#Just how they're shown I guess

[hajihiko]

I’m curious

What’s your opinion on the despair designs of the sdr2 cast and would you change anything about em?

i wrote soooomething about it somewhere, but mostly I'd stop making them all be >:) all the time. I think it'd be cooler if they retained more of their personalities or were notably opposite (in differing ways, and depending on how exactly they got that way)

(And Kaz gets a muzzle)

[torchstelechos]

You know I think it's kind of funny how much LBH and SQQ mirror each other, like do you guys think about how to everyone around them in canon LBH knows everything about SQQ down to a single birthmark but SQQ doesn't seem to know anything about LBH? Despite everything they've gone through, SQQ seems to be playing catch up in their own relationship while LBH was already getting their wedding ready? But for us, the viewers, we know that SQQ knows everything about who LBH was suppose to be while LBH knows nothing about SQQ's own past and what he was suppose to be? SQQ knows everything that doesn't involve himself, while LBH knows everything that does involves himself. It's so funny to me how that must look to outsiders versus themselves <3

[vypridae]

it genuinely baffles me that people still think vox is some precious baby that needs to be protected and kept from val at all costs. are we like... are we watching the same show?

[pparkerized]

you're telling me they're making this harry. this fella, this silly little guy into a villain??

[melancholic-pigeon]

@vaspider @mistresskabooms @nerdykeppie I'm the one who's being weird? Me? really? You are absolutely sure you're not the asshole in this situation? You're ABSOLUTELY SURE this was a justified response to my polite confusion?

Wow. I really misread you.

[hadesknockedupintheunderworld]

Sometimes I watch/read a piece of media, and even when I don't ship something I can see that these people are meant to mean a lot to each other or have some sort of profound relationship. It's a relationship that is never labeled as siblings, nor is it labeled as romantic

And I gotta say, you guys need to be able to reconcile the fact that not all relationships will be easily sorted into "siblings" or "lovers", or even "siblings" or "lovers" or "just friends"

Headcanons, fanon, things you personally like to read into for fun, all of those things are neat. But genuinely. It's fucking annoying reading meta of a relationship where the characters are canonically friends or teammates and are shown to mean something to each other, and people assume that these characters having a familial relationship or being basically lovers (the exception is if the essay post itself is dissecting their relationship for interpretive reasons. Like, for example, if you're making a case for why people would ship a thing or what would make someone read two characters as in love) is baseline canon that everyone should accept as true.

It is imperative for you to be able to dissect strong or meaningful relationships in media (if you fancy yourself being or becoming skilled with it) by looking at it for what it is and picking it apart instead of assuming that it must be canonically familial or canonically romantic when the media in question has only ever labeled these two people as either "friends" or "coworkers"/"partners"/"party members"

[lemonnbug]

Hey! It's okay! To ask! For help! With anything!

Don't know how to do a thing? You can ask!

Don't know what to do? Ask!

Don't understand something? You! Can! Ask!

You don't need to feel silly or stupid for not getting it right away, or even after a good few times. Stuff is hard! We are supposed to help one another any chance we get! You don't know what you don't know, and you can't shame yourself into knowing it.

[becquerel]

despite how integral wv pm and ar are to homestuck and its story all three of them do not fucking speak at all outside of typing a few messages to the kids which is my hypothesis of why they are included so little in fanworks

[sobredunia]

This is how it feels like watching the Alex enjoyers and the Detah enjoyers

[soyoursoulisgreen]

3, 4, 19, 20!

3. What ideas come from when you were little

I have two OCs that have really stood the test of time: Akane and Kin - though their names have changed over time haha ♪ They were the first ever queer couple I made, long long loooong before I was out even to myself and shock among shocks, they're angels lol ♥ I remember I even wrote a short story about them from like - middle school probably?? as part of an assignment haha. They've been with me for a loooong time, and I'm still very fond of them 💕

4. Fav character/subject that's a bitch to draw

GLaDOS is so beautiful and I am so bad at drawing machine parts jfdklsasdf. I'm determined to draw her from both games now tho! Her design in Portal 1 is so weird!! <3

19. Favorite inanimate objects to draw (food, nature, etc.)

Plushies, no contest. Drawings the seams and darts and stitches and wear and fluff and fabric vs. fur I just ugh it's all so satisfying! The way the cloth folds over itself or stands firm on its own over well-stuffed filling! I love plushies!! Funny enough, I rarely use them as props tho haha - that's usually things like books, cups, pencils, etc.

20. Something everyone else finds hard to draw but you enjoy

I haven't heard the complaint in earnest in a while, just in a jokey fashion, but I really really enjoy drawing hands :) Hand expressions are so fun to me! They're just as expressive as faces - especially masked characters haha - and they're so versatile! Come in so many shapes, some hard, some rubberhose wiggly, some sharp and Shaped, but they still all emote similarly. Even just slight position changing can change the temperature of how it reads! It's a challenge for sure but it's just so satisfying >:3c

[passive-t-u-m-b-l-r-user]

God forbid Kairi have to find a new dream that isn’t being with Sora

[she-who-fights-and-writes]

“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation. 

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating. 

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut. 

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

[inconveniently-discorporated]

I think I have a potentially controversial opinion on Aziraphale and the ending.

So one of the things that made me smile so, SO much, was THIS:

That PURE ABSOLUTE UTTER JOY.

We have not seen ANYTHING like that from demon Crowley. We've seen him be drunk and silly, we've seen him be amused, but we've not seen this.

Now, let's consider what we know about Heaven:

It's never fully populated. ALL of the shots are completely devoid of angels, except for a few, who are almost always just getting somewhere and never really talking to each other.

Where I thought the archangels were a tight clan, it really looks like they're super catty and prone to jealousy. No doubt they would stab each other in the back happily if it came down to it. How much of Heaven is like that, if even the archangels all hate each other?

Aziraphale already has a nervous disposition when he meets Crowley. Is he perhaps an angel that NEVER fit in? Is he familiar with being ostracized by his peers? Just how lonely IS Heaven? Crowley seems to be a pretty powerful angel, and HE doesn't even know that it's all getting shut down in 6000 years -- it's like no one talks to anyone.

Aziraphale, during their whole meeting, looks absolutely smitten. At one point, Crowley goes, "Look at you! You're gorgeous!" and Aziraphale looks over with happy surprise, just before realizing he's not looking at him but rather at what he's created. And then, when Crowley starts going on about making suggestions and asking questions, Aziraphale is IMMEDIATELY concerned and doesn't want him to get into trouble.

Aziraphale is hooked on this angel, and I cannot help but think that this is perhaps the first angel who has ever WELCOMED Aziraphale into his company.

He is hooked on this angel, and the way Crowley smiles is with the light of all the stars he's just created, and it's infectious and it brings a smile to Aziraphale's face as well. And then this angel shields him from the oncoming falling stars.

He is hooked on this angel, and then this angel goes and joins the Great Rebellion, and becomes fallen himself.

"You were an angel once," Aziraphale said, softly, at the bandstand. He remembers.

I think it's reasonable to guess that Heaven has never felt so warm as it did in the presence of millions of exploding stars, next to the (arch?)angel that may perhaps be one of the few (only?) to pay him any positive attention.

I think it's reasonable to assume that Heaven was not the same after Crowley fell. I wouldn't be surprised to find out Aziraphale had wondered about the angel, wondered if he was okay. I would imagine that Aziraphale keeps that picture of pure, angelic, unbridled joy somewhere inside of him.

So, really, is it any surprise that threaded throughout EVERY interaction, Aziraphale has this deep-down feeling that Crowley is good? Would it be any surprise that Aziraphale, an angel who goes along with Heaven as far as he can (which isn't always), feels that if HE is still an angel, then what was done to Crowley was a great injustice?

I think it would make sense that we are shown "before the beginning" not just because it is fun, but because THIS is the foundational context for everything Aziraphale thinks Crowley is, everything Crowley enjoys. I think he remembers this moment and wishes he could live there forever. With Crowley. The two of them with this happiness, forever.

But nothing lasts forever, as much as he wishes it did.

I'm not saying Aziraphale was right with what he did to Crowley at the end of s2. There is a lot I think he did wrong. I think he held onto this picture so tightly, he didn't realize that Crowley had long since let it go, and painted a new one with Aziraphale with all the shades of grey he picked up as he sauntered (or plummeted) vaguely downward (into a pool of boiling sulfur).

I don't think he was right, but I do think he is understandable. I think there was a lot of selfishness, but also some misguided selflessness too. I watched that first scene with angelic Crowley and my heart actually broke a little, because I thought, "What a shame this joy was taken away from him."

I think Aziraphale is trying to right the injustice he feels has been done. But I also think Aziraphale doesn't realize that Crowley can never go back. The concept of falling never crossed Crowley's mind when he suggested that he ask a few questions, and he will NEVER get that kind of innocence back. And Aziraphale doesn't understand, because Heaven has clearly always just been that way for him (he is already aware of the danger of asking questions).

Crowley does not want to go back because he can never go back. He can never be the same angel he was when he thought he could build a universal machine that would crank out stars for eons and eons. He can never be the same angel he was when he thought he could make some suggestions and ask some questions and co-create with THE Creator.

Crowley understands that, and Aziraphale doesn't. But I can understand why Aziraphale would want to try. And I think it's all because of this:

[lucky-fy]

Saving this comment from a YouTube video.

“You say you're trying to be respectful, but at points you appear to be making comparisons of trans people with things that are unrelated and that we would all find utterly ridiculous in a way to imply being trans is just as ridiculous. If it's not intentional, it's still like you're trying to miss the point and ridicule trans people.

I like to explain the trans experience to something comparable to intersex conditions. A lot of intersex individuals aren't as clear cut in what they can be defined as by physical characteristics alone, i.e. sometimes there are intersex individuals who may have the genitals and physical characteristics of one sex, but upon looking into them on a chromosomal level, they tell another story completely. It's not as rare as we pretend, either. 1.7% of people are considered intersex, in other words, a similar frequency to natural redheads. Who is not to say that trans people aren't more related to intersex people than we've initially believed, if XY females (Swyer syndrome) and XX/XXY males (XX male syndrome/Klinefelter's, respectively) can exist, why is it impossible to believe trans people may be experiencing something that we could similarly explain scientifically, but that we've yet to fully uncover? We're still making scientific discoveries to this day, we still don't know everything about every single facet of existence after all.

We used to believe other phenomena were just nonexistent or were people playing crazy/confusion, yet hundreds and hundreds of years later, we finally found explanations. Although trans people aren't a recent thing, all this attention drawn to them than ever before is recent, so they're still severely understudied, especially when all this scrutiny towards them goes into debates and negations before anything else (and treating people who otherwise live normal lives as scientific experiments to uncover an ultimate truth may be harder than expected when we don't know what we're looking for exactly in every instance - even beyond physical characteristics and chromosomes alone). It's a complicated matter that no one seems to be able to definitively answer to everyone's 100% satisfaction yet. That's not mentioning how most human beings on this planet share characteristics of the opposite sex: both men and women possess estrogen and testosterone, nipples, we're all considered female in the womb before differing sexual characteristics began to appear, etc, etc. Who is not to say there are layers upon layers of underlying features of trans people's bodies (physiologically and psychologically) that are bridging whatever gaps were formed in the first place, and intuitively trans people's brains are picking these signals up even though other people still can't fully articulate why and what factors those are to the most minute of details?

I know this may be an unsatisfying explanation, but none of us know everything and this borderline harassment of individuals, whose minds we're unable to read or whose every single life and biological experience isn't able to be fully gauged by us personally, seems fruitless and contrived at points. We're all going through enough nonsense and frustrations in this life as it is, hounding people for identifying as one gender over another, should be the least of our worries. I should clarify that this last segment isn't about you, specifically, or me saying that you hound and harass trans people, this is more a general statement to those who do go to such lengths when they should be more concerned with their own lives”

[the-writer-arrived]

Wait, you're engaged?!

Synopsis: you two are engaged, congrats!! how does he share the news with others?

Characters: alhaitham; diluc ragnvindr.

Warnings: gender neutral!reader, fluff, crack, this is actually more crack than fluff oh well, diluc and kaeya are brothers.

A/N: this is the third draft I wrote in two hours. IS THIS WHAT'S LIKE TO HAVE MOTIVATION????

It all started with a simple question about your well-being coming from Kaveh.

"So, how have they been lately?" was what the architect had asked, while shaking the elemental dice in his hand. He was playing a TCG match against Cyno, not an uncommon occurrence when the 4ggravate group of friends get together at Lambad's Tavern.

"Oh, my fiancée is doing just fine, I guess they're in a bit more energetic mood than usual." was what Alhaitham had answered, nonchalant as if he was talking about the weather and hadn't just dropped a huge bomb just like that.

The cheeky bastard is actually hiding his smirk with his wine cup, totally satisfied with himself at the shocked looks everyone has now.

"WHAT DID YOU SAY?!?!"

"Kaveh, please don't yell, you're making my ears hurt!"

"A-Ah! Sorry, Tighnari..."

"It seems like you didn't get a single dice of the elements you needed, your luck is truly something to be researched about."

"Wha-?! You...! Ah, no, wait, who cares about that?!"

I'm telling you, the guy is doing all he can to surpress the grin threatening to appear on his face.

No one was expecting to hear that, heck they didn't even know Alhaitham had bought a ring in the first place????

Dude how come you don't share these life changing plans with your homies?!

He shares the tale of how he had proposed to you... And let's just say Kaveh's romantic side was not happy about how it happened.

"WHAT DO YOU MEAN YOU PROPOSED WHILE YOU TWO WERE LOUNGING IN THE LIVING ROOM???"

"Kaveh, too loud!"

"S-Sorry!"

Much to Kaveh's dismay, Alhaitham didn't make any extravagant gesture or big preparations.

It was just you and him, in the comfort of your home and it just felt right to pop the question at that moment.

What no one, not even you, knew is that the confident, smart and aloof scribe had not actually planned to propose to you like that at all.

Ever since he had bought the ring months ago, Alhaitham had devised so many different ways on how to do it, always thinking about which scenario would make you the happiest.

But when he had you laid down on his lap, spounting your usual nonsense just to try to get a reaction out of him because you were bored, it simply felt... right to do it right then and there.

Make no mistake, he may not have shown, but his hand was shaking when he pulled the small box out of his pocket, he had to thank Lesser Lord Kusanali for allowing his voice to not come out shaky.

Alhaitham's cockiness aside, Cyno, Tighnari and Kaveh are all genuinely very happy at the unexpected, but positive news.

"Let's order some bread, then."

"Bread? Why do you want bread all of a sudden?"

"So we can offer a toast to the future spouses... Get it? Toast? As in-"

"Yes Cyno, we get it!"

Ahhh Diluc, my sweet Batman of Mondstadt... He had always thought that the best course of action was to keep everyone at arm's length, not only for his sake, but for other people as well.

Now, as he gazes at the beautiful ring on your finger, he can only laugh at how naive he was for thinking he would be able to do that during his whole life.

On the next day after he had proposed to you, every customer in Angel's Share can see Master Diluc acting rather... odd.

He seems... I don't know, lighter? His expression doesn't look so serious anymore... Wait, is he... smiling?!

Needless to say, everyone at the tavern is dying to know what happened to the tycoon of the wine industry, but no one dares to ask him directly...

...no one but a certain cavalry captain of the Knights of Favonious, that is.

"My, someone is in a good mood today. Did something nice happened lately, Master Diluc?"

"Here's your Death After Noon, Kaeya."

"...Okay, something must have happened for you to prepare my drink before I even ordered it."

After much poking and prying from Kaeya, Diluc finally relents, just so the pestering would stop.

It's a lie, he is actually feeling ecstatic to be able to share the news with someone.

Everyone and their grandma knew about your relationship with Diluc of course, it's a bit hard not to when you are dating the uncrowned king of Mondstadt himself, despite you two not making a public announcement of being together.

So, before he could even tell Kaeya that he had proposed to you, the captain already suspected that that was the reason for his brother's sudden change of behavior.

Even so, that doesn't stop a genuine smile to appear on Kaeya's face as he congratulates Diluc.

"It's about time! I was starting to wonder how many more years you were going to make me wait, before I had the chance be your best man in your wedding."

"Who said you're going to be my best man?"

"Oh, come on. Don't tell me you've forgotten our promise to be each other's best man when we were younger?"

"...I'm surprised you still remember that.

What Diluc wasn't aware at that moment was that a certain bard had eavesdropped "accidentaly" listened to his private conversation with the cavalry captain.

It was such great news, the bard couldn't help but let it escape during the drunk conversations he had with other patrons that night.

How could he imagine that those patrons would tell their friends, who would tell their friends and so on? Of course the kind-hearted bard wouldn't do that on purpose!

It's not his fault that all the citizens of Mondstadt now know about Diluc's engagement with you!

Sorry Donna.

"Come now, Master Diluc! Good news are meant to be shared with others! Who knows? Maybe even the Anemo Archon caught wind of them, ehe!"

"...I won't sell you any wine for a month now."

"W-What?! Please, don't be so cruel, Master Diluc!"

thanks for reading <3 likes, reblogs and comments are very appreciated <3

heart divider made by @/cafekitsune

pink alhaitham and diluc banners (fluff) made by @/the-writer-arrived aka yours truly <3

[surftrips]

luke x daughter of aphrodite!! maybe a super cute fluff where they help luke show percy around and just their experience with percy!

-🥽 anon

stop this prompt is soo cute ! thanks for sending it in &lt;3

"You okay?" Luke asked the newest camper in his cabin.

"Super."

"We all have them, you know." Luke clicked his tongue. "Intense, recurring nightmares. That's normal here. For the first time in your life, you're just like everyone else."

"So are you also... Do you not know who your..." the blonde boy began to ask.

"Am I unclaimed?" Luke shook his head. "No, Hermes is my father. That doesn't matter though, we're all on the same team here."

"Why is it okay they ignore some of us?"

"Spend too much time figuring out what the gods do whatever it is they do, you'll drive yourself crazy. Sooner you can stop worrying about that, the sooner you can enjoy what this place actually does offer."

"And what's that?"

Luke smiled, guiding Percy out the door to show him the rest of camp.

The two boys ran into Clarisse and the Ares kids first. Luke explained to Percy that the Ares kids were always confrontational and brutally honest, but he had nothing to worry about, as long as he was around.

"Come on, let's go figure out what you're good at."

After crossing off archery and metalworking, and dodging several near death experiences, they sat down for lunch.

"Is there a Greek god of disappointment?" Percy sighed.

"We're gonna find the thing you're good at, I know it," Luke reassured him. "We should try-"

Before he could finish his sentence, Luke's eyes lit up and a smile crossed his face, causing Percy to turn around.

A girl came over to Luke's side of the table and kissed the top of his head. "Hi, love."

Luke beamed, turning toward Percy. "Y/N, this is Percy, I'm giving him the tour. Percy, Y/N. She's in Aphrodite."

That much he could tell, Percy thought she was one of the most beautiful girls he had ever seen.

"Ah, bonjour! Comment ça va?" she asked him.

Percy looked confused, only recognizing the first part of the sentence. "Uhhh... hello?"

Y/N smiled softly, "Guess he's not in Aphrodite then. Any luck finding out your skill, Percy?"

"No, unforunately," Percy grumbled.

"Aw, don't worry. Soon enough you'll be like Luke here," she had moved to sit in his lap by now, one of his arms curled around her waist. "Did you know he's the best swordsman at camp?"

She looked at Luke proudly, Percy swore he saw hearts instead of pupils in her eyes.

"I think it's come up once or twice," Percy responded.

The Aphrodite girl smiled again, "Have you shown Percy the lake yet?" she asked Luke.

"No, not yet. Do you want to come with us?"

"You mean, do I want to show him the place where we met? Is that even a question?"

The trio finished up their food and headed back outside. Y/N led the way, her presence enough to clear a path in the group of campers idling outside. Luke and Percy followed a few feet behind her.

"So... how long have you two been...?" Percy asked shyly.

"Three years. Since we were 16," Luke responded. Though Percy had only known Luke for about a day at this point, he couldn't help but notice how Luke's entire demeanor had changed since Y/N's arrival.

"Oh, wow. That's a long time."

"I got really lucky."

"What do you mean?"

"Before I got here, I had nobody. I mean, there was Annabeth and Thalia, but they're like my sisters. Y/N was the one that showed me what love is."

"Is that what you meant earlier? About enjoying what this place has to offer?"

He smiled. "You might be surprised, Percy."

"Are you boys coming or not?" Y/N called back toward them.

"Yes, ma'am!" Luke yelled back, jogging up to where she was. They were almost at the lake by then.

"So, Percy, anyone at camp catch your eye yet?" Y/N asked, her hand wrapped around Luke's arm.

"Babe, he just got here." Luke said.

"So? I knew I liked you the second we met."

Luke blushed, caught off guard by her sincerity. That was one thing he wasn't sure he would ever get over, her ability to express her emotions so unabashedly. It was something he still struggled with from time to time, but for her, he would let down all of his walls.

"I wouldn't say I have a crush on her or anything- she kinda just scares me but she did catch my attention," Percy interrupted Luke's thoughts.

"What's her name?" Y/N asked.

"Annabeth, I think."

Y/N nodded knowingly, looking over at Luke. "Well, I guess we'll just see if anything special blooms there. Anyway, we're here!"

The sun was beginning to set over the horizon now, painting the sky in beautiful hues of purple and pink. A gentle breeze accompanied the three as they sat down by the water.

Y/N leaned against Luke's body, savoring the warmth he offered. He absent-mindedly twirled a piece of her hair.

"Three years ago, I was sitting right here, when I saw someone a few feet away from me. He was throwing rocks into the lake and disturbing my peace," Y/N began. "When I looked over to see who it was-"

"You saw the most gorgeous man you've ever laid your eyes on," Luke cut in.

"Hey!" Y/N playfulled smacked his shoulder. "I know you've heard this story one hundred times but Percy hasn't yet."

"Yeah, I haven't yet!" Percy backed her up.

The two older campers laughed. "Thank you, Percy. Now, where was I? Oh, yes, I saw this boy with curly dark hair and soft brown eyes, and I thought that's him. He's the one. This was before I was claimed by Aphrodite, but I just had a feeling, you know?"

Percy nodded, even though he wasn't sure he had experienced that feeling yet.

"But anyway, this boy looked kind of sad, so I decided to sit next to him."

"I think that's why he was throwing rocks into the water," Percy broke in.

Y/N giggled and Luke nudged her shoulder to continue.

"You're right, Percy, I had the same thought. When I sat next to him, I sensed that he was annoyed."

"Okay, love, let me finish from here." Luke softly kissed her shoulder and she buried her head in the crook of his neck.

"I wasn't annoyed-" he clarified. "At least, not at you. I had just been claimed by my father, but I was still frustrated with the whole idea of gods having children and just ignoring them. Then, this angel sat next to me and for the first time, I felt seen."

Y/N looked up at her boyfriend, her face full of nothing but admiration. No matter how many times she heard this part of the story, she still couldn't believe how she got quite so lucky.

"Percy, our parents may never redeem themselves for their wrongdoings, but I thank the gods every day they sent me Y/N." With that, Luke gently placed his hand on her cheek and leaned in to kiss her.

"Hello! As lovely as this story is, still a minor here!" Percy waved his hand in front of their faces enthusiastically, causing all three of them to burst into laughter.