#If we're going to include fanon

[tobyblue-wolf]

"After Kyojuro's death, Senjuro spends his birthday alone"

I am aggressive tapping the picture of sober Shinjuro and the fact that Tanjiro is Senjuro's pen pal

[ineffable-doll]

Remembering when I joined the fandom in 2020 and no one would explain where the whole South Downs thing came from

[aingeal98]

We all know why people have designated Damian the bitey and stabby Robin and Jason the violent one. (To my knowledge Damian has never bitten anyone it's literally just the racism) but what amuses me is that Steph, despite her short tenure as Robin, actually threw her hat in the ring for most ferocious. Like miss sunshine and waffles in fanon is the only Robin I can think of that quite literally just started biting her enemies as a last resort.

And unlike Jason who's Robin run was mostly him being pretty similar temper wise to his predecessor with the one exception of the rapist he may or may not have let fall to his death, Steph started day one of working with the bats literally attempting to murder her father.

And as Robin? Yeah fuck that "if we kill we're no better than them bullshit." If she's up against a serial killer she's going to use EVERY advantage to not die, including potentially lethal moves.

And honestly I think it rules. I know they were trying to show her as a less good Robin than perfect Tim but honestly they just made her more interesting because she's not actually wrong for fighting to save herself even if it means her attacker could die lmao. Let Steph have her anger and violence, she deserves it.

[youuuimeanmee]

ENDOO SHUT THE FUCK UPP

SO U MEAN TO TELL ME

THAT OUR FAN THEORIES

ARE CORRECT.

(endo-san, if you've planned this from the beginning, then a thousand applauds for you for sticking to this plot & foreshadowings for so long. If u were just throwing shit up & rely on fans' theories to see where you're going next, then great job for making it seem so seamless. wtf.)

I still don't buy the "Donovan is an alien" narrative completely; I still think he changed after he secretly volunteered to be a lobotomy experiment subject, to get the superpower he wants to reach a greater understanding in humanity.

Although, if Endo really wish to introduce a terrestial being into this series, then, does that mean Anya's telepathic ability is really born from the lab's experiment? Is she born from the sperm of an alien?? Alien DNA recombination?? Lolol. *edit: this is just me hoping that Anya's telepathic ability was developed in vitro, bc the idea of those mad scientists opening up Anya's skull & cutting up her brain whe she was a baby is just sick beyond belief & i cant accept that.*

I am so so glad to see Fiona in this chapter, trying to extract extra info from Desmond's staff! It really hammers down how incredible this valuable opportunity is for Westalis. Great job Endo-san, for not forgetting to include this 👍

Wait.

Wait a damn minute.

If what Melinda say is true, Donovan can read minds,

Then Donovan must've read Twillight's mind on their first meeting; his fake persona & and Operation Strix have already been busted.

Maybe this is not just a mere illustration inside Twillight's head, maybe this really IS Donovan's reaction when he find out about Operation Strix?? LMAO

Or maybe Donovan can only read minds to a certain extent –not fully like Anya, so maybe he can only get the gist of what people are thinking; so he doesn't know Operation Strix yet, but he knows that Twilight wants to extract some information from him.

(though I wanna add, even if Twillight is from the opposing country, I hope Twillight's sincerity to meet in the middle could reach Donovan too.)

I've known these theories for awhile, but could these be true afterall?? (We're already at this stage, but I still don't wanna assume fanons as canons.)

Then.

IF Damian —at the family dinner— was remembering Anya's confession that she can read minds, and he wished he could read what's on his father's mind too,

Does it mean Anya's telepathic ability is already busted by Donovan?

Is my theory from ch 106 correct afterall???

Oh wAIT.

FUCK I forgot if Donovan read Melinda's mind too, then he must've learned that Melinda has befriended Yor Forger. The mother of Anya Forger. The daughter of Loid Forger.

Combine that information from Melinda and information from Damian that Anya can read minds....

... does it mean Donovan has assumed that Twillight from Westalis is using his telepathic "daughter" as a spy in Eden Academy?

Funny thing is, Twilight himself has no idea about all this implication. He's a million steps away from Donovan.

HAHAHAHHAA

(lol how could I not read this from miles away)

Argh fuck, I'm really worried for Anya now.

This could very well escalate into the "war" of obtaining Anya as an asset. Maybe it'll still be light-hearted, like manipulating Damian's romantic feelings for Anya by inviting her to have dinner together, but still. At first, I thought Donovan might get Anya expelled from school because she's dangerous, but I figure she's just too valuable to be tossed away; it's better to keep her close while extracting info from her as much as he can. Or use her ability to the fullest.

At least Anya is now aware that Donovan has the same ability as her, so at least she can proceed with more caution now.

I hate seeing Anya being the only one aware of the whole situation & she struggles alone to keep it all together — like what she has done all this time. That's why I really want Anya to come clean with Twilight so he can at least get a picture of the whole situation he's facing right now, and protect her properly, but I know it'll massively shift the Forger dynamic we're used to. I have no idea how will Endo handle this development from now on.

Well, that's enough anxiety for tonight.

Stay safe Anya! 🙏🥺🥺🥺

[piratecaptainscaptainpirates]

Alright, so there's been a lot of chatter about some of the most common racist takes in the fandom lately, and I know most people aren't engaging in good faith but I'm gonna spell some things out anyway. Here's a handy-dandy White Fan's Intro to Racist Fanon 101

Why is it racist to depict Ed as uncontrollably violent?

Because he's not actually depicted that way in the show. OFMD goes out of its way to depict Ed's relationship with violence as complex and intensely traumatic for him. Because he has so many hangups around violence, Ed is one of the least violent characters in a show full of violent characters. He is always shown giving people many chances before they're able to push him into reacting with violence.

Even if you think you're just doing a character study on a guy who is really very complex and nuanced, please take the time to consider if you're assigning more weight to Ed's violent actions than those of other characters or assuming he's worse than he actually is (for example, Ed never physically hurt the crew during his kraken spiral, just Izzy. His crime was being a shitty boss, not going on mindlessly violent rampages).

What do other common fanon depictions of Ed that are racist look like?

The biggest ones are depicting Ed as untidy/messy, as illiterate, and as needing a white man (most often Izzy) to clean up after him. I hope I shouldn't have to spell out why these are racist, but please keep an eye out for them in the fanon you consume so you can be critical of how you respond when they pop up.

Are you saying that all Izzy fans are racist?

Liking a character is morally neutral. Insisting that the viewpoint of an antagonistic character is the lens through which the show should be understood, though, especially when that antagonistic character's whole deal in the first season of the show was trying to control the behavior of the brown lead so he could gain power for himself, however...

Just please consider - why do you find Izzy's tears more deserving of sympathy and compassion than Ed's?

But my hot take/fic/meta doesn't say anything about Ed's skin color!

It doesn't have to. Most of the racist takes/fic/meta out there don't mention Ed's skin color explicitly. Racism doesn't just look like saying "this character is a brown man so he's bad." Everyone who grows up in a racist society (that's everyone on the planet, btw, you included) has biases to unlearn, and those biases impact how you interact with the world around you, including with the media you consume.

The thing is, OFMD isn't a subtle show. It's very consistent with telling us who Ed is, how he responds to situations, and why he behaves the way he does. If you find it easier to throw all that aside in favor of believing what a white antagonistic character tells you about him, then you should really take a bit to examine that.

And here's the most important thing to keep in mind:

This is not about you.

Trust me, it has to be pretty damn bad for fans of color to call out racism in fandom. Every time we do, we know we're gonna harrassment and just some truly awful shit in our inboxes. But you, random white fan who Did A Racism? No one is out to get you. No one thinks you're an awful person for including a racist trope in your stuff, we just wish you'd examine it so we can make this fandom a better place for everyone.

I have had amazing discussions with white fans who saw my posts on fandom racism and wanted a sensitivity read or a check so they could fix an instance where they uncritically included a racist trope. But most people who make similar mistakes will just double down and insist they didn't do anything wrong, and that makes fandom a worse place for all of us.

Fans of color deserve to feel safe and included in this fandom, and we're just tired of feeling like we have to beg to get some circles to see poc as people. You can do your part by being critical of these tropes and your reactions to them when they pop up.

[worldseer]

Unpopular JJK opinion.

If I die in flames for this, I may as well die standing. Fanon Toji is just wrong. Like- that's not him.

Walk with me-

First and foremost to remind y'all:

Toji was abused for much of his life growing up, and likely never recovered from that

Mamaguro is the first and only woman he loved, the one who changed him and made him better. His habit afterwards and likely before was to just go from rich woman to rich woman to get money. It's unsaid if he had relationships with them, but it's more likely he just did jobs for them in between assignments.

He has a gambling addiction, likely because it gave him a sense of choice and control over things in his life. He wanted to feel like he could win at something, if not at being loved and revered by the Zenins. He is not addicted to money itself, or frugal about things.

While not THE BEST father, he only wanted to have Megumi given to the Zenin Clan because he believed he would be treated better and thrive there. Living in luxury and adored for your cursed technique is better than living with a non-sorcerer who struggles to keep money. Hell Megumi is NAMED Megumi because he's a blessing.

Now that that is out of the way, here is the unpopular opinion part. TOJI IS NOT THE LOVER YOU ALL WRITE HIM TO BE! HE'S NOT SOME KINKY DADDY WHO WILL DEGRADE AND BULLY YOU OR STEAL YOUR MONEY. And now I will explain why- 1. By example of Mamaguro, Toji notably softened and let go of bad habits. Yes, including his assassin job and gambling (so no worries about him stealing money). If in fanfic we're writing that he loves you, then yeah, he's gonna be a sarcastic sweetheart. Probably teases you a lot, but still cares and makes effort to show it.

2. As a man who worked a job as a literal assassin, I highly doubt he would want to ever be rough in intimate settings. He wants to keep the violent sides of himself as FAR AS POSSIBLE away from those he loves. So no rough kinky stuff, sorry. He's not gonna consistently degrade you or leave rough marks and bruises from grabbing and tossing you around in bed. He wants you safe, and not to see the man he was before.

3. As a man who was abused, he will likely be polarizing at times. Sometimes he avoids touch, and other times he's all over you asking for attention. He will want comfort, care, and gentle touches. Like the biggest lap dog you've ever seen. Please just compliment him, kiss him and hold him, he needs the reassurance. Or give him his space, and let him be but don't forget to offer something to cheer him up (like meat and offal).

4. He can be VERY bitter, but not overly angry. We know he still has a deep grudge against the Zenin clan and jujutsu society as a whole. It wouldn't be uncommon to see him possibly seething and stewing in silence, or hold more grudges. That being said, they likely wouldn't be held against you (if he loves you). He's cool and level-headed, and rarely lets emotion get the better of him (save for combat).

Thanks for coming to my TED talk, I care too much about characters.

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[glitter-stained]

I know some people argue that robin!Jason and Dick were never close post-crisis pre n52 because they only interacted a couple of times in canon and I understand that due to Dick living away when they first met they wouldn't be as close as the relationship Dick has with some of his other siblings, but I would also wish we would take in account that for all three of Jason's years, we have like 30 issues of Jason's run. That's exceedingly small. We have batman #416, we have that one moment in teen titans (i forgot the issue) of jason working with the team, and i think the ski trip we found out later about was included in the same canon*. (also, i do feel like even if you didn't know/like eachother before going on a ski trip together by the end of the ski trip this will have changed, and the picture definitely felt like they were getting along even though Jason's face in the picture was comically weird.) I'm not sure if there were other interactions shown or mentioned, but hey, 2-3/30ish isn't a bad score at all! If we're going 3/30, that's a whole tenth of Jason's robin era.

(And I'm talking about their relationship from Dick's pov since it's the one in question here but it's clear to me in Jason's run, even post-crisis, that Dick is often on his mind and important in his life (with a certain inferiority complex the little siblings of very cool people know well) with stuff like I think Batman #410 or Jason is Legends.)

And even more importantly, 30ish is extremely short for three damn years. That's ten issues per year! Do we assume that Jason was sitting on a shelf for the whole time he's not working with batman in the comics? Do we assume batman was sitting on a shelf twiddling his thumbs all that time during those three years he appears, either? It's perfectly logical to make the assumption that Bruce and Jason were still going out as goddamn Batman and Robin even when it's not shown on screen and having a relationship and interacting together even when it's not seen. In fact it's the most reasonable and logical assumption even. It's obvious Jason and Bruce's interactions extend past what was shown on screen so why wouldn't Dick and Jason? We know from Dick's relationship to his death that Dick cared about Jason. We know how much his death impacted him. Regardless of the (now retconned) terrible mess that was their relationship after Jason came back, they had a relationship, and it was good, and how deep it went is up to interpretation but it doesn't cheapen or lessen any of Dick's relationship with his other siblings to acknowledge that (like, seriously, even though some of them might view it as such in the story, dick's love isn't a prize that can only go to the one blorbo to win the competition. Personally I don't see Robin Jason being his favourite, and that's fine. Probably since, as I only have one sibling to be weird about, this is one aspect of Dick and Jason's relationship that I don't project onto them.)

There's a difference between saying "those are the only canon interactions between Dick and Robin!Jason that we know of" and saying "those are the only interactions that happened between Jason and Dick when Jason was Robin", especially if the next sentence is going to be something like "read a comic". I want to insist that I'm not saying that they have to have been super close. All I'm saying is I don't see, with the knowledge I personally have of canon and the retcons I choose to disregard (because of terrible writing), why considering that they were close wouldn't be canon compliant.

Leeway, nuance and up to interpretation stuff are fun and should matter for evaluating the level of canon compliance of your own headcanons, and I think it's especially important when trying to police other people's interpretation of canon: are you certain their interpretation is fanon and you're correcting it with the right canon, or is it a case of two headcanons clashing in the blank space between comic pages?

I just found it strange to never see it taken in account in the sometimes pretty emphatic takes I saw on the debate around their relationship, so those are my two cents on the matter. All this to say, [theatre joke in coming], when it comes to Dick and Jaybin, we could all stand to be more chill.

* btw i'm excluding dixon's nightwing year one from this conversation because I hate how it manages to shit on every one of the characters i've seen him write in it so violently and also fuck dixon, my jason comes from post-crisis not that crappy weirdo retcon.

[canichangemyblogname]

I'm convinced that they must think gay and bi men don't watch TV or something. Why would there be faggots watching their own representation when M/M relationships are for the "girlies"? **

The fact so many of us also liked Michael and David despite the fact they hardly had any scenes at all (because they were both secondary characters) must also be indicative of our nasty, disgusting sexual feelings for men, right? It certainly couldn't be the more logical conclusion: we're queer and support actualized queer representation.

Buck and Tommy's relationship was literally canon. Your argument depends on the assumption that it never was. People will enjoy a canon, on-screen relationship like all the other on-screen relationships over the years. Why do you 🫵 hold a different energy for this relationship than others? (Hint: they can't get hot to it like if it was Buck & Eddie.) Are you going to include all the members of the GA who thought Buck x Tommy was "sweet" among us nasty, disgusting fetishizerrs? They *also* liked Buck x Tommy despite their lack of screen time. Will you hold the same energy for them, or is it only *us*--mostly queer men-- who have these nasty sexual feelings for men?

Why do you hold a different standard for enjoying a canon m/m relationship than any other canon relationship on the show? I find Chim x Maddie a compelling and sweet relationship. I will tune in just to see Angela Bassett and Peter Krause act opposite each other. I was rooting for Eddie x Anna as well as Eddie x Marisol. I also enjoyed Buck x Abby, Buck x Ali, Buck x Taylor, and Buck x Natalia, all of Buck's other canon relationships. Does any of this mean I fetishize straight relationships? By your logic, enjoyment of a canon relationship-- especially one with few scenes together, like Buck x Ali or Buck x Natalia-- is indicative of a fetish, so I should, no? But you wouldn't make that argument. You haven't made that argument. Why?

Why is it that enjoying seeing a m/f relationship on screen is conventional or usual, but enjoying seeing a m/m relationship on screen is an abnormal sexual fixation? Why is the enjoyment of an m/m relationship different than the enjoyment of any of Buck's other canon relationships? Why are the people who have enjoyed the show's queer m/m representation the people with "bad" sexual thoughts? But enjoying all of Buck's other canon relationships is simply just enjoying the show for the show? You get how this paints queerness as an abnormal sexual proclivity and "straightness" as something that is just "part of the narrative"™️, right?

This is also really ironic for someone with "loves SPN" in their URL...

------------------------

**(NOTE: I have genuinely seen this subset of Superfan argue that m/m stories "center" women and that slash is by and for women for women's sexual satisfaction and liberation. And I'd like to think that I should not have to point out how this mentality means that fandom is built not only on queer men's eroticized bodies but also on their exclusion. In fact, it would not exist and could not continue to exist without our invisibility and exclusion. Because slash-fiction oft requires the fan to ignore the lived reality of the people-- queer men-- they are depicting for the fiction and to cater to the satisfactions of their audience. When queer men come in and say, "Well, actually, we don't do that--" it ruins a fantasy. Sometimes, it's the fantasy that they create for the "representation," as opposed to personal and audience satisfaction. Sometimes, it's the fantasy that they are creating accurate depictions of queer men. Sometimes, it's the fantasy that m/m sex and relationships cater to them and their desires and personal ideas of what is "hot." To thus continue to reproduce the community and maintain the fandom status quo-- like all those fan canons people treat as canon-- they must push out the detractors and people who challenge popular fanon, which is often queer men. How do you do that? Hostility and homophobia. Slash-fiction communities cannot continue if there are a wealth of queer men in them. Because their intended audience and creators are non-men. Because the genre was created on queer men's exclusion and only possible in the first place due to queeer men's invisibility.)

[queerfables]

At this stage, Crowley having lost memories from before the Fall is a theory, not a given. There's some evidence for it but nothing like proof. It's fine to base analysis on the possibility but your argument will be much stronger if you acknowledge that it's an if. If Crowley lost his memories, then - whatever it is this implies or raises questions about.

Maybe I'm being too precious about What's Really Canon but we're only a few months into a hiatus that's going to last years, and I'm desperately hoping we can avoid fanon creep as much as possible. So I'm encouraging us, in all areas, to notice when we're accepting possibilities as givens. We can build theories on top of theories but it's really crucial that we acknowledge which parts are assumptions. Because each incorrect assumption that we rely on takes us further away from the truth. This is such a smart fandom and I love reading everyone's perspectives. I want us to keep all our avenues for speculation open, including the ones that go against dominant fandom readings.

[leandra-kinard]

Petty, bitter rant ahead. Maybe not 100% fair (but also not completely inaccurate, imho)

I LOVE how us BT shippers are handling this all (this is not the petty part). And it makes me once more feel kind of smugly proud, especially on contrast to what the BoBs have been doing for the past half year.

What did/do the BoBs do when they are dissatisfied with the storyline? Repetitive, ridiculous, mantra-like one-liners ("Bummy bones!", "Jumpscare!"), insults towards the cast and the characters ("He's ugly").

And when they try to engage with the media a bit more deeply, it's inane babblings about fridge magnets and tinhatting about "Buddie canon, confirmed!" at every turn. It's very reductive, very much crafting a reality around the single-issue point they need to confirm - which kind of nicely fits how the writing of the show itself is reductive and crafts the plot around a few points Tim wants to include, whether it makes sense in a grand scheme or not (it doesn't!).

Us on the other hand?

Some expression of our frustration and disappointment, even sadness, yes. But all of it based on and backed up with actual facts from the narrative itself, or what it technically should have demanded for but didn't follow up with. Instead of throwing tamper tantrums like the worst-behaved toddlers you remember from kindergarten, we have written well-worded criticisms, even essays and analyses on official and unofficial channels.

And while, yes, we need to express our disappointment, our anger and our hurt, most of us are doing something the BoBs were never ready to: we'll stop watching. (Or watch sometime later, more casually, and once we know where the stories are heading). We're not going to posts by Buddie shippers, harassing them over how stupid they are, how ugly and shitty their ship is.

We truly are the smarter, wiser ones, and I think we were too smart and wise for this stupid (and often very lazily, carelessly written) show.

Let the BoBs have this shitshow. We'll have fanon.

[bonefall]

while i do agree with the sentiment that bloodclan should be more nuanced as an entity i still believe it is wrong to portray them as the necessary "response" to clan injustice (haven't read the books in years but i am pretty sure that bloodclan started with no connection to the clans) / an opposition to the clan's flaws. some of the thing scourge did was out of selfishness and bloodclan isn't the other colour of the black and white debacle with the clans. the clans are heavily flawed yes, but it isn't realistic to completely say that their structure had no redeeming qualities altogether and that all outsider groups is fundamentally better than the clans.

all clans and groups are flawed in their own way and i believe we shouldnt brush past the things that other groups (the sisters and what they do with their toms *cough cough*) did solely to be able to degrade the clans and their culture.

Buddy, you're setting up a strawman. I promise you that if you look into the reduxes I've made of BloodClan, Guardians, The Sisters, and the Tribe, you will see that I don't make any of them a "flawless" alternative to Clan life.

Nor do I say that the Clans have no redeeming qualities. In fact, you can browse the "Clan Culture" tag to see the various expansions I've made to show how these traditions, values, and technological advances make Clan life so alluring.

The overarching theme of BB is that the nature of culture is change. For better AND for worse.

With respect, I think there's something insidious in the wording of "the things the other groups did." We're talking about fan responses to a work that consistently demonizes and degrades foreigners to make the Clans look like the "best way to live," justifying xenophobia. These are not real groups, they are writing choices.

In the franchise with some pretty extreme examples of misogyny, the authors said "What if bizarro world where women rule and have no men... woag..." and only includes a single Clan-alligned member of this culture, with a BAD opinion of them, who can't even do his diplomatic job because he HATES them so much.

In the same franchise that shows Fireheart getting bullied, facing prejudice, and fighting a murderous tyrant who publically executes a mixed-race character, their endgame villain is an outsider, like him, but this one IS a godless heathen who HATES love and friendship and banned families.

In the VERY same franchise which made its first non-malicious group barely able to get through an arc without needing to be saved by Clan cats, totally unable to defend themselves, framed as "whiny" for not wanting their clearly 'inferior' culture to be forcefully changed.

And I'm re-stating all this because, again, no offense to you in particular Anon, but I've been seeing a few people with a sentiment like yours lately. Complaints into a vacuum that don't make targeted critique of anyone's fanworks, gesturing at this broad "woobification" which is apparently out there somewhere over the rainbow, saying things like "well Scourge is selfish" or "well Moonlight abandoned her 13 year old" as if we haven't BEEN knew.

As if we're not all directly responding to these choices. As if I haven't written ESSAYS on this topic.

Since this was about BloodClan in particular though, and you admit you haven't read the books in years, please go back and actually read Rise of Scourge before trying to make critique of the ways fanon rewrites its origin. It's EXPLICITLY a response to the Clans, in the text, that the Erins wrote, it is canon that fanon is working with.

And you want people to take that out and approach it a different way... why? Because it's so incredulous to you that a nation forms in response to a threatening neighbor? That a common enemy through invasions is a way that people might choose to unite, and encourage their new culture to value brutality? Because you don't like the idea of Clan Culture's XENOPHOBIC BATTLE CULTURE affecting surrounding communities??

Could YOU, maybe, be doing this "woobification" thing I keep hearing about? Can I play this stupid game too? What's our stupid prize? Can it be a lollipop? Do we get stickers

TL;DR, ok.

[voxofthevoid]

writing tips for Goyuu?

Ignore fanon

I'm being 100% serious. Ignore the common fanon versions of Yuuji and Gojou. Hell, ignore even the specific versions of specific authors (including myself in this).

There's nothing wrong per se about drawing on fanon instead of canon when writing fic—that's what a lot of people enjoy, and I've seen a lot of interesting communities form that way. But it's also how you get these self-cannibalizing versions of characters who are ten degrees and twenty personality types removed from who they actually are in canon. When interpretation and extrapolation segue into flanderization, we have a problem.

So, first, read or reread the manga (or rewatch the anime, if that's more your speed). Focus not only on Gojou and Yuuji's relationship but also on Gojou and Yuuji in general—their personalities, their interiority, their relationships with others, their relation to the themes of the story overall.

Form your own interpretations of the characters and apply those to your writing.

The goal isn't to reproduce their canon selves wholesale. We can't. We're not Gege Akutami. Plus, interpretation is inherently a subjective art—what works for one person may not work for another. Egregious cases of OOCness will generally stand out, but overall, what's considered IC and OOC will depend on individuals and their perceptions. Plus, the skill and passion involved in a work often determine its reception.

The goal isn't even to completely avoid being influenced by other authors or stories; that's also impossible if you're actively reading or even brainstorming with fellow fans.

But before drawing on external influences, form your own solid, well-reasoned opinions about Gojou, Yuuji, and their relationship(s). Then go from there.

If you fuck up—in the sense that you create something you're not happy with—that only means there's room for growth. Keep writing, keep developing the characters, keep refreshing yourself on canon.

I know these aren't specific points of advice, anon, but I hope it'll be helpful all the same 💗

[diakittyau]

Theme of Kuchizuke's story.

Hello. (￣▽￣)ノ I wanted to talk about the themes, personal experiences and fears I put into the first part of Deluding Moonlight AU, Kuchizuke.

First of,

! spoiler warning for the animation ! Please watch it before reading.

And second, the topics that I'm going to cover, as well as some scenes from animation, may be unpleasant to some people. I'll be covering: abuse, unhealthy relationships, depression and death.

With all that out of the way, let's begin.

Here's a fact: I'm not into shipping, even though the story of Deluding Moonlight is heavily tied to one character having an infatuation for another. I don't care about fanon romanization, kissing stuff or anything like that. I have favorite duos, such as Sonic & Amy, Knuckles & Rouge, Shadow & Maria, none of which I see in the romantic relationships and just enjoy their canonical dynamics. Some of them are funny, some comforting, I don't need to see them kissing or something. So if that's the case, how did I get to making this story? At first the idea of vampire Rouge just randomly came to mind when I listened to the song "BUCK-TICK — Kuchizuke". I thought it might be an interesting idea to make an animation of it. But since the song is heavily implied of love, obsession and passion, I had to think of a plot line that can accompany it. When it comes to characters, for me it's always important to keep their initial characterizations without significantly changing it. I probably should add that I'm only into Japanese Sonic, so I'm staying true to their original Japanese characterizations. Not including anything from the American side, as comics, tv shows and even dubs. And yes, there's no official Sonic couples (I'm talking games only) and I'm not going into fanon. What should I do? Well, there is one thing I can work with, and that is one-sided love. And thankfully, Rouge has it. On multiple occasions she's shown to have interest in Knuckles, flirting and mocking him. And as I said, I enjoy their fun dynamic.

So now on to building up the story. We're talking vampires, so deception and no mutual love were main points that I focused on. And that's where my personal stuff comes to play. The first one is:

Fear of abusive relationships.

As a child born in Russia, in a typical fashion I saw the horrors of dysfunctional family. I never got physical abuse myself from it, but I've been neglected by one parent and saw the suffering of another. Since the early childhood I didn't have normal ideas about love and relationships, because I simply didn't saw any. My psyche was affected, and I live with the trauma and fear ever since. I've never been in a relationship. All my life I could only analyze it by looking at others, which gave me an idea about what love is and that entering into a relationship with someone was a very important step. This cannot be neglected and done haphazardly. This is a union of two people, and understanding, compromise, and consideration of personal interests are important in it. Otherwise things can end up pretty badly.

Isn't that right?

And that's the part of me that's been reflected on Knuckles, but more on that later. First, we need to understand what parts of me were reflected on Rouge, and it was:

Depression.

I was in a depressive state for at least seven years. While depressive episodes have occasionally faded away, they reached their peak two years ago. That's when I succumbed to seclusion, intensive self-flagellating, imposter syndrome, feelings of rejection and uselessness. And for the first time I felt desperate for love. I have had a difficult time understanding my own feelings before, but back them it just got 200 times worse. I didn’t understand whether I felt love for the first time or was it something else completely? Did I really want to love, or did I just want someone to pity and comfort me? Do I really have friends and people I can trust, and do they accept me or just use me? I didn't know myself anymore. It's been hard and long way of figuring myself out, and only the huge possibility that I had autism explained everything that had happened to me throughout my life. That's when I accepted myself and was able to climb out of this deep hole that seemed bottomless. There's also another thing that really bothers me since my early years:

The fear of time passing.

I don't like changes, I don't like growing old and fading, I don't want to lose something or someone because their time has come. I fear death, future, the unknown. I never wanted my video-game characters to die and my own stories have always been stuck at one particular time without much moving forward. That's why I have always had a deep connection with vampires. That and the aesthetic, of course. That's should be all the main point, now let's see how all this falls on the characters. Starting with Knuckles.

Now I should mention, that out of all the Sonic character I can relate to Knuckles the most. His worldview, his social skills, his dedication to his life's work, his short-temper and so forth. And this is perfect, since it is so much easier for me to stay true to his character. Back to the personal stuff: several times I was in situations where some people wanted to date me. The thing was, I hadn't felt any attraction to any of these people, it was simply beyond my understanding. Not to mention I didn't know them for a long time, but after a few short conversations it seemed like they were seriously considering me their girlfriend. I treated them quite indulgently and friendly at first, but very soon I caught myself thinking that they just irritate me, and my attitude towards them was already beginning to border on hate. I just wanted them to leave me alone with their imposition of relationships. That personal experience pretty much resonates with Knuckles' role in Kuchizuke. He's been forced to fall in love with Rouge by her dark magic, and the latter didn't even took his own feeling into consideration. And his personal boundaries were not taken into account either.

To Rouge, Knuckles just been the possession. This approach to getting his love only led to hatred and ended up in the tragedy.

I kept Rouge's mysterious nature with her own goals and ways to achieve them. Back to the personal stuff once more: as I established before, I have a hard time understanding my own feelings, and at the peak of my depression I didn’t know how to deal with negative emotions at all. Perhaps that's why I felt the need for a soulmate for the first time. But was it love? Now it seems to me more that my special interest simply fell on a certain person who filled the voids in my soul and brightened up the endless stream of negative thoughts. Even so, I find my past self quite selfish, because I only wanted my own happiness with that person, even though the feeling obviously weren't mutual. However, it is also worth clarifying that I didn't have enough courage or social skills even to make any moves, most of the times simply living in my own world of illusions. But when I got out of depression, this not-love of mine simply vanished. So, this is were the theme comes from. Obsession and the desire to be with someone who can fill your mental emptiness. Of course, regardless of the opinion of this very person. The romanticized scenes of a "dream date" were mear delusion, having nothing to do with the real feelings of a person she loved.

I will explore Rouge's character more in the future, so keep in mind some of the stuff I said.

In conclusion.

Through this tragic tale of one-sided love I really wanted to say something simple yet very important:

Love is not a fairy tale.

and relationships are a very serious step for both parties, where understanding, compromises and trust are important. Love in this story is a complete self—deception and manipulation, with selfish motives and a sad outcome.

[femslashfortnight]

Hatchetfield Femslash Fortnight 2025 FAQs:

Below we'll be answering some frequently asked questions for upcoming Hatchetfield Femflash Fortnight event in 2025. You can find our prompt list pinned on our blog! If you have any other questions not answered below, feel free to send in a message or an ask

Q:  What are alternates?

A: Prompts you can slot in to any day instead of that day's official prompt in case you don’t like it or don’t know what to do! You can use all of them, some, or none! Hell you can even use both official prompts and alternates, go crazy!

Q: Do I have to do all fourteen days?

A: Only do as much as you want to! The rules are pretty open here, you can make as much or as little for any prompt. You can even post multiple works for one prompt, or use all the main prompts and all the alts! The sky is your limit.

Q: What can I make?

A: Whatever you want! Fan art, fan fic, edits, gifs, or anything else fandom related you can think of. As long as it's inspired by the prompt, is a femslash Hatchetfield fanwork, and sticks to our established rules, anything goes.

Q: How do I post?

A: Anything posted to tumblr will be reblogged here on the femslashfortnight blog, but you can post it anywhere. If you want us to see it for sure then be sure to tag this blog! Otherwise we’ll be browsing the #HFFF25 and #Hatchetfield Femslash Fortnight 25 tag all the time and be enjoying all your stuff!

However, we do ask you to only submit posts from a single blog—as we know some people have art/fic only blogs, as well as personal blogs. This doesn’t mean you can’t crosspost, but only tag one of your posts as a submission by @-ing our blog so we can reblog it for the event!

Q: Can I submit OCs/OC (Original Character) centric fanworks to the event?

A: We won’t be accepting submissions for OCs or OC-only ships, as this event is about pre-existing Hatchetfield content and fanon works based on that. However, if you have a canon Hatchetfield character/OC ship, that can totally be submitted! If you’re unsure about your submission, you can always send a message or an ask and we’ll give you some guidance as to whether your work qualifies!

Q: Can my submitted works include trans headcanon characters or nonbinary/genderqueer characters?

A: Absolutely! In fact, we very much encourage it!! As long as your works/ships focus on non-men, they’re fine to be submitted. This would include, for example, transfem!Paul Matthews or Ziggs. Again, if you’re unsure, send in an ask or a message!

Q: Do you allow crossover works?

A: Currently, no we don't! We want to focus this event on Hatchetfield, and we'd be unequipped to moderate large crossovers with over works we're not familiar with as a mod team or navigating f/f ships in other fandoms.

Q: I’m not sure if my work fits one of the prompts, what can I do?

A: The prompts are supposed to be inspiration rather than limiting, so as long as your fic is inspired by a prompt you should be totally fine! Though, if you’re still worried about it feel free to contact the blog directly via asks, or send a message and we’ll do our best to clear it up for you.

Q: Should I include Trigger Warnings / Content Warnings?

A: Yes! Regarding explicit content or potentially triggering content, we ask you to add any triggers for visual submissions, such as fan art, edits and gifs. 

Usual AO3 tagging rules also apply. When posting a link from AO3 (or another location) to Tumblr, add content/trigger warnings at the top of your post—and also place your mature (e.g. smut, mature themes) submissions beneath a read more along with the #HFFFAfterdark25 and/or #HatchetfieldFemslashFortnight Afterdark 25 tags.

Q: Can I post to other places (Ao3, Wattpad, TikTok, etc)?

A: Of course! Just make sure if you want us to see your submissions and reblog it, that you post it to tumblr (even as a link) also!

Q: Do you have an AO3 collection?

A: We do! This year’s event will have a subcollection under Hatchetfield Femslash Fortnight, and once it’s ready for submissions we’ll share the link on the blog!

Q: I was late, can I still post?

A: Go for it! We will be accepting submissions to the blog and AO3 Collection for a week after, as well as actively reblogging them. So anything shared with us until the 3rd of May is good to go.

Q: Can I post an already existing piece if it fits a prompt?

A: As long as it’s not been already posted before then sure, just make sure it complies with our guidelines and is correctly tagged and TW/CW are applied if necessary. 

We’re very excited as the event grows closer, and hope everyone else is too. If you have any more questions feel free to ask away!