#I'm struggling to tag this so bad
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All Disney Descendants Books
Isle of the Lost Novels:
The Isle of the Lost
Return to the Isle of the Lost
Rise of the Isle of the Lost
Escape from the Isle of the Lost
Beyond the Isle of Lost
Descendants School of Secrets:
CJ’s Treasure Chase
Freddie’s Shadow Cards
Ally’s Mad Mystery
Lonnie’s Warrior Sword
Carlos’s Scavenger Hunt
Graphic Novels and Manga:
Disney Manga: Descendants - Rotten to the Core, Book 1: The Rotten to the Core Trilogy
Disney Manga: Descendants The Rotten to the Core Trilogy, Volume 2
Disney Manga: Descendants The Rotten to the Core Trilogy, Volume 3
Disney Manga : Descendants - Evie's Wicked Runway, Book 1
Disney Manga : Descendants - Evie's Wicked Runway, Book 2
Disney Manga : Descendants - Dizzy's New Fortune: Volume 1
Disney Manga : Descendants - Mal's Royal Challenge
Isle of the Lost: The Graphic Novel
Return to the Isle of the Lost: The Graphic Novel
Spell books:
Descendants: Mal’s Spell Book
Descendants: Mal’s Spell Book 2
Guides:
Descendants 3: The Villain Kids’ Guide for New VKs
Descendants 2: Uma's Wicked Book: For Villain Kids
Descendants: Uma's Guide to Life on the Isle
Movie Novelizations:
Descendants 1
Descendants 2
Descendants 3
Descendants: The Rise of Red Junior Novel (Disney Rise of Red)
Miscellaneous:
Descendants: The World of Auradon: Royals and Villains
Disney Descendants Wicked World Wish Granted Cinestory Comic
World of Reading: Descendants The Rise of Red: Paint This Town Red
Descendants: Mal's Diary
Descendants: The Magic of Friendship
World of Reading, Level 2: Stronger Together
Welcome to Auradon: A Descendants 3 Sticker and Activity Book
Descendants 3: Audrey’s Diary
Descendants 2: Evie’s Fashion Book
World of Reading Descendants 3: Stronger Together Level 2
Secrets of Auradon Prep: Insider's Handbook
Disney Descendants Yearbook
#i didn't include the coloring books#disney descendants#descendants books#isle of the lost books#auradon kids#villain kids#descendants#rise of red#descendants 4#melissa de la cruz#mal bertha#evie#evie grimhilde#uma#audrey rose#mal descendants#jay descendants#carlos de vil#I'm struggling to tag this so bad
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The world exists in such a baffling state of simultaneous sex-aversion and sex-hegemony. Every social platform on the internet is trying to banish sex workers to the shadow realm but I can't post a tweet without at least two bots replying P U S S Y I N B I O. People are self-censoring sex to seggs and $3× but every other ad you see is still filled with half-naked women. Rightwingers want queer people arrested for so much as existing in the same postal code as a child and are also drumming up a moral panic about how teenage boys aren't getting laid enough. I feel like I'm losing my mind.
#it's bad if you want i have sex it's also bad if you DON'T want to have sex#god forbid if you're a woman in a heterosexual marriage and aren't in the mood#that's 'withholding sex' and you're clearly abusive scum who should be divorced and left without any of your shared assets.#but if you DO have sex now you're a degenerate freak plotting for the downfall of western society#i don't know what to say i'm just so tired#politics#culture#queerphobia#lgbtqia#misogyny#<it's not the exclusive source but let's be honest sooo much of this is integral to the patriarchy#patriarchy needs access to an underclass they can treat like sex objects but they also don't want them to have any human rights#so sexuality is both obligatory and stigmatized#purity culture#i'm really struggling with tagging this because most of the appropiate tags would- in a beautiful twist of irony- get me booted off tumblr
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Look what we've become.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#jiang cheng#Initially I wanted to do a 'Mutiny' quote to follow the 'Luck runs out' quote.#But the musical earworms demanded a different blood to be drawn. And I think it works just as well.#Alright. It's time to confess something. I really struggled with this comic. I didn't want to draw it. Then I didn't want to upload it.#Because I knew I would be here in the tags writing and backspacing for hours trying to articulate my thoughts.#I'm going to talk about death and grief in the tags today so this is your WARNING to look away if you aren't in a headspace for it.#Sometimes in media there are scenes and characters which land on topics so specific to your wounds that it reopens them all over again.#Because here's the truth. When you've known someone like this for nearly your whole life...it doesn't matter how bad the fight is.#You always think 'We'll always have time. One day this dust will settle and we'll rebuild the bridge.'#And then the fucker dies!!! He dies and suddenly there will never ever be time to repair the rift.#Someone you loved died thinking you hated them. And part of you did just a bit. But love and hate aren't mutually exclusive.#He's fucking dead and you are left with so many broken and unfinished pieces between the two of you.#Jiang Cheng loses Wei Wuxian thinking that WWX thought they hated each other.#He's a younger brother who will one day be older than the person he lost.#Who has no one else in the world who understands those feelings of love and hate and grief.#I can't be normal about this character. I don't think he even heals me. Zero catharsis to be gained here.#I just look at his sour grape ass and think 'shit that's a little too close to home.' JC is my discomfort character.#I'm probably going to regret being this vulnerable in the tags in like. An hour. So. sorry if you see this once and never again.#EDIT: Yeah sorry this took 4 hours to muster the courage to post. Surprise update!#EDIT 2: You guys were being too nice to me on my sad comic to point out the spelling error. I have fixed it now B'*)
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wanna preface this by saying that i am. So normal. anyway i just spent the last week redrawing scenes from mystery skulls animated but as that hermitcraft au i posted about a couple times. you guys should watch msa it is. so so good.
#my art#hermitcraft#mystery skulls animated#geminitay#geminitay fanart#ethoslab#ethoslab fanart#falsesymmetry#falsesymmetry fanart#ignore the fact that etho's hair changes literally every drawing#poses + expressions are traced a bit; and backgrounds aren't mine(well; except for the second one; which you can prolly tell;; sksnsks)#and also (with the help of sap bc i'm bad at color theory) edited the truck bg colors a bit#but even so;; i am!! very very happy with how these turned out#mystery skulls animated spoilers#<- honestly that's mainly for the murder mystery one#granted anyone who hasn't seen the future at this point prolly won't have that tag filtered#etho's murder mystery form(no i don't have a name for it)'s collar tag is a mix between a mable leaf and a vex!#cuz reverb is cub in this au#hence all the blue and stuff;; skdhkdnkd#you'd think that last pic would have been the hardest for me to draw; with how complicated etho's design is#but surprisingly; it doesn't even place top three in terms of how long it took to draw#no; instead it was that Fucking. Truck.#WHY did that take me eight and a half hours#the second longest was only five!!!#the others barely even top 4!#also#WHY are the deadbeats(which are mini tillies here) so deceptively hard to draw#every time i struggle with them orz#anyway. images 3; 6; 7; and 8 are my favs <3#if false and/or pearl see this. o/ hoi
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Fic rec of the day is the ongoing Stranded by The_Absent_Minded_One on Ao3
(Go read it it's a roller coaster who hurts in all the right places...I wanted to draw every scene I had to restrain myself ^^;)
#star wars#star wars the bad batch#the bad batch fanart#tbb fanart#fic rec#I couldn't find author's social so hhh tag me if you're here?#I discovered I couldn't draw spaceship#I'm such a pro artist lol#anyway pls go read this fic#I love how it's written#nothing is okay#and it can get worst#and it gets worst#I still struggle to do grey tones#my pictures are unreadable#so read the fic to understand them hehe
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phew ok starting off brokeweek (???) day one with the darlingest monk birds belonging to @itsonlypolite and @wysteriaisapenguin! drawing them together gave me so much delight - thank you for bringing them into this world. a thousand kisses for them ♡♡
🫴 also a transparent version incase you want a little jpeg doll of your child
#art is amazing holy shit i get to draw my beloved on his way to pumpkin carve with himself#i feel like the symphony dolphin rn#silly thing but i gave politebroken a regular kitchen knife for the pumpkin until i realized that looked really bad akdjahqbq#im so glad poli mentioned they struggled with drawing their broken cos god this struggle city for me again#here i was. tears in my eyes. wishing i had a time machine to learn drawing animals in my youth as i desperately redrew cutest guy ever#wysteriabroken is also so darling too literally texted my gf how cute he is like 5x#look at him!!! the definition of baobi!!#slay the princess#♡. scribbles#voice of the broken#i. i don't wanna call this brokeweek but i have no clue what to tag this awuehwhq#ill rack my brain but if anyone wants to submit smth i'm open
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from this thing lolz
ty to @cherry-207 for the idea !! XPP
vargas by zarla-s
#sunny's art#vargas#edgar vargas#vargas zarla#scriabin#zarla s#scriabin vargas#would add shitpost tag too but i made so much effort on these to call it shitpost#this took me like 4 days . it could've taken two but i had to go out most of these days#this is just another “ i forced myself to color this thing just to practice coloring ” piece#went crazy with this one X3#changed pretty much all of my brushes#bye square-shaped brush . i'm gonna miss you#i feel like edgar would actually find this cute tbh#it's perfect for them and they both know it#i know that the actual meme doesn't really look like my artstyle#but this is the first time i draw a face from that angle okay#that's all bye#nevermind i want to rant about something .#okay it's like . everytime i draw edgar i struggle a lot thinking of the clothes i want to draw on him#so i literally took a screenshot of every thing zarla has drawn on him so i can yk . pick something out of there#well on this one drawing she made he had this pretty beige cardigan and i was like okay sure let's get that one#then . was just coloring and when i tried to shade the beige it just looked dirty and ugly#why when other people do it it looks good and when i try to do it it just looks ugly ??!!1!1?!#funny enough this is the third time this happens to me#it also used to happen with gray . i just changed the color of the shading to dark blue and boom fixed#so i had to change it to green . looks better like that anyways#so i'm thinking . does beige look bad on edgar or it's just that i don't know how to shade beige in the first place#( probably second one#i think this is actually all
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of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)
#len speaks#star wars#revenge of the sith#empire strikes back#the force awakens#not tagging more films than that bc i cant b bothered. incoming tag ramble ahead bc i have sw brainrot rn and im making it everyones prob❤️#i rlly struggled 2 remember if id watched tfa or aotc more. i went w/ tfa bc it was formative to me as a teen and ive seen it probably 6ish#times? whereas aotc was the first sw movie i remember (specifically the scene of obiwan serving c*nt in the bar lmao) but i've only seen it#for sure 4.5 and maybe 5.5 times. the .5 is from when i got bored after obi-wan's scene ended and ran off to go play in the mud or smthn 😭#i'm sure tfa will eventually get surpassed in number of rewatches by aotc and rots bc i don't fw the direction of the ST but that's my#current ballpark estimate of my total number of rewatches#as an adult tho if i just wanna watch a star war i'll go with aotc bc it's fun and ends semihappily and i can turn my brain off for the#spinny lightsabers. it's great background noise or for if you're sick or whatever. rots on the other hand? i won't talk through that unless#i'm quoting it with my brother and i am LOCKED IN 100% entirely entranced by it all#i almost picked rogue one for the best quality answer but i think the character writing is weaker and the facial cgi is creepy. esb beats#it by a hair imho bc of that. the vader hallway scene goes hard tho!!!#also i'm not covering shows or games or books or anything else in this post - simply the films. might ask abt shows later but that might#also give me hives bc so many of the shows suck ass and i don't rlly want ppl extolling the virtues of t.bb in my notes 💀#and yes i do think one's enjoyment and one's opinion of quality are two things that often overlap. but sometimes you just like something#bad and that's awesome. like rots is the best of the prequels by a large margin and i adore the opening and characters and many of the#scenes but that doesn't mean it's the best star wars has to offer ykwim? it's my specialest most favoritest sw movie but that doesn't blind#me to the dialogue lmfaooo
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Lately, when I talk about someone I strongly disagree with, I think about my friends.
When I interact with someone who regularly rants about people, and tends to take things in the worst ways (without any attempts at self-reflection or grace), I feel more on-edge. I'm nervous to voice opinions. I'm always over-thinking everything I send them, worried about how they'll receive it.
On the other hand, I feel much safer during conversations where someone is speaking neutrally about those they feel at conflict with. When they feel upset about a situation, but without talking aggressively about the other person. Because I know that if we're ever in a disagreement, or have some sort of conflict or misunderstanding, they won't hurt me or suddenly hate me*.
I used to speak much more aggressively about people. My personality disorders, combined with online toxic environments, were big factors in that. I was stressed and angry constantly, and I felt justified, and I felt afraid and ashamed to respond with anything but anger. But to make a long story short, I had several big painful interpersonal experiences where I realized how my attitude was impacting my friends.
I remember the nervousness in my friends' eyes. I remember the people I've met who are much older and never grew out of that reactive communication style, and I don't want to be that person. I want my loved ones to feel safe around me.
So nowadays, I do my best to speak compassionately (or at least neutrally). Because I want to signal to my friends that I'm not going to be cruel to them, or to automatically believe the worst of them, during a conflict or misunderstanding. I try to vent about situations and my fears instead of people.
I wish I'd realized this before.
*(I discuss splitting in the tags)
#actuallynpd#actuallybpd#actuallyautistic#relationship advice#communication skills#I added the autism tag because we missed the social cues that would have alerted us of this early on#and that sure is a big thing we talk about in therapy.#Accidentally hurting people is so painful. We learned this back in 2020 and have been#practicing it ever since. We've wanted to share this with others because honestly a post like this would have prevented a lot of pain and#conflict.#And as promised; about the splitting-#This isn't a post meant to shame anyone for struggling with intense anger or distrust or splitting or any other symptom#My partner and I both have PDs. I've learned to self-regulate intense anger before venting. I've learned how to use more neutral words even#when I don't feel them. And when he splits on me he tells me he's having a BPD moment and that he needs some time alone#That's okay and healthy <3 Mental illness is tough. PTSD is tough. I often jump to the worst conclusions because I'm scared of being hurt.#I've just learned to handle it differently.#I wanted to clarify that because I don't want anyone to think they're inherently bad for having trauma reactions. My goal was to make the#type of post I needed back then when I lacked that social awareness. I had to work through a lot of guilt and shame and that was really#really hard. But it was so worth it. I'm so so glad she told me.
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I made the colours look good! hoorah!! I sat here for literally ten minutes trying to think of a good witty caption and I Couldn't so enjoy some Earnest Expressions of Creation instead.
#virgil whinchester#Thomas#The Golden Hand#I really have no idea what to tag this as#I want my art to be Discoverable but boy howdy am I bad at gaming these kinda systems#Anyway I'm really happy with Virgil in Lady-Mode#(Can take or leave Thomas all geared up.. like he turned out Okay but Eh....)#I haven't really drawn him Properly and Fully expressing the other aspect of her gender like... Ever#I think maybe Once in her original run in Highschool I drew him in a Dress for a Thing#And I've struggled to like... Think of what she would Look Like#my brain was kinda stuck on this really smoothed out more rudimentary gender-swapp-y look that... Was bad and didn't Feel like Virgil at al#let alone Look like him.....#But this!!! this looks Just how she should look!#She looks like a Fourty year old woman! with the same face he always has the other time(s) I've drawn him!#And I'm so happy about it!
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dragon's dogma fans... put in the tags what gifts you like receiving the most when people send back your pawns, for either game honestly!!! + as a bonus, what do you prefer to see as rewards for pawn quests?
#clyde.txt#dragon's dogma#dragon's dogma 2#dd2#ddda#i literally struggle so badly with what gifts do send it gives me decision paralysis and i get too shy to hire people's pawns 😭😭#but ppl have really generously been hiring my pawns lately for badge stuff and i wanna be able to return the favor...#and it's just good to know what people like getting!!! personally ferrystones are always nice for me... or good healing items#i was gonna make like a google form but i'm so lazy... so just say in the tags if you feel like it 😏👍#i don't really ever care what pawn quest rewards are and i assume ppl feel similar... but like i said... some guidance or feedback can't be#a bad thing!!!
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Personally, I think the “That’s how it happened right? You standing in my blood, stroking my hair?” Was how it happened. Louis is just super detached from that headspace he was in before, and validly wanting not to have it be true that he didn’t, at one time, care about Claudia being gone, would be reasonable, and in character. Blaming Armand, partly, for why things got to be like that is correct. Though in this instance is misdirected to include things Armand did not in fact do to get it to be like that, but had, very much, done in a recent unrelated incident. He's essentially combining two events together to get it to align with his current set of beliefs. (Surely everyone's looked back on a situation before and saw it differently given time to think or feel differently about it. Get differing information, and so on. The show is directing us to that a lot, if not making it one of its major themes.)
But I say this is probably, almost definitely, the case, because Louis story beats need to be told accurately lest it take away from his character arc, as well his whole character and its complexity. Obstructing from his, very powerful, highly emotionally driven, story in a way that's frankly offensive. Armand having total and complete control over it, is bullshit. While, he does this though, to himself. Does a character armor on himself to get away from his own flaws, and role, in how things came about. Not intentionally, because it is emotional, and a lot of times just a result of blocking out that trauma. But this is something he’s seen doing often - Not remembering situations in the light in which they’re most accurate, and in so doing painting himself better sometimes, and others worse. Straight up forgetting, or overlooking information, and so never reevaluating why certain things came about until this moment. Not accurately applying the emotions of then, to the way he feels about it now, because he can't, or couldn't previously, actually remember it in that way. As he doesn't connect to those feelings, even those memories. His feelings in a lot of ways keep clouding his memories and his judgments of them.
Daniel gets at this too, where he brings up the tapes, and how Louis was basically just raving the whole time, and this story all happened differently then. It's the same story beats, yes, but it's all so emotionally different to the point where information gets completely changed around, even looked at like it's forcefully constructed to be a certain way, and not actually, therefore, accurate. Louis always tells an emotional story, and that’s important. It places him in time and continuum, in his own history as opposed to outside of it. That’s like, I think a history that can’t be overlooked, even if it's a history that's subject to change. And shouldn't history be? Shouldn't we look back on events that took place in our lives differently? Isn't that how any society grows? And why shouldn't Louis judgments be clouded by his emotions when that's the reason for most any other characters actions? Isn't that the story being told here?
#iwtv#Armand stuff in tags so I'm not derailing:#this is also why I believe Louis had asked Armand for it to be removed because he was struggling and his judgements were off and so asking#in that kind of moment is... I feel a very Louis doing something emotionally desperate moment. And you can just#throw a dart at a wall of things he's done and never miss him doing something emotionally desperate.#the whole interview is emotionally desperate for crying out loud.#anyway... I'm an Armand would only do this if asked kind of person and think it's lazy and bad writing otherwise.#Armand SO much more preys on Louis emotional vulnerabilities and desperations than he goes fucking around with Louis literal memories.#Cause he's also not after control so much as filling the void of his own insecurities and sometimes this is done through manipulating Louis#And that's why I also don't think he plans and constructs so much as... also only acts desperately.#Honestly I don't think a lot of it's intentional either for the very reason he doesn't want to really control Louis#Louis just also an active reminder of everything he's insecure about so he... ends up acting out a lot of them onto him.#The guy's not hannibal lector unwell he's Armand unwell#Idk the people that get it get it#louis de pointe du lac#loumand#armand#interview with the vampire
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Aw man
#Cave talking#complaining in the tags#Maybe I've just been wiped tf out this week but I think it's over lads#I think the COD enjoyment has slipped away#I'll give myself a couple weeks to work on other stuff and maybe play the games again or something#I still have so many things I want to finish and it makes me really sad to think I might not#I've barely felt like reading and I've hardly been on tumblr and I just feel kind of ambivalent about everything#But tbf I don't feel very bivalent about anything offline either rn I just feel very bad not good#I really struggled this week and I've just been really unhappy with everything I've managed to get out and I'm just fuckin#tired I guess
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Love in the Time of Calculation
as promised: the first chapter of the ranchers SEN fic! this fic takes place inside the au I created for Stretching Endless Night. I'm hoping posting this first chapter will actually get me to. write the rest of it. since I've got so much of it written. jazz hands!! enjoy!
In order to continue supplying food for a growing station, Commander Tango Tek, second to the head of engineering on the space station Prometheus, takes a six month study with the Empire-2 station at the behest of his admiral. There, he meets their botanist and horticulturist, Jimmy, a man he's only communicated with in communiques, voice memos, and documents. When they meet for the first time face-to-face, Tango realizes they both have something very interesting in common. In the face of all odds, two androids fall deeply, horribly in love. (6711 words)
Tango flips a switch on his navigation panel.
“It would be funny,” he says, slowly, enunciating as the recorder picks him up. “If I were to start these with some outlandish startdate. I would find it hilarious, I think, but I don’t know how many other people would. So…
Stardate 2105.47: I’ve just made brief contact with the Ring-style Space Station known as the Empire-dash-2. After discussion of docking procedure, I was forwarded the…passkey for the docking sequence and I should be arriving within two hours of my current time. That time is…in hour format…8:07pm. Lookin’ forward to meeting them, as much as they’re probably lookin’ forward to meeting me. I’ve never spoken to them in person—it’s all been electronic. So…it’ll be interesting, to say the least!” He nods, feeling some inclination to sigh—despite there being no way to. Motions he’d learned and copied from his peers.
“Thus begins my month-long stay with E-dash-2. I can only hope some work with hydroponics actually gets me somewhere. They tell me the guy’s a genius, so I’m inclined to believe them.”
Tango jabs his finger against the stop recording button. After a beat, the small, LCD screen flashes SENT in dark, bold letters. Leaning back in his chair, Tango folds his arms over his chest, and sets his boots on his console. The ship around him hums faintly, enough to be heard if he pays attention to it. As he leans back, he surveys the inside of his ship, the LTS-111, the small craft that he called home. In comparison to other ships on the Prometheus, it’s smaller, built for short term travel between locations, a cool, dark grey inside. There’s two swivel chairs at the helm, a large front, port window, overlain with his control panel, above and below his chair. Behind him, a door opens to a short hallway—mess hall and his room, just a plain, grey-white with one bunk. There’s a crate with his belongings, of which there are few, a plant on the windowsill to keep him sane. The mess is devoid of food and drink. It’s a luxury he doesn’t need. It’s nice when he can, but it’s nothing but an experience for him. Nothing to be gained from poorly made HASA meals full of crude protein. The edge of his boot catches the lip of the console, pulling at the rubber. He’s tucked his flight suit into his boots. His eyes follow the bright red and gold stripe down the side—division colors. Commander, engineering and technology. On his sleeve there would be the same designation, as was on all of his uniforms. Even the plain black, well fit shirt underneath, even his boots. HASA; Commander. Luckily his boots didn’t have a commander or engineering tag. If he felt so inclined to sand off the small rubber HASA branding he could.
His eyes follow a line across the ceiling, to the small strip of light that brightens the room. He runs his fingers over the seam in his sleeve—habit, again, but he’s not sure from whom.
The hour passes slowly. Tango spins simulations in his mind, projects from the ship's computer the schematics of E-2. He can see the docking station there on the map and traces out the line from there to the botanical garden. He spends time memorizing that path, and out to other locations, and rolling the names of his new compatriots around in his language acquisition program. None of these things are foreign to him—he’s built for new experiences, new learning opportunities. He can feel where known things end and new begins, and craves to fill the space, often and continuously. When that hour ends, there’s a tinny beep from his communications panel. He looks over the message displayed.
LTS-111 prepare docking sequence.
Tango dials the coordinates into his navigation system, overriding the current charting program to pilot into the docking bay. As he does, a crackling voice jumps to life.
“LTS-111, this is Fwhip, Commander of E-2. Do you copy?”
“E-2, this is Commander Tek of Prometheus. I copy. The Rift is ready for docking procedure.”
“Commander!” The voice—Fwhip—laughs. “It’s good to have you. Glad to hear you made it safely.”
Tango nods to himself.
“Myself as well. Looking forward to meeting you all.”
The line clicks out. Tango resettles in his chair, sitting up straight, taking in the sound of Fwhip’s voice, the designation, the information. He files that away.
The curve of E-2 comes into view, stark white and grey, glittering gold where the paneling reflects light. He watches as the shining craft sits suspended amidst stars, its own field of gravity and oxygen and life shining a faint blue in the light of the nearby sun. He feels that warmth through the front viewscreen, despite the gold foil and shade to block it. It’s nice. In the closest approximation to nice he could get. He pulls the seat’s harness over his chest, snaps it in place as he begins standard docking procedure—slowing to a noticeable crawl, flipping on his communications panels, and switching to reserve thrusters. The Rift was made with older tech, anything he could salvage and amass from ships being decommissioned. It functioned—better than the standard HASA ships and was fully compliant—well beyond what he’d ever expected. Though he wasn’t quite human enough to have real expectations.
The ship settles into a launch port on the far side of E-2. Tango takes his time collecting his belongings. He wanders into his room as the ship powers down, settling into a dull hum. He repacks his bag, giving a quick once-over of the bunk before he lifts the trunk into his arms, the weight negligible. He settles the plant in the corner of his bag, making sure it’s settled before he slings the bag over one shoulder and sets the crate on one hip. His startup keycard sits in his front shirt pocket, and his credentials badge in his back pocket.
The first thing he notices as he enters the launchpad for E-2 is how clean and bright it is. The launchpad is devoid of anyone working, and there are certainly no other docking ships. The two other ships Tango can see are relatively new and clean, parked closely together. He glances around the space, looking for any sign of movement. His footsteps echo quietly around the empty chamber. To his right, beyond a stabilizing membrane is the winking stars of space. There’s a planet in the far distance, but it’s much too far to see anything notable.
The bay door to his ship closes as he steps toward the winding steps up to the lofted second floor. He starts up the steps, lifting the crate into his arms.
“Commander Tek!”
Tango startles. Looking up to the second floor, he sees someone lean over the railing, waving enthusiastically. Tango squints at him, surrounded by the white facade of the walls around him.
“Commander Fwhip?” Tango says, cocking his head to the side. He sees Fwhip nod again.
Tango smiles a little, eyebrows furrowing despite it. Fwhip. The intonation matches what he heard crackling over the communicator of his ship, though, of course, without the static. He’s wearing stark black, with a large diagonal line cut in red across his chest, up to his collar, and over his shoulders. Tango realizes for a moment that his jumpsuit may not have been the prime choice for meeting a commanding officer—no matter the rank or office. Especially considering that he was supposed to be both a liaison and a researcher.
But as Fwhip meets Tango on the landing, he shakes his hand firmly. There’s a spark, somewhere, in his eye, his heart rate elevated as Tango greets him. He’s winded, too, like he ran all the way here. Tango feels a piece of information in his mind click unexpectedly into place.
“Commander Fwhip,” he says, copying the smile Fwhip is giving him more fully. “It’s a pleasure.”
“Oh, please,” Fwhip laughs. “Commander, the pleasure is ours. Congratulations on your most recent publication.”
Tango nods. Somewhere, something kicks in his chest, just the faintest flicker of painful phantom sensation. It took him two years to publish that paper—and it was a damn shame he had to die to get it published in full, despite Doc and Etho’s help.
Fwhip’s hand is warm in his, enough to notice the change in sensation between them. He can feel Fwhip’s heartbeat in his palm and the way his breathing stutters for a second when Tango and him shake hands. Fwhip looks down at his hand. Tango lets go first, the noticeable white lines on his skin pulsating in and out. His hand feels stiff as he stretches it, feeling metal extend and retract.
“You’re…” Fwhip starts. Tango sees him frown, just the smallest change between his eyebrows.
“An android?” Tango finishes. He watches color rise to Fwhip’s face as Tango tilts his head, expression neutral, amused, even. Fwhip laughs, even if it’s born from a touch of embarrassment. Tango hums something low, a version of a laugh he can manage to sound normal.
“It’s not strange, if that’s what you think I think,” Fwhip says, leading Tango toward the stairs. “Unexpected maybe, but—to be fair, they didn’t tell you anything about me, either.”
“That is very true,” Tango says. He feels that itch, then, that want to know, to delve deeper. He shifts the box in his arms as they round the stairs, reaching the upper platform. “I think most people are surprised to find that I’m an android.”
“That’s a shame—you’re brilliant for more reasons than just being an android,” Fwhip says, and the click comes back again, like he’s cracking a combination lock one number at a time.
“I appreciate that,” Tango says, inclining his head. If there were anything in his face to indicate blush, he would be bright red. He hums instead, tilting his head back and forth in a dismissive sort of shake. Fwhip backsteps to walk by his side, raising his eyebrows over his glasses.
“So,” he starts, motioning to the door. “Did you have any questions about the ship as you settle in?”
Tango looks down at his shoes for a second, letting the thought spin in his head. He nods, just once.
“Yeah,” he says. “I’d love to hear more about the botany division—I got a real short mission briefing with Admiral Xisuma before I left. I know we were in a hurry to find the sweet spot of travel.”
“Of course,” Fwhip says. “Lining up that parallel can be real difficult if you don’t time it right.”
“The Admiral’s got an eye for interesting navigation patterns.”
Fwhip laughs, nodding his head.
“Glad to hear you’re in good hands,” he says, opening the door for them. Tango follows him into a brightly lit hallway, lined in white and cream and bright floor lights. Along the edges are colored lines, intersecting and dividing—red, blue, green—to locations Tango can’t see. He follows Fwhip down a corridor, further from the launch platform. Tango knows this layout—further down the hall is a passenger elevator meant for the science team. They’ll take it down four flights to the belly of the ship, where many of the labs rest, tucked away. The ship's rings orbit each other, so he’ll be in this ring for as long as he’s doing research. They’re relatively straight forward, broken into divided sections inside. He traces the pattern out in his mind as Fwhip begins to speak.
“Well, to give you a station briefing, our main team fluctuates, but I’d say we have about 15 to 20 of us at any given time on command, and then a hundred of personnel and staff besides ourselves. I work closely with Lieutenants Scott and Pix, and both of them know our botanist pretty well,” he turns to Tango as he calls for the elevator, pressing his keycard to the small panel next to it. The numbers above the sliding doors illuminate in orange, bright and blocky. Tango raises his eyebrows.
“His name is Jimmy,” Fwhip continues. “He’s a Lieutenant Junior Grade, but he’s incredibly good at what he does. I’ll let you two get acquainted when we get down there.” The elevator doors slide open. Fwhip gestures Tango inside before he himself steps in, pressing the button for their floor. Tango sets his trunk at his feet, toeing it off to the side and out of the way. “He spends most of his time down there, so you may not see him much at all besides when you’re working.”
Tango hums. He screws up his face into an approximation of thinking, running the words over in his head. A junior lieutenant. A higher officer, for certain, but for him to be teaching Tango—there feels like there should be a catch. Tango pulls at the seams of the phrasing, the intonation. His eyebrows furrow.
Fwhip answers his question before it leaves his mouth.
“He basically revitalized the hydroponics system overnight—nothing’s changed in the watering or feeding system, but the plants grow like crazy now,” Fwhip folds his arms, glancing over at Tango as Tango folds his hands behind his back. “I think it was his specification for a while, so as soon as he got here, he requested the transfer, and his work brought him up the grade.”
“That’s impressive,” Tango says, a touch quiet. The only other person he knew who’d ever done something like that had been Mumbo, and most of his ideas were feats of engineering so large they required a three-room modified lab space and a blast chamber. Meridian supplied that—though Prometheus—himself included—was sad to lose him to their sister station, especially after how long he worked with Tango.
“He’s written a paper on it—it’s in the works of being reviewed now,” Fwhip says. “I don’t know how likely it is to go through, though.”
Tango hums again.
“Why’s that?”
Fwhip shrugs. “He’s just not a nice guy to work with,” he says. “And I don’t mean that to be rude, either.”
The elevator doors open. They spill out into a lackluster hallway, still the same bleach white as the floors above. Taking a sharp right, they follow the curved edge of the ship down the green line, toward a series of crew cabins. Fwhip gestures toward a room closer to the middle of their row. As they stand there for a moment, he offers Tango a keycard.
“We got you a room—well before we knew that you…probably wouldn’t need the bedspace,” he says, shaking his head apologetically. Tango waves his hand. “You’re welcome to it, though.”
“Oh, I’ll absolutely take it,” Tango says, trying that smile again. Fwhip smiles back this time, one that touches his eyes, and makes Tango smile harder.”I like having my own space. Normally I have an office, so this’ll do just fine, I think.”
He presses the keycard to the door as Fwhip lifts his crate into his arms, struggling under the weight for a moment. The door slides open. Inside, as the soft yellow lights raise to bright, is a sparsely furnished room. Fwhip carries his crate into the room, setting it at the foot of the double bed. The room is small, clean, tidy. He turns in a small circle as Fwhip sets the crate down, nodding his head.
“This is great,” Tango says, dipping his head. “Thank you.”
Fwhip nods, clapping him on the shoulder.
“Absolutely,” he says. Moving past him, he gestures back to the hallway. “I’ll be forwarding you the ship changelog, so you know who’s on shift at a given time, and when meals are, if you have any interest.”
“That sounds great,” Tango says, moving with him to the hall. He follows Fwhip back down the hall, back towards the elevator. They diverge at a second hallway and down a third, following the winding corridor through the ship’s interiors. The walls shift from opaque to translucent as they follow the path down, with more and more people shuffling about. Fwhip moves through the hall easily—Tango navigates with a bit more difficulty, skirting past doors sliding open and bright lights and the new rush of people. As they weave through, Fwhip says:
“Figured I’d show you down to the lab,” he checks his wrist, a brief flash of numbers and notifications that Tango doesn’t quite catch fully. “I’ve got a bit before I have to be back at the bridge.”
Tango hums.
“Great—I’ll…hopefully be able to find, uh, Jimmy?”
Fwhip nods.
“Mhm—” he says. They pause at a lab closer to the end of the corridor. Through the high ceiling and tinted glass, Tango can see the warm yellow and purple light that floods the space. The lab stretches further down the hallway and out of sight. Fwhip tilts his head toward the lab.
“This is it?” Tango asks.
“This is the one,” Fwhip says. He steps back from the door, letting Tango tap his card, the door sliding open for him. It stays open for a moment as Tango steps in. Fwhip checks his wrist again.
“I’ll let you find him,” he says. “Hopefully you’ll get a briefing before you leave to unpack.”
Tango nods, smiling again. The warmth of the room starts to roll over him as he stands still—cooling kicks on to adjust, like a sigh out of his chest.
“Thank you, Commander,” he says. Fwhip nods, dismissing him, before the door shuts between them, and Tango stands, alone, in a room full of plants.
He picks his way around the lab for a long while. The quiet is nice, the sound of air circulating and the soft hum of lights and electronics. He hadn’t run this particular section over in his schematics—something about it almost felt invasive. He wanted to learn it for himself, standing in the center of the room, hands braced on the work table. The equipment portion of the lab is its own self-contained room at the front of the lab—big enough for a table, several workstations, shelves of equipment. He rounds the table as he spots a secondary sliding door, obscured by the semi-translucent, white glass.
Tango presses his loaned keycard to the scanner, watching the door slide open. Stepping inside, he stands amongst a huge lab filled with rows of vegetables, aquatic plants, and small trees. He can see potatoes, carrots, beets, neat and lined in suspended troughs of water and sitting in cups on the floor. Along the walls are digging and planting tools organized haphazardly, strewn about in small piles. The air is warm and humid as he walks his way around a series of rows—it almost feels like its own planet, like the atmosphere alone were thick enough to taste.
Tango walks along a row, watching the plants with a careful consideration, as if they would move, or reach out to him, or something. But they’re just plants—unmoving beside the slight wave in the airflow. He reaches out after a moment, brushing one of the leaves, feeling it between his fingers. It’s rhubarb. He doesn’t think he’s ever seen rhubarb before. He doesn’t think he’s ever seen this many plants before.
Moving around the hydroponics, Tango wanders around the other side of the lab, watching as it stretches out and further back, rows of plants in tight lines, purple lighting and tubes for irrigation running across the ceiling. He turns into a slow circle, moving back through the rows as he does. The rows loop around back to the supply stations, where Tango walks backward, trying to see the end of the lab, where else it could lead, where else he could explore.
His foot catches under him, sliding out as his knees buckle and he lurches sideways.
He yelps loudly, flailing as he falls, losing his balance and smacking into the shelf behind him. A handful of ceramic plants pots and glass beakers fall with him, smashing to the ground as the shelf comes loose. Tango scrambles up, slipping again as he lands on his hands and knees, fumbling as he tries to scoop the glass into a reasonable, unnoticeable pile, to fix the shovels that must’ve fallen with him, the stacks of gardening gloves under his right boot. He mutters to himself as he does, babbling as his mind whirs with simulations. They were always there—right? That’s fine! He tries to stack a pair of gloves back on the shelf, watching them slide directly off.
Shoot. Shoot! Damn it!
“Shit—” he mumbles.
“Hello?”
A voice calls out from the other side of the room. Tango hears a door shut. He pushes the broken shards of a pot near his knee together, like he could even try and fix the shattered pot. He searches wildly for the voice as he does.
“Hi—” he manages, voice warbling unexpectedly. “I’m so sorry—I didn’t mean to.”
“What?” the voice comes again. “Who…”
Tango follows a shape through the row of plants as a man in grey steps around toward him. He blinks, owlish and confused, as he stares at Tango. Tango can see the name stitched into his quarter-zip.
Jimmy.
“I’m so sorry—” Tango starts again, but the man—Jimmy—is already halfway to kneeling in front of him, taking the broken pot from him, scooping the rest of the shards into his hands. Tango realizes, all at once, that he’s still sitting on the ground, surrounded by the carnage of him falling unceremoniously over into the stand. He starts gathering the tools around him into his arms.
“It’s…it’s alright—” he sighs, a trickle of confusion, of agitation, leaking into his voice. “Walk me through it, what happened?”
“I walked into it—” Tango says, feeling foolish all of a sudden. It’s not a tangible feeling. He just knows something is churning and curling in him and he can’t place what. “One minute I was turnin’ around lookin’ at this place and the next—wack.”
Jimmy hums under his breath, something amused. Tango blinks at him as he rights the shelf and replace the items from the floor.
“Wack?” he says, starting to laugh. “I…yeah. Sorry, I don’t organize things very well, it seems like.”
“I don’t either, I’ll be honest…” Tango says, shaking his head. “You’re Jimmy, then?”
Tango scrambles up with glass still in his hands and Jimmy turns back to him as he looks around for somewhere to put it. Jimmy nods his head over to a waste bin, dropping the shards of clay pot into it.
“Mm,” Jimmy nods. “You’re…?”
Tango makes a half-sound as he turns back to him, waving his hands.
“Commander Tek,” he says, sticking out his hand, smiling a bit lopsided. It feels lopsided at least. He’s trying to copy what he knows, and he thinks he’s failing. “Er, Tango. You don’t have to call me Commander.”
Jimmy raises his eyebrows.
“Ah—Fwhip told me you were coming,” he says, tilting his head a little, something like a smile coming to his face. “You’re sure just Tango?”
Tango nods.
“Too fancy with the whole thing. I prefer just Tango, anyway.”
Jimmy smiles in full. The action alone splits his face in half, stretching up to his eyes. Tango copies him, after a beat, something that falters just a little bit as he does.
Jimmy takes Tango’s hand. As he does, a buzz of electricity spikes up Tango’s arm and to his elbow, pooling there, zinging cool and bright. Tango startles, jolting back, making a small, sharp sound that gets lost as Jimmy audibly yelps. It didn’t hurt, but it felt new. Tango likes new.
He feels something wash over him, even as he jolts—memory, knowledge, understanding, like an imprint of knowing the man before him before he even did. Jimmy blinks, a furrow coming between his eyebrows. Tango, for a split second, wonders if the feeling is mutual.
“Sorry,” he blurts. The static shock dissipates as he shakes out his hand. “Sorry, I might still have glass….”
Tango looks over his hands, prodding at the silicon for any shards left there. There aren’t any, though—he even brushes them together, trying to feel for anything. Tango glances back at Jimmy. He’s looking him over, that curious, owlish expression on his face again. His mouth quirks up a little, the sides of his mouth lifting.
“You’re an android,” he says.
Tango’s eyes flick over his face for a moment. It’s completely symmetrical, brown eyes clear and bright, hair neatly parted. His movements are smooth as he steps back and adjusts his sleeves and reaches to gently brush something from Tango’s jumpsuit.
“So are you,” Tango finally says, mouth quirking up. His mouth tastes like static electricity.
“Huh,” Jimmy says, soft, thoughtful. The edges of his mouth fully curl up in a way so human and so foreign. Tango catalogs it immediately. “That’s so interesting.”
Tango huffs out an approximation of a laugh—which causes Jimmy to laugh in earnest. The tension dissolves as he laughs, and Tango feels his shoulders drop. That tingling feeling still hasn’t left Tango’s hand. He wonders for a moment if it ever will, or if every time they brush together it’ll light up like static, or if maybe they just happened to be carrying just enough electrical discharge to shock each other. Tango hopes it doesn’t happen again. He’d like to be friendly without risking a shock.
“So,” Tango starts as they stand together in the hydroponic farm. “Is there a reason ESA lets you use terracotta and glass in space?”
Jimmy shrugs.
“They want it to feel more like Earth,” he hums, amused, turning away from Tango. He wanders a bit before Tango startles to catch up, following him through to the lab room. Jimmy pushes up the sleeves of his ESA sweatshirt. “Not that I would know what that feels like…though I do like it.”
They step through to the lab with the door hissing shut behind them. The humidity and heat follow them in, clinging to Tango’s jumpsuit. He can hear Jimmy mumbling to himself under his breath as he circles the large lab table in search of something. Tango tracks him with his eyes, pausing in the space where Jimmy once was, folding his arms. Jimmy fumbles around for a moment, digging through his cabinets, with Tango watching over his shoulder.
“That’s nice,” Tango says, eyes following him. Jimmy hums, nodding in response. “I can’t say I’ve ever seen Earth myself, either.”
“Oh yeah?” Jimmy says. When he turns back, he’s holding a data pad, a thumb drive and a blank badge. He lines them all up on the table, sitting next to each other. “Have you ever been planetside?”
Tango nods.
“A few times with my old crew,” he starts, waving his hands back and forth. “Some dry and dusty ones for sure. Not too exciting.”
Jimmy tilts his head a bit. He’s still smiling, and Tango, for a moment, can’t take his eyes off it. He isn’t sure anyone’s ever smiled at him for that long, or maybe he’s misreading it—emotions were a fickle, strange thing. Maybe Jimmy was simply happy.
Tango leans against the table, back pressing to the side of it, glancing down at the data pad and keycard for a moment. Jimmy looks away as Tango catches his eye. Tango thinks he sees him flush as he turns back around to the computer.
“They haven’t really briefed me on why you’re here,” Jimmy says. “Why’d they send you?”
“To E-1? We’re uh…our science director was looking for a secondary project to help bolster our food supplies—stretch it out a little longer?” He folds his arms over his chest. “Our admiral’s been in contact with Fwhip a few times conversationally, but we normally reach out to the Meridian, a station in our system, for help, but they weren’t having any hydroponics success. So…here I am.”
Jimmy nods absently as he continues typing.
“Hopefully I can give you something useful to take back,” he says, glancing up to Tango. Tango nods, raising his eyebrows.
“I mean, they say you’re the best,” he offers. It’s true—everything Pearl had told him seemed to point directly to whoever was running the botanical experimentation lab on E-2. And here he was, an android, standing in front of Tango.
“Do they?” Jimmy asks.
“Mhm!”
“That’s very nice of them…I uh, I’ve got a badge for you,” Jimmy says, sliding the piece of plastic toward him. Tango picks it up, turning it in his fingers as he listens. It has a small symbol on it, like an overlapping square and a green stripe all the way around it. When he looks back to Jimmy’s face for a moment, he notices that same green stripe around his upper arm. Green. Science. It was fitting. He fits that bit of information right next to what he knows Prometheus’ color to be: nearly the same shade.
“It’ll get you into this lab and ones like it, um, all the way down this hall,” Jimmy unlocks the data pad, pushing it toward him. “And you can record anything you’d like on this pad.”
“Oh, thank you, that’s great, actually” Tango says. He tucks the card into his pocket, where it rests against his chest. The data pad is blank, no notes, no sketches, and no documents. Just the time and date. From what he can recognize, he’s been aboard for about two hours. “Is, uh, is there somewhere we can share notes, or should I be handing this off to you periodically?”
“Whatever you write there will also be stored on the lab computer,” Jimmy says, gesturing back to the screens behind him. “Either of us can access it at any time. It should recognize you as having access to the console, so there shouldn’t be too many problems with that.”
Jimmy studies him for a brief moment before he picks up the thumb drive, twisting it in his fingers. Tango watches the movement, eyes flicking between it, and the pad, and the screen.
“So,” Jimmy starts again. “I can’t say I was expecting an android, but that does make this whole process a lot easier.”
He holds out the thumb drive—Tango holds out his hand. The small bit of plastic that falls into Tango’s palm is lightweight and bright white. He holds it between his thumb and forefinger, frowning just a little.
“What’s this for?” he asks, setting the data pad on the table again. His hands feel an itch to turn the drive around in them, nervous ticks surfacing as he receives data and writes to disk. The humidity, Jimmy’s expression, the curious glint in his eye, the buzz of excitement he can nearly feel in the air. For an android, Jimmy was certainly animated, certainly running high on emotion. Tango could reach out and grab it, if he knew he would catch something.
Jimmy nods a few times, leaning on the table in front of him.
“That right there,” he says, pointing at the drive. “Is all of my research. That way you can just—” he mimes a plugging motion, patting the back of his neck. If Tango’s chest could cave, it would have, as he feels some gear shudder and start again. “Get it all.”
Tango blinks. His vision stutters for a moment, fading out on the edge as he tries to process Jimmy’s comment, his voice. He feels that tug at his eyebrows as they furrow, a copy of a motion he’d seen so many times on so many faces. Jimmy’s research rests in the palm of his hand, still cold, despite the heat leaching from Tango’s synthetic skin.
“I think—” Tango says. What a stupid turn of phrase. He knows—he’s not thinking this time. He knows. “I can’t do that.”
Jimmy hums, face morphing into concern for a moment. Tango sees how his posture stiffens, almost a gut reaction to the change in Tango’s voice. Write to disk. Catalog. He softens his stance as Jimmy pipes up.
“What d’y’mean?”
“I think I’d rather just learn it from you,” Tango says, closing his fist around the thumb drive. “I’ll keep this, but I would like to learn from you, if that’s alright.”
Jimmy raises his eyebrows high on his forehead, nodding a few times. His dark eyes go wide, too. They flick across Tango’s face, looking for something, before they land on the table in front of him as Jimmy raps his fingers against the plastic top. Tango tucks the data drive into his pocket, where it rests with the keycard, sticking his hands in his pockets to give them something to do.
“Oh—I mean—I, sure. Sure, we can do that,” Jimmy stutters, shaking his head. “Yeah, that should be fine, you should be able to learn that way.”
“I hope so,” Tango says, nodding. Jimmy nods with him, that color briefly back in his cheeks. “I’d at least like to try. It’s what I’m known for, honestly.”
“Mm,” Jimmy says, face settling on that half-pleased, half-curious look. “Sure. That would be nice, I think. I don’t know how much I have to teach, but I can try.”
“I’m sure you’ve got plenty, Mr. Plant Guy,” Tango quips, patting him on the shoulder as he rounds around him. Jimmy laughs. The tingling sensation of touch before has gone now, and the new touch offers nothing but the sensation of soft sweater fabric, of coolness from Jimmy, and a brief flicker of information that he doesn’t quite catch. It feels like energy he can’t process. A line of code that doesn’t slot itself into place. He gives his shoulder a quick squeeze before he pulls away, gesturing to the door.
“Do you think you might be able to walk me back to my cabin?” his shoulders shrink a fraction. He tries to quickly run the simulation in his mind, etching out the turns of the hallways in the belly of the science department. All he can remember are faces, half-recognizable from research and names partially unobscured by association. “I lost track of how many turns Commander Fwhip made.”
Jimmy shrugs, nods, patting the table as he pulls away.
“Sure,” he says, fishing his keycard from around his neck. “My cabin is close to that area, so I know the way back pretty well—-”
“You have a room?”
The door slides open in front of Tango, the cool air of the hallway flooding into the room. He steps through, into the empty, well lit space, with its green stripe and green carpeting. The white-yellow lighting smooths out the edges of the walls around them, dotted with windows of the station’s central core as they slowly rotated around it. Jimmy pauses for a moment to watch as Tango does, before he nudges him with his elbow. Tango turns to follow.
“I like the bed,” Jimmy says, making a pleasant, almost chirping sound. “And the sleep cycle. And a space for my things that isn’t the lab.”
Tango nods.
“Our secondary engineering lead gets onto me when I don’t rest, but I prefer to not have to,” he says, shrugging his shoulders, waving one hand about. That gesture was from Doc, who loved to make things more nonchalant than they had to be, gesturing with his part-plastic, part-metal arm. “It wastes time.”
“You’re a busy man, Tango,” Jimmy says. He pauses just as he’s about to say Tango, like he had meant to say Commander, but had skipped the instinct. It stutters as he speaks. Tango feels a little bit of a twist, somewhere in the gears of his chest. Maybe everyone should just call him Tango. It felt a lot better, somehow. It felt earned.
“I try to be,” Tango says, waving his hand again. “I’m built for continuous learning—neuroplasticity. It’s what I’m meant to do…kind of.”
“Interesting…” Jimmy hooks a right at a fork. Tango notes it. “I don’t think I’ve met an android without a base program. And it was HASA who decided that?”
Tango nods.
“That was the plan, anyway. So far, it’s worked out alright. I have no issues, our technicians make sure I’m running smoothly, I can run my own diagnostics as far as I’m aware. And…I get to take back knowledge to our ship,” he sticks his free hand back in his pocket. They take a left, following the curving wall. “That’s a win to me.”
“That does sound nice,” Jimmy says, frowning a little, mostly in his voice than on his face. As the wall evens out, Jimmy slows to a stop. Before them, on the leftmost side, are a row of doors, which Tango recognizes. He marks down their exact location, how the wall hugs the left, looping back around on the far side. Jimmy splays his arm out, gesturing to the doors. Tango manages a smile.
“Thank you,” Tango says, nodding. Jimmy hums.
“Of course, glad I could help,” he says. He looks pleased, now, none of the nervous flit that he had when they’d first met. Tango, too. He feels settled, somehow, like he was already beginning to understand the space around him, already acclimated to new gravity and new routine. Jimmy’s easy smile and tone of voice made that all the easier to do.
As Tango steps away, toward his door, he turns back to Jimmy, who’s folded his arms over his chest. Something’s there, in Tango’s chest, maybe just a trick of mechanics, something he can’t really place. It smooths out any bumps in logic programming. It makes things even, whatever the thing in his chest is. Jimmy makes a noise, and Tango’s eyes flick up to his face.
“Y’know—not to jump ahead or anything, since I know we’ve just met. But if you wanted to, my cabin is a bit closer to the lab. If you ever feel like you want a roommate, you’re more than welcome to stay there,” Jimmy starts, clasping his hands together. The small smile on his face hasn’t really faded, and his voice is even with curiosity. “There’s—there’s only one bed, but you said you don’t sleep. So it should be fine.”
Jimmy continues to babble, now, eyes flicking down to the patches at Tango’s knees.
“I can always request you to the room next to it—I think that one’s unoccupied, too. If you ever want to sleep, that is. But you can let me know. Figured it might be nice to have a roommate so you’re not lonely,” he finishes, shrugging a little. Then he startles, blinks, and waves his hands. “Unless you like being alone.”
Tango tries to make a sound to dissuade him from that idea, but it gets caught in his programming and his vocal filter and it kind of sounds like a wheeze, or maybe a laugh, but he shakes his head several times, copying Jimmy’s easy smile from before.
“No, no…” he assures. “That sounds really nice, actually. I’ll…I’ll let Fwhip know that I’d like to do that.”
Jimmy visibly relaxes, and the smile comes back to his face, and he laughs a little, an actual, natural laugh.
“Sure thing…” Jimmy scrunches his nose. “Roomie.”
Tango feels something flip-flop over as he jumps, shaking his head again.
“Don’t call me that—” he manages, before Jimmy waves his hands again and says:
“I’m just joking, Tango!” and reaches out to clasp his shoulder. That rush of static only prickles for a moment, leaving a warm sensation in its wake. Tango feels it trickle down his elbow and to his wrist as Jimmy steps away from him. “Have a good night, alright? I’ll see you at 0700.”
Tango nods, realizing he’s still smiling just a bit, even as he steps into his room and the door slides shut behind him. He stands at the threshold, with his back to the wall, for a long moment, letting the memories play in his head as he does. The quiet hum of his room and the orange-yellow lighting soothes his otherwise spinning mind to a controlled simulation. Even still, Tango’s hand and arm prickle faintly with sensation he can’t place, and a warmth in his chest he’s not sure he fully understands.
Pulling away from the door and into his room, Tango furrows his eyebrows and starts an internal diagnostic.
#tangotek#jimmy solidarity#fwhip#trafficshipping#team rancher#mcyt#mcyt fic#solidaritek#solidango#mcyt au#text#fics#sen au#i really didn't know how to tag this one i'll be honest#chapter one of the SEN au ranchers fic yaaaay!!!!#i've got about... three chapters done so far?#i'm really enjoying writing it but it is notoriously difficult#i don't know *why* either#i'm just struggling so so bad KJSDHFKJHSFG thus. this. to maybe kickstart myself#so here it is!! yaaay!!#it might get tweaked in post but we'll see. i like it too much <333#WEHEHHEHEHEE anyway YAAY
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Moe's last braincell aka Mani (it/its)
Inspo post:
#i'm like. REALLY thinking about why this resonated w me so much. as a mani post.#bc idealogically my first thought is i don't think mani actually believes this. i think its opposed to the idea.#which is fascinating. why would you say that? at first i wanted to joke about it just being the world's angriest 19 year old#which. it is. a reflection of one anyway.#an extremely funny development in mani's character is that it also desperately wants to be The Thing that Fucking Gets You#in like. a horror game. it wants to be some sort of Thing that GETS YOU sooooo bad#but i think. there's more happening in between the lines here. like i thought i was shitposting but#it kind of goes insane. put in this context. being brought up the way it was. struggling w the things it does.#i feel like. there are several things going on here. but maybe i should just let it speak for itself.#but i will say that last line is soooo funny to me like. tendency to jump to really extreme and ultimately useless solutions.#heavy air quotes on 'solutions' there LMFAOOO#mani tag#my art#my comics
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Too tired to draw, what is this curse. I wanna draw so badly but can't even focus on the screen, augh
#talk tag#rant#i guess?#i feel super bad about complaining in here#but where else would I go with it#I just got a stressful job and keep messing up#not the job itself. but relationships with coworkers#it's so stressful bc I don't wanna come across as mean#it's just my face/voice when I'm not constantly making sure it's soft and nice#I don't wanna be mean#can't just go and say “it's the neurodivergence”#since I don't even know wtf is wrong with me#<- afraid of therapists#bc if I go to even one therapists and disregards my struggles I may just cry. and impostor syndrome again#rambling in the tags#will delete this later#i just needed to get this out#I also keep infodumping to clients and not sure how that's gonna fly with the bosses#...probably not well#english is hard today wtf#tw vent
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