#It is a recommend from me

[poorly-drawn-mdzs]

Hey now, Let her cook!

[thatscarletflycatcher]

Reading An English Squire by Christabel R. Coleridge after reading Amelia E. Barr's The Squire of Sandal-Side was an experience.

Both writers have the sort of style that is engaging enough to make reading pleasant, but not so fresh or unique that it really hooks you. Both are writing pastoral period pieces of pre and peri-industrial nostalgia. Both are about English squire families deep in the North of England, and have their main plots spin around an inheritance problem. And yet their approach to the thing is so different!

Barr's story is morally blunt and very simplistic plot wise. Once the conflict of the story is set up, if you know your tropes, you know exactly what the twists are and how and when are they going to happen. The prodigal son metaphor is heavy-handed, in a way that makes it caricaturesque: mother and sister love the heir, but there are no good qualities of his ever presented that justify it. He's a lazy gambler and spendrift, but they will bend over backwards to help him out of trouble and justify him and such. Until he decides to actually settle down and marry and work a bit. Because he chooses an Italian woman. The horror! That's where the family draws the line. That's the unforgivable sin (he isn't even converting to Catholicism himself!). His "watching pigs and coveting their food" moment is his living in Italy with his consumptive wife and son. This stuff would make Charlotte Brontë say "have you considered that maybe you are being too harsh, too rude, exaggerating, even". Don't worry, though! He's not the real heir. The real heir is a good hardworking Anglican, the shades of Sandal-Side will not be polluted by nasty dirty Italian papist blood!

Now, An English Squire has a lot of simple things to it here and there, but it is making a genuine, earnest effort to understand its characters and portray them as realistically as it can. Sometimes these characters hurt each other, and collide, while both trying their best. They are flawed, capable of both generosity and pettiness. It's also unconventionally plotted, and the twists did caught me off-guard more than once. Many sad things happen through the book, and yet the general impression is that of kindness. It is a kind story, a "you catch more flies with a spoonful of honey than a barrel of vinegar" story. And that was so nice?

The premise of the story is also quite unique and interesting:

Over 20 years ago, Gerald Lester, second son of the squire of Oakby, in an act of rebellion, went on an European tour, and while in Spain, fell in love and married a Spanish woman from a wealthy, respectable family, and had a son with her. But then soon enough, both his father and brother died, making him the squire of Oakby. His wife dies while he is away, and his son, Alvar (Álvaro) is taken in by her family. A few years later he remarries, an English woman this time, and has three sons and a daughter by her. All atempts of bringing Alvar to England in his youth, failed; but now that his second son, and favorite, Cheriton, has come of age, things have fallen into place that make it possible, and everyone wonders what will happen when the stranger heir arrives.

As you can imagine, prejudice is a central theme of the story, and for all the pitfalls you can easily guess by reading that summary, the treatment is surprisingly careful and respectful. There was very evident effort put on characterizing Alvar; I may laugh that a boy of his social station would not be just named "Alvar Guzman Lester de la Rosa" but something like "Álvaro Guzmán Luis Enrique José Leopoldo Gerardo Agustín Lester de la Rosa", but for the resources the author probably had at hand, he's plausible. She's even aware of the existence of Carlists!

The relationship between Alvar and Cheriton is the central one; they represent the "opposing" paradigms of the Spanish hidalgo and the English gentleman, but the author refuses the easy way of making them enemies and rivals. On the contrary, so much of the story and their mutual development and at times survival depends on the brotherly love they have for each other. Very often the text will highlight how one character's prejudice against something pertaining to Alvar's person or background is accompanied by blindness towards something very similar in the English culture and ways.

This doesn't mean that the authorial hand is devoid of biases. They are there and pop up notoriously a few times, but I can forgive them because I see awareness and effort in so much of the rest. And the contrast with The Squire of Sandal-Side brought this into even higher relief.

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[doctormori]

I love this book to death, so here's some things I noticed <3

[totally-here]

3 times Phantom's Guardian was Mentioned + 1 Time He Showed Up

One

Phantom’s introduction to Young Justice wasn’t as dramatic as Empress’ or Slobo’s, or even Arrowette’s first introduction to the cave. No, it wasn’t during the Olympics, or on a battlefield, and he didn’t come in injured and looking for help. 

Impulse just brought Phantom in one day and insisted that he should join because he’s their age, interested in justice, and now that Greta’s human again they need another ghost member. So Phantom stayed, popping in and out for missions but never really sticking around all that long. 

Today is one of the days that Phantom’s with them on a mission, that being looking around a lab of the Brain’s that had an energy surge recently, despite it being presumably abandoned. 

Kon got paired up with Phantom to check the rest out first, since they both have better hearing than Anita and Tim, who were both still in the main room working on checking the computers for previous activity. 

The room is dark except for the light green ball glowing slightly above Phantom’s hand. He waves it around enough for it to reflect off of glass, then throws it up to the ceiling. The light expands enough to illuminate the room. 

Phantom mumbles about not knowing he could do that. Kon ignores him and moves closer to inspect the glass tubes to the side of several monitors set up. 

“Looks like cloning equipment,” Phantom says, casually. He drags a finger through the dust gathering on one of the monitors. “Don’t think they’ve been activated recently, though, so that’s good.”

“What? You got a problem with clones or something?” It’s a quick and defensive answer, and Phantom puts his hands up in surrender. 

“Not in concept.” He shrugs and joins Kon near the tubes. “But not a lot of people ask before making clones.”

“So I don’t need to sic Superman on you?” Obviously Kon could chew Phantom out himself, but few can do a “not mad, just disappointed” face better than Clark. 

Phantom scrunches his face. “Why would you need to?” 

Kon stops pretending to inspect the tube and stares at Phantom. “You do know I’m a clone, right?” The blank look on Phantom’s face tells him that no, he did not. “Well I am. Clone of Superman, though we’re pretty much brothers now.”

“Cool,” Phantom says, not a bit less friendly. He hesitates for a second before continuing, “Could I maybe ask you how you got there? Me and my clone have landed on cousins, but that was also, like, given to us by her evil dad. So.”

Phantom trails off. Huh, that makes three members of the team that have been cloned. Not a lot, but it’s weird that it’s happened three times. 

“You’re making sure she feels accepted, right?” 

“Yeah! Well, whenever she’s around. She,” Phantom waves his hand around, looking for the right word, “She’s a wanderer. Exploring the world and stuff. But Richard has a room for her at home, and I remind her of that whenever she does stop by.” 

“Well, first of all, don’t push it so hard,” Kon says. Phantom nods enthusiastically. “And second, who’s Richard?”

Kon doesn’t know a lot of Richards, and he doesn’t think that Phantom ever mentioned one before. Or even if he remembers his living life. 

“Oh, he’s my, uh, guardian? I guess that’s the best term. The guy I’m living with who forces me to go to school sometimes.” Phantom looks away and back to the tubes. 

Before Kon can ask for more details, Robin and Empress come in with a report of dead computers and wanting to know where they’re at with the cloning room.

They’re unimpressed with their lack of progress.

Two

Wally doesn’t really need to come by the Hamilton Lodge that often, not when that’s Young Justice’s territory and he doesn’t want to get involved in all of That.

But Red Tornado said that the team has a file on a planet that’s very quickly becoming a league problem, and he figured it might be a good time to try to check in with Bart, anyway. Make sure he hasn’t run any cars off cliffs again and all that. 

So he stops by Manchester to ask Bart about the file, then they both head East to actually find it. 

When they arrive at the hotel minutes later, Wally’s surprised to actually find it… clean? There’s no visible trash or overturned furniture or anything else he’d expect from an abandoned hotel filled with teenagers. Well, maybe not filled, lately. He doesn’t think anyone’s living here currently, with Greta at Elias’ for the school year and Slobo gone. 

Still, the room smells slightly of artificial pine scent, and Bart perks up before disappearing and reappearing rapidly, holding a teammate up by his armpits. Said teammate just accepts this, his legs folding into a wispy tail, and head rolling against his shoulders. 

“This is Phantom!” Bart holds him up higher. Phantom waves. Wally’s only heard of him through Max’s updates, the same way he would hear about Preston or Carol, but with more wariness about the supposed ghost. 

Actually looking at the pale face and glowing green eyes contrasting against the darker than dark jumpsuit, Wally’s a little more ready to accept his claim at being undead. 

“He stress cleans,” Bart explains, moving to carry Phantom under his arm. Wally bites down the urge to tell him to put him down, but only because Phantom doesn’t resist the hold, only moving to get into a more comfortable position. His hands are touching the floor. “So what happened?” 

Bart directs the question downwards, and Phantom heaves a very dramatic sigh. Definitely a teenager. It does raise the question of who exactly this kid’s mentor is. Hopefully he does have one. Maybe he’s the Spectre’s kid?

Phantom phases through the arm holding him only to lay on top of Bart’s hair. “I accidentally called Richard dad. And then fled.” 

Bart nods sagely. “Classic. One time I accidentally called Max dad, so I had to start a fire to distract him.”

Phantom sighs again, almost dreamily. “Genius.” 

Wally doesn’t have time to unpack all of that. Well he does, but he’s not going to, because there’s really only one Richard that comes to mind that might have the heart to take in a dead kid, even if he doesn’t go by his full name.

But surely Dick would have told him, or any other Titan, if he had adopted a kid. Right?

But there’s still a little shadow of doubt. Maybe Dick wanted it to be a secret, or it was really new or had a rocky start. Phantom doesn’t seem to hold himself like a Bat, but it’s not a guarantee Dick would have trained him. 

“The lodge looks nice,” Wally offers out loud, which Phantom shrugs at and wraps his tail around Bart’s head to keep secure. “Anyway, Impulse. The file on Myrg?” 

“Oh yeah!” Again, Bart disappears then reappears a few seconds later with a paper file. They really need to start digitizing more of these things. “That’s the planet where we played baseball so that they wouldn’t destroy Earth!” 

“You what.” 

The prospect of Dick following in his dad’s footsteps is forgotten in the face of what the hell Young Justice got up to on Myrg. 

Three

Tim may be in a…Predicament. 

It’s not his fault. Really. He knew what he was doing. He couldn’t let a civilian fall for the trap. But they were already so close, so he just, kinda, pushed himself into the rope instead. 

So there Robin is, tied upside down in a warehouse, with the Joker below next to an overly complicated control panel. The clown’s rambling about bombs hidden all over the city that Tim knows Batman is already tracking down with Batgirl. 

Tim’s not really paying attention to the rant because of that, more focused on wiggling enough to get the spare mini-birdarang out of his glove to cut the rope without notifying the Joker. 

“Yikes, bad time?” Asks Phantom’s voice beside him. Based on the source and accounting for the slight echo, he’s floating with his head near Tim’s, likely upside down. “Want some help?” 

Tim gets the birdarang out and starts sawing at the thick rope. They should be fine anyway, but stalling the Joker for extra time would be helpful. “Can you possess the Joker? Just hold him still.”

“The correct term is overshadow, but sure.” The voice disappears, and a few seconds later the Joker freezes. 

His body jerks forward, then backward, and a laugh chokes out of his throat. His hand claws over his mouth at the noise and he hunches over. All movement halts before he rights himself, shaking out his hands and rolling his shoulders. Phantom looks up at Tim and his eyes are glowing. 

Tim cuts through the rope, kicking and using the momentum to right himself and land on his feet. He brushes past Phantom in Joker’s body to handle the control panel. He turns off the radio broadcast and dismantles the bomb strapped to the panel.

Threat handled, he turns to Phantom and holds up some handcuffs. “Let me arrest you?”

Phantom obliges, turning the Joker’s body around and putting his hands behind his back. Tim lets him walk by himself out of the warehouse and moves the handcuffs around a lamppost. The Joker’s body jerks again, then slumps forward, just as Phantom reappears next to him, scowling down at the unconscious body. 

“That felt really slimy. Zero out of ten, would not do again,” Phantom grouches. 

“Why’re you in Gotham?” Tim asks. It’s not like Phantom makes a habit of visiting. The last time he came into the city, he complained about feeling the dead under the streets. Fortunately, that let Tim uncover a few tunnels that Talons travel through. Phantom, however, was unnerved by the Talons and left quickly. 

“Oh, Solomon Grundy’s back in our sewers. Richard said I should probably tell one of you Gotham heroes, since you keep track of those guys.” He shakes out his hands like they were cramped in the Joker. 

They hadn’t seen Grundy in a while. Tim assumed he was currently in a less violent personality. “What’s he doing?” 

Phantom shrugs. “Just chilling. Mostly underground. I tried to talk to him but he only grunted back at me. He also tried to pick me up, dunno what that was about.”

“Maybe because you’re both dead?” Tim guessed. That would be a surface level connection. Ivy and Woodrue have had more luck working with Grundy than anyone, and Phantom definitely doesn’t have the connection to the Green that’d help with that. 

Police lights turn around the corner, and Tim shoots a grapple to get to the roof above them. Phantom follows, but disappears as soon as they’re on the roof. Going back home, probably. 

Cass drops down from the roof she was listening on. “Richard?”

“Not the same one.”

They both stick around long enough to watch the Joker get put into the cop car. 

Plus one

A spaceship landed in the forests of New York, and Cassie’s team was the first to respond to it. Technically not respond, but check it out, since there wasn’t any alert or anything. 

Still, Wonder Girl has Empress, Robin, and Superboy on the other side of the ship, watching what looks like the back door, while she, Impulse, and Phantom watch the other door and main window. She has binoculars, but the windows are so tinted she can’t quite make anything out. 

No aliens have come out yet, and she hesitates to have anyone go in, in case whoever inside does turn hostile. 

Impulse has offered to run through a total of five times already, and it’s a testament to his restraint that he hasn’t, and a testament to Cassie’s that she hasn’t yelled at him yet. Phantom at least isn’t being annoying, but he’s not necessarily helpful, either. He’s not even watching the spaceship anymore. Now he’s trying to make a flower crown out of dandelions. 

“Door’s opening on our side,” Robin says from the comms. “But no one’s coming out.” 

“Alright, good enough to try to get in,” Cassie decides. She turns to Phantom, who’s closing off the circle of flowers. Beside him, Impulse has since pulled out a gameboy. “Phantom, go in invisibly through the open door and report back. Try to see what their plans are.” 

“Oh, sure. One second.” Phantom finishes the crown and tries to put it on Bart’s head. It doesn’t quite fit over his mane of hair, but Phantom shrugs and leaves it sitting there anyway before going invisible. 

“Maybe I should shave my head again,” Bart says as his game character dies. 

He gets a resounding no in response. 

Half an hour later they have a very annoyed Green Lantern lecturing them about league jurisdiction and knowing when to call someone else. 

Apparently, the alien ship was just stopping to complete some maintenance, and did not appreciate any spying on them, and especially did not appreciate who did it. Green Lantern was more than happy to explain that Wonder Girl’s team is not really a part of the Justice League and he can help with their maintenance. They denied his help and left to find a place with less people in it. 

“-and you!” Green Lantern rounds on Phantom next, but Cassie knows none of them are really listening. Sure, they messed up by freaking out the visiting aliens, and yeah maybe they should have contacted the league about it, but they’ve dealt with stuff worse than this! It’s not Cassie’s fault she thought that this would have stuck to the formula. 

“Who even are you?” Green Lantern runs a hand through his black hair, stupid green gauntlets shining in the sunlight. “Do I need to call your mentor?” He frowns. “Or do they know you mess up alien technology by just being around it?” 

Phantom scoffs and rolls his eyes. “How was I supposed to know their tech would go all fuzzy when I came in?” 

“You wouldn’t have to know if you just stayed out of the spaceship!” 

“Hey!” Cassie cuts in. “Technically that was my call. It’s not all on Phantom.”

“I still could've been more careful,” Phantom says to her, ignoring Green Lantern as they argue about blame. 

“Cut it out for a second, okay?” Green Lantern puts a hand between them and they stop to glare at him. He pulls the hand back. “Look, can I just talk to one of your adults about this?” 

Robin glares. “We don’t need an adult. We have this under control.”

“Only because I’m here now.” 

“I’ll call my mentor,” Phantom says. Kon opens his mouth, most likely to offer to call Superman instead in hopes of a lighter sentence, but Bart covers his mouth, smiling like he knows something Cassie doesn’t. Tim and Anita share a look, and don’t intervene as Phantom pulls out a phone from his chest. 

It rings once before it’s picked up. Cassie can’t hear the other side of the conversation, but Kon’s eyebrows scrunch in confusion. “Hey, do you think you can pick me up? Green Lantern wants to talk to you.” Phantom looks Green Lantern up and down then says, “No, this one doesn’t have a cape.”

Phantom says goodbye after rattling off their coordinates, hangs up, and stares at Green Lantern in silence for a few seconds. 

And then a swirling mass of black seeps into the space next to Phantom. The end of a cane steps out of it, followed by a leg, then the rest of the immaculately dressed man holding the handle of the cane that’s shaped like a bird’s head. 

“Phantom,” The man says. His voice drips with condescension in only a way a british accent can, yet Phantom smiles up at him. The shadowy portal behind him disappears. “What, exactly, happened?”

“That’s the fucking Shade,” Anita hisses to Robin, who shrugs noncommittedly at her. Green Lantern seems to recognise him too, taking a step back and clenching his hand that holds his ring. 

“Well, the team and I were staking out this spaceship–super cool, by the way–and I went inside to check it out, but my presence messed with their tech–which was an accident–and they freaked out, so I freaked out, and then we kinda got into a little fight until Green Lantern came to mediate.”

“Hm. Is that right?” The Shade asks Green Lantern, who nods slowly, still anticipating an attack. “It seems like the problem’s fixed, then.”

“Well, yes, but–”

“And it does seem about time for these kids to get home, doesn't it?” The Shade pulls out an actual pocket watch, chain and all, from his suit pocket and takes his time in checking it. “I’ll see them home.” 

Shadows grow from behind the team, swirling until they become a giant, gaping maw that swallows them up and spits them out in a different forest, or maybe just a different part of the same forest. 

Either way, Cassie has to take a moment to make sure she doesn’t throw up from the sudden vertigo the shadow portal caused. 

The Shade looks at Phantom, and raises an eyebrow. “You can’t expect me to always bail you out.” 

Phantom shrugs, looking guilty. “I know. Thanks, Richard.”

Oh, so that’s who Richard is. Annoyingly, neither Tim or Bart look surprised by this revelation.

[fauvester]

something something seeing things through different eyes

[succo-al-limone]

DC doodles for funzies

[keferon]

…..SO. AHAHAHAHAH. I finished reading Mistakes on mistakes until (technically I finished chapter 68 which is the last one currently~)

What a ride OH MY fuckINg god

[hinamie]

all i have left

[artsymeeshee]

Forlorn

[crispycreambacon]

Jesus came back and he brought trans people with him. Rejoyce.

[poorly-drawn-mdzs]

Happy one year anniversary to In Stars and Time!

[thatsitso]

So I finished orv

[uncanny-tranny]

I recently had to do a project in one of my psych classes, and man, I knew that CBT was used for every little thing, but seeing over and over, "do CBT! CBT is the best for every mental illness!" was so jarring. I'm absolutely biased because of my own experiences, but I just don't think it's as universal a treatment model as it's touted.

If you didn't benefit from CBT, it's not because you're lazy or didn't try hard enough or lacked intelligence or foresight into your own needs. Frankly, it's a therapy model that (I think) shouldn't be the only readily-accessible model and among the only therapy models covered by insurance. Some of us should not be treated in a CBT model and that's okay. It's not a sign of poor character or unreasonable demands, and if you don't think it's a model that works for you, then it's your right to express that!

[quicksilversnails]

Took some notes from the Wild Life retrospective episode of the Imp & Skizz podcast featuring Grian because I thought the behind the scenes info was really interesting!

(3:15) The wild cards were all kept totally secret from the players (apart from Grian), with the exception of the superpowers and finale (as they required the players to set keybinds)

(3:45) The players were given files containing the required mods each week, which were named things like "creeper rain" to throw them off

(4:12) Wild cards were a combination of data packs and mods

(4:38) Grian told them not to read the folder name to avoid spoilers (which is kind of impossible), so everyone fully believed there would be creeper rain lol. Grian was saying it in jest but everyone took it seriously and were apologetic about having seen it, to which Grian told them not to worry

(6:58) Grian originally contacted a data pack dev called Brace for help with programming the wild cards. Some, like the shrinking/growing could be achieved with minecraft attributes, but the snails were too janky and unusable. Grian still liked the idea though, so he reached out to mod developers Henkelmax and Breadloaf, who designed the pathfinding/behaviour from scratch

(8:49) They had a debugging mode used to test the pathfinding of the snails, shown in the podcast and in Grian's credits

(10:09) Grian wants most of the credit to go to the development team and artists, as he was mostly in charge of ideas & organization!

(10:39) Grian's only regret with the snails was that they were too fast in session 3, leading to unexpectedly many deaths. They were apparently not so difficult to get away from during testing, but perhaps the testers were more used to them than the players were

(11:44) Grian: "We did develop to the lowest common denominator" ie. prioritizing how players would struggle over how worrying about if players would do too well

(12:56) Oli's voice for the snails was iconic. It cost Impulse a life because he intentionally stayed closer to it to hear the voice lol

(13:42) Danny was in charge of the snail models and animations

(14:11) During testing, the snails just sounded like Oli, which made it feel weird. They pitched up his voice so that it'd be less immediately recognizable

(15:18) The snails' jumping attack was meant to be clearly telegraphed: they would stop, wiggle, make a "ooeee" sound before jumping. Many players had their friendly creatures volume turned very low/off (as cows and other mobs are loud), which made this attack much less obvious for them

(16:57) The growing/shrinking had the least testing done for it, as it was the simplest conceptually and to program. This meant that the falling off of blocks due to the shrinking hitboxes wasn't anticipated

(17:55) Before the 1st session, Grian told them that he didn't think anyone would die to the wild card. Pearl's death made Grian pretty nervous, as he didn't want everyone dying too early in the season

(19:29) 6 lives were given, knowing that many of the death to the wild cards were unexpected/unfair. The intent was for ~3 lives to be allocated for wild cards, and ~3 for PvP.

(21:13) The developers were all fans of the Life Series!

(22:43) The shrinking/growing was intentionally pretty simple to ease players/viewers into the concept and build up toward more dramatic wild cards like the snails

(25:38) In the hunger episode, Grian didn't know which foods would be good

(25:58) Grian thinks that "it's unfair that Grian already knows everything" is valid criticism, but that it's important for him to be involved with the ideas. Having someone else do that is like having someone else record his videos: Life Series is his brainchild

(26:35) Well before the season began, while they were still developing the concept, Grian asked the other players for wild card ideas that would meet a few criteria. All of them ended up being unused for one reason or another. Impulse thinks his ideas were very "inside the box" because he was viewing things through what was possible in vanilla Minecraft. His idea was to have a scavenger hunt where the players would search to find a relic. The first person to find it would get a buff. Skizz's idea was for every player to turn into a random passive mob for every given interval of time. They would have to find every other player of the same mob type as them or else the whole group loses a life.

(29:44) The food qualities were weighted by the rarity of the item, so very common blocks like dirt and cobblestone would never give anything good. The other items were randomly selected

(30:23) Regular blocks/items cannot be made edible normally, so they had to circumvent that and custom code a fix for items not stacking correctly

(32:41) While a lot of players do want to win, the main priority is creating entertainment, which prioritizes playing recklessly

(33:20) The food wild card wasn't included in the finale because it would've felt like "too much". There was a higher risk of technical issues since it changed the data values of items, and Grian didn't want someone's last death to be because they ate their sword. In his mind, it was a good and fun wild card, but didn't need to be repeated in the finale. Impulse points out that they all would have collected more rare items by that point, removing the incentive to search for blocks to eat

(33:46) The wild cards in the finale were nerfed from their original sessions. The shrinking/growing had a smaller height range, the snails moved slower, etc.

(36:21) The personalized snail skins were a late addition by Danny, who made 18 skins very quickly

(36:49) Grian did not anticipate the snails becoming as popular with fans as they were. After the session released, they had the idea to release the snail merchandise, which directly funded the rest of the season

(39:20) Grian spent what "felt like every day" testing with the developers. They'd record the sessions on Tuesdays, meet up with the dev team, talk about what need to be done, testing, bugs, etc, edit and upload on Saturday, and would get a few days grace before starting again

(40:01) After the snail session, Grian was worried that the season would be very short due to all the deaths. They were considering toning down the later wild cards but ultimately didn't change them too much

(40:36) The time wild card was carefully balanced. If it had gone even a little faster, many players likely would have died because they wouldn't have time to react to threats like baby zombies or creepers.

(40:57) While sessions normally run for a variable amount of time, session 4 was hardcoded at 2 hours. Grian ended the session ~10 minutes early, just after they hit max speed, because he felt like things were getting dicey

(42:46) When the wild card first activates, it looks a lot like the server had frozen or crashed. Grian told the players before the session started that it would look like the game was broken, but that it isn't broken. Skizz tabbed out anyway and missed the beginning 😔

(43:30) Having the rain start just as the wild card began was a good visual indicator of time slowing down. This was a suggestion from the dev team (probably Brace)

(44:41) Impulse and Grian "cheesed" the end of the session by going branch mining. Grian wanted players to take advantage of the wild cards (eg. mining quickly, helping to kill someone), and not have them just be an annoyance.

(45:30) Keeping the client and server-side time stay in sync was challenging. The sky's motion was changed to be smoother on client-side. The players were also not as fast as the server (around 2x faster), the server was going faster than that, and the time of day was even faster

(46:56) The sounds were pitched up/down based on the speed to add to the effect

(27:46) In testing, if the players were made 7x faster, it would be basically unplayable, which was why it was capped at 2x speed. This made mobs very dangerous, as they were now faster than players and could catch up to you and kill you easily

(49:01) On several occasions, they had to extend the fuse duration of creepers to make them more fair. In the time session, their speed was only increased by ~10%

(49:39) Usually, Grian was the one to test the wild cards and notice when things like creeper speed would be an issue, since he was the one with experience making videos

(50:50) A challenge with balancing wild cards is accounting for the playstyles of so many players: reckless players like Scar and Skizz, "kind and gentle" players like Bigb who would stay off to the sides, and "the sweat squad" (Scott, Impulse) who play very cautiously

(52:48) Trivia Bot was the only wild card that was not planned in advance. Grian was struggling to come up with a wild card for that episode, and wanted to have a wild card available that could give people lives in case many people died to early wild cards without it feeling cheap.

(53:33) Trivia seemed a little boring on its face, so presentation was essential

(54:34) This one made Grian the most stressed due to all the moving parts involved in making it (coding and pathfinding mostly by Henkelmax, visuals by Hoffen, audio/music, questions)

(55:08) Trivia Bot's design was based on Grumbot and Mettaton from Undertale. Hoffen drew concept art shown in the video

(58:32) They show Trivia Bot's custom animation for becoming a snail and it's really cool

(59:12) The music was the most stressful part of the project. Grian spent 2-3 days looking through Epidemic Sounds for a Trivia Bot theme song and couldn't find anything good. He commissioned Zera @hopepetal for a theme song, which is played in the podcast. However, Grian realized he needed a full audio package, so he commissioned Oli late in development, who created the final soundtrack and many audio variations

(1:01:38) Grian wants to send appreciation for everyone who worked on the project, even if their work ultimately went unused

(1:02:58) Skizz was happy to give back however he could by staying on standby in the final episode as a zombie, as the players were able to "reap all the benefits" of the hard work of the development team

(1:05:21) Grian didn't know any of the trivia questions beforehand, which were done by fans of the series. The goal was for ~50% of the questions to be answered correctly, which was approximately met

(1:07:11) Players couldn't get questions about themselves because it would be too easy. This would encourage players to leave their bot, allowing other players to mess with them

(1:07:57) Grian felt a little left out from the discovery element of the wild cards, and decided to mess with Scar by hiding his bot. He wasn't expecting Scar to die from it, and could tell that he was genuinely a little upset by it. Grian felt bad about it, which led to a genuine in-game alliance between them

(1:12:32) Grian was very close to letting Trivia Bot give lives as rewards, but decided it would feel too cheap

(1:14:38) Mob swap was slightly toned down, with more camels and sniffers spawning

(1:15:07) Evokers didn't drop totems anymore. Instead, there was a minuscule chance a warden or wither would spawn, which would drop a totem if killed. Grian was a little disappointed that the warden got cheesed in the end

(1:17:45) Having the mobs start passive and turn hostile was mostly for the presentation, building anticipation, and so players could predict where mobs would spawn and react accordingly, making things feel less unfair

(1:20:32) There was no superpower made for Skizz (or Mumbo presumably)

(1:20:38) The superpowers were another late addition. There was a large design doc where Grian created all the powers, which were handed over to Henkelmax and completed over 4 days

(1:21:42) Grian avoided superpowers involving strength, that could cause someone to die easily. Most of the powers were social or movement-based, which couldn't be used for offence as easily

(1:22:25) Some powers were randomly assigned, others weren't. Impulse's was random. Cleo's, Bigb's, Lizzie's, Grian's were assigned.

(1:24:25) Grian gave himself the mimic because it could easily backfire (like in Grian's fall damage death), and because it would've been confusing for a player who wasn't aware of the other powers. They likely would've spent the episode just figuring out how everything worked and not actually using the power to its best ability

Lots of discussion about the superpowers and how they interacted in the episode itself, go watch if you're interested :)

(1:33:38) Talk on how the series "standard" rules evolved since 3rd Life. There was no keep inventory, and no restrictions on enchanting levels or potions, which created slow or unbalanced fights

(1:36:23) 3rd Life was designed to be an experimental series, which made Grian eager to improve it. For example, some people just weren't dying in 3L, leading to the boogeyman in LL, and so on

(1:37:17) The goal with the seasons isn't to one-up the previous one, but to create a different experience every time, which keeps things engaging for the creators

(1:38:31) At the end of each session, Grian would ask the group if they had fun and how they felt about the wild cards. According the Skizz, the answer was "a resounding yes"

(1:39:08) Grian had moments throughout the season where he personally felt like things didn't go well for him, and was anxious for the rest of the group's episodes. Things worked out while editing the raw footage, though. His issues were never with the wild cards themselves, but his own actions (traps not working, spending too long branch mining), but would always find funny moments in his footage

(1:43:41) Everyone in the Life Series cast genuinely likes and genuinely respects everybody else in the group. This allows them to make the show and get mad at each other, because they know it's all just in-character

(1:44:50) It'd be hard to top Wild Life in spectacle, and Grian doesn't want to start an arms race with himself. The next season could potentially be closer to 3rd Life, but Grian's not sure yet. For Grian, Wild Life was the most enjoyable

(1:45:20) Grian: "As long as people keep enjoying [the Life Series] then I'd love to keep doing it"

(1:49:35) With the finale, Grian knew how the wild cards played out the previous sessions and was able to adjust them

(1:49:56) Grian's goal was to create safe chaos where everyone knew what was happening and wouldn't die to them, which didn't go entirely to plan. The snails were 60% of their original speed and people still died

(1:51:03) Grian made a precise timeline of when each wild card would start/stop, it wasn't randomized.

(1:54:16) All the superpowers were randomized, with Bdubs' power being removed from circulation because it didn't have much use in a finale setting

(1:56:10) It was important for Grian that in the final moments, the wild cards were removed, so there were no interruptions. The timing worked out well because there were a few people left and it ended within ~10 minutes (this implies that the change wasn't based on # of players alive, as people had speculated based on Gem's death)

(1:58:48) The players all randomly switched to zombie skins throughout the session to mess with people on NameMC. Well-played :)

[kugisakiss]

as promised, the spy x fam parody AU

I had some fun thinking about this like 2 years ago and only made a couple of sketches at the time.. but then I started cleaning them up last month and before I knew it, it spiraled out of control to become this monstrosity. I can't help it, as you can all tell by now, I love coming up with scenarios to get all my little guys interacting with each other

some details i didn't put in:

the Kudou parents are absent like in the show

whatever is happening on Haibara's end is probably super messed up but I haven't thought of any of the details

Akai gets fancy tech stuff, like the voice changer, from Agasa. Agasa comes to help babysit Conan sometimes and he gives him all his little gadgets. Akai hasn't said anything about it but figures he could use it considering the amount of crime he comes across

the facility shinichi was in is like in the original story, it exists to research esp to create super soldiers which is why he knows everything he knows

Conan regularly eavesdrops on Akai and Rei's top secret phone calls which is how he learns their real names. He can't help it, he has really good hearing

Conan and Subaru have different last names because Conan thinks "Okiya" is lame and wants to keep the one he made up on the spot. Their story is that when Subaru and Conan's mother (Edogawa Fumiyo) married, they both kept their own last names and Conan was given Edogawa when he was born. They've kept it this way to "remember Conan's dead mother"