#INNAT

[hoyeeyoh]

INNAT Autumn/Winter 24

[theearlofmelancholy]

[45percenterthen]

caving as an extreme sport is sooo unfathomable to me why are u as a creature of the daylight doing that. were u born without the dread in ur bones or something

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[epickiya722]

YUJI FANS, HOW ARE WE FEELING?!

[starry-bi-sky]

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

[idontmindifuforgetme]

“trust your gut” is dangerous advice when anxiety causes you to perceive everything as a threat. like if i trusted my gut all the time i’d probably never do anything ever

[poorly-drawn-mdzs]

ghost horses

GHORSES

[contagious-watermelon]

Why do I keep seeing transmascs and trans men insisting or implying that all trans men are "female socialized," or "understand the female experience," or "navigated the world as a woman." Because yeah, sure, that can be true for some people. especially if you weren't gnc at all as a kid and didn't crack your egg until well into adulthood, it makes sense.

But they don't stop at saying they had that experience. It always comes with an addendum that trans men, as a group, all can relate to this experience. I don't know about the entirety of my demographic, but I never got even a little bit of what some of them talk about. I didn't even believe that women were scared of going out at night until I kept consistently seeing them say it, online or wherever, for years. I never realized catcalling was a thing until I saw some women complaining about it on reddit.

But they posit it as some sort of, you're safer than cis men, right? You know what it's like? Which, on top of being patently, demonstrably false in the case of myself and many other trans men, holds some unpleasant and often outright hostile implications about trans women. And they always deny it, but if you can't even conceptualize someone like me who grew up gnc, and never got the bulk (or any?) of whatever we consider to be 'female socialization,' what does that say about what you think trans girls went through, growing up? I don't want to speak for them, as I've never experienced that firsthand, but I can guarantee that (if you're even a little bit obviously trans) people don't treat you like a cis kid of the opposite gender. By and large, they don't get treated like cis boys.

It just makes me mad that we're taking this inaccurate framework that (ever so conveniently) puts trans people into the box of our assumed birth gender, and trying to fancy it up and use it with a faux-progressive veneer; never mind the way that transphobes use it to bar trans women from being athletes, or using the bathroom, or having access to any gendered resources they need. It would be bad enough to try and dust it off and use it even if it were largely accurate, due to the aforementioned connections to outright transphobia, but it literally is patently false. Not in all cases, obviously, but why are we trying to revamp this untrue, inaccurate generalization and pretend that we can make it 'trans-inclusive?'

[weirdmageddon]

help whats with him clinging to shit. almost every panel he is shown theres something hes clinging to

[hoyeeyoh]

[hoofpeet]

Girls be puppies

[tartppola]

very specific au thought, silver if he was the shield instead ( read the tags to see explanations )

[notbecauseofvictories]

Last post, I promise, but I do think it’s good and important to see local art (defining that term as broadly as possible) but in my experience you have to put up with the little kick of embarrassment you feel witnessing something too earnest, a little clumsy, not polished within an inch of its life or in step with prevailing trends.

I’m thinking of the dance performances I saw this weekend, but also last week’s street festival, where I watched short films and walked through local art exhibits; I’m thinking about Chicago’s outsider art museum, and even the elaborately decorated (ostensibly tacky) yards I see in rural Illinois, but South Carolina and Tennessee before that, and Michigan before that. Maybe I should cast an even broader net: my aunt’s cross stitch, my grand-aunt’s horrible poetry; the art they display at the nearby retirement community and the halfway house too, which comes from the residents.

If you’re not used to leaving space for that little kick, you might turn away or scoff at all this small, fumbling art. But I think there’s value in forcing yourself to look beyond that initial stab of secondhand embarrassment---to actually appreciate the art in front of you as an expression of something deeply human. You don’t have to think it’s objectively good, or even subjectively good. You don’t have to pretend that a local woman with a talent for oils is the next [INSERT FAMOUS ARTIST HERE]. But I do think you have to appreciate it, because otherwise there is no entrance into making art yourself.

And that, more than anything, is worth preserving.

[vampirefunkmetal]

i dont have anything to say about this.

original under cut

[olivine-ocean]

Update photo of Sin that Ky definitely received one time from Sol