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aperrywilliams · 9 months ago

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That Wasn't Fake (Spencer Reid x Fem!BAU!Reader)

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Author Masterlist

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Pairing: Spencer Reid x Fem!BAU!Reader.

Request: Can you write a Spencer fic where the reader is kind of quiet and shy when she begins working at the BAU, and Spencer has a crush on her, and then they have a case, and she has to like to seduce the unsub lowkey and everyone kind of like...how is she going to do this shes not very outgoing but when she does shes really good at it, and everyone is surprised and impressed.

Summary: You're shy and reserved. Spencer has a crush on you, and unbeknown to him, you have a crush on him. Maybe the cat can get out of the bag when you have to step aside of your comfort zone to catch an elusive unsub.

Word Count: 4.2k (no self control here)

Warnings: Words like 'fuck' and 'bitch'. A rant about self-doubt. Typical CM stuff: unsubs, killings, etc.

A/N: Another request I loved! It should have been a little shorter, but I'm having a hard time getting to the point these days. Please keep sending requests!

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Spencer knows it is inappropriate, but he can't help it. You're coworkers, and that itself sets a boundary, so he shouldn't be thinking of trespassing.

But the crush he has on you seems to grow every day.

He doesn't know if it is your beautiful smile, the kindness you show in everything you do, or the enthusiasm you put into every task you are committed to. Since the moment he saw you pass the bullpen glass doors, Spencer knew he was damned.

From that moment, Spencer knew he wanted to know you and learn everything about you. About what you liked, what you hated, and what your fears and dreams were. Everything.

But not much after that revelation in his mind, he understood it wasn't going to be easy to get to you.

You were extremely shy and reserved.

In fact, your first interaction - when Emily introduced you both - consisted of a wave of your hand and a timid 'nice to meet you.'

He thought as time went by, you would loosen and become less bashful and quiet. And in part, he was right. As the months passed, you began to feel more comfortable within the team. You laughed at Luke's jokes, you commented on Rossi's stories, and you could even - when the stars aligned - crack a joke yourself to Tara or Matt.

But beyond that, no one knew much about your life outside of the BAU, unlike JJ, who always talks about her kids and her husband, or Matt, who talks about his kids, too. Or Tara, who recounts her failed dates. Or the same Luke who always shows photos of Roxy.

You, on the other hand, seemed to be an enigma. But Spencer Reid loved decoding enigmas.

At first, he turned his interest in you out of mere scientific curiosity. However, internally, he knew it wasn't just that.

It started with small random questions about the times you worked together: Is this coffee okay? What was the last book you read? Do you think we should buy some donuts for the team?

If you were honest, it picked your interest why, from all people, Dr. Spencer Reid was so adamant in making conversation with you.

From what you knew and from what the team said, Spencer was not a person very interested in things other than work or books. But suddenly, out of nowhere, he asked you what the last movie you saw was or something like that.

You always answered his questions; however, you would have liked to be much more talkative and engage in longer conversations, but your nature stopped you.

'What if I don't have anything more interesting for him to say?'

'Does he just talk to me because he feels sorry for me?'

And that was the big issue: you have never had problems with the way you live your life. You're pretty satisfied with what you do in your job and out of it, too. But you have always thought you are too 'simple' to entertain people's interest.

And to be honest, being surrounded by people with so much experience and big things happening in their lives still intimidates you a bit. So, you usually refrain from talking too much about yourself or anything for that matter.

But with Spencer, things are a bit different. He's always checking on you but respects your boundaries. He has learned that sometimes you just don't want to talk, and he doesn't push.

Despite his interest beyond the professional, Spencer would never do anything to make you uncomfortable. Being able to share time with you will have to be enough for him.

In a way, he has become your protector. He is your backup during interrogations or in situations where you can feel awkward, like the times when some police officers tried to flirt with you and got too close. Sure, you know how to turn them down, but sometimes guys don't get the memo and keep pushing. You're too shy to yell or be aggressive about it.

The team also understands the way you are, and they know it does not make you any less professional. However, they have always been careful not to take you too much out of your comfort zone.

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A whole two weeks and five murders later, the team is stuck trying to catch an unsub who has preferences for killing women after club nights. The profile says he is not interested in just any woman but in those between 25-30 years old who like to flirt with several men in the clubs. But it is not just any type of flirting; it is the type that is initiated and dominated by them. In short, he likes to kill women who are the opposite of submissive. He sees them as predators on a hunting ground.

Another finding in victimology is that the women he kills, in addition to having a specific age range, have very similar physical characteristics. And similar to you.

All his victims have your build, eye color, hair color, and height. It gets to be creepy to a certain point. And it's something difficult to ignore.

Bouncing information and possible strategies, the team agrees they need to be proactive to get him to show up before another killing happens.

"Okay, what options do we have?" Emily asks.

"The witnesses haven't gotten us anywhere," Luke complains.

"Although we've narrowed down his hunting grounds," Rossi shrugs.

"Yeah, we know the clubs where he likes to hunt," JJ backs Rossi.

"But although the profile, we have yet to learn about what to look for there. I mean, we know what the unsub wants, but not how he looks like." This time, it's Tara who speaks.

You've rarely seen Emily bite her tongue when she wants to say something, but it's clear that she has something on her mind, and she doesn't know how to put it, or maybe the problem is something else. You look at her out of the corner of your eye, and she looks back at you; what do those eyes say? They look like they're even apologetic.

It's a fraction of the time before she comes back to behave like herself.

"We need to lurk him. It's the only way," she says. And everyone's eyes - yours included - are on her immediately.

"Lurk him?" Matt repeats.

"Yes. And all we know who should be the one going undercover to do that," Emily adds, looking at you this time.

That's it—the elephant in the room.

Of course, you're the ideal candidate. Well, you're perfect in the physical aspect because if we talk about the victim's personality and yours...

There's silence in the room, and you can feel like the team's eyes are all on you.

Do they expect you to say no? To refuse? From your perspective, it's not a question; it's more like the option you all have to catch the guy.

"It's true (Y/N) would be the closest to the unsub type, but there are a lot of things to take into account," Matt says. And you know perfectly well what's behind his words, even if he doesn't say it directly.

And that's okay; it's perfectly plausible they have their doubts. It is not enough to look like the victims for the operation to work.

But if there is one thing you are sure of, it's that you will always give your all to your job, even if that means becoming a completely different person.

"I can do it," you mumbled so quietly that if the AC weren't in the lower setting, people wouldn't have heard you.

"But (Y/N), you know about this guy. It's dangerous," Matt points, a frown on his face.

"Not to mention he likes rough interactions," Luke adds.

"You don't have to do it if you feel uncomfortable." This time, it is JJ who voices her opinion. And you know, that's the closest reason to the team's main concern.

And the fact you can blow up the entire plan.

Spencer stays in silence. Internally he's freaking out thinking of you having to lurk on the unsub, but he knows you are a professional. And he feels a kind of deja vu.

When he was younger, the team would have said the same about him doing something like that. Spencer knows what it's like when people baby you, making you feel insecure. Sure, he hasn't had to worry about that anymore. Spencer is almost forty, and no one would dare to tell him he can't do something. Not after all the things he has been through.

"JJ is right, Bella. You don't have to do it. We can think of another way," Rossi backs JJ.

That's when Spencer notices the slight frown on your face. It's invisible to everyone but him. He knows it's there.

You stay collected, even when everyone on the team has something to say about how bad the idea of you going undercover to lurk the unsub is.

Emily is who stops everyone's rant.

"Guys, hey. If (Y/N) is telling us she can do it, we're going to do it. Of course, we'll be there to back up her and catch this unsub."

And this is how the discussion is settled.

Emily sends everyone out with a task to prepare for the night. Today is Friday, and the unsub will surely be stalking some new victim. The chances are high.

When it's just you and Spencer in the room, he still looks at you in silence.

"Do you also think I'll not be able to pull off this mission and I'm going to ruin everything?"

You downcast your gaze, exhaling deeply.

"No. I don't think that," Spencer clarifies, and you raise your gaze to meet his eyes. "You are more than capable, (Y/N). The team is worried because you'll be out of your comfort zone in a dangerous situation."

"The team? Not you?" You narrow your eyes to him.

You try not to sound accusatory, but if you're as scared as everyone, you also are fed up with the other's doubts.

Spencer closes the distance between you both but doesn't invade your personal space.

"Of course, I'm worried too! I don't want anything bad to happen to you. But I trust you and your judgment."

Your heart does flip-flops, and you're not sure if it's because Spencer is worried or because, despite that, he trusts you—or both.

"You do?" You ask, not so convinced.

Spencer nods and smiles at you.

"And we'll be there when you catch the guy."

If that is the reassurance you need, you don't mention it. Instead, you grin at Spencer as a promise you'll do your job just how you are supposed to.

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You insist on getting ready in your hotel room. The only assistant you ask for is Emily. She was the one who trusted you first in this, so you'll take every piece of advice she can give you before this night starts.

Everyone has a role in the plan.

Rossi will be the chauffeur who will drive you to the club.

Luke and Spencer would be in the club, mingling with the patrons. JJ, Matt, and Emily would be in the van monitoring the whole situation with cameras and earpieces. Rossi would keep his facade as a driver so he could be at one of the entrances. Tara would be at the club, too, eyeing nothing suspicious going on in the bar because there is a chance the unsub is getting help from the bartender.

When you are in front of the mirror applying the last touch of makeup, Emily is looking at you with a stare you can't decipher.

"What?" you ask, and Emily chuckles.

"Please, don't take this in a bad way, but I never thought I would live the day of seeing you using clothing like this. And Jesus, you look so hot!"

Your cheeks redens.

"It's a little bit odd coming from my boss, don't you think?" you muse, smoothing the fabric of your dress.

"Point taken," Emily raises her hands in defense. "Although I know someone who is going to run out of breath after seeing you."

You let out a scoff. It's not a surprise for you. The BAU girls - boss included - have been trying to set you up with Spencer since forever. You don't entertain the idea only because you don't think it's possible and not because you don't like the concept.

"Come on, don't say that. You are not helping to my nerves."

"Sorry, I'll shut up. We should go, though," Emily says, checking her watch.

One of the SUVs drives you to the van parking point. You needed to review the operation details.

At the back of the van - or commander point - JJ, Luke, Tara, Rossi, Matt, and Spencer see you come up with Emily.

For the best US profilers, they're not doing a good job hiding that they are gawking at you. Surely, no one imagined seeing you in such a revealing outfit. Outfit that, without a doubt, suits you extremely well, highlighting all your body attributes.

Spencer feels like he died and was resurrected after seeing you.

"Okay, guys, we need to check the details again," Emily announces.

The plan is in motion, and everyone is in position.

As expected, you arrive with Rossi at the club, who opens the door for you and helps you descend from the car. Rossi gives you a reassuring smile before letting you go.

Like a switch, you are no longer the shy SSA (Y/L/N). Now you are the woman who is going to take what she wants and attract the unsub attention doing that.

Your walk is determined, and your eyes send out flames of confidence to those who look at you. The music is very loud, something that would usually bother you, but not now. This needs to feel like your environment. That's how you like it, you tell yourself.

Almost instantly, you start to attract the looks of men who are eager for a woman like you.

You exude determination, and you don't go unnoticed.

Walking into the club, you make brief eye contact with Luke, who is on the dance floor. You see Spencer perched in a booth, nursing a beer.

At the same time, Tara is stationed at the bar.

"Remember (Y/N); the unsub expects the woman to approach men. The flirt needs to come from you," Emily reminds you by the earpiece hidden in one of the earrings you're wearing.

"Show time," you mumble to yourself.

You walk seductively to the dance floor, where a young man is dancing with a blonde. You approach and whisper something in his ear. That makes the boy completely lose interest in the blonde and start dancing with you. You smile and cling to the man's body, who wastes no time and takes your hips as if they were his possessions.

That dance certainly has nothing innocent about it. You continue whispering things in the boy's ear, and he looks more and more excited. Once you consider it a reasonable amount of time to have attracted attention, you leave the boy alone and head to the bar. Just a few meters away from Tara, a suspicious man is staring at you. You see him out of the corner of your eye as you order a drink. When the bartender passes it to you, you make subtle eye contact with Tara, who nods, indicating that the drink is clean.

You look next to you and see another man not so subtly looking at you. You know the unsub's profile, and you can't be intimidated or dominated by another man. You are the one who calls the shots. Otherwise, this will not work.

Before the man makes his attempt to seduce you, you turn to him, and with a penetrating look and disdainful voice, you stop him.

"Sorry, honey. Don't waste your time. You're not my type," and with that, you leave to move to the opposite side of the club. The guy huffs, and you're almost sure hearing him call you 'bitch' under his breath.

JJ, who's following the cameras inside the club, sees someone who looks suspect.

"Hey, this guy has been peeking at (Y/N) the entire time, and look, he clenched his fists when (Y/N) turned down that guy at the bar."

Emily confirms JJ's observation before giving you the next instructions.

"(Y/N), you're doing great. We have a possible target. So we need to raise the bet."

You know exactly what Emily means. You both had talked about the strategy to follow, having more details about what you should do than the rest of the team.

Matt and JJ look confused at each other but say nothing.

Your next step is to find another dude to seduce before delivering the coup de grace.

Luke and Spencer keep an eye on you. And while Luke is pleasantly surprised by your audacity, Spencer can't help but feel his stomach tighten. He tells himself it's because he is afraid something bad could happen to you, but inside of him, it's that and the fact of seeing you flirt with other men.

Just like you did with the guy on the dance floor, you attract the attention of another man; this time, you take his hand and pull him to the dance floor.

JJ and Matt's jaws drop to the floor. If Tara, Luke, and Spencer could do the same without giving themselves away, they would have done it, too.

As if it were your second nature, you laugh and move to the music. The man seems to enjoy the moment so much that he takes a bold step by leaning in to kiss you. You let him get closer until his lips are almost on yours. But before touching each other, you pull back with a malicious smile.

"Naughty boy. I'm who says if you can kiss or no," you pout, faking disappointment. Dizzed, the guy cocks his head and sees you walk away.

Matt chirps now. "It's him. Look boss," he tells Prentiss, pointing to the same guy JJ saw before.

There is no longer any doubt that it is him. Now you just have to catch him red-handed.

"(Y/N), we got him. It's time for the last play," Emily tells you.

With Emily's instruction, you go to the bar for another drink before heading over to where Spencer is sitting.

He tries to play it off, but he has no idea why you're approaching him.

"Is this seat taken, handsome?" You ask, with your drink in hand.

"N- no. Please," Spencer gestures to the booth on his front, but you opt to perch to his side. Spencer thinks he never has been this close to you. He looks at your eyes, and it's like you are a totally different person. It's a little bit contradictory for him, to be honest. He already likes you just as you are, but this version of you? It's driving him insane.

Some resemblance of your true self looks with a kind of curiosity the nervousness on Spencer. You don't think much about it; you assume he's playing the nervous guy who is baffled by you.

The thing is, Spencer isn't playing. He's definitely baffled by you.

"Are you okay?" You ask him, masking your question with a seductive smile.

"Yeah. Are - are you?" Spencer stutters a bit—something that is perfect for the plan but embarrassing for him.

You get closer to him to speak in his ear.

"This was Emily's idea," you tell him before kissing his ear and gently biting his lobe.

Spencer's breath hitches in his throat, and he thinks he's going to pass out any second. You're not doing it better: your heart is also pumping hard from the adrenaline. Of course, you had imagined something like that with Spencer, but only in your erotic dreams. You wouldn't dare do this on any given day.

You keep teasing Spencer, who, despite the nervousness, tries to play along. If this is the closest he will ever have you, he wants to engrave this in his memory.

"Just a little push, (Y/N). We almost have him," Emily instructs by the earpiece.

You swallow as subtly as possible as you wrap your arm around Spencer's neck, pulling him closer to you.

It's only a second between that action and the fact that you're kissing Spencer like it's your last meal.

Spencer doesn't know how to respond, and you were counting on that; it was enough time for the unsub to notice that you were the one who chose her last prey.

When Spencer is about to reciprocate the kiss, you murmur a 'sorry' into his lips and quickly pull away, giving him a disdainful look—which you hope he understands is fake—before getting up and walking toward the back exit door.

As expected, the unsub follows you towards the back door, and while your back is turned, he believes he has the advantage to attack you. What he doesn't know is that Matt and Luke are ready to lunge at him the moment he tries to touch you.

Everything that happens after is too fast.

The unsub is detained and taken to a patrol car while the team gathers around you, congratulating you on the successful operation. They all apologize to you for their previous apprehensions. You tell them that you understand and that there is no need to apologize. And it's like the switch has been flipped again since you came out of the femme fatale role.

But something is wrong. Spencer is not in the group. You see him a little further away, near the exit door of the club. Emily notices the looks between you both, and she sends the team on different tasks to close the case, leaving you and Spencer there.

There's something in his eyes that you can't decipher. You think it's resentment for using him without warning him what you were going to do.

You shyly approach him.

"It's me again," you tell him, pulling a face. You don't know what to say to make the situation better. Spencer nods.

"Yeah. You did it great, by the way," he compliments you. But it doesn't feel good like Spencer's compliments usually do.

"Look, about the kiss back there-" you start. He needs an explanation as a bare minimum.

"I know. It was fake," Spencer cuts you off.

Those words shouldn't hurt you as they do now. But isn't that the most reasonable thing to believe? The you in the club weren't you, so all you did inside was pretend.

Everything except that kiss.

If it's true you couldn't enjoy it the way you would have liked, you will never forget his lips on yours.

A tense silence takes over the moment. This is not okay.

You can't afford to lie to one of the most important people in your life, even if telling the truth takes you out of your comfort zone.

What the hell! Tonight has already been a total of 180 from a usual day for you.

"It wasn't," you mumble, and you see his eyes flicking to yours in a second.

"What?" Spencer asks, narrowing his eyes at you.

"Everything was fake, but not the kiss," you say with a stadied voice this time.

Spencer's heart races again. If you say you didn't fake it, then what he felt on your part at that moment was real?

"It wasn't fake?" He asks for clarification. You nod.

A smirk forms on Spencer's lips, seeing your cheeks redden.

There you are. The girl he had fallen for in the past two years.

"Well, you know that I am a man of science, right?" he tells you, and you frown because you have no idea where this is going.

"I know," you say with some hesitation.

"And as a man of science, I need evidence of things, you know?"

Now, you are the one who smirks at him.

"Evidence, huh?"

"Yep," he says, emphasizing the 'p' and swaying his body on his feet. You hum.

"I believe I can provide the necessary evidence if you need them," you concede, and Spencer's eyes sparkle with excitement.

Now, he is the one who reaches out and cups your cheeks. Your breathing quickens, but that doesn't stop you from standing on your tiptoes and connecting your lips with his.

This time, there is no unsub, no curious eyes are looking at you, there is no rush, there is no femme fatale role, and above all, this is not fake; it's as real as the fact that your heart beats for him, and his for you.

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Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers

#spencer reid #criminal minds #spencer reid fanfiction #spencer reid x reader #spencer reid x fem!reader #spencer reid fluff #spencer reid fanfic #spencer reid x you #aperrywilliams #amanda perry williams

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mxjackparker · 5 months ago

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Working Guys: A Transmasculine Sex Worker Anthology is officially out today! We're published!

Those who've been watching this book through its creation may be tired of hearing me hype up all the contributors for this, but it's worth repeating. All of the 20 transmasculine sex workers in addition to myself who wrote about their experiences for this are amazing and have incredibly worthwhile stories to read.

"I genuinely think anyone who wants to talk or form an opinion about sex work needs to read this book, since it not only offers thoughts about transmasc people but also reflects about what sex work means in a society like ours and what reasons does someone have for engaging in it."

The book includes many kinds of sex workers, from those who sell sex in-person to professional dominants to Onlyfans creators. You can read the experiences of Felix Mufti, Dakota Nevaeh (18+), Eddy (18+), Sunan, Trip Richards (18+), Liam, Arc D, Julian Yang, Mister Saul (18+), Ron Beastly (18+), and many others!

"This is a diverse collection of work - from cutting analysis of the camming industry, statistics on violence against transmasculine sex workers, to personal stuff that reads like prose poetry. Care was taken to include minorities within the minority, especially people of color."

Such a huge proportion of transmasculine people have done some kind of sex work, yet awareness of this is low! As a sex worker myself who often struggles to be understood and has become frustrated with the lack of resources out there or things to read describing feelings and difficulties like my own, I'm so happy to have been able to put together this anthology. When I transitioned whilst selling sex and making porn, I'd have strongly appreciated a book like this.

"The "multiple texts" format is really easy to apprehend for people who's primary language is not english (like me, so sorry for the typos and such), compared to a huge essay in one block."

You can order a copy from most online book stores, or get an e-book here.

#transgender #lgbtq+#trans #nonbinary #ftm #transmasc #trans man #anti swerf #sex work is work #bookblr #booklr #books #reading #book review

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thankskenpenders · 24 days ago

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Thoughts on two specific areas of the writing in Sonic X Shadow Generations

The best new 3D Sonic game in over a decade (or even two, depending on who you ask) dropped late last year. And I didn't write anything about it! Sometimes life happens. Well, I've finally sat down to finish Shadow Generations, and by now everyone has already been singing its praises for three months. This is the rare instance where the entire Sonic fandom, and even mainstream reviewers, are in agreement on something. The level design is the best it's been in a long, long time and the cool factor is off the charts, embracing Sonic's peak cringe era in an incredibly confident way. It's great. If you're even reading this post, you probably don't need me to tell you that. So I won't!

No, what I'm really interested in here is the writing. Because this is me we're talking about. But I actually don't want to talk about the main narrative of Shadow Generations, which is really solid little story about Black Doom trying to mold Shadow into his perfect soldier. No, I'd like to zero in on two other aspects of the writing here: the revisions made to Sonic Generations, and Gerald Robotnik's unlockable journal.

The updated Sonic Generations script

The new package mostly presents Sonic Generations how you remember it. There are some tweaks, but it's not a major overhaul. Graphically, I don't think the game has been touched much, if at all. I certainly can't notice any difference without a side-by-side comparison, despite playing it on a PS5. The most notable update is that the game's script has been rewritten by Ian Flynn.

Naturally, this caught my attention. Generations always had a nothingburger story, so with Ian rewriting Pontac and Graff's lame dialogue there was nowhere to go but up. (I don't like to pin the blame for those games' stories entirely on them, as a ton of it was dictated to them by Sonic Team, but, well, I don't think they're very good dialogue writers.) But it's less a complete rewrite and more like Ian was brought on as a script doctor for some minor touch ups here and there. Many lines of dialogue are completely identical to how they were originally written in 2011, and many others only have slight wording changes. Ian was clearly not allowed to request additional scenes or extend the ones that already existed. He has to match the original beat for beat so that they can reuse 99% of the cutscene animations. Don't expect it to be a whole new experience compared to the original.

Still, I think the new script is an improvement, albeit a minor one. Various things have been tweaked to maintain characterization consistency. Cream calls Sonic "Mr. Sonic" instead of just "Sonic." Instead of calling Sonic "buddy," Rouge uses the pet name "Blue," like she tends to do in things like the IDW comics. Espio doesn't have to remind you in the dialogue that he's a ninja, and he no longer has a line making it sound like he has some kind of soul reading power. I also like that Modern Sonic now actually has responses to what his friends say when he rescues them, rather than being silent like Classic Sonic. They won't blow you away, but they make Sonic feel a little more engaged with everything.

In general, the altered dialogue just seems tighter to me, and some of the more childish or trite wording of Pontac and Graff's script has been altered. Here, let's actually make a direct comparison, just because this stuff is interesting to me as a writer. Here's a couple lines from after the Egg Dragoon fight late in the game, in the original script:

Modern Eggman: Ooooh... I can't believe this! I was supposed to beat you this time. Modern Sonic: Aw, I'm sorry! I didn't get that memo. I beat you every time! [Turns to Classic Sonic] No, seriously, we beat this guy every time. It's like it's our job or something!

This is a simple exchange. Eggman is mad that he lost. Sonic is unflappably confident because he always beats Eggman, and he explains this to his younger self. But the wording here isn't particularly good. Eggman's simple and direct wording makes him come off like a little kid who's mad because his older brother beat him at Mario Kart, rather than a mad scientist who just had his plans foiled. It's making light of the situation.

And I've never liked Sonic saying "It's like it's our job or something!" That doesn't feel like a thing Sonic would say, it feels like a thing an outside observer would say about Sonic. This is a frequent problem with so-called "MCU dialogue," where quips meant to echo the commentary of a casual, somewhat disinterested audience are inserted into the story itself so that the writers can be like "See? We get it. We're genre-savvy, too!" It also just reminds me of bad Sonic Boom: Rise of Lyric lines like "Rings! It's like they're made for me!"

And then here's Ian's rewrite:

Modern Eggman: I recalibrated everything! This was supposed to be my time! Modern Sonic: Oh, please, keep dreamin', Egg-head. I beat you every time. [Turns to Classic Sonic] No, seriously, we beat him every time. Our score card's flawless.

Eggman's still mad about his defeat, but the line "I recalibrated everything!" makes it more specific. He put all this work into the engineering side of his latest scheme and got tunnel vision, thinking if he got his creations just right there'd be no way he could lose. "This was supposed to be my time!" also turns it into a time travel pun, which is a bonus. He's still pitching a fit over losing, but it feels more like Eggman pitching a fit, rather than sounding childish.

And then instead of saying that beating Eggman is "like his job or something," Sonic says he's got a flawless score card against Eggman. He doesn't take Eggman seriously as a threat—at least, not to his face. He acts like it's all a game. But he conveys this in a way that feels truer to the character, rather than feeling like the words of a real world observer poking fun at the tropes of the Sonic series.

Is this amazing, A+ dialogue that blows me away? No. Again, it's not a completely different scene from the one we already had. Ian had to fit the beats of what was already there. He couldn't go all out and write an all new story confirming his longstanding headcanon that the Time Eater is a remnant of Solaris or whatever. But the wording here makes the existing story land a little better and feel truer to the characters in subtle ways.

But to me, the main change is that the Sonics and Tailses seem to have a more solid understanding of what's going on with the timeline and the Time Eater, compared to how idiotic they sometimes seemed in the original game. Which is good! No more standing outside Green Hill and wondering why it seems so familiar. Thank god. As part of this, yes, there are a few more references to past games in the dialogue, like Sonic briefly being confused about the fact that they're time traveling without the Time Stones, or South Island and Westside Island being acknowledged as the normal locations of Green Hill and Chemical Plant. Yes, ha ha, insert joke about how Ian loves references here. Look, it's Sonic fucking Generations. It's a game built entirely out of nostalgic references. Just own it! And, again, in this instance Sonic and Tails come off as less stupid when they make it clear that they do, in fact, remember their adventures from presumably less than a year ago in-universe.

Eggman, too, seems to have a better understanding of the powers he's toying with. Where in the original vesion his focus was simply on going back in time to undo his previous defeats and he seemed kind of oblivious to how much the Time Eater was actually fucking up the universe, here Eggman says he wants to use the Time Eater to give himself complete control over the entire timeline. Eggman also makes way fewer references to his own failures and shortcomings. Of course he won't admit that Sonic has defeated him time and time again. To him, he's never truly lost—Sonic just keeps delaying the inevitable total victory for the Eggman Empire.

So, yes. The new Sonic Generations script is better. It won't blow anyone away, but it's better than it was. It's been elevated from "kinda lame" to "fine." No, if you really wanna see Ian flex his ability to breathe new life into old Sonic stories, look no further than...

Gerald Robotnik's Journal

Hoo boy.

The story of what happened aboard the ARK has always been... a bit confusing, to say the least. Fans with encyclopedic knowledge of the script for every route of Shadow '05 may disagree, but it's the truth. We've had all the pieces to understand the story for a long time now, but that info was given to us out of order by a pair of unreliable narrators—Gerald, who became a vengeful lunatic shortly before his death, and Shadow, who was subjected to multiple rounds of amnesia and altered memories. Some of the ambiguity left by Sonic Adventure 2 was cleared up in Shadow '05, but that game also retconned in a bunch of new elements to Shadow's backstory (aliens!) that lead to further confusion. Not to mention the fact that that game had multiple routes and only revealed the truth about Shadow if you sat on the ultimate final boss battle for WAY longer than the fight would normally last. Or the fact that Sonic X made its own tweaks in its telling of the story. Or the fact that none of these things ever had the best English translations. I can't blame anyone who hasn't played those games in two decades for not remembering the truth about these characters and getting some details mixed up.

What we needed was something to piece together all of the info we have into one coherent backstory, told in chronological order. And thanks to Shadow Generations, we have that, in the form of an official journal tying together what we knew from Sonic Adventure 2, Shadow '05, and Sonic Battle into the tragic tale of Gerald's rise and fall.

Ian Flynn was the perfect man for the job here as the guy who started his career by tidying up the mess that was the first 159 issues if Archie Sonic. This is what he excels at: taking disparate bits of weird Sonic lore from multiple different sources, boiling them down to their most interesting elements, and connecting it together in a way that will make the audience see the dramatic potential he's always known was there. Rather than feeling like a cynical exercise in franchise building, going back and explaining things that never needed explaining so that people can add more bullet points to the wiki, he puts a new spin on things that retroactively enriches those past stories. The story here means something to the characters involved and gives us a better understanding of them as people, rather than as plot devices to motivate Shadow.

(And, of course, Ian didn't do this journal alone. He wrote the story, but I also have to give a huge shout out to Evan Stanley, who made the final product. All of her handwritten journal entries, sketches, and "photos" included throughout. The physical damage done to the journal over the course of 50 tumultuous years, passing from Gerald to Eggman to a certain special someone at GUN. The way Gerald's handwriting gets less and less legible as his mental state declines. So much love was put into what could have been a mere text dump in a menu, and it really elevates it to the next level. Congrats on officially getting hired by Sega, Evan, you've sure as hell earned it!)

The main idea the journal conveys is that Gerald was under a lot of pressure from a lot of different parties—GUN, the President, his colleagues aboard the ARK, Black Doom, even his own family—and boy did it get to him. The known incidents aboard the ARK mentioned in previous games are put together here to form a story where everything slowly spirals out of control as Gerald keeps compromising his morals to further his research, thinking he'll eventually find some way out of all this because he's a genius. I won't recap that whole story here (if you haven't already played the game and read the journal entries, I would highly recommend at least reading it on the Sonic wiki), but I'd like to highlight my favorite elements of the story, as Ian tells it here.

1) The Eclipse Cannon

Here's something that never quite made sense in Sonic Adventure 2: why does the ARK have a laser that can blow up the Earth built into it? It was supposed to be a peaceful research colony. Sure, Gerald went crazy and swore revenge on the Earth, but, like... when did he have an opportunity to go back up to the ARK and modify it? Did he have someone else do it? How? The ARK was raided by GUN and shut down! And then they arrested him, held him in prison for an unclear period of time, and executed him by firing squad when he was no longer useful! It doesn't add up. Shadow 'the Hedgehog '05 would give its own answer by introducing the Black Arms and saying that the Eclipse Cannon was always supposed to be a secret trump card against the Black Comet. But, like... we know that's kind of a bullshit answer, right? You don't need enough power to blow up a whole planet just to destroy a comet.

Well, the new journal retains what we already knew, but it paints a much more complete picture.

See, long before Gerald ever made a Faustian bargain with Black Doom, he had already made one with an even greater evil: the military. GUN gave Gerald much of the funding for the ARK, Gerald's personal utopian research station in space, but it didn't take long for GUN to start pressuring him to design them weapons. Gerald tried to get GUN off his back by personally contacting the President of the United Federation, and the President gave him an alternative: how about, instead, you just use your genius brain to figure out the secret to immortality for us, so our soldiers can be immortal? Gerald was initially sickened by the notion and found it completely absurd, like chasing a shadow... but given no other option, the sarcastically named Project Shadow soon began in earnest. (Maria would later put a more positive spin on the name after Shadow's awakening, pointing out that a Shadow can show us the direction of the light, like she says in the game itself.)

Of course, this search for the ultimate life form didn't go very well, and without any results on that front GUN kept hounding him for weapons. Gerald would throw them a bone here and there to get them off his back. His research on Chaos resulted in the Artifical Chaos prototypes, which he worried would be used for warfare but could at least theoretically be used for search and rescue missions in floods, in his mind. But that wasn't enough. So he gave them Chaos Drives to power their mechs. And that still wasn't enough. He's got Emerl. He'll give them Emerl. They're not impressed by Emerl. They'll shut the whole ARK down if Gerald doesn't give them something big.

Fine! GUN wants something big? Gerald builds a huge fucking laser cannon into the ARK. However, as a middle finger to GUN, Gerald makes it so powerful that it would destroy the Earth if it was ever fired at any target on its surface. In other words, GUN now has their ultimate weapon of mass destruction, fulfilling his contract, but they can never actually use it. Oh, the delicious irony. (And also Shadow will blow up the Black Comet with it in 50 years yada yada yada.) Is this perhaps extremely shortsighted and naive of Gerald, to believe that such a weapon would never actually be used just because of the risk? Of course. But hey, that's Gerald for you. And I love this as an answer.

(Also, this, uh, kinda echoes something from real life! Remember the bit in Oppenheimer where he says all nuclear war will become unthinkable, and Edward Teller responds "until somebody builds a bigger bomb"? Yeah, Teller went on to conceptualize a superweapon codenamed Project Sundial that would have been able to kill all life on the planet, as the ultimate deterrent for war. This was never made for obvious reasons, but hey, there's a basis for this sort of thinking outside of heightened sci-fi! There's a whole Kurzgesagt video about this if you're interested.)

2) The Biolizard

The Biolizard is, of course, brought up as the initial failed prototype of the ultimate life form, from before Gerald met Black Doom. We don't really learn all that much about it that we didn't already know, but I just love the way it's framed in the story.

As you can see above, we actually get to see a picture of Maria holding up the cute little salamander that would end up mutating into the Biolizard through Gerald's experiments. (Researchers want to figure out how to replicate salamanders' regenerative abilities for humans in real life, too, so this was a natural starting point for the project.) And then, after it grows to a monstrous size and goes out of control, Gerald has to lock it away in an unused sector of the ARK. He needs to keep the poor thing alive for his research into harnessing Chaos Energy, building life support systems directly into it, but he doesn't have the heart to tell Maria what happened. So it just becomes this first dark secret weighing on his conscience. The Biolizard becomes Gerald's Tell-Tale Heart beating beneath the floorboards of the ARK. I love that.

3) Lost Impact was the breaking point for the ARK

Remember the level Lost Impact in Shadow '05? The flashback level on the hero path where Shadow is running around fighting Artificial Chaos enemies on the ARK 50 years ago? Yeah, that wasn't just a random incident. That was important, as we now know due to its placement on the timeline.

See, Emerl's rampage aboard the ARK that was chronicled in Sonic Battle and Dark Beginnings set off a domino effect. Emerl riled up the Artificial Chaos, causing Gerald to lose control of them. They became violent, and so Shadow had to stop them, as depicted in Lost Impact. The thing is, that incident sent an SOS signal to GUN telling them that shit was going down on the ARK. Gerald didsn't fully understand the trouble he was in and assumed that he'd simply be reprimanded by the higher ups, or maybe face legal action. But, well... the next time he heard from GUN, armed troopers were raiding the ARK.

So Lost Impact was the straw that broke the camel's back. I just really like that detail.

4) Maria

And, of course, there's Maria herself. Maria has often been more of a symbol than a character, this perfect embodiment of everything that's good and pure in this world who gets killed to motivate Shadow and Gerald's revenge plots. But I really like the wrinkles this journal adds to her and Gerald's story, and their relationship. This is the most fleshed out they've ever felt.

For one, the journal leans into the idea of Maria's intellectual potential. The rest of the Robotnik family is all geniuses, after all, and she was proving to be a really bright kid. She excelled in her studies on the ARK, and she even helped design Shadow's jet skates and inhibitor rings. When Maria died, the world didn't just lose a symbolic personification of purity. She genuinely could have been a hugely influential scientist who did so much good for the world. That's what Gerald wanted for her. But we'll never know, because GUN killed her.

Speaking of her family, their presence isn't just mentioned for the sake of fleshing out the Robotnik family tree. It's mentioned that as Gerald struggled to find a cure for Maria's illness through his genetic research, he faced mounting pressure from his family. They didn't want Maria to be up on the ARK forever. They wanted Gerald to hurry up and find a damn cure, or otherwise just send her back home to Earth so she could be with her family again. She'd been up on the ARK for so long that Gerald's coworkers started thinking that she had been born up there. Eventually she gains a baby sister on Earth who she's never met. A rift forms between Gerald's two sons, and he's unable to really deal with it because he's so consumed by his work. There's this sense that the family is falling apart, and that everyone is dreading the possibility that Gerald will never find a cure and that Maria will just spend her final years up in space and die far away from her family, because Gerald just couldn't let go. If that happens, it'll break the whole family. But he can't stop now. So he just keeps working. Curing Maria is the only way to win his family back, in his eyes. It can't all be for nothing.

But my favorite detail regarding Maria is this one paragraph:

Maria is growing into a lovely young woman. It breaks my heart that someone as bright and energetic as her is diminished by disease. There are no visible effects, and I've caught my fellow researchers muttering to each other, doubting her illness. It is infuriating. I find all my reason and restraint vanishes when she's slighted.

This is SUCH a great addition to the story! It's always been true that Maria doesn't really seem all that ill, just looking at her in cutscenes. With this one little comment, Ian flips that issue on its head and turns it into a story about invisible disability. She doesn't act like she's in chronic pain, so she must not be, everyone thinks. And this really, really gets to Gerald, as does the pressure from his family. He's dedicating his whole LIFE to saving her, and they think she's faking it?! It's such a small addition, never referenced elsewhere in the journal, but it adds so much flavor to the story, as does the implied family drama. It grounds Gerald and Maria and makes them feel more like real human beings, rather than being pure archetypes. It's just enough info to let my imagination run wild filling in the blanks.

You also get the feeling that Maria being such a walking ray of sunshine was the only real source of joy Gerald had left in his life before Shadow was awakened, and the only thing keeping him from snapping under pressure sooner. All this stuff just keeps piling on, everything's spiraling out of control, but at least Maria is keeping her chin up, right? It makes so much sense that losing her would make him go off the deep end when it's framed like this.

It's just... man, I never thought I'd care so much about Gerald and Maria. But that's the Ian Flynn touch. After years of less than stellar Sonic writing that seemed to be embarrassed of itself, I'm so happy to have new games coming out that fully embrace the history of the series like this, making its world feel so rich and real instead of just serving as an excuse for a string of platforming levels. I don't even like Shadow '05, but I'll be damned if Ian and the rest of Sonic Team didn't make something amazing by "yes, and"-ing Shadow's cringe past here. Sonic has truly reached levels of "we're so back" never thought possible.

#tkp post #other media

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bunny-jpeg · 7 months ago

Note

Hey bunny! Pretty pretty please could Konig serve me a croissant, also some crepes and millet-feuille? Oh and some champagne would be lovely with that 🙏💖✨

the bakery menu

there are still tons of items on the menu! feel free to submit your own! i'm happily accepting requests! as for this one, i am so happy to get a könig request! i always feel like i focus so much on price or ghost that i always forget the mountain of a man. and the prompts are very good as well! i did change croissant a little bit, still the same vibe of a prompt, just switched up the language a little! thank you for the request!

croissant ("i wonder if your father knows what happens during the off hours. if he knows you're here with me.") + crepe ("pretty girl.") + mille-feuille (“that’s it, fuck, that’s a good girl.”) + champagne (sugar daddy) served by könig (call of duty!)

cw: smut/pwp, sugar daddy-adjacent, daddy issues, size kink/difference (it's könig ofc), könig in love, dirty talk, cockwarming that turns into lap sex, unprotected sex

könig never imagined himself with another person. he simply thought that his line of work and his anxiety would scare too many people off. but you were not like most people, where most were scared by the mountain of a man with a few too many facial scars, you saw a helpful boyfriend to help you move your stuff into his apartment.

you were a total go-getter. nothing could stop you, you were brave and kind. most of all sweet and könig thought that he'd die happy in between your thighs. he hated that he had to be gone for so long.

that was where the money came in. he wouldn't call it a sugar daddy situation, that would imply there was no real emotional connection. and there was, you were already pointing out engagment rings when you were out together.

there was a definite strong emotional connection.

könig just wanted to make sure that you were taken care of when he was away. because his time away from you could be a few days or a few months, and he wanted to make sure his little schatzi was alright. yes, yes, yes, he knew you had a career, but a little (read: a lot) extra was what he wanted to give to his darling.

the other issue was your father. he was high up in the chain of command for kortac. which meant that you were off limits, but you honestly didn't care. you were a grown woman. your father agreed through grit teeth when you told him you were moving in with könig. your father couldn't stop you, and at least you wanted to live with someone who could protect you. könig was huge.

despite it all you were a happy couple, könig was in love with you. his precious little flower. he'd do anything to keep you happy. and where he took care of you financially (despite your protests), you took care of him in every other way.

one of those ways was being such a good girl for him. his hand was currently in your hair, made your skull seem small in its grasp. you knew that the 6'10 man probably had crushed someone's skull with his bare hands. but his grip on you was loose, the idea of him hurting you made his skin crawl.

you were softly licking his cock while he watched the football game. originally it was supposed to help you beloved relax after two weeks away on a mission. but it was hard to focus on his beer and the game when your pink tongue was brushed against the underside of his cock.

you were great a lot of things sexually, but you were terrible at cockwarming. anyway you tried to do it, you'd just get too excited and do more than just warm him.

"meine liebe." he said softly, "please."

you looked up at him, his cock pressed against your nose. you said, "sorry, honey. i just can't help myself."

"pretty girl." he said, "such a pretty girl."

you giggled as you gave his heavy balls a kiss, "thank you, my love." but made a small yelp noise when könig picked you up from under the shoulders and got you on his lap. you felt his erection against your clothed pussy.

"i want to feel your pussy." he said, "you look better in my lap then on your knees." his voice was such a hot rumble but it carried such a sweetness to it, you couldn't help but eagerly peel off your sleeping shorts and underwear.

you got in his lap properly, knees on either side of his large thighs and sank onto his cock like you had done a million times. you wrapped your arms around your lover and rested against his broad chest. his cock nudged against the back of your pussy and you felt content.

one of the few things that would calm you down was the heft of your lover's cock snug in your damp pussy. it was a far cry from when you first got together and he wouldn't fit in you.

könig put the beer down on the side table before it tumbled out of his hand. your pussy was a familiar presence for him. the tight fit felt good, "that’s it, fuck, that’s a good girl"

you kissed the scar by his mouth and said softly, "thank you, my love."

he cupped your behind and held you while he continued watching the game. austria was getting their asses kicked but the sensation of you seated in his lap made him honestly not care. usually he was an avid football fan, but to have his sweet girl curled up on him felt good.

you mumbled sweet nothings into his ear. he felt the pleasure grow in his gut which meant that you were getting excited too. you started to roll your hips a little, you impatient little thing.

no wonder, the austrian loved you so much.

"mmm, honey." you whimpered.

"i thought you were meant to warm me?" he chuckled softly as he held you.

you replied, "i can't help it. it feels so good. it makes me want more, more, more!" you were soaked and it drove könig crazy as well. two forces that came together.

"alright, meine liebe. i got you." he kissed the apple of your cheek. such a precious little thing."

the more you got cock-drunk the looser your lips became. it was a good thing you weren't a spy, or else a little pressure on your pussy would have you spilling international secrets!

"i wonder what my father knows what happens in the off time. what you and i do together in this little house." you giggled as you rolled your hips. your nails dug into his shoulders.

he groaned, "meine liebe." he hated being teased, but he didn't want to push you too hard and bruise your cervix. something he had done a few times already.

your thrusts were almost cute, little humps as you kept his cock inside of you. you were a far cry from cockwarming. but your boyfriend could never deny you a single thing. so he placed a hand on your hip and the other on the arm of the sofa and let his precious little flower ride him.

he held you steady as you rode him. his cock pressed against your softest areas and earned sweet little moans. your airy little moans, the wetness between your legs, the heat in your face. he lucked out, whatever god was out there blessed him with his cute little flower.

"please, honey."

"i've got you, meine liebe. my pretty girl." he purred as he knew you were getting close. you didn't last too long, he could tell by the stagger in your thrusts and how desperate your moans were.

he softly rubbed up against you as you rode him. a counter thrust to you erratic movements. you were just so painfully cute like this. you peppered his face with kisses and his heart swelled.

it wouldn't be much longer before you dug your pretty nails into his shoulders and clenched around his cock. you were trying to milk him as you slowed down. you slumped against your lover.

his cock was still painfully hard inside of you, it took him a good while to finish off. but you were out of comission for at least twenty minutes. orgasms hit you fast and hard.

but that was fine, he kept your face against his chest as you calmed down and he then grabbed his beer and took a hearty sip of the drink. he rubbed your soft hair and relaxed.

after the game he'd take you to the bedroom and wring two more orgasms out of you before he shoved all his cum into your sweet cunt. you told him once jokingly that you literally had 0% austrian genes in you, but he thought with the amount of cum in you that number was at least at 5%. <3

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angelfleurry · 4 months ago

Text

Horror Movies With the DRV3 Boys!:

Hello my loves. I'm so sorry, I know I have requests, but I'm just putting some stuff out for Halloween. Currently in a bit of a writer's block, so I'm awfully sorry for the wait.

Rantaro Amami!:

♡ Oh, he’s PREPARED.

♡ You want snacks? BOOM.

♡ Water? Tea? Some kind of drink? BAM.

♡ Blankets? TADA.

♡ He has it all, he’s so down.

♡ If you’re comfy with it, he likes to have some sort of hold on you the entire time.

♡ Could be intertwining your fingers, having you lean into him or vice versa, something, anything.

♡ He’s honestly really chill in the sense of watching a film.

♡ You can put whatever horror movie you’d like on, he’ll watch.

♡ Makes very hushed comments, as if he’s talking to himself.

♡ Likes to glance over every now and again to see how you’re coping.

♡ If he gets startled by something, he’ll react, but it’s swift.

♡ He’ll flinch, maybe make a noise, and then chuckle it off.

♡ Always chuckles at your reactions.

♡ Unless you’re genuinely upset by something, then he’ll check on you.

♡ If not, he’ll just ask in a light-hearted manner.

♡ He knows you’re fine, but he can’t help but address it.

♡ Thinks it’s cute.

Ryoma Hoshi!:

♡ If motionless was a person, it would be Ryoma.

♡ Is he startled? Is he regretting agreeing to watch this? Is he struggling?

♡ Or, is he enjoying it?

♡ It’s hard to tell.

♡ Impossible, even.

♡ The only way you can really tell he’s alive is when he lets out a smug chuckle or makes a tutting sound, depending on what’s going on.

♡ It all depends on the type of horror movie, too.

♡ I feel like he’d really enjoy Halloween, but can definitely stomach more darker horror films.

♡ Doesn’t mean he likes them though.

♡ Definitely has seen the Chucky movies.

♡ Doesn’t pander to your fright, but he finds it amusing.

♡ He honestly really enjoys watching horror films with you.

♡ It’s nice to be able to tune out from the world and engage in fiction, especially if you’re next to him.

Korekiyo Shinguji!:

♡ I feel like on his own, he does not really watch much media, especially horror.

♡ But, should you introduce him to it, he’ll sit down and observe.

♡ Even if it’s a more grotesque or disturbing film, he still holds a bit of admiration at how creative humanity can be to conjure up films of such nature.

♡ Is definitely a fan of older horror films, as well as films that are more psychologically/emotionally horrifying.

♡ This might just be me projecting, but I feel like Korekiyo would have a soft spot for Carrie.

♡ The 70’s version though, it cannot be beaten.

♡ It’s such an artistic film full of extreme emotion, as well as clear human error, that I really do feel like he would have a bias for it.

♡ It touches a part of his soul, in all honesty.

♡ It would likely be a favourite of his to watch with you should you ever want to watch something.

♡ In his opinion, it’s more of a tragedy than a horror.

♡ The man hardly gets visibly scared.

♡ It’s hard to tell what expression he bares due to the mask, but if you look up at his eyes, or listen in on his breathing, you’ll figure out if he’s scared or not.

♡ I imagine Korekiyo’s unpredictable when it comes to movies, especially horror movies.

♡ He might allow a quick comment, but for the most part I feel he is silent.

♡ However, should the movie present a topic, culture, or place he has knowledge of, he will explain.

♡ I feel like he sits incredibly still during horror movies, so you’ll probably have to hold him first if you want contact.

Gonta Gokuhara!:

♡ Is it a good idea to let Gonta watch a horror film?

♡ You’re not one to baby him, but…

♡ Oh well, if the day would ever come, it would be because he would ask.

♡ And, one day, he did.

♡ “Y/N, Gonta overhear that couples are meant to watch scary movies together, especially on Halloween…”

♡ “Yeah, that’s right.” you’d told him, nodding slightly in confirmation, “Is that something you wanted to do?”

♡ “If Y/N is happy to, then yes! Gonta would very much like to.”

♡ You smiled at that, but felt the need to ask:

♡ “Would you be comfortable watching those sorts of films?”

♡ At his conflicted hesitation, you felt the need to talk again.

♡ “We can always turn it off if you don’t like it.”

♡ Gonta smiled, he liked the sound of that.

♡ And, surely enough, you had to.

♡ He gave it a try, though, and that’s something you really appreciated.

♡ You did manage to sit through Cujo with him, however.

♡ He cried, but he didn’t want to turn it off.

♡ Lots of cuddles were in order after that.

♡ I imagine he tried to be all romantic and make tea for you both.

♡ He’s glad he gave it a try though, and he thanks you for being there with him.

♡ Gonta has a lot of empathy, so horror films aren’t really the best thing to watch with him.

♡ He’s able to feel the fear, the sadness, the pain.

♡ He also feels as if he is watching existing people die.

♡ He’s aware that they’re not real people, but they’re being played by real people, and it feels real, so it’s enough to frighten him.

♡ Makes him feel helpless, he wants to help but he can’t.

♡ Please put a bug documentary on afterwards, or something calming.

♡ Scoop him into a cuddle and he’ll be alright.

Kokichi Ouma!:

♡ Give this man a psychological horror movie and he’s SORTED.

♡ Absolutely loves it.

♡ It’s hard to tell what his opinion on the more gorey movies are.

♡ He sits through them, and will even suggest watching them, but he’ll also judge the heck out of them.

♡ Has commented on how excessive they are as well.

♡ So it’s hard to tell if he enjoys them or not.

♡ Films like Saw or Room 1408 will have him in a chokehold, but he always has something to say.

♡ Also really likes the Chucky franchise.

♡ If he gets scared, no he didn’t.

♡ He can loudly scream or jolt upright, but you didn’t see or hear that.

♡ Loves to have a pillow wedged between his arms.

♡ Has definitely snuck away when you’re engrossed in the film to try and scare you.

♡ Cannot stay still for the life of him - he’s always fidgeting!

♡ I can’t see him being one for cuddling during these films, at least not constantly.

♡ Every now and then he’ll throw himself around you, maybe make a remark on the film as he does so, and then randomly sit back up.

♡ Sometimes he won’t do it at all.

♡ Just depends on how he’s feeling.

♡ Is very obnoxious should he have a drink with him.

♡ Those grape Panta cans will be clicking and hissing, just so you know.

♡ Teases you if you react to any scenes.

♡ He’s a merciless hypocrite like that.

Kaito Momota!:

♡ He’ll definitely big himself up as being able to stomach the genre.

♡ “Don’t you worry, starlight, you can hold on to me!”

♡ But, give him fifteen minutes and he’s beginning to get twitchy.

♡ He’ll probably subtly scoot closer to you, but it’s not because he’s scared totally! Sure! Why would he be scared?

♡ Does the stereotypical guy thing where he leans an arm to wrap around you.

♡ If you look at him afterwards, he’ll act as if he’s doing it for your sake.

♡ No, no. He’s doing it for him.

♡ Cannot sit through ghost movies, he gets a little paranoid.

♡ Even Casper the Friendly Ghost made him nervous at first, so it is probably for the best you stay away from ghost-related movies.

♡ I think he’d be fine with slasher films though.

♡ It just depends on how much comedic effect is thrown in with it.

♡ Cuddling with him is nice, though.

♡ Regardless as to if you get scared easily or not, you’re not gonna pass up the chance to be close to your boyfriend.

Kiibo Idabashi!:

♡ He’s squeamish.

♡ Knows fully well that it is all fiction, but he’ll be processing everything for days after.

♡ “Y/N! Look what they did, look what’s happening!”

♡ He is very vocal should it just be the two of you watching a film.

♡ It’s nice, it’s like your own personal commentator.

♡ Has researched what to do when watching horror movies with his partner.

♡ Likes touching shoulders with you, it gives him a sense of security; keeps him in reality.

♡ Has and will continue to close his eyes during certain scenes.

♡ “Tell me when it’s over!”

♡ He can laugh about his fear afterwards, giggling slightly as he thanks you.

♡ You both scream in unison, it’s quite funny.

♡ If you scream, it’ll set him off.

♡ If Kiibo screams, it could set you off.

♡ And then you’re both screaming before laughing within the next heartbeat.

Shuichi Saihara!:

♡ Shuichi’s a detective, he’s seen some things.

♡ This means that, surprisingly, he’s not as squeamish as one would expect when watching a horror film.

♡ He’ll still find some things disturbing though, and his facial expressions give him away.

♡ Subconsciously clings to you during these moments, and you welcome it.

♡ If something’s incorrect, he’ll point it out.

♡ Then, he realises he’s pointing it out, and worries he’s coming off as too harsh.

♡ But, he’s already said it all, so you just prompt him into explaining why it’s incorrect.

♡ It’s nice to have him explain stuff over an uncomfortable scene, it takes away the edge.

♡ Always makes sure you’re okay with what’s playing.

♡ Cuddles are a given, or just some form of physical contact.

♡ You two share a blanket, and he repeatedly asks if you’ve got enough.

♡ Gives you more blanket than he gives himself, bless him.

♡ Even if you two aren’t effected by the movie, you always like to do something gentle on the mind afterwards.

♡ This could be reading a book side by side, or watching a calm movie, or even just talking.

♡ It’s nice.

♡ He’s nice.

♡ Love’s nice.

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