#Im not sure if I'll think of anything else!

[capyphoenix]

Thoughts:

- fia didnt know k was coming to the gala nor was she supposed to come and was informed last minute so they added her seat right next to max because where else would she sit

- they broke up, she found out about the baby in brazil and got back together during Portugal summer vacay and thats when she told him because a) the wedding was before that (if my memory serves me right, she was in brazil alone, went back to Monaco and they left for Portugal after that) and she looked miserable during the wedding b) first pic of him holding her belly (insert pic of her holding his hand over it and a wine glass in her other hand at lunch) c) she kept going on and on about that vacation being the best and the happiest time ever

- he knew/knows he fucked up big time thats why he didnt tell his family right away (maybe he told them they broke up and didnt know how to explain why they got back together) and jos probably found out because max was acting too anxious or weird as if he's hiding something huge and thats how he knew, in the interview jos said that he knows max too well and felt it before he told him.

- the miracle baby stuff is bullshit mg is saying and making up since the baby was sent by a fate (🤮) to manipulate max to think that it's a sign they're meant to be or some narcissitic bullshit similar

- max wanted to have alone time with his mom and sister and explain everything (why he's informing them his gf is pregnant 6 months later to be more specific) and hoped he would fix their relationship but miss attention couldnt handle not being the center of attention and came unexpected and uninvited

- from the race day in qatar, I think vic and sophie realize and understand more than ever how much they're not in max's life anymore and won't be doing any effort moving forward+ I think Max also realizes how bad the situation is

- k was dying for people to know she's pregnant during the season but since max's family didnt know she couldnt do anything, in Qatar she rushed to go last minute since they now know, she came to the race, made sure the big gossip page posted about it so she can convince max to reveal it during the last week-end so she can have her moment of glory (i can imagine her saying sm like "omg people caught on we have to put it out there")

- max is pushing her to be more private (ever since the scandal with pov) and with the pregnancy thats why she's not posting as much as she did with p and she makes her friends post in advance so people will still talk about her and she posts later to act as if it's not her doing (yes im talking about the polaroids because how does someone post a nye story filled with "cute" couple pictures of her friend, like cmon be less obvious)

- i think he's on automode trying to figure out what to do with himself because bro looks lost, everything contradicts itself, the whole thing is a pr disaster and he knows he looks like a hypocrite

- prediction : she won't post the baby because thats "demure" and what celebs are doing aka hailey and gigi for example but I can see her either not being able to not do it or have her friends do it for her (and I think this might be the breaking point for Max in both scenarios)

YALL the situation is so messy and something is for sure going on behind the scenes. I'm trying to find a logical pov into the whole circus but it's HARD. I'll be back with more and i'd love to know what u guys think!

Yes yes yes

Except the not posting the baby part. Because no way in hell can that bitch resist.

[sketchy-tour]

OH! As we were on topic of commissions, I have a lil question to ask!

How would you feel if anyone commissioned someone else to draw your Welcome Home oc with theirs? Are there any rules you’d like to imply? Do they have to show you what was commissioned? Should they show you any and every message that was used during commission process?

Gah! I have so many more questions but these are the main ones! My friend (you might know them 🤭) wants to commission someone and they wanted to use your oc but they though it would be better to ask before proceeding if you’d like for them to not use your oc!

SOMEONE WANTS TO COMMISSION ANOTHER ARTIST???? TO DRAW MY OC???????? AAAAAAAAAAAAAAAAAAWAAAAH

OH OH UM UH- Hmmm well! This is something a little new for me but ohhh I'm so absolutely flattered and honored and giddy and BOUNCING AND SPINNING! Some things I suppose I could think of um-

Overall I do not mind if someone wanted to commission their oc interacting with Dandy! It sounds so sweet and cute and I would LOVE to see it!!! Would love a tag or to be shown! As long as you're also okay with me grabbing said piece with my grubby lil hands and saving it and stashing it with my other Dandy arts!

I would like to say that I would prefer it not be, like, ship art unless you're someone that I know who I have an established ship with! 100% okay with silly little interactions tho!

Please don't...commission anything weird! Keep it SFW! I don't mind horror or anything but you know what I mean! 👍(This and the lil tid bit above would apply for fanart too of course of course)

If you're ever unsure on what you're wanting to commission is okay with me, always feel free to ask!

Other than that, yea! I caaant think of anything else rn! I don't really think I'd need to see, like, the messages or anything! And again I am!!!!! AA!!! Oh but hello if its someone I know I wonder why they didn't message me! I promise I'm not scary! (oh unless its a surprise! Teehee silly)

[orcelito]

ok, i cant resist the urge to make a post about it after all, especially since it's related to a post i made prior

one of my favorite moments in trimax is By Far this part in chapter 35

[ID: Two pages from Trigun. The first starts with Wolfwood thinking, "Now that I think 'bout it, it may be one of the major differences between our species." That deep rooted dear I felt on the ship…" He thinks of Vash crying blood and, swearing, wonders, "Is he the one who can save humankind? That monster?" Wolfwood is briefly shown in resolution before someone calls, "Hey, Wolfwood!" and he looks up with surprise.

Vash sits with a smile at the edge of a rooftop, backed by the Fifth Moon and its prominent crater. Vash asks with a smile, "Just coming back now? You're a bit of a night owl, huh?" Wolfwood looks taken aback and wary. End ID]

Right Here. Vash is just sitting there, smiling like normal, but he's got the backdrop of the damage he caused on the moon set Perfectly behind him. it's a glaring reminder to Wolfwood of who exactly he's dealing with here, and that TERRIFIES him.

& the fact that Wolfwood still remembers that moment of crying blood as a moment of true fear. because for all the cheer Vash shows in the average moment, Wolfwood just recently saw him nearly lose control Again (at the Dragon's Nest). the second time he witnessed it, & the third time he would know about.

Vash is a walking atomic bomb with multiple charges. even with how cheerful & kind he is, he's shown Multiple Times that he does not have full control. he is decidedly something different, something Hazardous to humans, and Wolfwood knows this very very painfully.

for all that Wolfwood loves Vash, he is also terrified of him. and at this point in the story, that terror is potent enough to nearly eclipse his affection for Vash.

leading to some of the next most iconic pages:

[ID: The next page starts with Wolfwood standing behind the sitting Vash, his expression hard and the moon bright behind him. Vash seems sad and has one eye open. A close-up focuses on Wolfwood looking down.

Wolfwood thinks, "So easy to pull the trigger. So easy to remove half the problem." Another close-up with bright lighting obscures his face but for one eye. Then Vash turns around curiously and asks, "What's up?" Wolfwood sits behind him and says "Nothin'. Come on. Let's go." Vash seems surprised as Wolfwood scolds, "Don't get yerself tangled up in every little skirmish ya see. It'll be pointless if ya get yerself killed before ya meet him." End ID]

the manga frames it like Vash doesn't know Wolfwood was pointing the gun at him, but I think he did know. he's freakishly perceptive over and over again throughout the story. he HAS to be in order to survive like he has. he'd hear the movement of the gun & sense Wolfwood behind him...

he'd know. i really think he knew.

but he doesn't do anything about it. there is zero fear in his face. he turns to look at Wolfwood curiously, a bit confused, but not afraid. he never once thought that Wolfwood would shoot him. there's full faith and trust there in that moment.

Wolfwood pretends that nothing happened, & Vash lets him. they both move on, not talking about it, because they never talk about Anything of substance like this (not until much, Much later).

overall, it's just such a great example of their relationship's development. Wolfwood's fear & Vash's trust that he won't act on it... it's just. Man.

(EDIT: people have made some good points about how Vash's expression when Wolfwood points the gun at him shows that he probably did know and YEAH that's a good point! & probably why I was so certain he knew lol, I just hadn't realized it myself)

[torchstelechos]

Loop's such an unreliable narrator that I find it hard to believe that the Party didn't recognize them at least a lil bit. It was just soooo not the time to have a snack break breakdown about two (2) Siffrin's and what that means metaphysically and theoretically (and for Isabeau, relationship wise)

[hickeygender]

of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)

[thegreatyin]

Super late, but I just saw your historic moment. Congrats on Mostima! - doctor-faint

thank you!!! it may not be a historic moment in practice but it's definitely a historic moment for me 😌

[coriander-candlesticks]

Introductions ✨✨

Hey! I'm Coriander. It's not what I go by in my other blogs on here but I want to keep things a bit more separate, at least at first. This is gonna be a long one (sorry) so I'm adding a cut.

I'm exploring Hellenic polytheism, and have only recently started, but it's something I've been considering, in a way, for over a year. I don't have a big, intense story that marks the beginning for me; I didn't necessarily feel a personal, spiritual connection to any of the deities from the time I was a young child in the way others describe, and I haven't had an intense experience that marked the beginning of my path.

I've always felt drawn to Greek mythology, though. I have a distinct memory of laying on my stomach on the floor of the school library in 3rd or 4th grade, reading a picture book about Hades and Persephone. It kept my attention the way others - even Egyptian mythology, another major interest - didn't. I, of course, had the classic queer kid experience of being super into the Percy Jackson series for a while, but my interest in it predated that. The specific deities I've been drawn to have changed somewhat as I've grown up, and they definitely shaped some of my interests. But delving into them again has helped me see connections that weren't explicitly connected to Greek mythology. I felt drawn to Athena growing up, for example, and my love of owls was definitely shaped by that. Even though that has settled into the background somewhat, that connection has persisted in things like my knitting and desires to dye yarn and learn how to weave (side note: I associate crochet more with Apollo, actually, despite it also being a fiber art). I felt connected to Artemis and Persephone as a kid, but that waned as I got older, discovered I was trans, and began my transition. I've felt connected to Hestia and her quiet hearth-keeping since I learned about her: I've always strived to make myself & my space safe and welcoming for others, and being told I succeeded in that is one of the best compliments I've received. But my interests in the morbid (ex Pompeii & the Paris catacombs), psychopomps, rocks & minerals, and keys weren't explicitly related to Hades. Some of the connections didn't click until I started to look into him more seriously about a year ago. I was an artist and had interests in writing, poetry, singing, and playing instruments long before it actually clicked that all of those fell into Apollo's domain, as I associated Athena far more with visual arts as a kid. I also didn't realize that he & Artemis cover diseases (another long-running interest) until very recently. The concept of xenia, too, was something I grew up with to some extent, even though no one called it that. My father modelled it to my siblings and I; I even learned about it within the context of ancient Greece at some point growing up and it stuck with me, despite not knowing the name.

I grew up Mormon, and was incredibly devout until college, when the pandemic forcibly separated me from that environment and I not only discovered that I was queer in several ways, but realized that the Church 1) wasn't safe to stay in and 2) wasn't actually true (which came later, when I started to get over my fear of reading "anti-Mormon literature"). During that period between those two realizations I got into tarot and using plants and crystals for their correspondences (two other interests growing up), as well as using rocks to ground myself. At that time, I considered myself a "liminal Mormon", and was reaching out to Heavenly Mother specifically via tarot. But as it set in that Mormonism specifically, and Christianity generally, wasn't for me, I got more and more interested in modern witchcraft separated from the belief system I was raised in.

It never quite felt right, though. The constant need for protections and doing something "the right way" lest things backfire and you invite the wrong thing into your home, or hurt yourself, or others, or or or, made my anxious & scrupulous brain go into overdrive. I wasn't even sure I believed in it spiritually, or if I was just interested in it from a mindfulness standpoint, and staring down the barrel of comically high piles of research without knowing where to start was exhausting. The concept of dual deities, the Divine Masculine and Divine Feminine, put a bad taste in my mouth (which bled over into Persephone for a while because she and Hades are often used to symbolize those archetypes- sorry Persephone). But, not wanting to listen too much to my discomfort (since part of it may have been, and probably was, prior conditioning), I pushed ahead and actually completed one ritual that had all of the steps - cleansing, representations of the four elements and directions, etc. - and was very carefully designed to leave room for growth and change. It represented the start of my path. I still have the jar I made during the ritual, though I'm still trying to figure out what to do with it.

Around that time, I was considering whether or not to work with deities- specifically Hades, as that was who I felt the most drawn to at the time. The idea interested me, but I wasn't sure if it was from an academic or spiritual angle. I'd really only seen deity work from a modern witchcraft/neo-pagan perspective which, again, didn't sit right with me. On top of that, I wasn't quite ready to let go of Christianity even though I already functionally had, and was terrified of doing something "wrong" and getting, for lack of a better term, sent to (figurative) hell. I decided to do a simple "yes/no" tarot pull and got about the clearest "no" you can get: a reversed Ace of Swords. So I decided to let it rest and that, if I ever felt drawn to it again, I could re-approach the topic.

So, for over a year, I didn't touch it. Continuing with witchcraft after the ritual didn't feel right, either, so my altar collected dust while I tried to sort out my spirituality (or lack thereof). I settled on "I don't know and that's okay" and left it at that, trusting that when the time came, and I had more energy and mental space, that I would be able to start looking into things again.

I never truly stopped thinking about the idea of deity work/worship, though. It was always in the back of my mind. I figured it was because of the way I was raised and tried to sever my idea of spirituality from how I was conditioned while I worked through my religious trauma, got on anxiety medication, and learned more about myself and how I interacted with the world (including that I have both ADHD and autism, something that surprised no one).

Recently I talked with a witchy friend about my thoughts on divinity and what is or isn't out there (neither of us were sure but we both felt like there was something), and that conversation gave me the button I needed to start looking into paganism again. I realized at work a week or two later that I could just look up the different paths of paganism (a term I'd recently heard that hadn't clicked before then) and see if there was one that did fit. The first site I found not only had a clear, concise explanation for belief systems I hadn't knowingly come across before, but it touched on Hellenic polytheism and gave a recommendation for someone to watch to learn more about it. And unlike the sharp knot in my chest that warned me away from attending BYU, and going on a mission, and delving further into modern witchcraft as I'd been introduced to it, learning about Hellenic polytheism felt right. It was heavy and grounding and like home. Many of the issues I'd had with other neo-pagan systems - the constant vigilance & protections & concerns over trickster spirits, for example - simply didn't exist there, or were approached very differently. I still had a mental block about it, though, and realized it was because of that tarot pull a year prior. So I did another one, and got a clear "Yes, jump right in. We're waiting for you". And that's where I've been since which, granted, hasn't been for very long. I've felt especially connected to Apollo and Aphrodite recently, who I believe reached out in a different tarot pull recently - using the same card, actually - which is interesting because while I've appreciated different ways Aphrodite has been depicted, I haven't felt very connected to her in a way I realized was her until recently. It makes sense, though- I got into my first relationship around the same time I did that ritual, and not only are we still together a year later, but a trinket I used to ground myself during those first few months is also pretty directly associated with her. I'm planning on adding it to her altar/shrine area as soon as I find it (it's also still amongst the moving wreckage).

But anyway, hi! If you read this far thank you for taking the time out of your day to do so. If anyone has recommendations for books or other educational resources, or discord servers/other online forum-esque communities, please feel free to share. I've been enjoying looking through the tags and getting a feel for the community here, too; hopefully I'm here to stay.

[iamthepulta]

When I actually schedule a weekend to be free, it's so jarring. I traveled 2k miles this week, ate chip in Milwaukee, slept on an airport bench, made minerals at 480 C, pulled copies of Babylonian tablets, submitted two abstracts, traveled another 4 hours to write a card, declined two overlapping events, and want to fucking die about social communication, and now you're telling me I... can sleep in?

[loverboybrightsideghost]

"reblog for something lgbt to happen to you" at this point i'd be grateful if something straight happened to me

[spinecurlingmice]

okay more on hajime's underwear. . in a world where all the fte's are canon for everybody and not just a gameplay thing, do you think everybody on the island made it like. a bet or something. every single person he's became close with on this fucking island gave him their panties as a token of closeness, so like are they waiting for him to reciprocate?? the one person he gives his underwear to is like. the Chosen hajime person and they get to gloat ? do they ask.

[yamikawaii]

theres just something about being inherently unworthy of love

[aroaessidhe]

2023 reads // twitter thread    

The Surviving Sky

adult scifi/fantasy about a fracturing married couple who live with the last of humanity on a floating city powered by arcane science

Iravan is a privileged and powerful architect, who keeps them afloat with his plant magic

Ahilya has no magic - and is deeply interested in studying the magical megafauna which are the only thing that can survive the cataclysmic jungle on the ground

[orcelito]

Gonna also get my license soon. This time for real.

Need to find that sheet of the driving times... hmmm

[time-is-restored]

73 yards thoughts

now that ive had a night to sleep on it, and read everyone's thoughts, im rewatching the episode to see if i can come to a more definite opinion about the episode (though that's perhaps against the spirit of the thing, lol!)

so a few moments that stood out for me that i don't think have already been talked about a lot:

when mrs twist shows up on the mountain, and ruby is giving her messages to pass along to the woman, she wants to say sorry. when mrs twist asks 'what for?' ruby looks genuinely thrown + upset, and eventually says '...i don't know.' since the woman/curse that haunts ruby is functionally an externalisation of ruby's deep seated sense that there is something fundamentally wrong with her, i think this interaction was super poignant. ruby 'knows' that she's done something that she needs to apologise for in the same way that she 'knows' there is something wrong with her that will make people react with fear + anger. there's no proof, no clear flaw or mistake that she can point to, because that's the point. the woman isn't saying anything specific -- there's nothing to say. noticing her (noticing a part of ruby that has a perception filter on it -- that is hard to see until you get close) just means that you see in ruby what ruby sees in herself. she is afraid that people will 'discover' whatever is wrong with her, and she'll lose them forever.

relevant to this is the fact that ruby didn't actually break the circle. if reading the messages is what summoned the woman in universe, then sure, she has culpability for that. but if it was breaking the circle, she had to live with the consequences of someone else's actions, and feeling guilt for something she didn't do. while im less confident with this reading, you could argue this is an allegory for her being given away. ultimately, that decision had nothing to do with her. she was literally a baby lmao. the idea that there's something wrong with her bc of her mother's decision is illogical -- doesn't follow reality, just like magic. she's spending her life trying to make up for a mistake she hasn't made (and, honestly, probably wasn't made. we don't know anything about her birth mother -- its more than likely that she wasn't fit to be a parent to ruby, no matter how human or supernatural the reasons for that were. but the facts of the situation don't matter here, in this liminal space. guilt and fear and shame bleed through the gaps. ruby could arguably be 'the spiteful one' the pub laugh about. she thinks she needs to be punished for something, and so the woman punishes her.)

following along this line, we know that ruby genuinely doesn't know what might have caused the woman to appear. she suggests trespassing, or breaking the circle, and gets the idea that reading the notes might have been wrong from the pub, but she never finds out for sure. unit doesn't know, or at least doesn't have the chance to tell her. the lack of closure ties in really well -- ruby has to carry a trauma that, even as she comes to terms with it, she can never truly explain or understand. even the partial amnesia at the end of the episode can be read as a sort of 'the body remembers what the mind forgets'. some part of her knows something terrible has happened, something that scarred her and left her alone for an immense amount of time (even if that time, in a literal sense, was undone), but she won't be able to put words to it. it seems that self acceptance - literally opening her arms to this *thing* that has haunted her her whole life,

now for some more rambly thoughts/things im still confused about

i genuinely think if not for the single shot of the episode reversing and old ruby now standing with her arms out on the cliff, i would have no problems with the themes of this episode. it was a powerful representation of rejection and fear that genuinely freaked me out (ruby running after her stone-faced mother while crying BROKE me), and i think it was a great character study of ruby. like others have said -- how many people would have stuck it out for that long? how many people would have never resented/blamed the doctor (or anyone, really) for leaving? and how many of THEM would've come to find a sense of companionship with their spectre?. ...however.

i can not wrap my head around the shot where time reverses and old ruby is looking out from the pov of the woman. it completely breaks my brain. i know at a certain point i should just accept that the woman can do whatever the story needs her to do, but there was nothing about time travel up to that point. it was all about physical and psychological boundaries. more than that, there was no indication that ruby was trying to make up for what had gone wrong. she didn't try and fix the circle, she didn't try and communicate with the woman at all beyond her first failed apology. on its own, i like this -- ruby becomes resentful of the woman quite quickly, which tracks as an expression of her poor self esteem. why would she try and get in the good graces of someone she rejects + dislikes? and again, i LIKE that she eventually treats her as a companion. all ruby has is herself, and she can never leave herself. getting to a point where she doesn't want the woman to go away, where she doesn't feel lonely while alone -- it makes sense that that is what heals the riff. i can write all that out in a way that makes sense to me. ruby makes a mistake (or witnesses a mistake) that makes the doctor disappear. she rejects herself, and in this liminal space, the part that she rejects manifests into reality. it haunts her for the rest of her life, even as she begins to wield what she thinks it says about her (that she's unloveable) to her advantage. when she accepts it, and integrates it back into herself, she is able to speak clearly to herself -- what she is thinking makes it across to young!ruby. when ruby thinks about the situation without the influence of self hate, she realises that the problem was the doctor's actions, not her own. she gets the message across, the doctor doesn't disappear, and the cycle never starts. the loop closes.

but. she wasn't one with the woman the whole time! if she was, the doctor would have never stepped on the circle -- the loop couldn't start, and so it wouldn't need to be closed. like, i know that we do a lot of paradoxes in this show and sometimes things are just gonna be Weird. but to me it's like if, in turn left, donna died in an unrelated car crash, then ended up back in time anyway. so why, if ruby has apparently accepted the woman by the time she visits the tardis for the last time, does the show bother with taking us back to the hospital and seeing old!ruby flatline? why doesn't the old woman come to her there, in that moment, so old!ruby is reaching across time but not space? if i squint, i could make an argument for the death. ruby's understanding of herself dies so a new, more accepting one can be born -- and obviously the timeline would fade away in the moment the loop is closed. but that's not what happens. old!ruby chooses hope and accepts herself, THEN goes back to the hospital, dies, then travels back to the past through time AND space (somehow, sure, i'll just accept the woman can do that), then communicates the message, then fades away. what changed between the visit to the tardis and her death? what do those few minutes possibly add other than the 'ive never been alone' line, which could've easily been written into the talk on the cliff? hell, she could've passed away right there on the cliff, if that needed to happen! but no matter how i twist it i can't understand why the old woman looked the same as it did before old!ruby merged with her, behaved + moved the same, and physically manifested when none of the criteria for its appearance had yet been met. im almost certainly overthinking it -- i can map everything else from this episode onto a psychological exploration of ruby and her fear. maybe the episode is saying that the woman was always there (at least to ruby), and old!ruby's self acceptance is what let the message get through??? but fuck i hate that she looks the same!!!! aghghhhghg! what changed! what changed! it looks like nothing changeddddd!!!!! <- deranged. they merged, there should be a sign of that beyond her hands being mirrored with ruby's.

tldr. if i could change anything about the ending of the episode, i'd take it in one of two ways. either have ruby merge with the woman while on the cliff and have ruby say something like 'now, what were you (or i) trying to tell me?' before cutting to the new timeline, or have the woman post merge look like old (or young!) ruby. she couldn't be seen because she was unknowable and (bc of ruby's schema) unloveable, so ruby conjured a generic older woman (possibly drawing from mother issues -- had to be someone at minimum old enough to be her bio mum). if she now looked like something specific, wouldn't that show old!ruby knew that what she feared was all bc she rejected herself? young!ruby could even have a line to go along with 'she looked like she was looking for someone', maybe 'i wanted to talk to her' -- just something small indicating that old!ruby's acceptance of herself was passed down in some small way, even if it certainly hasn't cured ruby of anything.

now for other theme/focus mutterings. i could spin something here about the fact that the doctor says the fairy circle 'is' charms and spells and hopes and dreams. ruby hopes and dreams that she can be accepted, and later, that she can bring the doctor back/undo the moment where it all went wrong. but the doctor also says that they should 'rest in piece'. so they're dead hopes and dreams, aka fears + regrets? so breaking it unleashed both the doctor and her greatest fears - the doctor of complete helplessness + impotence, and ruby of abandonment + rejection. because those fears stay buried in this timeline, ruby + the doctor's hopes (which in many ways are embodied in each other) can continue to live and be 'here', not drowned in the past.

also, the doctor implies the woman is 'resting in piece', out of nowhere, which i think is another indication of both ruby AND the doctor having knowledge from the split timeline. after all, old!ruby did die. so did the timeline where all that happened, i suppose. maybe that's the other angle for the fairy circle - it represents the fragility of a load bearing timeline. the hundreds of dead paradoxes and dead universes that spin off from time being written and unwritten as the doctor (and his companions) fixes whatever he can. let them rest in piece. forget what could've happened. forget what just did happen.

now for my other critique. i think the sexual harassment sub plot was cheap and shitty, and only served to be an incredibly lazy 'kick the puppy' moment to show that the prime minister was Evil™ levels of bad. in the process it showed no respect or care to victims of abuse, and pretty heavily implied that ruby had done nothing in the face of her peer being abused, because 'she had to make sure'. of what? that mad jack was a bad guy? watching him heavily imply he wanted to fire nukes wasn't enough to confirm anything? 'he's a monster' wasn't enough? why? what metric was she using, then? if she was waiting for him to be prime minister, why did she wait an unspecified amount of time AFTER he was elected, where he's clearly still abusing marti, to act? presumably the audience was already on team 'oh this guy sucks' by the nuke interview at the VERY latest, where it was also made clear that the guy was fearmongering about borders and all sorts of right wing bullshit. like, those are just the problems with it off the top of my head -- it fucking sucks, basically.

that all being said, i think ruby convincing herself that she only has 'one chance' works super well into the overall theme of ruby's understanding of the monster + her situation being tied to arbitrary rules she's decided help make the woman make sense. since this terrible thing happened when life was previously going fine, there must be a way to undo it and go back to the love and acceptance she had before. but there is no monster to slay that will trigger the end credits. there's just ordinary, shitty humans, and ruby herself. she can't uncross the boundary of pre-and-post trauma. and as long as she thinks there is something she has to make up for, the world where she is being punished will keep ticking along. i just wish it had been communicated in a different context!!!

side note. does anyone else want to come live with me in a world where 'it never snowed again' means that snow never occured again anywhere in the world. yes its way more likely to think that ruby's referring to instances of spontaneous snow linked to her emotions. but can you IMAGINE hardening your heart so entirely after being rejected by your mother that you change the climate of planet earth?? holy shit!

[dandyshucks]

going to cry because i am worried i won't finish all the crochet gifts in time :''")

[rearranging-deck-chairs]

"clara im not your boyfriend. let me change that"