#It's topical actually because my brain made this

[1moreff-creator]

What are some dynamics (in terms of like, foils/parallels) that you enjoy in DRDT?

you’re staring at a forest and asking me for every tree i like. do you want me to write another 28k word post /lh

I jest, of course, but not about the number of interesting foils in this series. It does a fantastic job tying everyone into several key themes in ways that make their dynamics endlessly enriching for my silly little character parallel-loving brain. So, uh, get ready for a long-ish post?

CW: One mention of self-harm, self-loathing

Teruko-David: I mean, you gotta start at the center, yeah? David’s the closest thing to a “main antag” we have, and it’s no wonder; the guy’s built like a standard DR protag, obviously he’s gonna have a cool dynamic with the actual protagonist. 

These two could breathe a bit weird and somehow parallel each other doing it, that’s how much this foil permeates both their characters. From their fatalistic outlooks on the world (“my luck will always be terrible, I’ll always be betrayed” vs “people can’t change, the world sucks”), the ways they hide their feelings (Teruko was more distrustful than she first presented herself as, but cares about people more than she shows during most of CH2; while David has an entire different persona up to 2-11 and then pretends to be worse than he actually is), the self-loathing (Teruko refuses to think she could be a good person, David has the whole “inhuman” thing going on), down to the oddball sibling figure (Terubro “I know nothing about you” Tawaki vs Diana “I’m not even sure you exist” Chiem).

There’s their feelings about Xander and Min, too, which are all over the place. Obviously we all saw in 2-12 how much the British twink fucked both of them up severely, with Teruko rejecting any positive or yearning feelings she may have had about Xander (you can’t hide the cactus scene from us girl) while David vehemently defended him from any criticism. On the other side, Min is less of a narrative poltergeist (for now; XF-Ture exists), but she still comes up with them, with David calling her pathetic eleven episodes after Min hugs Teruko and Teruko’s internal monologue gives away how much she cares about the Student. 

And these parallels play into their weird-ass dynamic very well, because their beefing is founded on their similarities and their differences, out of projecting their self-loathing to someone similar at the same time they hate each other because of their disagreements on things like Xander. Crazy stuff.

Xander-Min: Mentioning these two second because they’re also Eternal Parallels. There’s almost not a single thing about these two that isn’t somehow reflected on the other. If you projected them onto each other’s direction, you would get no perpendicular component. Get it, ‘cuz they’re completely parallel- That is, by far, the nerdiest joke I’ve ever made, I apologize.

But come on. Their attitudes towards fate (the Rebel fighting it and Min resigning herself to the XF-Ture thing), the whole “holding on to the past vs wanting to move on from the past” thing, the similarities between how they actually feel about the education system (they have issues with it) contrasted with the things they actually do in respects to that (Min is still the Ultimate Student, but Xander dislikes that), their already mentioned contrasting connections to Teruko and David… Just, absolutely everything about them is a meaningful contrast. And it comes into play a lot, with their eternal beef being born largely out of these parallels. They’re awesome.

Teruko-Ace: Pretty topical for post-CH2. Ace’s entire arc is sort of a reflection of Teruko’s, yet taken to the extreme because of one particular point of contrast; Ace feared death, Teruko doesn’t think she can die. But he still basically serves as a demonstration of all the flaws in Teruko’s all mindset; the feeling of unchangeable fate, the complete lack of trust, all the good stuff. It basically allows an exploration of Teruko’s mindset from an outside perspective, which makes it easier to see the flaws in it.

Ace-Nico: Also topical, these recap foils go kinda insane. Their motives for murder, their contrasting talents (love for animals on Nico's side and fear of horses on Ace's), the way they relate to the rest of the cast, Ace's persecution complex vs Nico actively disliking how much Hu defends them, etc., it’s all very fun to see play out. 

Ace-Levi: The one who doesn’t care but protects others and tries his best to be a good person so he can be accepted in society without having issues, vs the guy that acts like an asshole because he’s scared of caring too much and he thinks the only way he can get out alive is by being the only one to survive. This leads to a fundamental misunderstanding between them that causes some of the most doomed yaoi of all time, which is the whole “Levi getting frustrated at not understanding Ace.” 

Arei-David: You’ve presumably watched 2-13, so I don’t think I need to explain all the awesome stuff that’s come from their shared themes of “good people” and self-betterment and all that. Not to mention, David’s little breakdown over Arei trusting the letter of the only friend she had being presumably born from the way he saw Xander as the only friend he had. Shit goes crazy.

Arei-Eden: Recap foils… Good people… The choice to be kind… Etc… Woah :O

Teruko-Charles: Ah, Teru’s recap foil. This one’s basically opposite of Ace’s, where Charles used to be sort of like Teruko acted in CH2, but later became a bit friendlier, if still somewhat prickly. Basically, if Ace highlights Teruko’s character traits from CH2, Charles post CH1 serves as more or less the “end goal” in a way. It goes beyond that, too, with the whole memory issues (prosopagnosia vs childhood amnesia) and, again, mysterious siblings (Terubro and Elliot what are your deals), so it’s always neat to rotate these two in the brain.

Veronika-Levi: We really don’t know too much about Vero, which always makes it a bit harder when analyzing these dynamics, but they already got some interesting points of contrast. Neither of them are particularly concerned about the deaths of the others, at least post-CH2 (Levi doesn’t grieve and Vero actively laughs at Ace’s death), but it comes from almost opposite ends of perspective. Levi doesn’t understand others because he doesn’t feel much empathy (if any at all), while Vero seems to treat the others not as people, but almost as characters to be analyzed (that’s the impression I get, at least), which makes her come off as very good at reading people but also occasionally causes her to see them as sources of entertainment first and foremost. Not to mention there’s also the fact they’re both very different people than they were in the past (Levi was some form of delinquent and now is a good person, Vero used to be outdoorsy and then no longer was). Wow that’s… more than I thought there was- How am I finding more interesting foils just by writing more???

Hu-Levi: I kinda talked about this in my CH2 PT2 analysis so read that ig.

J-Rose: A pair of recap foils who haven’t had too much yet, but a lot of their themes, in particular about fate and privilege and stuff, are pretty noticeable with them, so this is always a fun dynamic to consider.

Levi-Arturo: More recap foils, this one’s fun because of the dead family member :) Also things like their talents being related to aesthetics and both doing the things they do for a better life.

Veronika-Hu: This one’s kinda more hypothetical, since Vero in particular hasn’t had as much direct focus as other characters yet, but that’s part of what makes them fun. Past history of self-harm (even if brought on by very different feelings) is just the first of many parallels they could have, and it’s fun to see the contrast between Hu defending Nico to the ends of the Earth and Vero talking about how much she likes Arturo because of how awful he is. They’re really silly.

David-Whit: All the recap foils are fun, but I've always struggled to see this one in particular. Partly because I feel like I know less about Whit than I know about Mai :v Still, certain things like Whit ignoring anything that upsets him which connects to David constantly lying about his real feelings for his fans, which is probably what leads to David's outburst at Whit in the second trial.

Teruko-MonoTV: Because fate. Really this is here plainly because it’s just a funny as hell dynamic to even consider lol.

Teruko-Mai: Have they interacted? Has Mai had enough screen time to truly determine that this parallel truly exists? Do we even know a single theme that Mai’s character touches on for certain? No and it doesn’t matter! Because these two are clearly connected somehow and the whole “someone dearly loved - someone dearly unloved” thing makes me ill. Mai is getting mentioned in this post and you're not stopping it.

Mai-Whit: Fuck it! “We tend to idolize the dead” dynamic!!! It's very speculative, but this one’s just fun to ponder even if we have even less idea of what could be going on between the two than with Mai-Teruko.

Anyways ready for a few themes that run through a lot of characters?

David-Levi-Nico-Rose: The “feeling disconnected from the rest of humanity’s experiences” gang!!!

Min-Rose-Hu-Veronika-Arturo: The “wants to move on from the past” gang!!!

Min-Arei-Teruko-Ace: The “trying to fix mistakes” gang!!!

Teruko-David-Eden-Arei-Levi-Xander: The “what makes a good person?” gang!!!

Teruko-David-Xander-Min-J-Whit-Ace-Rose-MonoTV-Probably everyone else: Fate!!!!

And there’s more than I’m probably forgetting because I can’t possibly check every conceivable connection between these guys. At least I hope I covered most of the major ones. Thanks for the ask, these dynamics are always fun to think about!

[fastbrain]

I couldn't resist creating some dad content for Fathers' Day here in Aus yesterday.

(The Reddit post with more Palia-related puns)

[pnfc]

i haint watched the dang chibisode and idk if ill actually watch it with sound on sdfjk but i have a hurt feeling about them casually imbuing perry with speech for a one off gag because the idea that he needs to talk to communicate is fake. we had 4 seasons of wacky magic hijinks cartoon where perry never needed verbal speech to communicate. they couldve done this gag at any point in the show but they didn't, and the fact that they didn't felt significant. perry's muteness is such a core part of his character, to me, to the way i conceive of him/write him. i don't wanna overreact to a goofy little side cartoon (even tho i'm doing it anyway) but it's still the characters, and it still upsets me! ok that's it i've said my piece

[unordinary-diary]

Blyke and John: the Followup

In my last entry, I pointed out the similarities between chapters 249 and 121, but I had hit the image limit and wasn’t able to embed screenshots. I got around this by linking the chapters, but this is probably my favorite parallel, and to do it justice I think I need to really put them next to each other.

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

It’s the same fucking scene but backwards and in a different font.

They’re the SAAAAAAAAAAME!!!!!!!!

This was definitely on purpose. Shit like this ^^ doesn’t happen by accident.

[that-foul-legacy-lover]

haven't had to make one of these for a while...

um okay anyways i'm not doing too hot mentally today!! so i'm gonna take a break for tonight and ask that you please send me Foul Legacy asks (or Arlecchino. honestly i'll take anything at this point) because lord knows i sort of need them

[steakout-05]

having social anxiety on tumblr dot com is so fucking frustrating cause like. i'll see a post i like and want to reblog but i do it with so so so much embarrassment because my brain's just thinking "oh god oh fuck im being so stupid right now what if op sees it and thinks im annoying" but like. they realistically would either not care at all or be happy about someone reblogging their post so like what the actual fuck am i afraid of??? but here's the kicker. the reason i have social anxiety in the first place is because i HAVE experienced these comically horrible social experiences of being judged and insulted for no reason before. multiple times. recently. the possibility of this happening is not a 0 chance. i have legitimate reasons to be afraid. and that is. actually horrific

[soft-serve-soymilk]

With me trying to apply, yet again, to get my work exhibited, i'm reminded of the censorship that has gone into Inigo this whole year:

He thinks he's responsible for someone's suicide a bearer of misfortune~ I hope it makes him G-rated enough for public display xD

[qqqqqqqqqqq0]

i've been having some trouble falling asleep lately

[elodieunderglass]

On the topic of the monarchist animals I'm just really curious. What makes the winnie pooh real animals bourgeois? It's not like they own much more than the others. Do they just have bourgeois energy?

(In reference to my addition on this post; https://www.tumblr.com/elodieunderglass/748488762087047168/hold-on-lets-do-this-properly-paddington)

In the post I state that none of the stuffed/toy animals in the Winnie the Pooh series are monarchists, but that the real animals are bourgeoisie. Obviously this is tongue in cheek, but it’s still politically interesting to me because nobody ever reads Winnie the Pooh as an actual book. They just draw depressed Disney Eeyore and think they’ve done something.

Owl and Rabbit are real wild animals that live in the Hundred Acre Wood. The other characters in the story are Christopher Robin’s stuffed animals.

The “real” animals (reasonably) consider themselves to be separate from the stuffed ones, but where it becomes unreasonable is how they assume superiority and how they use this to exert authority.

(A charming response about how the stuffed animals view this: Piglet points out that Rabbit is both clever and Has Brain, and Pooh replies that this is why Rabbit “doesn’t understand anything.”)

Owl is characterised by being a bit of a fraud. The stuffed animals respect him for his presumed education and literacy, but even a preschooler understands that Owl can’t actually read. he actively deceives the other characters in order to maintain a higher social status over them. (Actually, Rabbit’s the most literate character in the Wood.) Owl gains relatively little advantage from this status, apart from his belief that he is superior and the pleasure in everyone deferring to him. A notable theme throughout the written series involves characters approaching Owl for advice, based on his self-made reputation of being wise and thoughtful, and him giving explicitly bad advice, rather than admit that he has no idea how to help. Also, they forcibly give him someone else’s house, in such a way that the actual possessor of the house (Piglet) feels he can���t speak up. Pooh immediately offers to Piglet that he move in with him, which even as a kid felt like an incredibly unsatisfactory solution to having the shyest character’s actual house given away to the character who casually lies about everything just to feel superior.

Rabbit is a grown-ass adult real wild animal. He is the social leader of a massively large family and an extended group of hangers-on (he has fifteen or seventeen close relatives, and the extended Friends-and-Relations are a sort of army); he is the only actually literate person in the narrative, so it is understandable that he feels this (although he also believes Owl can read.) literacy and Brain are considered very important in the Wood.

Rabbit believes in his own superiority and believes himself to serve as a sort of cadet to Christopher Robin. In the series Christopher Robin is the ultimate judge, and a kindly ruler; Rabbit positions himself constantly at Christopher Robin’s right hand and wants to be his enforcer. Christopher Robin, who is five and a fairly distracted God, does not really enforce anything. This does not stop Rabbit from trying to organise the entire Wood. It’s frequently mentioned that Rabbit wants to feel important, he wants to be the Boss. A beautiful, beautiful commentary on his character is when he wakes up feeling “important, as if everything depending on him… it was a Captainish sort of day, when everybody said “Yes Rabbit” and “No Rabbit” and waited until he had told them.” Fantastic!

However, we can see where this leads him. In the first book Rabbit is shown being hostile and actively anti-foreign in his approach to other people. When kanga and roo arrive in the forest - sanctioned by Christopher Robin who has received new toys - Rabbit instantly says they have to get rid of them. Like there is NO friendship in Rabbit’s heart here. There is no “god has placed a new friend in the wood so we have to get on with it.”

Rabbit’s anti-immigration stances are funny, and in-character, and shown by the narrative to be wrong and unfair. But they’re pretty unleashed.

His plan is to kidnap the baby and hold it hostage until the mother agrees to “leave the forest forever and never return.”

This is not a normal response to a new character. It is in fact fucking unhinged. Coming from the most normal-adult real animal in the story, it comes out of nowhere. “We have to eliminate them instantly. Take the baby hostage, blackmail the parent and deport them” Rabbit these are war crimes.

Anyway it’s all very heartwarming as Rabbit learns that he likes Baby Roo. (Their relationship grows warmer as Baby Roo says “yes rabbit” and “no rabbit” better than anyone else.) We never really learn why Rabbit is so violently anti-immigration that he instantly jumps to doing crimes, but it’s possible that he doesn’t like the threat to the status quo. Baby Roo, by deferring politely, thus turns out to be a valuable social inferior for Rabbit’s power base.

But in the next book we also get another new character introduction: Tigger. rabbit does not like tigger. In fact, he stops visiting Roo because Tigger lives with them. Rabbit, frustrated by Tigger’s bounciness, also decides to deliberately trick and bully Tigger in order to make him “small and sorry.” The fact that this comically backfires on Rabbit is part of the Pooh-lore storytelling style, of course, but it’s still something obvious even to the preschool audience - that isn’t how you treat your friends.

In conclusion, due to their hoarding of (social) capital and behaviors that prop up an unjustly unequal social system, I think the real animals in Winnie the Pooh are a bit bougie.

[bea-does-stuff]

𝐀𝐩𝐨𝐥𝐨𝐠𝐢𝐬𝐢𝐧𝐠 𝐚𝐟𝐭𝐞𝐫 𝐚𝐧 𝐚𝐫𝐠𝐮𝐦𝐞𝐧𝐭 (𝐇𝐒𝐑 𝐱 𝐘𝐍)

𝙒𝙤𝙧𝙙𝙘𝙤𝙪𝙣𝙩: 696

𝙘𝙝𝙖𝙧𝙖𝙘𝙩𝙚𝙧𝙨: 𝙎𝙪𝙣𝙙𝙖𝙮 𝙖𝙣𝙙 𝘿𝙧 𝙧𝙖𝙩𝙞𝙤

𝙒𝙖𝙧𝙣𝙞𝙣𝙜𝙨: 𝙞𝙩 𝙨𝙩𝙖𝙧𝙩𝙨 𝙤𝙛𝙛 𝙖 𝙡𝙞𝙩𝙩𝙡𝙚 𝙖𝙣𝙜𝙨𝙩𝙮, 𝙬𝙞𝙩𝙝 𝙨𝙝𝙤𝙬𝙞𝙣𝙜 𝙙𝙞𝙨𝙧𝙚𝙜𝙖𝙧𝙙 𝙤𝙧 𝙣𝙚𝙜𝙡𝙚𝙘𝙩 𝙩𝙤𝙬𝙖𝙧𝙙𝙨 𝙮𝙣'𝙨 𝙛𝙚𝙚𝙡𝙞𝙣𝙜𝙨, 𝙗𝙪𝙩 𝙞𝙩 𝙜𝙚𝙩𝙨 𝙩𝙤 𝙛𝙡𝙪𝙛𝙛 𝙧𝙚𝙖𝙡𝙡𝙮 𝙛𝙖𝙨𝙩 ^^

𝐕𝐄𝐑𝐈𝐓𝐀𝐒 𝐑𝐀𝐓𝐈𝐎

Arguments with him are nothing less than common, with his genius complex and snappy attitude, you both end up initiating an argument about something neither of you truly care for, and of course, you're the one who usually ends up apologising, even when he was in the wrong

This being said, one time, there was one time, he went too far

“God! I truly wonder how you manage to exist and function with that sad excuse of a brain!” veritas snapped, you were use to him saying stuff like that, and you knew he never truly meant them, but it was getting so repetitive you had enough

You didn't even bother responding, you simply slammed the door and headed outside for a break, and as for veritas, he probably cooled himself off with a relaxing bath

It was only when he was done destressing, when he realised the horrible way he spoke to his dearest partner

Upon your arrival, he initially tried to give you space, he stayed in his library reading, as you did your own thing, but the guilt stabbing through his chest slowly became too intense for him, and he quickly rushed to where you were

“Dearest,” he mumbled, you didn't give him an answer, he didn't deserve it

He huffed at your comment and left house, which left you stunned initially, until he returning home with a bag full of your favourite foods, as well as flowers and a plush of your favourite animal

It was so clique, but he didn't know much about this topic, he was always superior, he never had a need to apologise to others, but he wanted to apologise to you, out of respect for you

You sighed and nodded “its fine, veritas” he looked away, scoffing as his cheeks bloomed a faded pink 

“Good. that is good.” he whispered, you had to know dr ratio pretty well to sense the relief in his tone

“I must say, this is a very thoughtful way of apologising, 5 points” you teased, he rolled his eyes, fighting back the small smile crawling up his face

𝐒𝐔𝐍𝐃𝐀𝐘

He is prideful, very prideful, and when he has an opinion, he leaves no room for others input or objectively wrong opinions, which makes it almost impossible for him to apologise

Arguments with him feel like speaking to a wall, on very rare occasions will he say anything, almost making it seem like this situation was…meaningless to him, like your feelings were meaningless to him

This one day made you snap, and you actually began to sob quietly while you were arguing

This made him glance back at you, a look of surprise and…dread on his face

“My angel…” he mumbled, but you rushed out before he could say another word, leaving him alone with his racing thoughts

Despite being a cold, rational and controlling serafin, he is a very paranoid individual, and his mind began to flood with possibilities of you leaving him behind to find someone better, or thoughts of you growing to hate him and seeing him as the control freak others label him as.

Because of this, he let you have your space, and spent an hour or two asking his dear sister robin for advice, she was a lot more well versed in tending to people's feelings and apologising for making someone hurt

Once robin was done lecturing his brother, sunday returned to the house, finding you buried under a layer of cushions and blankets

“Angel…i…” he took a deep breath and looked at you with those…piercing yellow eyes

“The way…that i disregarded your feelings…it..it was unacceptable and cruel” you slightly lifted the blanket on your face, staring at him, still slightly upset

“I…deeply apologise, you don't deserve such cruelty from a man who dares call himself your lover”

You sighed, a sad yet relieved smile on your face “you apologising is a strange occurrence, so i know you mean it”

He brought you to his arms, his wings fluffing up due to how happy he was to have finally worked up the courage to apologize and make you smile

Robin would indeed be proud

[astrosamara]

Astrology Observations #2

🩵Mutable risings are constantly changing up their looks because they love experimenting with different aesthetics, whereas fixed risings tend to stick with the same look or a couple of looks throughout their life. They're not as comfortable with outward change.

🩵Mars in the 1st house makes someone a natural athlete and can excel in sports. Also a great placement for dancers.

🩵Saturn in the 1st house and/or Capricorn/Aquarius Rising age like fine wine. They often tend to be late bloomers as well who can feel awkward and uncomfortable with themselves in their early years, but start to grow more into their confidence later in life, specifically after their first Saturn return.

🩵Gemini Venus are so playful and flirty in their relationships. Humor and lightheartedness have to be prominent for them in their relationships to feel loved.

🩵Sun (the father) or Moon (the mother) in the 12th house can indicate that parent dying early in your life or it can represent them being emotionally or physically absent as well. It's spooky how many charts I've seen where this is the case. (I know death is a sensitive topic, so I don't want to freak anyone out by saying this placement is a 100% indicator of a physical death, because it isn't).

🩵I know Taurus' loving food is a huge stereotype, but it's so true! Every Taurus sun in my life loves to go out to eat, cook, or be cooked for and it's their love language. They can also be super big on physical touch such as massages and hugs. They're all about the senses.

🩵Leo moons tend to be the comedians of their family or friend group. They're the ones everyone relies on to bring the fun and playful energy. They really shine a light in people's lives.

🩵Jupiter transiting the 5th house the same time as a Venus return is a super powerful transit for love and romance. I've seen charts where this indicated marriage, meeting a long-term partner, or starting a new relationship.

🩵When it comes to transits, Saturn is the most important planet to look at imo because it's the planet of timing. Looking back on every time Saturn made a conjunction with one of my personal planets or angles, it highlighted a significant event/theme in my life.

🩵Someone having their moon in your 1st house you may notice that these are the people you find yourself easily letting your guard down around. It's easy and comfortable to be with them. This is a great placement for friendship.

🩵You may find yourself feeling soul-bonded to a pet who has their sun as your moon. My cat is a Pisces sun and I'm a Pisces moon and I've never felt such a strong connection to a pet before. He's my actual baby.

🩵Saturn in the 5th house typically aren't interested in having kids. They may feel incredibly overwhelmed by the pressures and responsibilities that come with raising children. If they decide to have kids, their kids can bring out a very karmic energy in them and can exasperate wounds from their own childhood. This can manifest as a positive or negative experience depending on the sign it's in and other aspects.

🩵Check where your 4th house ruler is in your chart. It can further indicate what your childhood was like. For example, I have an empty Gemini 4th house, but my 4th house ruler is in Mercury in my Scorpio 8th house making a conjunction with my Chiron and I had a very dark and traumatic upbringing.

🩵Nobody knows overthinking like a Virgo sun and/or mercury knows overthinking. Their brain is constantly thinking about what can go wrong in any given situation, scanning everything they need to check off from their mental to-do list before they can allow themselves to relax, and will bring up a specific worry you haven't even thought about. I only have a Virgo mars and that's enough Virgo energy in my chart for me. They are the living embodiment of anxiety.

[after-witch]

Eight Deadly Mistakes [Yandere Alastor x Reader]

Title: Eight Deadly Mistakes [Yandere Alastor x Reader]

Synopsis: You've made a lot of mistakes in Hell, but this one has to be the worst.

Birthday fic for @absolute-flaming-trash who is absolutely awesome!

word count: 1899ish

notes: yandere, abuse, obsessive behavior, humiliation, I'm joining the 'alastor yanks reader by a chain' club

Hell was full of mistakes, and you figured that yours amounted to a sizable chunk--particularly since meeting Alastor. Of the countless mistakes within that particular bucket, there were at least seven distinct mistakes that led you to this very moment. 

One. It was a mistake to thank Alastor for holding the door open for you, the day you entered some run-down market in search of a book. Your voice had been surprised and sweet and ever-so-thankful.

Two. It was a mistake to let him strike up a conversation with you a few minutes later, and not pay attention to the horrified looks that even the most hardened patrons in the shop gave you.

Three. It was a mistake, later on, to think he was your friend; to believe that the shared meals, the late night discussions about music and books and little topics you’d forgotten you enjoyed, were a sign of pleasant companionship. 

Four. It was a mistake to sell your soul to Alastor, after his honeyed offers of protection from the seedier elements of Hell, his casual assurance that your friendship would go unaltered. 

Five. It was a mistake to move into the Hotel when Alastor asked, and not think there was some ulterior motive behind it all. 

Six. It was a mistake to think Alastor was actually kind, just because he was helping Charlie with her hotel, and seemingly protected those within it. 

Seven. It was a mistake to, on this day, ask Alastor if he would give your soul back, now that you’d decided to aim for heaven. Because you were friends, and he cared about you, and therefore, he should want what’s best for you--which is to get (you pardon yourself the phrase) the hell out of Hell. 

Every one of these seven mistakes--the last, you must admit, being the most significant--led you to here. 

To you, trembling on the floor, the tangy copper of blood in your mouth from where your teeth rattled against the end of your tongue when Alastor’s palpable anger made your knees literally buckle. 

“I… I don’t understand,” you spit out, voice trembling as much as your body. “I thought--I thought you…” The words don’t need to be spoken for Alastor to know them.

I thought you liked me, I thought you were my friend, I thought you would be happy to do it.

“You thought what, exactly, my dear?” 

A low electric current buzzed in the air, making the lights flicker once, twice, and again before he continued.

“That I would simply let you go?” He laughed, but there was nothing pleasant about the sound. It was full of mockery and something else, something metal and cold. 

Your stomach squirmed awfully. It was not a feeling you’d ever experienced around Alastor, despite some other’s trepidation around him. He’d never given you a reason to feel that way.

Until today.

Until you asked Alastor to let your soul go, and the room seemed to fizz with electrical interference that left the lights sparking and 

Your eyes went wide. And your brain, stupid thing that it was, pieced things together that you had been all too naively eager to ignore until now. 

The stories of Alastor’s past that you’d heard in snatches and dismissed as jealous fantasy, probably all deriving from Vox and his ilk. The way people who knew Alastor from before his sabbatical tended to steer as clear of him as possible. 

Or how Alastor always insisted you try the things he liked--clothes he left in your room (even before you told him where you lived, before the Hotel); music he insisted you’d admire more than your current collection of alt-rock CDs; foods that were tastier, he said, than your favorites. 

“I didn’t think--” The words stuck to your mouth until you forced them out. “I didn’t think you’d be mad that I wanted to get better, repent and--and get out of here.”

Alastor, despite his smile, did not look impressed.

You didn’t have time to flinch as he swung his microphone down and out, pressing it against your throat.

“Don’t act surprised now. After all,” The microphone dug into the flesh of your neck, lifting your chin until you were looking at him through blurs of oncoming tears. He continued, voice softer, missing most of its usual radio sound. “You made me like this.” 

You wanted to shake your head, but the microphone kept you only capable of looking up and straight at him. His smile made you sick. 

“I didn’t do anything,” you said, voice light, but not quite naive anymore; you didn’t fully believe the words now, and your voice wavered. 

Even if you didn’t mean to do anything to draw the attention of the radio demon, that didn’t mean Alastor wasn’t clearly--wasn’t clearly… affected by you. In some way that you didn’t understand; moreover, you didn’t want to understand it. 

What you thought had been a surprising friendship made in the bowels of hell was something else entirely, and you hated the newfound knowledge. 

Whatever it was that Alastor actually felt for you, it was dark and awful, like sprinkles of mold you find underneath the bathroom sink. Damp and rotting and unwanted. 

“You,” he said, pressing the microphone harder into your throat for emphasis, “have been quite the busy bee when it comes to me, my dear.” He sighed in a way you’d heard him do a hundred times before. But now it feels wrong; sticky, oozing. “I’d never given much thought to… certain endeavors before you. And now I find myself distracted.”

His neck turned again, cracking, and a song began to play from somewhere. 

“Distracted?” You asked, feeling sicker and sicker. 

“Oh, yes,” he answered, dragging out the word. “Quite unlike me, if I must admit it. And yet there’s something about you that’s been making me…”

He didn’t finish. The song got louder, mingling in with the ambience of the room. It was almost soft and wistful, except for the lyrics that made your skin feel cold, repeating on a loop.

And you’re mine… mine… mine…

“And you thought…” His voice continued, each word punctuated by an awful radio crackle that made goosebumps blossom up your arms. “That you would get to simply leave me after all I’ve put into you?”

All he’s put into you.

The dresses, the food, the guidance on what to listen to and how to dance; who to talk to and who to avoid. Advice from a friend, you thought. Advice from someone stronger and maybe smarter.

“Well,” he said, almost cheery now, pulling the microphone away from your sore and probably bruising throat. “I trust you’ve learned your lesson and we can avoid this…” A crackle, short and low. “Unpleasantness in the future.”

You should have said that yes, you learned your lesson; yes, you won’t ask again. But you didn’t. Instead you swallowed hard, feeling the ache from where his microphone pressed in, and added an eighth mistake to your list.

“We can avoid it if you release me from my contract--if you give me back my soul.” 

“Well,” he repeated. And this time, his voice was muffled by a brief, shrieking radio frequency. “Perhaps a reminder is in order.”

The reminder came with cold metal choking your throat; a vivid green chain led straight from your imprisoned neck to Alastor’s hand. 

One trembling hand came up to feel the collar. It was real. It was there. And the chain, too, was solid and unbreakable. 

It was a shocking sight. 

You’d seen the chains of other owned souls before. Angel’s, in particular, when you’d accidentally witnessed an argument between him and Valentino. But there had never been a singular thought given to the fact that you, too, must have had chains. Alastor never showed them to you and until now, had never seen fit to remind you about your lack of freedom.

Until today.

Your surprise and fear made you stupid, and you tried to yank yourself away from him; he held fast to the chain and began to wind it around his hand, forcing you to look upwards, speaking all the while.

“You are never to ask me to release your contract again. And you are certainly never to even entertain the silly notion of leaving me, now or in the future. Do you understand?”

An awful, slimy feeling overtook your gut. He owned you, and he had owned you for some time. You just had been closing your eyes to that reality.

A reality that was now choking you.

“Well?”

You nodded. You didn’t think you could speak, not now. Not to him. 

But it wasn’t good enough. He yanked on the chain, choking you. 

“I don’t believe I heard you, dear.”

“Yes.” The word was spoken through gritted teeth. It tasted like tears. 

“Yes what?”  The grin on his smile widened deceptively as he yanked against the chain, jerking your head upward. It hurt inside and out. 

It was so unfair, that your heart could hurt like this, even after you were dead. 

“Yes, sir.”

That should have been the end of it. He should have let go of the chain and let you slink off in fear and shame, off to sob in your bedroom over the sudden turn of events. 

Instead, he leaned down, and for a moment, his eyes glowed in a painful flash. 

“You can do better than that, my dear, can’t you, to the person that owns your very soul?” 

His hand wrapped around the chain, shortening it even further as he leaned in so close you could smell the rot around him. But it didn’t matter that you wanted to pull away from it, because he held you--literally, held the chains that kept you bound to him. Forever. 

Yes, he owned your soul. He owned you.

“Yes, boss?” you murmured, copying what Husker sometimes said; you were unable to look at him anymore as humiliated, hot tears spilled down your cheeks. 

In an instant, the chain was gone, and you fell to the ground with a clumsy thud. Your chin hit the hard floor before you could brace yourself with your hands. 

“Wonderful,” he said, praising, almost cooing. His neck cracked to the side and you imagined his bones shifting in impossible ways to achieve it. “I suppose I should remind you who you belong to when you get out of sorts like this, my dear.” His smile widened. “A healthy reminder now and then is good for the soul!” 

He laughed. Whether he thought it was a joke or not was unclear. 

“Although, I hope I won’t have to remind you too soon. I do so enjoy your company more when you’re not being…” He waved his hand in the air, glancing up at the ceiling for effect. “Stubborn.” His eyes darted to you, accompanied by the faint sound of a radio hum. “Don’t you agree?”

“Yes,” you breathed out without hesitation, unable to stop shaking from your position on the floor.

“Good girl,” he said, patting the air above your head. You watched his footsteps until he paused at the threshold of the door. You heard his neck snap as he turned it back around--you didn’t dare look up to see. 

“Don’t forget to tidy up before dinner.  I’ve left a dress in your bedroom that I’m sure will look lovely on you.”

[moonstruckme]

I am clean from sh for about 6 months now (yay me) and lately, idk why, I’ve just kinda been struggling with accepting my scars and the fact that I’ll have them probably forever and your writing is really comforting and actually helps, so I wanted to ask if u could maybe write something with Spencer helping reader feel ok with having them on reader‘s thighs?

totally understand that that’s a touchy topic and if u don’t wanna write it, I also completely get it, thanks anyway for even reading this xxx

Ahh yay you!!! Congrats baby, and thank you for requesting <3

cw: past self harm, some nudity that's really not sexual but they joke about it a bit

Spencer Reid x fem!reader ♡ 1.3k words

You’re sweltering. D.C. doesn’t usually get very warm, but for the last week you’ve been on a streak of record-breaking temperatures that’s made your clothes stick to your skin and has caused even your perpetually chilled boyfriend to refrain from putting on his cardigan until he gets inside his work each morning. Just walking between your car and various air conditioned buildings is enough to make you consider moving to the Arctic. 

“Oh my god,” you groan, flopping inelegantly down on the bed to peel your jeans off. “Can we turn the A/C down to sixty, please?” 

“Let’s start with seventy,” Spencer negotiates. You hear his footsteps stop halfway down the hall as he adjusts the monitor. “I think we still have some lemonade left, if you want some.”

“Ugh, yes.” You tear your jeans off your ankles with enough force to nearly send them flying across the room and sigh blissfully as the A/C kicks on. 

You change out of your sweaty shirt too, going for your pajamas despite it being hours from darkness falling. You have no plans to go out into that hellscape again until tomorrow. You hesitate over a pair of pajama shorts before slipping on loose pants instead, not quite as cool but still light enough to allow some air flow. 

“I love you,” you tell Spencer when he passes you your lemonade as you come into the living room, sitting beside him on the couch. Ice clinks inside your glass, which is already forming little beads of condensation. You have the urge to rub it on your face. “I mean, unconditionally, but especially right now.” 

“I’ll take it,” he jokes back, tilting his head back so his face is in the path of the A/C vent. When he looks up, he finds you pinching up the fabric of your pants around your knees, trying to create a pathway for the air to move up your legs. “Why are you wearing those?”

You know what he’s asking you, and you intentionally misunderstand. “I felt like it was pajama time. No way am I going outside again today.” 

“Right, but aren’t you warm?” Spencer tilts his head. He looks like a particularly cunning puppy, brown eyes soft and inquisitive.

“A little,” you admit. 

“Then why not wear something shorter?” 

“That’s awfully forward of you.” You do your best to give him a smile. It doesn’t stick around long in the face of your boyfriend’s serious expression, increasingly worried. “Maybe I don’t feel like parading my legs around for you.” 

You can see the cogs turning in Spencer’s brain, and the usually fascinating process is suddenly almost painful to watch. You know he’s thinking of what you refusing to wear shorts used to mean, how nobody ever thought anything of it because, again, D.C. doesn’t tend to get very warm. How evasive you were about it then, too. An uncomfortable weight settles in your stomach. 

“Is there a reason you don’t want them out?” he asks, and his voice is gentle but his gaze is unflinching. 

You try to hold it as you shake your head. “I’m still clean.” The words seem to take more air than they should. Your guilt and embarrassment are enough to choke on. “I promise.” 

Spencer nods. “I believe you.” 

His eyes don’t so much as twitch down to your covered thighs. Relief like a cool breeze passes through you. It’s no small thing, his trust in you. Not after you’d gone so far out of your way to hide the evidence of your hurt from him before. 

“But it’s still related to that, isn’t it?” He lifts his glass, taking a sip before wiping the corner of his mouth. You almost smile, picturing your boyfriend in an interrogation room asking questions with this same gentle tone and wide open, curious expression. You don’t think Spencer could ever be harsh. 

“Yeah,” you say. What felt like something private and humiliating a minute before you suddenly want to share with him. Spencer tends to have that effect on you; he makes divulging your most gut-twisting secrets feel natural and easy. “My scars just haven’t gone away. I don’t really want to see them.” 

Spencer’s mouth pinches. “You know they won’t ever fully go away, right?” 

“Yeah.” You sigh, but it doesn’t feel like letting anything out. “I know.” 

“They will probably fade, though.” His fingers circle your ankle loosely, calluses skimming softly over your achilles tendon. “Is it that you don’t want to see them, or you don’t want me to?” 

You rub your lips together. Shrug. “Both, I guess.” 

He tilts his head. Like your answer is expected, but nonetheless perplexing. “I don’t care if I see them,” he says. His hand coasts up your leg, over the fabric of your pants, until he grasps it by your knee. “Can I?” 

You nod. You know he’d let it go if you said no, but it’s not worth begrudging him. “Sure.” 

Spencer brings both hands to the fabric at your hips, and you lift your bum up off the couch as he pulls downwards. Your legs are happy to breathe, the cool air coming out of the vent even nicer than you’d thought it would be. Spencer keeps going until your pajama pants are balled up underneath your feet. 

“You really were hot,” he says. It’s neither teasing nor gloating, a simple statement of fact. His fingers come to rest at your ankle again, and it’s the only kind of warmth you’ll allow. “Is it actually worth it?” 

You look down at your thighs. Your skin feels better than it had covered up, but it’s also a physical reminder of things you’d rather forget. “I don’t know,” you reply. 

“I understand why you don’t like them,” Spencer says. When you look up, you expect him to be as stuck on your scars as you are, but he’s looking at your face. His stare is calm and unmoving, like they don’t command his attention the way they do yours. “But I think they may be with you for a while. It might help to start trying to get used to them.” 

You blow out a breath. “I want to.” 

“I know,” he says. Easily, the way he’d said I believe you. And you think that he probably does know. Spencer has things from his past he can’t fully leave behind, too. 

His forefinger moves slowly up and down the back of your ankle, an absentminded gesture for him and a comfort for you. Slowly, his eyes dip down to your legs. You fight the urge to squirm and hide. 

“You know,” he muses, “there’s actually one thing I sort of like about seeing them.” 

Your top lip starts to curl automatically, your brows pulling together. “What?” 

“Just, that they’re old.” Spencer seems not to have noticed your reaction. His gaze is contemplative. “I mean, it’s not that I’m looking for them all the time or anything, but it’s nice to see them and know there aren’t going to be any new ones. These ones will fade, and then that will be it.” 

Something new clogs your throat. It’s just as heavy as before, but far kinder. 

Spencer looks up at you. He looks sheepish, the corner of his mouth uptilted self-consciously. “Sorry, it’s a weird line of thinking. I don’t want you to think I’m always checking on them.”

“No,” you swallow, “I get it. That’s nice, Spence.” 

He shrugs. “It’s the truth.” 

You could almost laugh. He makes things so simple. “I’ll change into shorts.” 

“You don’t have to,” he says. “If you’re already cooling off.” 

“Oh, yeah?” You keep your voice light, grinning at him as you shuffle over to straddle his lap. His fingers brush over a couple of the lines on your thigh as he brings them around your back, and the sensation doesn’t make you feel as shuddery as usual. You hug him with your arms around his neck. “You’re cool with me just staying like this then? No pants?” 

“Not if you don’t want to wear them,” he says agreeably. 

You laugh and hug him harder. “Thanks,” you tell him sincerely. 

Spencer only makes a soft dismissive sound as he hugs you back. 

[p0orbaby]

For a Good Time, Call… (3)

summary: confessions of an Arsenal Vice Captain

warnings: SMUT 18+, (r receiving) sex with a strap, brief mentions of oral and fingering, alcohol consumption

a/n: am I updating this monthly? im afraid so

word count: 2.9k

part 1 | part 2 | part 4 | epilogue

-

You have no idea how you got here.

Well, you do, obviously, but you’re surprised you actually had the balls to go through with it.

‘Dinner tomorrow. Goodman’s. 19:45’

It was simple. Succinct. Completely out of character.

You almost passed out when your sweaty, nervous hands typed it and pressed send. In some ways you did. You don’t deal well with stress, at all, choosing to sleep most of your problems away. It worked this time for the most part. Until you were rudely awakened by your phone and its obnoxious ding.

‘Only if you pay’

So, here you were. Sitting at a table with a lit candle and at least 16 pieces of cutlery, wondering if you have to get a mortgage for a flat you don’t even own to cover the cost of this meal.

You’d arrived early because you needed a stiff drink to calm your nerves and you weren’t having Leah judge you for it. And the equally judgemental looks you're getting from the wait staff as you sat alone not so subtly gulping down your double vodka soda don’t go unnoticed.

So you ordered another one. Along with a bottle of white wine.

“I hope you got that for us to share”

You almost yelp into your glass as you hear a voice beside you. Your eyes flit up quickly to find Leah clad in an all black get up. A suit. Tailored too, by the looks of it. Your heart rate increases exponentially as she stands over you.

“What are you doing here?” You blurt at her.

She smirks as you as she pulls a chair out for herself. “You invited me”

“No. I mean,” you start as you look at your watch, “you’re early”

“So are you”

Touché.

“The wine is for both of us, yes” you confirm, changing the subject. You’re not having her intimidate you. You were the one who asked her here, after all.

“Have you ordered food yet?”

Shaking your head, you open the food menu. She follows suit and you're left to sit in silence as you pretend to read what the restaurant has to offer. Like any sane person, you chose what you were having hours ago so you didn’t have to worry. And it gave you more time to drink your nerves away.

Though by the looks of it, it didn’t work. Your hands still shake when they go to pick up the bottle of wine. Leah must notice, because she’s smirking again and reaching for it herself not a second later.

“I’ve got it”

Get a fucking grip.

Leah’s smirk only adds to your internal turmoil, but you manage a tight-lipped smile in return. “Thanks,” you mutter, grateful for the distraction as she pours the wine into your glasses. The tension between you almost tangible, a thick fog that seems to settle itself over the table.

Taking a sip of wine, you try to gather your thoughts, driving yourself to act like a person with at least half a brain. “So, what made you agree to dinner with me?” you finally ask, trying to keep your tone casual despite the racing of your heart.

Leah leans back in her chair, her gaze lingering on you as she considers her response. “Curiosity, I suppose,” she replies cryptically, a hint of amusement dancing in her eyes. “And maybe a touch of boredom”

You can’t help but scoff at her honesty. “Well, I’ll try to make it worth your while,” you quip, raising your glass in a mock toast.

“I’m sure you’ll find a way to entertain me. You always do,” she says, her tone so casual you almost missed it. And you’re not about to admit your lack of attention is from staring at the way her fingers play with the stem of her glass.

Trying to regain your composure, you take a sip of wine, the taste now bitter on your tongue as you struggle to find the words. “So, what’s new with you?” you ask, opting for a safe topic of conversation.

Leah’s lips quirk into a smirk as she leans forward. “Why? Feeling the need to pry into my personal life?” she teases, her voice low.

You roll your eyes, a ghost of a smirk tugging at the corners of your lips. “Just making conversation,” you reply, your tone light despite the flutter of, something, in your stomach.

Leah leans back in her chair, her eyes never leaving yours. “Well, if you must know, I’ve started seeing someone”

This catches your attention in a way you don’t expect. You try to maintain your composure, but the news hits you like a punch to the gut. “Oh,” is all you manage to say, your voice barely above a whisper.

Leah watches you closely, her expression unreadable. “Is that a problem?” she asks, her tone cautious.

You shake your head quickly, trying to mask the hurt that’s threatening to bubble to the surface. “No, of course not,” you reply, forcing a smile onto your lips. “I’m happy for you”

But even as you say the words, you can’t ignore the sinking feeling in the pit of your stomach, the ache of disappointment that lingers beneath the surface. You had hoped that maybe, just maybe, there was a chance for something more between you and Leah.

“She’s incredibly intelligent, with a sharp wit and a quick tongue,” she says, her voice laced with what you instantly recognise as admiration. “She’s kind-hearted and fiercely loyal, always willing to lend a helping hand to those in need”

You listen reluctantly. Why is she telling you this? To rub it in? To embarrass you that she’s strung you along? “She sounds amazing,” you say, unable to keep the hurt out of your voice.

Leah nods, a smile starting to form as she speaks. “Oh, she is,” she replies, her gaze lingering on you. “She’s someone really special. Even if she is really bad with technology”

What?

Why is that relevant? Have you zoned out again as she’s been talking? When on Earth did she take off her blazer? Were her sleeves always rolled up?Jesus Christ, don’t look at her forearms.

She must catch your frown because proceeds to explain the bizarre nugget of information she’s presented to you.

“Sometimes she takes all day to reply to a text, probably because her phone is dead. Or how she constantly has to get her screen replaced because it’s cracked. Oh, and this one time she sent me a naked picture by accident”

Your heart practically falls out your ass at that. The wind being knocked out of you when your heavy, almost wine drunk brain catches up.

And like a bolt of lightning, it hits you. Clarity emerging from the fog.

She’s talking about you.

Your heart pounds in your chest as the pieces of the puzzle fall into place. It’s as if everything suddenly makes sense, and you can’t believe you didn’t see it sooner.

In the days and weeks that have passed with you and her and this little game, you’ve been an idiot not to notice.

Despite her constant need to rile you up, she’s taken on a very unique trait of checking up on you. Nights out with your friends? A text to make sure you get home safe. In training when you’re completing your individual recovery? Asking if you’ve got everything you need before you head home.

You’ve actually found it pretty fucking annoying. Condescending even. How dare she treat you like a child who needs looking after. So you snapped and snarled at her and she smirked as you retaliated. That just added to the many reasons you thought she was doing it to piss you off. No one else seemed to get Leah’s special treatment. No one else seemed to warrant her attention in quite the same way.

Though you realise now that those weren’t just ways to get under your skin. They were expressions of genuine care and affection, subtle hints of whatever feelings she had for you that you had stupidly failed to recognise.

What do you do now? How do you respond to something like this?

You glance at Leah, your mind racing with a million thoughts and feelings. And then, without a word, you excuse yourself from the table, needing a moment to collect your thoughts.

As you step outside, the cool night air offers a brief respite from the clisterfuck inside your mind. You lean against a wall, trying to steady your racing heart and gather yourself.

This is good, right? This is what you want, isn’t it?

Leah is undeniably your type – intelligent, witty, and captivating in every way. She’s the kind of person anyone would be lucky to have in their life. But she’s also more than that. She’s your teammate, your captain – someone you’ve looked up to and admired from afar.

On one hand, the idea of being with her, of exploring the possibility of something more with her, isn’t an unappealing idea. But on the other hand, there’s a nagging voice in the back of your mind warning you of the potential risks and complications that come with mixing business with pleasure.

This is a decision you can’t make lightly. It’s not just about what you want, but also about what’s best for both of you, for your team, and for your friendship.

As you continue to wrestle with your thoughts, the door of the restaurant swings open, and Leah steps out into the night air. Her presence startles you, and you look up to see her approaching with her forearms covered once again.

Thank god.

“Hey,” she says softly, her eyes searching yours. “Can we talk?”

You nod, because that’s the only thing you can do. Your voice is caught in your throat and you fear if you try to talk you’ll just squeak at her and scare her off.

Leah takes a deep breath, steeling herself for what she’s about to say. “I just wanted to say I’m sorry,” she begins, her words measured. “I know I caught you off guard back there, and I shouldn’t have put you in that position”

You feel a pang of guilt at the concern in her eyes, knowing that she’s trying to do what’s best for both of you. “Leah, that’s not-,” you start to say, but she holds up a hand to stop you.

“I just want you to know that whatever happens, I value our friendship above all else,” she continues, her voice tinged with emotion you don’t see from her often. “And if you don’t feel the same way, I’ll understand if you want to just forget any of this ever happened and go back to how things were before. I don’t want to make things awkward between us”

Before you can respond, Leah reaches out to touch your arm, her eyes looking at yours for any sign of understanding. But instead of words, all you can offer is a sudden, impulsive action.

Then without even thinking, you lean forward and press your lips to hers in a tender, unexpected kiss. It’s a brief moment of connection, a silent declaration of the feelings you’ve both been dancing around for so long.

-

You have no idea how you got here.

Well, you do, obviously, you’re not that drunk. But you’re surprised you actually had the balls to go through with it.

You’re surprised you had the balls to make out with someone in the back of a cab. And then on the doorstep as they tried to unlock the door.

Yet here you are, the sound of skin on skin filling a room that is half lit by a lamp on a bedside table. Your shadows are blurred around the edges. The doing of vodka sodas and desire and the way your face is pressed firmly into the mattress.

You’re not sure how long it’s been. Half an hour maybe? An hour? Long enough that your body has gone slack underneath hers, taking what she gave as she rutted into you.

She was almost too big. The feathered light made it difficult to judge the size of the strap when it was pulled from a drawer. But she’d touched you soft and sweet to get you ready. Then hard and mean when you were slick against her mouth and fingers as you begged her for more.

“Keep your hips up,” she demands as she grabs at them and pulls them backwards. “Yeah, just like that”

They’d be marks from where her fingers gripped at the flesh there, but you didn’t mind. You don’t care, as long as she keeps fucking you.

“Leah” you moaned. Her name sticky and wet in your mouth. “Harder, please”

She stills momentarily. A little taken aback at your sudden confidence. She sucks in a breath when you groan and push yourself further onto the strap unprompted.

“Jesus, Y/N” she gritted out through clenched teeth as you pulled an arm from underneath you to loop it backwards. Pulling at her, bringing her closer. Deeper.

She went, of course, wrapping her body around yours, humming against the back of your neck and stretching a hand over your stomach for purchase. Your skin hot against her palm. The scent of your perfume surrounding her as she kissed between your shoulders.

Again, her fingers squeezed where they were holding the meat of your hips. Pinning you firmly in place as she straightened and rocked into you again.

The noises were obscene. Skin slapping skin and your mangled cries echoing around the room when Leah found your clit and tapped at it rhymically.

You didn’t realise you were crying until salty tears ran into your mouth.

Your orgasm took you by surprise and you sobbed out her name when you started shaking. She eases you through it, removing her hand from between your legs and fucking you hard.

That's better.

“That’s it, good girl” Leah says from behind you, breathless. It reminds you of half time chats and tactics. When she comes off the pitch running her mouth about what’s good and what needs to be better. “Almost there sweetheart”

She pulls out of you suddenly and you clench around nothing as she flips you over. One smooth move and you're facing her.

She’s gorgeous. From what you can see through your tear soaked lashes. Red faced and beautiful. Her chest heaving with her efforts and you realise now why you sit rubbing your legs together from the subs bench.

Sweaty work really is sexy work.

You’ve barely even taken a breath before she’s inside you again. Pinning your hands above your head as her lips attach themselves to yours. The feel of her body pressed against your own is something you didn’t know you’d crave. But now you’ve succumbed to the feelings bubbling deep inside for so long.

“One more. Just one more for me”

“I can't,” you whimper. The words rough and stuttered as your body shifts with each thrust.

“You can, I promise”

Her mouth closed over your nipple. Sucking and licking and pulling noises out of you you didn’t think possible.

“I’m gonna cum” you announce, and she released your breast, your nipple pebbling with the cold air hitting wet skin.

You feel for her neighbours. You really do. It’s not late, but no one wants to hear banging on their walls no matter what time of day it is. Maybe she should get some stoppers to dull the sound a little.

Is that presumptuous? To think this will happen enough times that Leah will need to make changes to mitigate noise pollution? Maybe so, but you hope and pray this isnt the last time this happens.

Your orgasm rips through you, and unsurprisingly stops your virtual Amazon shop abruptly in its tracks. And my god, never have you climaxed this hard in your life.

Legs shaking. Eyes rolling back into your head. Back arching almost unnaturally as pleasure rips through you and touches every damn nerve in your body. It was fireworks on the Fourth of July. Colliding atoms. A demolition of everything you ever thought you knew about your relationship with Leah.

But what you now know, is that she is a woman that knows how to fuck.

You can’t breathe in the best way. Partly because you’d just had the horny pounded out of you. Partly because Leah was now settled on top of you, a firm presence as she too fights for air.

“You okay?” She asks after a second. And you almost laugh because you’re the one that should be asking that. She was the one that did all the hard work.

“I don’t think I’ve ever felt better” you manage once your heartbeat has slowed down and the throb between your thighs has dulled to a pleasant hum.

She laughs and you feel warm all over again.

What was wrong with you? Don't say you’re in love with her already? Because that would be really bloody stupid.

“Don’t, you’ll inflate my ego”

“Like you need help with that”

It’s weird to be having a conversation like this with someone still inside you. But you don’t feel uncomfortable about it. Not with her. Never with her.

You think she must feel the same because when she lifts herself onto her elbows, she doesn’t work to remove herself. No, instead she looks down at you with those blue eyes and that smile and she pushes loose hairs away from your face.

“All you have to do is look at me and my head barely fits through the door” she admits.

“Well, I’ll just have to stop looking at you then. Can’t have you stuck in this room when we need you on the field, can we?”

[joejhang]

fanon neil vs canon neil

god i am so FUCKING done with the aftg fandom mischaracterising neil i'm literally writing fucking ESSAYS about it and pacing circles muttering about it under my breath it's driving me up the goddamn wall so i am going to word vomit brain dump yap about all of it in an incoherent tumblr text post. spoilers ahead continue at ur own risk

i've said it before and i'll say it again I HATE FANON NEIL. istg this fandom LOVES to mischaracterise neil and ykw i think i know why. they take the smallest most unnoticeable parts of his personality and then exaggerate them to disproportionate and unrealistic levels in order for him to fit their idea of a conventional, stereotypical and desirable main character. they smooth out his jagged edges and prick at his "insecurities" to make him more likeable, more acceptable and more conventional of a narrator/main character and in doing so erase so fucking much of his personality and draw as a character that he loses just about all of the flavour that made me love him in canon. and also especially within the andreil dynamic this fucking fandom just loves to tweak neil's character until he's basically unrecognisable just so they can cram andreil into some preconceived socially acceptable clichéd ship dynamic. because andrew is perceived as the typical mysterious, moody and grumpy love interest therefore neil just has to be the sunshiney smiley blushing cute softboy in exchange. yeah because all gay ships have to be grumpy-sunshine and black cat-golden retriever dynamic. i raise you: andreil's dynamic doesn't work because of their differences it works because of their similarities. if u think about it andrew and neil are honestly very similar people in the way they think and process emotions and events and that's what allows them to connect and understand each other. andreil would not work if neil was super sunshiney and a blushy soft mess and andrew was the stoic, never smiling, unemotional stone of a guy the fandom loves to make them. just accept they do not fit into the conventional boxes laid out by booktok for what gay ships look like. i fucking digress.

neil is also just insanely mischaracterised on his own. people love making him very jittery and insanely oblivious and easily flustered with a generous serving of self-esteem issues. i hate to break it to you guys: neil josten is not insecure. i don't think there's a single instant in the series where neil is actually insecure about anything. as a narrator, person and character, neil is very realistic, pragmatic and logical. ruthlessly so. i'd say on this, neil is even more cerebral and unemotional than andrew is. neil is very straightforward and realistic abt himself in his narration and i'd honestly say his opinion and views about himself are one of the only things in the story that isn't affected by his narrator bias. if neil is anything, it's self-aware. i'm now going to present all my fucking evidence.

neil doesn't have a sexuality crisis. literally in the entire series never once does he even question his fucking sexuality. it's implied he's already figured out he's aspec/demisexual from the moment nicky questions him about his sexuality. neil says "i don't swing" and follows up in his narration: it wasn't quite the truth, but it was close enough. and later when he starts his relationship with andrew he doesn't ever question the nature of his feelings towards andrew or even anyone else and is pretty clear about it when andrew breaches the topic: "kissing you doesn't make me look at them any differently" so yeah neil is pretty certain and aware of his sexuality.

neil isn't insecure about his appearance. i feel like this is gonna require a bit of work to explain but hear me out. it is mentioned several times that neil has a complicated relationship with his appearance because he looks so much like his father/abuser. this is obviously understandable; you wouldn't want to look into the mirror and see the man who gave u all ur scars. that being said, neil doesn't have a lot of strong emotions regarding his appearance. most of his feelings of panic tied to when r*ko dyed back his hair is because of how it would be a lot easier for his father to discover him now that he has his original colouring back. i'm also pretty sure neil knows that he's cute. like it's never explicitly stated but i've reread aftg maybe fifty times and trust me i can read between the lines. neil explicitly says that he has a "love-hate relationship with his reflection out of necessity" and while the "hate" part of that statement is obvious: he doesn't like that he resembles his father, i've sort of just accepted that the "love" part of it is that he knows he's kinda fine. it's not brought up by him at all bc neil as a person is not one to linger on people's appearances almost at all. i think the only people to get a decent amount of lines dedicated to their appearance in the narration are allison and andrew. but yeah i genuinely don't think neil thinks he's ugly or unattractive and he's probably definitely been told how cute he is by others enough that he doesn't harbour any delusions about how he looks. regarding his scars, he never expresses any insecurity towards them and how they look, he just doesn't like them on display understandably bc of how acutely they point to his past and childhood that he's trying to hide.

neil is actually very very confident in his own and other people's abilties. this is esp regarding exy. he knows he's good at the game. like he knows. the most distinct example i can think of for this point is when kevin tells neil that he was at castle evermore to try out for the perfect court when they were younger. neil doesn't even doubt for a fucking second that he would've made it onto the perfect court. never does. he skips over the second-guessing and doubt part and just straight up starts daydreaming about the future he could've had playing with kevin and r*ko. like that really got me bc it's easy to assume neil would be super unassuming and have low self-esteem but no like neil doesn't doubt for a fucking second that he deserves to be perfect court. it's just that he doesn't believe in r*ko's delusions enough to play along with it by the time he gets the tattoo. he's also insanely confident about the foxes and their abilities and also kevin by the end of the series. at the beginning he takes a pretty realistic vantage point and says that with the way things are, the foxes will never beat the ravens. but even with that pov he still has the gall to challenge r*ko on LIVE TV and i doubt he's lying when he declares so boldly to everyone that if the foxes were united they'd be an unstoppable force (and guess what he was fucking RIGHT). and by the end, when the foxes are united, he has no more room left for doubt at all. some guy tells neil to kick the ravens' asses and neil just replies with zero hesitation "that's the plan". like he's so fucking on board with it. and he never once doubts that kevin is the best striker in the game. like literally never. at first he considers r*ko and kevin on par with each other (possibly, it's never stated outright) but by the end he literally has no doubts when he says "kevin is the best striker" like goddamn the amount of confidence neil has is so underrated.

neil is a very unemotional narrator. it actually gets me all the time how logical and ruthlessly pragmatic neil's narration and inner monologue is. some of the only strong emotions portrayed in neil's narration are anger, irritation and occasionally grief, which is only ever triggered by major trauma-inducing events (e.g. dr*ke). almost all of his inner monologue is analytical and observing others and dissecting either other people or the situation he's in. and almost all of his decisions and actions are made based on impulse and instinct. neil is a very instinctive person. this is outright stated in the way he plays exy; in theory, he can't give u a lot, but in the heat of the moment he's at his best. this applies to practically all facets of neil's life. he never plans his moves or what he's gonna say (except like that one time when he planned out what half-truth he was gonna tell andrew post-columbia). he's super quick and on the ball and literally does whatever the fuck he wants at any given moment. he's also insanely good at compartmentalising. like it's difficult to explain but while his priorities are obv hilariously skewed, they're also very clear in his mind. things he considers unimportant he simply just doesn't think about. what others look like and what they think of him don't factor into his internal monologue or his thoughts at all he literally just files them away in the back of his mind until they do end up becoming useful or important to him. he barely comments on andrew's appearance at all until andrew becomes someone worth staring at and admiring for him. the only reason he describes allison and renee in the detail that he does is because it's important in understanding how and why he reacts to them the way he does. this man was literally about to lose his goddamn mind at the fall banquet but he specifically reserved his mental breakdown for after the banquet so he could spend his time roasting the fuck out of r*ko. bro fully locked in and was like "clock riko now break down later" and i respect it.

neil doesn't actually have a martyr complex. it's funny because almost all of aftg is him being the absolute fucking opposite of a martyr. he wilfully sticks around the foxes knowing he's putting himself and them in danger. he doesn't "sacrifice" himself until he's absolutely forced to by his father's people. by then, he's already told himself he can't and won't run and he's smart enough to know he'll never get away anyway. and going to evermore wasn't about self-sacrifice or martyrdom it was about protecting andrew and those two are pretty fucking different. he knew he was coming back from evermore and he knew that he wouldn't die there, despite all the shit he went through, so i don't think that can be counted as "self-sacrifice". he was doing what he had to do to protect andrew, the same as andrew would've done for neil or aaron or kevin or anyone else he'd sworn to protect. the kidnapping in baltimore was the culmination of neil's character arc, which isn't really about learning to be selfless and self-sacrificing, it's about learning to stand his ground and stop running. those things r crucially different: neil not running in baltimore wasn't about selflessness, it was about courage. yes, part of it was obviously inspired by the foxes and motivated by not wanting them to be hurt but i truly believe it ultimately was about neil learning to stand his own ground and make his own home and have it be something he's willing to die for. call it whatever u want honestly i just don't think neil is as much of a martyr/sacrificial lamb as the fandom makes him out to be.

[idiopathicsmile]

I've been thinking about American diner lingo lately.

Like, relaying an order for poached eggs on toast as “Adam and Eve on a raft.” Or “shingles with a shimmy and shake” for buttered toast with jam.

(I personally learned about this phenomenon as a very young child because we had a picture book where a bear and an elephant are roommates and temp workers and they get a job at a diner for a while. Couldn't tell you why this streamed back into my brain like a week ago, but here we are.)

I'm not sure I can articulate this but there is something so beautiful to me about it. We as a culture know so little about its origins—maybe the 1870s, maybe the 1880s—or even really why it exists.

Wikipedia (yes I wikipedia'd this, yes I feel actual embarrassment about the lack of academic rigor in this aimless tumblr post but also there is also just not a ton of information on the topic) suggests that some diner lingo might've been mnemonic devices for short order cooks to remember specific dishes but honestly scroll through any list and you'll find it mostly isn't that. What it reads like is bored food service workers, mostly in the 1920s through 1970s, looking for a way to amuse or at least entertain themselves.

Milk is “moo juice.” Jell-o becomes “nervous pudding.” Black coffee is “a mug of murk.”

Western history loves its individual heroes, but my guess is the practice arose organically at multiple luncheon spots across the US. We don't know the names of the servers and cooks who came up with the terms but a few of the terms have survived, in a fashion—as wider used slang (“Joe” for coffee), as a vintage-y affectation in quirky restaurants of the present, and in compendiums of self-consciously useless factoids (oysters wrapped in bacon are transmuted into “angels on horseback”). It's something about the ordinary people of the world of the past, the tiny fossils we leave behind without even knowing it. One unknown day in history, someone then working as a diner employee thought to call a tall stack of pancakes “Jayne Mansfield” because for some reason it made their day a little better, and this somehow caught on to the point where I can, without doing much work, still find multiple written sources insisting it happened. It wasn't a marketer or a CEO somewhere, it was just a bunch service workers passing the time and leaving the slightest little linguistic footprints behind.

I don't know. Imagine if one of your inside jokes from work was still being spread by offbeat trivia lovers a hundred years from now.