#It was a really fucked up dream

[flannelfaggot]

holy crap my dream last night was disturbing

[tagerrkix]

Eden was their ✨disney princess era✨

[katabay]

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[mapledrawsarts]

Why did One kidnap Leafy, huh?

[sevenlersiniz]

You turn on the light.

[paintpanic]

👑

[kurikorso]

nostalgia slapped me upside the head a little while ago so i had to draw my favorite dudes ft. the gecko effect

[takomakiii]

best friends

[epicmarrowbonesoup]

Headcannon that postcannon Charles doesnt like leaving Edwin alone for long streches of time.

You know the way he did in the beggining of the show, leaving Edwin alone so that Charles could be with Crystal or just giving Edwin space to be with other people(Monty or Niko). I think post-Hell Charles Rowland would feel uneasy about not having Edwin in his line of sight while at the same time not wanting to make a big deal out of it.

Like how in the last episode Edwin is alone and Charles leaves others to pack so he could check up on Edwin, that sort of thing. Or how he was hessitent to follow Crystals plan at first becouse he has to rescue(see) Edwin ( to me it also looks like Charles was so busy rushing to Edwin he didnt noitice Nikos body but that might just be me)

Anyways i think it would be a fun direction to take Charles's characther in. Considering in s1 he is already weary of Edwin spending time with the Cat King, youd get that whole jealousy thing but doubled and mixed in with his feeling of inadequacy as the brawn. But also s1 establishes Charles as being at least partially insecure about their bond: having to correct Edwin whenever Edwin says how Charles would move on quickly and constanty seeking reassurment from edwin about their friendship (ep 1 when he asks what would happen if death came, ep 4 with his fight with the night nurse, seeing Brad and Hunter the best friends as him and Edwin)

And then you also have the reversal of how Edwin was jealous of Charles spending lots of times with Crystal and now Charles is protesting every second Edwin isnt with him. And ofcourse Charles does it from a place of fear and love but Edwin would maybe interpret it the wrong way, who knows?

And, from what the writers have told us, Edwin in s2 spent at least some amount of time flirting with other men (hopefully without Charles lurking in the background) and from what we know from that one cameo Jayden and George did, there was a lot of tension between the boys...

Now im not a writer i didnt write the s2 script or anything, im not saying this is what would have happened in s2 but.... i think the tension might have come from that. From Charles seeing Hell as a traumatic expirience and his PTSD manifesting as his insistence on Edwin not leaving his side, Charles's insecurities and his fear of losing Edwin being at an all time high. While Edwin, who has learnd how to forget Hell, is acting as if nothing happened at all, exploring his sexuality and making new friends in the process.

It would make Charles confront all of the skeletons he's been hiding in the closet but also it would ask the simple question of why is Charles so insecure in their friendship? Why is he constantly mentioning them being best mates? Why does he need it so much? Why is he constantly searching from reassurences that they are best friends?

And for more angst, from Edwins point of view he is doing everything Charles wanted him to do in s1. Hes accepting and letting the dead boy detectives workplace to grow and change, he is being more open and friendlier, he is encouraging Charles friendship/relationship with Crystal and he is no longer playing trauma Olympics at the drop of a hat. So why is Charles so mad? Hes working through his shame and his supiriority complex, hes growing as a person and Charles is still stuck at the staircase.

[karlachismylife]

I just know Gaz is so fucking good at rock climbing. He's just built perfectly for it, he's got the endurance, the flexibility, the grip, the core strength, the agility, the arm spread, he's not too bulky and heavy like Soap or Ghost, his height gives him quite a lot of advantages (even though sometimes there are trails for us hobbits, but mostly being tall helps). Price could probably give him a run for his money, but since I headcanon that Price has seriously fucked up his spine and joints, especially in his fingers, he might be held back by this. Also I feel like Kyle has the best endurance out of all four of them, so he does extremely well on the long ones. He's also got that magical ability to be able to take a rest at the tiniest little handle, like literally catches himself with two toes and a pinch on a non-existent bump in the rock and relaxes as if he's lounging on a beach, all muscles resting before the upcoming difficult few meters.

Also he's one of those who will climb even in slippers, just because he gotta flex like that.

No I'm not drooling over his fingers wrapped in that tape in places where he ripped calluses off, you are.

Also this was induced by a SoapGaz thought where Gaz runs Soap through some intensive training on the climbing walls and enjoys the view of all that muscle bulk flexing and rippling as Soap struggles to find his balance and makes mistakes in dispersing his weight which limits his reach. He's so tense, he can barely slur his Scottish nonsense out, sweat streaming down the dip of his spine and soaking his tank top through.

When he finally falls of the wall after reaching the top handle, his fingers are shaking and he needs Kyle's help to untie the harness knot. Wipes his forehead, leaving a white streak of magnesia stuck to the wet skin, and huffs and grumbles about how he'll still beat Kyle's PR one day.

Gaz won't let him, of course. But he won't stop Johnny from trying either, because after that he gets to massage all those sore muscles Soap didn't even know existed, and listen to him groan as he shamelessly leaks into his boxers. Because why wouldn't Soap get off the post-gym muscle strain, really. And why wouldn't Gaz enjoy watching him get painfully hard and sensitive from barely sexual touch, exploding into his mouth as soon as Kyle wraps his lips around Soap's tip.

[poorly-drawn-mdzs]

"See you tomorrow"

MDZS Disco Elysium AU part 4 [prev parts]

[candle-scm]

my takeaway from natla is that og atla zuko is hot topic flavored gay and natla zuko is barbie flavored gay

[moongothic]

Madoka is the promise you won't turn from a child, full of hopes and dreams and the wish to save the world, into a bitter adult who just wants to hurt others and ruin people's lives

Madoka promised to be there for you to remind you of the person you wanted to be and to stop you from becoming what you sought to destroy

Madoka made that promise and became the very embodiment of it

[tinyfantasminha]

Chapter 7 spoilers

Diasomnia Episode ● 7 - 53

[front-facing-pokemon]