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ceilidhtransing · 4 months ago

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The discussions around whether or not to vote for Kamala keep being dominated by very loud voices shouting that anyone who advocates for her “just doesn't care about Palestine!” and “is willing to overlook genocide!” and “has no moral backbone at all!” And while some of these voices will be bots, trolls, psyops - we know that this happens; we know that trying to persuade progressives to split the vote or not vote at all is a strategy employed by hostile actors - of course many of them won't be. But what this rhetoric does is continually force the “you should vote for her” crowd onto the back foot of having to go to great lengths writing entire essays justifying their choice, while the “don't vote/vote third party” crowd is basically never asked to justify their choice. It frames voting for Kamala as a deeply morally compromised position that requires extensive justification while framing not voting or voting third party as the neutral and morally clean stance.

So here's another way of looking at it. How much are you willing to accept in order to feel like you're not compromising your morals on one issue?

Are you willing to accept the 24% rise in maternal deaths - and 39% increase for Black women - that is expected under a federal abortion ban, according to the Centre for American Progress? Those percentages represent real people who are alive now who would die if the folks behind Project 2025 get their way with reproductive healthcare.

Are you willing to accept the massive acceleration of climate change that would result from the scrapping of all climate legislation? We don't have time to fuck around with the environment. A gutting of climate policy and a prioritisation of fossil fuel profits, which is explicitly promised by Trump, would set the entire world back years - years that we don't have.

Are you willing to accept the classification of transgender visibility as inherently “pornographic” and thus the removal of trans people from public life? Are you willing to accept the total elimination of legal routes for gender-affirming care? The people behind the Trump campaign want to drive queer and trans people back underground, back into the closet, back into “criminality”. This will kill people. And it's maddening that caring about this gets called “prioritising white gays over brown people abroad” as if it's not BIPOC queer and trans Americans who will suffer the most from legislative queer- and transphobia, as they always do.

Are you willing to accept the domestic deployment of the military to crack down on protests and enforce racist immigration policy? I'm sure it's going to be very easy to convince huge numbers of normal people to turn up to protests and get involved in political organising when doing so may well involve facing down an army deployed by a hardcore authoritarian operating under the precedent that nothing he does as president can ever be illegal.

Are you willing to accept a president who openly talks about wanting to be a dictator, plans on massively expanding presidential powers, dehumanises his political enemies and wants the DOJ to “go after them”, and assures his supporters they won't have to vote again? If you can't see the danger of this staring you right in the face, I don't know what to tell you. Allowing a wannabe dictator to take control of the most powerful country on earth would be absolutely disastrous for the entire world.

Are you willing to accept an enormous uptick in fascism and far-right authoritarianism worldwide? The far right in America has huge influence over an entire international network of “anti-globalists”, hardcore anti-immigrant xenophobes, transphobic extremists, and straight-up fascists. Success in America aids and emboldens these people everywhere.

Are you willing to accept an enormous number of preventable deaths if America faces a crisis in the next four years: a public health emergency, a natural disaster, an ecological catastrophe? We all saw how Trump handled Hurricane Maria in Puerto Rico. We all saw how Trump handled Covid-19. He fanned the flames of disaster with a constant flow of medical misinformation and an unspeakably dangerous undermining of public health experts. It's estimated that 40% of US pandemic deaths could have been avoided if the death rates had corresponded to those in other high-income countries. That amounts to nearly half a million people. One study from January 2021 estimated between around 4,200 and 12,200 preventable deaths attributable purely to Trump's statements about masks. We're highly unlikely to face another global pandemic in the next few years but who knows what crises are coming down the pipeline?

Are you willing to accept the attempted deportation of millions - millions - of undocumented people? This is “rounding people up and throwing them into camps where no one ever hears from them again” territory. That's a blueprint for genocide right there and it's a core tenet of both Trump's personal policy and Project 2025. And of course they wouldn't be going after white people. They most likely wouldn't even restrict their tyranny to people who are actually undocumented. Anyone racially othered as an “immigrant” would be at risk from this.

Are you willing to accept not just the continuation of the current situation in Palestine, but the absolute annihilation of Gaza and the obliteration of any hope for imminent peace? There is no way that Trump and the people behind him would not be catastrophically worse for Gaza than Kamala or even Biden. Only recently he was telling donors behind closed doors that he wanted to “set the [Palestinian] movement back 25 or 30 years” and that “any student that protests, I throw them out of the country”. This is not a man who can be pushed in a direction more conducive to peace and justice. This is a man who listens to his wealthy donors, his Christian nationalist Republican allies, and himself.

Are you willing to accept a much heightened risk of nuclear war? Obviously this is hardly a Trump policy promise. But I can't think of a single president since the Cold War who is more likely to deploy nuclear weapons, given how casually he talks about wanting to use them and how erratic and unstable he can be in his dealings with foreign leaders. To quote Foreign Policy only this year, “Trump told a crowd in January that one of the reasons he needed immunity was so that he couldn’t be indicted for using nuclear weapons on a city.” That's reassuring. I'm not even in the US and I remember four years of constant background low-level terror that Trump would take offence at something some foreign leader said or think that he needs to personally intervene in some military situation to “sort it out” and decide to launch the entire world into nuclear war. No one sane on earth wants the most powerful person on the planet to be as trigger-happy and careless with human life as he is, especially if he's running the White House like a dictator with no one ever telling him no. But depending on what Americans do in November, he may well be inflicted again on all of us, and I guess we'll all just have to hope that he doesn't do the worst thing imaginable.

“But I don't want those things! Stop accusing me of supporting things I don't support!” Yes, of course you don't want those things. None of us does. No one's saying that you actively support them. No one's accusing you of wanting Black women to die from ectopic pregnancies or of wanting to throw Hispanic people in immigrant detention centres or of wanting trans people to be outlawed (unlike, I must point out, the extremely emotive and personal accusations that get thrown around about “wanting Palestinian children to die” if you encourage people to vote for Kamala).

But if you're advocating against voting for Kamala, you are clearly willing to accept them as possible consequences of your actions. That is the deal you're making. If a terrible thing happening is the clear and easily foreseeable outcome of your action (or in the case of not voting, inaction), in a way that could have been prevented by taking a different and just as easy action, you are partly responsible for that consequence. (And no, it's not “a fear campaign” to warn people about things he's said, things he wants to do, and plans drawn up by his close allies. This is not “oooh the Democrats are trying to bully you into voting for them by making him out to be really bad so you'll feel scared and vote for Kamala!” He is really bad, in obvious and documented and irrefutable ways.)

And if you believe that “both parties are the same on Gaza” (which, you know, they really aren't, but let's just pretend that they are) then presumably you accept that the horrors being committed there will continue, in the immediate term anyway, regardless of who wins the presidency. Because there really isn't some third option that will appear and do everything we want. It's going to be one of those two. And we can talk all day about wanting a better system or how unfair it is that every presidential election only ever has two viable candidates and how small the Overton window is and all that but hell, we are less than eighty days out from the election; none of that is going to get fixed between now and November. Electoral reform is a long-term (but important!) goal, not something that can be effected in the span of a couple of months by telling people online to vote third party. There is no “instant ceasefire and peace negotiation” button that we're callously overlooking by encouraging people to vote for Kamala. (My god, if there was, we would all be pressing it.)

If we're suggesting people vote for her, it's not that we “are willing to overlook genocide” or “don't care about sacrificing brown people abroad” or whatever. Nothing is being “overlooked” here. It's that we're simply not willing to accept everything else in this post and more on top of continued atrocities in Gaza. We're not willing to take Trump and his godawful far-right authoritarian agenda as an acceptable consequence of feeling like we have the moral high ground on Palestine. I cannot stress enough that if Kamala doesn't win, we - we all, in the whole world - get Trump. Are you willing to accept that?

And one more point to address: I've seen too many people act frighteningly flippant and naïve about terrible things Trump or his campaign want to do, with the idea that people will simply be able to prevent all these bad things by “organising” and “protesting” and “collective action”. “I'm not willing to accept these things; that's why I'll fight them tooth and nail every day of their administration” - OK but if you're not even willing to cast a vote then I have doubts about your ability to form “the Resistance”, which by the way would have to involve cooperation with people of lots of progressive political stripes in order to have the manpower to be effective, and if you're so committed to political purity that you view temporarily lending your support to Kamala at the ballot box as an untenable betrayal of everything you stand for then forgive me for also doubting your ability to productively cooperate with allies on the ground with whom you don't 100% agree. Plus, if the Trump campaign gets its way, American progressives would be kept so busy trying to put out about twenty different fires at once that you'd be able to accomplish very little. Maybe you get them to soften their stance on trans healthcare but oh shit, the climate policies are still in place. But more importantly, how many people do you think will protest for abortion rights if doing so means staring down a gun? Or organise to protect their neighbours from deportation if doing so means being thrown in prison yourself? And OK, maybe you're sure that you will, but history has shown us time and time again that most people won't. Most people aren't willing to face that kind of personal risk. And a tiny number of lefties willing to risk incarceration or death to protect undocumented people or trans people or whatever other groups are targeted is sadly not enough to prevent the horrors from happening. That is small fry compared to the full might of a determined state. Of course if the worst happens and Trump wins then you should do what you can to mitigate the harm; I'm not saying you shouldn't. But really the time to act is now. You have an opportunity right here to mitigate the harm and it's called “not letting him get elected”. Act now to prevent that kind of horrific authoritarian situation from developing in the first place; don't sit this one out under the naïve belief that “we'll be able to stop it if it happens”. You won't.

#politics #us politics #american politics #us election #election 2024 #2024 elections #2024 election #us elections #2024 presidential election #project 2025 #agenda 47 #antifascism #please vote #your vote matters #voting matters #harris #kamala #kamala harris #my posts

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leebrontide · 2 months ago

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Here's a funny little story about disability accommodation.

So I'm a bit deaf. Like...I have a prescription for a hearing aide but don't own one kind of a bit deaf. And I used to work at this noisy ass addiction treatment clinic. So even in my office I relied a lot on lipreading.

So one day I'm working with this client, and she's getting more and more upset and shut down, no matter how I try to steer us onto a calm, relaxed subject of conversation. And I can't figure out why the conversation has gone so far south.

And then I realize I am sitting at a buckwild angle in my chair, leaning waaaay over to the side. I'm almost falling off this chair. I look like a total goober.

And then I realize I'm doing that because I'm trying to lipread this client, who keeps turning further and further down and away from me. I probably would have noticed sooner but lipreading is actually kind of hard and I was focusing on noticing her upset rather than my body language.

And then it clicks.

She thinks I'm leaning like this because I am being a passive-aggressive asshole who is trying to force/shame her into making eye contact with me. I'd known this client enough to know she hates eye contact- possibly autism, possibly anxiety. Always possible it's both or something else.

I sit up straight and say. "Oh! Hey, I don't give a shit about eye contact, I'm trying to read your lips so I can understand what you're saying to me."

Instant vibe change. She relaxes, and sits upright comfortably in her chair, looking about a foot to the left of my head, so I can see her face clearly but she doesn't have to either fake or evade unwanted eye contact.

From then on things go a lot smoother, and we can get some good work done.

One side benefit from normalizing accommodations and reducing barriers to them is that it allows for low-stress conversations about what everybody needs in order to fully participate in an interaction. If I hadn't named the need I was trying to meet, she wouldn't have realized she could have her need met as well.

#disability

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mako-island-moon-pool · 9 months ago

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Why am I flipping tf out over my roommate going into my room when I wasn't home and leaving a package on my bed it's literally not a big deal and they were trying to be helpful but I am shaking right now I should be happy I got my new favorite shirt but I'm so angry

#Like genuinely seething with rage over something so innocuous I shouldn't be angry #But at the same time I'm like...#The door was shut. When did I ever say you could come in here (I didn't). I wasn't home. Don't touch my stuff. You could have left it #Outside the door. My room is a mess and they saw. AND DON'T TOUCH MY STUFF #I feel like I shouldn't have to sit them down and be like 'hey I don't want you going in my room when I didn't say you could go in there'#Like I feel like that's common sense when u live with other people but I guess not?????#Like it really bothers me cuz I'd NEVER go into someone's room when they weren't there w/o express permission #Fucks sake I linger outside the doorway til they say I can come in when they are there and we're talking #I feel like that's just basic decency because it's their space #Why can't you respect mine and not go in my room when you don't have permission?????#At least text me first????!#THE DOOR WAS SHUT THATS WHAT'S REALLY BOTHERING ME #THE DOOR WAS SHUT WHY WOULD YOU LOOK AT A CLOSED DOOR TO SOMEONE'S BEDROOM AND JUST WALK IN WITHOUT EVER ASKING #Sorry. I know I'm being super irrational right now #I just. My mom used to go through my stuff when I lived at home and throw out whatever she wanted #She would wait until I left the house and then throw things out and leave the rest in a giant pile of trash on the floor #It was always when I was having a decent day too. She'd treat me totally normally the whole way home and then I'd walk into my room to it #Absolutely destroyed and her response was always a cool 'well you should have cleaned it then'#I used to have to dig through the garbage to get the stuff I had attachments to back #She once threw out an entire shoebox filled with my drawings because it was 'too messy' but literally the lid was slightly askew from being #Overfilled. Instead of getting me a bigger container or another shoebox she just fucking tossed it #I lost so much childhood art from that it's part of the reason I refuse to throw anything I've ever drawn away #Anyway this is why I'm overreacting and being irrational and not letting people walk all over me with no complaints #Don't worry though I'm working on squishing any other reservations I have about being a doormat #That way in a couple more years I'll just be a shell of a person and then people will finally like having me around #AJDGDHDHDBMSBDGDJDHDBDMDBDBDN #Grumble grumble

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mad-hunts · 1 month ago

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if barton tried hard enough, he thought, imagining himself being literally anywhere else but the warehouse right then was easy. this place was never meant to be lived in for an extended period of time after all; despite the fact that it had appliances that you might see in an every day home like a fridge.

it put him on edge instead of at ease, and it certainly didn't better barton's mood when he stayed in it either, after all. but so long as he was allowed to dream within it to some degree... it was tolerable. plus, he had company here, courtesy of nico, jack, and barton also supposed jervis counted. nico had complicated feelings towards the doctor, though, and spending time around jack whilst in it thus far gave barton an unfortunate impression; which was that his own son was made nervous by him.

and the irony of it all was, barton only gathered that because he could feel cognitive empathy towards him. something that didn't include feeling but reasoning. therefore, the hopes of him somehow patching that up with jack someday were drastically decreased. barton vaguely listened to jervis respond to what he'd said about him being in the warehouse solely because of them; all of the words but one not quite having any actual impact on him, this being 'nightmares.'

the smell of the yuja tea that jack prepared for jervis, as fragrant in the air that it was, seemed to be the one thing keeping him from being sucked down a unpleasant train of thought. for someone who didn't feel human half the time, barton sure as hell experienced his own fair share of seeing 'ghosts' from the past and mourning the way some things had gone in his life. and regret, as well as sorrow, were practically intertwined in every single 'normal' person's life that he'd known.

speaking of regret, once he'd closed the curtains, something from the small cabinet hanging on the wall next to them fell to the floor. barton picked it up and was immediately reminded of why he kept this photo here instead of at his home. hiding it away helped alleviate the pain of not only loving someone and losing them, but also knowing that at the time it was taken, everything seemed fine.

'my 19th birthday party - spent right, with my handsome fiancé!' was written on the back in marcy's handwriting. barton felt like screaming and smashing something simultaneously. the photo was instead placed in his pant pocket, whilst he dragged his hands down his face and thanked his lucky stars that jervis wasn't exactly expecting any big conversations from him. barton's hand flexed by his side before he was changing his shirt, wondering just what the hell he was supposed to do after seeing that again.

grief was a thing he'd never been able to pend down how to deal with 'appropriately,' unfortunately. from marcy, to the momentary blink of an eye that felt like his bittersweet friendship with yves, to his son julien's death - barton thought he'd be destroyed by all of those losses for the longest time. but he supposed he was still here, god willing, or laughing at him more like if such a being did exist. barton noticed the fabric that was splitting on the blanket and how jervis very much appeared to be in his own world.

it was at that moment that he reached for something in that same cabinet he'd opened to change his shirt, finding that sewing thread and needle he'd stored in there long ago. barton kept it there because the shirt he was wearing had actually torn at some point and he'd fixed it. though, he had no use for it now, so he decided to put it on the edge of edge of the cabinet if jervis wanted it. but he didn't really know what he wanted. that night seemed to be a series of gut punches now as the other touched upon how jack was a good person and barton should be proud of him.

he blinked several times as he felt this sensation like something ugly was swirling within him. jack had always kind of gotten the short-end of the stick, and for what? ❝ ahh. well, sometimes i've found myself practicing behaviors towards him that my father used to use on me... but i try to stop myself when that happens. jack has come a long way, as the first time i met him, he was a scared two year old who was on his own with his brother. but now jack's a young man and very brave, despite maybe still being scared sometimes. ❞ barton cleared his throat then, ❝ that's normal though. so yeah, i am proud of him. ❞

barton turned his attention back to jervis and tilted his head at the other's sluggishness. being vulnerable like that surprisingly didn't feel too nerve-wracking, as he added just a bit more to the equation. barton gave the iv bag jervis was hooked up to a good squeeze, ❝ hmm. are you still in pain, jervis? or are you just tired? ❞ he observed the other silently and looked down at the cards before the both of them. that is, before barton heard jervis approve of him reading his fortune.

he drifted a hand along the cards then. choosing one that felt 'right' came without much difficulty to barton, and when he did, the reversed 'wheel of fortune' card for jervis's past. the next card he chose was the reversed 'six of swords' for jervis's present. barton flipped the last one for his future and was greeted by 'the sun,' which made him let out a soft 'huh' and smile a bit. ❝ well... i hate to start off with the past when you got this card, but i guess we have to. ❞ he was about to start interpreting jervis's fortune when jack came back into the room with the breakfast he promised the other. well, talk about convenient timing.

Jervis merely rolled his eyes at Barton’s remark, fingers biting into the fabric of the blanket as he pulled it around his shoulders like an old shawl. The plush material was a little threadbare at the corner; a tear disrupting the otherwise seamless fabric.

Sea-green and white plaid. Utilitarian, impersonal.

It sufficed perfectly; his thin frame was almost terminally intolerant to the cold. 27 years in Gotham had failed to inoculate him against the frigid rains and bone-chilling air sweeping off the harbor.

“Trust me, I’m well aware where I would be, if it weren’t for you both. I see enough of the place in my nightmares… so I don’t require any reminders.” He flexed his fingers around the teacup, feeling the warmth seep into his hands as he cautiously tipped the liquid into his mouth. It had a strange, but not unpleasant consistency, like warm, thin honey that slid smoothly over his tongue in a tangy blend of sweet and sour. Tiny bits of softened citrus peel floated in the syrupy mixture.

Barton’s IV pole scraped slightly along the concrete floor, a sharp metallic sound that mingled with the sudden rasp of the curtains being jerked shut. The room was clean and sparse, a sterile space designed to be free of clutter, yet a faint, telltale mustiness clung to the air—a lingering scent of damp fabric and stale dust that disinfectant alone couldn’t quite mask. Beyond the makeshift partition, the rest of the warehouse stretched out in vast, dark emptiness. The floor was cold, unpolished concrete, marred with cracks that split like spider webs. Dim, flickering fluorescent lights cast a harsh, uneven glow, barely cutting through the haze of dust that swirled in the air.

But, of course, beggars couldn’t be choosers when it came to hideaways—especially when you’ve learned to take shelter wherever you can find it. Or when you were part of the criminal element.

How far he’d come and how little had truly changed.

Jervis glanced across the room at where his coat, shirt, and gloves rested neatly on the desk, carefully folded with almost surgical precision. He flexed his hands again around the teacup, feeling the phantom prickle of sensation where the wool-lined leather should be—an exposed vulnerability that gnawed at him, made his skin itch with invisible grime.

He sank his teeth into a particularly broad piece of yuja peel, the bitter tang releasing as he bit down; meanwhile, Barton’s voice drifted in one ear, out the other like the static hum on a faulty wireless. He chewed slowly, savoring the rind as he turned his attention back to the small tear in the blanket. Nodded intermittently.

Jervis’ callused, scarred fingers found the frayed edge; the fabric was worn thin and splitting, and he traced it absentmindedly, feeling the uneven fibers beneath his touch. For a moment, his thoughts shifted to the sewing kit buried somewhere in his bag, imagining the small spool of thread and the thin, glinting needles; each one ready to pierce the fabric and pull it back together.

As if stitching this small wound would make any real difference, he thought bitterly; like it could somehow soothe the cold reality pressing in on them from all sides… It was a small, pointless task, a flicker of control in a situation that felt like it was slipping away, unraveling faster than he could sew it back together. He knew it wouldn’t ameliorate anything—wouldn’t solve the problems looming larger than this tiny, frayed corner. And yet, his fingers lingered there, desperate for something tangible to fix; something he could make whole again, if only for a moment.

Jervis gave no reply as Barton moved to change his shirt; blinking hard as he gazed down at the floor, but the darkness behind his eyelids refused to stay empty. Flecks of indigo light bloomed in the black, shifting like dust motes that twisted with each beat of his heart. The room swam as he opened his eyes again, the ceiling blurred and murky like the styrofoam cup Alice stored her wet paintbrushes in. He scratched absently at the IV in his arm, feeling the tug of the thin plastic embedded in his skin but barely registering the discomfort. The bright pinpricks danced at the edges of his vision, trailing like little comets whenever he turned his head.

“You ought to be proud of him, I imagine. Your son… he seems like a good lad.” Jervis’ voice was a wisp of silk, smooth and thin, like it might unravel into nothing if he spoke too loudly. He tilted his head slightly, almost resembling a marionette on a slack string, the hint of a smile touching his lips but never quite reaching his eyes. He ran a finger along the rim of his teacup, the motion delicate and deliberate as he pondered Barton’s final query.

“Hmm… can you?” Gray eyes blinked slowly, the lids heavy and sluggish, further dragged down by fatigue. The question lingered in the air, softly innocuous. He glanced over at the tarot cards Jack left behind on the desk—arranged in a rough, careless spread, but somehow feeling deliberate, as though the cards had fallen exactly where they were meant to. The edges were worn, curling slightly; the images esoteric, half-familiar symbols. Stars, sun, moon, cups and swords, animals and human figures rendered in faded colors.

He paused, gaze narrowing, subtly curious despite the exhaustion that weighed down his expression. For a moment, his hand tightened around his teacup; twitched like he might reach out and touch them, as if by brushing the surface he could glean some hidden answer buried beneath the painted ink.

‘Why, they're only a pack of cards, after all.’

His grip on the blanket slipped momentarily, fumbling at the worn edge before he reached for his collar instead. He dug beneath the charcoal fabric of his T-shirt, searching with a practiced motion until his fingers found the tarnished silver chain again. He drew it out slowly, the weight of it comforting against his skin as he absently ran his thumb over his and Sylvie’s rings, threaded side by side on the links.

The metal was dull, no longer shining with the luster it once had, but it carried a certain softness now, smoothed by years of worry. His eyes dropped for a second before he let the chain slip back beneath his shirt. “By all means, if it tickles your fancy…” Jervis gave a short, rough half-shrug, the motion stunted as though his shoulder couldn’t quite decide whether to follow through.

#divingdownthehole #tw: grief.#tw: mentions of death.#tw: mentions of child death.#tw: negative thoughts.#OOH you used a quote from alice in wonderland in here? that is epic NGL though i don't think i know which one you used ahahhh #and AWW well gosh... you're going to make me blush now <33 but thank you so SO much for saying so + i just want you to know #that i enjoy writing with you a lot myself! but yeahhh i feel as if barton is a lot more quote unquote 'subdued' here than usual #but it kind of makes sense because this man hates being in the warehouse probably just as much as jervis honestly (': and with #everything that went on regarding the picture he found. all i can say to that is GAHHH but you're good!! don't even worry about it #i totally understand as i know i took a bit to reply to this one though that's just 'cause i want to give you the best quality reply #possible + sometimes i don't have much time to sit down and write but i did today tehe!!! but really? oh my gosh thank you VERY much-#for all of your kind words! it really means a lot to me that you not just like the little things i've put into his character but love them #;; like i don't even know what to say besides that makes me feel so happy!! but geezzz you're making me turn bright red like a tomato over #here now and simultaneously going to make me hashtag cry in the club. just the fact that he's fascinating to you is like... everything a #writer like me could dream of y'know? and i return the same feelings ten-fold because jervis is just SO interesting that i feel #like i can't get enough of roleplaying with your version of him (': but JSJSJ well alrighttt i'll try not to worry about the muse versus mu #thing then since you're being so sweet. and i thank you once more for that BUT 😭 THIS IS ME RN because you're also my bestie and-#being called a ray of sunshine is? possibly one of the nicest things anyone has ever said to me?? so i'm giving you a big hug right now-#and letting you know i think you are an incredible human being. but yeahhh there's a UHHH whole terrible story behind that-#unfortunately but i'm just going to boil it down to: yves died and barton sought to essentially make him be a 'part' of him because #he actually has no idea how to healthily move on from... most relationships 🫠 so he decided to do something TOTALLY normal-#and replace one of his arms with yves's (sarcasm) but TBH i have to say i wouldn't even blame you if you weren't joking about that-#because this man is seriously WILDING for that. like barton is absolutely 100 percent not okay no matter what he tries to tell other #muses 💀

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stagefoureddiediaz · 11 months ago

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Ok so we get this

and this

And I proceed to spiral about colour theory and costume theory and end up writing and expansion to this post I made about Buck in yellow ochre!!! Sorry y'all, you know what that means - my unhinged colour theory and costume meta's are Back!!!

Lets start by revisiting all of Bucks previous yellow ochre wearing shenanigans!

3x06 the yellow ochre sweater he wears when he gets sent home by Bobby - this does after we see Buck and Eddie making up with each other - a moment when we see Buck learning more about himself and growing (read becoming less self-centred and understanding the concept of being part of a team and recognising that he needs to be better about stepping in with Eddie!)

4x02 - Yellow ochre jumper - first in a video chat with Maddie, Chim and Albert, but then more importantly, when he is in his therapy session with dr Copeland - the whole ‘I hide my true feelings from others’ moment - yet another moment of Buck recognising something about himself. I think this is the most key scene in Bucks yellow ochre wearing - more on that in a bit.

4x03 Bucks yellow ochre t-shirt - a t-shirt that matches the shade of the jumper from above, and a moment when Buck confesses to Maddie that he’s in therapy - about being sad and lonely and wanting to be ‘finer’

4x04 - the yellow knit sweater from 3x06 is back (yes it is the same sweater) and this is when Buck has his entire life upended and he finds out about Daniel (kicking us into Buck begins)

4x11 - Buck talks to Maddie and Josh about Sue’s hit and run, then talks to Taylor about Sue. This one is a much brighter yellow than the ochres we’ve seen up to now, but I’m including it because I think its relevant to Bucks arc here (also because it connects into the next time we see Buck wearing yellow - the will scene) the concept of being hit with information that leads to Bucks growth and the nature of most hit and runs not being solved, the perpetrator never being caught and therefore not getting closure on something (this is super relevant I promise!)

Then we have 4x14 and two yellow ochre tops - the first is the sweater, this one is trending more towards orange brown, but its still in the ochre wheelhouse! this oe is all about communication - mostly at Buck - Taylor telling him how stupid he was for climbing the crane, receiving a phonemail from Ana to tell him Eddie is awake, facilitating communication between Eddie and Chris and then Buck communication himself - thinking it would’ve been better if he had been shot. Directly communicating to the audience (as much as Eddie) the inner monologue of Bucks own opinion of the point of his existence.

Then we get the beloved will scene and Buck wearing a yellow ochre shirt, still lighter than the other yellow ochre we’d seen up to this point, with the exception of the previous one which is brighter still. again this is mostly about people communicating at Buck rather than him being the communicator - much like with the previous Jumper. It somewhat plays into the concept of Buck being a passive part of his life rather than actively living it - Kinda hard to explain at this point without the context of the costumes from s5&6. I also want to point out Taylor is in that dark green again here - in the scene when Buck opens the door to the Diaz house.

5x03 gives us Buck in that same shade of yellow ochre (bear in mind we haven’t seen him in any other colour between the will reveal and this scene (beyond uniform!) and here we have Buck pushing Eddie and communicating without actually giving much of himself away - yes he uses himself as an example, but he doesn’t actually open up about himself all that much (this is important - its not the time for that and it provides space for Buck to continue his internal monologue about his self worth) after this he goes home to his loft and we get him communication to a Taylor who isn’t actually present in the space - a symbolic scene that shows that he gets just as much from her absence as her presence (a play on the idea that Buck can communicate better with her when she isn’t actually present compared with when she is - its a juxtaposition of the scene from earlier when they were in bed together and she didn’t listen to anything he was saying, or his wants/needs)

5x04 a scene at the Buckley-Han apartment where Buck isn’t communicating with Chim - Chim is very much communication with Buck about his despair over Maddie leaving - Buck obviously knows where Maddie is at this point, but he diocesan’t take the opportunity to communicate effectively with Chim. so This is yet another example of Buck failing to communicate, while some one around him is clearly communicating and this scene has the addition of secrecy thrown into the mix.

Then we have 5x14 - this one is a bit less obvious - its the yellow ochre and black plaid jacket - its an outlier in that its not solid yellow ochre, but it is again a scene where we get communication - this time BUck is actually the one to do some communicating, but like pretty much always, we don’t get him pushing too much and we see him continuing to deflect from making things about himself - he’s desperate to talk about the shooting and its impact on him, but Eddie resists and Buck backs off. the check here is a nice addition because it shows the concept of cross purposes, but also there is less yellow than in other outfits - the black seems to be ‘devouring’ the yellow - almost like a play on the idea that this was Bucks one big chance to communicate, but he doesn’t take it.

That is the last time we see Buck wearing yellow ochre until the end of season 6 - 6x15 and his date with Natalia to be precise! we’re back to that same shade of yellow ochre and once again we have Buck communicating - but its very much playing into what Natalia what to hear. I don’t doubt that BUck wants to talk about his death and resurrection, but we don’t actually see the conversation beyond the superficial overtures Buck makes. This plays into the suggestion that its about him trying to impress Natalia rather than actually about what Buck needs or wants to say. Its once again Buck communicating without actually communicating. something Eddie picks up on in the later graveyard scene and tries to provide the space for him to open up - which Buck doesn’t take.

The theme continues with the the next Buck/Natalia date in 6x17 - yellow ochre once again, this time an open shirt - again its that same shade, and we see a continuation of the Buck communicate via deflection technique he employs - this scene, like his previous date with Natalia, is more about her and the writers showing us her hang ups/ insecurities than it is about Bucks - beyond showing us that they aren’t actually all that compatible - its kind of framed in the same way as his previous relationships (especially Taylor) - Buck playing into what he thinks someone wants him to be rather than being who he actually is.

This concept is something we see in pretty much all of the previous scenes where Buck is wearing Yellow ochre, this desire to be what people need him to be rather than who he actually is. there are a couple of exceptions - the first time we see Buck in yellow ochre is probably the only instance where we see Buck being somewhat honest with himself - there is an element of him playing the role he needs to to win back Eddies friendship, but I think its coming from a genuine place and is born out of a real desire to be better - he really did learn his lesson. The fact that the next time we see the yellow ochre used is in his therapy session scene where he literally states that he hides his true feelings from others is a big giant yellow ochre flag waving around telling us that when we see Buck in yellow ochre he will be playing into that idea - and that’s then how it transpires in every subsequent scene where he is in yellow ochre.

Which brings me to this new still

no one can tell me there isn’t an air of conflict about that scene - the dark cool tone of the image suggests a coolness to the room - that idea of the cold shoulder or the temperature dropping when there is conflict between two people. their body language is also adding to that vibe - Chris turned in on himself, not sat with Buck, the space between them.

Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself.

I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) becasue we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow

There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))

Anyone want to play a game of whose shirt does this look like??!!!

Oh you do! well what if I leave these two pictures just here...

yes, yes that is a Chris sized version of that shirt - you know the one Buck was wearing when he and Taylor talked about complicated family dynamics and about telling 'other peoples stories because I hate telling my own' you know that scene about playing a part and not being yourself around people you're supposedly close to! Yes That scene - or how about the scene which happens to be the last time we saw Buck in Chris's bedroom, where Buck talks to Eddie about complicated family dynamics, about needing to have the right outfit on for the occasion, the scene where they talk about retirement, oil and Buck is playing with a dinosaur! yeah see where I'm going with this! Chris wearing a grey shirt that similar to Bucks is Paralleling those scenes - so playing into the idea of history or of thing being outdated and needing to change, of dressing for the occasion (an allegory for playing a role - to fit in to whatever environment you're in rather than being your true self) and most importantly of complicated family dynamics - suggesting that there may have been some change in the dyamics - perhaps this will play into the will (also colour paralleling the will scene as Buck is in yellow ochre and the breaking point scene with Eddie in a yellowish colour and Chris in grey) and perhaps Chris discovering Buck would be his guardian in the event Eddie isn't around. I mean we'll have to wait and see for the actual context, but I will eat my hat if the season 7 scene isn't playing into Buckley-Diaz family dynamics in some way!

Back to this still

I keep flip flopping on if its Buck or Bobby, but right now the lack of grey hair is making me lean towards it being Buck.

This is a still of the back of Bucks head from his coma dream for comparison (blurry as hell as he's not in focus but it looks enought like the same shape of hairline and of Olivers ear for me to feel like its more Buck than Bobby!

I think the shirt is what is throwing me off though because its just so not a typical Buck shirt (excepting coma dream Bucks!).

I've gone back through my notes and I just can't find any examples of Buck wearing this kind of patterning or shirt before, the closest we get is that hideous shirt he is wearing at the hospital after Kameron has given birth

The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!)

Some other things about that shirt - I've brightened it up in the picture below - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)

Then there is the burgundy stripe in combination with Eddies hand placement and the fact Eddie is wearing a denim shirt - its very Tsunami call back (even the white plays into this as well as Buck was in white when he saved Chris) -

I'm quite probably clowning hard at this point, but the fact we've got Eddie in denim again (not something he wears all that often) in a scene where he puts his hand on Bucks shoulder in that way and with his Christopher watch so very prominent - we'll I might be feeling a certain way about it.

It would make sense to play into that story arc - after all - the opening of season 7 is very much centred around a big water based disaster - its got to bring up a few things for the two of them. If it is related, Eddies Denim being darker at this point would be a nice play on things - the idea that there is more deepness - more depth to his relationship with Buck than there was in early season 3 (it even calls back to flash back Eddie in 3x16 - he is wearing dark denim when him and Shannon fight and Chris wakes up)

Ok thats enough rambling from me! Hopefully i have made a tiny bit of sense! of to go back to screaming in the void now!!

tagging a few people who might be interested! @extasiswings @copyninjabuckley @oneawkwardcookie @spotsandsocks @mandzuking17 @xxfiction-is-my-realityxx @theladyyavilee @mistmarauder

#I'm being totally fine and normal about this #I missed writing about colour theory and costumes!!#We back baby #kym costume meta #costume spiralling #colour theory #kym colour theory #911 spoilers #911 abc #evan 'buck' buckley #eddie diaz #christopher diaz #is it buck is it bobby? who knows!!#but I think its Buck!#buddie #I'll be over here spiralling!

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nereidprinc3ss · 8 months ago

Note

hi!!! here for a request. can we have a imagine where reader has a wound from surgery or whatever on like in a rib and she hides to change the bandages but then spencer sees her and he’s like ‘lemme help you’ and…

you do you for the rest!

in which spencer helps BAU fem!reader change her bandages in the bathroom at work. it's intimate, and he's adorable and awkward, and it only fuels her terrible, terrible crush.

warnings/tags: fluff, talk/description of wound, brief talk of being stabbed (does not actually occur in this fic lol), reader wears a bra, spencer undoes said bra but not sexually, lots of suggestive humor and teasing, a TINY sprinkling of angst but not really, idiots in love

a/n: i'm picturing early seasons spencer and it is filling me with so much unbridled joy. I. LOVE. HIM. thank you for the request!! and lets not talk about how inconsistent my formatting for requests is pls and thanks!!

It’s not like you meant to bend down so quickly that your wound reopened—but here you are, suffering the consequences of your actions in the women’s bathroom at Quantico as you try to assess the injury before you re-bandage it. And your shoe is still untied.

Unfortunately, the fact that you had quite literally been stabbed in the back last week makes it hard to reach said injury—especially when you’re at work and so can’t take off your shirt like you normally would. And all this struggling means it’s taking longer than it should, so now you’re focused on the wound and its scabby, wet edges and all the things it’s secreting rather than hurrying to give another statement of the entire event to Hotch since the first one had apparently been too sparse on the details.

A knock sounds on the open door. Spencer calls your name.

“You in there?”

The angle of your neck has your voice slightly strained as you call back, “yeah, what’s up? Is it Hotch?” you pause to hiss as you accidentally scratch at the wound with a nail. You don’t even want to know how much bacteria you just introduced to it. “Tell him I didn’t forget our meeting, I’ll be there in—”

“It’s not Hotch. I just wanted to make sure everything was okay with your back? I know you said you were going to check on it, but you’ve been in there a while.”

You sigh, dropping your sore arm as you continue to hold up your shirt with the other and regarding the reflection of your back in the mirror.

“Actually—could you come in here?”

There’s a pause.

“You want me to come into the women’s restroom?”

“Yes, Spencer. It’s fine. There’s nobody else in here. I just… I need some help, I think.”

The last part is admitted quietly, with an air of defeat. To admit to needing help, is, by your standards, the same as failure. Spencer knows this, which is probably the only reason he puts aside his hesitations and shuffles uncertainly into the tiled room. If you’re asking for help, it’s because you really need it.

“What do you need help with?” he asks, sweeping his gaze suspiciously around the lavatory as if you were lying about there not being any other women present and this whole thing might be a trap of some sort.

“It’s gross, and you can totally say no.”

He raises his brows expectantly, before spotting the weeping wound on your back. Unconsciously he steps closer, leaning forward. It’s not your fault, and the gore is not specific to you—anyone’s body would react this way to being stabbed. But you still feel embarrassed by the close attention to such an ugly marring, which nobody besides you and your doctors has actually seen up close.

“That doesn’t look good,” he mutters. The expression on his face is irritatingly familiar—the drawn brows, tightened eyes, barely parted lips—but it takes a moment before you realize what it is.

“Reid,” you complain. He’s still stooped over slightly to examine the wound, and looks up at you through dark lashes with those infuriatingly warm puppydog eyes.

“What?”

“You’re looking at me the way you look at a dead body on the slab.”

His nose scrunches.

Some might say it scrunches adorably.

“No, I’m not. That’s just my face.”

“Okay, well stop. It’s freaking me out.”

He pouts—actually pouts. Subtle, but bottom lip jutted out and all. It’s ridiculously endearing.

“My face freaks you out?”

“Wh—no! That’s not what I said! You have—you have a great face! I didn’t mean—”

You manage to claw yourself out of the hole you’re digging when you see the dopey smile growing on his face.

Oh. He was fucking with you.

He never used to do that. It’s unnerving to be the fucked with instead of the fucker for a change. Especially when it’s Spencer.

“What did you need me for?” Spencer asks by way of peace offering. You close your eyes and sigh, attempting to collect your thoughts without his presence re-scrambling them.

“Um—I just need you to put this bandage over it. I can’t reach without taking my shirt off.”

And now you’re forced to wonder if he’s thinking about you shirtless as much as you’re thinking about you shirtless.

“Yeah—don’t do that,” he says absentmindedly, stepping again closer to get a better look before turning to the nearest sink.

For some reason, this offends you.

“Why not?”

Spencer pulls another face as he washes his hands—you love the constant flow of expressions he always seems so unconscious of. Even when they’re not pleasant and directed at you.

“Are you asking me why shouldn’t you take your shirt off?” he clarifies.

“I know why I shouldn’t take my shirt off, but I want to know why you think I shouldn’t take my shirt off.”

“Because we’re at work?” he observes astutely. You frown deeply at his completely logical reply. Spencer chuckles as he dries his hands and approaches once more, taking the square of gauze pre-lined with medical tape from your hand. “I mean, I can’t stop you. But it would be kind of a weird choice.”

“Oh, so me shirtless is weird?”

Cool fingers meet the comparatively hot skin of your back—where everything is still sensitive because the wound wreaked havoc on your nerves there. You flinch slightly.

“Sorry,” he murmurs gently. Though his touch is so incredibly light it doesn’t really hurt—it hurts much less than when you’re tending to the wound, anyway. It’s almost soothing. After a moment he continues, a bit louder. “And that is not what I was saying. But I am completely comfortable asserting that it would be weird for you to be shirtless at work.”

The gentle touches contrast with his teasing words and serve to disorient you as you’re shaken back in to your usual dynamic. Which is markedly more sarcastic.

“Well—”

Before you have to think of something to say, Spencer interrupts you.

“Your, um—I think your… brassiere… is in the way.”

As soon as he says it you burst out laughing. It echoes through the room.

“My brassiere? Are you actually 70 years old?”

His brows knit even tighter and his face gets very pink very quickly. He can’t meet your eyes over your shoulder.

“That’s what it’s called.”

“Spencer, you may be the first person to use that word since 1952. Say bra.”

“I don’t want to,” he complains. Your laughter only grows as your head tips back.

“Why? How is brassiere better than bra?”

“It’s—it’s too colloquial! I’m trying to be professional!”

“Call it a bra or I’m going to rub my dirty hands all over my back,” you threaten, adopting a poker face so he knows you mean business. His eyes widen immediately.

“Oh my god! Bra! Do you want to introduce staph and meningitis and g—do not do that!”

“See? How hard was that?”

“I hate you,” he mumbles, face still flushed and adorable. “And you still have to take it off.”

“Excuse me?” you grin, pretending to be affronted because you know he didn’t mean it like that but it’s fun to pretend he did. Fun for you, of course. Not so much for him. He's utterly flustered by this point.

“Or at least undo it! It’s in the way.”

With a deeply bored sigh, you go to unclasp your bra—but as you go to do it your shirt drops down. You grimace, humor briefly forgotten as the fabric brushes the damaged skin.

“I can’t—”

“Okay, just—I’ll do it,” Spencer says. “Just move your shirt again.”

So you do, watching his reflection as he works.

And you have not one joke to break the heavy silence with as you feel his knuckles gently pressing into the middle of your back, as he unclasps the bra with his characteristic tenderness and a surprising amount of agility. It’s quiet except for your pulse in your own ears as he carefully pushes it out of his way, holding it down with a hand to your rib cage and fingertips slipping just under the fabric of your shirt—unintentionally and certainly non-sexual, no doubt, but skimming under your heart in a way that still feels so intimate you’re realizing how touch-starved you are.

“You do that often?” you find yourself asking, because you’re stupid, and you need to cool the tension before it chokes you, and you can’t help yourself even though you don’t actually want to know the answer.

“I,” he begins, voice quiet as rustling paper, tongue darting over his lip and eyes narrowed. The sentence stalls as he focuses on placing the patch just so. “Do not think that is an appropriate workplace question.”

Something aches in the pit of your stomach.

Something resembling jealousy.

It was not the timid evasive linguistic maneuver of someone who is insecure about the thing they’re discussing. It was not the awkward fumbling no but I don’t want to tell you that which you were expecting from Spencer Reid.

Nor is it an easy yes—an admission between friends. He doesn’t want to tell you.

You swallow and try to act like yourself.

“Yet here you are, in the woman’s restroom at our place of employment, undoing my bra. I think we’re past professionalism.”

“When you decontextualize it like that it sounds like something it’s not. This is professional, because I’m helping you with a wound you sustained on the job. I’m being a good colleague.”

Your lips twist into a smile he can’t see.

“A great colleague would kiss it better.”

“It's almost like you want me to file a sexual harassment complaint with HR," he says through a little smirk as he smooths the bandage over. Before you can snip back, he steamrolls over his own teasing—you’ve both been speaking in almost reverent tones since he started but his voice loses the sarcastic edge from a second before and reverts back to concerned and sweet. “Does that feel okay?”

You rotate your shoulders best you can without letting go of your shirt or flashing the good doctor to check if it feels secure.

“It’s good. And hey—if I were going to sexually harass you I would do a lot better than that. You think that’s my best material? That’s just the tip of the iceberg. I keep so many inappropriate comments to myself. You’d be shocked by some of the things I have almost said to you.”

He laughs, secures the band of your bra and begins fitting it to the clasp you’d had it on—and at that precise moment Emily walks in.

“H—woah.”

“It’s—I’m—I was helping her!” Spencer panics, immediately removing his hands from you like his palms are burning and holding them up defensively.

“Oh, you helped me alright,” you tease, pulling your shirt back into place.

“Don’t say it like that!” And then, to Emily, “I was changing out her bandage!”

“Changing my bandage,” you emphasize, winking more than is advisable.

“That’s—this is a hostile work environment! I feel unsafe!” Spencer almost yells, half laughs, as he scampers towards the door. “I’m going to HR!”

“Shut up! You love it!”

His laughter audibly travels farther away for several moments as he presumably goes back down the hallway to do his actual job.

You have the stupidest grin on your face, but you wipe it off when you notice Emily staring.

“What?”

“Nothing,” she says, shaking her head and looking away, moving toward a stall. “You’re just… you guys are funny.”

“What do you mean funny?” You demand, standing right outside her stall as she closes it.

“Wh—I mean funny! Are you going to listen to me pee, you weirdo?”

You frown.

She makes a good point.

Unfortunately, giving Hotch a more detailed statement is just as bad as you’d thought it’d be. Despite how cheery you’ve tried to remain about the whole situation, despite the way you insisted that the wound was so shallow you didn’t need more than a few days off work, despite the jokes you make about forgetting it’s even there because it’s on your back—it’s hard not to remember exactly how the glass felt twisting under your skin, how you’d felt suddenly so hot and lightheaded and sick to your stomach and the way Morgan hollered because he didn’t know how deep it had gone after you crumpled quick from shock, when you’re asked to describe it all in excruciating detail.

It only takes ten minutes, but they seem to drag on and on and by the time you’re leaving Hotch’s office you feel utterly drained. You hurry back to your desk, covertly wiping away moisture that you refuse to allow to become tears. Once seated, and having dodged sympathetic looks and avoided any do you want to talk about its, you allow yourself a few deep breaths with your eyes shut.

When you open them, you realize there’s a fresh cup of your favorite tea on your desk, in the Snoopy mug the team is always fighting over. Now his little black nose is covered by a square of yellow paper. You’re already smiling as you peel away the sticky note and hold it closer.

On it is an adorably odd smiley-face, and a note in familiar, messy looping scrawl.

I would never report you to HR beautiful

That would be a stab in the back!

You snort loudly and clap a hand to your mouth—but you’ve already drawn the attention of almost everyone in the bullpen.

When you turn to look at Spencer, he’s not looking back. Instead, his eyes are firmly trained on his computer screen. But he’s got his chin propped on his fist over the desk, and his knuckles are doing a poor job of concealing a giant self satisfied grin. He is the only person on the team who knows you well enough to make such a distasteful joke. And he also knows you well enough to know that it would make you feel so much better after your meeting with Hotch than all the well-meaning sincerity in the world ever could.

Funny.

Maybe that is the right word for what you two are.

#spencer reid #spencer reid fanfic #spencer reid fic #spencer reid imagine #spencer reid x reader #spencer reid x fem!reader #spencer reid x self insert #criminal minds #spencer reid fanfiction #spencer reid angst #spencer reid fluff #spencer reid x you #dr spencer reid #criminal minds fandom #criminal minds fic #criminal minds x reader #criminal minds imagine #criminal minds fanfic

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louisa-gc · 8 months ago

Text

how to start reading again

from someone who was a voracious reader until high school and is now getting back into it in her twenties.

start with an old favourite. even though it felt a little silly, i re-read the harry potter series one christmas and it wiped away my worry that i wasn't capable of reading anymore. they are long books, but i was still able to get completely immersed and to read just as fast as i had years and years ago.

don't be afraid of "easier" books. before high school i was reading the french existentialists, but when getting back into reading, i picked up lucinda riley and sally rooney. not my favourite authors by far, but easier to read while not being totally terrible. i needed to remind myself that only choosing classics would not make me a better or smarter person. if a book requires a slower pace of reading to be understood, it's easier to just drop it, which is exactly what i wanted to avoid at first.

go for essays and short stories. no need to explain this one: the shorter the whole, the less daunting it is. i definitely avoided all books over 350 pages at first and stuck to essay collections until i suddenly devoured donna tartt's goldfinch.

remember it's okay not to finish. i was one of those people who finished every book they started, but not anymore! if i pick up a book at the library and after a few chapters realise i'd rather not read it, i just return it. (another good reason to use your local library! no money spent on books you might end up disliking.)

analyse — or don't. some people enjoy reading more when they take notes or really stop to think about the contents. for me, at first, it was more important to build the habit of reading, and the thought of analysing what i read felt daunting. once i let go of that expectation, i realised i naturally analyse and process what i read anyway.

read when you would usually use your phone. just as i did when i was a child, i try to read when eating, in the bathroom, on public transport, right before sleeping. i even read when i walk, because that's normally a time i stare at my screen anyway. those few pages you read when you brush your teeth and wait for a friend very quickly stack up.

finish the chapter. if you have time, try to finish the part you're reading before closing the book. usually i find i actually don't want to stop reading once i get to the end of a chapter — and if i do, it feels like a good place to pick up again later.

try different languages. i was quickly approaching a reading slump towards the end of my exchange year, until i realised i had only had access to books in english and that, despite my fluency, i was tired of the language. so as soon as i got back home i started picking up books in my native tongue, which made reading feel much easier and more fun again! after some nine months, i'm starting to read in english again without it feeling like a huge task.

forget what's popular. i thought social media would be a fun way to find interesting books to read, but i quickly grew frustrated after hating every single book i picked up on some influencer's recommendation. it's certainly more time-consuming to find new books on your own, but this way i don't despise every novel i pick up.

remember it isn't about quantity. the online book community's endless posts about reading 150 books each year or 6 books in a single day easily make us feel like we're slow, bad readers, but here's the thing: it does not matter at all how many books you read or what your reading pace is. we all lead different lives, just be proud of yourself for reading at all!

stop stressing about it. we all know why reading is important, and since the pandemic reading has become an even more popular hobby than it was before (which is wonderful!). however, there's no need to force yourself to be "a reader". pick up a book every now and then and keep reading if you enjoy it, but not reading regularly doesn't make you any less of a good person. i find the pressure to become "a person who reads" or to rediscover my inner bookworm only distances me from the very act of reading.

#louisa-gc #academia #studyblr #aesthetic #book #books #reading #read #advice #help #university #study #uni #library #bibliophile #it girl #that girl #habits #booktok #booktube #bookstagram

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prettyboykatsuki · 22 days ago

Text

cause we're, y'know | k. bakugou

✮ tags ; gender neutral reader, fluff, post relationship jitters, bakugou being down bad a little bit, friends to lovers. not 18+ but minors do Not follow me.

✮ wc ; 1k

✮ a/n ; a comm for @euthymiya who gave me free reign to do whatever which i used to write corny bkg fluff... thank u for commissioning me most beloved riv <3

✮ synopsis ; bringing his friend turned lover a lunchbox is normal, alright? plenty fucking normal.

Bakugou taps his fingers along the edge of the bench he's been sitting on since evening - beating to an unsteady rhythm.

He can Sero's voice in the back his hand as he squeezes the wrapped bento a little closer to his torso. The shitty, sing-song teasing lilt when you and Bakugou were less then lovers but more then friends.

And now you're lovers proper, as fucking corny as he finds it. But maybe he's not finding it corny enough because he's sitting in the lobby of your office building with a bento he made by hand. There's some chatter from strangers coming in and out of your office building - the occasional ding of elevators, the passing whistle of a janitor.

The awful, loud, no good thump of his heartbeat ricocheting against his rib cage as he goes back and forth on whether or not this shit was a good idea.

He's... fucking nervous. Which is total bullshit because he doesn't have anything to be nervous about. It's not like this is the first time you and Bakugou have ever met up to eat lunch. It was just that before, he was coming to meet you as a friend.

Some part of him is thinking, so what if he's your boyfriend? Who gives a shit, anyway?

Another part of him feels so mixed about the ordeal he sort of wants to puke.

His phone buzzes from the pocket of his pants and he grabs it - your phone and contact flashing across his screen

(sent 11:12am) coming down :]

Bakugou smiles to himself, at the stupid emoticon. He thinks about just liking your reply but before he gets the chance another text follows through.

(sent 11:12am) missed you <3

He blushes almost furiously. Partially over the text but mostly from his internal reaction. Stupid. This whole thing is so stupid. He types fast.

(sent 11:14am) hurry your ass up.

That's all he can manage to say without feeling like his chest is going to collapse in on itself. He waits another minute before he hears the elevator doors ding again - a crowd of people dispersing as the doors open. He looks for you among them.

He finds you after a minute, hand waving overhead of the sea of people. He huffs, amused at how rapidly you wave your hand, and thinks about texting you again but you're close enough that he doesn't bother.

You march towards him with a renewed vigor after you aren't lost to the sea of strangers. Bakugou snorts as you hurry your way over to him, almost seeming out of breath - like you ran to see him.

"Hey,"

"Hi!" You say, chipper as always. "You're here."

"No shit."

You laugh. He's heard it before. A hundred times, a thousand maybe. It still sounds weirdly different to him.

"Did you have anywhere in mind to eat?" You ask.

Horror dawns on him at the realization you still didn't realize what's in his hand. "I'm up for anything I think. Feeling adventurous."

Your eyes are sparkling when you ask. Bakugou freezes, blue screening momentarily before taking a breath.

He holds the boxed bento out to you sheepishly, a hand scratching the back of his neck. This is way more embarrassing then he thought it'd be.

"Fuck. Whatever. Look," He says, shaking the upset off of him with a frown. " He doesn't look up at you, doesn't even want to know what he might see. Something bright enough to fucking blind him, he's sure. "Don't say shit or I'm never making you one again."

You blink owlishly before letting your eyes flicker down again at what it's in front you. There's a beat of silence between you before Bakugou sees a grin slowly creep it's way up to your face in a way that makes his chest feel tight.

You take the wrapped bento from him, assessing the weight of it in your hand as you give it a good look. You hold it up to admire it and Bakugou feels the blush crawl further down his neck.

"Stop acting like I just handed you a diamond or some shit," Bakugou says lamely, even by his own standards. Your lips form into affectionate pout.

"You made me a bento." Your lower lip trembles all too sudden and Bakugou's eyes go wide. "I love you,"

Bakugou looks at you, mouth agape. You're completely serious. Nevermind the inappropriate timing or the fact this is the first time you've expressed yourself with a word so serious. He's more concerned about the almost tears at your eyes. He pulls his sleeves over his hands to wipe them from your eyes.

"Dumbass, what are you crying about? You're still in the office, get it together."

"But I love you," You say, more whine then coherent word. Bakugou feels a headache coming on.

"Yeah I got that. Am I really such a shithead me bringing you lunch is worth sobbing over?"

"You made it for me."

"Cause I ain't no punk. Anyone can pay for you you but we're," He stops himself mid way, too embarrassed to get the rest out. "Anyways whatever. It's just lunch. I just... fuckin' realized I never made it for you. Dinner and shit is one thing but we're,"

"Dating," You finish before he can. He falls victim to more blushing.

"Yeah. Whatever. This much is pretty standard, at least." He wipes another tear off your face. It's funny. Anyone else pulled some shit like this and he'd rolls his eyes. "Stop cryin' already."

"I'm sorry."

"Don't gotta say sorry either."

"But,"

"No buts. Hurry and wipe your tears before your breaks over so you don't go all puffy eyed back in the office."

You laugh through a sniffle. "They'll think my boyfriend was being mean to me, huh?"

He snorts, voice full of playful sarcasm. "Yeah exactly. I've got a great reputation to uphold and all."

"Katsuki," You say gently. He gives you a look.

"Hm?"

You lean forward, craning up just slightly to press your lips to his. Your third kiss, now. Not that he's been counting.

"Thank you and," You pull back mischievously, brows furrowing. "Revenge."

He's in so deep. Fuck.

"You're such an idiot." He says, fighting off his own feelings.

"You love me,"

Maybe he's an idiot too.

"Yeah." He says, flicking your forehead and watching you beam. "Unfortunately."

#bakugou x reader #bnha x reader #bakugou fluff #bnha fluff #writing tag #MY HANDSOME MAN #a.fc

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angeltism · 1 year ago

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why am I getting media I've never posted about/have barely posted about once or twice sparsely in my "for you" section,, where'd all the pj.sk/mil.gram/etc go..

#➳ the fool speaks #i mean i know why stsg and. well. that one comic everyone hates except for a single being i follow who isn't even my mutual. are there.#like yeah i follow ppl who post about those things #but so much of it???? tumblr are you trying to get me to keep watching j.jk to see if I'm ge.to #.........it may be working but that js BESIDES THE POINT HERE #i didn't know who yoy follow influences it SO MUCH?? like I've NEVER interacted with a hs post in my LIFE (i think?? don't quote me on that #i probably haven't but also I'm stupid and forgor things a lot) and it's like 60% of my for you tab. and j.jk is like another 20%#and 15% of that j.jk stuff is stsg. and 5% is other stuff #and 10% is pj.sk. oh and 5% is also bs.d despite the fact I've never posted abt it. and the other 5% is like every other fandom i know to #some degree #........is this really that normal. how do i stop seeing so much stuff for a fandom i am nawt even in TwT #i find it funny i can pinpoint exactly where this is coming from. like the specific beings i follow.#i could name names but i think if the beings I'm referring to see this they'll know who they are IFHWJFHAJRHEJR #rhis is all silly akd lighthearted tho i find this entertaining that what other beings like has seeped into my account. and being able to go #''haha this is so funny. the totally normal sane feelings somebun i like has for this has made tumblr start suggesting it to me too''#also that one post that goes ''tumblr i think this was meant for the next door over'' or whatever is it #anyways I'm gonna shut up nyeow JFJSJFHWJRNEJS

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ssahotchnerr · 10 months ago

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public displays of affection - aaron hotchner x reader

the aaron take on the derek/penelope workplace seminar (episode of reference: 9x12)

cw; bau!reader, established relationship, suggestiveness, small allusions to sex, fluff <3, bau family banter, aaron being mortified😭, references to the episode wc; 1.4k

"penny," you shut one of your files, placing it in your desktop organizer. "you're creating a draft."

"this is bad. oh so very very bad." she stammered, continuing to pace back and forth, "i'm just mentally preparing myself to be humiliated in front of the entire unit. for the second time, may i add. god, who blabbed this time?

"what did you even do?" spencer chimed in, his head lifting from his current read.

"i don't know." she exclaimed, an exasperated breath leaving her. "nothing out of the ordinary, so that means anything is possible. you," she pointed at morgan, who casually was making his way over to the rest of you. "we're in big trouble."

"this could be totally unrelated." jj reassured her. you agreed, giving penelope a nod and a hopeful smile. "there was no footnote on what this meeting consisted of."

"well, there was no footnote last time. and to this day, i still get asked what flarpy blunderguff means." she huffed, crossing her arms and turning towards derek. "i love you my hunk of a man, but this. this is a nightmare."

as two began rolling around, the bullpen filled in anticipation for the seminar, a light hum in the room as conversations were exchanged back and forth in waiting.

in addition, a presence soon stilled beside you. one always familiar, but surprising under the current circumstances.

"what are you doing here?" you looked up to find aaron's gentle eyes. he took a seat on the edge of your desk, just behind your chair.

meetings like these - usually below aaron's pay grade. he hadn't needed to attend the last, infamous meeting for instance, HR meetings were normally things he had prior knowledge of, or simply not worth his valuable time as unit chief.

"i got the email as well." aaron's hand found the back of your neck, his fingers comfortably kneading into your always-tense muscles. every so often, his hand would brush to your shoulder, and then back again.

"oh no," penelope slapped onto derek's arm, the smack covered up by slim buzz within the vicinity. "what did we do?"

"looks like we're about to find out." dave stated, his eyes following the woman who had just entered the bullpen, moving to the front.

the notorious HR lady of the bureau, nancy, sauntered over to the large presentation screen set before the clusters of desks. not wasting a second to get down to business, she turned toward the crowd of eager agents.

"thank you all for your attendance and time, this shouldn't take too long." she started, poised and head held high.

penelope took a deep breath.

"this afternoon's presentation," nancy clicked a button on her remote, displaying the title page. "public displays of affection."

oh no.

aaron's hand, which had continued to smooth out the stiffness in your neck, halted immediately.

"as you all- most are well and should be aware, keeping conduct professional in the workplace is a must to prevent disruptions within the environment. displays of affection - examples upcoming - can cause extreme feelings of uncomfortableness amongst your colleagues, and can be distracting nonetheless. all of which, creates a...."

just as last time, she clicked her remote. and adjacent to penelope and derek's presentation, in big letters across the top:

"hostile work environment."

derek immediately snorted under his breath, inviting others to openly laugh as well. despite the urge to shoot daggers at him, you were utterly incapable of pulling your attention away from the front.

it wasn't a top secret ordeal - everyone could infer the pair this presentation was centered around, and be correct.

"and so," nancy exhaled a breath, her eyes darting in your and aaron's shared direction for a smidge second, causing the heat to grow in your face and body. "i urge everyone to refrain from the following,"

similar to yours, aaron's face burned, comparable in color to his tie. he let out a nearly inaudible, nervous cough from above you.

"sitting on one's lap, while working on caseloads - not appropriate."

more laughter rippled through the division.

"oh god." you mumbled under your breath, uncomfortably crossing a leg over the other as your palm covered the bottom half of your face.

contrary to the present belief, aaron was a stickler on pda.

for the first few months of your relationship, he hadn't dared to touch your arm, back, anything in order to maintain such affection within the field; it was reserved for closed doors at home only. he loved you, but he wanted to uphold his reputable professional nature.

but as time moved forward and your relationship progressed, he hadn't gotten sloppy, per se, but more relaxed or lenient was a better way to put it.

some displays were accidental by habit. if he wanted to give you a quick peck, depending on the situation and setting, he would. seated beside each other, he would lovingly squeeze your thigh under the table, if you needed the encouragement or if you made him proud in some regard. if he were feeling frisky one day - sure he would do something, just to rile you up for later, to each of your benefit. so on and so forth.

and if he was initiating affection, you took that as the all-clear to do the same. in variation, of course.

so more often than not, it was in private. just not... always. and the lock on aaron's office door often came in handy for that.

"prolonged kisses in the bullpen, elevator, not appropriate."

once. you were caught once in a (very) heated kiss in the elevator.

as you and aaron cowered in embarrassment, both dave and morgan looked far too amused for their own good. the rest of the team - raised, entertained eyebrows, tossing glances to one another while trying to constrain their laughter.

nancy swallowed, as if she needed strength to deliver the next point, "grabbing one's behind when going up the stairs, not appropriate."

another mortified cough exited aaron.

she went on, giving more examples of affection aaron and you were completely guilty of. and if just one singular time wasn't enough, she went-forth on the explanation that such displays can cause a barrier within the workplace.

when you thought it would never cease, nancy finally delivered her ending statement, "save it for home people, thank you."

and with that, as well as the screen darkening, everyone disbanded, low murmurs and chuckles filling the room as each went about their usual routine.

you looked up at aaron in absolute horror, whose face was currently in his hand. but even that didn't hide the blush brewing within his face, his ears flushed wildly as well.

you reached up, grabbing his wrist to pry his hand away.

"nuh uh uh," derek grinned as he wiggled his index finger at the two of you, imitating nancy to a tee. "not appropriate."

"you hush." you got to your feet, allowing you to remove his hand more easily. you cautiously prolonged your hold, brushing your thumb across his knuckles before letting it drop. "aaron?"

his brown eyes found yours, full of embarrassment. "that was..."

"humiliating?"

he nodded, his head accelerating in speed with each nod, "yeah. that's the term i would use."

"oh you poor dears." penelope breathed out, the one compassionate member of the team.

"damn." emily chuckled.

derek cackled again, clearly not ready to let this go. honestly, he probably never would. "thought we didn't notice when you pulled the blinds in the office, did ya?"

aaron gave him a pointed glare, putting a very quick end to the conversation. just as the rest, the team carried on with their remaining work for the day - you and aaron remaining frozen in place.

but surprisingly enough, a laugh did escape him, shaking through his chest. "guess i have to tone it down a little, huh?"

"oh thank god," you blurted out and exhaled in relief, a small smile forming on your lips. "i thought this would cause an avoidance arrangement or something." you teased - partially.

"of course not. some reservation, maybe, but not avoidance." aaron laughed quietly again, a sigh escaping him.

"that was bad, wasn't it?" a slightly pinched expression took form on your face, your cheeks tinting once more.

"it wasn't... good." aaron admitted with some hesitation, but his brown eyes still glowed despite the lines of troublesome. his hand found yours - after scanning that no one was paying attention to the two of you - giving it a squeeze. "but hey, out of problems to have, i'd take showing my love for you any day."

#aaron hotchner x reader #aaron hotchner #aaron hotchner fluff #aaron hotchner x you #aaron hotchner x fem!reader #aaron hotch x reader #aaron hotchner imagine #criminal minds #criminal minds x reader #criminal minds x you #criminal minds drabble #aaron hotchner drabble #criminal minds imagine #criminal minds fanfiction #hotch imagine #criminal minds x fem!reader

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