Logan is so methodical in punishing Ken.
First of all, he uses ambush.
He sends Ken to the desert "to dry out", only to put him in front of TV cameras 48 hours later, to destroy his reputation with one humiliating sentence "my dad's plan is better".
After Ken said he would need some downtime, Logan announced that he'll be co-COO with Roman (making all the siblings suspicious and isolating Ken further). Ken has no reaction, staring down and just glimpsing at Roman.
Logan travels with Ken all the way to meet Sandy and Stewy, just to make him go in alone, with no prep, to confront his furious friend and act as an errand boy.
And finally, in "Return", right after the one scene (the only scene like that?) when Ken, Roman and Logan laugh together for five seconds... Ken, probably thinking that he's starting to get close to dad, that he may say something honest to help, politely and with fright suggests that maybe an affair with Rhea isn't a good idea... Oh, penalty for talking out of line is harsh, Logan needs to quickly remind Ken of his place. So he makes him go to Andrew's parents, and step into the house, which for Ken is like a trip to hell. Little boy waiting in the kitchen for grown ups to finish the conversation, looking at the pictures of the other boy he killed.
Taking Ken's voice away is actually another aspect of Logan's punishment.
He didn't want to talk with Ken about selling idea - that was the first punch, because Ken's whole relationship with Logan was based on his role in the company.
So it's one "stick" - Logan made Ken answer in front of the family if he should fight, and then ignored his embarrassing paean. He didn't count his vote to show the family that Ken didn't count anymore.
Vaulter - "gut it" - in this scene Ken realizes that from now on, nothing he says means anything to Logan. You can notice that since then until "Return" Ken barely speaks, and most of what he says is connected to executing Logan's wishes. During corporate retreat Ken puts all his energy to be as small and quiet as possible - and he's awarded for that when Logan gently places his hands on Kendall's hunched shoulders while ruthlessly humiliating everyone else.
"Your brother is going to be working in here from now on" - this one is gut-wrenching. Some people say that it was "a cookie", an award. But I see it differently. Ken followed the orders and "killed his baby", proving that he could be useful, good boy, so Logan decided to put him back on the leash (or let him in from the yard - "make yourself at home") and keep an eye on him - to have him close, isolated and broken. In this scene Logan pretty much said "go sit in this corner (btw it's the same seat in which Ken sat when Logan told him to gut Vaulter), and wait for my next command".
There are many more examples that keep flooding my head, but I know this is already very long post.
But I need to add this. Ken at this point had nothing - no self worth, no friends, no support in the family, no partner, no real bond with his kids, no relevance in the business world.
All he had left was dad, and in some way that was all he ever wanted - to be needed by dad - so he surrendered.
And when dad would make him do awful things, Ken would do them, because then Logan was kind to him, talking softly, even saying "good work, son", "you did good, son" and offering the pat on the back.
Isn't that how Stockholm Syndrome works?
Ken is a hostage of his dad, hostage of the love he craves, of things he never got.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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We love MK, child of un-divorced. The next update will be more gay. And fluffier.
Shadowpeach Bio Parent AU (PREV / FIRST / NEXT )
before saying anything, read the stuff under the cut
About wukong and macaque
Both these bitches did wrong, but remember that MK saw the vision starting from the fight itself, not what happened before. He then read the chapters of the book and read that Macaque also attacked. I personally think he's mostly hurted by what Wukong did, not because it's worse of what Macaque did, but because he idolized Wukong for so long, and while he know he did so many wrongs in the past, his vision of a "hero" dissapeared in this moment. He s mostly dissapointed let's say. Of course it's not the best of things to put tour heroes on a pedal because you will always be dissapointed. I guess MK learned the lesson...
About what MK said in panel 8
Our monkey boy is remembering his own very stupid thing he sacrificied himself without trying to talk it out with the others AND using the circuit on Wukong.
About the posters
Yes they were Monkey King posters. MK ripped them immediately after the vision because he still was not sure was reality and vision and was scared.
About the eye
Because I would prefer no one dies of angst, his eye is fine, it s more like symbolism.
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