#José María Torre

[badmovieihave]

Bad movie I have Sundown 2016

[anadelacalle]

CONVERSATORIO SOBRE HEIDEGGER. CLUB MUNDIAL DE FILOSOFÍA Y ESCUELA CORRENTINA DE PENSAMIENTO.

Aquí tenéis el vídeo del Conversatorio que tuvo lugar ayer sobre la necesidad o no de leer a Heidegger, conociendo su vinculación con el nacionalsocialismo. La reflexión inicial a cargo de HUMBERTO ROMANO, filósofo, psicólogo y teólogo -especialista en Heidegger- y en el panel, MARÍA JOSÉ BINETTI,doctora en Filosofía, JORGE DE LA TORRE doctor en Ciencias Sociales, POL RUIZ DE GAUNA , doctorando…

[elmartillosinmetre]

Valses de Año Nuevo

[La directora polaca Marzena Diakun al frente de los conjuntos de la ORCAM / MARCO BORGGREVE]

Una muestra de las recientes producciones de solistas, conjuntos y discográficas españoles dedicados al sector clásico

Ha cumplido ya 82 años, pero Jordi Savall sigue viviendo en una vorágine de conciertos y grabaciones. Su discográfica Alia Vox no descansa. En 2023, además de alguna reedición sonada (como un par de vinilos con míticos registros para su viola de los años 70), ha publicado uno de esos crossovers entre lo antiguo y las músicas tradicionales y del mundo (Oriente Lux) a los que es tan aficionado, pero además se ha adentrado en el terreno del siglo XIX con fuerza: después de su ciclo sinfónico Beethoven y de su acercamiento a Schubert, ha llevado al disco la Italiana de Mendelssohn, que presenta dos veces, en su versión inicial (1833) y en la definitiva (1834), para, ya terminando el año, elevar el tiro con la edición (siempre lujosa e impecable) de nada menos que la Missa solemnis como culminación de su revolucionario acercamiento al genio de Bonn. Escuchando el despliegue de energía de sus conjuntos, la rebautizada ahora como Capella Nacional de Catalunya y Le Concert des Nations (con Lina Tur Bonet, como en Mendelssohn, de concertino), pensaba en que esta demostración de vigor, creatividad y pasión de alguien que lo ha sido ya todo en su oficio es un buen est��mulo para afrontar los desencantos de la edad y del entorno que imponen los tiempos.

Otro de los grandes veteranos de la música antigua española dejó a finales de 2023 un disco extraordinario: Procesional de Sixena. Con cuatro cantantes femeninas (Èlia Casanova, Beatriz Lafont, Laia Blasco y Maria Morellà), absolutamente transfiguradas, y el apoyo de un arpa (Robert Cases) y una fídula (la del director del proyecto), Carles Magraner ha conseguido con su Capella de Ministrers uno de esos hitos musicales que se quedan en la memoria por la belleza serena, intemporal que la música transmite. Se trata de un acercamiento al repertorio de las monjas del Real Monasterio de Sijena (Huesca) según la única fuente musical conservada, el excepcional Procesional de Sijena, elaborado en los siglos XIV y XV, que recoge cantos para diferentes momentos del año litúrgico. Aquí se resumen tres: el día de San Juan Bautista, el Mandatum del Jueves Santo y la Pascua, en los que el gregoriano se mezcla con algunas polifonías e interludios instrumentales a partir de los Códices de las Huelgas y Madrid.

Otro grande de la música antigua, Albert Recasens, terminó 2023 presentando un álbum singular con La Grande Chapelle: música sacra latina de Antonio Rodríguez de Hita (1722-1787), un compositor principalmente conocido por sus comedias junto al dramaturgo Ramón de la Cruz. El repertorio fue compuesto para el monasterio madrileño de la Encarnación y está formado por salmos, motetes, himnos, lamentaciones y, sobre todo, responsorios de Epifanía. Como siempre me pasa con Recasens, la mezcla entre rigor y detalle me deja con ganas de oír más.

Savall, Magraner y Recasens manejan sellos propios (Alia Vox, CDM y Lauda), pero puede que el más influyente sello clásico español sea ahora el granadino IBS, que ha seguido con su extraordinaria cadencia productiva, de la que quisiera destacar ahora tres trabajos. El primero es el que el navarro Eloy Orzaiz ha hecho con un piano de Conrad Graf de 1826-27 en el que recoge los tres Klavierstücke D.946 de Schubert y la Gran Sonata brillante en re mayor Op.106 y una bagatela de Hummel (esta última da título a su disco, La Contemplazione) para mostrar la mala suerte que tuvo Hummel al competir en los libros de historia con Beethoven y Schubert: el brillante virtuosismo de su música, combinado con el lirismo belcantista de ese Larghetto de la Sonata, merece más atención de la que hoy conoce.

Para el segundo, cambiamos de universo radicalmente: el Trío Musicalis (Eduardo Raimundo, clarinete; Mario Pérez, violín y viola; Francisco Escoda, piano) titularon Mosaicos a un álbum que recoge obras de compositores españoles vivos: Héctor Parra, Jesús Torres, José Luis Greco, Ramón Paús y José María Sánchez-Verdú, todas ellas escritas entre 2018 y 2021 para el propio grupo, fundado en el seno de la ONE hace ya 15 años. Cinco nombres para cinco estéticas diferentes y un empeño común, seguir ampliando las posibilidades expresivas de los instrumentos y sus desempeños dentro del marco siempre sugestivo y exquisito de la música de cámara. El resultado: un CD original, sorprendente, inquisitivo.

El tercero nos lleva a la música sinfónica. La polaca Marzena Diakun se pone al frente de los conjuntos de los que es actual titular, el Coro y la Orquesta de la Comunidad de Madrid, para un intenso y poco común recital brahmsiano. Sólo la Rapsodia para alto, coro masculino y orquesta, que canta como solista Agnieszka Rehlis, ha alcanzado cierta difusión entre los aficionados.  Pero aquí se reúnen también la Canción del destino Op.54 (sobre Hölderlin), las Cuatro canciones para coro femenino con dos trompas y arpa Op.17, una selección de seis Liebeslieder-Walzer Op.52, Nänie Op.82 (sobre Schiller) y el Canto de las Parcas Op.86 (sobre Goethe). Del Brahms más aparentemente ligero de los valses al dramático que escribe sobre Goethe o Hölderlin todo está dicho aquí con una propiedad técnica y expresiva y una medida del tiempo que no muchos relacionarían con un conjunto español. Me parece uno de los mejores discos grabados por una orquesta española en los últimos años.

El saxofonista toledano Pedro Pablo Cámara también ha creado su propio sello (Calle 440: tiene que pulir el diseño interior y documental de sus productos), donde acaba de publicar un estupendo álbum mozartiano con un conjunto de saxofonistas que responde al singular nombre de Prochain Arrêt y que proceden del Centro Superior de Enseñanza Musical Katarina Gurska de Madrid, donde Cámara ejerce como profesor. El grupo ha cogido dos de las Serenatas de Mozart escritas para Harmoniemusik (octetos de viento, muy populares en la Viena de finales del XVIII) y las ha pasado a sus instrumentos. Las obras se cuentan entre las mejores del género: nada menos que la Nachtmusique KV 388 de 1782 y la Gran Partita KV 361, de la misma época (quizás un año anterior, aunque no es seguro). En su plena madurez, Mozart logra una combinación de lirismo, divertimento y hondura expresiva como en pocos otros géneros de su catálogo. Los arreglos son tan buenos que uno se olvida del instrumento que escucha porque el mensaje musical del compositor llega en toda su extensión y su verdad.

Debutaron para la fonografía con canciones de García Leoz en un disco titulado Luna Clara, y la soprano pacense Mar Morán y el pianista Aurelio Viribay vuelven al CD con Luna muerta (editado en Cezanne esta vez), repaso por las canciones de Manuel Palau (1893-1967). A la ampliación del repertorio español, el CD añade la posibilidad de escuchar una voz radiante, que se explaya operísticamente de forma brillantísima cuando la ocasión lo requiere, pero sabe recogerse en la intimidad con delicadeza, siempre con insinuante intención expresiva en matices y acentos. Soberbio.

Y para terminar, más valses, que estamos en Año Nuevo. Los doce que el pianista cordobés Pablo Amorós ha dejado con la marca Marfer de un personaje enigmático, Clifton Worsley, seudónimo de Pedro Astort Ribas (1872-1925), un barcelonés, pionero del jazz en España, creador del llamado Vals de Boston (con el primero, luego retitulado Beloved!, se hizo famoso internacionalmente), más lento que el vals vienés o francés y con el que se labró un nombre en la música popular de principios del siglo XX. Worsley fue luego olvidado. Este atrevido CD lo reivindica.

[Diario de Sevilla. 7-01-2024]

[propronews]

Portugalete: 17º Homenaje a la Cuchara, (que bien se lo merece)

Sabrosas jornadas gastronómicas del Hotel Puente Colgante, su restaurante El Paladar y la Cofradía de la Putxera de Balmaseda, hasta el 10 de noviembre

[alertachiapas]

Diputadas mujeres frenaron a una mujer a llegar a la presidencia de la CEDH

La decisión de las mujeres que reeligieron por cinco años más a Juan José Zepeda Bermúdez como presidente de la CEDH, “refleja que no sólo los hombres frenan la igualdad sustantiva; el tiempo y la historia nos juzgará”.

La decisión de las mujeres que reeligieron por cinco años más a Juan José Zepeda Bermúdez como presidente de la CEDH, “refleja que no sólo los hombres frenan la igualdad sustantiva; el tiempo y la historia nos juzgará”. Laura León Carballo, aspirante a la presidencia de la Comisión Estatal de los Derechos Humanos (CEDH), recriminó el actuar de las integrantes de la Comisión Permanente del…

[marianadecarlos]

Don Juan José of Austria (1629-1679) Fanart

He is the half-brother of Charles II of Spain and the extramarital son of King Philip IV and the actress María Calderón. He was a Spanish politician and military man. He was named after Don Juan of Austria the Hero of Lepanto. His mother La Calderona was a comedy actress. Duque de Medina las Torres who first called Philip's attention to her. She was beautiful and caught King Philip IV's eye while performing.

They developed a romance, and the King simply could not resist her When Don Juan was born, his mother entered the convent because she followed the etiquette of the Spanish court, which prohibit any woman who had been honored by the king from being honored by any man. He was born on April 7th, 1629, and was baptized two weeks later. He was registered "hijo de la Tierra" (The son of soil) of unknown parents.

He was brought up in a distinct remote from the capital, and his education was put in the hands of a mathematical Jesuit and a theological inquisitor. He could later have been the archbishop of Toledo had not for the Count-Duke of Olivares wished to legitimize his own bastards and prevailed upon Philip to do the same to make his action more respectable. However, at the age of thirteen, Don Juan was recognized by Philip IV and made Grand Prior of St. John with an almost royal household and large income. This rank will be a stepping stone for his career. His rank is to be that of the potentates like the Electoral princes, who were addressed as brothers by kings and Serenity by subjects. Baltazar Carlos refers to him as "my brother Don Juan". (They are the same age btw) They can go to the theater together on the same couch, but they are not allowed to eat together. Elizabeth of France would end her letters to him with "To Don Juan, my son" while Balthazar ended "To Don Juan de Austria, my brother, and my friend" At the age of 15, He was already the Governor of Flanders, and two years later he was given the title the Prince of the Sea, chiefly because his namesake had been victor of Lepanto. His only sea battle was the defeat of a small French boat. Henceforward he was to fight on land, and unfortunately with far less success against far more powerful foes.

In 1663, Don Juan of Austria was named "Captain General of the Conquest of Portugal” and placed in command of twelve thousand infantry and six thousand cavalry. Early success in 1663 was followed by embarrassing losses later that year; it was already clear that the undertaking was headed for disaster. Philip IV recalled Don Juan to Madrid, subjected him to an investigation, and replaced him with the Marquis of Caraçena.

In his youth, he was affable, brave intelligent, and hard-working but the twin enemies of his ambition and his defective birth tended to make him lose those great qualities he possessed and gain many less admirable ones.

In the summer of 1665, When it became clear that his father had few more months of life, He made a proposal that would shock Philip IV and lead him to refuse to see Don Juan on his deathbed. He presented paintings he made, one of these was a miniature representing Saturn contemplating with a smile the incestuous dallyings of his son and daughter, Jupiter and Juno. It was on the occasion of a visit to Aranjuez, that, he had been summoned by Philip to discuss whether he would be preferred to be Archbishop of Toledo or Inquisitor General. When Philip IV saw the painting the intention was clear. The face of Saturn resembles Philip IV, The face of Jupiter resembles Don Juan and the face of Juno resembles Margarita. When he saw this he was enraged and turned his back on him and never saw him again. Mariana of Austria loathed Don Juan for this scandalous act.

Don Juan of Austria had journeyed to Madrid to see his dying father. Philip reportedly stated that “this was a time to die” and insisted that Don Juan leave Madrid at once. Even if the words were apocryphal, Philip IV’s public snub confirmed his intention to exclude Don Juan from the regency government and succession, intentions made public when the testament was read. Philip IV drew his final breath on Thursday, September 17, at 4:15 a.m. Those in surrounding areas entered the royal chamber as the final moments approached.

In Mariana's regency, he overthrew Jose Everardo Nithard and later Fernando de Valenzuela. He and Mariana of Austria were rivals during the regency period. He arranged several coups to overthrow Mariana, which eventually succeeded, forcing Mariana of Austria into exile.

When he gained power, he successfully imposed laws that were beneficial to the country, despite becoming unpopular.

On August 24, 1677, he fell ill but seemed likely to recover. However, it meant a delay, as the king may not have wanted to dismiss Don Juan while he was bedridden. Even on his sickbed, Don Juan must have known that his tenure was about to end. He died four days later and was buried in El Escorial.

The story of Don Juan was incredible and interesting. He may not have always been successful in his plans, but his dedication, intelligence, and charisma made him formidable.

Sources: Carlos, The king who would not die, by John Langdon Davis and Queen, Mother, and Stateswoman by Silvia Z. Mitchell

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[docpiplup]

Upcoming series: Ena

In September, the filming of Ena began, a biographical series that will focus on the life of Victoria Eugenie of Battenberg, queen of Spain through her marriage to Alfonso XIII between May 31, 1906 and April 14, 1931, after being the monarchy deposed later by the proclamation of the Second Republic. Great-grandmother of the current king Philip VI of Spain, of whom she was godmother at his baptism. Throughout six chapters, the series will tell the life of Victoria Eugenie and at the same time offer a portrait of a time that changed the world, the first half of the 20th century, from 1905 to 1945. Born on October 24, 1887 in Aberdeenshire, Scotland, Ena was the daughter of Henry of Battenberg and Princess Beatrice, youngest daughter of Queen Victoria of the United Kingdom and Prince Albert of Saxe-Coburg and Gotha. Her godmother was Eugenia de Montijo, empress consort of France as Napoleón III's wife. The name of the series comes from what her friends and family called her since she was little, Ena.

The fiction is based on the novel of the same name by Pilar Eyre. Javier Olivares, who was behind the acclaimed Isabel and El Ministerio del Tiempo, will be the showrunner and plot manager for Ena. In addition to Olivares, the script is written by Isa Sánchez, Daniel Corpas and Pablo Lara Toledo. The series will be directed entirely by women: Anaïs Pareto, director of the series as a whole, in addition to four episodes, and Estel Díaz, who will direct two episodes.

“Ena is the portrait of historical moments that seem distant but are not so far away, because without them we would not understand the times we live in now,” Olivares declares in the press release sent by TVE. The writer and screenwriter remembers that Victoria Eugenie “fought to be happy in a bitter time, in which she witnessed two world wars, a civil war and a great pandemic, the tortuously called Spanish flu.”

For Pilar Eyre, author of the novel, she was "an extraordinary woman: cultured, supportive, liberal-minded, modern and very loyal." And she is excited because "finally all Spaniards can know" the story of a "misunderstood" woman. in their time, which they will always consider foreign." It is a fiction co-produced by RTVE with Ena La Serie AIE, La Cometa TV and Zona App. José Pastor, director of Film and Fiction at RTVE, has pointed out that "it is a "RTVE is proud to be able to portray this interesting historical character, from the point of view of two women directors and with Javier Olivares as showrunner, in one of its best series."

The Spanish actress of Anglo-Danish descent Kimberly Tell will play Ena and Joan Amargós will play Alfonso XIII. For her part, Elvira Mínguez will play Maria Christina von Habsburg-Lothringen, mother of Alfonso XIII. The cast is completed by Lucía Guerrero (Beatrice of Saxe-Coburg and Gotha), Raúl Mérida (Alfonso of Orleans and Bourbon), Juan Gea (Álvaro Figueroa y Torres, Count of Romanones), María Morales (María del Carmen Angoloti y Mesa, Duchess of Victoria), Pedro Mari Sánchez (Rodrigo de Saavedra y Vinent, Marquis of Villalobar), Luisa Gavasa (Eugenia de Montijo) and Joaquín Notario (José de Saavedra y Salamanca, Marquis of Viana)

Mariano Peña will play Miguel Primo de Rivera; Jaume Madaula will play the anarchist Mateo Morral, author of the attack committed at the royal wedding; Tomás del Estal will be Emilio María de Torres y González-Arnáu, and Ángel Ruiz will once again give life to Federico García Lorca, a character he already played in El Ministerio del Tiempo, among others.

The series will be filmed entirely in natural exteriors and interiors, like the Royal Palace of Madrid, the Palace of La Granja de San Ildefonso (Segovia), the Palace of Santoña (Madrid), the Palace of Fernán Núñez (Madrid), the Fort of San Francisco (Guadalajara) and the Magdalena Palace (Santander), built in 1911 by the City Council as a tribute to the monarchs and where Ena spent a good part of her summers in Spain, accompanied by the Royal Family. Filming for the series will continue until the end of December.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

So, the Magdalena Palace is going to be an important location during the series as a summer palace, the main filming location in Gran Hotel, and in that series Ena appeared in the episode 3×13, played by Aída Filx.

Apart from that, are we getting an Olivaresverse (XD)? Most likely not, and it's just references about his previous works as a showrunner, but there are connections between Isabel, Emdt and Ena: Michelle Jenner starring Isabel as Isabella I of Castile, then appearing in a couple of scenes in Emdt episode 1×04 and being an important figure in the lore as the foundress of the ministry (& Eusebio Poncela playing as Cisneros in both series, and also he played Cisneros in the film La Corona Partida and the Carlos Rey Emperador series); Alfonso XIII is a descendant of Isabella I of Castile; Ángel Ruiz appeard as Lorca in Emdt in 4 episodes and now he is on Ena playing as Lorca again, we don't know yet how much screentime he will get or which will his role be (secondary character most likely), but it's great to see more about him!

[irrazabalblog]

Profesionalmente o por amor al arte siempre me fascinaron y he fotografiado torres de la ciudad. Las de vivir y las otras, campanarios, antenas, depósitos de agua... La semana de la arquitectura 2024 – del 7 al 13 de octubre – con la temática «Arquitectura vertical», me sirve para volver a publicar algunas. Estas del edificio Efisa, que ahora está cambiando su piel amarilla. 65 mts. 20 plantas, ARQUITECTOS: ALFONSO DEL MORAL, JOSÉ MARÍA IGLESIAS ATOCHA, JOSÉ RAMÓN GARCÍA PATIÑO, VICTORIANO MARTÍNEZ VIDAL 📸© 2024 @irrazabalblog

[nightlocktime]

A bit late but couldn't forget about them, our Paralympics delegation. They absolutely killed it. Every single one of them giving it all and making us proud.

Thank you to all of our 78 participants, 28 medalists, and 44 diplomas.

Alex Enrique Martínez Guevara, Ana Lucía Pinto Ochoa, Andrés Felipe Mosquera Neira, Angie Lizeth Pabón Mamian, Aura Cristina Poblador Granados, Bertha Cecilia Fernández Arango, Brayan Mauricio Triana Herrera, Buinder Brainer Bermúdez Villar, Carlos Andrés Vargas Villanueva, Carlos Daniel Serrano Zárate, Daniel Giraldo Correa, Daniela Carolina Munévar Flórez, Darian Faisury Jiménez Sánchez, David Felipe Rendón Acosta, Diego Fernando Meneses Medina, Edilson Chica Chica, Edwin Fabián Matiz Ruiz, Eglain Antonio Mena Lemus, Erica María Castaño Salazar, Euclides Grisales Diaz, Fabio Torres Silva, Francy Esther Osorio Calderón, Fredy Duvian López Morales, Gabriela Oviedo Rueda, Giovanny Andrés Malambo Rachez, Gisell Natalia Prada Pachón, Héctor Julio Ramírez Murcia, Ionis Dayana salcedo rodríguez, Jesús Alberto López, Jesús Augusto Romero Montoya, Jhohan Darío Ardila Cárdenas, Jhon Alexander Hernández García, Jhon Eider González Hernández, Jhon Fredy Gómez Giraldo, Jhon Sebastián Obando Asprilla, José Gregorio Lemos Rivas, Juan Alejandro Campas Sánchez, Juan David Pérez Quintero, Juan Esteban García Sánchez, Juan Esteban Patiño Giraldo, Juan José Betancourt Quiroga, Julián Andrés Jaramillo Téllez, Karen Tatiana Palomeque Moreno, Kevin Alfonso Moreno Gualaco, Laura Carolina González Rodríguez, Leider Albeiro Lemus Rojas, Leidy Johanna Chica Chica, Lino Nicolás Coca Castro, Luis dahir Arizala Ocoró, Luis Fernando Lara Rodallega, Luis Fernando Lucumí Villegas, Luis Francisco Sanclemente, María Alejandra Murillo Benítez, María Angélica Bernal Villalobos, María Mónica Daza Guzmán, María Paula Barrera Zapata, María Salomé Henao Sánchez, María Teresa Restrepo Rojas, Mariana Guerrero Martínez, Mauricio Andrés Valencia Campo, Mayerli Buitrago Ariza, Miguel Ángel Rincón Narváez, Nelson Crispín Corzo, Niver Rangel palmera, Paula Andrea Ossa Veloza, Reynel Romero Montoya, Santiago Solis Torres, Sara del Pilar Vargas Blanco, William Jair higuera Ocampo, Xiomara Saldarriaga Hernández, Yamil David Acosta Manjarrez, Yasiris Blandón Escobar, Yeferson Suárez Cardona, Yeniffer Paredes Muriel, Yesenia María Restrepo Muñoz, Yesica Paola Muñoz Nieto, Zharith Alejandra Rodríguez Silva, Zuleiny Rodríguez Trujillo

[goalhofer]

2024 olympics Ecuador roster

Athletics

Brian Pintado (Santa Ana De Los Ríos De Cuenca)

Alexander Hurtado (San Francisco De Quito)

Jordy Jiménez (San Francisco De Quito)

Juan Caicedo (San Lorenzo)

Silvia Ortiz (Riobamba)

Mary Granja (San Francisco De Quito)

Paula Torres (Santa Ana De Los Ríos De Cuenca)

Ángela Tenorio (Nueva Loja)

Nicole Caicedo (San Francisco De Quito)

Aimara Nazareno (Santiago De Guayaquil)

Gabriela Suárez (Ibarra)

Maribel Caidedo (Santiago De Guayaquil)

Rosa Chacha (Ambato)

Glenda Morejón (Santiago De Guayaquil)

Magaly Bonilla (Ambato)

Boxing

José Rodríguez (Santiago De Guayaquil)

Gerlon Congo (Ibarra)

María Palacios (San Francisco De Quito)

Cycling

Jhonathan Narváez (La Bonita)

Alfredo Campo (Santa Ana De Los Ríos De Cuenca)

Equestrian

Julio Mendoza (Tryon, North Carolina)

Nicolas Wettstein (Basel, Switzerland)

Ronald Zabala-Goetschel (San Francisco De Quito)

Judo

Vanessa Chalá (Ibarra)

Pentathlon

Andrés Torres (Santiago De Guayaquil)

Sol Naranjo (San Francisco De Quito)

Shooting

Andrea Pérez (Santiago De Guayaquil)

Diana Durango (San Francisco De Quito)

Swimming

Tomás Peribonio (Miami, Florida)

David Farinango (Machala)

Anicka Delgado (Los Angeles, California)

Table tennis

Alberto Miño (Santiago De Guayaquil)

Triathlon

Elizabeth Bravo (Santa Ana De Los Ríos De Cuenca)

Weightlifting

Angie Palacios (Santiago De Guayaquil)

Neisi Dájomes (Puyo)

Lisseth Ayoví (Machala)

Wrestling

Lucía Yépez (Mocache)

Luisa Valverde (Babahoyo)

Génesis Reasco (San Francisco De Quito)

[armatofu]

Rosalía de Castro nació en Santiago de Compostela

el 23 de febrero de 1837. Su madre, doña María Teresa de la Cruz de Castro y Abadía, tenía treinta y tres años cuando nació Rosalía y pertenecía a una familia hidalga venida a menos. Su padre fue don José Martínez Viojo. Contaba con treinta y nueve años cuando nació la niña y era sacerdote. Su condición sacerdotal le impedía reconocer a su hija y delegó su cuidado en sus hermanas. La recién nacida fue llevada a Ordoño. Doña Teresa y doña María Josefa, tías paternas de Rosalía, tomaron bajo su tutela a la pequeña mientras vivió en Ordoño, hasta que su madre se hizo cargo de ella, con la cual se mudó a Santiago de Compostela en 1850.

Su contexto familiar, y el profundo amor que sintió por su madre, quien decidió hacerse cargo de Rosalía a pesar de la presión social y el desprestigio, se vieron reflejadas en sus obras posteriores.

En 1856 viajó a Madrid y se instaló allí una temporada, en la residencia de doña María Josefa Carmen García-Lugín y Castro, pariente de su madre. Allí publicó su primer poemario, titulado La flor, la cual vio la luz como folletín. Esta obra recibió muy buena críticas en Madrid. En 1857 inició una relación con el historiador y poeta Manuel Murgía; la pareja contrajo matrimonio al año siguiente. El matrimonio tuvo seis hijos: Alejandra (1859), Aura (1868), Ovidio y Gala (1871), Amara (1873) y Adriano Honorato (1875), quien falleció al año y medio por una caída. Tuvieron una séptima hija que murió al nacer. Estos trágicos acontecimientos afectaron emocional y psicológicamente a Rosalía.

Durante la década de 1860 la familia alternó su residencia en Madrid, La Coruña y Santiago de Compostela, afrontando notables dificultades económicas y problemas de salud que acompañaron a Rosalía a lo largo de su vida.

En 1863 fueron publicados los poemarios Cantares gallegos y A mi madre, en gallego y castellano respectivamente. Este último fue publicado tras la muerte de su madre. En tanto que Cantares gallegos tuvo una muy buena recepción de la critica literaria.

En 1867 fue publicada El caballero de las botas azules, una de las más célebres novelas, escritas en castellano. Un año antes se había publicado Ruinas y Las literatas, también en castellano. A pesar de estos éxitos, fue muy poco el reconocimiento del que gozó Rosalía de Castro en España durante su vida.

En 1871 Rosalía de Castro se trasladó nuevamente a Galicia, a la localidad de Torres de Lestrove. En los siguientes años residió en Santiago de Compostela y Padrón. Nunca volvió a alejarse de su natal Galicia. En 1880 se publicó Follas novas, poemario en gallego que coincidió como una especie de continuación de Cantares gallegos. Cuatro años después publicó En las orillas del Sur, compendio de poemas en español escritos en años anteriores.

A partir de 1883 la frágil salud de Rosalía decayó paulatinamente, aquejada por un cáncer de útero. Falleció el 13 de julio de 1885 en su residencia La Matanza rodeada de sus hijos. Fue sepultada según su propio requerimiento en el cementerio de Adina, de la localidad de Iria Flavia.

Imagen. Rosalía de Castro (1837-1885), fue una poeta y novelista en lengua gallega y castellana. Se lo consideró la figura central del resurgimiento de la literatura gallega en el siglo XIX.

[isadomna]

María Inés Calderón (1611 – 1646 )

“A woman who apparently was not beautiful, but she had a lot of grace and charm. In addition to reciting, singing and dancing very well.”- Elvira Menéndez

María Inés Calderón, known as La Calderona and Marizápalos, was the most important actress in the Spain of the seventeenth century, who became the mistress of King Felipe IV and mother of his illegitimate son, Juan José of Austria. La Calderona was involved in a relationship with Ramiro Pérez de Guzmán, Duke of Medina de las Torres, at the time Felipe IV first saw and got smitten by the actress-singer on her debut at the Corral de la Cruz theatre in Madrid in 1627. But when the king got in the way, the lover had no choice but bow his head. La Calderona became the favorite of Felipe IV.

Enamoured of the red-headed actress, Felipe IV installed his lover in a balcony overlooking the square, a decision that flew right in the face of convention as these seats were meant to be the exclusive preserve of the aristocracy. After spotting her rival sitting in the posh seats, the queen Isabel de Borbón flew into a rage and threw La Calderona out of her love nest in the palace. To compensate, the rather sneaky king, then ordered that a secret balcony to be built under an arch. In this way, his lover could attend events at the Plaza Mayor and remain out of sight.

Upon the birth of her son in 1629, La Calderona lost the custody of him despite her protests. Her relationship to the king ended the same year. There were rumors at the time that her son was fathered by Ramiro Pérez de Guzmán. La Calderona was forced to become a nun against her will. Felipe IV ordered her entry into the monastery of San Juan Bautista of Valfermoso de las Monjas, in Alcarria, where the interpreter would lose contact with life, the theater, her son. In 1642, the King recognized Juan José officially as his son, and Juan José began his life's career as a military representative of his father's interests.

It was said that she died in closing, already under the name of Mrs. Maria de San Gabriel, Abbess. But it has also been written that she fled: that she managed, on the one hand, to escape from God's mandate and escape, along with a bandit, to the Sierra de la Calderona (Valencia) and, in another version, that she returned to Madrid, where she would welcome the guild of actors: « A kind of union that gave relief to interpreters who were in poor condition or who were already older. There seems to be data that helped her. Which would mean that she did not die in the convent as they officially said ».

The few concrete data of María Inés Calderón have served to increase the legend. Also regarding her family. It is not uncommon to find references to Pedro Calderón de la Barca as father of the creature. But far from it. It seems that, being very small, appeared at the door of Juan Calderón, a lender of the theater world and father of Juana, also an actress, although not as renowned as «La Calderona».

(x)(x)

[fotosbodajaen]

Boda María José y José Manuel from La torre fotógrafo on Vimeo.

Adelantado mini resumen boda en Jódar

[theroyalfanzine]

PREDICTIONS of those in attendance of The Princess of Asturias's 18th birthday Celebrations

The Princess of Asturias's birthday celebration is meant to be a private affair, thus likely there will be limilted international affairs involved and it will primarily be a family affair, if anything we might get The Greeks as Queen Sofia is closely connected to them, and possibly the Bulgarian royals, especially with Prince Christian's celebrations just the week before.

Spain

King Felipe VI

Queen Letizia

Queen Sofia

King Juan Carlos

Infanta Elena, The Duchess of Lugo

Don Felipe Juan Froilán de Todos los Santos de Marichalar y Borbón, Lord of Tejada

Doña Victoria Federica de Todos los Santos de Marichalar y Borbón, Lady of Tejada

Infanta Cristina

Don Juan Valentín Urdangarin y Borbón

Don Pablo Nicolás Sebastián Urdangarin y de Borbón

Don Miguel Urdangarin y Borbón

Doña Irene Urdangarin y Borbón

Doña María de Fátima Simoneta Luisa Gómez-Acebo y Borbón(who's also celebrating her birthday)

Don Juan Filiberto Nicolás Gómez-Acebo y Borbón, 3rd Viscount of La Torre

Don Bruno Alejandro Gómez-Acebo y Borbón

Don Luis Beltrán Ataúlfo Alfonso Gómez-Acebo y Borbón

Don Fernando Humberto Gómez-Acebo y Borbón

Infanta Margarita of Spain, Duchess of Soria, 2nd Duchess of Hernani, Grandee of Spain

Don Carlos Emilio Juan Zurita y Delgado, Duke of Soria and Hernani

Don Alfonso Juan Carlos Zurita y de Borbón, Grandee of Spain

Doña María Sofía Emilia Carmen Zurita y de Borbón, Grandee of Spain

Queen Letizia's family

 Jesús José Ortiz Álvarez

María de la Paloma Rocasolano Rodríguez

Telma Ortiz Rocasolano

Amanda Rocasolano

Carla Vigo Rocasolano

[nightsidewrestling]

D.U.D.E Bios: Zacarías Huerta

Billie's Second 'Baby Daddy' Zac Huerta (2020)

The second man to have a child with Lust herself Zacarías, Mr Huerta is a man with a family, and an extra 'unwanted' child after a night with Billie 'Lust' Lucifarian.

"Keep the kid, I want nothing to do with him."

Name

Full Legal Name: Zacarías Guadalupe Huerta

First Name: Zacarías

Meaning: Spanish form of Zechariah (From the Hebrew name 'Zekharyah' meaning 'Yahweh Remembers' From 'Zakhar' meaning 'to remember' and 'Yah' referring to the Hebrew God) and Zacharias (The Greek form of Zechariah)

Pronunciation: sa-ka-REE-as

Origin: Spanish

Middle Name: Guadalupe

Meaning: From a Spanish title of the Virgin Mary, 'Nuestra Señora de Guadalupe', meaning 'Our Lady of Guadalupe'. Guadalupe is a Spanish place name of a famous convent, derived from Arabic 'Wadi' meaning 'Valley, River' possibly combined with Latin 'Lupus' meaning 'Wolf'

Pronunciation: ghwa-dha-LOO-peh

Origin: Spanish

Surname: Huerta

Meaning: Means 'Garden, Orchard' in Spanish, ultimately from Latin 'hortus'

Pronunciation: WEHR-ta

Origin: Spanish

Alias: Mr Huerta, Mr H, Señor Huerta, Señor H

Reason: Zac is a teacher

Nicknames: Zac, Lupe

Titles: Mr, Señor

Characteristics

Age: 36

Gender: Male. He/Him Pronouns

Race: Human

Nationality: Mexican

Ethnicity: Latino/Hispanic

Birth Date: December 15th 1984

Symbols: Umbrellas, Rain

Sexuality: Heterosexual

Religion: Catholic

Native Language: Spanish

Spoken Languages: Spanish, English

Relationship Status: Married

Astrological Sign: Sagittarius

Theme Song (Ringtone on Billie's Phone): 'Him 'Em Up Style (Oops!)' - Blu Cantrell

Voice Actor: Diego Luna

Geographical Characteristics

Birthplace: Oaxaca de Juárez, Centro District, Oaxaca, Mexico

Current Location: Oaxaca de Juárez, Centro District, Oaxaca, Mexico

Hometown: Oaxaca de Juárez, Centro District, Oaxaca, Mexico

Appearance

Height: 5'7" / 170 cm

Weight: 150 lbs / 68 kg

Eye Colour: Brown

Hair Colour: Black

Hair Dye: None

Body Hair: Hairy

Facial Hair: Full Beard

Tattoos: (As of Jan 2020) None

Piercings: None

Scars: None

Health and Fitness

Allergies: None

Alcoholic, Smoker, Drug User: Social Drinker

Illnesses/Disorders: Poor Eyesight

Medications: None

Any Specific Diet: None

Relationships

Allies: N/A

Enemies: N/A

Friends: Heath Ott, Donato Santos, Vasco Romero, Ivor Rhydderch, Rafferty O'Sullivan, Caden McDermott, Darach Rhydderch Faust McConnell

Colleagues: Too many to list

Rivals: N/A

Closest Confidant: Iridián Huerta

Mentor: Darío Huerta

Significant Other: Iridián Huerta (35, Wife, Née Torres)

Previous Partners: Bienvenida Marino (37, Ex-Girlfriend)

Parents: Darío Huerta (66, Father), Jazmín Huerta (65, Mother, Née Guerra)

Parents-In-Law: Adán Torres (65, Father-In-Law), Pacífica Torres (34, Mother-In-Law, Née Moreno)

Siblings: Pía Simões (33, Sister, Née Huerta)

Siblings-In-Law: José Ángel Simões (32, Pía's Husband), Yéssica Chaves (30, José's Sister, Née Simões), Wálter Chaves (31, Yéssica's Husband),Valentín Torres (31, Iridían's Brother), Visitación Torres (Valentin's Wife, Née Duarte)

Nieces & Nephews: Úrsula Simões (11, Niece), Sócrates Simões (8, Nephew), Rosa María Chaves (10, Niece), Quintín Chaves (7, Nephew), Purificación Torres (10, Niece), Óscar Torres (7, Nephew)

Children: Antonio Huerta-Marino (14, Son), María Guadalupe Huerta (12, Daughter), Lucero Huerta (9, Son), Nayeli Huerta (6, Daughter), Yunuen Huerta (3, Son)

Children-In-Law: None

Grandkids: None

Great Grandkids: None

Wrestling

Billed From: N/A

Trainer: N/A

Managers: N/A

Wrestlers Managed: N/A

Debut: N/A

Debut Match: N/A

Retired: N/A

Retirement Match: N/A

Wrestling Style: N/A

Stables: N/A

Teams: N/A

Regular Moves: N/A

Finishers: N/A

Refers To Fans As: N/A

Extras

Backstory: Born and raised in Mexico, Zacarías travelled to the UK to gain his teaching degree before flying back home, having a short romance with Billie before marrying his childhood sweetheart.

Trivia: Nothing of note

[monriatitans]

ARTIST SHOUT-OUT ON MOTHER'S DAY! Sunday, May 14, 2023 "Mother Mermaid" by José María de la Torre Bugidos

SOCIAL MEDIA

ArtStation Post

Instagram

Website

**Don't forget to give José María de la Torre Bugidos a follow!**

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The Artist Shout-Outs are given to provide exposure to human artists to combat the AI compilations. For more details, and to view previous ones, click here! The shout-out choice was inspired by it being Mother's Day! See the original Artist Shout-Out post to Instagram here! See the piece on ArtStation here!