they didn't know that Sir Pentious could come back, they just learnt that angels could be harmed. (Yes someone literally said this)"

Oh you mean these characters, who include the Princess of Hell and a literal ex exorcist, don't know about one of the core reasons why exterminations are held in the first place?

Suure.

-"You wouldn't be sad and attack the person who did it if someone killed your friend even though you knew they'd be back? Their reactions don't essentially translate to them not knowing about the permanent death thing."

I would and I can definitely understand them still being incredibly devastated and going feral about his death even though it’s temporary, but then why does the show treat Pentious' death like something these characters think is permanent? Why does Charlie refer to his death as “Ultimate sacrifice”? Hell, this entirely contradicts the sense of finality and sorrow his sacrifice had. 

And to add to both questions, why would Adam come to the exterminations with a weapon that doesn’t kill sinners permanently? Specifically one where he knows that there’ll be folks that will try to fight them and folks he would be more than pleased to wipe out permanently? 

-I know I sidetracked to talking about Sir Pentious more than Adam here, but since he is the only soul we know that changed the place he was in afterlife he is the most relevant character when it comes to this discussion about Adam in my opinion.-

-”We don’t know if angel souls are equal to sinner souls when it comes to this. Maybe the angels simply cannot be killed unless it is permanent, and the show actually hints at this given everyone thought that the angels were invincible.”

This is the only argument I can get behind actually. But it is not because it’s a valid one for the right reasons, it is the only one that makes sense to me because the writers were lazy on this too. 

Then what happens when an angel is harmed with a non-angelic weapon? -Also maybe off topic but what makes something an angelic weapon? We see Cherri Bomb throw bombs at them or okay maybe angelic bombs are a thing, but Charlie shoot-kills the exorcists with the fireworks that come out of her fingers?- Do they just.. Respawn? Or it just doesn’t hurt them? Then wouldn’t a character as smart as Vaggie would’ve figured out that they can very well be killed permanently if they are able to get hurt? 

Not answered. And it’s not helped by how the show openly portrays winners, which may I remind you Adam is one no matter how powerful he is, as the complete opposite of sinners, which would take you to assuming the angelic steel works like it does on sinners for demons. It just doesn't make sense to me.

And it wouldn’t make sense in the next section either.

B: Him not coming back doesn’t make sense in the story or the worldbuilding in my opinion

Just a little disclaimer, I’m not all means a professional media critic and do not say what I say here comes from that distinction. It's just me sharing myself lol.

Also I may use the terms incorrectly due to my broken English skills.

-Okay. So what is Hazbin about? Demons getting redeemed and therefore getting into Heaven for becoming better people, right? Also showing us that everyone can change and they shouldn't be seen as who they are at the moment and they all deserve a second chance.

At least that's what I get from the show. Now..

Why isn't the previously good now bad, being punished at the same level the previously bad now good is being rewarded? Why are you saying that becoming bad would give you an easy escape through death, while becoming good can get you to somewhere better?

Being on Hell is a PERFECT way to punish corrupted holy souls. Because you often become corrupted in the way of arrogance in Heaven, and now you're humored by the universe and by the people you used to mock and see yourself above as but this world's ways don't allow that.. Okay?

Speaking of, this also frustrates me on the world's mechanics and how they work. Sure, it can be that way, but.. Sorry if thinking about a "Divine Judgement" that makes you rise for being good but doesn't make you fall for being bad doesn't make sense in my book..

I can't express my point in this one quite well like I did with the other one but it just melts my brain dude. Like on one hand, on the positive hand, you're saying that if you're on the bad side you can change for the better and that's what matters, but you can't change from good to bad and have the same levels just negative and simply.. Die??

I just.. Can't. Sorry if this part is messier.

-

So this is it.

Will be multiple parts stay tuned ig

@things-arent-what-they-seem66 @beef-brisket

yea im delulu sue me

[harrywavycurly]

Loving a Killer: Mistakes in a Hardware Store

Pairing: Killer!Harry x wife!reader

Masterlist: Here

CW: Harry is a tad bit over protective in this, threats of violence, semi angsty bits, language.

A/N: Harry had done something wrong and shockingly enough it has nothing to do with what he does for a living, so enjoy him trying to get you to forgive him✨

“Looking at it every five seconds isn’t going to make it magically start ringing you know that right?” Harry just ignores Mitch’s comment as he looks at his phone for the sixth time in the last five minutes, letting out a sigh when he all he’s met with is the date and time on his Lock Screen, no message from you or your name flashing across it like it normally does when you call him. “Trouble in paradise?” Mitch asks as he looks over and watches Harry run a hand through his hair as he tosses his phone onto his desk.

“She’s not talking to me.” Is all he says before he stands up and begins pacing the length of his desk while Mitch spins his chair around so his back is facing his own desk allowing him to watch his bestfriend have what he could only describe as a breakdown of some sort due to not having heard from you all day. Harry pauses and runs a hand over his face then just looks at Mitch over his shoulder. “I think she’s mad-”

“What did you do?” Harry lets out a groan as he walks over to his desk and places his hands flat on top of it and Mitch raises a brow at him when he notices him look down and close his eyes while letting out a deep sigh. “Harry tell me you didn’t-”

“You’ve got to stop assuming I’m walking around killing people without telling you.” Harry jokes as he lifts his head to send Mitch a glare. “I didn’t even really put my hands on anyone this time.” He explains making his friend just roll his eyes as he crosses his arms over his chest.

“Then what exactly did you do?”

“She went with me to get some stuff so I can fix the shed door in the backyard and while we were at the hardware store some dude came up to her and started chatting her up so I might’ve threatened him a little.”

“You’re such a hot head man you need to relax and realize your wife is a catch so dudes are going to want to try to flirt with her.”

“What the hell did you just say?” Mitch doesn’t even flinch at how harsh Harry’s tone is as he straightens himself up and takes a step towards him with a quirked brow, Mitch is extremely familiar to this side of his bestfriend. “I’m just supposed to let people flirt with her and think they have some sort of shot with her?”

“They’ll know they don’t have a shot with her because she’ll let them know. She doesn’t need you to do it.” Mitch casually explains as if it’s the most obvious thing in the world but Harry just lets out a scoff and throws his hands up in air, clearly annoyed at the idea of having his wife be the one to tell creeps to leave her alone.

“She shouldn’t have to worry about telling wanks who want to chat her up to fuck off.” He snaps while he walks back over to his desk to reach for his phone. “I’m her husband it’s my job to do that for her.” Mitch rolls his eyes at his explanation as he watches Harry tap away on his phone.

“No it’s your job to trust her and let her handle herself in situations like that.” Harry can’t help but feel his heart sink as Mitch’s words hit him, he knows he can be a tad bit overprotective when it comes to you and that often leads to him overreacting in certain situations but he’s never thought about how him reacting the way that he does could make you feel as if he doesn’t trust you or think you can’t handle yourself.

“I do trust her.” Mitch just nods as he uncrosses his arms so he can stand up from his chair. “I just-you know how I am with her.” He says with a sigh as Mitch takes a step towards him so he can place a hand on his shoulder.

“I know how you are with her and I know it’s because you love her but sometimes it’s a little much. But the real question is how are you gonna fix this?” Mitch asks as he gives Harry’s shoulder a squeeze before letting it go. “I hear flowers work wonders.” He suggests making Harry send him a glare making Mitch chuckle because sometimes it’s glaringly obvious how single Mitch is compared to Harry.

“Already had a bouquet delivered to her office this morning since she only works a half day today.” He mumbles and Mitch just gives him a nod of approval as he watches Harry tap a few things on his phone before he locks it and slides into his back pocket. “I have to go. You good to handle the rest of the day without me?” Harry questions making Mitch just brush him off as he turns to head back towards his desk.

“Yeah I’m fine we have that Gavin guy tomorrow and today is just paperwork.” Harry just nods at Mitch’s answer before he gathers his keys and tosses his work bag over his shoulder. “Good luck.” Mitch says with a smile as Harry gives him one more glance before turning and heading out their shared office door and down the hallway for the door that opens to the stairs leading up to the lobby of the building the two of them work at.

Harry hates the feeling he gets when he walks inside the front door, he’s not met with the usual warmth that always radiates off of you and seeps into his body and relaxes him as it makes its way from his tired feet all the way up to his sore shoulders. Today he’s met with silence and the utter coldness that comes with it and it’s almost enough to send a shiver down his spine, but the only thing that keeps him from turning around and leaving is that he knows you’re home because he parked next to your car in the driveway and he is willing to do anything get your warmth back into the house.

He knows where you’re at, it’s just something that he can’t help with what he does for a living he knows how to keep track of people when they’re in relatively close proximity to him. So as soon as he walked in the front door he could see your foot hanging off the love seat tucked away in the corner of the living room near the bookshelf next to the floor lamp that you opted to turn on instead of the main light. He acts as if he didn’t see you as he drops his keys in the bowl by the door and slips his shoes off before he makes his way into the kitchen where he places his work bag on the table, he can feel your eyes on him from the living room and he takes that as a decent sign that you’re even wanting to look at him.

He runs a hand through his hair as he contemplates his next move, he knows you don’t like confrontation so you won’t be the one to tell him you’re mad at him so if he wants this to get resolved in a timely manner he’s going to need to be the one to initiate the conversation but he’s just not in a hurry to hear you say you’re upset with him. So Harry does what he thinks is the best thing to do in the moment because he knows you, he knows what you really need from him in this moment and he’s more than willing to give it to you if it spares him, at least for a few minutes from having to hear you tell him how unhappy he made you the other day. He turns around and quietly heads into the living room, he watches as you close the book he knows you stopped reading the moment he walked through the front door and place it on the side table near the lamp. As soon as he’s in front of you he reaches down and grabs your hands as he drops to his knees, he looks at you as he brings your hands to his lips and places sweet kisses to your knuckles and he doesn’t miss the slight shade of pink your cheeks get at his actions.

“I’m sorry baby.” He makes sure his words come out nice and clear so you don’t miss them between little pecks to your knuckles. “I know I made you upset yesterday and I’m sorry. I shouldn’t have threatened him or-”

“We’ve had this conversation before haven’t we Harry?” You ask making Harry just swallow before nodding his head and he swears he feels his heart drop to his stomach when you turn and look away from him. “I know you want to protect me from all the creeps and jerks but Harry yesterday you-”

“Don’t say it.” He cuts you off as he lets your hands slip out of his as he stands up. “Please don’t say it.” His voice is low as he takes a small step away from you as he feels as if his world might be crumbling down around him as the thought of you telling him you were afraid of him bounces around in his head.

“Harry look at me.” He can’t help himself as he does what you ask because even though his whole world may feel like it’s on the verge of falling apart he’s still your husband, the man who hasn’t ever really been able to not do whatever it is you ask of him. “I’m not afraid of you.” He feels your hands on his arms slowly running up until they are cupping the sides of his face making sure he can’t look away from you. Your words take a moment to sink in through the layers of sheer panic and anxiety running through his mind but when they finally do Harry lets out a deep breath and feels as if his legs could give out at any moment with the amount of relief that washes over him.

“I was going to say that in that moment you were being one of the jerks you try to protect me from all the time.” All Harry can do is just nod because you’re right, he was being exactly the type of person he tries to keep you away from and honestly Harry is still recovering from the fact you admitted you aren’t afraid of him so a nod is the best he can do in the moment. “You threatened someone’s life all because he was asking me if I had any recommendations for a good weather resistant wood varnish.” When Harry rolls his eyes he instantly knows it’s a mistake because he feels your hands drop from his face making his lips turn downward into a slight frown while you take a few steps away from him.

“I’m sorry sweetheart but that was clearly a line and he was trying to flirt-”

“So him flirting with me means you need to come in and grab him by his shirt and tell him that if he so much as looks at me again the next project you’ll be working on will be his coffin?” Harry can count on one hand the amount of times you’ve raised your voice since he’s met you, each time has almost always been towards him and he hates that he’s the one who gets you to the point where you lose your ability to speak in your usual soft and gentle tone and are left with no choice but to make your voice louder and a little meaner in hopes it’ll help get your point across more clearly.

“I didn’t mean to grab him. That was a mistake.” He doesn’t make an attempt to get closer to you even though every part of him wants to reach out and pull you into him, he wants to give you the space you need to tell him exactly how his actions made you feel and he knows you won’t be able to do that if he crowds you. And as much as he normally loves to play dirty and use his knowledge against you, this time he wants you to get everything out because he wants to be better for you so if he has to stand here and take it for a few more minutes then so be it.

“Was that the only mistake you made yesterday?” He wants to say he really didn’t make any mistakes yesterday but he doesn’t, he just rubs his lips together as you place a hand on your hip letting him in on the fact you’re getting annoyed at this conversation.

“Please just answer me because I don’t want to argue with you anymore but I need to know if you really think that’s the only mistake you made yesterday.” Harry can tell by the slight pleading tone of your voice that you’re beginning to break, your walls of anger are starting to crumble and he can’t help himself but feel a small sense of relief because he can work with this, he can find a way to make your walls come down and get you to forgive him.

“No.” He answers as he takes a small cautious step towards you making you raise an eyebrow at him as a signal to have him elaborate on his answer. “I shouldn’t have threatened him or raised my voice in the store because I know how you feel about causing scenes in public.” He adds as he takes another small step towards you and he can’t help the small smirk that forms on his face when he sees your hand drop from your hip as you playfully roll your eyes at the mention of causing a scene.

“Anything else?” Your voice is much softer now and Harry feels like this is a good time to take a chance so he reaches an arm out so he can place a hand on your hip and he smiles when you don’t make any moves to wiggle out of his grasp or bring your own hand down to push his away.

“Letting you give me the silent treatment for the rest of the day. That’s probably the biggest mistake I made because you know how much I love hearing you talk.” Now normally you’d take that as a tease of some sort but Harry’s not an idiot, or at least not in this moment so he’s sure to sound as serious as possible without ruining the lighthearted mood that’s beginning to form between the two of you.

“You love hearing me talk?” Harry just gives you a smile as he ever so gently pulls you closer to him by his hold on your hip.

“Your voice is one of my favorite sounds.” He admits without a single drop of hesitation because it’s the truth. “Especially right before you fall asleep and it’s this mixture of a whisper and just mumbles of nonsense.” His eyes stare into yours as he raises his free hand so he can brush a few strands of hair out of your face and back behind your ear. “But my favorite is when it’s got this hint of excitement to it like when you’re telling me about a new book you found that you’re now obsessed with or better yet the rants you go on about books you hate those are very fun and your voice gets this almost twinge of absolute disgust to it that I always find entertaining because it’s so rare you find something you don’t like.” He keeps his hand on the side of your face cupping your jaw, gently running his thumb over your cheek.

“So really baby it about killed me not getting to hear your voice for a whole day all because I was an asshole and couldn’t handle some guy flirting with you in a Home Depot.” He wants to pull your face towards his and seal his words with a kiss but he doesn’t, he’s a gentleman after all and knows it’s only right to let you decide when he’s earned his kissing privileges back sees as you just broke the day long silent treatment you were giving him not even five minutes ago.

“His name was Brad.” Harry’s grip on your hip tightens a little while he other hand falls from your face as you give him an unwanted detail of your encounter yesterday. “Maybe if you knew that before you went all crazy on him you would’ve reconsidered? Because who’s going to pick some dude named Brad over their hot husband named Harry?” He just chuckles as you give him a playful smirk while reaching your hands up to grab both sides of his face.

“Well when you put it like that.” He jokes as he feels you begin to pull his face down towards yours. “I really am sorry sweetheart I swear it won’t happen again.” He whispers as he bumps the tip of his nose into yours making you smile.

“I know you are and that’s why I forgive you.” That’s all Harry needs to hear before he allows himself to close the gap between his lips and yours, he feels you smile against his lips as you pull him even closer to you when you feel him try to pull away.

“I love you.” He mumbles between kisses making you giggle as your hands go from his face down to his chest so you can grip onto his shirt while his hand holds onto the back of your neck.

In this moment Harry knows that the two of you are going to be okay, that while you may hate how he over reacts and gets a little too protective at times, you still love him and haven’t decided to give up on him or at least not yet. So Harry decides right then and there that he’s going to actually try to be better, but while he really will try he can’t promise he won’t mess up every now and then because he’s still Harry, and when it comes to you he doesn’t think he’ll ever be okay with people getting too close or being too friendly.

[raspberry-pastries]

That take for tf1 annoys me because the movie explicitly presents his descent. Yes it was rushed in some places but the run time required it and I’m hoping it’ll be fleshed out if we get a sequel.

For one D-16 was not a rebel from the beginning, that was Orion. D-16 was okay with the system and was a prime fanatic (which made sense given sentinels propaganda and stuff). But Orion was the one who believed they could be more, who wanted to prove to the transformers that they were wrong about cogless bots. The way some people talk about him in the movie you’d think he went to get the matrix just because he randomly wanted to and not because he wanted D-16 and him to prove themselves to sentinels as more than miners so they could live a better life and fix the energon shortage. I mean after he found out the truth D-16 literally blamed Orion for the entire thing because he broke protocol, which included saving jazz’s life. He was incredibly emotional in this scene which explains why he reacted like that but it still shows that he has the mindset of ‘if you don’t break the rules nothing bad will happen’; he didn’t want to challenge the established system.

D-16 wanted revenge which is fair given what sentinel did to him. It was a reasonable reaction but where it devolves is when the desire for revenge become more selfish and entwined with the strong over the weak mentality the high guard introduced which clouds his judgement later on.

He did not care about the consequences of killing sentinel in an extremely public and flashy execution and how that would impact iacon moving forward. His actions were fuelled by his desire for revenge. It gets to the point where this desire outweighs his care for others. He wants to kill sentinels supporters almost immediately after. He destroys any sentinel iconography and doesn’t care to get people out of the way first or that it was putting them at risk of death from the debris. His revenge was not sated and he just kept escalating.

He proclaims himself as a leader, taking megatronus’ cog and promising no one will be deceived again. This focus on deception throughout the movie is especially interesting because the way they frame it it’s almost as if he isn’t angry about the system itself he’s angry that it was built on lies. Sentinel killed the primes, mutilated D-16 and used his labour to pay off sentinel’s own debt. There’s no real mention on cogless mechs being treated like nothing or anything like that (correct me if I’m wrong I have a shit memory). He is not motivated by a desire to change the system but revenge for how the system he suffered in was built on lies and the betrayal that came from that. My friend described it as ‘megatron is fuelled by personal anger and Optimus by societal anger’. He was called Optimus because he was optimistic, he had hope things could be better for the cogless bots without burning everything including them to the ground. It’s shown through the symbolism too, Orion kneels at the miners’ height to talk to them but megatron towers over the high guard in his speech. Also as prev mentioned, he was continuing the cycle of violence. The way megatron gained power mirrored the way sentinel did and ofc the intentions and motivations were completely different but this was the way the movie was communicating this is not the way to do it.

Do I think that Orion was sympathising with sentinel for trying to stop megatron? No but I think he definitely could’ve handled it better, especially when he compared megatron to sentinel which was the WORST possible thing to say in that moment. I do think his desperation to stop D-16 was because he could see the consequences of killing sentinel like this, both on iacon and on D-16. Also one of Optimus’ flaws is that he wants to solve things non-violently or at least non-fatally when he really should sometimes, so it wasn’t completely selfless reasoning either. I was very happy when sentinel was finally killed but I could see why Orion wanted to stop D-16.

I’d say neither of them were completely in the right or wrong when it comes to sentinels death and the aftermath. Orion had much better intentions and awareness of the consequences, but his reasoning was at least a bit connected to his own ideology and he really could’ve communicated Why It Was Bad better. And megatron was the one in the wrong by the end through his actions and especially intentions. In tf1 he’s right in some places and wrong in most but this was an origin; an oppressed persons reaction to their worldview crumbling around them and realising that they were owed more. It’s why it impacted him harder than Orion because he already knew that much. D-16 was betrayed and lied to and had no idea what to do after that other than kill the person responsible. When he let go of orion he disregarded his connection to his past, the last person he could truly trust, letting his anger consume him past of the point of no return. D-16 was my favourite character in the movie but it’s important to recognise that he was not in the right. We know what he will do in the future; the atrocities he will commit, this is just introducing how he may have escalated to such extreme actions.

Pls let me know if I get anything wrong I typed this at like 3am lol and sorry OP for the long addition!

"Maturing is realising Megatron was right." Have you even watched a single second of Transformers.

[royalarchivist]

If you're wondering how Cellbit's Only Up! playthrough is going right now, he has resorted to praying every time he takes a risky jump. He is NOT live laugh loving

[ Volume warning ]

[ciderjacks]

Also while I’m here does anyone else think about how his immediate thought was that the other party had died while fighting over gold (likely informed by his own past experiences) and then right after he says that Laios draws his sword, and you can see the horror in his eyes as he freezes up.

[nutklcker]

I'm thinking about Curly and the fact the fandom is kinda slowly turning on him and starting to,,, blame him? More than Jimmy? And I've just been thinking about that

Like the takeaway from the game that Curly did not do the right thing and was not good at taking care of the crew is DEFINITELY an important, if not the most important, takeaway. Being constantly aware of toxic masculinity causing the bystander effect in others who feel like they have to cover for the toxic ppl is VERY IMPORTANT and I don't want to confuse people into going "Curly did nothing wrong!" "He's just a victim too it's not his fault!" "He didn't need to be responsible for Jimmy's actions!" Cuz that's just dangerous

But I do wanna dive into the fact that I think his actions (lackthereof) aren't just due to toxic masculinity and that feeling many cis men have where they have to cover for other toxic men and try to downplay all negative situations. Maybe it's just that I relate too much to Curly but it really seems to me that, after Anya, he's the most abused by Jimmy.

Like, I rewatched the Curly's Birthday Party scene where Jimmy not only berates him BRUTALLY but does so IN FRONT OF EVERYONE ELSE (/nm) AND Curly doesn't stand up for himself after the first few attempts, which will come back later. Jimmy verbally abuses him so comfortably (seen via 1.him doing it in front of everyone else 2.the fact he got Curly to shut up really fast and 3.the fact nobody stepped in to help Curly/stop Jimmy (which in Anya's case is so fair she was like having a panic attack but I was really expecting Swansea to say something or Daisuke to try and defuse)) really makes it seem like that's a common occurrence. The fact that the crew is used to it just feels like not only has he done that before but he does it frequently enough that even Daisuke, the last minute new hire, is used to it

Like when I first saw that scene my first thought was oh shit Jimmy really does abuse EVERYONE indiscriminately. But it kinda seems like the fandom forgot how quick and comfortable he was verbally abusing Curly On His Birthday Celebration, In Front Of Everyone.

And then, what I said earlier about Curly trying to fight back a little at first before giving up and just taking the beratement 100% applies to the scene where Jimmy beats Curly after giving him his pills. The same thing happens there, Curly screams out at first but eventually stops and just whimpers/cries while Jimmy beats him until he's done, at which point Curly starts full-on crying.

And again, this doesn't absolve him of the fact he didn't help Anya. Not one fucking bit. Like, as much as it's played for irony in game it was, to a pretty big extent, his responsibility as captain to make sure that his crew could coexist. And he SHOULD have done more to stop Jimmy. I'm not saying he's innocent, I'm saying that the assumption that he was a bystander to Jimmy's actions simply due to toxic masculinity influencing men to cover for one another is a little inaccurate. It's definitely the more important takeaway because being conscious of the dangers around you is important. It's just that seeing the specific ways he was abused by Jimmy and how he reacted to it makes me feel like it was less of a toxic masculinity thing and more of a Fawn response thing, because he DEFINITELY was a victim of Jimmy's abuse too. And I feel like that's a little important, both to show how men can abuse and manipulate one another and to show how abuse in general can make more than the abuser a danger to others (in the sense of people who are abused are less likely to speak out when they see other abuse, because they're used to it (speaking from experience, not being an asshole)). But I really don't want this leading people to baby Curly and excuse him from not sticking up for Anya more, cuz it's not an excuse, it's an explanation, a further development. He is still at fault for not doing more, but I this the reason he didn't do more isn't a toxic masculinity thing but an abuse victim thing

(Also it's interesting to see how Jimmy doesn't fuck with Swansea very much. I assume it's because he knows he can't topple Swansea, yet he's already toppled Curly and Anya so they're the easiest victims of his abuses. He knows Swansea would fight back, but he already has Curly wrapped around his little finger and Anya severely traumatized so he just focuses on them instead. Also this is in reference to the fact he doesn't try to go around Swansea and get into the Util/Cryopod room until he thinks Anya's hurt Curly. It's like he's afraid of Swansea, which he should be <3)

[cluescorner]

Long Post about Savage Opress because I am Normal

Savage Opress, you are everything.

You are at your strongest when you are fighting to protect the people you love. You had to participate in a battle royale and subjected yourself to a fate worse than death in order to protect your brother. You were forced to kill the brother you fought so hard to protect, your last words to him as he begged for his life were 'You make (me) weak'.

You are Frankenstein's monster, a kinslayer. You just have to live with that. Your mistress isn't giving you a choice in the matter.

You were placed under the control of a cruel master/mistress twice in the span of like a week. You were forced to betray your master and (under your mistress's orders) you killed two jedi, making you an enemy of the two most powerful entities in the galaxy. You made these enemies against your own will. You were lightning spammed and abused to the point that you were able to break free of your mistress's control.

You are then attacked by these two random jedi you have never met. They seem intent on bringing you in. They stand besides each other and fight to protect each other. You are reminded of how you did the same for your own brother. You killed that brother.

You run to the only home you've ever known, the same home that treated you as lesser-than and transformed you into what you are now. Your home is destroyed, all of your sisters are dead. You are upset by this. They were the cause of your suffering, but they were still kin.

You are told that you have a remaining brother, one who can make you strong enough to protect yourself. You decide to travel across the galaxy to find him. You killed your last brother, you will do anything for this one.

You seem to create trouble everywhere you are now. You are now incapable of solving problems without violence, so violence is what you become. You become hatred. You had love once, but everything that you loved is dead. Except for your remaining brother. You do whatever you must to find him.

You find your brother. Your brother is delirious and half-dead, but he is your brother and you found him. You can fix this. Your brother sees you too, or at least he sometimes does. You are a reflection of him, of what he was meant to be. You are strong and powerful. Your brother is not anymore, but he will be soon.

Your mother, the same woman who took you and warped you into a monster (that is what everybody calls you now), fixes your brother. Your brother grabs your face and twists it, painfully examining your every pore. You don't begrudge him this. You have done the same to it. Your face isn't yours, but it is the only face you have.

Your brother screams for vengeance against Kenobi, he must have revenge. You must stand by your brother, he is all that is left. You embark on a quest of vengeance against a man you only briefly met.

You become everything your brother needs you to be. You are his protector, his sword, his second-in-command. You have love again and you will do anything to keep it this time.

Your brother is a terrible person. Your brother will massacre a village for the sake of getting Kenobi's attention. Your living brother is nothing like the one you killed. You aren't sure this is a good thing.

Your brother lures Kenobi to the village and you both capture him. Your mistress shows up and immediately sets about belittling you. You are the monster she and your mother created. You are not her thrall anymore, you can fight her now. You do exactly that.

Your mistress and Kenobi retreat, your brother chooses to bide his time. You will wait with him.

Your brother and you infiltrate a ship, finding a fortune of credits. You are happy with this, you have never seen this much money in your life. Your brother's only fortune is the downfall of Kenobi.

Your brother calls you apprentice, decides that is what your relationship is now. You don't see the need for dominance, you are brothers after all. Your brother disagrees and you will subject yourself to this for your brother's sake. You are a reflection of him, of all his past flaws. You are devoted to those you love and able to feel things other than vindictive glee or hatred. Your brother is not anymore, he might never be again.

You think your brother is incapable of love. You love him all the same.

You and your brother next run into Kenobi with another Jedi Master. You do not know her name nor anything about her. You kill her, goring her with your (far larger than they should be) horns and running her through with your lightsaber. Your master is not forcing your hand this time, you can finally choose to make an enemy of the Jedi. You would have been their enemy either way, but the false choice is comforting regardless.

You and your brother corner Kenobi. You think for a moment that you have gotten the upper-hand, then Kenobi cuts your arm off. Your body leaks green magic. Your mother's magic still holds power over you even after everything. You wish it didn't.

Your brother shoves Kenobi away from you and decides to retreat. You aren't sure if this is a sign of affection towards you or if this is a strategic move. Your brother speaks as if it's the latter. You see no reason to believe otherwise.

You manage to escape, but are left adrift in space. You are freezing and slowly running out of oxygen. Your home was warm and full of breatheable air. You are alone with only a brother who calls you 'apprentice' for company. Your home was filled with brothers who called you by your name or by 'brother'. You are alive. Your home and brothers are dead.

You next wake up in an unfamiliar place. You smash all the equipment around you. You are now incapable of solving problems without violence, so violence is what you have become. Your brother informs you that his plans have changed, and now you two will be working with Deathwatch. You have no idea what Deathwatch is or who your brother just made a deal with. You will follow him regardless.

You stand up and hit your head on the lamp above you. You were supposed to be shorter than you are now. Your body is wrong. You look in the mirror and you are not yourself. Your body isn't yours, but it is the only body you have.

Your brother takes over Mandalore. You watch as your brother marches Kenobi into the throne room and prepares to execute the Duchess of this planet.

Kenobi offers sympathy. Kenobi recognizes that your brother never had a choice in joining the dark side. Kenobi had gone to your village and seen what it is like for the nightbrothers. Kenobi, despite everything, is trying to be kind.

You hear your story in Kenobi's words. You never had a choice in any of this. You never stood a chance. Your body isn't yours, your mind has been warped and twisted into serving the goals of another. You only wanted to protect your brother.

Your brother kills the love of Kenobi's life. Your brother has stripped himself and you of any possible chance to take the olive branch Kenobi was extending. You ask if you should kill Kenobi now. You know that stewing in grief and guilt can be a terrible fate. Your brother decides to keep him imprisoned. Your brother is counting on the Kenobi stewing in his grief and guilt. Your brother wants to drag out his suffering for as long as possible.

Your brother is in charge for less than a rotation. Your brother panics and bows before a withered old man, calling him 'master'. Your brother lies and fawns to his master. Your brother's master does not care.

You have never met this man before. You have no reason to fight him. Your brother is terrified of him. Your brother grovels before nobody, but he bows before this man. You don't have to do this.

Your brother needs you. You draw your weapon.

You manage to get a hit in on your brother's master. You are one of very few in the galaxy who can say that. You are at your strongest when you are fighting to protect the people you love.

You are stabbed in both your hearts. Your efforts to protect your brother, your pain and suffering, your love and affection, you, Savage Opress, you don't matter. You didn't know it, but you were fighting the most powerful being in the galaxy.

You never had a choice. You never stood a chance.

You die thinking you were unworthy of your brother. Your brother never said or did anything to make you think otherwise. You die calling yourself apprentice, that is the relationship your brother wanted. Your brother holds your hand as you die, it is trembling. You aren't sure if it is from grief or hatred. You decide it must be the latter. Your brother is only capable of hatred.

You knew your brother was incapable of love. You loved him all the same.

You don't know that you might have been the only thing your brother cared about besides his vengeance. You don't know that when you are unconcious he calls you by your name, he calls you brother. You don't know that he nearly killed the Death Watch soldiers, but stopped when they threatened you. You couldn't know. Your brother never told you.

You don't know that he uses his grief as fuel for his duel with Sidious. You don't know that he switches his ire away from Kenobi and decides that his former master is a more pressing target of his hatred You don't know that he spends the rest of his days trying to find a new apprentice to fill the hole you left and that it never works. You will never know. You are dead.

You died realizing you were nothing like your brother. You never were. Your body shrinks down, you finally look like yourself again. You can't be happy about this. You can't take relief in the fact that all the magic which ruined your life has been dispelled. You can't feel anything. You are dead.

You are right. You are nothing like Darth Maul. Your brother is motivated by hatred, you are motivated by love. Your brother will die having found peace, you died having found nothing but pain and grief and yet more pain.

You are my favorite magical girl and you have suffered so much more than Jesus.

[emmodii-mode]

Just finished my first playthrough of BG3. Romanced Lae'zel, but ending up turning into an Illithid because the idea of making Orpheus or Karlach do it didn't sit well with me (or my character).

I told Lae'zel to leave with Orpheus in the end (I heard she wouldn't stay with a ghaik anyway, which she's valid for, but also, it doesn't feel right to ask her to stay when I know how much her people mean to her). And like-

Her face before she flies off---

She looks so heartbroken and sad.

[lettucedloophole]

spoilers for the latest dungeon meshi ep but oh my GODDD i love marcille my pobrecita.. i think ryoko kui wrote sexism's effects on marcille really well, i think it's neat how she's a silly little guy and other people kind of underestimate her and it seems she is often down on herself about her failures or, "burdening" others in a way that feels very authentic to how it feels to be a woman and have that extra pressure of perfection to dispell suspicions of your inferiority. it's just very much the feeling i gather from it which makes marcille so relatable. and then to put another layer on it when it came out that she did black magic, she's literally A Bad Ass she is LITERALLY a Badass which makes her doubt of herself even more starkly inappropriate, and in this new episode despite the Fact that she is A Bad Ass when everyone's being a BIG MEANIE to her she's like a sad puppy when people don't let her help with revivals and like idk if i missed something but she doesn't even push back against them saying they're going to turn her in in like, a threatening way, she is just... scared. which hurt me i just wanted everyone stop being so MEAN TO HERRR my POBRECITAAAA. MY TINY LITTLE BABYY

i also laughed a lot and freaked out catching up on the two latest episodes today. DEVASTATING miscalculation on chilchuck's part to protect senshi when laois has No sense of Social cue. really happy to see laois and kabru meet, they're really funny together and i see why people like them so much as a ship now!! i am ECSTATIC that shuro is out of the game in terms of ehem. courting falin. bro COULDN'T HACK IT gEDDEM marcille. get that red dragon lady.. and omg it made me SOOOO MAD that they tried to blame marcille for that like how could that even b her fault!!! >:((( its obv the mad mage's doing. i dont get it they r just big meanies!!! stop shitting on my girl!!!

i like how kabru is like laios if he had more social awareness and was a litle Conniving... and omfg i thought it was so funny and sweet how shuro and laios just fucking beat each other up 😭 shuro said i hate autistic ppl fr. no but im glad he showed up for laios & co. in the end.. sometimes you just gotta talk ur feelings out over a fistfight lol

it was soo so fun seeing everyone interact .. all these fun characters... i cant wait to see what happens next!!! i love this show literally one of my fav animes EVER now definitely its so good its SOOOOOO GOOOOOOOD!! im terrified not knowing when its gonna end and how im gonna cope when the season ends 🗿 methinks i will have to read the manga instantly after or i will go insane from dungeon meshi withdrawal..

[lesbianpegbar]

i can’t wait to see aki realize he lost the one person he cared about and then be told he only has two more years to live and then sob alone in a hospital room before deciding to throw what little remaining life he has away and doom himself to the worst death imaginable tomorrow. and by can’t wait i mean i’m blowing everything up