#ILL TELL YOU HOW IT PROVES IT

[dykedvonte]

I like to think in the P.E au that Anya and Curly specifically get haunted hard by Jimmy's weird reality crossing guilt manifested.

It's targeting them because Jimmy's guilt grows more around them. The idea of him acting and playing nice despite what he did. It's like a buffet that allows it to pick from their plates.

Anya sees this stagnant version of her, blood from her mouth, clutching her stomach with a bottle of pills in her other hand. She's talking about not being heard, a pixel, relief from a burden. She tries to ask a question and it's never the right one. She's not understanding but in a way, she's getting that this version of her is in pain. She tries to help, extends a hand and asks how she can help, stop it. She stares and there's utter despair and disappointment in her eyes.

What did you do?

Curly sees this burnt mangled thing. But he can't call it that. Even with no skin and chipping teeth, covered in sullied bandages and smelling of death overdue, he can see his face. He can recognized that eye, he stares at it a lot in the mirror, usually a second one is attached but he digresses. They are just watching, staring and unmoving. He asks himself what happened, how can he help and his own retched mangled voice comes out from a empty maw.

I told you.

They have no idea what it really means. They don't know who to tell. Flashes of a life they don't know or maybe a future they haven't lived yet. Perhaps they treat it as their own minds trying to tell them something. They bare that burden themselves and that alone makes it heavier. Plumper. More appetizing to the guilt causing it.

Tragically that guilt is not their own.

[puke-ur-gutz]

people only care when mental illness makes you small and solemn and infantilized and not when it makes you aggressive and argumentative and antagonistic.

[just-sp-in-inginthevoid]

We always see the Yotsurugi siblings wear formal attires – Kongo's funerals shows that more than the other scenes since, well, it's a funeral

Except Hibaru – for reasons we know – they're all well-dressed, Shikaba aside that is. Even Kuran and Taira, whom we see later mostly dress comfortably, have their tie up and their suit properly on.

Shikaba? Nope. He doesn't have a tie, his jacket is not on, he's not sitting right, he's probably wearing his sandals for all we know. They all made an effort but him.

(+he's the only one sitting during these introductions. And the only one not having his back straight. He's just enjoying the breeze)

But the eldest they are, the more they dress properly at all time. The youngest seem less enclined to (that being said, Kou and Terasu do keep wearing buttoned-up shirts, Kou even keeps his tie on, even as a kid)(– and Kuran wears a proper suit both when meeting with his siblings and when attending Kongo's funerals!!)(– that being said, he's still not present on the 'diamond bond' panel)

But as I pointed out some time ago, Hibaru and Terasu make themselves presentable before going to see Kongo. Despite him being in critical condition and about to say his last words - they take the time to properly button up their shirt and jacket.

There is a way to behave around Kongo. You have to be proper. Perhaps, Hibaru and Terasu didn't want to appear 'wrong' when visiting their father on his deathbed, but then again, if they're so worried and want to talk to him as quick as possible (when they're already late) why take the time to be proper before opening the door?

All the other siblings we see in the hospital are in the same position – that being said, for this theory of Shikaba not caring, or being allowed not to care, about his clothes and behavior, we would need to see how he was near Kongo when he was alive.

So far, the only other scene we see them with Kongo is during Terasu's welcome to the family. Once again, they're wearing suits, the atmosphere is cold if not impersonal. Terasu wearing a hoodie and sweatpants plus snickers isolates him even more (as if the white chairs among the black ones didn't). Interesting how he was allowed to wear that at his biological father's funeral but wore a formal suit to Kongo's (albeit that's probably because he was so young. But then again. Was it only that.)

Knowing Kou is here and is already wearing his clothes with '11' on it (one thick line=10, one thin line=1; both=11), Taira and Shikaba must have been already adopted despite us not seeing them (and by such, we can't tell if Taira is wearing formal clothes or not and if Shikaba still don't care)

As for the family picture; only Hibaru and Shikaba stand out clothes-wise. Hibaru because his top is open, and Shikaba because he has an additional jacket. (There's also Reri bc she isn't wearing the gi properly but I'm not sure what that's about yet)

The whole point of this post was to point out that Shikaba (beside Hibaru – perhaps(see hospital scene)) is the only one allowed to wear casual clothes and act less stiffly than his siblings around Kongo (or at his funerals). Or not caring to follow the rest acting so formal.

+

Same when it's just them — they're all nicely dressed and then there's Shikaba not caring much (looking at the 'diamond bond' panel, Taira is probably wearing his shirt not buttoned all the way up here too, and his jacket must be open as well)

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

[electrosquash]

People always talking about "eat the rich" but when i, the Atlantic Ocean,

[the-busy-ghost]

"Oh it would have been more satisfying if the humans had invented a technology which defeated the Martians rather than have them killed off by accident just when humanity's impotence in the face of disaster seems to be confirmed". I

To me that's just a fancy way of saying "Yeah but humans could totally handle the Martians and the writer has a duty to reassure the audience of that!"

Sir we cannot even handle climate change and I'm sorry to tell you that it's not entirely due to a lack of technological expertise

[faaun]

the forest looks like heaven today i woke up feeling the heaviest weight at the top of my heart

[thetimelordbatgirl]

I refuse to believe Autism Speaks wasn't in the writers room for the ablest episode of Girl Meets World cause wowwww, Riley and Maya and Lucas really act like its horrifying that Farkle could be on the spectrum and instantly deny the possibility he does because according to them, he behaves normally so that means he's not on the spectrum.

[kavehater]

I mean this from a social perspective not a health one : why does everything feel weird right now. Like yes I’m heartbroken about the reality of my position in the lives of my so called friends but now I just feel confused. I don’t understand why I’m not important and why I can’t change to be important to others, nor what makes a person important either.

[musical-chick-13]

Okay, no, sorry, I’m still mad about this. “Be critical of the media you consume and examine why you react to it in the way that you do, support marginalized and stigmatized identities.” Yeah, until it’s about mental illness.

A woman (or even man, if he’s deemed over-emotional) makes music about suffering from mental illness and people just go, “What are they complaining about, that’s so immature, hashtag wangst.” (And then, sometimes, inexplicably, if the mentally ill woman gets better and writes happier music, they then talk about how artistically bankrupt she is now and that she should go back to hating herself.) People LOVE cis white pRoBLeMaTiC (straight) fictional men until they are realistically mentally ill, in which case they’re “whiny” and “insufferable” and deserve to die violently, apparently (or, if fandom is merciful, they’re ignored). (And then they celebrate when they DO inevitably get killed off.) “Do your duty and watch [thing I, mc13, personally find insufferable] For The (white) Gays because it has Gays.” Sure, will you watch c4 Pure, the ONLY show specifically about OCD, then? (No, the answer is no, it’s always no.)

I can’t get anyone to watch Doom Patrol. I couldn’t get people (in general-I did convince a few irl friends thank GOD) to watch Crazy Ex-Girlfriend. One of the most popular and acclaimed shows right now has a character with schizophrenia who was turned into the Big Bad Villain for no fucking reason. One of the most commonly-cited examples of Iconic™ queer media involves a mentally ill man being broken over and over and over again before The Ship™ can reasonably happen. DW introduced a major character who was at one point suffering from mental illness in her past, AND THEN ALL MENTION OF THIS WAS COMPLETELY DROPPED IN THE FUTURE, WITH NO BEARING ON ANYTHING TO THE POINT WHERE I FORGOT IT EVEN EXISTED??!?!? R*tched was a thing that existed despite the Sad Sympathetic Backstory treatment being IN DIRECT CONTRADICTION OF WHAT PURPOSE THIS CHARACTER SERVED IN One Flew Over the Cuckoo’s Nest. THEY GAVE. A SAD WOOBIE VILLAIN TREATMENT. TO THE /LITERAL PERSONIFICATION/ OF ABLEISM. THAT IS HER FUNCTION. TO EXIST AS A SYMBOL OF ALL THE WAYS SOCIETY OPPRESSES THE DISABLED AND MENTALLY ILL.

I am!!! Literally!!!!! The only one!!!!!!!!! Complaining about these things!!!!!!!!!!!!!!!! THE ONLY ONE!!!!!!!!!!!!!!!!!!!! No one else has said ANYTHING!!!!!!!!!!!!!!!!!!!!!!!!!!!! No one is talking about it!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I’m so tired!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[bouquetofalliums]

i just got a Weird Ass Ask what the fuck

[girlivealwaysbean]

im so tough when im alone and i make you feel so guilty and i fantasize about the time you're a little fucking sorry do you think i deserved it all your flowers filled with vitriol you have everything but you still want more and

[cyberkn1fe]

So when is the good time to start pushing my "Horatio is heavily aroace coded + any hints of allo stuff were deliberately withdrawn from the initial script + Mark separately mentioned Horatio has no interest in romance" agenda?

[sunset-sunbun]

i have so many frickin ideas in my b r a i n

but fools gold brainrott-

....

...expect smthin mind electric in a day or two-

[alexthemacaronian]

Cw mentions of anxiety attacks and maybe something similar to self harm?? (I can't tell if that's what it is) [deleting later]

Hey guys! So on a scale of 1-10 how ptsd would you say it is if someone repeatedly gets very strong and often violent anxiety attacks when thinking about a certain past event (or just the past in general) that left them pretty scarred and often end up scratching themselves suddenly and violently just to cope with it or alternatively bite themselves? And constantly get unwanted thoughts and reminders about this event whenever you're left alone with your thoughts? And if they can't remember most of your childhood and all the memories since that event of not only the previous 4 years but also your life in general have been incredibly muddy?

I'm trying to prove a point here

[autistic-katara]

please point me to the part of this post where i said something close to any of this

leftist youtubers when queer jews who aren’t burning every magen david they see exist: “p-pinkwashing?!?!”