#It’s obviously not something I think I can enforce or would even want to enforce if I could

[eddis-not-eeddis]

Girls, I love you, you are all precious to me. But please do tag your Taylor Swift posting. I understand you are excited, I love that for you, I fully support your going bananas. But please tag it if you can.

[perpetuallyfive]

God, I'm so happy with what they did with Maddie Nolen.

I'm sure there will be plenty of people mad because obviously there was a weird backlash over a character who has sex with one half a ship, so I'm sure some people worry this will lead those people to feel justified in their initial response.

But ignoring people who can't emotionally regulate for a second, because those childish impulses aren't worth dictating the fun things a narrative can do: Maddie is SO INTERESTING as a character and she fills in a lot of the questions people seemed to have about the rest of the season.

Consider for a moment that it wasn't Caitlyn who convinced Vi to be an Enforcer. It was Maddie.

I know that some people took this line to be about Zaunites, a sort of obvious connection to the very racist idea of "one of the good ones," but since Maddie is talking about Marcus and his betrayal of the Enforcers just before this, I'm pretty sure her framing here is something else. The point she's making is specifically targeted at Vi's own beliefs and weaknesses, her desire to protect. That seems clear to me now with all we know about Maddie's capacity for manipulation.

She's not saying, "You're good, for a poor."

She's saying, "Wow, I agree with you, the Enforcers are really bad; it's so upsetting. I think you might be the only one who can change it, but only if you join us." This is what convinces Vi to do something she never thought she would.

Well, this and the fact that Caitlyn believes in her so much which, again, is information she gets fed to her directly from Maddie. It even seems like Maddie seeks her out just to say this, which on first viewing felt oddly convenient. Wow, Vi just happens to meet this naive girl who just happens to say exactly what she needs to hear to do something so out of character.

Except obviously none of it was coincidence. Everyone already knew how much Vi meant to Caitlyn and getting Caitlyn under control would require either controlling Vi or removing her from the equation. This was a push in that direction.

Then there's her more obvious role as the spy in Caitlyn's bed, there to reassure her that the Noxians are only trying to keep all of them safe. Then when Caitlyn expresses larger doubts, she's immediately ready to lay out an alternative. You could just give up, Maddie seems to whisper gently in her ear. Just reestablish things as they were before.

But she knows Caitlyn isn't going to go for that. She's not going to go back to the council as it was, because it's only going to remind her of the empty place her mother left behind. Maddie knows that Caitlyn isn't going to take this offer, which is precisely why she suggests it. She frames quitting as the only clear alternative to going along with everything Ambessa wants because she knows that Caitlyn will refuse, which leads her right back into alignment with Ambessa. She makes continued obedience into an active choice that Caitlyn affirms she's making.

Even Maddie's comments that suggest direct opposition to Ambessa — "you're our leader... I follow you" — are designed to frame herself and her true leader in direct opposition, just as Ambessa's own warning about entanglements is there to further that point. They both make a point of reminding Caitlyn that they are her true ally, isolating her further from anyone who isn't the devil and (other) devil on her shoulders.

This way Maddie and Ambessa can both tug at Caitlyn, pulling in what feels to her like opposite directions, all so that she lands precisely where they wanted her all along but with the illusion of active agency.

And look, I'm not saying my read on her is gospel, because I think they intentionally gave us enough room to really speculate and wonder about her, someone who could have been just a background nothing character but ends up being such a huge part of the second season. That's so interesting!

I especially love that she comes across as really naive and innocent, just some poor little thing swept up in the fervor, when in reality she's a true believer who has been manipulating things to go her way from the start.

[princesssmars]

you sometimes forget how… slightly obsessive, violet could be. nsfw.

when you were younger you had a love hate relationship with her tendency to become so completely fixated on something. staying up for hours at night thinking about their next score, holding a grudge for years against anyone who got piss drunk and pissed off vander in the bar, planning and fidgeting over the perfect way to ask you out for weeks before you finally took the step yourself.

even if it got her into danger, got her and her siblings into a temporary struggle that made your heart stall with the thought of nearly losing them, you always reminded her that you thought her fixation on things was cute, and a useful tool about half of the time.

(you even said that the trait reminded you of powder, always blabbering to you for as long as she could talk about her new ideas for gadgets and bombs. the girl was overjoyed in sharing something in common with her big sister, immediately climbing on her back to ramble about something new.)

but then you actually you lost her. you lost all of them. and you wished you had told her that that insecurity she had, all the insecurities she had, were stupid and inconsequential to how perfect you thought she was.

but maybe you’ll get the chance to tell her (and tell jinx that yeah, you were right, i did start seeing ghosts too) because a scarily realistic replica of your ex is standing in front of you and before you can shoo it away she’s hugging you so tight you think your ribs will break.

you follow as ekko gives her the tour of the firelights base, admiring each and every way she’s changed. she’s taller, obviously stronger, wearing a prison uniform that you don’t if you’re allowed to say looks good on her and a red jacket she stole from some guy because of course she did. you stifle a laugh as she tells the story and she smiles at you, indiscreetly wrapping your hand in hers.

it’s obvious by the look on his face ekko is so going to tease you about this later, but you don’t get a chance to care when she turns to you and ask where she and her enforcer friend can sleep. and janna knows you want to offer for her to sleep with you, but it’s been years and you don’t want to make her uncomfortable so you lead her and caitlyn to the newbie dorms.

but it seems like you’ve forgotten just how damn stubborn she is, because not even half an hour later a loud banging at your draws you from your bed, her flushed and nervous face shocking you into silence.

she asks to come in, but with her it’s always more like a demand then a question. you try to ignore the burning feeling of her eyes trained on you as you lead her to your bed, rolling your eyes as she aggressively flops back onto it.

“holy fuck, i haven’t been on something this soft in years. i think i’m gonna fall asleep right now.”

“i wouldn’t be mad if you did.” well, you’d be a little upset. you have so much to talk to her about everything, anything that’s happened since she disappeared. granted a lot of it was bad but there were still a few things you think would cheer her up. she’d already told you enthusiastic she was to eat jerichos again, just wait till she found out that-

you must of zoned out for a minute because you’re shocked back to reality by soft lips pressed to yours, vi’s bandaged hand cupping your cheek like you’ll fade into dust if she lets go. you mentally kick yourself in the head for not responding quicker when she pulls away and looks at you with that sad puppy look she gets.

“i, i’m sorry. it’s just, you were staring at me for a while! and it’s been so long since i’ve seen you and i don’t even know what we are or if we’re still girlfriends but you’re even more beautiful than the last time i saw you-“

you cup both of her cheeks in your hands,(maybe a little too hard) give her a second to back away if she wants, and pull her back in. her arms wrap around your waist and she lets out a whimper when your hand travels to the back of her neck to pull her closer and closer-

and now it’s around one hour? maybe two? it’s a while later, and as her hand travels back into you for the fourth time, yeah, you’re starting to remember how obsessive she could be.

“vi, baby - oh my gods, y’know you can slow down!” your voice pitches when her fingers, her beautiful long and big fingers push up against that spot inside you, her other hand keeping your hips down when you involuntarily raise them off the sheets.

“don’t think i can, princess.” she groans into your breast as she sucks another path of bruises down your chest, slate eyes amused at how your hands grip the bed like it stole from you, how your mouth opens so cutely before you bite your lips to hold back your sounds.

her mouth finally closes around your clit and the increased sensitivity from your past orgasms combined with the almost growling sound she makes when she tastes you sends you right over the edge, thighs clamping around her head as she carries you through it.

the rubbing of her rough hands over your thighs and her gentle words of praise merry drag you into the beginnings of a soft slumber.

until you can feel the damn brute lift your legs onto her shoulders and stick her tongue inside you, laughing at your shocked squeal and resumed grip on her hair.

“besides, we’ve gotta make up for lost time, don’t we?”

writing a drabble based on the fic you’re writing instead of finish the fic i’m such a genius like 😍😍 glad her tag is coming back but i want content coming out like a factory line ok everyone get to work 🙏🏽

[bobbin-buckley]

Hi! Could you write some jealous gp!caitlyn headcanons? <3

G!P Caitlyn Kirammin Headcanons

G!P Caitlyn Kirammin x Fem!Reader

Warnings: G!p Caitlyn, basically just headcanons and smut but fluff too, jealous Caitlyn, all mentioned! breeding kink, public sex, praising, orgasm denial

Caitlyn

You

꧁~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~꧂

-To start off with, I’d say she’s packing a lot. She’s big. I would say at least seven inches

-For awhile Caitlyn never told you that she was ‘different’, than other girls for awhile even when dating. She didn’t want to scare you off or anything, honestly she was a bit insecure about her size. To you was it too big or too small?

-Now after having sex with her for the first time, you felt like you were on top of the clouds. With how big she was she could reach pretty deep in you

-When Caitlyn heard about your past dating experiences, she was pretty jealous that other people have dated you before her. So every time you guys have sex she’s all about making you hers, pounding deeper without thought

-Her hands grip your hips possessively when she makes deep thrusts, she wants to claim you.

-There have been times where she’s admit about wanting to breed you, which really turned you on

“Cmon baby, take it.”

“You can take this big cock right? Fuck you’re so pretty under me..”

“Maybe I outta’ stuff you with my cum, breed this pretty pussy.”

-When you both went to a party together for the first time, you were wearing a pretty revealing outfit that made her rethink the decision of bringing you to that party. She knew damn well other people’s eyes would be on you

-She was right. Lots of men and women were eying you, all dreaming to fuck you but Caitlyn would never even let them talk to you. She was surprisingly possessive, but you found it hot

-After a couple of hours at the party she couldn’t handle it anymore, it surprised you she waited that long.

-Throughout the party you had teased her, talked to other men and women. That bulge growing in her pants whenever you did something that turned her on. She hates it when you put on a show for others

-One time you nearly did a strip tease to someone else because you were drunk af, she dragged you away to a bathroom and fucked you out of jealousy. You’ll never forget that night

-Now after a night of you teasing her, making her jealous and desperate she’ll either fuck you until you can’t take it anymore, crying for her to stop. (Obviously she’ll stop once you give her the red light that it’s too much). Or she’ll deny every orgasm and have you make her cum instead

“Such a slut teasing me in front of everyone, you think you can just show off to everyone?”

“Mmhh…make me cum baby, and maybe…maybe I’ll let you cum too.”

-During a family meeting, you were talking with her mother for most of the time. It was very typical of Cassandra to be questioning you and talking with you the entire family party.

-She was jealous of how your attention wasn’t on her, thankfully she was wearing a dress so her hardening cock wasn’t visible. That’s how jealous and desperate she was

-Now you weren’t always the one being punished, she would get punished by you from being so impatient

-The first time that happened, you’ve never seen Caitlyn so…submissive. She may come off as a silly but concentrating woman when it comes to being an Enforcer but damn she’s honestly so hot as a bottom when she is

-Teasing her swollen tip as you tell her how bad she’s been, how she should be more patient next time.

-Your lips tease her tip too, licking it and chuckling when she whimpers for more

-Sometimes if you’re nice enough you’ll ride her but it becomes slowly and painful as you deny her orgasms when she’s close.

“See who’s the desperate slut now? How does it feel being denied?”

“Nuh uh, didn’t say you could cum just yet.”

“D-darling please…I-I’m sorry,”

“F-fuck…wanna cum so bad..”

“Not yet, cupcake.”

꧁~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~꧂

[monabee-draws]

Some TimeBomb Analysis I felt was very heartbreakingly necessary in this trying time:

Ekko comes to realise by being in this world that Jinx was always Powder, in the same way that Vi comes to reconcile the two 'versions' of her, Ekko sees all the ways Jinx's savvy-ness and cunning and brains were always Powder. He gave her up for dead - like his dream of a beautiful Zaun - a long time ago, and painted the mural to show it. But being here with Powder makes him realise he can still have this is he's willing to take her as she is now, flaws and all.

So we all know Ekko is really talking about Jinx in the line "I used to dream the undercity could be like this", but I also think the opposite is true for his last line: "Can we pretend like it's the first time?" is about the kiss, but it's also about this version of reality. It's about Benzo being alive and Powder being Powder. It's about stepping back from his real world for a second to pretend that this is his real world. He was always going to go back, but just like his use of the Z-drive means that he could theoretically re-do and undo all of his mistakes ad infinitum, this is an acknowledgement that this 'redo' is how he wished it has been, and that it isn't real for him at the same time. Because it isn't the final time he will pull the plunger and reset. But he wishes that it was.

3. Jinx has a very difficult relationship with abandonment, obviously. But these lines encapsulate her journey towards accepting that no, actually, the people who love her will always refuse to give her up no matter how much she believes doing so would save them (including Silco and Isha and even Vander since the enforcers come after the kids for the stones she steals.) Never giving up on her empowers both Ekko and Vi in the final hours of the show. Their relationships with Jinx and the strength of that connection in the fullness and acceptance of all of its flaws and history means that they can do and achieve anything. Not giving up on her means not giving up even when everything falls apart around them. It's the crux of Ekko's time travel ability - he will always remember what really happened in all of those loops, he still carries those scars and physical damage, but he keeps trying anyways and that is what saves the world.

4. Jinx is the 'someone worth building for.' Yes, this line is about TimeBomb but it's also very strictly about Jinx. It's about Jinx needing to know that her life also have worth for herself. Her inventions have by and large been built for the sake of others - her toy weapons to impress the others/keep up with them, the canon for Silco. She rebuilds Sevika's arm because she wants to feel useful for someone again. But she doesn't value her own input into the world for her own sake. Ekko isn't asking her to fix the world here, or to make good on her mistakes. There is no 'fixing' or 'undoing' or even 'rewriting' the way Vi wants her too, the way the Zaunites do with her legacy. There is only something new. And her life is worthy purely for whatever creations she adds to the world, regardless of whether they can undo the past. There's something so achy about that coming from the Boy Saviour. He isn't really here to save Jinx from herself - he just wants her to know she can do that saving on her own.

5. Jinx always knew what she needed to do to break the cycle. But she grew up with too many people who never wanted to let go of the past. In the end, we see her airship fly not towards Piltover (in some desperate rewrite of her failed story in Zaun) but away from it. She gets out, she pursues something new, the image loops but moves towards a new trajectory with a different (better) ending, just like Ekko shows her is possible with the Z-drive.

Two sides of the same coin. She leaves Zaun to see something new, and he returns to Zaun to see it in all of its fullness. I think they'll be alright.

[chainmail-butch]

i was talking to a friend who's a trans woman about this. she used to be really weird about butch trans women, but ended up being butch herself. she told me she was adverse to it because "it was like watching someone leave their house completely naked. you feel maybe a little embarrassed for them but you're mostly scared for how other people are going to treat them too. [she] thought "well, [she'd] be embarrassed doing the same and maybe they were having a hard time passing. but then finding out they're doing it on purpose, [she] thought that they were making a joke of being trans, like they were enforcing the stereotype of just saying you were a woman despite not making any effort to look like one. [she] was confused as to why anyone would do that, especially when she'd been having a hard time being treated well even though she did everything to make herself like a cis girl." she hated having to put in so much effort into looking feminine but did it because she was sure that's just what you had to do. obviously, probably regardless of how she looked, she was going to be treated like shit on the principal of being trans and after actually talking to butches and thinking about it more, she decided to just dress how she felt comfortable and still be proud of being a woman.

That's very interesting to hear. That is the consistent impression I've gotten from well meaning trans women.

I had to wrestle with the whole, "declaring myself a woman without making the effort," thing. When I first transitioned I put on dresses, tried on makeup, and got cute jackets. None of it felt right. I knew, entirely, that I was a woman. But doing all of the things women were supposed to be doing made me feel even worse than when I had lived as a man, which is saying something.

I eventually figured out that there is plenty of effort to being a butch woman. There are still styles, there are still pieces of gendered clothing, there are still gendered actions, they're just hidden in plain sight. They're all the things I wanted to do and all the ways that I wanted to be perceived that I couldn't understand until someone (Leslie Feinberg) held a mirror to my face (SBB) and said Butch. Then it all clicked.

I've been doing HRT for three full years now. I've been socially transitioned for three full years now. It is work. It is a challenge. It is walking out of the house with nothing but your soul and what you choose to armor it with. For some women the armor is a dress and a full face of makeup. For me its leather and boots.

I love my sisters deeply. I love women deeply. I love womanhood deeply. But my womanhood is also deliberately not womanhood. My selfish desire is a world where I can be exactly who I am without having to justify it to every woman, trans or cis, that crosses my path. But that's not gonna happen any time soon.

As so many butches, cis and trans, have said, It is a difficult road to walk and I have no choice but to walk it.

[weepingchronicles]

Hellooo, could you do yandere jinx with a fem darling from Piltover? Maybe Jinx could take them to Zaun and she hates it? (I'm sorry if this is a bad idea I tried my hardeest xx)

cw: kidnapping, yandere behavior

❝yandere!jinx x gn!reader from piltover❞

🚀 ୧ ‧₊˚ 🦈 I think it's a pretty well known fact that Jinx despises Piltover, especially enforcers. Considering her parents were killed by them.

🚀 ୧ ‧₊˚ 🦈 But you! You're different, obviously. There is something about you that is incredibly endearing to her, maybe your blatant obliviousness to the real world's troubles? So silly.

🚀 ୧ ‧₊˚ 🦈 Although your obliviousness can be a hinderance at times, turning to the point of ignorance. When Jinx becomes obsessed with you, it's always in the plan to have you come with her to Zaun. Obviously you're having none of that.

🚀 ୧ ‧₊˚ 🦈 Because of your dynamic Jinx tries to convince you at first, pleading with you almost. Don't you want to be with her? Yourself couldn't understand why Jinx wouldn't want to stay in Piltover instead. Who would want to be in the undercity.. willingly?

🚀 ୧ ‧₊˚ 🦈 So, she kidnaps you. There! Now you have no choice but to be with her.

🚀 ୧ ‧₊˚ 🦈 Her happiness is kind of cut short when you immediately hate it. Not even the fact that you've been kidnapped which is understandable but just the overall city in general. You're immediately coughing and gagging at the putrid air, so much so Jinx has to grab you some water which you still refuse to drink since it looks dirty to you. Ain't no way you're getting cholera while kidnapped.

🚀 ୧ ‧₊˚ 🦈 You hate the food, you hate the smell, the people. You're almost clutching onto Jinx like some scared puppy just because you saw a person smoking shimmer, coated in tattoos. It's laughable and albeit cute to Jinx. Still annoying though.

🚀 ୧ ‧₊˚ 🦈 Despite your whining though she isn't going to take you back to Piltover. She may grab some things from your home but that's it.

🚀 ୧ ‧₊˚ 🦈 She might even lean into it, encouraging your fear and hatred of Zaun. Better to keep you from running off if you're scared of the outside. So just stay all nice and cooped up in her hideout, okay?

art cr: yumuamoca

[yaknowlikenyah]

Controversial opinion time. Outside of the legal problems, teenagers seeing a horny picture or post is not the end of the world. A large part of the puritanical views on sex is that before you turn 18, you're supposed to be "pure" and shielded from the world and all the "dirty" sex out there. That's just not realistic when most teens start really developing their sexuality or being sexually active at like- 15-16.

Personally, while I'm not Comfortable with the idea of people under 18 interacting towards me in a sexual way (or even under 20 really because of personal preferences) I wish it was more socially acceptable for someone coming into themselves sexually to ask questions about things like kink or protective measures during sex.

And honestly? Kids are gonna find that shit! They're going to search it out. Hell, I got interested in bdsm at like, 14 and a LARGE part of my sexual education was self taught from the internet and old sites on bdsm etiquette.

When all your sexual knowledge is hidden behind an 18+ barrier, minors start lying about their age! You get teenagers writing that they're in their 20's in their bios so they don't get blocked and it breeds more danger because now they're interacting with adults under false pretenses which, ignoring any sort of predatory angle, means that things like roleplay can be initiated without full knowledge and consent from both parties.

But I think it's GOOD when kids can learn while still admitting that they're kids. I think it's GOOD that a kid could come to you and you as an adult could enforce your own boundaries and set an example. Circling back to my own experiences, a large part of why I walked out on a high school boyfriend instead of letting him aggressively pressure me into sex and push my boundaries was that I read all those bdsm sites. I learned about consent in a stricter sense than what was taught in public schools, and it let me know that wasn't right and that It wasn't right for him to push more than what I was comfortable with. Having that knowledge of kink Helped!!

That 18+ barrier is part of why it's so easy to be taken advantage of by people who 'finally treat you like an adult' and acknowledge you as more than just a pure thing that needs to be protected. It's why you get kids thinking that any sort of kinky sex or weird kink is Wrong and Bad and Makes you a bad person. That's why you get trans and gay people labled as 'Pedophiles' just for talking to kids about their own experiences with sexual and personal identity.

It's obviously a grey area and not something that people will agree or be comfortable with, but it's something to think about. I would rather a kid be able to come to me as a person for kink knowledge and advice and be able to be honest about it in an informed, appropriate way than I would want a kid to rush into things as soon as they turn 18 without knowing the safety.

[raven-at-the-writing-desk]

Just like how kalim embodies scarabia's mindfulness in his own way, how do you think other boys embodies their respective dorms spirit?

For the sake of ease and consistency, I will be using the official TWST localization's terms for each dorm's core value.

Please note: these are my personal interpretations; even the definitions of each dorm’s “spirit” is not explicitly defined within official TWST materials, so I’ll be running with my own definitions before covering each NRC student. Additionally, since I’ll be covering 22 characters in this post I may not have time to get into painstaking detail for each one.

***Main story spoilers (including late book 7) below the cut!!***

The Queen of Hearts' Spirit of Strictness

Literally speaking, strictness refers to following rules or beliefs exactly. There is rigid enforcement of these rules or beliefs, and very few, if any, exceptions or mercy granted.

Right off the bat, it’s easy to see how Riddle aligns with the spirit of strictness. He is the embodiment the law in Heartslabyul, serving as both judge and executioner to his students. Riddle insists that the rules—no matter how nonsensical—be followed, and he does not hesitate to unleash his wrath and collar those who step out of line. He is strictness itself. Beyond book 1, we do see Riddle trying to be more patient and flexible—however, the fact remains that he upholds rules and continues to have trouble with circumstances where he has to think independently or without a set of instructions to refer to.

Trey is known for frequently indulging others and behaving in a manner which some may call kind. The twist here is that Trey’s strictness is present in the “big brother” role he adopts when dealing with his peers. He’s generally more lenient than Riddle, but Trey often alludes to the fact that he shouldn’t be underestimated or thought of as a nice guy. There are moments when Trey gives others their comeuppance for misbehaving (such as in his dorm uniform vignettes, where he deprives first years of cake for complaining about his same-y baked goods). The thing is, most don’t see it coming because he’s typically so… nice. When he wants to be stern and put his foot down, he certainly can—it just isn’t something that happens a lot, since he’s more mild-mannered than his classmates.

Cater is strict with his public image, specifically how his peers view him. This is most obviously seen in his obsession with social media. He's constantly taking pictures and posting, being heavily involved on Magicam—a space where he can control the narrative about the type of person he is and the life he has. Cater keeps up this front in real life as well, acting cheery and sociable with his classmates while masking a far less motivated and sad side to his character. (This is implied in his Lab Wear vignettes, where a mandrake he infuses with his own magic becomes gloomy and huddles into itself.) There are occasions when Cater expresses that he is lonely or that he wishes he had more friends growing up, but he never fully opens up about his true nature. He strictly keeps that part of himself locked up tight and is seemingly afraid of what others would think of that persona.

Like Cater, Deuce is strict with himself. In Deuce's case, this arises from a past of delinquency and the desire to reform and to be an honors student that his mom can be proud of. Because of these goals, Deuce tries very hard to excel in class (but often falls short) and to behave in a way that he believes honors students would. This means changing the way he looks (he let his natural hair color come back in; it used to be bleached blonde), the way he speaks (not using foul language), the way he dresses, and, most importantly, the way he acts. Of course, his temper gets the best of him at times and his delinquent self bubbles back up (like in book 1 when the eggs were ruined), and Deuce is currently working on better repressing that.

Ace is probably the most carefree and the least stereotypically "strict" of the Heartslabyul group. Instead of having a focus on enforcing rules, Ace is usually the one breaking or defying them. How, then, does he embody the Queen of Hearts' spirit of strictness? I believe it comes through in some of Ace's most iconic scenes: the ones where he is calling others out on their bull crap. Time and time again, it's Ace that is bluntly telling others what they're doing or saying is hypocritical or wrong, or that they haven't truly taken accountability. He does this no matter who he is facing, be that his own dorm leader (book 1), an undead bride (Ghost Marriage), or Malleus Draconia himself (Endless Halloween Night). Ace has his own set of morals and beliefs, and he speaks them loud and clear without imposing as harshly as Riddle does.

The King of Beasts' Spirit of Persistence

Persistence is when one continues their course of action in spite of difficulty or opposition. In other words, there is an obstacle in the way of achieving a goal, and one persists in the face of that obstacle.

Leona is a somewhat strange case to make for persistence because initially he comes off as a very lazy character. We quickly learn that though he appears unmotivated, he’s comfortable scheming and thinking multiple steps ahead to cut out difficult or unnecessary work. There’s no doubt that Leona has had a challenging childhood, feeling like he was always being compared to his brother and never recognized for his own talents. We feel the effects of Leona losing this hope as late as book 6, when Leona says that Jamil is capable of change, unlike himself. Some fans even speculate that Leona’s dialogue implies he has fallen into depression as a result of frequently being dismissed and put down in spite of his efforts to be seen. Even when Leona is dealing with such trauma, he cooks up a plot to return his dorm to glory and to support its future. He, the lowly second born prince, wants to prove himself and his team of misfits, as being worthy of respect and admiration. When the plans fall through, Leona is quick to give up (which seems to go against the idea of Savanaclaw’s persistence). However, I would say this is part of his character growth in book 2. Later in the main story, Leona also throws in the towel quickly—but it doesn’t contradict his development; he knows when to strategically retreat in book 6.

Ruggie comes from an extremely impoverished background. He has had perhaps the least “cushy” life out of the entire NRC cast. Even so, Ruggie was able to study and work hard enough to earn decent grades, get multiple part-time jobs, and pick up many useful survival skills. He’s street smart and knows that what he lacks in strength he can make up for by sticking to someone who is strong (Leona). (Their relationship is mutually beneficial!!) Ruggie knows that just having money isn’t sustainable in the long run, so he’s hauling ass now to make something of not only himself, but also for all the people in the slums.

Jack embodies persistence through the events of book 2. At first, Jack tries to get Leona to see reason by letting him know that he genuinely is a figure Jack admires. He’s put in a moral dilemma when Leona argues that even if they play dirty, he has good intentions. If Jack interferes, he is messing with the future job prospects of his dorm members. Jack wrestles with the question before ultimately coming to the conclusion that he has to tell others about it—and, what’s more, put his own pride as a lone wolf aside to confront Leona and stop to his machinations.

The Sea Witch's Spirit of Benevolence

Benevolence may refer to meaning well or general kindness and compassion. It involves a willingness to help others and caring for them.

Azul, being at the head of the operations at Octavinelle, passes himself off as a benevolent man who will listen to your woes and grant your wishes. In fact, he does—but at a price. The shady ring he’s running is NOT wholly benevolent; the deals can definitely come across as malevolent in book 3 (when Azul wrote the contracts in such a way that the loopholes could fuck clients over). The deals themselves (assuming no foul play), however, are neutral since both parties agree to the terms. Contracts are written with the idea that they will benefit the clients. And Azul is, of course, also seeking out benefits for himself, as that is the nature of business dealings.

Jade represents a kind of benevolence associated with acts of service. He’s Azul’s right-hand man and information broker—furthermore, much of how Jade presents himself alludes to being a butler or some other supportive role. Jade just generally behaves in a way which benefits others. He acts demure and servile, then uses the trust he has gained through service to ply what he wants out of others. Jade does it so sweetly and so expertly that his prey don’t usually notice, or willfully overlook it, being far too impressed by his abilities to fixate on his ulterior motives. This strategy works even on notoriously stern individuals such as Vil (Jade Dorm Uniform vignettes).

Floyd gives “free hugs” :) is… well, ironically, the “kindest” of the trio in a weird way. While this is highly dependent on his mood, the fact of the matter is that Floyd is the easiest to read in terms of “telegraphing” his actions. If he’s in a bad mood, he usually will not hide it. You know what you’re signing up for as soon as you see him. He also typically doesn’t put forth an effort to manipulate or to scheme like Azul or Jade would; Floyd would prefer to be direct and get it over with already. That, in a sense, is the mercy that he offers: something swift and plain to see.

The Sorcerer of the Sands' Spirit of Mindfulness

Mindfulness is a state of being aware of oneself and the present moment. A mindful individual can aknowledge and accept one’s feelings, thoughts, and bodily sensations. Mindfulness may also extend to being aware of others and perceiving their own states of being.

Kalim is not viewed as the most intelligent or crafty of leaders, but where he shines is in his ability to welcome and to bond with his dorm mates. His emotional intelligence is extremely high, which proves itself to be a useful skill in getting to know others and to earn their trust. Kalim has made a name for himself in Scarabia because he is always there to listen and lend a helping hand to his dormmates. He is unabashedly open about his own emotions too, crying when he is sad and trying hard when he is frustrated or dissatisfied. He often asks to know what is wrong when he senses upset within his classmates and wants to do what he can to rectify those situations. This is peak mindfulness--not only is Kalim acutely aware of his own emotional state, but he's also pretty consistent with sensing those in others (the one big exception here, of course, is Jamil). Sometimes Kalim can be blindsided by his own blind faith in others or his overeagerness causing him to blurt things out unintentionally. He's definitely not perfect in this regard--however, there's plenty of room and willingness to grow and to learn (something which Kalim has expressed both in book 5 and in birthday vignettes).

Jamil more readily fits in with a less savory interpretation of mindfulness. He thinks ahead and uses what he knows of others to manipulate them or put himself in an advantageous position. This notably occurs in book 4 (when Jamil plans to use the feedback of Yuu and the Scarabia members to dethrone Kalim), as well as in events (like Beans Day, where he plans to entrap Kalim when Kalim cooks a fragrant lunch that Jamil purposefully packed for him). He uses what he notices or knows about others (Azul’s shadiness, rumors about Lilia being a bad cook) to avoid interactions which could be less than beneficial to him. Jamil’s main fault is that he fails to recognize people’s strengths (something which Leona calls him out for in book 6), and instead focuses mainly on their weaknesses, shortcomings, and how those could be exploited (mostly because he’s in a position where he cannot outright act in certain ways without suffering some consequences). Jamil is aware of these potential consequences and finds or plans workarounds for them. However, he is also mindful in a more conventional sense too. He’s usually the competent one in Scarabia’s leadership and fulfills the organizational tasks that Kalim doesn’t. The duo is like sun and moon; they balance each other out.

The Beautiful Queen's Spirit of Tenacity

Simply put, tenacity is determination and endurance. One is persistent in maintaining, adhering to, or seeking something valued or desired. Each of the members of Pomefiore knows what they want, and they are stubborn in their pursuit of it.

Vil makes it clear in book 5 that he wants to win VDC/SDC, thereby proving to himself and to the world that he is capable of more than playing the part of a “villain”. He already had high standards for himself prior to book 5 (exercising, doing skincare, maintaining a healthy diet, etc.), but you can see how single minded Vil is toward this one goal. He drives his team members hard and even cancels a major job offer from his manager so he can dedicate all his time and energy into seizing the win. And how many times has Vil lost in the past??? Countless, I bet. Yet here he is, trying again and again, even when he knows that happy endings aren’t guaranteed and his efforts may not bear fruit after all.

Rook pursues any and all things beautiful!! He used to just be content admiring beauty, but with Vil’s prompting, Rook soon also found value in beautifying himself. It means Rook can also put beauty out into the world, and helps him better appreciate other works of art. This man is infamous around campus for his… admittedly creepy and unnerving habits. He follows people around, documents them in photographs, memorizes their personal details, etc. His keen eye has also earned him praise though—Vil can comfortably rely on him for honest feedback, and Neige recognizes him as a dedicated member of his fan club. Rook is nothing if not determined and dedicated to his craft.

Epel is tenacious too, but in a way that Vil would not approve of in all circumstances. Epel is stubborn in his thinking and refuses to let go of his hometown roots. He’s very proud of where he comes from, so he puts up a fight with Vil when Vil demands that Epel address his upperclassmen more politely. Epel sees the command as a threat to himself, and a challenge to the hometown he loves. Additionally, it takes Epel a while to reevaluate his deeply ingrained views on gender norms. He’s all-around very strong-headed!

The King of the Underworld's Spirit of Diligence

Diligence is when one is involved in careful and persistent work or effort. This principle generally governs all of STYX, the blot research organization operated by the Shroud family. Their job is a thankless one—they do such important work, yet it isn’t recognized by the general public due to STYX’s secretive nature.

Idia, as the temporary acting director of STYX in book 6, gets involved in their research. There’s many Phantoms kept in the STYX facility, so there are many safety precautions in place and care taken to ensure no one is harmed. (Ironically, it was Idia’s lack of diligence that led to Ortho’s passing.) Outside of book 6, one can say that Idia has a diligent personality, at least when it comes to his hyperfixations. He becomes dedicated to media that captures his interests to the point where it actually incentivizes him to leave his room (Ghost Marriage) and overcome his meek stutter to speak confidently and lecture people (first Halloween event, his Dorm Uniform vignettes, etc.).

I believe Ortho is diligent in being Idia’s emotional support both before and after Ortho is officially recognized as a separate student. He cheers Idia on and encourages him to touch grass socialize, wishing nothing but the best for his big brother! Ortho wasn’t always like this either; he used to be quite stiff and monotone, and had to learn how to emulate emotions by carefully observing and absorbing media. His motivation in book 6 is also fueled by diligence—Ortho worries about what he can do to support Idia’s wishes, and this is ultimately what drives him to taking over STYX and unleashing the Phantoms. Then, in Fairy Gala: What If, Ortho stubbornly tries to come up with his own ideas regarding the theme of evolution rather than rely on others for answers. He works hard to developing his own concept and is able to put on a show-stopping performance with it!

The Thorn Fairy's Spirit of Nobility

To be noble can refer to strength of character, mind, and/or literal position, birth, rank, or social status. No matter which definition you go with, I think they could all apply to the members of Diasomnia.

Regarding noble status, Malleus and Silver are both princes. Lilia and Sebek may not be nobles themselves, but they (in addition to Silver) serve royalty and have close personal connections to people in high places, be it via friends or via family. Diasomnia is very well-connected.

Beyond superficial nobility, one can say that those in Diasomnia are noble in character as well. To begin with, Lilia has sacrificed himself for his country on multiple occasions. This isn’t limited to going to battle, but also ferrying his princess’s egg to safety, traveling the world for knowledge on dragon eggs, and going so far as to give up his own life force to hatch Malleus. And what does Lilia get for all of this? Banished from the capital, screamed at, shunned—all because he is a nobody, a bat of no status. Despite this, Lilia does not become bitter nor hateful, he instead opens his heart and mind to the world and seeks to instill others with the same wisdom. Through all the tragedies he suffered, Lilia rose stronger than ever rather than sinking to the same levels as the narrow minded senators that rebuked him.

Silver is, perhaps, the most overtly noble in character. He extols the virtues of listening and getting along with others, often serving as the peacemaker between parties (typically between Sebek and their peers, but we’ve also seen Silver smoothing things out between all of NRC and diurnal fae). He also assumes the best of others and is ready to leap into action to protect them at a moment’s notice. His kind and gentle nature attracts many forest animals to him, who can likely sense the purity of Silver’s heart.

Sebek’s brand of nobility isn’t geared at others in general but rather is pinpointed on one person (that being Malleus). He is noble in the sense that he dedicates himself to his prince. It’s no secret that practically everything Sebek does is to “live up” to perceived standards so as to not shame Malleus or the Draconia royal family—from doing well academically to dressing neatly and throwing himself into training… Sebek’s passion and eagerness is what makes him stand out. It could also be said that he fiercely defends his friends and those who have earned his respect (albeit maybe not worded in the most tactful ways). That, too, in a sense, is honorable.

Finally, we have Malleus. What can be said about him that hasn’t already been said? He is the prince of a nation, so there are many people looking to him for leadership. As such, Malleus must always conduct himself in a manner that puts his country’s best face forward and expects the same of others. Indeed, he reprimands Sebek for behaving in poor taste and instructs him to apologize to Leona, the prince of another nation. However, what is most telling about Malleus is his impetus for Overblotting. He deludes himself into thinking “this is what is best for everyone”. In his mind, he frames forcing everyone into dream states so they can stay forever and have their happily ever afters as the “good” and “noble” thing to do. He’s definitely not doing this for himself, he argues, it’s a gift for everyone. And throughout book 7, Malleus tries to gaslight others into this belief too 💀 when bro’s already convinced himself of this and refuses to see otherwise—

[bloodstained-ballgowns]

i just rewatched ‘the woman who fell to earth’ a couple of days ago for the first time since it aired back in 2018 and the more i think about it, the more i like it.

thirteen is the only doctor for whom i feel a tangible, rose-tinted nostalgia. she wasn’t my first doctor, but she was the first doctor i watched live, the first doctor that i spent an actual extended period of time with over the episode rollout. her intro episode has middling parts (as can be expected with most episodes of Who) but there’s also so much good that i really want to highlight.

first of all, there are some really great character dynamics set up here. much more interesting than i remember, tbh. ryan is a guy who loves mechanics but is stuck in a warehouse job he hates, a guy who obviously wants to connect to people, a guy who by the end of the episode has lost both his mother and grandmother in the space of a couple of years and the step-grandfather he didn’t really want is all he has left (minus his absent father). that’s interesting.

yaz has a keen sense of justice and this raw, intense yearning to help people, to do something worthwhile, something more - the way she has chosen to express that is through law enforcement, but it’s not quite giving her the satisfaction she wants. that’s interesting.

graham’s experience with cancer means that he constantly feels like he’s living on borrowed time. meeting grace gave him purpose, gave him family, gave him the will to fight when he fought it was all but over, but now grace is gone. he and ryan aren’t related, but they’re family, and now they’ve got to figure out how to care for each other without the very lynchpin that brought them together. once again with feeling: interesting!

“i’m just a traveller. sometimes i see things that need fixing. i do what i can.” i like that they circle back to the ‘just some guy’ portrayal of the doctor here, both because it’s the one i’m partial to and because it feeds particularly well into the whole ‘the doctor is an unreliable narrator’ aspect, especially in the wake of the increased deification in the moffat era. it's a nice set up, even if it gets completely overhauled circa series 12/13. in fact, having thirteen keep this as a persistent attitude throughout the Timeless Child of it all could have been really effective re: her reticence with her companions and refusal to address or deal with her past.

the scene where thirteen builds her sonic screwdriver might be one of my favourite sequences in nuwho. i love that it’s a hybrid of alien tech and sheffield steel. i also love that they highlight the ‘mad inventor’ side of the doctor here (her teleportation circuit is based around a microwave?) and wish that they had carried it forward more. it would have been the perfect basis for her to bond with ryan over. jodie also pulls off the humour of the episode well, considering the significant shift from moffat dialogue.

i enjoy thirteen's outfit: the vibrancy of it as mirroring her childish excitability, but also as another part of the mask - if i dress all colourful then maybe i can ignore/outrun/masquerade my great capacity for darkness! etc etc. the shopping trip with yaz and ryan is a bit shoe-horned in at the end but it's cute that she finds it in a charity shop. (back in 2018 i bought a t-shirt with a couple of stripes across the chest solely because it remotely resembled the one she wore lol. nerd from a young age, me.) jodie also looks soo hot in capaldi's outfit though so a spin on the traditional suit would also have been appreciated.

some miscellaneous points: i like that she tells Karl off (“you had no right to do that”) right after saving him. i like that she gets it wrong at first and makes it clear that she’s working on the fly. she’s following her instinct, and that instinct is to help people. doctor who has been beautiful before but the cinematography takes such a huge step this era. “it’s been a long time since i bought women’s clothes” i am choosing to believe this is about river thank you and good night.

[sleepymim]

Ok so this is going to be my attempt to put all of my thoughts about Silco and Vander and their relationship and how they might achieve reconciliation into one coherent post because I cannot! stop! thinking about them!

As we see in s2e7, reconciliation between them is definitely possible. However, I think it definitely wasn't easy, and it wasn't motivated by a single event like Silco finding Vander's letter or Vi dying. I think a million little things needed to perfectly align for them to find back to one another. As others have already said, and I agree with this, I think the "happy" timeline is a statistical anomaly for them.

So what was needed for them to find back to each other? And like, disclaimer that this is obviously only my own interpretation of events.

First of all, I think one of the prerequisites for reconciliation is that Silco doesn't start working with Singed and doesn't get into Shimmer, which is supported by his eye having healed normally in the alternate timeline.

I also think that Vander's letter could only ever be a starting point for their reconciliation, something that would get them in the same room to talk again. After that, I think they'd still need a long, long time to get back to how things were.

Vi's death imo has absolutely nothing to do with whether they reconcile or not, because in the alternate timeline she dies during what would be Act 1. Silco is already past the point of no retunr here, he doesn't give a shit about Vi or the other kids, he's deep into his Shimmer business. He's literally planning to kill all the kids in episode 3. He would not give a fuck if Vi died in that explosion. If Silco and Vander are to reconcile, it needs to happen pretty soon after the betrayal.

But I think the most important aspects for their reconciliation are violence and ideology.

Obviously the actual betrayal is horrifically violent and traumatizing. Vander actively chose to drown Silco which is just like, such a brutal way to die. He does this because he puts the blame for the bridge fight escalating on Silco. This is unjustified, and the show wants us to know that Vander was in the wrong here. Vander himself admits in s1e3 that he has regretted what he did to Silco since it happened. In general episode 3 in my opinion very clearly communicates that Vander overreacted and that what Siclo did (throwing the first molotov) does not justify Vander's reaction (violent murder).

However! Vander also clearly still thinks Silco is dangerous and despite regretting how he reacted still puts some form of blame on Silco.

In the apology letter, he says the blood is on both their hands. The letter in general is shit considering the weight of what Vander did, and what it shows is that even though Vander feels bad about what he did, he does still put the blame for the bridge fight on Silco.

In act 1, Vander also says there are worse things than enforcers in the Undercity while looking at his brace that covers the scar Silco gave him while escaping. This is, presumably, before he knows Siloc has been funding Shimmer development and getting into human experimentation. He thinks Silco is worse than enforcers based on whatever happened between them in past. With s2, this is explicitly Silco's escalation on the bridge.

So obviously despite the time that has passed and the fact that Vander can admit what he did was unjustified, he does still believe Silco is dangerous based on their differing ideology. Benzo, too, obviously still holds a grudge against Silco for what happened.

So really the crux is that even though Vander feels sorry, he does not change his stance on non-violence being the right way forward for the people of Zaun, and thus he can never truly forgive Silco for what he did on the bridge - he still believes that Silco is responsible and that his own way is the right way.

I think as long as Vander keeps his ideological stance, reconciliation between them isn't possible. From both sides, because Vander thinks Silco's ideals are dangerous, and from Silco's side because he thinks Vander is a coward and a sellout.

Then let's look at Silco's side of things a little bit.

I think there's two aspects to his forgiveness/reconciliation with Vander: the violence and the ideology.

Canon pretty much tells us that Silco is willing and able to forgive the violence Vander inflicted on him. We see this not only in the alternate timeline, where they're obviously close again, but I think s1e3 tells us the same. Silco kidnaps Vander, but still offers him the chance to join him in the fight against Piltover again. I don't want to talk here about Silco's methods at this point in time, but he's obviously willing to put the murder attempt behind them IF Vander is willing to switch to his side again. He even says that his hatred for Vander passed with time. I think this implies that, somehow, eventually, with time, in a nicer timeline Silco could really forgive Vander for trying to kill him.

However, and I think this is the much bigger issue for them, there's still the matter of ideology. Vander betraying their shared goals, turning towards a pacifist, more passive approach to revolution and ultimately striking a deal with Grayson is what really drives the wedge between them.

This is what Silco despises Vander for: For turning his back on violence. Silco encourages Vander's violent tendencies, he wants him to become the person he used to be again, wants him to embrace that part of himself again. I think this supports the assumption that Silco would forgive the violence inflicted against him much easier than Vander abandoning their shared dream. Until the end, he wants Vander to embrace that violence again.

And a Vander who is committed to non-violence is a Vander who stands in the way of Silco's goal of a free Zaun. So as long as Vander stays firm on his ideological stance, Silco is always eventually going to get rid of him. There is no way for them to find back to one another if they remain on opposite sides of the struggle they used to fight together.

This is, I think, the crux of my interpretation of them:

Reconciliation doesn't only depend on Silco coming back to Vander and forgiving him for the violence Vander inflicted upon him. It also depends on Vander coming back to Silco, internalizing that the bridge figth was not Silco's fault, and being willing to compromise his non-violent ideology and take action again for their shared dream.

It's about the two of them coming back to each other.

[eriochromatic]

I have a question

What is Silco to Vi ? Only a care taker or even a father figure like in canon with Jinx *gasp* will she call him someday dad too ? 😱

(I'm assuming this is about my AU otherwise it would make no sense LMFAO)

yeah I would say he's definitely a father figure to Vi, but obviously their relationship is vastly different from Silco and Powder/Jinx in canon… Silco still sees himself in Vi but in the "hotblooded revolutionary ready to throw hands at topside" way rather than "I got betrayed by someone who was supposed to protect me" for Powder,,

I think in canon Silco was definitely projecting all his trauma w/ Vander onto Powder's relationship with Vi (I don't blame Silco though bc parents just want to help their children in any way they can, Silco thought by forging a new identity he was able to "get past that" so that's what he taught Powder) but if Silco is dealing with Vi instead, I don't think he'd do that since it's not relevant. Since Vi's older, it's not gonna be as easy to influence her compared to Powder who was like 10 or something.

We never get to see exactly what Silco tells Jinx about Vander (beyond that short conversation in the river where it seems he's still pretty bitter and Jinx is totally over him reiterating the same thing over and over again lol). Vi has a lot more memories with Vander compared to Powder (she would probably be Vander defender #1), so I feel like during those talks rather than Silco focusing on how Vander betrayed him specifically, he would focus on the fact that Vander in a certain way betrayed all of Zaun by making that deal w/ the enforcers. Vi was already sort of feeling that in s1e2 when Vander refused to fight the enforcers, Silco would definitely play into that frustration bc I mean, he still felt the same way. I think after the first few arguments about Vander both Silco and Vi would be on the same page of basically Vander being a good man but a stagnant leader who was too comfortable w/ the status quo (which is basically my point of view as well HAHAHA)

As for specifically calling him dad idk though HAHA I guess that's just not rlly a word I think the characters would use in the sense that like. Vi, Jinx (also Mylo) calls Vander "their father" but doesn't use the term "Dad" for him directly, they just call him Vander. I think it would be the same here where if you ask Vi who Silco is to her she'd probably say something like "he's like my father" (I don't think she'd directly say "he's my dad" since it would be too painful and she probably has emotional baggage abt erasing Vander and Connol's memories or smth idk) but the sentiment is still there. Same thing w/ Silco tbh like he'd obviously see Vi as his daughter but he would never say it out loud (unless he was pushed to the brink like the canon situation where he calls Jinx his daughter LMFAO hopefully that never happens to him). I think they would both outwardly downplay how much they actually care for each other

[ecoterrorist-katara]

I have been thinking a lot about blood bending lately and why the writers decided to go with the storyline of it being banned. I personally do not think it should have been. Like any bending form it can be used for awful things or it could be used for great things (my first thought is always in a medical sense but I’m sure there are other uses). And then I started to wonder if part of why they did that is bc that storyline was connected to Katara more than anyone else, and maybe this was a way to sideline her/focus more on Korra and the new gang instead of exploring with the older characters along with the new ones. But I was wondering if you had any thoughts on it!

hi anon! Sorry for getting to your ask a little late. I was at music camp (okay it’s a professional development program for musicians but I think of it as music camp in an effort to remind myself to have fun) and it was a big challenge since I’m chronically ill and needed a whole apothecary of meds to get through it. (I’m fine now! But needed to pace very carefully before & after and therefore stayed away from Tumblr)

It’s absolutely weird to me that bloodbending is singled out in a world where people can literally steal breath from one’s lungs, but it’s even weirder to me that they had a whole “ban bloodbending” storyline and sidelined Katara, because like…in what world would Katara feel strongly enough about bloodbending to ban it, yet do nothing to enforce the ban? The only explanation that makes sense is that she banned it because she was so ashamed, and stayed away from all the stuff around Yakone et al because she couldn’t bear to be reminded of what she’d done. And like all interpretations of canon Katara in LOK, that is just horribly heartbreaking.

I don’t begrudge the creators for wanting LOK to be about the new generation and I don’t mind seeing the Gaang play second fiddle. But I do object to the creators putting Katara in these situations where she could something in her wheelhouse, that’s in-character with her skills and ambitions, that is in line with her cultural impact as a role model for girls…and then sidelining her. Yakone is a big example, obviously, but so is Katara’s lack of involvement in the Civil War, the Red Lotus kidnapping, etc.

Like you said, bloodbending is useful in terms of the medical implications, but I also think it’s a humane tool in battle as long as it’s only used to incapacitate and not control. I can’t think of many better ways of incapacitating an enemy without causing serious damage (it’s even more efficient than chi-blocking!). If a bloodbender can stop encroaching enemies in their tracks with a flick of their wrist — well, that actually seems more humane than freezing them into ice cubes, which is the go-to waterbender move. I mean, Katara stops Hama with bloodbending in The Puppetmaster; she doesn’t actually control Hama with it. It’s terrible to override people’s bodily autonomy and make them do things they don’t want to do, but that is a very specific use of bloodbending.

I do think, though, that Katara is not the type of person to recognize all the other potential uses of bloodbending unless someone prompts her, and unfortunately that person is not going to be Aang. It doesn’t help that Katara’s first experience with bloodbending is being stripped of her own agency; similarly, it becomes her go-to weapon when she encounters (she thinks) the person who made her feel the most powerless in her life. To Katara, bloodbending is about taking power from someone else…and on her own, she’s not likely to see other applications. Katara is an excellent fighter with a lot of raw power, finesse, and creativity, but she’s not actually all that in-tune with her element, and I think that’s another reason she was never very interested in healing in canon (Katara and waterbending could be a whole other meta). Katara would’ve been an equally excellent bender no matter which element she wields, unlike Toph and Aang, who are uniquely suited to their elements. Katara borrows a lot from the more aggressive forms of bending (fire and earth): grabs people with water tentacles, hits them with ice disks, overwhelms them with big waves. For all that waterbending is about going with the flow and using the opponent’s strengths against them, Katara doesn’t exactly exemplify that philosophy (unlike Aang, btw, who is more intuitive as a waterbender than she is; that is why he picked it up more quickly at the beginning). She addresses all her problems head-on and is more likely to meet them with raw power than anything else. If I were to guess her astrological placements, she’d be an Aries Mars, minimum, if not an Aries Sun as well (she’d be a Cancer Moon though…I have Thoughts on ATLA astrology lmao).

Anyway, all this to say: I don’t think Katara would’ve thought of the healing implications of bloodbending on her own, when she’s already been traumatized by it, and that’s pretty tragic tbh. I like the Zutara interpretation of Zuko inspiring Katara to think there are other uses for bloodbending (as a wielder of a potentially destructive element), but I think Toph could’ve had a conversation with her about other uses for bloodbending as well, since Toph is really creative with earth. Actually, I think Zuko or Toph or Sokka could’ve all had a conversation with Katara about coming to terms about doing things that one is not proud of & moving past them, but I guess Katara can only follow the rigid moral code of her Do No Wrong boyfriend. Anyway, LOK’s despicable treatment of ATLA’s female characters is nothing new, but Katara’s is the most obvious and egregious because she’s actually there. We have no idea what happened to Suki or Azula or Mai or Ty Lee, and what we do see from Toph is not great either (in what world would she retire to be lonely in a swamp when having her friends meant the world to her…). All the boys got to have cool fulfilling lives and all the girls who aren’t lost to history are sad sacks, thanks Bryke! On a non-sarcastic note, thank you anon for such an interesting question!

[tan1shere]

Riding ellies face ! Cuz why not 😋

Warnings: well.. think about it, obviously smut my friendz ! Mdni. ENJOY WHORES 💋

Masterlist

◇ I definitely think this woman would BEG for you to sit on her face. Like no questions asked she'd just be like one day, maybe you're doing something, like a chore and she's just mesmerized, looking at your whole body and then she blurts out. "Can you please sit on my face?" Like so casually HELLO?

◇ and DUH you were doing it. Who could say no to her pretty face. Not to mention how good I just know her tongue is. I mean she's skilled in literally everything else what can't this woman do (date men) but once you agree she's most certainly picking you up and putting you over her shoulder, carrying you to the bedroom and plopping you down like you weigh nothing. She's eager alright. Eager.

◇ Ellie would waste no time into getting you undressed, she'd swiftly then lay on her back ready for you to suffocate her with your thighs. And drenched cunt (I fucking need this bitch in my life are you kidding me rn) She would grip them, forcefully making you giggle at how badly she wanted this.

◇ in the nicest way she'd MAKE you sit fully on her face. She'd enforce no hovering. Cuz this woman will eat you out like her life depends on it. "Please use me how you would a chair." ????? SAY NO MORE

◇ once you've gotten fully comfortable and taken Ellies word that you will not hurt her you sit down completely on her face, she will close her eyes for a sec enjoying the feeling of how warm it is, how the extra weight on her face and the taste turns her on even more. She's still gripping your thighs and she thrust her tongue into your weeping hole. God she is in heaven, and you're literally the angel that's sending her there.

◇ she moans into you at the taste she's indulging currently. She loves it, the feeling of being suffocated by her pretty wife. It's intoxicating to her and she could quite literally die happy as you fuck her face. She needed it all she needed to fully taste you as it runs down her throat. She wanted to make a smoothie so she could savor it forever.

◇ she will most definitely move her tongue EVERYWHERE. I just know her tongue is long ok don't even doubt it. She'd go from your tight hole to your clit so smoothly, like shes a lizard. Such an expert. She'd go from an in and out motion with her tongue, to keeping it in you for a sec moving it forwards and backwards, side to side. She'd do it all.

◇ she'd loveee the smell, considering her nose will be on your clit, creating more ecstasy for you. Shed have no shame into taking a big sniff. The smell, the taste, this girl's going into a frenzie.

◇ don't even get me started on how she's a fucking slut for your ass too. I JUST KNOW IT. She'd squish she'd smack she'd do everything. While grunting and make the most obscene noises into your heat it'd be unbearable. That's when you'll get closer. But she does one last thing that sends you over the edge.

◇ you know how she had her eyes closed at the start. They're wide open staring at you, most likely staring at your tits. But she wants eye contact. And if she doesn't get it she will slow down, she definitely doesn't want to, but you desperately need to cum so you look down at her, once she sees your eyes she will smirk against you speeding up to a pace only cheetahs can match. And oh boy that tongue is going fast. Making you see stars as you shoot that oh so yummy liquid in her mouth.

◇ she'd be the sweetest sweetheart afterwards, making sure you rest, massaging your thighs from sitting up straight for her. "You were so good for me." She'd say tiredly, lids half closed with a dumb smile, she's still thinking about it. She will dream about it. She was obsessed with you.

[hallowpen]

We're back lovelies... and I'm ready to dive right in. Shall we?

We were introduced to two new characters. Aon Arisara and Orn Ornida Sawadhipat are the daughters of the Thai Ambassador to England. While they may not hold royal rank, their father holds an official title for being one of the highest ranked diplomatic representatives in government-- His Excellency. He and his children would be addressed using the honorific "คุณ" (Khun). Again, the status they hold is one of direct inheritance... unlike Pin, who is not directly related to the family who took her in. That's an important distinction for later.

One of the things I love most about this series is the way that it weaves social and class commentary into character dynamics even when it might not be so obviously apparent. Everything Anil does and says screams of her privilege. It was important that Pin had to point out how extravagant Anil's gifts were. Even the personalized stationary Anil had customized for Pin's letter was evident of her wealth. Pin's gifts are handmade and a result of the skills she has mastered as a 'hand' within the palace... not as extravagant. I'm not trying to diminish the thoughtfulness behind any of the gifts, because clearly Anil cherishes Pin and vice versa... but it was just something I picked up on and thought I'd point out.

Folding the petals of a lotus flower (บัว - pronounced 'bua') is a common practice in Thai culture. It is said to enhance the flower's unique beauty... and the practice itself is associated with ideas of purity, enlightenment, and higher consciousness (which the flower symbolizes). The process requires intense concentration and delicate manipulation in order to have the lotus look as presentable as possible. These flowers are often given as offerings to the Buddha for wishes of good fortune.

I wanted to highlight this interaction between Princess Patt and Pin because, while it was a short and quick moment, it held a lot of significance.

Pin says, "The kindness that you always have for me is already much more than I could ever repay." Princess Patt responds, "I think of you as my daughter. I will always want to give the best of everything to you." There was a little bit of a mistranslation here between the Thai and the English subtitles (you can decide for yourself whether that impacts the meaning of the words hehe).

This scene really locks in the dynamic between the two of them: where Pin feels indebted to Princess Patt for everything she's done for her... and Princess Patt (as Pin's surrogate mother), while wanting to give 'the best' to Pin, will ultimately decide what that 'best' actually is.

This is the last scene that I wanted to highlight.

"I am only a Kasidit, a family of lower rank. I can never compare to them."

This line continues to enforce how much of an outsider Pin feels within this hierarchy. Despite the favor she holds with the Royal Family, she knows that she was not naturally born into nobility... and she cannot seem to let herself forget it. Again, very significant!!!

[goodyordle]

An Analysis on Season 2 Vi

SPOILER under the cut

I have SO many thoughts about how they wrote Vi this season. So I get that they wanted to go with a more vulnerable Vi this season compared to the tough character we had in season 1. I was excited for this direction for her character, that’s why I’m kind of disappointed that she felt flat and more one-dimensional this time around.

Firstly, I felt like in season 1, Vi was such a centerpiece to the show. From her relationship with Jinx and following Vander’s legacy. She actively moves the plot with these two elements.

But in season 2, I barely see her do anything that contributes to the plot actively and takes a much more passive role. This time, Caitlyn and Jinx are taking the lead on shaping her goals (whether this is her becoming an enforcer or her saving Vander). As a viewer, I do empathize with Vi. We see time and time again that she is a character that values loyalty and keeping her loved ones close to her, and she keeps getting betrayed.

But we never see these arcs get resolved, at least in a satisfying manner. We never see her find strength in her vulnerability or regain courage to find herself again. And this is an arc that most, if not all, characters in Arcane had. All of them had some sort of redemption and willingness to make things right.

We never see Vi try to grow beyond her comfort zone (which is using her fists / brawling). We don’t see her use her vulnerability as a new way to show toughness to her character.

For instance, the argument with Caitlyn. Now I enjoy this ship as much as the next person but I felt like the conflict got resolved a bit too quickly? It’s clear that Vi’s trauma of betrayal and abandonment runs deep (man, I feel so bad for her tbh).

My interpretation of this last shot of Cait and Vi (after Caitlyn asks “are you still in this fight, Violet?), in my opinion, also reflects this lack of resolution, where Vi generally looks more closed off. There is no raw vulnerability that Vi displays. She never expressed how hurt she was with Caitlyn’s actions. Even when Vi says she is the “dirt under Cait’s fingernails”, her expression looks quite pained and tired.

Then we have the argument with Jinx. Their sibling dynamic is the key plot of Arcane and is a heavily emphasized theme but their resolutions feel underwhelming both times.

The first time was when Jinx locked her up in the cell. I mean the fact that Vi didn’t immediately go look for Jinx given that she was depressed felt a bit out of character for me. Like she gave no emotional reassurance to Jinx who was obviously guilt-ridden from Isha’s death. Again, no vulnerability. And the placement of the Caitvi *cough cough* scene was questionable, considering it was right after Jinx expressed her anguish. Yes, she wants Vi to be happy, but wasn’t Vi’s character this whole time shown as one who is happy when she can take care of the people she loves?

Like if I were to draw a parallel to Jayce and Viktor, where Jayce says that he just wants his partner back, they could’ve had done something similar between Vi and Jinx. Vi could have expressed that she just wanted her family back. She needed her sister, which is something she never expressed because the dynamic was always of Jinx needing Vi.

Anyways back to that scene, I felt like it would have been more impactful honestly if Caitlyn even encouraged Vi to find her sister since I think that is quite fitting to Caitlyn’s arc as well and adds more depth to her feelings towards Jinx. If they had a bit more emotional resolution, I feel like her final scene with Jinx would have been more impactful. (And probably would add more emotional weight and spiciness to the Caitvi scene too iykwim)

That brings me to the second scene when Jinx sacrifices herself. The aftermath felt too rushed for me. When we have Vi acting like “normal” right after Jinx’ sacrifice, it diminishes their relationship in my eyes. Granted, I doubt she’s normal. In fact, I think Vi looks really resigned in her final scene but again, this is a bit difficult to pick up if there are no context clues.

Like in terms of the concept, I get it. I believe the writers were trying to make a full circle moment where Vi, who was the protector of her little sister, is now the one being protected by Jinx, who is now all grown up. It’s just the execution that doesn’t sit too well with me. Maybe it’s the pacing because I feel like as a viewer, you have to digest so many emotional scenes at once.

I just wish we had more opportunities to see Vi be vulnerable and show that as a source of new strength and as a way to reinforce her relationships with Jinx and Caitlyn. But unfortunately, her character development ended up static. And honestly she’s such a tragic character that had that potential. They showed her trauma even in the final scene with Vander/Warwick and how she couldn’t even bring herself to move despite Jinx’ warning. Like show more of that!! Let her be the one that needs to be protected by those she used to protect, instead of just following them around and beating up their enemies. As a result, I felt like she didn’t really add much weight to the finale (low key Maddie had more of a plot). Like this show is still a 10/10 with solid writing but this, after processing the show, I believe is its weakest point.

They can never make me hate you, Vi, you deserved a better character arc :(