#Just take this as a grain of salt because it’s not what you think

[katyspersonal]

Someone really said we shouldn't take Messmer's last words ( when he cursed Marika) seriously because he was demonically possessed by the abyssal serpent ijbol

I do not think that it was the case either! My impression from his phase transition was more of him finally giving into his serpentine nature, and thus, finally allowing himself to feel his true feelings!

"Hatred that would be confined" here can mean both him hating himself (since fire is a hazard to the Erdtree, evidenced by Fire of Ruin and Destined Death, so why not his?) OR hating her for having forsaken him! Except... they are not mutually exclusive. He could have hated himself for existing as something that could inevitably bring ruin to everything she created and hated her for abandoning him!

Like other characters in the DLC, he is aware that we've been called by Grace of Gold, her creation, to become her new Lord! Nonetheless, he decides to still disrespect what counts as her wishes, which already gives something away, at least for me. It could be that him taking Crusade beyond just vengeance, to fascism level, WAS what split them apart, and he is still convinced he knew what was better for purity and life of her Order better than her (LOOOOVE this version because it makes him even scarier). It could be jealousy, because some nobody Tarnished would get the chance to fix things for her when he tried to do the same and yet she was not "grateful". It could be that this "purpose" he took up for her feels like the only thing still connecting them, since she is not coming back. It could be many things that I can keep listing!

Yet, at the same time, he asks her forgiveness before removing the seal! So, killing someone he (correctly) believes she is awaiting is a lesser crime than removing the seal she gave to him to keep Base Serpent away? I think it is very telling that the root of how much he hates his flame is her hatred of it.

( x ) Perhaps, by being deadset on killing everyone spurn of her grace, he sort of overcompensates for how much he hates himself for being graceless (in a way, 'shorn of light' is very blatant)... He can't fix his nature, nor can she, but he could remove her OTHER pains and grudges. He is compensating!.. like, for how much he wishes to never having been born, or something...

Damn this got weirdly sad And a simpler interpretation is that it was just a cry of pain, because he was dying and she was not there for him. Or maybe it was the horror of feeling like he was to fall into Abyss, since he removed the seal? Not that I ever died in my life yet, but I'd imagine that thoughts and emotions upon violent death would not be very rational!

I really want some help with Japanese description of this item, because this "but never again" feels like some sort of grudge. Like that she realised it was useless; not so much because what afflicted him was untreatable, but because she deemed him not worthy of any more chances! You see what I mean! Again, English choices of words should be taken with a grain of salt.

Messmer also was not "possessed" by Base Serpent, he became Base Serpent! Saying you will be taken in jaws by a serpent shorn of light, he means himself! He has a habit of addressing himself in third face already, saying that you will meet death in the embrace of "Messmer's" flame, not "his" flame! There is definitely some parallel with Malenia unleashing Scarlet Rot again just to not lose to us, but whereas Scarlet Rot is confirmed to eat away at people's personality and memories (Millicent's questline), nothing said it was the case for the Base Serpent!

(Images by Zlofsky as usual) All statues of Marika in the Lands Between are missing heads... except for one, depicting her as a mother holding a child, hidden in his chamber by a veil. I need to check it later, but in at least three cases it makes no sense to be this way: one in the Church of the Crusade where Queelign hangs out, another surrounded by his soldiers, and another in Shadow's Keep itself! UNLESS, he is the one responsible for crashing the images of her head...?

It feels like he has been very conflicted long before this dreadful moment of unleashing his serpentinge nature! He did not want to think of her because it hurt, but also still wished to be held by her again. Considering the statues, it feels like he hated her as a Goddess, but loved her as a mother. So, he hates her divine existence, her as an owner of the Erdtree, a "destined victim" of all fires, but also knows it can't be separated from her and follows her design. Perhaps, follows TOO much.

Basically it IS a reasonable assumption that upon his death, he's been feeling as though he did everything he could for her, but that was not enough for her to see beyond her fear! Worse yet: she did try to love him, but "never again"! Hatred of abandoned child is a very intense thing, but it is also not a true hatred. It is more akin to cry for being accepted, but distorted into insults, curses, pushing away and such!

^^^ If this doesn't look like Humanity running wild manifestation of someone's own repressed self-hatred, loneliness and suffering getting unleashed I don't know what does fdhfdhs I don't know, man... I just think there is more evidence for the fact that he's been suffering because of her.

[zeeinkzquill]

Zooble Headcannon / Theory I Have Now (Leave a comment on my thoughts if you want)

I had to make a post about Zobble therapy chair clip therapy because honestly SAME.

But I feel like this episode is going to be one of the only times that we cracked Zooble open as a person.

I'ma put my 2 cents into what I think bc they scratch my in a way that I can't explain. And though I'm going through my mental health struggles and such I am in no way am I professional so take what I say with a grain of salt (or just ignore it if you hates it).

When I first saw their design I was like "Woah I don't know where to look at!" then ep 2 came out with their design changed and I was like "Hmmm that's interesting"

this led me to think about many things, especially how they view themselves identity-wise. Bc about a week ago I was talking to someone about the identity that Carvial Jax may have. I learned something new that day and I took that idea and looked back at Zooble.

And part of me feels like that's why Zooble may change how they look bc of how they view themselves identity-wise. And Part of me feels like that why their designed that way. Like a jumbled mess. Mayber Bc that how they view themselves??? (If you explain this well OR disagree with me leave a comment. I wanna learn more about this and what others in the community think!)

And part of me thinks Caine might take an interest in this and try to help them (or at least try to bc he's a computer lol)

IK this lil thought dump of mine is messy and weird but if you guys understand what I'm saying give me your thoughts. I find each character interesting in their own lil way so I might do more of these but what do you guys think about Zooble as a character.

Have a nice day yall💫

[jasongotdrip]

Ydfgdhedrhdhshhdhxhhsshhdhdhehebfbsjakxhkakshxbanapfhebbddje

i wanna post a teaser for a thing I’m making but but idk if I should because it’s a little obvious

if my motivation stays, I’ll finish in either one day or a week, the grind depends💪🔥🐺

eh

here :]

“i warned you, emily.”

IOOOH I WONDER WHO IS SAYING THAT???!1!1!1!1!1!

[markantonys]

just accidentally stumbled on an egwene hate reddit thread and everyone was bitching about how she tries to act like rand's equal when she's only the second-most powerful authority figure on the continent, and one sane person was like "well, balance was a huge theme of the series, so it's pretty clear that RJ did consider the dragon and the amyrlin two halves of a whole and that rand is meant to be egwene's equal co-authority rather than her superior" and of course they were downvoted to hell. and this one little thread just really epitomizes how the readers who approach WOT as a male power fantasy just fundamentally will never understand the series and its themes and the story it was ACTUALLY telling.

[yuridovewing]

i understand the frustration with “i made this gay pairing cis x trans so they can still have biological babies” with no thought to other methods and how ppl assume thats the case when it comes to mothpool aus where mothwing is also the mother of the three, but also…. idk i kinda dont give a shit if someone wants to do that and i dont really think its inherently transphobic as long as its handled with care and respect.

what really concerns me about this debate is how some people are adamant that you cannot portray trans people having biological children in media or youre being disrespectful. and im gonna say as a nonbinary person who doesnt want children for themself- thats kinda fucking weird? like i understand that for some people, theyre trans themselves and theyre speaking from a place of dysphoria, and i absolutely get that, which is why i think the topic should be handled with nuance and diversity in trans characters, but like…. guys. pregnant trans men exist irl. trans women get people pregnant irl. trans ppl’s ability and right to parent and have biological children are being debated irl. we get denied the opportunity to adopt as well.

in a climate like this, are we SURE we want the stance on rewrites and headcanons in the silly cat books to be “if you portray trans characters having children, especially with a gay couple, youre a transphobic freak no matter what!” does it really matter? especially if its being done by a trans person handling the topic with nuance who has a lot of trans characters with varying perspectives?

obviously yes, remember that thats not the only way certain gay couples can have kids, remember that not every trans person is fully comfortable with it and keep that in mind, remember that surrogacy and adoption are also perfectly valid ways to give fan babies- but remember that there are OPTIONS. not that you need to condemn the idea of transgender parents in the first place unless they fit the very specific criteria of “proper transgender representation” and anything that dares deviate from that is proof the op is a transphobic monster (bonus points if theyre a trans creator bc i mostly see trans people getting shit for this and it kinda pisses me off. although idm if cis people do it either as long as theyre handling it with respect)

[mrpenguinpants]

Omg you're back again hello 👀 how have you been????

Big mood on the "man I wish this author would finish their fic" LOL I've been rereading my own wiring recently and going wtf. Where's the rest of it?

For a limited time only babyyy

But I've been good. Extremely busy but it's okay, the pto is worth it. That's what I keep telling myself at least :) but how are you??? Is anything interesting happening? New developments perhaps 👀

The funny thing is that I've actually been talking with a few mutuals, and they've all told me that they recently went back to re-read their drafts. Maybe it's something in the air or we're all feeling a bit nostalgic? Or because everyone is on break since it's summer.

[bmpmp3]

character designers when they need to design a mascot for a masculine vocal synthesizer: and i will put a mole. under his LEFT eye

[zeb-z]

Bad has so many reasons to be cautious, even paranoid, as anyone else on the island. From Federation nonsense to Dapper being kidnapped to the whole purgatory nonsense to whatever fuckass suit of armor “old friend” was setting up cameras in his house. But it compounds on his regular overly aware paranoid self to this state of hyper-paranoia. And as a demon who can and usually will lie, cheat, steal, and use sneaky underhanded tactics, he expects the craziest extent because he thinks of it, realizes it’s possible, and would use it himself. We saw this very obviously in purgatory - when he thought greens desperate last ditch effort to balance the scale was a super planned out tactic to tip the scale, so he did it first, all the hardcore base hunting, the spawn killing, there’s a reason every other tactic he used usually followed a main channel qsmp post with updated rules - all usually things he was surprised no one else thought of. But then this also piles onto the fact that he has to have things go his way, all the time, and that he’s argumentative as all get out, which led to the debate between him and Bagi yknow. Especially because he’s not just doing it for the sake of being right, he doesn’t think he’s paranoid, but that he’s exercising the right amount of caution.

So like. Listen dude. Yeah he’s got reasons to be paranoid. But his thought process around building vaults for separate cookie caches like they locked up the risus pills, only to scrap it because it’s not perfectly impenetrable, is extreme. His character has hardly been a leading example in someone who has reasonable reactions to things. And even when there isn’t his own children’s livelihoods potentially on the line, he has a need for control, and the most control he has is if he keeps the cookies in his inventory at all times. If he makes himself the sole point in which the others can get ones in a case of emergency, then he can control the variables. The problem is he’s unreliable about himself when he’s at his most rational and healthiest, and he’s far worse with the current memory and health issues he’s been mostly unaware of.

I dunno it’s like. There is never going to be a purely impenetrable base. And it’s not just a case of “Bagi just hasn’t lived through __ yet!”. Bad’s own logic about keeping the cookies on him at all times is flawed under his own logic, because Bagi is right - if someone has enough drive to break into separate secured cookie caches purely for the downfall of eggs, they more than certainly have enough drive to find a way to kill Bad and just take them from his inventory, or to just kill the eggs themselves. All it truly does is give Bad a sense of control, and soothe his paranoia.

[queenheritageposts]

chat i have a question because it’s been bugging me for years

[kazumasougi]

totk is very fun dont get me wrong but i do feel like when they leaned into the "everyones being creative so lets have them make insane contraptions" thing they went so far into it that it reduced what originally made that part of botw so interesting— that these solutions were fully unintended and creative for having broken the game

[kateis-cakeis]

something something maybe the "no nightingales" line is some reverse dramatic irony. Maybe they know something about nightingales/the song/both that we don't, and that something has something to do with why Aziraphale looks like he realises it's all over when Crowley points it out. (And why Crowley says "we could have been us" like there's no other way out now, like it is all over)

Maybe that song/bridsong signifies them being together???? Maybe something else I'm missing???

But you sure can hear some birdsong just barely over the noise of the traffic in the scene where Aziraphale calls the Bentley their car. (It's the only scene where I can hear some, parallels S1)

And the Bentley sure does play the 2nd verse of the cover. S1 started it off, and it played throughout the credits. S2 plays the second verse. S3???????

Well there are 3 verses in the cover after all.

That certain night The night we met There was magic abroad in the air There were angels dining at the Ritz And a nightingale sang in Berkeley Square

I may be right I may be wrong But I'm perfectly willing to swear That when you turned and smiled at me A nightingale sang in Berkeley Square <--- We are here, maybe, idk maybe, I'm not saying anything, but something something it's interesting

The streets of town Were paved with stars It was such a romantic affair And as we kissed and said goodnight A nightingale sang in Berkeley Square

I know 'cause I was there That night in Berkeley Square

[hippo-pot]

Btw, re: my opinion that computers are not gonna be able to translate sign languages in our lifetime, it's not that sign languages are necessarily More complicated than spoken/written languages (I truly don't know how you'd measure that but I'd assume they're equally complicated). But video is, in terms of sheer data, much bigger and presumably harder to process than audio. I cannot imagine this happening without *astounding* computational resources which would take far more energy, water, and money than a human interpreter (and, more importantly, wouldn't work as well, at least for the foreseeable future). I assume the computation would happen off site in most cases if it did work, meaning the Internet connection is gonna need to be phenomenal (there is already widespread dissatisfaction with VRS human interpreters used in medical settings because half the time the connection drops). Speech to text, with all the issues it still has, seems like a breeze in comparison to 'understanding' a video.

I also cannot wrap my mind around how a machine would handle depictions. Like, with some practice behind me, my human mind is now able to understand (some) depictions I've never seen before (thank goodness, because there will ALWAYS be new depictions I haven't seen before, bc Deaf people are resourceful and creative), but I don't see how a machine would. That's pure sci fi to me. I also wouldn't expect a machine to do a good job translating stuff it's never heard before in a spoken language (e.g. wordplay, or the way you can sometimes tell the meaning of a new slang word from context, or an uncommon name even), but the thing is I think depiction is a much bigger part of daily life than wordplay is?

[death-rebirth-senshi]

I'm not gonna post that -_- too out of pocket

[sonicunleash]

you know i should probably play sonic chronicles huh. since im interested in making a sonic rpg...

[red-dragon-archfiend]

I don't have enough time or experienced with enough classes to write a detailed multiclassing guide, but for D&D players, especially new players, wondering if they should multiclass, the simple answer is "probably not". Multiclassing is, in general, bad. The game was not balanced with it in mind, and it's very easy to muck up your character if you don't know what you're doing. I'm not just talking from an optimization perspective, either; it's difficult to justify it narratively in a way that doesn't cheapen the significance of what class levels represent. You don't become a Bard by practicing the lute for a week. You can't become a Wizard without years of study. If you plan to multiclass, my advice would be to find some way of tying it narratively into your primary class somehow; an Eldritch Knight becoming a Wizard is sensible, because they already have an understanding of how to work arcane magic, they just need to spend some time focusing on that over improving their martial abilities to learn enough to start filling out a spellbook. Of course, that still takes a long time, but the Eldritch Knight's previous experiences mean they already know how to cast multiple spells already. If you want to multiclass for story reasons, ask yourself two questions: Is multiclassing really the best way to convey this change in my character, and, if so, do they have the adequate time, experiences, and resources to practice the skills necessary (physical training, study, spiritual attunement, etc.) to even START being that class? The reason I put so much weight into class levels is because the Player's Handbook itself makes a point to clarify what sets a member of each class apart from others who seem similar on the surface; not every soldier in a given army is a Fighter, chances are most of them aren't. And Paladins are even rarer! To achieve even one class level is a strong indication of skill and effort, and I as your DM would expect you to consider how your character achieves levels in a second class. My campaign features a Fighter/Warlock multiclass, and her patron is both the supplier of her occult magic, and her instructor, personally training her in her dreams, so she can level up in either class and it'll make sense. My favorite combination, Paladin/Sorcerer, can be explained by latent powers emerging in response to their experiences and the holy power they channel within themselves, perhaps a gift from their deity or the result of them or their ancestor slaying a creature like a dragon or vampire whose blood imbued the Paladin's bloodline with arcane magic. Maybe a Monk/Cleric comes from a monastery that reveres a specific deity, and that Monk caught their deity's attention, choosing the Monk for a holy mission. If multiclassing is part of your character's backstory or projected future, having a plan for it is key to making them still feel like a cohesive, singular character.

[trainingdummyrabbit]

see the thing that i like so much about ruina so far is that it doesnt feel like its telling you to do something. like, specifically, it presents characters in situations, and reveals how they handle it. and afterwards... its just over. theyve simply done what they had to. theres never really any "ah, they were Flawed because they did This, so instead of doing That you should take This lesson from it." characters just... Are, and Do. theres no heavy urge to chamge the way you think, for lack of a better description. rather, it places down concepts and leaves it there, giving space for Thought rather than Explanation.

even with cut ins of angela and roland doing their own commentary-- it's never really presented as a You Should Take This Concept From This, but rather as... them Also figuring it out. because Everyone in the cast is just... odd, messy, flawed-- human. you can take away the same thing they do, or not. because everyone just does what they think is right, and deal with the consequences of it. it doesnt matter. things just move on. theres something refreshing about it.