#I'm still friends with her btw

[thisisstanne]

Recently, a friend told me that fanfic isn't real writing, isn't real art because it lacks creativity. She said that the authors are taking someone else's characters, fully formed and existing in a universe already defined and detailed, and just re-imagining them in different scenarios. And that, she was adamant, was not art, was not creativity. That was playing with Barbie dolls, she said.

And the whole time we were talking, I had some great jazz playing in the background. Some of it was older stuff, some really cutting edge, but all of it wildly creative, technical, skilled, and artistic. And every single track was a cover of someone else's song.

Jazz as an art form is built on covers: of jazz classics, of pop songs, of classical music. When you go to a jazz concert, you'd be lucky to get even fifty percent original music -- the majority of the music in the genre is reinterpretation after reinterpretation after reinterpretation. And all of it is art. All of it is creative. These musicians are powerhouses, they're icons, they're technicians, they are the best of the best.

So if we accept that cover songs are real music, if we see the creativity and the artistry in them, then we have to recognise fanfic as exactly the same thing: a reinterpretation of someone else's work that brings artistry and creativity in its own right. Fanfic is real writing.

---------------------------

Here's my Spotify playlist of some of my favourite jazz reinterpretations of rock/pop songs.

A lot of the jazz is very modern, very challenging, but it is all great stuff created by GREAT musicians at the height of their artistic powers. Enjoy!

(If you've never tried contemporary jazz, this is a great introduction, btw. Really good stuff here.)

[karineverse]

Some art I always wanted to make

[profounddefendorcrusade-blog]

I feel bad for Starlo.

Star has a point, idk what the four were ticked off about, there is like 99% chance everyone willingly participated in the trolley problem, based on what we've seen of his behavior thus far it's not like Starlo to be that big of a jerk/drag them by force/yell at them to do it. Ed's words:

he does it because Star asks NICELY

clearly jealous

It genuinely seemed like a fun time/fun roleplay, especially since every day is the same. Like, the five are supposed to be a rowdy and adventures bunch, what exactly did Starlo do wrong, I'm genuinely confused and curious. Except taking a big liking in Clover (his posse should know that this is a big moment for him, according to Blackjack they've known each other since high school and had the same liking for westerns. So they were basically a nerd gang.) Starlo was kind, patient and considerate towards Clover the whole time, even warned Mooch about them not being bandits, taught Clover gun safety, wanted to bring his posse along for a fun time, thanked Ace for telling him about getting Clover a new hat...

Sure, at first he only liked Clover for being a human, but as Ceroba says, that changed and he grew to genuinely care about them, plus I can't help but think Star saw himself in Clover and that's part of the reason he was so proud of them all the time even when they messed up (I'll talk more about this at some point)

What exactly made Ace want to leave the gang? He even said how he doesn't mind "getting run over by the fake train"

he's so nice. says sorry for forgetting the safety goggles even when he was scatterbrained due to his excitement. I love him so much

The only real "faults" (I'll call them temporary faults) I saw in Star during the Wild East section was that he was even more enthusiastic and more proud than usual. But how couldn't he be when he met a member of the species that he has admired for so long because they have real cowboys and sheriffs on the surface (who are seen as brave heroes who deliver justice, while Star canonically feels like a nobody farmer). His posse should have realized Clover wouldn't be there forever and just let their boss enjoy himself with his "deputy who'd have to leave sooner or later anyway"(or be more patient with him/ask him why he feels this strongly towards Clover/if there's a deeper reason for that). His friends including Ceroba just turn their back on him so quickly instead. The moment he's gotten the chance to feel valued for once and put himself first and not have to take care of this whole town and everyone in it and live his dream of meeting a real human, suddenly "his personality is damaged?"

Star's literally built this whole town, organised everything, he worries about everyone, Ceroba (plus was the one to give her emotional strength before and after Clover's sacrifice), Kanako, the monsters, his family, struggles with feelings of worthlessness yet never wipes that smile off his face, always does his best to be hopeful and optimistic and make others laugh, gave his posse a nap time so they don't become exhausted, gave Ceroba a free home, didn't act upon his feelings towards her and was a 110% supportive, caring friend instead. THAT'S who he is. He's the papa bear of this friend group, the glue holding everyone together.

He was just *really* excited. Y'all know he's insecure and just wishes to escape who he is and yet y'all blame him for liking Clover so much. Yeah, the four are very clearly jealous. But why won't the four of you control your feelings for a while? As mentioned, Clover WILL HAVE TO LEAVE EVENTUALLY. They won't be Star's "deputy" forever (the kid who's just as into westerns as he is, who values justice just as much, who also values doing the right thing. Someone he clearly felt understood in the presence of, whom he loved; just look at the way he talks about Clove during Showdown). Star seems genuinely confused of what he did wrong poor guy just wanted to live his fantasy for once and feel important:

Even at the beginning Moray's like "oh no Martlet is upset" Mooch replies "don't be a buzzkill nothing exciting ever happens around here" and Ray's like "Yeah you've got a point"

If you all agreed to have a little fun with a human who will very soon leave forever why is Starlo's enthusiasm such a big problem? If the posse weren't into this after all (unless they were simply too jealous which could have been solved with a honest talk and a little patience) why are you doing this "rowdy" job with Star in the first place? Do you want your boring routine day to day life so much back? Or just for Clover to leave (which they will soon enough)? You, western enthusiasts, literally met a real human, A HUMAN FROM WESTERNS YOU ARE SUPPOSED TO BE PASSIONATELY INTO (clearly not as passionate as Star but passionate ENOUGH to understand where he's coming from).

... okay.

[tcfactory]

Please consider: Liu Qingge and Shen Qingqiu role-swap

[LiuJiu, 2300 words]

After the fire, Shen Jiu doesn't sit around, he's aiming straight for Cang Qiong. Wu Yanzi tempts him, but if he is to ever find out what happened to Qi-ge then he can't play around with rogue cultivators, so he ditches the man before Wu Yanzi could take him as a disciple.

He arrives to the sect at a year when they are not doing the disciple selection - the women at the Warm Red Pavilion say it's because the Sect Leader is busy monitoring his cursed head disciple and if the Sect Leader doesn't take part then the rest of the sect has to wait too - but he's tipped off that Bai Zhan is always open to those who are determined enough to climb the mountain and demand admittance.

So that's exactly what he does. The Peak Lord sets him against one of his junior disciples and tells him there are no rules, if he can beat them he's in. It's a test he's not supposed to win, to see his determination and his reaction to failure, as a malnourished slave boy should be no match to someone in good health who has two years of training under his belt. But Shen Jiu doesn't know this, he has come too far to give up now and unlike the scrappy, but well-fed farmer's son he's set up against, he fights dirty.

He sets the basis of his future nickname - The Rabid Wolf of Bai Zhan - that day when he claws the boy's eye out and forces him to yield. His rise among the disciples is almost as meteoric as Yue Qi's and people are on the lookout for when the upstart slave boy will plummet back to the earth, but he never does. When the year is up and the sect is abuzz that Lingxi caves are finally opening again because they are letting the cursed disciple out, he's there in the front row among the curious onlookers and throws himself in his Qi-ge's arms as soon as the other boy steps foot into the light again.

Shen Qingqiu grows up tall and willowy and unpredictable, an unconventional physical cultivator that bends with the wind, but never breaks. With Yue Qingyuan's support as an unshakeable mountain behind his back, he is untouchable. He never bothers to hide what he is, not his scars or his sharp edges or the slave brand burned into the meat of his shoulder, often bared to the world by his choice of outfit; he stands as testament that even the lowest wretches can claw their way up to stand among giants.

Liu Mingqu yields to his rich family and allows himself to be enrolled into Qing Jing. He is not as suited for spiritual cultivation and he has no head for arts, but he is still a prodigy and a really hard working one at that. He learns all there is to learn for a scholar and doesn't rest until he perfects them all - music, calligraphy, painting, poetry - and even if he's ever uninspired about pursuing them, the Peerless Beauty of Qing Jing is a competent teacher who stands head and shoulders over his peers. He masters his temper and his manners and takes to hiding his face behind a fan or sometimes a veil like his sister to discourage people from staring at him.

Their roles may be different, but their nature remains the same. Shen Jiu has always been more clever than he was strong and nothing changed about that now that he's essentially a spiritual cultivator playing at star athlete. He plants a bamboo forest on his mountain - for meditation and ambush practice, he says, but everyone knows he just needed a bubble of calm for himself in the endless war zone of Bai Zhan - and mercilessly beats any disciple who dares to damage the forest. In the serene calm of his little house he hoards books and maps and all the culture he can get his calloused hands on, always thirsty to know more, an endless pit his Qi-ge happily pours obscure knowledge into. He uses the standing feud between Bai Zhan and Qing Jing to spy on them, learn their cultivation methods by sight and listen to the senior disciples do ad hoc concerts, so he can practice music in the brothel or under a silencing array just behind his house.

It's during one of these trips when he discovers Liu Qingge behind the Qing Jing Peak Lord's manor, restlessly shuffling through the steps of a formal dance. Liu Qingge yearns to move, he yearns for the exertion of his wild youth, but there are only so many acceptable options for a scholar and as a cultivator he can't channel his restlessness into hunting or horse riding. That leaves dancing, but Liu Qingge is not a creative person. He sticks to the dances he half-remembers learning as a rich young master and maybe asks his sister for some more, but that's where his resourcefulness runs out on this venture.

Shen Qingqiu watches him go through the steps of the same dozen dances, swap to a few rounds of sword forms - perfectly executed and ethereal, an immortal beauty that earthbound Shen Qingqiu will never be able to replicate - and then swap back to the dances, increasingly frustrated and restless.

"If Peak Lord Qingge wants to learn some better dances, this shidi can introduce you to someone." Liu Qingge startles and almost turns him into a pincushion with a barrage of bamboo leaves.

"What do you want?!" They are secure in their respective positions, but they still don't like each other.

"Peace, shixiong. I'm just looking out for the sect. How would it reflect on me if I let my fellow Peak Lord work himself into a qi deviation and didn't step in?" Shen Qingqiu shrugs and smiles with an easy, predatory grace that makes Liu Qingge wish he had fangs to match the Wolf of Bai Zhan, but there's no malice in the offer. "Come now, shixiong. There's nobody else here. We don't need to do this stupid game of social posturing. Tell you what, as a sign of my goodwill I'm going to teach you a meditation technique to calm your qi after exercise, free of charge."

Almost everything with Shen Qingqiu is a transaction, so Liu Qingge knows better than to pass up the chance to get something from his shidi for free - and the meditation does help settle his roiling qi.

"What do you want in return, then?" It's almost terrifying how intensely Shen Qingqiu's eyes light up.

"That trick with the leaves - teach me how to do it."

Liu Qingge doesn't bother to point out that it's a spiritual technique. It's an unspoken secret that they would be better suited to each other's cultivation styles than that of their own peaks. Shen Qingqiu has a storm of razor sharp leaves dancing in the air before Liu Qingge is even done explaining.

He almost regrets agreeing when Shen Qingqiu takes him down to the brothel, but the women his shidi introduces him to are truly masters of dance - they were stars of an imperial dance troupe before their owner was executed for offending the Emperor and they were sold to the brothel. They take him to the back and teach him dances he could never have imagined, dances that make his heart soar and his blood rush hot in his veins, while Shen Qingqiu lightly dozes among the women in the main reception area, his very presence frightening all but the most unruly patrons into behaving.

Liu Qingge is an honest man and he knows, deep down, that he got much more out of this exchange than his shidi. He’s on the lookout to see how he could repay him, but Shen Qingqiu seems to want for nothing. What he can’t get on his own Yue Qingyuan gifts to him, doting relentlessly on his sharp-edged little brother. So when he hears that Shen Qingqiu is to set out to assist in a night hunt against a particularly dangerous demonic beast that made its way over the to the far shore of the sea, he hops to the opportunity to compile a scroll of all the unspoken rules and etiquette of the island, as well as a short history on the ninja clan that asked for their aid. It’s all information that Shen Qingqiu has no way of learning otherwise, but should ease his time on the hunt.

When he can’t find Shen Qingqiu at the bamboo house he goes looking for him and that’s when he finds the silencing array, that’s when he sees his shidi sitting with his guqin in a clearing, composing music. Liu Qingge’s mouth goes dry, his heart skips a beat - his shidi is like a vision from the heavens and for the first time since he started this scholarly lifestyle, Liu Qingge wants to paint. He wants to etch this scene in his heart and condense it into a poem.

He slinks away before his shidi can notice him and leaves the scroll in the bamboo house. In the three years Shen Qingqiu is gone, hunting that elusive monster that decimates one village after another, he becomes a man possessed - or more accurately, a tender hearted young maiden yearning for her first love. He paints picture after picture, sometimes of a wolf stalking among the bamboo, sometimes of Qingqiu with his guqin as the scene lives in his memory. Rarely he paints his shidi stretched out on a couch in the brothel, languid with feigned sleep and one eye opened a crack as he vigilantly watches over his sisters - he gifts one of those to the brothel, much to the ladies’ delight. He starts writing poetry, yearning, horrible poetry his sister mocks relentlessly, but slowly he finds his words and his latest attempts are almost good. He is the first to hound Zhangmen-shixiong for news on Shen shidi and learns every word of every letter by heart, no matter how short or impersonal the progress reports are.

Liu Qingge knows that his martial siblings are not blind to his obsession - he has caught Shang shidi muttering “bro, really?!” under his breath more than once. He’s not familiar with the expression, but he can understand the sentiment. Yue Qingyuan watches him with patient exasperation, but he knows that the man doesn’t disapprove from the mild comment about how Shen Jiu will need a new ceremonial robe for his return celebration because his old one is ten years out of fashion.

Embroidery is, technically, within the skill set of the Qing Jing Peak Lord. He hounds An Ding until someone supplies him with Shen Qingqiu’s measurements and the finest materials he can bully Shang shidi into acquiring - “That’s the same stuff demon royalty wears, try not to waste it, my contact had to go through the royal seamstress of the northern kingdom to get it in that color.” - and sets to work. Bai Zhan’s color is steel blue, but that never fit his shidi, so he picks greens instead to match his striking green eyes. He creates a design that accentuates the deceptive slimness of Qingqiu, then embroiders the robes with bamboo patterns and a wolf on the hunt and when they are done he crafts a matching fan - Shen shidi hides from nothing and nobody, but Liu Qingge thinks he might enjoy being a little mysterious.

He is daydreaming about his shidi during the next Peak Lord meeting when the Sect Leader breaks the news: the beast has finally been slain and Shen Qingqiu will be on the next ship back home. Liu Qingge stays barely long enough to not be impolite at the end of the meeting before he rushes off to finish the last touches on the robes. He wants to leave it all set out for his shidi in the bamboo house.

In his haste he misses the look Shang Qinghua and Yue Qingyuan exchange behind his back.

“So, about those arrangements we made…”

“Yes, please. Let’s get Xiao Jiu home before Liu-shidi pines himself into a qi deviation.”

“Yeah, he’s down bad isn’t he?”

“Are you certain your prince doesn’t mind? If you are in any danger, shidi…”

“No! It’s fine, I’m fine, he already agreed to it! In fact, my Xuebao likes your brother so much I’m almost a little jealous.”

“Really now?”

“Zhangmen-shixiong, please stop looking like you are plotting murder. It’s not like that. As the Mobei prince, he really doesn’t have a lot of friends. Of course he misses A-Jiu.”

“If you say so, shidi.”

Liu Qingge is all jitters when he walks down the path to the bamboo house. He can’t understand why because Shen Qingiu won’t be back for months, but he still feels like a maiden on her way to ask out her love on the first date.

He almost drops the package with the robes when he opens the door and finds Shen Qingqiu standing there in the sunlit room. His shidi is too solid, too real to be an apparition, his clothes worn from travel, his heavy pack still unpacked by the table. He stands with a letter in one hand - Qingge recognizes his sister’s wobbly, childish handwriting - and with Qingge’s notebook in which he wrote all his stumbling, horrible poetry in the other and Liu Qingge wishes nothing more than for the ground to open up and swallow him whole.

“Are those my new robes?” Shen Qingqiu asks, as if they have only met this morning, as if that was a reasonable thing to ask when Qingge’s heart is about to explode from nerves. He can only mutely nod at his shidi. “You know shixiong, I can see that you have put enormous effort into courting me. I would have loved it if it happened when I was here to experience it.”

Shen Qingqiu sets the notebook and the letter down and stalks up to Liu Qingge, his eyes sharp with an emotion he can’t interpret, but it makes Liu Qingge want to bare his throat to his teeth and be devoured.

“So, Liu-shixiong. Are you going to help me try on my new robes?”

[all-pacas]

This is not a CamChase post, but, I actually do want to talk about something I feel is deeply underappreciated by fandom, which is: Cameron and Chase are actually friends.

Long before they ever sleep together, all the way back in early S1. The two of them are almost always shown to get along! Cameron sticks up for Chase the entire Vogler arc, refusing (incorrectly) to believe he would rat, or that he should be fired. Chase, noted apathetic, actually tends to go out of his way to compliment or stick up for Cameron in early episodes: he passes along her good ideas to House (Maternity), defends her from House's criticism (Detox), and compliments her good ideas in Pilot and DNR, something he notable never does once for Foreman.

They get along! They have a joking conversation about lab results and House and Foreman's fight in Socratic Method. In Paternity Chase makes a sort of borderline inappropriate joke that the patient should take his mind off his pain by admiring Cameron's boobs; Cameron laughs instead of getting offended. In Sports Medicine, he teases her about her upcoming date with House. In Hunting, before the meth hookup, Chase is openly worried about her and asks Cameron to drinks; he even offers to do extra work so she can take it easy! Chase! The laziest man alive!

But to me, the most telling example is in in Mob Rules. We're at the start of the Hameron arc, and last episode Cameron asked House if he liked her, which he didn't answer either way. And what does Cameron do? She talks to Chase about it.

CAMERON: Did House seem weird to you? CHASE: Are you expecting him to be weird? CAMERON: We spoke about how we felt. CHASE: You told him you liked him? CAMERON: No, of course not. CHASE: What are you talking about, then? CAMERON: I asked him if he liked me. CHASE: Why would you do that? CAMERON: Because… I like him.

They're friends! Chase reacts with zero surprise that Cameron likes House; she goes to him for advice in a moment she's feeling vulnerable. He already knows she likes House, Cameron wants his opinion. This is a conversation between friends.

In fact, this happens a few times. Notably, Cameron tries very hard to get Chase to open up to her in Cursed:

CAMERON: You know, parents are never as bad as kids think they are. CHASE: You like my dad so much, ask him out. CAMERON: [joking] I’d make an excellent step-mom, I’m very lenient. [pause] He’s your father, you never see him, and he’s here. Unless he’s done some unspeakable thing, you should lighten up. CHASE: Right, thanks for the tip.

And, yeah, she clearly doesn't get it, but she's trying! She's joking around, she cares. Cameron tries to get Chase's advice in Sleeping Dogs Lie, she commiserates with him in Deception, she unilaterally defends Chase in The Mistake. They joke around sometimes, she confides in Chase when the TB guy in TB or Not TB asks her out: Cameron goes to Chase for relationship advice! More than once!

These are conversations that do not happen with other characters: Cameron and Foreman indicate they respect one another medically, but never have personal conversations; Chase doesn't open up to anyone, period. But whenever Cameron is looking for advice or to share romantic gossip… she goes to Chase. And Chase, for his part, likes to tease her (and she him: sex can kill you was 1000% Cameron trolling him), but honestly tends to be… if not automatically sympathetic, he listens, he jokes about TB Guy, he knows about her crush on House and treats it like old news. They're! Friends! I would actually argue this is probably the main reason Cameron goes to him when she decides she wants casual sex: Chase is someone she, in fact, likes. Even if that liking is not romantic. (Even the btw we should have sex, I will never love you is uh. Unless you are totally deranged that is not how you approach a fwb situation. Unless you. You know. Know Chase isn't gonna be offended because he already knows you're friends and aren't trying to drag him.)

And this actually does continue once they do date, btw. They're constantly hanging out. Chase spends entire episodes of S5 just hanging out in the ER. He still likes to tease her (Whatever it Takes), she inexplicably/hilariously still ropes him into her House drama (Ugly), but I can count on one hand the number of times they bicker or are unkind and mean it. They are friends! They always were friends. And that was the case long before they ever hooked up. In an AU where they never dated, they would still be friends. Their (romantic) relationship was badly written, no one likes it, I get it. But honestly I really do love how well they got along in S1-2, and I wish people appreciated that friendship more.

[mulders-too-large-shirt]

s3 episode 4 thoughts

here we are!!! i actually turned off auto caps on my phone for this; that’s how serious this blog is getting. don't worry, i'll probably remember to turn it back on before i send an important email.

i haven’t seen an ep in a few days and i feel like it has been 80 years. the last episode wasn’t the greatest, so our time apart feels even longer.

this episode is about a guy named clyde. clyde bruckman is a hell of a name. i’m expecting a real cowboy. a guy who knows his way around a horse. he probably spits chew in a certain fashion. we shall see if i’m correct.

(editor's note: op found that clyde was not a cowboy, but something just as special... a friend <3)

we open with a man reading a magazine article on predictions, written by a celebrity psychic. we later learn that this fellow doing the reading is, in fact, clyde bruckman. and elvis being dead but buddy holly being alive has got to be one of the greatest theories i’ve ever heard. i WILL incorporate this into my belief system.

allegedly, buddy holly is going to open at a big music festival. and this is how i learn that lollapalooza was a thing even before chappell roan visited... but we all know that when she steps on that stage in a few short weeks it will blow anything secretly alive buddy holly could have cooked up in his wildest dreams. "the night the music died" <- crazy thing to say about a time before miss roan was even born. anyway...

bruckman ran into someone in the street. feels like a chekov’s gun moment but who knows.

hint: it was!

now the clumsy man is at the psychic. and he says he saw his own future and he seem himself doing things that are “out of character”. now that's suspicious~

OH??? clumsy man just killed the fortune teller and says she should have seen this coming. HUH???? clumsy murder man needs to be punished …our psychics deserve federal protection. 

we are at the scene of a murder. a different murder, because this one did NOT take place in the psychic's room. “they say the eyes capture the last thing a murder victim sees” “so what do they say about the entrails?” “yuck” LMAO i giggled a little….

they’re talking about some guy in vague terms, that he’s “unorthodox” and “a kook”, and then mulder walks in and it looks like they’re talking about him but the investigator says “who the hell are you” HAHAHA that got me as well

so the murderer left behind the eyeballs and scully says that they made a profile for the killer and i’m thinking yaaaaay they worked together <3 i love that spooky mulder, the well-established profiling expert, is willing to collaborate. but with her only.

and also the house is filled with porcelain dolls 

mulder knowing the professional name for the people who read tea leaves… unfortunately i love him so bad.

THEN the real star of the show rolls up. it’s the psychic from the cover of the magazine we saw clyde reading earlier. CROWDED w paparazzi. he's got a vague european accent going on here. hold up is that jon favreau in the background. i received no clarification on if that was him or not.

psychic is describing a guy who could be literally anyone “white man with facial hair… or not” “tattoo somewhere on his body” wow king of specifics. it's like he's in the room with us. /s

the agents are watching him do this and share a glance and i want it on a poster it’s sooo cute <3

celebrity psychic says he lost the vision from negative energy and then gets right up in the agent’s faces. they handle it pretty well, all things considered. because i would be telling him to back tf up. 

he asks mulder to LEAVE!!!! he has been diagnosed with negative energy. she leans in and says “i can’t take you anywhere” LMAOOOO so he stands outside and then the psychic says that skeptics like mulder make him sick. yeah i laughed!!! so what!

description of our guy: “white male, 17-34, with or without a beard, maybe a tattoo, who is impotent” <- wow.

back to the clyde cam. he's selling insurance. telling some guy that he is going to die in a car crash. well this is an effective life insurance sales policy. or not, because he doesn’t close the deal!! sure would have worked on me.

back home, he takes out some moldy cabbage that looks like a guy’s head into the trash. takes out his neighbor’s trash as well, and sees a vision of the dog eating her remains. (sabrina brier voice) oh!!!

(wait i just realized i reference that video all the time and have never cited my sources. if you are unfamiliar with the legendary "oh!" moment please click here)

back to the plot at hand.

clyde asks if his neighbor has enough dog food. thoughtful man. BUT he sees a body in the trash!

this episode is making me giggle <- don't remember what prompted that note but it was true.

clyde, who reported the murder, says that he knew the eyes were cut out, but she was found face down... so. how do you know that. site your sources. “well it just figures”, he says, and it absolutely, and i cannot emphasize this enough, does not

they bring him to… a murder scene. dun dun dun!

he thinks they're pranking him and asks to see their identification again (sees mulder’s badge) “i’m supposed to believe that’s a real name?” yeah get him again for me.

he sees blood at the crime scene and throws up which... yeah. that’s pretty messed up. he emerges from throwing up and starts saying and doing the same things as the earlier psychic. but then he starts getting... a bit more specific. allegedly, the woman was having sex with the killer before she met her end.

“well then, what’s wrong?” “sometimes, it just seems that everyone’s having sex except for me” LMAOOOOOOOOO clyde you are too real

scully looks soooo confused and i love it

all of a sudden, he sees one of the many dolls as a bloated corpse head, and announces where they’ll find the body then… hands the doll to mulder. which is not the first time we have seen him holding a doll. it is an interesting visual. what are they trying to tell us??

scully isn’t buying it. why does clyde know all this stuff? “i don’t believe he’s the killer”, says mulder, and she responds with, “i don’t believe he’s psychic” yeah that’s the dynamic i love. and she is sooooo pretty. 

mulder goes to the dude’s house and he knows exactly what is going on. but then clyde seems shocked it's him so we are getting mixed messages here.

he asks mulder if he wants to know how he’s going to die, and mulder says yes after stuttering a little and i’m like WOAH where is this going… but clyde responds with “no you don’t”, which, okay yeah, i don’t think i could handle that either

(he goes on to try and sell mulder insurance)

clyde says the future is inevitable. or if he does get involved… what if there is the whole butterfly effect thing? and then he immediately agrees to going along with the investigation. king of not having an answer. the indecisive representation we deserve.

mulder you’re so pretttttyy... look at him watching clyde touch some brass frogs and base conclusions off of them.

scully arrived at the door as mulder has his head FLAT ON THE TABLE lmaoooo 

so, it appears that clyde can ONLY tell how people are going to die. nothing else. now is that useful to this investigation? it's arguable. maybe they can find an angle.

clyde says that the scrap of fabric he’s holding comes from mulder’s new york knick’s t shirt (which was a thing that happened in 1x13 when he was testing that other psychic!!!! ohhhh i remember! do not think i forgot!! and i was confused as to why he would have a knick’s shirt if he was from new england... perhaps he knows no loyalty to geography when it comes to sport)

but mulder denies that it is his shirt anyway, so.

they found keychains on the bodies, and clyde is going on about all the personal information of whoever owned said keychains. it turns out he just sold the guy an insurance policy a few months ago lmaooo... but he knows he was murdered! the death power strikes again.

scully is driving. clyde is in the passenger seat. mulder is sticking his head in between them, asking how he receives his psychic transmissions. it's funny. he wants to know how being a psychic works! so is it like, visions, or dreams or something?

he then implies that mulder will die by autoerotic asphyxiation <- HELLO????? he looks at scully after receiving this news. as if she can possibly defend him against such an accusation.

they’re in the forest looking for a body and clyde explains he knew “the big bopper” was going to die.

scully says she doesn’t believe in that stuff, and even if she did, she wouldn’t believe that story. damn, just really going for his throat, huh. he seems to believe her indignation is over the fact that he liked the big bopper better than buddy holly and he defends himself.

they try to get the car out and mulder’s suit gets all dirty (this is sad to me, a mulder suit enjoyer) but gasp!!! the car is RIGHT OVER THE BODY. that has to be bad for finding evidence. so he did know exactly where it was!!!!

they have a thread from the scene, and have presented it to clyde. “but don’t you have crime labs that analyze these things for you?” he asks scully “yes. yes we do” (pointed glare at mulder) LMAOOOO but he says it takes time!!! and they still haven't analyzed the other thread. so please please please just give your powers a go.

he doesn’t want to help out, but mulder says he wants some insurance. on the fiber, not actual life insurance :( clyde was so excited to tell him the benefits of general mutual!!!

clyde is describing mulder being stalked by the killer sometime in the future, and all of a sudden scully’s up and asking him for more details like she believes it. awww. it’s sweet in a way. does she believe in psychics? no. is she still gonna take detailed notes when one says mulder is in any slight danger? yeah. and don't worry about that seeming to contradict her belief system. she is complicated beyond simple characterizations of skeptic or believer.

he seems to think that the killer will slit mulder’s throat at the investigation, but he doesn’t want to tell him. he DOES tell him that he will step on a pie before whatever happens to him, happens to him.

thank you to the subtitles for clarifying that clyde was imitating johnny carson because they reference would have been lost on me. i know, i’m uncultured, i’m sorry. i’ll google it though. okay, as i thought, he was a late night host. see? we get an exchange of knowledge on this blog, i learn about johnny carson's way of pronouncing the word "killer" and you can use sabrina brier's "oh" in conversation now.

it seems the killer sent clyde a letter saying he’ll kill him. and he’ll be dead before they can get him help :( noooo i like mr bruckman!!! :(

back to the killer. he’s getting a tarot reading and says he’s looking for a guy he’s gonna kill. the man doing the tarot reading smiles nervously, because what do you say in such a situation.

they seem to have bought clyde a pie after his earlier ramblings on the subject, and he kindly asks scully if she wants some, but she denies because she must study background checks instead of relying upon visions. he asks if she is jealous. a good banter between them.

back at the tarot place, the reader mentions a woman. MAYBE A REDHEAD...? stay away from her…

clyde is going on about seeing himself in bed with scully. HELLO??? “it’s just a very special moment neither of us will ever forget” huh. laughs nervously. what the fuck. is she gonna find him dead or do we need to call HR.

(cries editing this, now that i know how the episode ends)

it seems the tarot card guy is about to get murdered. but back at the hotel room with clyde and scully, they’re playing cards and she’s talking about moby dick and macbeth misinterpreting prophecies...

but despite the denial, SHE ASKS HIM HOW SHE DIES??? he says “you don’t” and that is exactly what i like to hear <3

she seemed really serious about it too, like she didn’t want to admit that she was curious, initially deflecting. oh best believe i WILL psychoanalyze that.

LMAOOO okay so this is the episode where mulder says the “chantilly lace” line and she makes that face. he's referring to another thread found at a murder scene, but i saw it in a gif and i have been thinking about it since then.

she slaps his chest with the file and says good luck as he goes to babysit the old man psychic. it was very affectionate. do it again.

mulder is in bed. it’s sleepover time with the old man. “you’re not one of those people that turns everything into a sexual symbol, are you?”, clyde asks, seemingly self-conscious about revealing his recurring dream. mulder says no, but i’m unconvinced.

anyway, he talks about seeing himself dead, and how his body fades away. we see a cgi decomposing body and it’s quite gnarly. maybe it's clay? and all his skin faded away and he becomes bones. kinda gross tbh. but he says he feels at peace.

there’s been another murder, so another guy is gonna babysit our clyde, and i’m thinking noooo don’t trust this other guy!!

scully says she feels bad, that clyde has convinced himself he is a psychic and it’s taken all the joy out of his life :(

okay, the guy babysitting him seems to be telling him jokes. clyde says he won’t die of lung cancer so he lights up. and i'm thinking, buddy, he did not rule out emphysema.

hang on. that is a lighter we have seen before. in the hands of old lady who shall be eaten by dogs. now is this a mass produced object or are we about to witness the end of clyde!!!!

“don’t open that door for anybody”, says the babysitter, and clyde then immediately proceeds to do so. and who is it knocking but the psychic killer delivering their room service!!!

killer is asking clyde why he does these things and it’s “because you’re a homicidal maniac” well that would explain it! and then he stabs the babysitter. but clyde has delayed his fate by telling the murder he doesn’t kill him now. seems he believes him. clever thinking.

scully realizes that the killer is the bellhop at the hotel after seeing some more lace. which mulder describes as “woman’s intuition” yea <3

back at the hotel. mulder is in the kitchen. he sees the killer with the knife. it is all going down as clyde described it. now if there really is a pie do NOT BE DISTRACTED. OH there is a pie. and he knows he has to turn around, so he turns THE OTHER WAY. noooo!!!!!

they get in a struggle!!! mulder’s bleeding, and scully gets off the elevator just in time. she shoots the murderer. no hesitation on taking a life, she will kill a motherfucker for mulder. i love that about her. 

and scully only got there because she took the wrong elevator!!! more pondering on the meaning of fate!!!!!

i love when one of these bitches is on the floor in pain and the other comes over and comforts them. i think i need that in my life just once. it would heal me.

but the question is: where is bruckman?

they go to find him and they only find a dog tied to the door?? and a letter to scully. it’s the dog from before, the neighbor's pet. the letter from clyde says to take care of his neighbor's remains. and he asks if she wants a dog, and that you can’t blame him for the dog’s actions. so they go into the room.

BUT IT IS BRUCKMAN THAT IS DEAD IN THERE. it looks he took pills and suffocated himself. scully looks so so so so so sad.

AND OMG!!! SHE IS HOLDING HIS HAND WHILE HE IS IN BED AND CRYING. JUST LIKE HE SAID WOULD HAPPEN. WAIT THIS IS SO SAD. 

so that must be why he say a head in a bag at the start of the episode, it was his own death... and the killer was right, he did get to clyde before he was caught, he just didn't attack him. huh. funny how prophecies play out.

cutscene to her on the couch WITH THE DOG IN HER LAP. and an ad from the earlier eastern european psychic is on the tv. she throws the phone at him.

A DOG!!! a dog. okay, a lot to think about, but first and foremost we have scully with a dog <3 and it sits in her lap while she watches TV. and it MAY have tasted human flesh, which i feel is a hard thing to get past, but clearly she has done it. she has done the emotional labor of knowing that fuzzball knows what human meat feels like. and she has faith that this dog will not do the same to her. that is an awful lot of trust for a new dog. but we do know she loves animals. so perhaps she trusts the puppy.

i always pictured her with a big ol mutt from the pound. but a little dog can be just as good of a friend. and it WAS a rescue. that is important!

okay. back to the episode at hand, dog aside. even though it is a BIG deal to me and i'm honestly being so brave by not going on a monologue about what scully having a dog means to me. this episode was definitely comedic, and like the earlier comedic episode, i liked it a lot! but the ending made me so sad :( it was a pretty abrupt tone shift. 

still. the episode was SO good. i kept pausing every few seconds to write things down because they made me laugh or otherwise intrigued me (thinking of scully playing cards and explaining macbeth. or chantilly lace line. or "i can't take you anywhere". i will try not to think of mulder's potential death by choking himself for my own sanity)

and i liked clyde a lot. we get a lot of one time characters who we will never see again and so it’s good when those characters make an impact in the short amount of time we share with them. 

and i’m always gonna take a light-hearted episode, as light-hearted as a show where serial killing is a daily occurrence can be. it does go to show though that there wasn’t always a consistent tone throughout the story. and i do find that interesting. i am part of a generation where we typically get 6 hour long episodes of a tv show per season, and they’re so condensed there is very little time for exploration with genre or tone. in general, i have loathed this about modern television; the death of the filler episode has been lamented by people far more eloquent than myself.

the only thing i dislike about this format- doing a silly episode- is that if the next episode ends up being really dark it’s like, woah man, the whimsy, where did it go? last season we got humbug, which was SO fresh and funny, and then within the first 3 minutes of the next episode, a baby was killed by a train. so i lowkey got whiplash. but then again, i watched those episodes back to back, so maybe having a week between them seeing them air as they hit TV would have softened the blow. feel free to chime in with your theories on the nature of genre and how pacing of episode viewing effects that experience.

overall, a very good episode. i rank it up with humbug as one of my favorites, which is again funny, because i love the extreme angst and the silly. i paused to take so many notes because i liked so many things that i think i should someday rewatch it again and get a smoother experience haha

[hephaestuscrew]

I think one of the things that I find so compelling about Minkowski & Eiffel is that I believe that who they each are as people means they have the inherent potential to have immensely positive impacts on each other, but I do not believe they would have even been friends in most possible scenarios in which they could have met. I believe they are uniquely attuned to help each other grow and develop and become better versions of themselves, but for the first year and a half of them living and working together, the prevailing emotion between them was irritation. I believe that they are able to support each other through hardship in a way no one else could, but without the specific kind of hardship they went through, they might never have known this.

And even as I acknowledge that they might never have bonded without the trauma, it's important to me that it's not that they are bonded purely by trauma, in a way that might imply Minkowski or Eiffel could have built the same bond with anyone who'd been up there with them.

They are bonded by the ways in which they care for each other, by the ways in which their contrasting personalities make them uniquely well suited to support each other, by the way Eiffel makes Minkowski laugh when she really needs to, by the way Minkowski would do anything to keep Eiffel safe, by the way Eiffel reminds Minkowski of her moral compass in her darkest moments, by the way Minkowski helps Eiffel understand that some things are worth taking seriously.

But without what they went through together, they might never have seen beyond their surface-level understandings of each other in order to form this incredibly valuable friendship. It's not that their traumatic experiences are all that bond them. It's that the traumatic experiences forced them to break past the initial barriers that prevented them from connecting with each other properly and from trying to understand each other, in order to realise the potential for connection that had always been there.

[that-seems-stupid-lets-do-it]

an !!! i haven't drawn her in a while. don't mind the pose because i didn't use a reference and also. where she is it's very cold and so she must wear both pants and then shorts to be stylish (I COMPLETELY FORGOT SHE ALREADY HAD SHORTS ON BUT I DID THE LINEART. SCREW IT ANYWAYS) extra versions + maaaaybe headcanons (?) under the cut :]

you can use my art for stuff like profile pictures also !! just credit me ok slight rambling time - I think an is way too good at window washing and cleaning (mainly from helping her dad out at weekend garage). she can get it done in like 5 seconds and it'll be the cleanest thing you've ever seen in your life - her headphones are just. fully broken. they're only there for style. they weren't even wireless at first. the wires just kind of detached and she keeps saying, "okay, i'm going to get a new pair of headphones. i'll do it tomorrow i swear" and it never happens ever because it isn't at the top of her priorities - still has the recorder from elementary school, brings it out occasionally uses it solely to annoy akito. the only songs she can play are hot cross buns, mary had a little lamb, and if we're stretching it maybe a twinkle twinkle little star

[anpiels]

doctor gorey save me

[rystiel]

just watched the clone high s3 finale if joanfucius breaks up i'm ending it all

[necrotic-nephilim]

your Kon post was sooooo good, like yes the core four are queer platonic, however Kon is hypersexual enough to have made out with (or more) everyone in young justice at least once, yes, including the non-corporal Greta don’t ask me how that worked

I love all of these posts!!! how many of these ask game things do you have in your inbox??

thank you so much!! and i ABSOLUTELY agree with you on hypersexual Kon (truly i just adore characters with grooming/rape trauma like Kon coping through the lense of hypersexuality) and even if YJ is queerplatonic, Kon has made his way through most of them. including Greta. he's creative he'd find a way. probably involving TTK. bc TTK in sex is a thought i have daily. endless potential for using it to basically turn someone's body into a living fleshlight he can manipulate from the inside out- specifically have a TimKonBart idea in my head about that where Kon coaches Bart through sex, since Bart is a speedster with a bonkers refractory period who struggles to feel satisfied, and Tim is caught between them getting used to get Bart off with Kon using TTK to manipulate Tim's body. fun times. fun ideas.

currently, i have one more ask game ask in my inbox (tho always feel free to send more!) that's BruJay focused. though i *do* also have a couple other asks that are just ideas i pan to use as prompts for full fics. just haven't gotten to those yet bc i'm currently busy with packing to move states so. i have *not* had the time to write i wish i had. i will not reveal too much but one involves JayTim fucking during the Titans Tower incident, another is JayTim with animal traits leading to porn, and then another is Tim/Kon/Jon with incest kink stuff. so! i have many things planned, i just need to settle into my new place, however long that takes.

[lisxdumbr]

The whole "if a person is mad at you it's their responsibility to tell you" thing just made me realize how fucked my situation is. Like just. woah

[chalkanthit]

Just some further character pages I did for ocs (Soul eater Fancharas) that belong to my friend @lilliesofinspirationvalley ;;;;

[beevean]

the hallmark of Peak Fiction is shoehorning a very serious conversation about a very serious past conflict in an unrelated scene, in the form of snarky banter played for laughs, so that the writer can pretend they listen to audience feedback, while not needing to fully think of addressing the issue and fully sweeping it under the rug because it would be inconvenient to paint the involved characters as dumbasses/vile. Bonus points if it literally goes nowhere and it can be removed from the scene without affecting the flow of the dialogue.

And if it makes me want to eat my own bones because I feel the urge to beat the involved characters to death with a nailed bat, that's just a plus :)

[the-spooky-children]

Can't stop thinking about unhealthy co-dependent teen!fireskulls..

[anastacialy]

y'know, i keep making a habit of swinging my bat at hornets nests, but i have to say i'm getting so, so tired of people complaining about shows not making perfect sense when they aren't even close to done. we're four episodes into this season of doctor who. we're four episodes into this season of bridgerton. and yet in both fandoms i keep seeing people whine that such and such didn't make sense or it wasn't explained all the way and by god you guys i think maybe explanations might come later in the season. this is something most viewers will recognize as being called a 'plot.'