#If you think one is more correct than the other then just use that one - it’s not wrong who gaf!!!!!

[dabisbratz]

𝒫𝒪𝑅𝒞𝐸𝐿𝒜𝐼𝒩 ; eren jeager x male reader

w.c: 2.3k

𝒞𝒪𝒩𝒯𝒜𝐼𝒩𝒮: miscommunications, eren’s short temper, dumbification, asphyxiation two (2) uses of the f-slur (nonsexual), dirty-talk, exhibitionism + vouyerism, public masterbation, orgasm denial, spittin, one (1) use of the word ‘boypussy’, mean rennie

sonny says . . . rare short sonny post in da wild!?!? was missin nerd rennie n his jock boyfie ૮꒰ ྀི๑⃙⃘´༥`๑⃙⃘ ྀི ꒱ა thinkin about how long it takes for you t’realize y’like -like him . . .

Eren is. . . Weird.

That’s not an unknown fact, nor is it an uncommon conclusion. If anything, it’s a given. He smells strange, but not unpleasant, his voice goes nasally when he’s not making an effort to smoothen it out, his glasses are always smudged with fingerprints and a thin, barely noticeable layer of grease. He snorts when he laughs, too, in some sort of stereotypical way, and it’s almost endearing, but. . . That’s not why he’s weird.

It’s not his physical traits, no. Not the two moles decorating his neck, or the constant pink flush to his cheeks. Not his warm, brown hair that frames his soft cheeks. It’s not the acne at his forehead— you can tell he’s spent countless nights scrubbing away at it, picking apart his appearance— or the pudge to his body. Found on his cheeks, his arms, his stomach, his thighs— no, it absolutely isn’t anything physical.

Even as you look at him, your eyes trained on the movement of his pen as he writes something down— you’re not even sure what subject you’re supposed to be working on, anymore— you can’t place it. Ink travels along the sheet of paper, bleeding into it as his letters loop and his vowels curl. His lips are chapped, dusted a pretty shade of pink as his tongue swipes over the surface of his pillowy lips, they part as if to speak, and—

“What?” He asks, his voice only ever sounding soft now, for the first time since you’ve met him. He peers at you over the rim of his large, round glasses, his hazel eyes brightening beneath the fluorescent study-hall lights. Eren squints, like the opacity pains him, but his gaze never falters in kindliness. He’s. . . pretty.

Its certainly not the first time you’ve had that thought— he’s fucked you sideways, backwards, and maybe even upside down, so the thought crossed your mind amongst countless other opportunities, but this is different. It’s mundane. It’s. . . casual. Natural, like something fundamentally correct.

In a way that makes your heart want to wring itself dry.

Eren breathes through parted lips, a habit he’s working on, thick eyebrows furrowed as his gaze trickles toward your empty notebook. “What?” He repeats, this time much more nasally. The growing irritability in his voice proves palpable— but it’s not Eren if he’s not easily riled up. Still, his voice is like molasses, you want to cuddle up beneath it and taste it on your tongue. The sweetness, the bitterness. To feel it spread across your tastebuds, thick and syrupy. He’s just so.. handsome.

“What?” You clear your throat, it’s suddenly scratchy, all the words you want to say stuck in your esophagus as you cough into your elbow. They’re not thoughts you’re used to having— you’ve only ever had girlfriends.. You’re used to floral patterns and sweet scents. . . the stereotypical bubblegum pink and hair ties. The hands you’ve held have almost always been smaller than your own, softer, dantier…

“You’re.. You know, staring at me?” Polar opposite of the former, Eren’s hand swats the air as if gesturing to the general area. You instinctively want to roll your eyes, bratty in nature, just to earn the soft click of Eren’s tongue. Fuck.

“How did you know you were… you know.” Rushed, slipping over your own tongue, your teeth feel like jelly, softening in your own mouth. You suddenly feel small, backed up against a corner and trembling like a deer. Bambi’s got nothing on you, incomparable, you think, a cold tremor cascading past your ribs and down your spine. You’re not supposed to be the one feeling this way.

“You know?” He echoes. Pink, plush lips parting and curling around every letter, your heart flutters with warmth as they curl into scowl. You hate to admit it, but it’s your favorite expression from Eren. He’s always looked a bit boyish— like he carries some sort of sheepishness in him, even with his beginnings of facial hair, but there’s something more established about him when his eyes steel over and his lips press together. “What, gay?”

Lilliputian is the minute that goes by, and yet, it lasts forever. “Yeah,” A long beat of silence as your shoulders tense up to your ears, each flutter of your eyelash against your cheek, each intake of air through your nose.. “That.” Excruciatingly slow, almost.

He notes the way you say it. You know it, you can see the cogs of recognition twisting and turning in his head, you loathe it. You want to hold onto the softness of his face, rub patterns into his cheek and pull him forward, whimpering a soft, saccharine ‘Rennie’ in his ear and watch him crumble. Your fingers twitch, fumbling over themselves at the thought, and before you can lift your hand (just to snatch it away), Eren’s lips part once more.

“You mean a faggot,” He sneers, his pen completely discarded, rolling past the flat surface of the wooden table. Radiating from his skin is the warmth of new tension, he vibrates in his seat as if ready to lash out. . . Not at you, never at you. “That’s what you want to say, right?”

“Eren,” Mumbling, barely making it past your lips, you murmur through your teeth. You distract yourself with your hands, two fingers holding onto one as they twiddle and turn around themselves. Eren’s gaze trails downward, a long, prominent scowl on his lips as he leans back into his seat, thighs spread wide over the stretch of the desk chair. His head tilts back, chocolate brown hair brushing against his jaw as he stares at you through the bridge of his nose. His frame isn’t big, and yet, he looks so.. powerful.

“I didn’t— don’t mean it like that.”

“What the fuck else could you mean, then?” He growls, a mean lilt in his voice that nearly has you shrinking back. A warning, not a threat, as the chair creaks beneath his weight, his hands clasping together as he shifts to lean forward instead. Looking you dead on, even as you avert your gaze. A click of his tongue, you listen to his skin brush against his palms as he raises a hand to snap his fingers. Once, twice, thrice.. And suddenly your attention is back on him. “Only fags take it up the ass like you do, anyway.”

“Eren,” You breathe, a soft melody of a voice, eyebrows pinched as you silently plead. Not even entirely sure what you’re pleading for, it’s just that his tone of voice makes you want to repent. Warmth prickles in your skin, and some sick, divine intervention tunes in to remind you that you’ve never felt more empty without Eren inside you. “Come on, man. I didn’t mean it like that, I just..”

His pretty face twists as though he’d eaten something sour. ‘Man’ — you call him, not something more savory. Baby, sweetheart, sugar, sir, Rennie. . . The options are there, and he’s watching you wade through them. You know Eren likes you. He knows you do, in some unexplainable way— he just needs to hear it.

“Is that what I am to you, too?” He grunts, stubborn. He knows the answer, eyes softening as he watches a frown tug at the corners of your kissable lips.

“Rennie,” You coo, as if you’ve read his mind, and he’s never seen your face so… conflicted. “M’sorry.” It cracks his hardened exterior, anger and tension dissipating into the air as he lets out a groan of a breath.

You’ve never seen Eren angry. Maybe in a different context, toward something else, with the exception of the time he’d discovered football meant you were flexible and he hadn’t put it to use yet. But. . . only sexually charged. You’d imagine it starts slow, a slight simmer building in his veins, gathering in his fingers as he clenches his hands into fists. Then fast, and sudden, crystalline rolling down his cheeks in a thick flow of rivers before your very eyes. He probably cries when he’s genuinely angry, you conclude, watching his chest heave and tense as he steadies his raging breaths.

A new sense of shame raises the hairs on your neck— should you comfort him, or give him privacy? It's all so much, you’re left stunned as he stands, his chair scraping against the hardwood floor as he all but stomps over to grab your chin. Your hand instinctively reaches to cup his own, instead, being met with a firm, but painless, tap to your cheek that makes you straighten up, hands falling back to your lap.

“You’re so. . .” Voice rough and thick, Eren’s gaze follows the shape of your lips as he trails off. Past your cupid's bow, is the curve, following where they meet in a shaky line. You’re pulled into a kiss, his pink lips chapped and bitten, you taste a thin layer of blood and iron on his tongue. His hand moves from your chin to your throat, fingers tracing the skin until his palm presses below your adam’s apple, leaving you gasping as he steals every breath from your parted lips. “. . Dumb boys like you never know what they’re fuckin’ talking about half the time anyway.”

The dig doesn’t hurt, your brain barely catches it, with the lack of oxygen and the pout on your lips, all you can chase after is the urge to kiss him again. Again, again, again. You hear him suck his teeth, but it’s hazy when he speaks once more. “Oh, you liked that?”

“Rennie, I wan’ it—“ Leaves your lips, high and whiney, forlorn to even your own ears, a dull throb between your thighs. It’s so good, you didn’t get hard as quick before meeting Eren, but with his hand wrapped around your throat, you can already feel the ache in your balls, the twitch of your shaft, the milky, sticky precum spilling into your boxers. The brunette scoffs, and that only makes it worse.

“Yeah?” He murmurs, mostly to himself, an almost incredulous lilt to his voice as he straightens up, palming at the clear bulge imprinted in his stained sweatpants. “Since you want it so bad, touch it.”

With a breathy moan, your hands reach to grasp at the thick outline of Eren’s cock straining against his pants, pressing your palm against the warmth of his shaft. You feel it twitch and throb beneath your fingers, jumping in your hand as Eren sucks in a sharp breath. You missed this. He huffs above you, face flushed and glasses askew, but his gaze doesn’t leave your face once— glued to the way your lips part, how you mouth against the cotton of his sweats and leave behind a sloppy stain of drool. How you kiss the head, burying your face deeper and deeper into the fabric, breathing in the musk of his cock.

“M’sorry,” You breathe, handsome face squished against his thigh, and Eren can’t seem to stop himself from grabbing a fistful of your hair, pulling you off his cock with a resigned grunt.

“I knew I was gay,” Eren rasps, his other hand pulling at the elastic band of his sweatpants, diving past his boxers (with suspicious stains, might you add), and straight to gripping his cock, dribbling salty, sticky precum along his knuckles. “When I’d come home from school,” He sighs, eyes fluttering shut with a shaky gasp. “And watch porn, but—” You barely miss it, stuck in his hold as he keeps you still, the weight of his cock slapping against your cheek— and god, that’s all you’ve ever wanted. “I only focused on the men. Especially when they sounded like girls, whining and crying…”

It’s hard to listen to him ramble, when what you want is right in front of you. Your hips rock, pressing your needy cock just barely against the denim of your jeans— it’s not enough, you need more, you want to feel it, you want to take it— “Kinda like you,” He grunts out, nearly crumbling above you, your pretty lips ghosting over his cock as his fist grips the dip of his balls. Blinking up at him, your eyes remain glued to the veins littering his hand as he fucks his fist, nearly losing your composure. “How they gasp after bottoming out,” Lifting your hips up, brushing your clenched fists against your thighs, your eyes flutter shut as he moans, maneuvering your face into different angles— however he pleases. “When they accidentally shoot a load on their own face. Ha, kinda like you.”

You hiccup on your own desperate, breathy sobs, choking on your gasps— in and out, in and out, Eren’s cock squelches as he fucks his fist, gathering pre and smearing it against your cheek.

“And they always take it so good. Pretty, slutty little holes made for taking dick,” He strokes loud plaps of wetness out of the head, finally, finally, pressing it against the plush of your lips. Glazed over and sticky, a thin, sheen layer of pre paints your lips like the prettiest gloss, and your lips part, carrying a thin trail of saliva between them. “They look so stupid, too. Best part was—” Mumbling under his breath, the brunette gathers spit on his tongue. He's salty and bitter, spreading along your mouth, and you can't help but drool. His thighs tense, muscles flexing and rippling as his twitching hand finds the back of your head, and— oh. “I’d make sure they looked like you.”

He’s spitting in your mouth. “You should’ve known when I had your ankles above your head and fucked a load into that boypussy of yours.”

You’re close, you can feel it, a tingling warmth in your spine and your balls, your abdomen tightening and hands reaching down to rub it out, but— Eren swats your hand away, a scowl on his lips.

Repent, repent, repent.

[merakiui]

I’ve seen bits and pieces about your take on yandere Trey but i need to hear more of your thoughts on him. Your interpretation of yandere Trey seems so different from all the other interpretations I’ve seen of him… like you said he was the scariest yandere at one point, and then the post about chenya riddle and Trey — I need to know

*cracks knuckles* >:) here are my thoughts!!

He's definitely one of the scariest twst yans (to me)! Trey's character is so fascinating because, compared to some of the more powerful/influential characters, he seems like Some Guy. What's so frightening about Trey is that he doesn't have to use violence or threats. Rather, it's the way he can twist his words to keep you constantly questioning yourself and your reality. He has the perfect boy-next-door sort of charm that lulls you into that false sense of security, and you'll never truly know the extent of his manipulations because of how flawlessly he can gaslight you. And everyone else will think you're crazy because Trey's not like that. He's gentle and helpful, everyone's big brother! Maybe you're the crazy one... (Are you??)

His UM is quite literally just a more sophisticated, magical version of gaslighting (lol). ^^;;;; the way that can be used against you and you might not even know. Trey plays it off as a parlor trick in book one when he changes the flavor of food to suit everyone's preferences, but it's seen to be quite formidable against Riddle's magic. If a UM can overwrite the very overpowered Riddle's magic....... even if only for a few minutes,,, that's no mere parlor trick.

Perhaps the horror stems from how very easy it is to fall into the trap. Trey isn't a yandere you approach with fear because there's nothing about him that would give you valid reason to stay away. It's understandable for someone like the tweels or even Vil because they have that air of intimidation about them, but Trey is so sweet and kind. He couldn't hurt a fly. He's so easy to approach.

Trey is not very combative either. If you come to him with an issue (perhaps an attempt to call out his behaviors) he'll smooth things over in such a way that you come out of that conversation wondering what you were even trying to talk to him about. He understands where you're coming from, he knows you're just stressed, everything will sort itself out, let's all just calm down, etc etc., all while over tea and some freshly baked pastries.

Also,,, gaslighting is such an effective and dangerous form of emotional abuse because of how successful it can be. When it's happening, it doesn't seem very damaging and, rather, it can feel as if everything Trey is telling you is correct. After all, why are you getting so worked up? You must be exaggerating these feelings of yours! It sounds so logical coming from his mouth, and why would Trey have any reason to lie to you? You're so wrapped around his finger and you don't even know it. Your world is so closed off, crafted by the things he tells you. You may think you have control, but at the end of the day it's Trey who keeps you hooked on his line like you're nothing more than an impressionable fish.

Omg and the infantilization....... he tells you it's just a habit of his from looking after his younger siblings, and he plays it off so casually and jokingly every time. You begin to wonder if it really is just a bad habit of his. But then there should be no reason for him to treat you like you can't do things you're fully capable of doing. You ask yourself 'what if' all the time. What if you don't have Trey there to help? What if you truly can't do that thing? What if Trey was right?

You're not a child; you're not codependent. But you always feel this way around Trey, and that's a snare that's difficult to shake. Especially when Trey so smoothly hammers that narrative into your head.

[frommybookbook]

Earlier today, some friends and I were discussing one of those Star Trek captains memes. You know the ones I’m talking about, the ones that pit the captains against each other with pithy descriptions that glorify and champion the men and shit on Janeway. The ones where Picard is describe as the wise teacher and scholarly diplomat; Kirk is the brave trailblazer and lovable rogue; Sisko is the take-no-shit commander and more-than-human uniter; Archer is the quick thinking explorer and the avenging do-gooder; Pike is the empathetic Boy Scout and the quippy everyman…and Janeway is an irrational murderer and erratic loose canon. And, as usual, I went on a bit of a rant. They (looking at you @redsesame, @epersonae, and @emi--rose) told me to share it here so, if you trudge through this whole thing, blame them.

Does Janeway make some questionable decisions throughout VOY (Prodigy!Janeway is a different conversation for another time)? Yes, absolutely. But here’s the thing: every captain does. What I still love about her though and will champion until I'm blue in the face is that Janeway owns her decisions more than I think any other captain does.

Picard and Kirk hide behind the Prime Directive a lot. That's the reasoning Picard gives for not interfering in the drug running in “Symbiosis” and leaving the Ornarans trapped in dependence on the abusive Brekkans. His line, “Beverly, the Prime Directive is not just a set of rules. It is a philosophy, and a very correct one. History has proved again and again that whenever mankind interferes with a less developed civilization, no matter how well-intentioned that interference may be, the results are invariably disastrous." is a cop-out we hear from him time and time again, especially to Dr. Crusher, as she is the one who most often calls him on his bullshit.

Kirk does the same thing. We still this when he leaves Shanna and the other thralls behind in "The Gamesters of Triskelion" and when he forces Elaan of Troyius into a marriage she clearly doesn't want because it's "for a greater good." And all the while, he's got Spock at his side giving him confirmation bias that he's following regulations.

And Sisko, Sisko makes some of the most horrific and destructive decisions of any captain and uses not only the Prime Directive to fall back on, but he's got the Dominion War to blame. He poisons an entire planet to get back at one man he feels betrayed him in "For the Uniform" and don't even get me started on his actions in "In the Pale Moonlight".

Enterprise is so unjustly shat on by the fandom that I almost hate to bring some of Archer's questionable choices into this conversation but I'm going to do it anyway. Similar to Sisko and the Dominion War, Archer has the threat of the Xindi in his back pocket to excuse some of his worst behavior. If Tuvix is the worst thing people can point to for Janeway, then we have to talk about Archer and Sim, the simbiont created solely to be a living tissue donor for an injured Trip, a procedure that will kill the living, breathing, sentient Sim. Archer orders Sim created against the arguments made by Dr. Phlox. He rationalizes his decision with the same argument for the greater good that we see from all the others. He says to T'Pol before Sim is created "…we've got to complete this mission. Earth needs Enterprise. Enterprise needs Trip. It's as simple as that." And it doesn't end there. When Sim is grown enough for the procedure and has figured out what's going to happen to him, he challenges Archer himself, arguing for his own right to live, and Archer sticks to his guns. This exchange directly between Archer and Sim is haunting.

Archer: I must complete this mission; and to do that, I need Trip. Trip! I'll take whatever steps necessary to save him. Sim: Even if it means killing me? Archer: Even if it means killing you. Sim: You're not a murderer. Archer: Don't make me one.

Not only do all of these captains (except Archer, who arguably writes the damn thing himself at the end of the series) have the Prime Directive to fall back on, they also have Starfleet/the Federation/Vulcan High Council right there on speed dial to validate their choices and hear their excuses and give them another commendation. They all know that ultimately, they can turn to someone higher in command to turn to for help.

Janeway is alone. She is alone with her crew 70,000 lightyears from home with only her training and her own moral compass to guide her. Yes, she claims the Prime Directive a lot but she also goes with what she feels is right and she is clear about that with her crew. When she makes the decision to split Tuvix, despite what everyone else says, she sticks to it and more importantly, does the procedure herself. Picard would have forced Beverly to do it, saying Doctor I gave you an order, your conscience be damned, and Archer does the same to Phlox with Sim, but Janeway takes the tool out of the Doctor's hand and says it's my call, I'll do it. When everyone is angry and mad about her destroying the Caretaker's array, she stands up for her decision and says yes, I did it, because it's what my Starfleet training said to do AND because I think it was the right thing and it's on me to make the hard choices.

She also can admit when she made the wrong decision, which isn't something we see from the other captains. In the season 5 opener, "Night", we see her in a depressive state because she's questioning her decision to effectively strand her crew in the Delta quadrant but she comes out of it when she's reminded by her senior staff that the crew believes in her and trusts her, she should do the same for herself. When the Doctor has a mental crisis in "Latent Image" after questioning his own choice to save the life of Harry Kim over that of another crew member, Janeway admits she did the wrong thing by first deleting his memories of it so he could get back to work and then sits with him for days while he works through it because that's what captains do.

And she does all of this without the backup and support of Starfleet. She doesn't have anyone higher on the chain of command. She's 70,000 miles away from the admiralty and her support system. There's no one higher than her to give her a break from making every decision.

To quote my fellow Missourian Harry Truman, for Janeway the buck stops with her in a way it doesn't for any other captain and she is painfully aware of that and owns that and that is why I love her and she's my captain.

[a-star-that-burns-brightly]

CH2-13 Thoughts + CH2-14 Predictions

Hello DRDT Fandom! CH2-13 came out about four or so days ago as I'm posting this, and I finally mustered up the energy and mental strength to write down my overall thoughts, and also general predictions for what I think is to come in the next episode. A lot happened in this episode and we have a lot to cover, so let's get started! Before we do though, I think I should give us a reminder of where we currently are in terms of the swear chart and the bingo card, as of CH2-12 Swear Statistics

Bingo Card

Just like the last post, I'll be separating my talking points into character categories, so let's jump straight in with the big man himself...

Levi

Quick Disclaimer: I myself am still trying to unlearn the mindset that having low or no empathy is in any way a moral failing. If I say anything wrong or rude, please politely correct me. Remember kids: Your feelings, thoughts, and emotions, what you feel and how you feel them if you do at all, do not have any moral weight, they are simply aspects of your brain and you cannot control your brain. The only thing that has moral weight is your actions.

So as we learned in the previous episode, Levi has the murderer secret! And as we learn in this episode, he apparently killed four people, one of which being his father. DRDT continues to take Danganronpa's standard tropes and incorporating them in unique ways, in this case Levi represents the trope of the Chapter 2 Serial Killer reveal (Genocide Jack, Peko, Maki). I love that DRDT keeps doing this and I hope it keeps it up You know what else is staying consistent, though?

(x) Levi: That incident happened when I was in my junior year of high school. Levi: My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. Levi: To my understanding, it would've reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

US-HPA being morally corrupt as all fuck, that's what! Like no, seriously, it makes more and more sense as for why Xander David and Mai were most likely forming a revolution against this damn place, cause wow. The choice to scout out Levi during his Junior Year, when he was still in high school, is...interesting. Given that this Hope's Peak takes in College-aged students, why not just wait until Levi has graduated high school? In fact, that probably would've been even better because by then Levi definitely would've perfected his skills in styling by then, and thus would further justify him being enrolled in the academy. We don't know whether or not Levi was scouted before or after his incident, but given how Levi explains the events, I'm willing to bet this was after. Which...makes thing especially strange. But I'm sure it's no big deal. I mean, it's not like we have any evidence of US-HPA preying on vulnerable childre--

(x) Min: The Ultimate Contest for Eminent Students was made for a very specific target audience. Min: Those children who had no talents, who would consider spending their entire lives preparing for one single test for even a chance to become an Ultimate...

Oh. Well isn't that funny, huh?

Part of Hope's Peak's branding in general is the promise of a better future, which is something that Levi clearly wants. So I can most definitely see why the idea of being enrolled in the academy appealed to him. Levi being a delinquent in his teenage years definitely tracks, given how we know that his family was full of bad influences (including himself more than likely). And I am absolutely not surprised that Levi ended up killing his father. I think a lot of us theorized for a while that the person he killed was linked to his family.

I'd absolutely adore to learn more about Levi's family situation and what exactly their relationship with each other was, because "We were bad influences on each other" can mean a lot of things. Given the fact that not even the police cared about the death of Levi's father, I'd be pretty willing to believe that Mr. Fontana is a wanted man who has done a lot of criminal harm to others. That might even be where Levi formed the mindset that people are defined by their actions. Maybe, that's my best guess and it doesn't even include his mother and brothers, lmao. Anyway, that's enough of Murder, Corruption, and Daddy Issues. Let's talk about the other thing that was revealed about Levi this episode, or more-so put into words. His low, if zero empathy. Firstly, those who are headcannoning Levi is ASPD, I see you and I love you. So much. But I would be lying if I didn't admit that my first thought upon watching this scene was "Levi is so Autismcoded" lmao But in all seriousness, I absolutely adore this side of his character. In general something I've always loved about Levi is the fact that he, to put it bluntly, does not know how to act. He's constantly seeing what others do and copying them, and asking them for guidance when he doesn't know what to do. His first appearance shows him using Xander and Teruko's appearances to wager what kind of person they are, which is more than likely how he got into styling in the first place. He's basically masking and trying to appear as what he views as normal because he's aware that his lack of empathy is not something most humans possess. And his actions reflect that of what he thinks a good person would do in these scenarios, whether that be your friends not inviting you to an event, or someone profusely bleeding from their neck. To put it in simple terms: He's masking. I love that. It really reminds me of the experiences had by my neurodivergent friends, and even though Levi is not canonically neurodivergent, the fact that so many people headcannon him with ASPD or Autism really goes to show how DT-Dev nailed that kind of experience, and how well they wrote Levi's low empathy in general. Well-done, DT-Dev :D ...Also I think it's safe to say that Accomplice!Levi is not happening. Damn it, I really liked that theory lmao.

Ace

[not even three minutes later]

...See, this is why I always believed Ace was telling the truth about David and Arei's conversation, because wow this man is competing with the former in the Shitty Liar Olympics.

If Ace's sense of security around Levi wasn't already shattered, it sure as hell is now. Which is very upsetting to see, but also very entertaining to me as an aficionado of toxic yaoi. I was never really an Acevi girl, it was just never something I was attracted to (probably because for a majority of CH2 Part 1's airing I really didn't like Ace lmao), but this combined with the Other Thing I'll talk about later has definitely sold me on it. I hope they get worse.

I can't remember what post it was, but I remember seeing someone talk about Ace very much projecting a friendship onto Levi that was never really there between them, and looking back, I absolutely agree. I mean, where the two of them really friends? I do think that Levi does, or did, genuinely like Ace. I don't think he would've been hanging around him in Chapter 1 if he didn't. But it was simply just that, he liked Ace. Ace loved Levi, and saw him as his lifeboat in the midst of this scary unfamiliar situation. Even if everyone else either was annoyed by or straight-up disliked Ace, even if he could die at any moment, he could still rely on Levi as a presence of safety and security, but that all came crumbling down.

ace can you please change your sprite

The fact that Ace, the man famous for jumping to conclusions, not thinking anything through or in depth, and switching his opinions on others on a dime, is even asking for Levi's defense at all, is proof enough to me that even after everything Ace still wanted to cling onto the fantasy of their friendship he had built up in his mind. But upon hearing that Levi never cared about what happened to him, he can no longer do so. ...And why do I think Ace got attached to Levi so quickly?

(x) Ace: I was totally right all along to burn our friendship--No, I can't even call it it "Friendship." Ace: There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory.

Yeah it's time to talk about this.

So for those who are not in the know, DT-Dev confirmed in a now-deleted ask that this friend of Ace's is named Taylor Riley.

(thank you to @/nicohakobyan / weightedblankett on twitter for providing this screenshot)

We know very little about this man other than his name, his gender, the fact that he was Ace's friend, and that he's dead. We don't actually know that fourth one, but I think "insult to his memory" speaks for itself lmao. As such, we do not know the details of his relationship with Ace... But I've made more out of less before, so let's get to talking. Here's what I think:

I think that Taylor was a presence in Ace's life much similar to how Levi was to him in Chapter 1: A strong protective figure that helped to make the scared-of-everything Ace feel a sense of safety. And then some form of incident happened that resulted in Taylor's death, leaving Ace alone, heartbroken, bitter, and terrified. That sense of security he once had was ripped away from him, and without Taylor, he doesn't know what to do with himself anymore.

And then in the killing game, he meets Levi, who provides him with a similar feeling of safety. Immediately he begins to project the memory of Taylor onto Levi and as such becomes attached, quickly considering Levi a friend because of it. And I'm not entirely pulling this idea that Ace was projecting Taylor onto Levi out of my ass, either.

Ace: dark blue/purple (reasoning: refuses to provide reasoning)

When we first got this answer, most people assumed this was referring to Levi, but I honestly think it is more likely that this is referring to Taylor. But those colors are still part of Levi's design, which automatically sets up a parallel between both Levi and Taylor Ace projected his relationship and the memory of Taylor onto a man he barely knew, and when that man lost his patience with him, his fantasy was swiftly kicked with the steel-toed shoe of reality. Hell, Ace's reaction after Levi snapped at him may had been due to his illusion of safety crumbling beneath him, but going down the road of this theory, Levi snapping at him might've been the first time Ace truly saw Levi and not Taylor. He had been giving this man a script and a role to play, and Levi responded by tearing up the paper and telling him to fuck off. In a sense, you could say that in that moment, Ace lost Taylor a second time.

Since I don't think Ace is going to be the killer as he was knocked out and thus did not have any knowledge of the murder mechanism (at least not including the theory that he tried to kill himself, which... Is a possibility, but I don't think that's the case). And if he does live past his chapter, I honestly think Chapter 3 will mark his breaking point. Any fantasy of Levi that he was clinging onto with his pinky has now shattered into pieces ten times over, the person who tried to kill him is still alive and for all he knows, could do it again whenever the hell they want to and people will take their side over his own. Next to no one in the cast likes him and they make that explicitly clear, and worse of all, he will still be trapped in this godforsaken...whatever facility this place is meant to be. So to cap off this section that got way too long, Ace Trauma Dump is on my Chapter 3 bingo card, and if we get to see Taylor and his design includes dark blue and purple I will actually become spaghettified. Please survive Ace, you are finally starting to become not C-Tier

Hu and Veronika

Lumping these two together because I have about the same amount to say about both of them and their secrets were revealed together. Hu's secret is the Hopeless Child one, and Veronika's is the Self Harm one. I think after CH2 Part 1 most of us predicted as such, but it's still very satisfying to be right. What I'm more interested is this supposed pact that they made off-screen. I have to assume that Veronika went to Hu pretty quickly to reveal her secret to her given her general disinterest in topics of suicide and self harm. So I'd wager this pact was probably made at around CH2-5. Not that that really tells us much about the actual conversation, but it's nice to have a time-frame for reference.

I don't expect the actual conversation to be shown because from what we currently have it doesn't really add much of anything, but it would definitely be cool.

(x) Hu: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me...

I've said this before in this post, but I absolutely believe that David eventually coaxed and pressured Hu into revealing her secret to him, as well as why she kept it for so long. And I also think David implanted, or I guess more accurately watered the seed in Hu's head that she was inherently selfish for not sharing her secret. That, I think we would benefit from a flashback, but maybe I'm just biased because I desperately want Hu lore. Please DT-Dev, I'm on my knees Hmm... what else?

(x) Veronika: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing for this motive?

Oh yeah there's that. What the fuck, Veronika? Like, I feel like this is something I should've expected this, but for some reason I didn't. I'll be honest here, I really have nothing right now. But whatever Veronika is referring to here, I feel like it has something to do with her 'dearest friend' mentioned in the CH2 Q&A (who's name is Alyssa Belyaeva.) What Veronika actually did? I do not have the slightest clue, you can never know with this girl. But no matter what she did, I will probably love her even more for it. Glad that DT-Dev seems to agree with the precedence of supporting women's wrongs.

Teruko

...So I'm glad to see we're all in agreement that that is not her fucking secret. I mean, I'm sure it applies to her. She is an orphan, her parents are out of the picture, and though we don't know the whereabouts of her brother and neither does she, she most likely assumes he's dead as well. But honestly, given the fact that again this is not her fucking secret, I'm starting to wonder if that's really the case... Can Teacher Tawaki theory still live on? I'll save that for another post.

Anyway what was I talking about? Oh yeah, that is not her fucking secret.

And this little bitch knows that for a fact.

I won't go too deep into this because there have already been people discussing it better than I could, but this silent agreement the two of them have to not share Teruko's true secret is so palpable and interesting to me. David knows that Teruko's secret isn't that, but for whatever reason, he is keeping his mouth shut. And he just gives Teruko that shit-eating smirk. Have I ever mentioned how much I love Teruvid? I fucking love Teruvid. But yeah, I still think 100% that Teruko's secret is that the killing game is all her fault. It just does not make sense for Xander and Min's secrets to belong to anyone other than each other as they are dead. And in general it just makes sense for Teruko's character and her role in the story. And I can't help but feel like Teruko's actual secret will be revealed at the end of the Chapter.

Eden

... I mean. Do I really need to say more? I swear I made this exact joke in the previous thoughts post, but I can't help it. It applies perfectly to this CG. When this CG, this fucking JUMPSCARE of a CG, popped up on my screen, I'm pretty sure I ran around in a circle screaming in my room for a total of ten minutes. The first of two times I would do that during this masterfully crafted scene. I want to think of some kind of insightful analysis, but the truth is basically in your face. Eden was the one who gouged out Xander's eye. Why did she do it? Where does this fit into the overall lore? I DON'T FUCKING KNOW What the fuck am I supposed to say? This CG is basically all we have, and we'll definitely have to wait for more information. Especially since Eden is totally the culprit, but we'll get to that in the predictions section. (yeah if you can't tell my writing juice is starting to run out, but if I get this out any later than today I will kill myself)

David

(...for a scumbag, he's kinda cute.) So first of all, David is slowly becoming the funniest character in the cast in my opinion, which is a huge achievement in a cast full of very funny characters. And in general I think as a character he perfectly captures DRDT's general tone of half-and-half both silliness and angst, like yin and yang. Secondly though, the big thing that David did in this chapter (besides keeping Teruko's secret and being funny) is lying to Eden about the rest of the conversation he had with Arei. Ultimately, I think David himself saw that action as a good deed.

Think of it from his perspective: This is a man who has had hope and change presented to him on a silver platter multiple times, and then had it violently ripped away from him. And the most recent example of that, Arei, presented him with a better future and the possibility of change only to be killed upon trying to act on said change. If he told Eden that Arei still had hope, that she still wanted to change, it would aspire Eden with that same hope that in his eyes is destined to crash down on her. So instead of inflicting that same pain onto her, he instead chose to say nothing at all Maybe I'm giving David too much credit, what he did was still at the end of the day, incredibly dickish. But that interpretation is what makes the most sense to me personally. That's all I really have to say in regards to David... So, let's move onto what was, in my opinion, the star of this week's episode.

Arei

Arei Nageishi.... Ohhhh save me Arei Nageishi.... Arei was already one of my favorite characters in the cast due to her personality, design, voice acting, and most of all the character development she had throughout the course of Chapter 2. But this episode, this scene... It cemented her a well-earned spot in my top four, sitting only behind Whit, Teruko, and David.

The flashback scene of Arei and David in this episode is honestly up there with some of the best scenes in the whole show to me, almost solely because of how it caps off Arei as a character postmortem, and the story that she, along with Chapter 2 as a whole, is meant to tell. This whole chapter has been themed around the idea of what classifies a good person, and this flashback scene provides such a great payoff to that theme and it is everything I could've ever wished for. The message I got from Arei's story is that, ultimately, the idea of a "Good Person" and a "Bad Person" are nothing more than just that. Ideas. And in being ideas, they are above anything else, arbitrary, subjective, and at the end of the day, incredibly meaningless when it comes to discussing actual human beings. Insistence on categorizing yourself and the people around you into boxes of "pure saint that can do no wrong" and "irredeemable demon who will burn in the pits of hell" is a fast track to viewing a complicated, colorful world into a few shades of black and white. That's how David views the world, and has viewed the world probably for years. And I'm going to be honest and say that I think before being confronted with the truth of David's actions, Arei was heading right down the same path that he had headed.

(x) Arei: Of course I wanted to change myself. Who wants to be a grab-bag of negative personality traits? There's not even anything positive you could say about me. Arei: Still, for the longest time, I thought it was stupid to even try. I'm rotten to the core, and I might as well be a different species from saints like Eden and you. Arei: A pig never hopes to grow up into a human, because it knows that such a metamorphosis is impossible.

And this is the line that really, really makes me think that. She calls David and Eden saints because (up until this moment) she viewed both of them as the ideal of what makes a good person, similar to how David views Xander. And on the contrast, claims herself to be rotten to the core, ontologically evil with no redemption in sight. She's even performing David's habit of self-dehumanization, likening herself to a pig in the same way David likens himself to a cat in the LGI video, which goes to show how this mindset of black-and-white is, above all else, a dehumanizing view on the human race that relegates people into cardboard boxes with the flaps taped shut. If she didn't find out the truth of David's actions, I am confident that she would've done down the same path that he did, becoming convinced that she will be a terrible person until the day she dies because she cannot reach this worthless standard of a good person that she has set up in her head. But we know that's not how it goes. Arei does realize that the man she once thought of as a saint might be, in his words, a lying manipulative scumbaggy piece of shit. And upon realizing that, the second half of the message unlocks itself. There is no such thing as irredeemability.

Change is a part of being human. Humans are not built to run in a hamster wheel for the rest of their days, reliving their mistakes over and over again wallowing in their self-hatred and guilt. Eventually, they have to get off the wheel and start taking the steps necessary to grow, change, develop and flourish to properly better themselves. (This applies to yourself just as much as it applies to the worst, most depraved individual you know by the way) The alternative is living in a four-by-four black box of self-loathing and relentless stagnancy, which is not productive for the person or the people they've hurt. It is only when you reject these black-and-white categories of "Good Person" and "Bad Person" and accept that no matter what you've done, you're capable of becoming better, that you can achieve true growth and change. The way this message was executed, especially through a character that dies before the halfway point of the story, is something that I marvel at as an aspiring storyteller. DRDT's beating heart will always be its character writing, and this scene is one of the primary examples of that. Thank you, DT-Dev, for making Arei Nageishi and the rest of your amazing cast of characters. :D

Extra Thoughts !!! - FURUYA FANDOM (me) THE TRACK PLAYED LETS FUCKING GOOOOOO!!! - I am very excited to find out more about Nico's attempted murder given all of the questions surrounding it. If the method of murder really was replicated, and Nico wasn't the culprit themself, you guys should take a wild guess who that implicates. (this is probably obvious by this point, but I really don't believe in the theories that suggest that someone other than Nico was responsible for Ace's attempted demise, be it Hu or Ace himself. I feel like it doesn't line up with the current narrative direction that Nico seems to be going in, the physical evidence of them stealing the turpentine, and...I'm gonna be honest, I just don't like it lmao. I'm sure DT-Dev would do it well, but just as a premise I do not favor it. Nico's attempted murder + subsequent regret from it felt like such a big moment in the chapter's narrative in relation to the themes of All That Glitters and the cast revealing sides to themself that weren't as prevalent before, as well as the themes of change and moving on from the past littered all throughout the chapter. I think if Nico's attempted murder was responsible by anyone but Nico, it would just dampen the impact of their overall story for me. That's just me though.) - WE FINALLY GOT ANOTHER NONSTOP DEBATE LETS GO BOYS!!! Nonstop debates I MISSED you - "Hey why does Whit know so much about hangi--" Look. This man is so unbelievably suspicious in every single way that for the sake of my sanity, I'm just gonna assume DT-Dev chose a random character to give the hanging explanation. It is the only way I will survive this chapter - But hey, at least we got this

- As always, I adore the new sprites we got this episode, especially Ace's new ones. It's probably the first sprite of his that actually appears emotionally vulnerable when he's not bleeding profusely from the neck. And of course, I loved David's shit-eating grin towards Teruko, I hope he never changes. - Speaking of Teruko, us getting Tutor Teruko was lovely. She is perfect, she is a little bit of everything all of the time.

(x) Whit: If you're so inclined to complain, Sir Light Pollution, why don't you try and think of some good evidence? Charles: Light pollution? Whit: You know… Cuz he had stars, and now he doesn't, and light pollution makes stars disappear… or… or… something….. Charles: I am truly impressed…by how bad that was.

- I love these dorks so much. I can tell DT-Dev has a lot of fun writing them.

- Teronika Consent animation! I guess after Acevi's Soap Opera, DT-Dev decided to feed the yuri crowd as well. Love it when we get to see those little sprite animations, too.

Predictions for CH2-14 - The episode is 40 minutes long, the longest episode we have had so far. (40 minutes of DRDT content... I'm excited just thinking about it!) Because of that, I think I will just start with my biggest prediction: I think we're getting the culprit reveal this chapter. I don't think that just because of the length either. When you really look at it, we have basically used every piece of evidence at least once with the exception of three: - The conditions of the gym (which I assume will be discussed next) - The scuffs on the ground - The ball of starchy clothes All three of those pieces of evidence I think can definitely be cleared up in the span of 40 minutes, especially since full focus is now on the murder case. I don't necessarily think the trial will end in this episode, but I think we have at least one more trial episode to go before the post-trial + execution + ending of the chapter. - And as the culprit reveal is approaching, I have formulated a tier list of who I think is least - most likely to be Arei's culprit. I will provide my reasoning for each.

No. 17/16 - Xander Matthews + Min Jeung I mean, what it says on the tin. They're dead, and thus couldn't had committed the murder. No. 15/14 - MonoTV + Arei Nageishi There are explicit rules against them being the culprit. Rule 8 and Rule 11 in particular. No. 13 - Teruko Tawaki She is the protagonist. Didn't stop Kaede, but I highly doubt that's where DT-Dev is going. No. 12 - David Chiem Other than the previous five who I've all disqualified from being the culprit, David is probably the character I suspect the least. He has an alibi for the time of the murder, getting breakfast with J and Veronika, and thematically...well, he's basically being set up as the antagonist. I don't think we'll be rid of him this early lmao. No. 11 - Charles Cuevas Charles has a fear of blood and dead bodies, and though I wouldn't say that completely disqualifies him from becoming a culprit in the future, in a case like this with such a complicated mechanism like this where he'd have to be in very close proximity with the body at all times? I highly doubt it. He also has an alibi for the fish (He was with Whit). No. 10 - J Rosales J both has an alibi for the fish (Arturo following her around), and an alibi for the morning (getting breakfast with David and Veronika), and both of those alibis can be confirmed. I don't think she did this. No. 9 - Veronika Grebenshchikova I'll be honest, I really don't see Veronika committing a murder at all. She clearly wants to see this through to the end, and killing someone would come with the risk of her being executed, which I don't think she would see as a satisfying conclusion to her story. That, combined with the fact that she has an alibi for the fish (bothering Teruko) and an alibi for the murder (getting breakfast with David and J) makes me think she didn't do this. No. 8 - Nico Hakobyan You might think it's weird to place Nico this low on the overall tier-list despite them not having an alibi for the fishes, and their morning alibi being...somewhat flimsy but I'll get to that with Hu, but here's my logic. Nico was driven to attempt murder from very specific circumstances. That being, Ace's relentless bullying and abuse towards them. Nico has said before that they'd understand murder if the perpetrator didn't like the victim, and while I don't think they exactly liked Arei, I do not think they harbor the same animosity towards her as they did towards Ace. I truly believe that Nico would only ever resort to murder if they truly despised the person in question and saw no other solution. So that is why I feel comfortable placing Nico at eighth. No. 7 - Hu Jing Hu is also another character that I think some will be surprised to see so low, but I don't think this was her doing. She has an alibi for the fish (cleaning up with Eden), and though again her alibi in the morning is very flimsy (having tea with Nico in the morning,) I do believe she is telling the truth because if she was lying about her alibi, I think the brutally blunt Nico would call her out for it. I'm sorry, I just simply cannot imagine Nico letting that shit slide regardless of how many theories I read. Not to mention I can't really think of a motive for why she would kill Arei specifically when, if she really did want to kill someone, Ace is right there. No. 6 - Whit Young Whit is supremely fucking suspicious and a lot of his behavior in the trial is literal shenanigans, even more so given the fact that he doesn't have an alibi for the actual murder. But he does have an alibi for the fish (again, he was with Charles) which is the main sticking point of Whit!Culprit. His other sticking point is his lack of motive, both in terms of the secrets and Arei specifically. I don't know like- just look at this man, do you think he did this? /joke

No. 5 - Levi Fontana The number one suspect in the fandom for a while, and he's only at number five. He ultimately lacks an alibi for the morning, and his alibi for the fish was that he was doing his laundry... With no one else around. Shady as fuck. But I think given his principles discussed in this episode ("it is a good thing to make sure someone else doesn't die"), and the genuine desire to be helpful he has expressed throughout this trial, I think him being the culprit is unlikely. That's why I was adamant on him being an accomplice for a while because I still thought he had some role in the case, but oh well. No. 4 - Rose Lacroix I'll be honest, Rose is only this high because her alibi situation is worse than Whit's and Levi's combined. Both of her alibis are that she was sleeping in her room, which cannot be proven and can be very easily lied about. But other than that, I don't think she is the culprit. I think this case requires too many physical maneuvers for someone as lethargic as Rose to pull off successfully, and if she were the culprit I don't think she'd bring attention to the missing grippy tape at all. No. 3 - Arturo Giles Arturo does have an alibi for the fish (following J), but does not have an alibi for the morning. Unlike basically every other character here, something else that puts Arturo above them is that he was capable of overhearing Eden and Arei's conversation and forging the note. But there is also a discrepancy present that is also present with every character here, and that is the fact that Arturo did not witness Nico's attempted murder or the condition of Ace's body and the gym, so there was no way he could've replicated the murder method used for Ace on Arei. So though logistically he is a more likely possibility, I don't think it was him. No. 2 - Ace Markey Ace, to me anyway, is the second most likely candidate to being Arei's killer. He does not have an alibi for the fish and could've very easily grabbed them after David and Arei left the Relaxation Room, and he doesn't have an alibi for the morning either. He has a very clear motivation for taking a chance at killing someone, of "someone literally sliced my neck open not two days ago and I know I am not safe here I need to get the fuck out." If you choose to factor in strength, Ace is one of the strongest members of the cast and would be more than capable of the physical maneuvers made to kill Arei. Though I personally don't believe in this theory, if you think Ace attempted suicide instead of Nico trying to kill him, he has the murder method down lock too because he tried to commit it onto himself. He has been shown to be nosy, so it is not improbable that he listened in on Arei and Eden's conversation. And lastly, he is one of the only two suspects who was capable of stealing the grippy tape that was used in the murder. All of the evidence is practically stacked against him... But there are a couple of problems. One, if you believe that Nico did try to kill Ace, than the point about Ace knowing the exact method of death goes out the window. He was knocked out by the turpentine, and woke up in extreme pain in a blinding fury of rage and bloodlust, I don't think his surroundings would be the first thing on his mind. But a much bigger issue we have is the question of... Why would Ace take the tape? Following this theory, his murder plan wouldn't had started until the day after Nico's attempt on his life, it would make no sense for him to take the tape then. These two sticking points are why, though a likely candidate, I do not think Ace is the culprit. That award of main suspect goes to...

No. 1 - Eden Tobisa Yeah, if you've spent any time on this account you probably know I'm an Eden!Culprit truther. There are many well-written posts about this theory that I'm sure you've seen so I'll try to keep this short, but though the theory does have a few flaws to it, the big one being Eden's alibi for the fish that she was cleaning up with Hu, I think Eden being the culprit makes the most sense from an evidence, thematic, and motive standpoint. I know some people have dropped the theory upon the fork reveal, but DRDT is not unbeknownst to killing off characters with certain mysteries left unanswered. That is basically all for my predictions related to the culprit, but I still have some predictions for the overall episode. - Nico's gonna get placed in the hot-seat, obviously, which will definitely cause a reaction out of both Hu and Ace. And I honestly feel like the two of them are going to keep interrupting Nico until they eventually snap. And I hope that happens honestly because unless you count the "I'll kill you" line, we have yet to see or hear Nico when they're actually angry angry. Nico obviously doesn't like conflict, but they might have to get over that if they actually want to defend themself knowing the other two. - I'm still holding out hope we'll get a Random Guess segment lmao - And lastly: I need Whit to break the forth wall at least once I didn't put that on the bingo card for fucking NOTHING

Conclusion I'm gonna be completely honest, I do not have the energy to write anymore and I just want this out lmao. But overall, this was one of my favorite episodes in the whole series. I loved the Levi and Ace stuff, I like that we now have all the secrets, and like I said, the scene with Arei is probably one of my favorite scenes in the show. CH2-14 is going to be a wild ride I can already tell, and if we do find out who the killer is, you will see me screaming. Regardless of if it's Eden lmao.

UPDATED SWEAR STATISTICS CH2-13

UPDATED BINGO CARD

[bucketsquid]

An Exhaustive List of Octarian F.A.Qs... and Answers!

There's one thing I've noticed about the Western Splatoon fandom.... and that's the weird amount of misconceptions, mistranslations, and misunderstandings about the Octarians.

For some reason it's often lore about them, surrounding them, or about their activities that always seems to have this happen. And so I want to help correct that! They're a super cool faction and I want to work on people hopefully understanding them better, while helping to correct misconceptions about them.

This will be long, there will be many citations and pictures both. Shoutout in particular to Inkipedia and inkfish translator rassicas, and the hard work of both, for this.

If there's any common lore misconceptions that I left out, please let me know! I'm including every single one I can think of, but I probably missed something somewhere.

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General Octarian Questions

Q. How are Octarians made? And are Octolings made the same way?

A. Octarians are made from severed Octoling tentacles (The Art of Splatoon + SplatoonBase) that are then somehow animated. Ones with more tentacles are "more intelligent"; they're sapient, either way.

Octolings are not, to our knowledge, created like this. The existence of SashiMori's Paul suggests that Octolings undergo the same life stages as Inklings do. (Similarly, Diss-Pair's Warabi has lore that mentions having parents.)

There is concept art in HaikaraWalker (the Octo Expansion artbook) that depicts Octolings mutating from Octarians... but it seems to just be concept art.

Q. Did Octavio brainwash the Octarians into obeying him? Wasn't music used to make them obey?

A. No, they were never brainwashed. Octavio uses his music to keep the Octarians in order and to keep their working rhythm correct-- like a military march. Inkipedia compares the Onward! jingle to "a call-and-response clapping rhythm used by teachers to grab students' attention in elementary schools". It does sound like that...

Now, if you want to say that Octarian propaganda is brainwashing, yes, that does exist.

Q. We've only ever seen feminine Octoling soldiers. What's with that?

A. The "rival Octolings" we meet in the story modes are all part of a special military unit that's female-only. They're referred to as "Takozonesu" in Japanese, a mashup of "tako" (octopus) and "amazons". Not every female Octoling can be one of these, and this group isn't completely representative of Octolings in the military.

There are male Octolings, they're just not part of this one group. (Fun fact, did you know that these Octolings are voiced by Callie and Marie's voice actors?)

Q. What's with the green sclera on Octarians?

A. There's no confirmed canon reasons. Octolings are very inconsistent about it, as well; Octavio has it and so do many enemy Octolings, but not other Octolings of note.

It could just be that the whites of their eyes are really reactive to stuff in general, since sanitized Octarians have black sclera. The green color could also just be something that happens with age while living in the domes.

Q. In Octo Expansion, Marina calls Octarian society "oppressive"-- how oppressive is it really?

A. This descriptor is actually inaccurate to the original Japanese, and was added in localization. (The Splatoon 2 Retranslation Project has a more accurate version over here! Thanks @shiverhohojiro for the link.) Octo Expansion has some notorious details that were added in localization, like Craig being more racist than usual or the omission of Commander Tartar's chatter about humankind.

That said. The domes are an isolationist* military-centric society, with emphasis on meritocracy. Octolings go into professions for things they're good at, not necessarily for what they want to do. Resources like electricity are limited, so they have to structure life around that detail, and strictness logically follows. The military doesn't tolerate slackers or nonsense, but talented people seem to do well for themselves based on how Marina's life was. Even so...

A lot of music, culture and artwork gets made down there! And they have things like beachside domes, bowling-themed domes, amusement park domes and even circuses... so it's not completely strict. There's a lot of room for silliness, it just needs to be in the right place.

So, to be totally fair? We don't know much. It's not perfect, but it's also not a hellish place to live if you wanted to stay. * They trade with Salmonids, but don't seem to do so with anyone else.

Q. Can they respawn? Are we killing them when we splat them?

A. Yes, they can use respawn technology in the same way Inklings and Octolings do. The only situation where an Octarian explicitly dies is, potentially, during the escape phases in Octo Expansion!

Q. Where/how did they make the domes?

A. Leftover human technology, meant to be similar "last resort shelters" made by humans. Think Alterna, but on a smaller fragmented scale.

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Questions about DJ Octavio

Q. Why do we always see him in octopus form? Can he shapeshift?

A. Octavio can't shapeshift because of an injury from the Great Turf War. He was able to do so before and during it, however!

Q. We know Octavio leads the Octarians, but what is he? A king, an emperor, or what?

A. He is a Japanese shogun, as referenced by his title in the first Splatoon: "DJ Takowasa shōgun". We don't know if he was appointed by an emperor, if he was part of the previous shogun's family, or if he just sort of... took up the mantle (haha octopus joke) after the Great Turf War.

Q. Did he brainwash Callie?

Based on the information we have... I am inclined to say, no, he didn't brainwash Callie.

Callie was in an extremely stressful period of her life, Octavio reached out to talk, and... we don't know what happened next. But the context feels like Callie might have joined willingly. In reference to the Hypnoshades, it's important to note that hypnosis as a concept is incredibly variable, with one argument made that "you cannot hypnotize an unwilling participant".

"But, didn't he say--"

He likes music puns. He's a DJ. It's supposed to be funny, why aren't you laughing? (What this line was in JP, I wonder...)

... But, I feel like the evidence stacks up. It suggests that Callie wasn't kidnapped or brainwashed or forced to join the Octarians. It was probably an escape from fame and loneliness for her-- the Hypnoshades helped her get away from that and just have a good time. But with Octavio being a guy to hold a grudge, nothing got to be that simple, and Callie was ultimately weaponized against the New Squidbeak Splatoon.

It remains very up-to-interpretation because we don't know, exactly, what happened behind the scenes. But Callie fosters zero ill will towards the Octarians, even after being rescued... and if fiery, outspoken Callie doesn't seem to be angry about it, what does that say about the matter?

Q. Why do all the tentacles piloting the Great Octoweapons have the same scar as him?

A. Because they're directly cloned from Octavio and are then made to pilot them, presumably because they have the muscle memory to operate as pilots. Octopuses have very complicated brains and neural centers that extend out into their arms.. so this cool bit of sci-fi checks out.

Q. How old is Octavio, really?

A. We don't know. But the narrative often parallels him with Craig Cuttlefish, who mentions in Octo Expansion that he's 130 years old. It would be fair to assume Octavio is also, at least, 130.

Q. Why is he so gigantic in Splatoon compared to the other games?

idk man, you tell me. I think this is much funnier and cooler than later games, though.

================================================

Octo Expansion + Octarians Questions

Q. It's suggested that there were thousands of test subjects before Agent 8. Where did Kamabo Co. get all of these people?

A. Not only is it suggested that the Deepsea Metro may be accessible from other train lines, but it's also plausible that the subterranean networks that the Octarians use could be connected to the Metro. (Thank you for your hard work, Dodo.)

Test chambers always reminded me of Octarian domes, anyways, with the large amount of highly versatile space they have, and how it'd only make sense underground.

After all, Commander Tartar offered a glimpse of "the promised land", and that plays very specifically into the Octoling desire to see the surface world again. ("A utopia of light beyond your wildest dreams".) Its appearance as a telephone even seems to evoke an Octarian's face, which they're more willing to trust.

Q. Are sanitized Octarians a hivemind?

A. They're something like that, being hollow shells that have lost their memories and identities while submitting to a higher force. (This can be fixed, as we've learned.) They seem responsive to being assigned roles, what with Acht being made to produce music while other sanitized Octolings act as enemies in test chambers.

Commander Tartar's ideology revolves around a lot of "giving up one's individuality for the greater good" and "joining something bigger than yourself". To "eliminate the general idea of the individual" for "a harmonious world"... "becoming one with existence".

I think that carries a lot of interesting implications. You can draw your own conclusions, since there's no explicit canon answer.

Q. Was Acht sanitized willingly or unwillingly?

A. Public twitter info suggests that they were sanitized willingly, to "get rid of doubts and conflicts involving production" and to commit completely to music. But in Side Order, Acht says that it wasn't done willingly.

There's a lot of ways to interpret this. Maybe they wanted to at first, had a last-minute realization that they got tricked, and ultimately didn't want it. Maybe they committed completely and don't want to say it. Maybe social media is lying to us completely, in the same corporate word-twisting ways that Grizzco also uses, to make Kamabo Co. seem better. So... who knows?

Q. How does the Kamabo Corporation have clones of the Octo Canyon bosses?

A. Uh...

... I don't actually know. Clearly they have pretty advanced technology going on, so maybe they actually did manage to replicate and clone these bosses perfectly?

Or, maybe, it's just a psychological recreation of Agent 8's memories. Octo Expansion has a lot of stuff like that, so it feels pretty possible!

================================================

Anyways, that's all... for now. I'll probably only edit in more sources and tweak details on this post, but it's completely possible that I might need to add more things later.

[mattyriddlesbitch]

The Princess and The Knight(Chapter Two)

Mattheo Riddle x F!Reader

Warnings: mentions of the basilisk

By your second year, Mattheo had made a reputation of being a dick and getting into fights. Many people avoided him, only his few friends you met on the train on the way to Hogwarts talked with him.

And you. You tried, at least. He would give short replies the whole time. ‘Yes’ ‘No’ ‘Maybe’ ‘I don’t know’ ‘Okay’ “Whatever’ That was pretty much his whole vocabulary with you.

His friends were okay with you. Not particularly friendly or went out of their way for you, but they weren’t rude to you and you were never one of their targets, which you were thankful for.

Second year started, and that was the year that there was something roaming Hogwarts, killing students. You were terrified, as any normal person would be.

You sat down in Potions next to Mattheo the day after the first attack, still a bit shaken up from the news.

“Did you hear about what happened?” You asked Mattheo as you started setting up your things for class.

“With the cat? Yes.” Mattheo answered, seeming unphased.

“I can’t believe something like that could happen here.” You said, shaking your head in disbelief.

“It's just a cat. It'll be fine, probably.” Mattheo shrugged.

“What if it happens to a student though?” You ask, leaning forward to lean on the desk.

“Are you scared?” He furrowed his eyebrows as he looked at you, like he was confused about your reaction.

“Well, yeah. That could've happened to anybody. That's terrifying.”

“You don't have to be scared. Nothing's gonna happen to you.” His expression softened slightly.

“How can you be so sure? How are you not scared?” You asked, confused about his laid back attitude about it all.

He shrugged again, refusing to answer the questions. “Do you need me to protect you? Will that make you feel safe?” He asked in a sarcastic tone.

It almost took you back for a second. He was sarcastic with you often, but the question caught you off guard. But you quickly recovered. “Aw, are you offering to be my knight in shining armor?” You smiled at him.

He scoffed and rolled his eyes. “As if. You're not a princess, you know.”

“Only princesses get knights then?”

“Correct.”

You were about to respond, but Snape spoke up, starting his lesson.

After some more attacks, the school implemented a rule that you couldn’t walk alone and to always walk with someone else. You didn’t really know anyone in your potions class other than Mattheo, so you weren’t sure who you were going to walk with, but you figured you’d find someone when the time came.

So now, potions class had ended and you were packing up, watching everyone walk in pairs or groups out of the classroom. You grabbed your bag and headed to the door, but noticed everyone was gone. You frowned, but figured since the halls were filled with students, you shouldn’t have an issue getting to your next class and headed out of the classroom.

“Breaking the rules now?” You heard Mattheo say after you took a few steps out the door.

“What?” You turned to see him pushing himself off the wall and coming to your side.

“Not following the ‘walking with someone’ rule. You’re alone.” He said, grabbing your arm to make you keep walking before letting go.

“Everyone had someone else already.” You shrugged as you fell into step beside him.

“I guess that leaves us then.”

“You didn’t want to walk with anyone else?” You asked curiously.

“They’re all idiots, I’m not walking with them.” He answered simply.

“You know, I think I recall you saying something about only princesses getting knights.” You said in a playful tone.

“Yeah, and?”

“Does that mean I’m a princess now?” You joked.

“And I’m a knight then?” He raised an eyebrow at you.

“Yeah.” You smiled at him.

“Fine then, princess. I guess I’ll be your knight for our 5 minute walk to your class.” He said sarcastically.

He walked with you between classes when he could, still keeping up the defense that he didn’t want to walk with anyone else since they were idiots. When they finally lifted the rule, he walked you to class one last time.

“Guess you won’t be needing my protection anymore, princess.” He said as you approached your class.

“Unfortunate. I was getting used to you walking with me.” You said, pouting playfully.

“Not like you’re never going to see me again.” He rolled his eyes at your pout.

“Might as well, though. It was the most you ever spoke to me.”

“Oh, shut up.” He stopped in front of your classroom.

“Well, I guess you’re retired now, my knight. Your services were appreciated.” You said with a small smile, chuckling when he rolled his eyes again, but this time with his own small smile.

“You’re stupid.”

“I know.”

There was a small moment of silence as you stared at each other, finally breaking when another student squeezed past you two to get into the classroom.

“Well, I better get to class. I’ll see you later, Mattheo.” You said and headed to your classroom.

“Yeah, later.” You heard him say before he started heading to his own classroom.

Taglist:

@jeannie-beannie @mixvchelle @helendeath @evaslytherpuff @leandre2006

@call-me-mishi @hpnsfwaddict @mayamonroem @brittney-121 @leovaldezsbitch

@dracoslovergirl @littlemadamred @mattheoriddleluvbot @acornacreacure @opheliamalfoy236

@demieyesore @akira1246 @queenshu @prettypinkprincess15 @starryslytherin0

@jolly4holly @st0n3dbarbi3 @kurumbukaari @whydoireadanymore @sweet-afternoon

@ilovehpb0ys @princessluvssleep @satosugu4-ever @reys-letters @mattiesgirl

@alwayslatetothefandoms @satosugu4-ever @whydoireadanymore @reys-letters @mcdonaldshelppage

@shaquilles-0atmeal @feistyfox47 @gillyweeds @pluto-9456 @jooniebluesworld

@hereticdance @lxserriddle @cindyss @saint-marvel @atadoddinnit

@simpforromance @yours-truly-5

Let me know if you wanna be added!

[altocat]

It’s been a long while since I have read the avatar comics, so I’m wondering why you don’t like Ursa? I’m very likely not as informed to form a fuller opinion of her so what’s your opinion?

Ohhhh god the Ursa thing...

They revealed that Ursa's disappearance wasn't caused by her being dead or held hostage or lying low and waiting for the right opportunity to reveal itself. Oh no. It's revealed that she selfishly decided to give herself amnesia and live out the rest of her days with a new husband and child while leaving her two kids with Ozai where they would no doubt be warped and abused for the rest of their lives. The Search expanded on her past and showed us point blank that Ozai was an abusive and toxic husband and father. So Ursa choosing to never go back for her kids or have any intention of even REMEMBERING them is really, really vile. Sure, she's in exile. But her choosing to sacrifice her memories of them solidifies that she never intended returning to them, much less think about them.

On one hand, I would be totally fine with Ursa starting a new life with a new family, albeit while still dwelling on the children she left behind. It would be really interesting and bittersweet, especially if she was biding her time waiting for the day when Zuko became Firelord and she could return home at last. But the fact that she had no intention of ever seeing or remembering Zuko and Azula again while KNOWING the kind of person Ozai was is pretty irredeemable. Zuko and especially Azula have huge hang-ups about their mom and Ursa legit not giving enough of a shit to ever come back unintentionally makes Azula look CORRECT when she says that her mother never cared. And worse still, the comic seems to brush Ursa's actions under the rug like it's nothing. Zuko immediately forgives her and--bonus--gets a shiny perfect supportive new baby sister to replace the problematic OTHER one. Azula is no angel by ANY means, but The Search is basically an excuse to torture her psychologically for three issues with no catharsis, with Ursa subsequently not bothering to look for her daughter in the comics to follow, even after regaining her memories.

Azula's big insecurity that drives her nasty behavior is centered on the internal fear that her mother saw her as a monster and never really loved her. Turns out, she was probably right. Or at least, her mom didn't love her enough to fight for her, allowing Ozai to corrupt and twist her. Ursa wasn't coming back to prove to Azula that she always loved her and wanted the best for her. In the flashbacks, she's only ever shown ignoring or scolding the child Azula, basically giving the reader no indication that she actually cares about her daughter. At least not anything that's especially solid. That's not even digging into stuff Zuko went through after she left. You'd think Ursa would take one look at Zuko's scar and apologize for not being there to protect him. But no. No mention at all. Sure, she left in order to save Zuko's life. But there was still never intention of rescuing her kids, no intention of ever wasting another thought on them now that she's found what she's looking for. They were an afterthought. The comic is all about her reclaiming autonomy with a new husband and family as a fuck you to Ozai, but it ignores the really messed up fact that Zuko and Azula NEEDED their mother more than she seemed to need them.

The Avatar Comics have honestly ruined Ursa beyond repair imo. There was a better way of writing this and they choked it. She is truly detestable and the fact that the comic never actually calls her out on it just makes it worse. Characters like Lucrecia are characterized as intentionally flawed and were FORCED away from their kids, with whom they had no prior relationship. But the difference between Ursa and Lucrecia is that while Ursa completely abandons all thought towards her kids in pursuit of a selfish happiness, Lucrecia does nothing BUT wallow in self-loathing and blame. Lucrecia was suicidal after losing her son, and sought to punish herself for eternity for it. Ursa fucked off and willingly chose to forget her responsibilities as a mother, all while her children suffered.

It really fires me up. Azula and Zuko deserved better. The READERS deserved better. This was a long-running mystery in the ATLA community and the answers we got were really disheartening and kind of fucked up. And without the narrative nuance to explore the grayness or negativity behind such actions. It's really just a shame.

Anyway, rant over lol

[greenerteacups]

I’ve meaning to send this ask for ages and finally found the courage to do so :) I started reading lionheart on a whim in the beginning of November and since them after reading everything a couple of times, all I can say is that it is a masterpiece. I am so in love with your writing, especially with how you give Draco the space to be gracious and grow up. I love for example when they are in the Slytherin common room and Draco see for himself that the mermaids are sentient beings just like him. Also, I am completely enamored with the golden quartet (?), the relationships between them feel much more balanced, and I have so much love for Harry, Hermione, and Ron. I do think you does the characters justice, if not written in a better and more honest, human way. Btw, I love your Narcisa because I am such an apologist for her and her crimes. (If Narcisa has million fans, then I'm one of them. If Narcisa has one fan, then I'm THAT ONE. If Narcisa has no fans, that means I'm dead.). This also aplies for hermione. Anyway, all I am trying to do is to put into words what the world you design means to me, but alas I do not seem to have. When the time comes for my unborn children to read the Harry Potter series, I am showing them your books and telling them it is canon.

Now that I am done showering you with complements, I have a couple of questions. First, after reading the last chapter (which I adored), the fight between Draco and Sirius, one of my favorite moments, kept coming to mind. Was it intentional for Draco to give such honest wake up call for Theo basing himself from the talk he had with Sirius years ago? Secondly, I am not sure with you already answer this, if so, feel free to tell me, but if you could choose Poet, Soldier or King for each – Draco, Harry, Hermione, and Ron – which one would they be?

Thank you for taking the time to read. I usually download each chapter because I like to highlight my favorite parts, I will try to be more present on AO3! And sorry for any English mistakes, it is not my first language!

Thank you, my friend! This is a completely lovely ask, and as I often do with lovely asks, I've hoarded it for a while to re-read whenever I want a nice treat. However, I've left the question unanswered long enough.

If we're going to do the Soldier/Poet/King test, I want to complicate it a little. You can either do it by personality (the way we do when we say "I'm soldier!" or "I'm poet!") or you can do it by narrative role, i.e. what you actually do in the context of the story. Those can be different. For instance, you can be a poet-coded soldier (your chosen weapon is your word, but you're pushed by your circumstances to fight), or a soldier-coded king (you carry a mighty sword, but you're forced off the battlefield to rule, i.e. you want to fight but you can't). That opens up the range of ways to fill the role. So it's like:

Obviously, the central axis here is going to be the most satisfied/content with their lot in life, but there's a broad range of happinesses.

If you ask me, Harry is a poet-coded king, because he's incredibly reluctant to take leadership, and he doesn't want anyone to fight for him. He runs away in Deathly Hallows because he can't stand to be at the center of a war (which is going to happen anyway) and has only accepted Ron and Hermione's sacrifice begrudgingly. It's also worth saying that Harry's best moments come when he's trying to talk someone down: he's telling Remus to go back to Tonks, he's telling Slughorn to preserve Lily's memory by being noble for her sake, he's telling Riddle to "try for remorse." Harry is at his best when he's giving consolation and understanding, not when he's fighting; his signature spell is Expelliarmus. Kid's not a soldier. And he hates the idea of being a king. (This is, not coincidentally, one of the unhappiest combinations.)

I read Ron as a true soldier, not because he enjoys fighting, but because that's almost always his knee-jerk reaction to conflict, and it's also where a lot of his strengths lie. Ron is brash and bold and he will swing if you step to him, and that's why people love him (or hate him, if they do). Even in his best moments, when he's being a strategist and tactician, he's employing his skills in the service of battle. And the narrative is happy to put him in positions where that's the skill he has to contribute. He thinks of the basilisk fangs and the house-elves in the kitchens; he's good at tactics, but he doesn't do broad-strokes strategy.

Hermione is king-coded soldier, because I think in a different series of novels, she is absolutely the protagonist, and she kind of thinks she should be. She's proactive, driven, clever, and calculating, and she orders people around like she's the boss of them — usually with good reason, but she still does. She sees herself as the HBIC, and she often gets a bit irritated when other people don't jive with that idea. It's funny how often Harry gets along by just doing what Hermione tells him. That being said, her narrative role is being sworn in Harry's service, and as the books go on, she increasingly embraces that. She defends him and offers to risk her life for him, sacrifices volumes (her parents!!) and compromises her safety (gets tortured!) for his sake, all without complaining or seeming to begrudge Harry at all. He's her king; she's his knight. Which is another way of saying soldier.

Draco is a poet-coded soldier, or possibly a poet-coded king, depending on what direction you take his arc from the source material. In the books, he's kind of a flop, God bless him, he doesn't really manage much in the final days of the war. Besides refusing to identify Harry (after identifying both of Harry's well-known travel companions... booboo you tried), he's basically fit for neither use nor ornament from Book 6 onward. But taken more broadly, he is someone who absolutely does not want to be here — he doesn't want to fight, he doesn't want to be in danger, he doesn't want to risk people — getting conscripted forcibly into a conflict that was running for years before he was born. And he's conscripted, like Harry, because of his heritage; it's a position he was born into. Depending on how you read his relationship to power, and having it, he can either be a soldier or a king, or someone teetering on the cusp between them.

[cathodic-clairvoyant]

There's a lot about discussion of hdwr that baffles me (not all discussion to be clear, because i do think there's a lot of good discussion about hdwr. But equally so are there the ones that make you wonder if you're reading the same story) and I think one that is especially annoying is the constant infantilization of miwa as this passive eternal victim. It drives me up a wall because this is quite literally an issue she's struggled with within the text of the story! She had an arc about how she dislikes how people treat her this way like towards the beginning of the story! And like even ignoring that, this story is about like nuanced and realistic portrayals of being in relationships and learning how to navigate them and so it's like what's the point if you're going to immediately reduce the characters to "the victim" and "the victimizers?" Is that even interesting? Is that a useful lens to look at interpersonal relationships?

[gunkbaby]

I went to the aquarium again the other day and there was this snapper fish that had all these spots and stripes on it, and it was the exact colour of Shuu’s hair. I love moments like that - when I see him in something.

Like hydrangea flowers - some of them are pink, but if you get one the right shade, then it’s this undefined emulsion of blue and purple. Or when the sunsets on certain days? Where the blue sky meets the pink? It makes the colour too. It’s that colour, it’s so indescribable. I see it quite a lot in fish, though - fish and flowers. Quite a few of them have that colour. I think I began to subconsciously associate Shuu with aquariums because I see him in them.

There used to be all that petty fighting about Shuu’s hair colour. Whether it was always blue and the anime was like soooo wrong, and all that. So I think because of that, I consider Shuu’s hair colour to sit in the middle. Whenever I see one specific reproduction of blue-purple or purple-blue, or where the colours meet and don’t quite mix - that’s the colour, to me. It’s quite rare, but it exists in nature, and when I see it I get quite emotional.

I think things like that are quite wonderful. It’s so strange to see something that makes you happy mix with another thing that makes you happy. I don’t think I feel so serene anywhere else.

[truecorvid]

the problem with having been active on the internet for over a decade and active on social media for just about as long is that sometimes i really realllly want to like. engage in healthy/casual debate about topics that i see being talked about but. i know it won't go that way. i know that if i engage in the way that i would like to (not just directly agreeing with what's being said) i'm going to immediately telegraph myself as some sort of chud trying to pick fights online over pedantic shit which in turn will immediately put people on the defensive. i've seen this play out. i know how this will end.

[designernishiki]

aight im just gonna say it. some folks really gotta stop treating nishikiryu like they’re actually related and considering anyone who’s so much as Okay with them as a pairing of being incest apologists. like. that’s a legitimately fucked up and serious thing to accuse someone of just because of your view of two factually unrelated fictional characters.

[unproduciblesmackdown]

ppl will be explaining how a difference is a difference & not a Deviation from a Superior state, & people who are the ones considered Default Normal (superior) will be like "okay....to be polite....i Might say i consider Some aspects of Some people's existence mere 'difference' & not being less than me...." as like hey i'm a Benevolent god. i still actually get to consider you worse & don't have to "humor" anything that challenges my superiority. if you only want everything to fit into the norm then it will all come back to upholding the norm. thinking of people's analysis of their own realities as equally legimate as being like Obscure, Irrelevant, Superficial & then using that reasoning to justify dismissing them. same as worrying that the [Different Lessers (Others(tm))] as Everywhere = a manifestation of the awareness that, yeah, respecting them as equals Does threaten your norm which is smothering everything everywhere. ppl who need to lock in the idea of Borders around personhood like um Yes they're all delineated separate Identities outside any hierarchy & so i think it's relevant to for some reason push back against "ohh so now Everyone's queer" like why not. why couldn't they be. what if they were. what if queerness was everywhere b/c it's ideological not a cordoned off Alternative Identity that is accommodated by focusing on Love(tm) as the new border around whose existence we might begrudgingly accept at arm's length (i.e. being otherwise "normal"! just imagine swapping out the binary gender (or, deep breath, presumed Private Parts) of one partner in an exclusive romantic lifelong nuclear family marriage, & that is Gay / Trans Rights. still gross but maybe we can do it, as long as they don't talk about it or shove it in our faces or even exist for more than one encounter w/us in our lives b/c what are the odds). evergreen laughing at someone suggesting ableist logic might be embedded in language of past & present b/c it's just So little to ask for that it's irrelevant but it's also So much to ask for that of course i'm not gonna do anything more than pass it along like "this is why i don't take ableism seriously" like yeah it's the disabled randos like it's the individual cringe teens(tm) ruining [the cishets would take Gender seriously otherwise!!!] & that's why you won't think about it or do anything about it & continue being comfortable with the norm & resent that actually their Difference is Less & disability is something worse that ppl "excuse" & all these ways that people are & all these things that they do are funny & weird & inexplicable & etc & one can't possibly be cruising along perpetuating a hierarchy with a sense that you're reasonable, well meaning, kind, etc etc & thus Justified, systemic oppression definitely wants to maximize how uncomfortable & arduous it feels to everyone rather than push to make it more streamlined & rewarding to embrace, or at least accept, whatever superiority over others you're afforded

[bomnun]

I think I’ve said this before but I love how shinwon uses three different romanizations of his surname almost simultaneously.., we love inconsistency… earlier he seems to have used “ko” more, and many fans still use it. nowadays he switches mostly between “koh” and “go”. his business cards say “koh”; he said it’s his english surname in a scripted sketch and I’m not sure if he decided that or not hdjsjsjw, jokingly called himself vincent van koh, but he also calls his vlogs go!shinwon, uses “go” in his instagram username, and I think he’s spelled it out “go” in the latin alphabet recently too, and decorated a shirt saying “go identity” (“shinwon” also means “idenity”)

[trollbreak]

Man I need an unhappy but stubborn marriage ship huh

[halfdeadfriedrice]

it's pride month so i'm promoting lgbtq+ learning at work! what does this mean? someone sent me a suggestion that the training we were promoting had inaccurate descriptions of bi/pan sexuality, I dipped my toe back into the discourse of how those are defined, remembered "it's the same fucking thing" and then changed nothing