#IT'S TOTALLY OUT OF CHARACTER AND IT DOESN'T MAKE SENSE

[daisyofwaterdeep]

weird little gripe that's. the smallest deal in the world but I fully support ppl who hc gale as fat or not ripped. I myself love me some soft gale. but the gripe I have is that a lot of ppl are like "He DOES NOT have abs it makes NO SENSE I refuse to believe it" but like. It does make total sense? Like it's one thing to prefer him without the muscle but it's another to be like "ummm that's wrong. He's just a soft little nerd"

Like....this is Gale of Waterdeep. A very proud man who cares very much about his title and his image. Is it really so farfetched to believe that he would also be meticulous about his body? And while he's up in his tower after he gets the orb, can't you imagine that he'd perhaps be even more meticulous about working out, for the mere fact that it's an aspect of his body that he can still control? Or even that our worrisome wizard uses exercise to de-stress?

I guess my complaint is that some people see something that doesn't vibe with their idea of a character so they just change it, rather than thinking of reasons as to why the character is like that instead. Like yeah, we all know they had limited body models so that's likely why all the guys have rock hard bods lol but also it's fun to use it as a chance to add to a character's depth rather than just... ignoring it

[cosmicjoke]

Levi never Glorified Violence and Never needed to be Taught a Lesson that Violence is Wrong:

Nothing makes me want to rip my hair out more than when I see clowns saying Levi was "blinded by revenge" over wanting to kill Zeke, that he was "too violent", and that's why he got blown up by the thunderspear.

It's such a deeply, fundamentally WRONG understanding of why Levi wanted to kill Zeke, and also, of why he ended up getting blown up. I've already spoken about the strategically sound reasoning behind Levi's actions, which you can read here, if you're interested: https://www.tumblr.com/cosmicjoke/746918499422781440?source=share But to summarize, Levi hooking Zeke to the thunderspear made perfect, logical sense within the context of Zeke's own actions and behavior up to that point. Zeke was someone who until then had engaged in tactics of deception and double-crosses, who had only killed others while at a safe distance and within the cocoon of his Titan form. Decidedly the actions and behavior of a coward. Levi had no, good cause to suspect Zeke would be willing to blow himself up to also take Levi out, and so his reasoning that the thunderspear would act as insurance against Zeke escaping while Levi was preoccupied with driving the cart back to the capital was a reasonable and logical conclusion for him to make. It wasn't a decision blinded by rage or an action taken in hast. Just like it was reasonable for Zeke to assume Levi would rather die than cut down his own comrades, because he knew of Levi's compassion. Both of them underestimated each other, and both of them paid for making assumptions about the other.

But further to the point, this whole idea that Levi was being "punished" for his violence is the stupidest shit I've ever seen. Because it basically posits that Levi glorified violence, and so needed to be "taught a lesson" that violence was wrong, when he's the one character in the story who NEVER did that. He never reveled in violence, he never tried to frame it as something good or desirable, or even tried to justify it. He always spoke about and treated violence for what it was, a means to an end and nothing more. He never tried to moralize it or excuse it. He was always completely objective about it.

Compare, for example, the matter of fact way Levi explains violence and killing to Armin and Jean, versus how Zeke frames his own actions of violence. Zeke calls his murder of people a "mercy". He frames it as a positive action which results in a positive, better outcome. He has a totally warped view of killing and violence because he tries to justify it and moralize it to himself and others. He tries to frame his violence as something which makes him a hero. Levi does no such thing. He tells Jean and Armin that he doesn't know if it's right or wrong to kill, only that if Armin hadn't killed that MP, they would all be dead, and that Armin can't go back to the person he was, because he's now taken human life. He isn't justifying it, or moralizing it, he isn't trying to spin it into something positive or good, or even into something bad or wrong. He's simply stating an objective truth and then telling the 104th that they need to make their own choice about what they believe is right and wrong in any, given situation.

Or compare the way Levi approaches torturing Sannes to how Hange does. Hange goes into that situation gung-ho at the idea of torturing Sannes, because she wants revenge on him for killing Pastor Nick. She thinks she'll enjoy torturing Sannes, and attempts to enjoy it by taking it to an extreme, only to realize she's getting no satisfaction at all from her cruelty. By comparison, Levi never does or even attempts to take pleasure in the act of torture. He approaches it as a means to an end, something he has to do in order to obtain the information they need to overthrow the current government. There's no justification in his mind, no excuse he tells himself to make himself feel better about it. He already knows it's horrible and ugly. He already understands perfectly the wretched reality of violence. Again, he's the ONLY character in the story who does, from start to finish. It's why Hange is so rattled and upset after torturing Sannes, because she thought it would be fun, only to learn it was anything but. Levi never thought it would be fun, he never expected it to be, never wanted it to be, and he never tried to convince himself that it was anything better than what it actually was. It's why we see his shocked expression when Hange engages in unnecessary cruelty by ripping one of Sannes' teeth out. He's always been the most objective character when it comes to violence. He's never labored under any belief that his violence made him a hero, and he never tried to glorify violence to anyone or told them they were heroes for killing.

It's also why Yelena says to him what she does, during the final arc, and the battle at the docks. Because she knows that he knows, better than anyone, the inherent violence of the human condition and the ugly reality of it. Yelena is trying to again push her fanatical belief in Zeke's antinatalist philosophy, by pointing out that people are always going to kill and be cruel to each other, and she makes the point to Levi specifically, because she knows Levi is the only one who'd already long ago understood and accepted that truth.

So this idea that Levi is this ultra-violent, revenge-obsessed lunatic that needs to be taught that "violence is bad" is fucking moronic, and I am SICK TO DEATH of seeing people perpetuate that bullshit take. I want to tell everyone who does to just shut the fuck up already, because they're actively damaging the perception people have of Levi's character every time they spew that garbage.

[arcane-ish]

Rambling thoughts on Cait's storyline

I thought about doing like an exhaustive analysis of Cait's story in s2Act1 with like pictures and stuff as example. But then I got lazy. I will try to focus on some short notes.

1.) I don't get the vibe that Cait is being manipulative when she pulls away from Vi's touch. I think she's genuinely torn. I can't quite decide whether she's fighting her rising anti-Zaunite rage or on some level realizes what a mess she is and that going for it with Vi right now would be a bad idea. But I don't think she is angling for anything like that, imo she's just struggling with her own emotions. Sidenote: I think it's worth nothing how it mirrors the face touching that Jayce does to Mel.

2.) However, I totally get manipulative vibes from the whole "Cait sang Vi's praises to the enforcers and then her future team member just shows up at Vi's to tell her this". Like either Cait was setting up Vi to join the force (by giving a speech to the enforcers and threatening them with withdrawing funding) without actually asking Vi and/or she sent the enforcer girl to find Vi and tell her that. I dunno, there's just something odd about Caitlyn's multi-cultural task force just coming together like that.

3.) I complained in regards to Jayce's storyline that he is in multiple storylines that don't feel quite connected. And how he moves from one story to the next makes it seem like he doesn't actually care all that much. If I think about it, Caitlyn and Vi are strictly speaking in multiple stories as well (ie apprehending Jinx, Hextech, Ambessa's schemes). But they are getting the royal treatment. It doesn't feel like they are in distinct storythreads because the show connects them. These stories when they are in them still feel like they are fundamentally about Vi and Cait. Because of that it doesn't feel like they are in multiple stories, it's one big ball of story mud of Caitlyn and Vi. Jinx comments on Vi being sweet on Caitlyn. Mel tells Jayce to check on Caitlyn which gives her a chance to talk about Vi, Ambessa's schemes in regards to Caitlyn are meaningful also in part because they might affect how Vi feels about Cait and how likely they are to reunite.

Notice how when Heimer introduces Ekko and Jayce to each other, he doesn't ask what happened to Viktor? Even though that would make sense for his character and would give Jayce a way to voice his theory on why Viktor left and where he is now?

But it never comes up. Because Jayce, Viktor etc are firmly a B story and a result their fates and feelings don't matter to the other characters as much (and in turn means that the characters themselves feel like they don't care as much, while you can't get very far without having it pointed out to you that Vi matters to Cait and vice versa).

4.) I think the scene between Cait and Vi at the pond is intensely interesting. Because Cait says there's three faces she keeps seeing. her mom, Jinx and Vi. Her mom and Jinx are illustrated with a visual, but Vi isn't.

We don't get shown what Vi looks like in Cait's mind. Maybe we can infer that it's like in the beginning, where her world is in black and white and only Vi is in color.

But why not show us? In her visions of her, is Vi smiling? Being a steady rock? Looking at her with concern?

When she talks about her visions of Cassandra and Jinx, she speaks in detail how those make her feel. But with Vi she doesn't. We just have the tone of her voice to infer, but she does not say.

5.) I think it's very telling why Cait wants Vi to come along. Like there are clear tactical advantages to having a Zaunite guide while fighting in Zaun. Vi points this out and as Sevika points out when talking to the barons. But imo Cait asks Vi to come because she feels herself slipping.

She wants Vi to hold her back. Which from a relationship point of view, is kind of shitty, to pick somebody else and try to make them responsible for you not going evil.

(an interesting wrinkle is that when Caitlyn asks why she is indicating that she is scared if she goes after Jinx "one of them will end up in a box", indicating she doesn't want to kill Jinx, but Vi comes to quickly assure Caitlyn that she would be okay with Cait taking the shot on Jinx)

6.) Imo it's interesting that before they kiss Vi essentially tells Cait that she feels like she has nobody left.

And in the beginning it's like Cait also feels like Vi is the only thing that she has left, the only thing that is real.

When even her father is grey and doesn't feel real to her. Except it's not true. Even if Vi is important to her, Caitlyn has people. She has like three different people other than Vi try to reach out and give her comfort.

And that is on top of just via her position in society she has this whole apparatus behind and under her, the enforcers, the council. While Vi has dead siblings, dead parents, dead foster father (to her knowledge), no status within Zaun's society/nobody who cares what decisions she will make, a sister she considers dead and had a falling out with, no friends it seems left back in Zaun (either she never had any of her absence was too long) and for whatever reason she doesn't consider Ekko to be meaningful (maybe their relationship was just to casual, maybe she thinks he will judge her for working with the enforcers, maybe she is too self-hate-y to think she belongs there).

[epickiya722]

Actually, thinking about it...

It's something that some of the fandom refutes the idea of Gojo being a "dad" and one of the reasons being his age and/or just how he behaves.

But then that makes no sense to me because dads can be total goofs like Gojo, you know doing silly things with their kids and...

I have yet to see anyone shut down the idea of Nanami being "like a dad".

"But, Kiya, he is like a dad!"

True, but let's not act as if other family members don't act like Nanami, too, especially if they have to take up the "parent role".

He's more serious than Gojo, but that doesn't mean serious = parent. I can be serious with my siblings as I am the oldest. So if Gojo is the "silly big brother", Nanami can't be the "serious big brother"?

Nanami is also younger than Gojo. So to even bring up Gojo's age as a way to disagree with the Dad-jo agenda seems pretty... useless if you're a person who sees Nanami like a dad.

Mind you, Gojo is the eldest out of the Past Arc students. (Gojo, Geto, Nanami, Haibara, Ieiri and yes, I am also including Ijichi.) He would have just turned 13 and Nanami would have been 12 when Megumi was born.

Personally, I don't care if you see Gojo as a dad, uncle, brother, cousin - figure to any of the kids or just their teacher. Same goes for Nanami.

It just seems unfair to both characters, I guess, to be like "hey, he can't be like this and the other has to be like this".

Like, who said that person has to exhibit those specific traits to be in a role?

To me, at the end of the day, both Gojo and Nanami are mentors who also allow the students to feel what it is like to have some adult figure in their life who does care and protect them.

[blindmagdalena]

Related to the last ask about Gilded Cage, and reader finding out about Billy/what happened to Becca. How would you go about reader finding out Homelander is a rapist? Not just in that verse, but in any fic?

The only time I've seen this play out is a Homelight fic where Annie knows about what happened to Becca. But she sort of "forgives" Homie or rather choses to ignore it, because she also finds out that (in that particular story, not in canon, obviously) he was repeatedly sexually assaulted as a kid. So, she doesn't justify it, but sort of understands why he did it.

Besides that, I can't think of any story where Homie's s/o found out about what he did. Do you think it would be the end of the relationship? Would reader gaslight herself into thinking it wasn't really rape, as many women (sadly) do? I would love to hear your thoughts about it!

it's a tough topic and i don't begrudge people who choose not to address it. it's also honestly just kind of a difficult thing to work in unless homelander himself freely admits to it (won't happen) or someone like butcher tells them.

there's also a lot of dub/noncon fics where it's just. kind of a moot point. if the relationship evolves from that in the first place, they can't really "find out" that he's a rapist. they've got firsthand experience. and yeah, in that case there usually is a ton of gaslighting and rationalizing going on. this is kind of what's going on in Gilded Cage right now where feelings are developing despite the fact he's keeping her against her will, and she still doesn't know if he's done something like this (or worse) before. which... we know he has.

but i do have lots of fics where the reader has no idea the extent of his damage and what he's done, and they would be properly horrified. Guilty Pleasures is a good example of a fic where i believe this revelation would end the relationship for SURE. she would not be able to reconcile that.

honestly you could take any one of my lighter/consensual fics and follow them up with the events of The Breakup / You Let Me Complicate You, which could just as easily have been about finding out that he's a rapist. it turns into a situation where the reader wants out, and he's simply not going to let them go.

the level of consent in Say It is also extremely questionable. basically noncon early on. would the reader here be shocked to learn he's done this to someone else? no. and she's already pretty well given into his corruption by this point.

whereas the reader in Don't Fret Precious (I'm Here) is a total loon, and would very readily excuse his actions. might actually be jealous because she's just. my ultimate yandere homelander simp. but she's definitely an outlier lol

ultimately it depends on the type of story you want to tell, and what kind of person you're writing against him. it's up to the author if that particular s/o believes the information at all, or if they let themselves believe that it's a terrible lie, and that their hero would never do that. or... maybe it makes perfect, horrible sense to them, and they either can or can't live with that.

i do think it's an interesting (albeit brutal) topic and one i'm open to exploring in the future! i can see myself going down any number of these potential avenues, depending on the vibe/character personality i'm working with.

[redsrooftopprincess]

Sunglasses

Mid-Teen Turtles, Bro fic

Warnings: Autistic Character, Emotional Overwhelm, Guns, Eyes

Headcanons: Autistic Donnie, Donnie and Raph are twins (You can thank @the-cauldron-witch for this one. She said it and now it's forever in my brain)

"Just give them to me!"

"No! Hell no! I found em!"

"I know you f-" Donatello sighs, removes his glasses, and rubs his eyes, losing patience with his twin. "I know you found them, I just want to modify them a little."

It's not like he doesn't get it. The sunglasses are a big deal. But with Raph deciding he's going to be the one to punch first and not really bother with questions, his eyes need more protection than anyone's. Even outside of combat. More than once, he's found himself on the wrong end of some scared human's can of mace.

"Raph, they're plastic, if they shatter, that plastic is going in your eyes." Donnie insists.

"And if you're the one that shatters em, ain't gonna be no 'if' about it. No Donnie. I'll take my chances." Raphael storms off to his room, taking the glasses with him.

Three hours later, while his brother is sleeping, Don takes them anyway.

It's an act of sacrilege in this home, to take something like this. Something important. Practical and that fits them perfectly. He understands what this means. They don't have much, to put it very gently, so what little they have, what little they can find, and scavenge, and build themselves, is sacred.

But he hates it. Every time Raph throws himself into the meat grinder. Raph's eyesight is decent, and Donnie has a vested interest in making sure it stays that way. They've had so many talks about defensive equipment for his eyes that just end in Raph storming off. But he keeps trying. He has to.

The last attempt, involved trying to convince Raphael to let him build him goggles, but even for someone with a total of three other creatures on the planet to compare himself to, Raphael is vain. They all are, in a way, about certain things. Donnie gets it. They have no control over the fact that they aren't human, so what they *can* control about their bodies is important.

They had found them last night, attached to a discarded sporting goods mascot. They were scuffed and had a crack in them, but holy shit they fit! A pair of glasses that fits that Raphael is willing to wear. Donnie was excited! Finally!

He works through the day, and as expected, Donatello is informed the moment his brother wakes up by way of his name thundering through the lair in a rage. The glasses are not on the nightstand where Raph had left them.

Don winces, thankful to whatever power ensured he finished the project by nightfall, and tenses as he hears his brother storming towards the lab. If Raph had woken up half an hour before, he would have come in to see them in pieces, and would have *properly* freaked out. At least Donnie has a chance of talking him down now that they're finished and functional.

Don takes a deep breath and stands, preparing for the onslaught. When his brother comes into the room, his open hands are up in a placating gesture, "Okay, I know what you're gonna say and-"

"What the fuck Donnie?" He roars, backing his brother into one of the steel tables in the lab. "Where the fuck are they?"

"I promise, they're fine, I just wanted to-"

A soft, familiar sound rings through the air like a gunshot, freezing both of them, as their father clears his throat. He waits patiently for an explanation.

"I found some glasses yesterday, Dad. Ones that actually fit, and he took em for some fu-" Raphael chokes on the almost swear when his father raises an eyebrow, and clears his throat before continuing, "some science experiment."

Their father narrows his eyes at Donatello, who has the good sense to look ashamed. "Dad, if Raph is gonna be wearing them out on the street, I don't want them to break and hurt his eyes. I just wanted to make them stronger. That's all." He says, resisting the urge to shoot an annoyed look at his thick headed brother.

"Did you ask your brother if he would allow this?"

"Yes, Father."

"Did he offer them to you?"

Don hesitates and his father waits, "Well... No... but-"

"I told him no. I specifically told him no," Raphael cuts in. Splinter shoots him a look and he shuts up.

"But I just wanted them to actually protect his eyes! They were a time bomb! If he got hit in the face, he was gonna go blind!"

"Were?! Where the fuck are they, Donnie?" He demands, not even registering the swear word. He looks around and spots them on the work bench. Walking over, he snatches them up.

They look... exactly the same. Only they're heavier.

"I gave them a steel core and shatter proofed the lenses," Donnie snaps, only a little bitterness coming through, "you're welcome."

Raphael wants to be grateful, he really does. They're fine. Better than fine. In addition to the practical changes, his brother had gone so far as to buff out some of the scratches and they looked almost new. But the adrenaline from potentially losing something precious is still coursing through his veins and he's still angry at the violation. He doesn't look up.

"Was there a chance, Donatello," their father asks after a moment, "that in an effort to improve these glasses, you could have broken them beyond repair?"

"Well, I mean, there's always a chance of that happening," he admits, "...but I was careful!" he almost whines.

"Then you will spend the next hour in the hashi while you think of a way to apologize to your brother," Splinter looks at Raphael, "is this acceptable to you?"

Raph glares at him, silent, and nods.

They avoid the topic of the glasses altogether over the next week. Tempers wane, and Donnie serves his punishment, spending 20 hours of his lab time helping Raph with the Motorcycle he's been trying to build. The incident isn't mentioned again.

It's Wednesday night and they're downtown shutting down a gang fight. Pretty normal for this part of town. They thought they'd disarmed all of them first thing, standard protocol. They must have missed one.

The shot rings out, and Raph goes down, hands over his eyes.

Donnie takes out the last three, including the shooter, and sprints to his brother's side. Removing Raphael's hands from his face, they find the bullet stuck in one of the lenses. The glass is broken, but the shatterproof coating kept the shards together and out of Raph's eye.

They look up at each other, shocked at the close call, and Donnie tries *really* hard not to look smug. They make their way home soon after.

After showering and getting ready to sleep for the day, Raph wanders down to the lab.

"Hey, can I talk to you?"

Donnie looks up from the graphics card he's repairing and turns around in his chair. He nods.

"Sorry I gave you such a hard time about... you know. I know you were just trying to help."

"Dude, no," Donnie says, "You and Dad were right, what I did wasn't okay. It's just..." He sighs, "You're always the first one in, you know, and- I mean, you're right in the middle of everything... If you suddenly can't see... It's just, not being able to see sucks..." Donnie tries really hard to fight the overwhelm. Tapping the desk to keep himself grounded. This is important, damn it. If he loses it, this conversation is going nowhere

He's tried, he's tried before, but the thought of losing his twin terrifies him. His brother is reckless, and it's Donnie's job to make sure that doesn't get him killed.

He clenches his fists, his voice shutting down. Fuck. His jaw tightens and tears of worry and frustration prickle behind pleading eyes that meet Raphael's. He hopes his brother understands. He usually does. Emotions are hard for Donnie, expressing them, doubley so.

"Okay, how 'bout this," Raph offers, letting him off the hook. He tosses Donnie one of the small, metal brain teaser puzzles on his desk, "I'll agree to hear you out when it comes to my shit, as long as you don't just take it to play with. Deal?"

"Cool. Now," Raph says, pulling the glasses out of his pocket. He'd left the bullet in. It looked cool. "There something we can do about this?"

Don nods emphatically, eyes on the puzzle.

Donnie looks up as the metal rings fall apart in his hands and nods, smiling, "I have a few ideas..."

....

Tag list

@thelaundrybitch @the-cauldron-witch @fyreball66 @ninnosaurus @tmntngl @thegirlwiththeninjaturtletattoos @zagreustomb @ramielll @silverwatergalaxy @gornackeaterofworlds @daedric-sorceress @sophiacloud28 @iridescentflamingo @milykins

[forcebookish]

after seeing the topsand kiss again i've changed my mind sand is my least favorite character fuck that guy

[queenvhagar]

Something I've realized about the women characters of HOTD is that they seem to be aware of modern politics and sensibilities in that they seem to be detached from their time and place in a sense.

Realistically, women in these worlds would want the same thing men do in the situations that they're in. When their families' lives are threatened, when their power is threatened, they are willing to go to war. They want vengeance and justice. They want their enemies to pay for what they've done. They want power and security for themselves and those dear to them. Some have hard power, like dragons or skill with the blade, that they can and will use to achieve their goals. In ASOIAF this is Daenerys, Brienne, Arya, and more. Some have soft power, like charisma, influence, and political knowledge, that they can and will achieve their goals. This is Cersei, Sansa, Margaery, and more. All of these tools and weapons are willingly yielded by their users to help themselves and their families to survive and to thrive.

Yet the women of HOTD seem to view these things differently. They stay stuck on the fact that men don't listen to them, instead of using the tools available to them to do anything about it and help themselves as GOT characters would. When Rhaenyra is talked over by her small council, instead of making a show of force or demonstrating her ability to lead and make competent decisions about warfare, all she does is accept what others tell her to do and then complain about it in private. When Alicent is ignored in the small council, instead of using her influence to convince her vulnerable son the king to do as she wants, she puts him down and isolates herself further. Despite the many decisions that these women could take to help themselves or act in any way that could help their situation, they are stagnant and passive.

It's almost as if these women are stuck on their victim status, in that they view themselves as victims in ways that the GOT women have either long accepted as truth or have been socialized to view differently. The women of HOTD know it's not okay for women to be talked down to, they know it's not okay for women to be interrupted or ignored, they know it's bad that nobody takes them seriously, whereas this is barely a thought of the GOT women, for whom it is a part of the world they've already adapted to and they know how to navigate around. Somehow it seems like the HOTD women are consistently shocked and surprised into inaction by the very fact that sexism exists in their world, despite the fact it's been there their whole life and they've never known differently.

This is what I mean when I say that the women of HOTD feel as though they're separate from their time and place. It's as if they exist outside the narrative, outside of this time and place somehow, based on the decisions they make and the way they behave. Instead of acting as others would in their time and place, they frequently seem as if they are aware of modern sensibilities and politics and it's these things that guide their thoughts, decisions, or dialogue. Their awareness of this prevents them from going to war when they have good reason to want to, and realistically any woman in this universe would willingly go to war, and it makes them say certain things that seems almost out of place in the context of the time and place that sound at times as if the writers are using them as a mouthpiece.

Yet the men of the story behave more faithfully to time and place. They desire action, they desire vengeance, they are allowed to feel angry for themselves and they are allowed to want power for the sake of it. They get to be more fully fleshed out in their motivations and personalities. They're believably a part of this time and place. The men behave no differently than the men of GOT save differences in character and context, but the women are so distinctly different from the women of GOT in terms of how they're allowed to feel, speak, and act.

[aroaessidhe]

2023 reads

The Spider And Her Demons

YA Australian urban fantasy/horror

about a Malaysian-Chinese girl who’s half spider-demon, just trying to keep her head down and survive high school

when she accidentally kills and eats a man in front of the most popular girl at school, they strike up a strange friendship and she starts to learn more about herself and the supernatural world

aroacespec/sapphic ish

[silusvesuius]

n*loth not being able to bag anyone over the (human term) age of 25-30 at most is the only logical and real conclusion to me because it can be just explained away as him wanting to prove and control everything and anyone (Cus he's a man!) but being stuck in that demographic because his unbearable and vile personality is a force that nobody can look past once they've outgrown the possible fear and idolization period of anyone but also n*loth in particular.

[triglycercule]

murder time trio should get to all experiment with dead bodies. why? because they can and it would be cool (okay but seriously i'll provide an explanation). all these freaks are scientists. i think it would be cool and funky if they all got to experiment! except morbidly and bloodily because none of them are right in the head now

killer like has his whole thing with wanting SOULs for some unspecified reason??? i'm just gonna steal the common interpretation that it's so he can find a way to fix his own soul through coding. but like,,,, what does he do with the desd bodies??? all the fellas he stole those souls from??? well this is where dust and horror come in

it's One Panel and i'm ABSOLUTELY reaching here but there's a (single) panel in horrortale where horror's pulling apart some sort of human limb like an arm with a device. why? what for? i dont fucking know at all man like papyrus said why is he always doing something weird in his room. anyways i'm just gonna guess its probably for rationing in horrortale (but it could also be that horror just felt like ripping apart an arm. for scientific purposes. or because he did this after ripping off aliza's arm so maybe he's doing some sort of recollection reflection or something i dunno im not a professional on this man). killer could totally send all the already dead HUMAN bodies horror's way for horrortale's food situation. maybe horror likes to dissect the humans yk maybe he's not just the type of bash (a head open) and dash. monsters dust so you cant see their guts but humans dont so horror gets prime time first hand experience on the human body! and then after he's done poking around in the brain he can give the meat and organs to papyrus for him to do his specific spaghetti confectionery

but but but what about the monsters that killer takes the souls from! surely he doesn't just take from only humans (dude idk if he actually does take from only human or monster. probably not right? he needs to study BOTH types of code so he can be most informed) so he must also take monster souls. and fortunately for dust (i do NOT think he'd quite like handling gore) monsters don't leave behind bodies or blood or allat they leave behind dust. hah. dust experiment with dust. i think its already a headcanon out there that dust likes to study dust. i cant exactly recall WHY exactly but maybe it's for sentimental reasons or just something to do to pass time between resets. so killer can just pass on whatever dust he gets to him and he can put it under his little microscope and be a little nerd what a GEEK. give this guy glasses and remove all his teeth but one i guarantee you he'll look like 🤓

and once again i hear you cry out but but triglycercule! why would killer even give the dead bodies and stuff to horror and dust in the first place??? erm number one because i said so silly. jk. and number two (if we're going in a nightmare's gang context here) it could be as a way for killer to gain horror and dust's trust. a way for them not to tattle on him for stealing souls for some unknown reason. maybe there's somehow important coding information left behind in the bodies/dust (because that's literally what utmv is made of) and killer wants dust and horror to do that work for him for some reason. maybe just a way for him to get rid of evidence maybe if theyre buddy pals and close enough just as a gift. i dunno man there's a bunch of reasons as to why he could possibly do this. i just really liked the thought of the trio all wearing fancy lab coats and goggles and i was like damn how can i make this a real possibility

[longagoitwastuesday]

I have learnt things about Geto that I wish I could unlearn

[cluescorner]

They fucking did it again those bastards. Jason Todd fucking dies 2: Electric Boogaloo. Fuck it, let's go for a threepeat at this point. It'll be funny as hell.

[sysig]

The brainworms are winning, clearly (Patreon)

[osamid]

an interesting (unpopular? i think?) soukoku opinion i have is i don't think dazai was oblivious to his feelings towards chuuya, like ever. i understand WHY people interpret dazai as having trouble identifying and reckoning with his emotions; i'm not knocking it! there's plenty of evidence to suggest that and also i think it fits with his actions. HOWEVER. for me dazai is the most fun when he's deliberately suppressing and neglecting his own feelings. dazai realizes at the tender age of like 15 that he's at least infatuated with chuuya, and his first instinct is "well how do i compartmentalize that. how do i make sure this doesn't interfere with my plans and our job at the mafia." and then he compromises with his emotions by keeping chuuya close but not allowing himself to seem too affectionate or "trick" chuuya into liking him back. i think this version of dazai is most compelling to me because then the struggle isn't "get blockhead dazai to realize he's in/can love" its "get blockhead dazai to realize he's allowed to indulge in love" which is much more fun, especially when you have seven (or even more, i don't think this mindset would be limited to chuuya) years worth of distancing himself from his own emotions to contend with.

[kingdomoftyto]

...BIG FEELS AND BIG PLOT DEVELOPMENTS AT THE END OF THAT BOOK, HUH