#IT WAS PLANNED FROM THE START???

[lynketa]

WHAT THE FUCK, BRAZIL HINATA WAS ALREADY HINTED AT S1 ANIME???

(for reference the s1 ep7 released on May 18 2014 - Manga brazil! Hinata released on November 2nd, 2019)

What gets me the most is when Takeda says "or maybe on the other side of the Earth" AND THE MANGA TITLE OF CH 371 IS "On the other side of the World" THE VERY SAME CHAPTER BRAZIL! HINATA WAS INTRODUCED.

[bet-on-me-13]

The cult of...Danny Fenton?

So! Way back when Danny first moved into his new neighborhood in Gotham, he had some trouble controlling his Powers. The different Types and Levels of Ectoplasm in the air when compared to Amity had thrown off his control.

He was used to being in places where his Ectoplasm meshed well with the Atmosphere, like a Water Balloon in a Pool, but in Gotham that analogy would be closer to a Water Balloon in the sewers. It was too different from what he was used to to fully control his Powers.

So it's understandable that he messed up a few times and his neighbors found out about his Abilities.

They took it well at first, Danny wasn't going to go Rogues or anything, and he never used them maliciously, but eventually they got curious.

They asked what his limits were, how he got them in the first place, and what the hell the Ghost Zone was. The answers "None Really", "I died and was reborn", and "A Collective of every Afterlife at once" did spark some interesting reactions from them.

Most importantly, a few of them joked about him being an Eldritch God that they needed to worship. He was good enough friends with them that at that point they felt comfortable pranking eachother, so they did just that.

Danny woke up one day on his birthday, and saw all of his friends and neighbors surrounding the makeshift Throne they had made and put him on while he was asleep. The entire day they chanted stuff like "The Great One requires Ms. Smiths Apple Pie for his day of birth!" And "The Great One Wishes for us to sing the Ritual Song! Happy Birthday to You! Happy Birth-"

After his birthday, they kept up the joke.

It didn't help that his powers had evolved Again! And now he could bestow abilities onto his friends. The jokes they made about their God granting them Supernatural Powers to rule the world with were insufferable.

Then, one day while he was just resting at home, watching a movie on his TV, he felt a Pull at his Core. The same kind of Pull whenever he was being summoned. But why would they summon hi- Oh Shit! It's Mr Jenkins Party today! He was supposed to meet them at the Warehouse they used for special events an Hour Ago!

He quickly accepted the Summoning, but was met with a suprising sight. His Neighbors all tied up in a pile to his right, a spilled table of party food to his left, and right in front of him, Batman and his Family watching him with wary eyes.

Slowly, he opened his mouth. "...so, did you come for the party or..."

[ghost-bxrd]

Prompt:

Jason insists on being the bait for a joint mission with the Bats. But the moment he starts “screaming” during the interrogation process, Batman calls the whole thing off and smashes right through the window and into the first thug.

Absolutely nobody is surprised by this development. Except Jason.

[wasabi-gumdrop]

Kabru has a secret admirer in the castle!

[fictionalcharacters-mybeloved]

Say no to this, Bruce.

A few days ago Bruce had a fight with his sons, now he doesn't even remember why, it was probably something stupid that escalated and he didn't know how to stop it, it was probably his fault.

He was alone at the mansion, Damian was at Dick's house, Jason was ignoring him more than usual and Tim was on a case where he didn't want help, not from him at least, even Duke was away, it wasn't a good week for Bruce.

He grabbed a phone he had hidden and only took out before going to sleep alone in his room, hesitated for a few seconds and sent a message to the only number added.

His "thing" with the boy, Danny Fenton, had started four years ago, the boy was lost and Bruce found him when he coincidentally went for a walk as a civilian.

Danny was so charmed by Bruce (for some reason) that he gave him his hotel room number to keep talking about the universe, and later his home number.

Danny was a good, funny and witty kid, a very smart too, with parents who didn't deserve him because they didn't notice their son's brilliance.

Danny was a good boy with a not-so-good life, a strong, independent boy who wasn't always positive but didn't always let himself fall apart.

That's why when Danny answered his message with a call with him crying and asking for help, he could only go to his rescue without looking back, barely remembering to tell Alfred of his departure.

When he arrived he found only tragedy.

His family and friends had died, an explosion at an unfortunate time, Danny had no one in the world besides his godfather and Bruce, and he didn't want to fall into Vlad's clutches, so he was desperate.

He also told him about Phantom, and Bruce could only hug him and promise him that no one was going to find him.

The first thing that came to his mind was to take him to his mansion, Danny was like his son, it was the most logical action... except that Danny still looked up to him and trusted him a lot, and wasn't that a scary thought?

Bringing Danny to the mansion would involve many things, Danny would meet his children, which might make Danny see him differently, goodbye to his admiration and affection, goodbye to spending time "together" watching bad movies to criticize them, goodbye to quiet conversations and asking for advice, goodbye to trust.

Bringing Danny to the mansion would mean having him physically close but keeping him away in every other possible way.

"Danny doesn't want anyone else to know about Phantom." Bruce repeated to himself as he took Danny to a small, hidden apartment in Gotham, a cozy little place where Vlad wouldn't find Danny (and neither would Bruce's family).

[sensitiveheartless]

One Summer Day

[fictionalmenaremytype]

Percy and Annabeth are perfect for each other bc Annabeth's plans are so smart yet so stupid, and Percys plans are so stupid yet so smart.

[howdoponieswork]

Twilight realizes she wasn't really prepared for her plan to succeed.

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[hinamie]

so just know, I'm healing / even though it don't feel like it

insp

[scoops-aboy86]

Steve as a late night radio DJ, with Robin as his producer (because my partner has made me watch so much Frasier lol). He's got the sexy voice and Eddie, frontman of successful metal band Corroded Coffin, still remembers him from Hawkins and, ugh.

But, well, his manager set up the interview and it would cause more of a stir to no-show than it would to turn up and bicker with some washed up former high school bully. It's a different city, a different decade; maybe King Steve won't even remember him.

So Eddie turns up, and he actually beats Steve there. To the point of the show starting and it's just him in the booth, chatting awkwardly with Robin to fill the air. It gets less awkward the more they talk, idly catching up on old small town bullshit and what it's like to go from isolated baby queers ("I thought I was totally alone!" "Really? You didn't clock the black bandana hanging out of my pocket for five of my six years in high school?" "Sorry old timer, I was still in middle school for part of that." "Oh fuck off, Ms. 'I went to Sarah Lawrence and all I got was this awesome girlfriend.'" "Sorry Eddie, we can't all be super late bloomers like you.") to Actually Successful And Functioning Adults. (She's kind enough not to mention his single but unfortunately well known brush with rehab, other than to congratulate him on his seven year chip.)

And then Steve bursts in, huffing and puffing and diving for the headphones and mic to apologize to both them and the audience for being late. He doesn't even try to offer an excuse until Robin asks, "Uh, Steve? Want to share with us why your arm's in a sling and one of your eyebrows looks like it got flambéd right off your face?"

Which turns into a very put-upon but entertaining retelling of Dustin Henderson ("Oh damn, Henderson! I fell outta touch with him ages ago. How is that little shit?" "Married. He didn't end up converting to Mormonism, but they still have enough kids to make up half a basketball team." "Is that... a lot?" "Six, Munson. They have six kids." "Which is funny, because he made soooo much fun of Steve for wanting that many back in the day." "Yeah. Showed him." "Fuck, my condolences to his wife if they all inherited his big head. You gotta give me his number after this. Or—DUSTIN, if you're listening to your babysitter's show, come to my next concert and there'll be two backstage passes with your name on it! Or, well, that embarrassing nickname your radio girlfriend used to call you, since I think I've blurted out your full government name by now." "That girlfriend is actually his wife now." "No shit?! Wow, I can't believe one of my little lost sheepies has managed to keep the same girl for over a decade. Is she really hotter than Phoebe Cates?" "Oh, she is smokin." "Robin, don't make it weird." "Oh it's okay, she already knows. I told her.") ... A very put-upon but entertaining retelling of Dustin Henderson coming over to discuss plans for Ma Henderson's birthday, and bringing a cherries jubilee that Suzie had made so he could literally demonstrate the flambé presentation ("Listeners, I swear I did not know, when I asked Steve about his flambéd eyebrow, that it was a literal flambé accident. Eddie, can you confirm?" "I can confirm, Robin. We received no heads-up calls or messages from Steve before or during the show. It was serendipitous irony, 100% pure.") but poured waaaaay too much brandy on, and then Steve tripped in his mad dash for the fire extinguisher ("He was no help at all, just stopped dropped and rolled right there in the middle of the damn kitchen." "How are his eyebrows?" "Ugh, I have more of them than he does right now but at least his match. Don't worry everyone, he's fine. No nerds were injured in the course of this improv slapstick comedy routine that is my life. I swear to god, I need a girlfriend or a boyfriend or someone reasonable to hang out with besides all you weirdos." "Aw, you love us." "Yeah Stevie, what would you do without your loving nerd squad?" "Yeah, yeah... But don't try to leave yourself out of this Munson, as far as I'm concerned you're still the king of all nerds. And if you're reconnecting with Dustin, you're stuck with us too.") and had to stop by urgent care on the way to work.

Throughout all of this, Eddie is not twirling a lock of hair around one finger... but only because it's tied haphazardly back to keep it out of his face for the day. Steve is different from the guy he remembers strutting the halls of Hawkins High. Still all freckles and hair and charismatic grin, but he carries himself differently. More solidly built in his mid-thirties than his late teens, with a layer of softness that suits him. Calmer and settled, with the kind of confidence that comes with growing up. And the girlfriend or boyfriend thing? Holy shit. Holy shit. King Steve? Who knew? But, well, it explains why Steve and Robin are so close, Eddie guesses.

The Steve Harrington that Eddie had known back in the day hadn't exactly been the worst of the bullies, but he'd been friends with them, and they had spouted plenty of homophobic shit. And Steve had been looking right at him as he'd said it, like he's aware that Eddie is terminally single and maybe, just maybe, there was a flicker of a question in his eyes.

Eddie has been publicly out for a while now, and the thing is... Steve is definitely his type. So he leans into it a little, testing the waters. And Steve responds to it like a sunflower greeting the sunrise.

By the end of the show Robin is slapping post-its on the glass partition that read "Get his number dingus" and "Get a room" and Don't make that face at me, yes I do know that he can see these too and I don't care, GET IT or I will recruit Dusty-dun to my cause" and "To clarify, the cause is getting you laid. Eddie, take note, he's allergic to latex."

Permanent tag list (ask to be added, but since I have gotten an influx of new followers lately just know that I write a lot of weight gain kink so like... just be aware): @hotluncheddie @lawrencebshoggoth @sofadofax @tangerinesteve

[courfee]

it's been exactly a year since the last chapter of Operation Walburga's Arbitrary No Kissing Ever Rule and I still miss it. This scene is probably one of my favourite things I've ever written and I've wanted to draw it for forever, so now seemed like an appropriate time

[kugisakiss]

as promised, the spy x fam parody AU

I had some fun thinking about this like 2 years ago and only made a couple of sketches at the time.. but then I started cleaning them up last month and before I knew it, it spiraled out of control to become this monstrosity. I can't help it, as you can all tell by now, I love coming up with scenarios to get all my little guys interacting with each other

some details i didn't put in:

the Kudou parents are absent like in the show

whatever is happening on Haibara's end is probably super messed up but I haven't thought of any of the details

Akai gets fancy tech stuff, like the voice changer, from Agasa. Agasa comes to help babysit Conan sometimes and he gives him all his little gadgets. Akai hasn't said anything about it but figures he could use it considering the amount of crime he comes across

the facility shinichi was in is like in the original story, it exists to research esp to create super soldiers which is why he knows everything he knows

Conan regularly eavesdrops on Akai and Rei's top secret phone calls which is how he learns their real names. He can't help it, he has really good hearing

Conan and Subaru have different last names because Conan thinks "Okiya" is lame and wants to keep the one he made up on the spot. Their story is that when Subaru and Conan's mother (Edogawa Fumiyo) married, they both kept their own last names and Conan was given Edogawa when he was born. They've kept it this way to "remember Conan's dead mother"

[qu0rky]

will i ever watch/read that? no, probably not.

but do i still go on ao3 to search up its most popular homoerotic ship and get infodumped all the necessary lore in order to enjoy the fics? yes, give me 14 more of that.

[seagreenstardust]

I cannot believe the canon bkdk dynamic though.

Katsuki, completely whipped, 100% on board to spend the rest of his life with Izuku, living the dream as heroes.

Izuku, completely oblivious to his own worth, oblivious to how Katsuki really feels about him now, just so oblivious to it all.

[writingwithfolklore]

Writing a Story from Start to Finish - Guide

                I see you guys in the tags and reblogs talking a lot about how you have a desire to write, but have no clue what to write about, or where to even start figuring that out. While starting any project can be incredibly daunting, I wanted to put together a little guide to hopefully make it a bit more accessible. Be warned, this will probably be a long post.

Step 1: Form an idea

All writing begins with this: an idea. Ideas can start as small as an object, or as big as a world or cast of characters. What’s important is that your idea genuinely interests you, and makes you want to explore it more.

                There are a million ways to gain inspiration for ideas, but my favourite method is a sort of brainstorm/mind map of all the little and big things you find interesting. Any tropes, characters, places, concepts, objects, animals, other stories, etc. you love—write them down. Then, start connecting the pieces. Each connection is one concept or idea you could explore further.

                If this doesn’t work for you, try using some writing prompts or check out 15 ways to spark new ideas.

                If you are a planner, proceed to Step 2. If you are a pantser, skip to step 7.

Step 2: Create your Protagonist

Now that you have a sort of concept or inspiration to work off of, you need your main character. There are about as many ways to create characters as there are characters themselves, and each method is going to work better or worse for every writer.

                At the barest minimum, all your protagonist needs is a Goal to work towards, a Reason for wanting it, and a Flaw that keeps them from having it right away.

                These three things can form a baseline character. Consider what the thing they want, why they want it, and what’s keeping from it says about them as a person.

                Rapunzel (from Disney’s Tangled) wants to see the ‘floating lights’ on her birthday. She wants to because she believes she will learn more about herself through seeing them. Her fear over disappointing and disobeying her ‘mother’ keeps her from it.

                My favourite character creation technique is actually Here—it takes you through creating character in order to create story.

                If that one doesn’t work for you, try this one. It is more focused on defining traits and figuring out the personality of the character first.

Step 3: Your Plot is your Protagonist’s Arc

As stated in the character creation technique I shared in Step 2, character is plot. By that I mean, the character’s journey is the plot of the story. We’re here to see the protagonist transform because of the circumstances incited in the beginning.

                So to form a plot, we need to know who the character is at the beginning, and what they need to learn by the end.

                Your character’s arc is A but B so C:

                A – your character and their flaw

                B – The conflict they go through

                C – how they change

“Obsessed with success, Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class, but when the new girl in town pulls her into a whole new world of excitement and fun, she must stand up for herself against her impossible standards and learn how to be a teen again.”

                This one sentence has everything we need to know about this story and character: “Obsessed with success (character trait/flaw), Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class (goal), but when the new girl in town pulls her into a new world of excitement and fun (conflict), she must stand up for herself against her impossible standards and learn how to be a teen again (change).”

                If you have these three things, congratulations! You already have a story. If you’d like, you may begin writing it now (skip to step 8). Or…

Step 4: Theme

                I did a whole post on theme you should check out here. Essentially, the big takeaway is that your theme is a lesson to impart to the readers—which means it is not a question, it is an answer.

                For the example given above, our theme would likely be something like, “Teens need to balance their additional responsibilities as they mature into young adults with the joy of being young and having fun.” Or, “Friends and a close social network is more important than having the best grades.” Or, “It’s important to take frequent time away from work in order to maintain one’s humanity.” Etc. Etc.

                Theme is conveyed through what your characters need to do to succeed (or what they do that causes their failure). If Jenny lets loose and suffers consequences for it in the end, we’re saying that she should have stuck to her studies rather than letting herself have fun. If she lets loose and is rewarded with a greater relationship with herself and her parents, we’re saying that was the correct thing to do.

Step 5: Outlining

                Now that we have a plot and a theme, we can outline our story. An outline is like a roadmap of what you’re writing. It can be as specific or broad as you want. My outlines tend to follow this structure, and I improvise the little stuff in between, but if you need to get all your ideas within your outline, that’s good too!

                Just make sure your notes make sense to you so when you need to know where to go next, you have a handy tool just for that.

Step 6: Worldbuilding

                Worldbuilding is probably where you’ll spend the most time because there’s just so much. However, I also find it one of the most fun parts. The minimal thing you need to know is your world’s normal, and how that normal is disrupted in the inciting incident.

                Jenny’s normal is school work and trying to impress her parents. The disruption is the new girl in town.

                Rapunzel’s normal is the tower and her hobbies. The disruption is Flynn breaking in.

                I did a more in-depth post on worldbuilding here, but the basics is just ask questions, explore consequences, and do plenty of research.

                Which brings us to…

Step 7: Research

                This can also be done after your first draft, but can’t be skipped entirely. It’s important when trying to convey experiences that may not be wholly your own, or unique perspectives, that you understand the context behind those things in the real world.

                Once again, ask questions, talk to people, and remain open to what you find.

Step 8: We can start writing now

                Now that you have all your planning ducks in a row (or have a good inspiration to jump from) it’s time to start writing! Either go from the outline you built, or just try out scenes. I have some tips for actually writing the dang thing that I’ll put here:

                Let me know how your writing goes, good luck!