#I'm sorry this took me a while

[sophieswundergarten]

Hello! Following Milk's idea, any other topics or fun facts you want to talk about? I hope you're having a good day!

Oh hoh hoh!! Another change to spit out random facts I know? Thank you very much, Moth!! (I hope you are having a lovely day yourself! *hugs you*)

The topic today is statocysts, specifically those of cephalapods!

Secondary fun fact to start us off: translated literally, "cephalopod" (Squid, octopi, nautilidae, cuttlefish, or other members of the molluscan class Cephalopoda) means "Head-feet"! Which, if you've ever looked at an octopus, you can understand:

So. Cephalaopods live in the water, right? This means they don't hear the same way humans, or indeed most vertebrates do. Humans hear because the sound hits the eardrum, gets passed on through middle and inner ear, and then is sent up the auditory nerve to the brain.

Cephalopods have two sacs near the base of their brain called statocysts. They're filled with fluid and lined with hair cells that connect to the brain via nerves. This makes them similar to human ears, except that statocysts have a little piece of calcium carbonate inside them called a statolith.

When the cephalopod moves, the statolith moves around too, which allows the hair cells, and therefore nerves and brain, to process the movement. This is a little like how the human vestibular system detects balance and equilibrium. (How you know if you're upright or leaning to the side, laying down, etc.)

However, since cephalopods have these statocysts instead of vertebrate ears, they do not exactly "hear" sound, but instead sense how fast particles are accelerating due to the vibrations that a human might hear audibly.

This became a field of study partially because of an abnormal amount of dead squid washing up on beaches in the early 2000s. It was discovered that certain human equipment, such as sonar or air guns used to search for oil, were damaging the statocysts in nearby cephalopods. The sounds caused lesions, swollen nerves, and other injuries that would have caused the squid to lose their ability to orient themselves.

This spurred on a more direct look into how human technology is affecting marine life, as well as the vastly unknown field of cephalopod sensory processing.

Here are some sources for those who are curious:

>1

>2

>3

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[little-pondhead]

DP x DC Prompt

…

There are no more heroes.

Well, okay. Rewind a bit.

Danny has been doing the hero thing for a while now. He’s had a big reveal; everyone has accepted him (including his parents), the GIW disbanded, the Anti-Ecto acts repealed, and generally, everything is going great. Some of the A-Listers are even training as junior ghost hunters to help give him a break from his rogues! (Being Ghost King makes things hectic sometimes, and he just needs the extra help. Sue him!)

The point is, literally nothing is wrong with Danny Phantom’s afterlife.

And then Valerie Gray, the Red Huntress, disappears in front of his eyes.

Danny is baffled! She’s just…gone! Valerie just popped out of existence, like she was never there. But no matter how hard he searches in the Ghost Zone, he can’t find her soul anywhere. His core isn't broken in grief. So she’s not dead. Which is good. So then, where is she?

Some of the others come forward with ideas on how to find her. A few ghosts volunteer to go out into the mortal realm, an area Danny had declared off-limits, to see if she was out there. Danny approves it. He rounds up some of the friendlier (i.e., discreet) ghosts and Amity Parkers and demolishes the outside travel ban.

So everyone spreads out, looking for their dear frenemy and teammate. But it becomes apparent very quickly that something is wrong with the rest of the world.

There are no more heroes.

Every single living superhero on the face of the Earth has just…vanished. Villains are running amok; the countries are in chaos! Some aliens are invading Earth, mythical deities are trying to take over, and society is crumbling to the ground. Everything is on the brink of collapse.

Well, Danny was still there. And so were his people. They were pretty spread out, so could they just…take up the mantles? He also knew where to find the souls of dead heroes in the Zone; surely they wouldn't mind coming out of retirement for a little bit, especially if they couldn't die again. Oh! And that skeleton army leftover from Pariah Dark's reign might be useful in repelling those invading forces.

Honestly, there were more than enough hands to go around! And with the heroes gone, Danny didn't mind letting everyone out for a little break, as long as they followed his rules. They wouldn't stop the search for the other heroes, but hopefully, when they found them, the heroes wouldn't mind Danny's intervention too much. :)

In other words:

Someone fucks up, and all of Earth's living heroes are either wished out of existence or are whisked away to some far-off realm where Danny hasn't checked yet. In the attempt to figure out what's going on, Danny lets the dead run amok over the Earth as they search for clues. The skeleton army repels the invading armies, the souls of dead heroes deal with the world leaders, and his rogues and other Amity Parkers set up shop in place of famous heroes, trying to get the cities under control again.

Basically, they just do their best to keep everything from imploding until the Justice League and others are back.

(And why is it that Danny hasn't disappeared? Well, whatever caused everyone to go poof! only affected living heroes. Anyone heroes that were dead in the first place, or even just half-dead, stayed behind.)

[insertsomthinawesome]

[requests are closed] Anon i'm sorry this is so late I finished these months ago. I meant to draw more but never got around to it UUUH. SORRY SLDKJSLDGKJSD I love them so much. I need to draw them more. ;;v;;

-NO ROMANCE INCLUDED-

[kinnbig]

✨ Simple Gif Colouring for Beginners ✨

I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.

when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!

a couple of things to begin with:

I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!

I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.

as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).

I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.

this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.

okay, full walkthrough beneath the cut!

contents:

1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!

1. intro

the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.

if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!

* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)

✨ natural gif colouring goals

part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!

in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:

brighten dark scenes

remove muddy, yellowish lighting or filters

saturate colours

correct any skin lightening filters or overexposure

make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos

this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!

✨ very very basic colour theory

[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]

the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).

so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.

in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.

it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.

looking at the colour balance sliders on photoshop can make it easier to visualise:

so making a gif more red also means making it less cyan.

removing green from a gif means adding magenta.

taking yellow out of a gif will make it more blue.

tl;dr:

neutralise yellows by adding blue (and vice versa)

neutralise reds by adding cyan (and vice versa)

neutralise green by adding magenta (and vice versa)

2. super simple colouring (the essentials)

starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)

some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.

I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.

so here is my base gif!

it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.

colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:

there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.

I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.

✨ curves layer

the first thing I always do is a curves layer. when you first open one it will look like this:

first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.

if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.

the next step is selecting the white and black points with the little eyedropper tools.

the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.

here's what that did to the gif:

then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.

here's what the gif looks like after picking the white and black points:

this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.

and this is what the curves graph looks like now:

you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.

next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.

‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.

✨ selective colour (and skin tone correction)

skin tones are made up of a mixture of yellow and red.

removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.

adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.

selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.

I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.

in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.

the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.

here's the result. Kim's skin is a lot less pink toned and much more natural looking:

✨ hue/saturation

this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.

I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.

clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.

I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)

then I increased the 'master' saturation of all the colours to +5:

I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.

‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.

done!

✨ saving and reusing colouring

you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.

each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.

I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.

✨ another one! (speedrun!)

HI KEN!

the white point for the curves layer was in the window behind them.

the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.

3. other adjustment layers

imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.

✨ brightness/contrast

pretty self explanatory!

I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 

the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.

✨ levels

levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.

use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.

levels is a good place to start if your curves layer isn't working.

(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)

on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!

✨ vibrance

vibrance... makes the colours more vibrant. it's more subtle than saturation.

it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.

vibrance is much more subtle!

✨ colour balance

colour balance affects the overall balance of colours within a gif.

it's good for scenes with heavy tints.

I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.

✨ channel mixer

I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.

basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.

kind of the reverse of selective colour?

so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.

this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)

(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)

4. troubleshooting

‼️curves

usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(

for example, with this base gif:

using many of the brightest points as a white point turn it wacky colours, like this:

yikes :(

some options for these cases:

try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.

try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.

skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.

‼️over/undersaturation

if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.

oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.

5. fin!

and done! I hope this was coherent helpful to somebody.

if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.

happy gifmaking 🥰

✨ some links!

photoshop basics by @selenapastel

gifmaking for beginners by @hayaosmiyazaki

gifmaking guide for beginners by @saw-x

dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)

beginner's guide to channel mixer by @aubrey-plaza

how to fix orange-washed characters by aubrey-plaza

colour correcting and fixing dark scenes by @kylos

does resampling matter? by usergif

how to put multiple gifs on one canvas by @fictionalheroine

watermarking using actions by @wonwooridul

resource directory by @usergif

[laststandx3]

[condohavenoking]

'Mister Frodo! Look! It's an Oliphant! No one at home will believe this.' — Samwise Gamgee | Lord of the Rings: The Two Towers

[paintpanic]

Res AU Joronia drawings. Character rambling and bonus doodles under cut.

This AU takes place a good while after the events of Triple Deluxe happened. Since then, Taranza's mostly recovered mentally from everything. He was able to move on from his grief and (somewhat) forgive himself. Now that Joronia's in his life again, seemingly back to her former self, some of those wounds he'd thought were fully healed have started to ache again. He still feels ultimately guilty for what happened to her.

He's thrilled that Joronia's been given a second chance at life, but is somewhat wary deep down. This feels to good to be true, that she's just back with seemingly no strings attached. The other shoe could drop any day now, and he could lose her all over again. Fearing this, he wants to make the most out of what could be a short time to be together again with his friend.

Joronia senses that there's a distance between the two of them now that wasn't there before. It shouldn't be surprising; he's probably still hurt from what she did. Other people definitely are. She's determined, though, to work hard to make it up to everyone she's hurt, and to prove to them (and herself) that she's not really like that, that she's capable of being better.

The Mirror's influence twisted her mind and her perception of reality. It made her feel like she was inadequate, and that everyone else were enemies to be subjugated. Now, she's supposed to be normal and better, but she still feels like there's something wrong with her head. She still doesn't feel good enough, and it still feels like everyone hates her. It's hard to trust herself. She's not sure if it's some lingering effect of the Mirror, or if there's just something inherently wrong with her now. She's scared.

She's afraid that something will happen, that she'll revert to how she was as Queen, and that she'll hurt Taranza again. Someone who'd always helped her, who'd stuck with her even when she was absolutely horrible to him, and who's kindness she's relying on again now, staying at his home as she worked on getting her life back together. She's a burden on him, and she always has been. She hates it.

Still, her deepest, most selfish wish is that they could be real friends again.

---

These two need to have a long, honest discussion about their feelings toward each other and themselves. Both of them are absolutely terrified about that prospect, though, because they each think that the other secretly resents them to some degree. If they actually talked through it, they'd quickly realize that they both want the same thing.

[little-pup-pip]

Cinnamoroll!!

for @milkshake99

[azu1as]

Hi, Tin! I love your writing and I have a prompt for you, if you are interested) what if Tang family is too afraid of Tang Bo leaving permanently and eloping with Cheong Myeong? So they initiate marriage negotiations with Mount Hua. It can be angst (CM is socially isolated and insecure about his position) or romantic comedy (awkward situations and protective Cheong Mun), up to you). Thank you in advance!

It was a well-established fact that the Dark Saint of the Tang Family was one of their generation's best.

So it came as no surprise when an influx of marriage proposals flooded their family's estate—because rumors started flying around that the Dark Saint was in search of a partner.

The Dark Saint held a reputation for being cold and ruthless. To cultivators and martial artists, he was someone they feared making into an enemy due to his sheer battle prowess and poisonous abilities. To normal civilians, he was a genius who wielded the Tang Family's techniques with cool precision and intent; to them, he was just another mysterious cultivator that they would only ever know of through gossip and stories.

However, in recent years, something shifted. His reputation among common folk was slowly altered. It started off with a supposed battle between him and the Plum Blossom Sword Saint which turned into a sudden and unexpected friendship.

Whereas in the past the Dark Saint would only go around Sichuan and closeby villages, he was now found going around different major cities and unknown ones.

He was often in the company of Mount Hua's Plum Blossom Sword Saint, who worked with him side-by-side to eradicate groups from the Demonic Cult and the occasional bandits and thieves.

For supposed Taoists, the two visited different establishments to drink alcohol and talk cheerily. It was during one of these moments that the first rumor began its spark.

"Ahhhh," The Plum Blossom Sword Saint groans in satisfaction. "That sure hits the spot!"

The Dark Saint chuckles as he tosses back his own drink. "If only I could enjoy everyday like this. Alcohol really is the best."

"What would your future wife think?" The Plum Blossom Sword Saint jokingly and dramatically shakes his head in disappointment. "To have a husband who loves alcohol more than his own wife...!"

The Dark Saint wiggles his eyebrows suggestively. "Trust me, I would make sure that my wife knows full-well just how much I love them."

The two of them share a silent, private conversation with just their eyes alone, that none of the other restaurant's customers could decipher, before they leave a generous tip and went on their way.

It snowballs from there.

All of a sudden gossip went around about the Dark Saint's interest in finding a wife. And so several people came to the same conclusion.

The reason why the Dark Saint is travelling around more than usual is because he's looking for a prospective wife.

Clearly, the Plum Blossom Sword Saint was there to provide moral support. How truly admirable and strong their brotherhood must be!

On the other hand, the head of the Tang Family was fully aware of their Dark Saint's single-minded interest in Mount Hua's Chung Myung.

Seeing all the stacks of letters that ranged from proposing strategic alliances and general marriage offers brought the current head of the Tang Family to a very different conclusion.

Tang Bo was trying to slowly draw himself away from their family by leaving their estate. He might be on the hunt, jumping from village to village, trying to create a dowry befitting for the hand of the Plum Blossom Sword Saint and scouting out all the best locations to settle down in.

It really wouldn't be too surprising of an idea if one day a letter turns up from the man with an intent of permanently moving to Mount Hua or some backwater village.

The Tang Family head shakes the thought of losing one of their best and genius members to one of the Ten Great Sects. If he wanted to maintain their family's reputation, he'll need to strike the first move.

And so he begins to pen a decisive letter to the Sect Leader of Mount Hua.

%%%

Chung Mun's hands tremble as reads the letter sent to him by the Tang Family.

'Who did they think they were?' He would have bit out if he had any less self-restraint. The paper crumples in his grip and he receives a questioning glance from Chung Myung who was sprawled eating mooncakes on the opposite side of his desk.

"What's got you so worked up?" The subject of the letter askswithout a care.

Chung Mun takes a deep breath. "The Tang Family wishes for you to transfer into their estate."

He refuses to say out loud the marriage proposal that came along with this request. His Chung Myung was too young! The man might be a sixty years old, but that round face, cheeks carelessly bulging with mooncakes with crumbs littered on his chin, screamed too young for marriage!

"Oh." Chung Myung nods in understanding.

Chung Mun is glad that Chung Myung agrees that this was nonsensical. To think, they thought that Chung Myung would even leave Mount Hua for—

"After the war is over, Tang Bo and I were planning to be roommates and travel the world a bit."

—?????

"Roommates?" Chung Mun's voices comes out slightly strangled.

"Yup. It's going to be great."

"No."

"'No'?"

Chung Mun tries to run through his previous conversations with Tang Bo. He knew that the man was capable of being underhanded, but he was also well-aware that Tang Bo respected him enough to not blind-side him with something like this. Especially since it concerned Chung Myung.

...

...Oh no.

"Fuck." Chung Mun says, full of feeling as he recalls Tang Bo off-handedly asking permission to live together with Chung Myung in the future.

"...Sect Leader?"

Chung Mun had thought that was a joke! He thought Tang Bo wasn't being serious! They were talking with alcohol in their systems!

The alarmed look that crosses Chung Myung's face informed Chung Mun that the way he felt his blood drain from his face was a visible, physical reaction.

"He asked for your hand in marriage." Chung Mun says faintly. "I said yes."

Chung Myung blinked at him. "Yeah? He told me?"

Okay. Tang Bo, to his credit, hasn't been leaving Chung Myung in the dark at least.

If Chung Myung knows and isn't reacting violently that means that he isn't completely against this. Even if Chung Mun was, he had to reorganize his priorties.

And his number one would be to make sure Chung Myung was happy.

((And to make sure that the Tang Family doesn't think they can step on Chung Mun and pull his little brother away.))

"I'll have to recheck the sect's budget and my own savings to make sure we have enough for the wedding preparations..." Chung Mun mutters as he begins drafting a response to the Tang Family with what he thought were better marriage agreement conditions.

But then, a flash of dread causes Chung Mun to pause writing and leave a dark ink blot on the paper. He suspected, but he really wishes that he was wrong—!

"Huh?" Chung Myung gives Chung Mun a confused look. "We already got married though?"

[perplexingly]

i thought romanced Sera only calls the inquisitor silly nicknames but I just talked to her and she said "yes, love?"?? Sooo cute 😭

[futurelabs]

james.

[nattravn-art]

Laketober 2024: Basement - Sacrifice(s) (day 25)

[leslieseveride]

they really weren't kidding about the rom-com vibes in this season.

[rillils]

how do explain stucky from the moment they met to where they are now (together in each others arms) to my friend who knows nothing about marvel

ohh this is a tough one, honey! i think i've got two options for you:

the short answer:

stucky is a compendium of all the best tropes out there, and i'm sure i'm gonna miss a few:

soulmates? check! star-crossed lovers? check! battle husbands? super check! mutual pining? check! 'and they were roommates'? check! best friends to lovers? check check check! long-lost lover comes back from the dead? fuck yeah, check! temporary amnesia? check! dude in distress trope? check! 'they will always find each other and choose each other in every lifetime'? also check! identity porn? extra check! saved by the power of love? you guessed it: check! slow burn or childhood sweethearts? you decide!!! did they share their first kiss when steve was 16, as per a popular fanon theory? did they only confess their feelings during the war? did they only get together much later, when bucky was healing in wakanda? you can pick literally ANY point in their timeline, and it will still make sense! they're all equally valid! you can even have multiple different headcanons at once, i mean who's gonna stop you??? all you have to do is join in the fun! 💕

the long AF answer, aka:

STEVE & BUCKY'S LOVE STORY, UNABRIDGED SOMEWHAT ABRIDGED, part 1/3

all right, let's set the scene:

imagine two young kids, let's call them steve and bucky. they meet, they immediately take to each other, they become instant besties! and as they grow up together, facing many hardships, their bond deepens. not only are they best friends; they are also each other's family. they take care of each other, and they both know they can always rely on one another in times of need.

when steve's mom (and only remaining relative) passes away, bucky reminds him that he's not as alone in this world as he thinks he is: bucky will always be by his side. bucky will always love him unconditionally, will always be there for him, for better or for worse, in sickness and in health, for richer and for poorer, and he wants steve to know that.

in fact, he asks steve to move in with him, thus offering steve both a literal and a metaphorical home.

and steve says yes!

SO. they are each other's home, they're living together, they're getting by all right. but then war breaks out, and eventually it reaches their little home as well: bucky is drafted, and steve, due to his many health issues, and despite his best intentions, can't follow the boy he loves onto the battlefield.

it's a very difficult time for them both - so much so that they can't even bring themselves to talk about it.

they have no choice but to say goodbye for now, knowing that they might never see each other again. but here's something you might not know yet about steve: he's the most reckless, most stubborn fucker america's ever seen. he's not gonna let this stop him!!! instead, he goes and gets a very sweet, kindly scientist to fucking experiment on him, because screw it, he's going to fight in this war if it's the last thing he does. and that's how he goes from Smol Steeb to Lorge Premium Steeb.

of course, things don't go exactly as he predicted, and steve is made to be the star of a war propaganda-fuelled musical kinda thingie, which he resents (but he looks fucking precious in his costume)

BUT! he does get closer to the actual battlefield. which is where he discovers that bucky has been captured by the enemy (!!!!!!!) and is most likely dead by now. but steve isn't willing to give up so easily! he'll believe bucky's dead when he sees it with his own eyes. so, he embarks on this suicide solo mission in the attempt to get bucky back, even if it means wandering on his own. into enemy territory. where he would be shot. on. sight. with no protection for his dumb ass except for a bunch of theater props!!! but such is the power of love, y'all.

against all odds, steve finds bucky very much still alive! and as soon as bucky recognizes him, even as confused as he is, he pulls out this beautiful, ecstatic, angelic-ass smile, like he's just seen god or he got high on some real good edibles or maybe both idk, like my man here was having a serious Religious Experience™ you guys

and i just wanna say, they could have totally kissed here and it would have made plenty of sense. but that's true of like 90% of their scenes in this franchise, so *shrugs*

ANYWAY steve takes bucky in his arms (well technically yes he does) and brings him to safety, and on their way there, bucky proves once more just how hard he meant that "with you til the end of the line" from before

afterwards, steve is finally given the chance to fight, just like he wanted.

bucky, on the other hand, could very well leave the war behind and go home; but when he learns that steve is staying, he chooses to stay too, and fight by his side. and he tells steve so in this very intimate, softspoken, delightfully suggestive conversation, which can be summed up like this:

and so they walk right back into the heart of the fight, only this time together, as they were always meant to be!

but. during an especially tricky mission, they're surprised by the enemy, and as a result, bucky falls to his death into a deep ravine.

steve is devastated. overwhelmed with guilt, grief and rage, he vows to bring down the people responsible for his loss, even if it costs him his own life.

and um, it kind of does? cost him his own life?

victorious after his last vis-a-vis with The Antagonist™, steve still chooses to sacrifice himself to prevent the catastrophe set into motion by the aforementioned Antagonist™. he's flying a jet over the frosty expanse of the atlantic, and you know, from the outside, you could easily argue that he could try to save himself. if he really wanted to. but with bucky dead, and the people responsible for all this pain, either dead or captured, it seems like all the will to fight is gone from steve; and so he plunges the jet straight into the ocean, and himself with it.

is this the end of their story?, you might ask.

the answer is: of course not!!!! the best is yet to come, babes!!!

EDIT: here is part 2

[bassicallymaestra]

Calypso for @dwightschrute11 💖

Also her hair was so much fun to draw 😍