#It could be any of them really

[puppetmaster13u]

Prompt 65

“Oh what the fuck-” It was supposed to be a quiet night- no breakouts in Arkham and for once the asylum is actually full of most of their rogues. And the others were already taking care of Scarecrow and Penguin was- as far as he knew- doing legal things at the lounge at the time. So somebody tell him why there’s this giant… thing that could give Grundy a run for his money in should be dead a thousand times over was pulling itself out of a sewer tunnel. Like seriously, he can see the blood and infection and whatever else dripping from honestly filthy bandages all on its arms that look a hint too long the more he looks through the binoculars, and it’s glowing this sickly green that reminds him way too much like the Pits. That isn’t even getting started on the mouth- the only part visible of their face due to the wild mane of what might be white hair but was hard to tell under the amount of blood- that stretched far too wide. He even swore he could see fangs! Not to mention the cloak that he wants to say is a knockoff of B’s, but honestly he can swear he sees it moving, twisting like lashing tails of shadow, or like Ivy’s vines. Its hands are long and gnarled, tipped in claws that dig into the concrete as it pushes itself to a frankly horrifying height. And oh fuck, not only did it have some sort of giant sword, but there was a small child sitting on its shoulder without any sign of realizing the danger they were in-

Danny is having fun, his ghost-mom Amity is out on a date with another city spirit, Mr Bludhaven- so he gets to hang out with grandma? grandpa? (honestly who has time for gender when there’s curses to beat back!) Gotham! It would perhaps be better if he wasn’t unknowingly making said city spirit visible to those who aren’t death-touched or liminal… Oh well! 

[frownyalfred]

Roy: having the Bats as friends is so weird. I was crying and they just told me to “lock in”

Oliver:

Roy: and then I did

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[poorly-drawn-mdzs]

Out of sight, out of - wait.

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[sysig]

Permission to headbutt: Granted (Patreon)

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[linkedin-offficial]

🕊️

[vaguely-concerned]

purple hawke who, at malcolm's death, lost not only a father, a mentor, the single most stable and safe point in their world up until this moment. but also the only person in their life who would consistently, gleefully 'yes, and — ' them. the loss, in one fell swoop, of both a beloved parent and your sole willing — no, not only willing, enthusiastic — improv partner. truly, the most unkindest cut of all that the maker could have seen fit to deal. (there's always so much less laughter in the house, after malcolm's gone.)

and then after all the horrors of the blight and trying to make a new life in the shithole turned shithome of kirkwall....... they meet varric. and something that's been slumbering deep within their soul dries a tear of relief and joy and whispers 'oh we are so back'. and they are so right

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[benevolenterrancy]

Scholarly peak is catching up on recent literature

[shepscapades]

Xisuma, why in the world were trying to fix your helmet with TAPE?? I thought the superglue idea was unhinged but THIS IS A NEW LEVEL

(I know that it's probably not holding itself ONLY on tape, but the image in my head is too funny)

What's next? You tell me he attached Doc's new arm to his body with tape and glue too??

THIS RESPONSE WAS SUPPOSED TO BE COMICAL but I let it get away from me;;

[bastardlybonkers]

feetman

[nothorses]

I think the other thing about it is that sometimes what you get out of art says a lot more about you than it does the artist. and what you see in people says more about you than it does them.

the people who looked at Gaiman's work and saw beauty and love for humanity and a life worth living may have been looking at the mask of a monster, and they may have been seeing a bit of something real in an otherwise abusive person, but what they were definitely seeing was a reflection of something already inside themselves.

your relationship with art isn't just about the art, and it isn't just about the artist. it's about you. you are a lens the art shines through, and you are a part of the conversation the art is having, and you are reflecting and being reflected through and by the art, and you are echoing and interpreting pieces of yourself alongside pieces of the art.

it's not foolish to see good things in art made by shitty people. it's not foolish to see good in people who are lying. it's not foolish to trust, believe, hope, or love. I think you might just have hope, love, and joy in your heart, and you might just be finding it in all of those places because you carried it there with you in the first place.

[uncanny-tranny]

Basically, my philosophy around disability fakers is: I would rather a thousand people fake a disability than have one disabled person suffer without care, aids, compassion, or any help.

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[myoonmii]

He watches him like a ghost