#I'm over here being totally normal about this

[waynes-multiverse]

Ooof, finally back! 😮‍💨 I've been thinking about this series way too much in the last couple of weeks. I'm so excited to dive back in 😍

Hey, I know we just met like two minutes ago, but I think we’re supposed to be together. Do you feel it too? You nearly roll your eyes at yourself. Yeah, that’ll go over well.

I'm so in love with their little bonding sessions. Being stuck inside a cabin and playing games? I want that 😍

And lol it's gotta be so awkward for true mates when they're still strangers. I absolutely adored her thought process throughout 😆

So you have to be content with mornings like this and in the evenings, where he lets you put on one of his records, and you two share dinner together, maybe another round of cards. Or you’ll read a book while lounging on the chaise, and he lays out on the couch, listening to his music with his eyes closed. You like watching him like that, with a relaxed, damn near peaceful set to his face.

Yes please 🫠🫠🫠

“Ah, don’t beat yourself up, sweetheart. I’ve been hustlin’ poker for a long time. Hell, I’ve been playing this game before I even knew my times tables,” he says as he collects the cards. “That young?” you reply. “Who taught you?” “My dad,” he says. “Oh, believe me, I used to get my ass kicked many a’ time, but by the time I turned sixteen, I was hustlin’ grown ass men in skeevy bars out of their daily paycheck.”

Love how Dean doesn't realize he's oversharing and that his whole childhood might not have been normal 😂

And oh God, all those journal entries 😭😭😭 I know they're from the OG journal, but it just rips my heart right out again rereading it 😢 Those portray John's despair and heartbreak way better than the show did...

In John’s words, your heart breaks for Dean, but you also see yourself. You try not to think about why.

Ooooh, let's think about it, shall we? 😏 Her dad might have totally been snatched by something supernatural. Considering their location and how it happened in her memories, it might have been a Wendigo?? 🤔

WENDIGO Cree: Evil that devours. Wood spirit. Eats live flesh. Lives in forests. Perfect hunter.

YEEEESSSSSS

Dude! Goosebumps! Wendigos scare the shit outta me 🙈 It's still why The Descent is the scariest movie for me. I die from a heart attack every time 😂 🫣

The coarse shout of a bear morphs into something other. It’s a sharper, whirring sound like wind howling amidst animalistic clicking, and then bones breaking

No, no, no, stop it! That description made me shudder 😶😶

“Omega?” calls Dean’s sharp voice. “You okay?” You jolt badly at the sudden noise. You didn’t hear him reenter the house.

No! Alex!!!! YOU KNOW THIS IS WHY I HATE SNOOPING

Girl, you're killing me here... 😆😆

“I was just curious. I wanted to know more about you. I thought it was…a normal journal.”

Love her explanation for reading his stuff. Reminds me of Smoke Eater 😄

“The sooner you heal up, the sooner I can ship you back to where you belong,” he says. “Back to your life, so you can stop sticking your nose into mine.”

Just then, you hear the crunch of snow nearby. Twigs snapping.

Oh no... Please tell me you didn't bring the Wenidgo back 😳

Plodding along the trail, heading towards you, is a bear.

I'm guessing this one ain't gonna be cute tho 😆

It doesn’t make much difference when all you have on your person is a can of bear spray.

Do not attack a Grizzly with bear spray! Just lie down, girl, and stop moving lol

Your voice dies in your throat when he rears up on his hind legs, with a loud roar.

She never heard of the three bears rule, has she? 😅 Well, hopefully Dean feels her distress and comes running soon 🙏

Two more shots finally bring it down to an even heavier thud, not far from your feet.

N'aw, I know it was necessary but poor bear – wrong place, wrong time for the fella 🥺💔

But the scent of your abject fear feels like someone tried to rip his lungs out through his stomach.

My heart is full 😭❤️❤️❤️ (Also, I doubt he can ever stand to let her go her own way after this lmao)

Second, when he sees you there, your wide, shiny eyes filled with the remnants of panic, yet relief at the sight of him, it takes everything within him not to drop to his knees, grab you by the hair, sink his teeth into your neck and claim you, right there in the snow.

Holy... That came out of the blue and completely whipped me across the face! 🫠🔥

“We’re gonna be eatin’ good for a while,” he says without looking at you.

Huh. Never eaten bear before... Never even thought about it before lol Also seems like something the Shaws would've done 😂

Omg I love that ending! Dean's finally coming around, and she's putting the puzzle pieces about her dad together. I wonder what Dean will do when he hears the full story? Would he go hunt the thing? Is it even still out there??? Questions upon questions... 🤔

So excited for the next part!! I'm loving this story and everything you've put in it, and the dynamic between them is amazing. So well done, friend 😍🩵🩵

Against the Wind - Part 2

Pairing: Alpha!Dean Winchester x F. Omega!Reader 

Summary: You wake up in a strange alpha’s cabin in the middle of a snowstorm, all with a busted ankle. He holds shadows in his eyes, even though his hands are gentle. There are iron shutters around his heart, even though he saved you. You might just save him in return.

AN: Thank you guys so much for all the amazing feedback on Part 1! Now, most of your theories and questions will be answered...

Jacklesverse Bingo24 Prompt: True Mates @jacklesversebingo

Song Inspo: “Against the Wind” by Bob Seger

Word Count: 3.8K

Tags/Warnings: Angst, and peril, the other kind of "hunting."

Series Masterlist || Bingo Masterlist

Part 2: Seems Like Yesterday

“I’ll raise you 25,” you say, tossing five chocolate covered pretzels into the middle pile. It’s a risky bet, considering how much you lost in the last hand. Dean regards you with an amused, if critical eye while he holds his cards.

“Ooh, you’re bluffing,” he says. You pop your brows at him, a subtle smile tugging at your lips.

“You want to test that theory? Put your money where your mouth is,” you challenge.

He tilts his head at you with a raise of his own brows.

“Cheeky omega,” he mutters. His attention returns to his cards as he deliberates on his next move.

You attempt to be nonchalant as you glance down at your cards again. It’s a shitty hand, but he doesn’t need to know that. The alpha’s won the last two hands of Texas Hold ‘Em, but you did win the first one. Though you suspect he let you win.

You want to at least even the score before he resumes his work out in the shed. He spends most of his time there during the day, or making sure the firewood is stocked. It seems like he takes any excuse not to spend too much time in your presence.

More than anything, you want to ask him if he feels what you feel—the same tug in the pit of your stomach every time he’s nearby. You just haven’t found a way to broach that with him.

Hey, I know we just met like two minutes ago, but I think we’re supposed to be together. Do you feel it too?

You nearly roll your eyes at yourself. Yeah, that’ll go over well.

So you have to be content with mornings like this and in the evenings, where he lets you put on one of his records, and you two share dinner together, maybe another round of cards. Or you’ll read a book while lounging on the chaise, and he lays out on the couch, listening to his music with his eyes closed. You like watching him like that, with a relaxed, damn near peaceful set to his face.

Too often he holds that harder, stoic expression, or that divot between his brows that makes you want to soothe two of your fingers there; or better yet, lean in and press your lips—

“It’s your move,” Dean reminds you. He’s finally played his hand, but you were too distracted to hear what he said.

“What’d you do?” you ask, surveying the piles of cards.

“Call,” he repeats, popping a few pretzels into his mouth. He washes it down with beer and more barbeque chips. Those are worth $10 in this little fantasy betting. He points a finger towards you with the same hand that holds his beer, teasing, “You got all the lights on in there? Or am I boring you?”

You glance up at him, fighting a smile. “All right, keep your pants on. Let me see…”

As the dealer, he’s already turned over the River: the last card in the hand. It’s a 10 of Clubs, which means your One Pair is actually a Two Pair. It’s still not a great hand, but it’s decent enough to maybe let you get the best of your opponent.

After you go “all in,” Dean’s lips twitch at a smile, and he humors you, going all in as well. You’re on tenterhooks when he finally reveals his hand.

“Ooh, it ain’t a cheesy ‘90s sitcom, but it’s still…a Full House,” he brags as he lays out each card in a smooth line of overlapping cards, the mix of glossy red diamonds and black spades showing the truth. He won again.

You huff in defeat, your shoulders sinking in your seat at the kitchen table. You turn over your measly hand. Sweeping the winnings toward himself (a mound of chocolate covered pretzels, a stack of barbecue chips, and a handful of Oreos), Dean chuckles and tosses you a wink.

“Ah, don’t beat yourself up, sweetheart. I’ve been hustlin’ poker for a long time. Hell, I’ve been playing this game before I even knew my times tables,” he says as he collects the cards.

“That young?” you reply. “Who taught you?”

“My dad,” he says. “Oh, believe me, I used to get my ass kicked many a’ time, but by the time I turned sixteen, I was hustlin’ grown ass men in skeevy bars out of their daily paycheck.”

“You were hanging out in bars at sixteen?” you ask incredulously. There, Dean seems to realize he’s said too much. He becomes more guarded as he puts away the deck and cleans the crumbs off the table.

“My dad was always working. You could say I didn’t really have a curfew,” he says.

“A latchkey kid, huh?” you reply, hiding the way you’re trying so hard to glean any more hints of truth between his words.

“Heh, yeah.” He gets up from the table and tosses the breakfast dishes in the sink, then travels to the front door to don his jacket and boots.

“All right, I’ll be out back,” he says.

Out back, code for out in the shed. You nod, and in a flash, he’s shutting the door behind him.

You’ve learned another small tidbit about him, one that feels more important than it seems on the surface. And yet, it only elicits more questions you doubt he’ll be willing to answer so easily. He’s more than tight-lipped about his past, only giving vague outlines and general pictures.

Even his stories—like being raised up in a family of traveling mechanics, putting Nair in Sam’s shampoo when he was a kid, or the guy’s serious fear of clowns—feel like they’re missing some key details.

You decide to take up your crutches and head for your room. There you unearth the journal from its hiding place under your pillow. This time, you turn to the very beginning. Before all the jargon about mythology (and an odd footnote about a “Turducken Slammer”), there are actual journal entries. The first one dates back to November 6, 1983. The first line already captures your attention.

I buried my wife today. Even as I write that down, I don’t believe it. Last week we were a normal family…eating dinner, going to Dean’s T-ball game, buying toys for baby Sammy. But in an instant, it all changed… When I try to think back, get it all straight in my head…I feel like I’m going crazy. Like someone ripped both my arms off, plucked my eyes out. I’m wandering around, alone and lost and I can’t do anything.

This is Dean’s father, you realize. The more that you read, with no small amount of dismay, you also realize that this man is writing about his wife, Mary.

Dean’s mom…

He writes about their house burning with all their memories inside, along with Mary. Somehow, he saw her pinned bloody to the ceiling.

Along with these pages is a clipping from a news story:

House Fire Kills Mother of Two

Lawrence, Kansas.

You’re spellbound by it all. You keep reading.

November 13, 1983

…Most of our clothes and photos are ruined, even our safe—the safe with Mary’s old diaries, the boys’ savings bonds, what little jewelry we had…all gone. How could my house, my whole life, go up like that, so fast, so hot? How could my wife just burn up and disappear?

The police don’t believe his story, about how she died before the fire, about what he saw. So he tries to convince himself that what he saw wasn’t real. Still, he can’t find rest, and he worries about his sons’ safety.

December 4, 1983

I haven’t let them out of my sight since the fire. Dean still hardly talks. I try to make small talk, or ask him if he wants to throw the baseball around. Anything to make him feel like a normal kid again. He never budges from my side—or from his brother.

Every morning when I wake up, Dean is inside the crib, arms wrapped around baby Sam. Like he’s trying to protect him from whatever is out there in the night.

Sammy cries a lot, wanting his mom. I don’t know how to stop it, and part of me doesn’t want to. It breaks my heart to think that soon he won’t remember her at all.

You don’t realize you’re crying until a droplet lands on the page. You quickly wipe it away before it becomes a stain, and you dry it all the way with your breath before you move on to the next page, sniffling. Your heart hurts, even as your guilt grows. You know now that you’re really, truly invading Dean’s privacy by reading his father’s words. You just can’t stop yourself from turning the next page.

John becomes convinced that someone, or something, started the fire that destroyed his life and took his wife away from him and his sons. He leaves his job and the remnants of that world behind, to venture deeper into the darker one. But in that darkness, he finds truth.

He visits a psychic, Missouri, who leads him back to his house and senses the echoes of an evil presence—something that shakes her to the core, and John too: the creature that killed his wife.

December 20

…She told me that it was the most powerful, awful thing she’s ever come across.

On January 1, 1984, John makes a New Year’s resolution. He determines to find the answers himself.

A shiver runs down your spine. In John’s words, your heart breaks for Dean, but you also see yourself. You try not to think about why.

You keep flipping through the rest of the journal past January. There are translations of a Latin exorcism, and like you read before, strange drawing of evil looking creatures—as well as what they are, scraps of their history, and how to kill them.

Silver bullet to the heart, can’t withstand iron, salt and burn.

You pause on a certain page, more filled with lore than the rest, and a primitive drawing in the center.

WENDIGO

Cree: Evil that devours.

Wood spirit. Eats live flesh. Lives in forests.

Perfect hunter.

Your breath stills in your lungs as a cold sweat forms across your skin. The more you read, the faster your heart beats.

The crunch of dead leaves. Your father shouting at you to run, and keep running.

The coarse shout of a bear morphs into something other. It’s a sharper, whirring sound like wind howling amidst animalistic clicking, and then bones breaking—your father’s scream cut short. You turn around with your rifle in hand, poised to shoot blindly.

Your stomach churns as bile rises into your throat. You feel sick, and wrong, and you suddenly have the urge to throw the journal against the wall.

“Omega?” calls Dean’s sharp voice. “You okay?”

You jolt badly at the sudden noise. You didn’t hear him reenter the house. He likely caught the scent of your distress. He pushes the door of your room open to find you, but he stops short in the doorway. His surprise quickly morphs into a frown when he notices what you’re holding in your lap.

You gasp, freezing where you sit, but there’s no point in trying to cover up what you’ve done. With an angry purse of his lips, he reaches over and takes the journal from your hands.

“What the hell are you doing with this?” he demands.

“I’m…I’m sorry. I just—” You swallow past the lump in your throat. “I was just curious. I wanted to know more about you. I thought it was…a normal journal.”

“So this is how you go about it, huh? Got everything you wanted, Columbo?” he says, his sarcasm cutting into you. He flips through the journal to make sure all the pages are intact before he tucks the journal under his arm. “Seriously, going into somebody’s stuff? Who the hell raised you?”

At that, you begin to bristle.

“My dad,” you snap back. Though remembering the passages you’ve lived with for the past few hours, you soften with a painful twinge of sympathy in your heart. 

“And it looks like yours raised you to be some kind of…well, what are you, a ghostbuster or something?” you ask.

His jaw locks. “Or something.” 

With an exasperated sigh at his hedging, you swing your legs around the edge of the bed and haul yourself up with your crutches so you can at least match his stance (more or less).

“Dean, please, just talk to me,” you implore, gesturing at the journal tucked under his arm. “The things I read—”

“Are none of your goddamn business!” he growls, making the omega inside you cringe. The alpha’s voice is deep and sharp, and even though he isn’t crowding you, his height and broadness are still intimidating.

“The sooner you heal up, the sooner I can ship you back to where you belong,” he says. “Back to your life, so you can stop sticking your nose into mine.” 

Your mouth actually falls open in shock. His vehement words feel almost as powerful as a physical blow, if to your soul. They make your arms tremble while holding yourself upright on your crutches. Hot tears well up in your eyes, though you try to blink them away. After a moment, you’re able to collect yourself enough to speak.

“I’m sorry for going through your stuff,” you say, in a quiet voice.

You hobble awkwardly past him out of the room. You don’t stop until you reach the front door, where your snow boots are. You manage to get them on by yourself so you can go outside and get some fresh air, not to mention some much needed distance from the alpha’s burning presence. You can still feel him trailing behind you. You hear his heavy boots.

“Where the hell are you going?” he grits out.

You hobble faster.

Dean watches you go out the door without a word in irritation, even though it triggers an alarm deep in his gut every time you leave the safety of the cabin. 

The snow depth has lightened somewhat since the storm, but it’s still not easy to navigate on your crutches. You get some distance from the cabin, mindful not to go too far. You know you’re limited, and you didn’t even take a gun with you.

Finding a solid tree to lean on, you rest there and try in vain to stifle your tears. You know you were wrong for snooping, and he had a right to be mad, but did he really have to be such a freakin’ bear? 

Fucking alphas. I swear.

You thought you were starting to connect with him, but clearly, Dean wants nothing to do with you. He wants you out of his life. 

Does he not feel the same pull you feel to him? Does he really not realize…that he’s meant to be your mate?

You take in a shaky breath through your nose. If he does, apparently he doesn’t care.

Just then, you hear the crunch of snow nearby. Twigs snapping.

Your body stiffens with a terrible memory—of that day in the woods. Your breath comes out in short puffs on the cold air, your eyes wide as you listen closely.

Hearing nothing, you allow yourself to breathe a little easier. You venture a few paces forward and to the right, but you stop shy of how it slopes downward. Some unnamed feeling tells you to look over the edge.

You lean over and cast your gaze down the slope, but all you see is snow and trees down below. With a shaky breath, you lean back and look out to the north again. Plodding along the trail, heading towards you, is a bear.

Oh shit…

You remember Dean mentioning something about a bear passing by his cabin a couple of days before the storm. Looks like he’s back to make his rounds.

His fur is dark; from this distance, you can’t tell if it’s a black bear or a grizzly. It doesn’t make much difference when all you have on your person is a can of bear spray. His gait is massive, unhurried, but he lets out a braying sound when your gaze meets his, as if acknowledging you. He stops there for a moment, assessing. Your body locks up with fear.

The bear groans again, this time sharper. You finally snap out of your reverie and force your body to move slowly backward with your crutches spearing into the snow. The cabin isn’t that far, maybe thirty or forty yards at most. Still, the bear can probably beat you.

Instead of trying to run, you stand your ground and shout at the bear, hoping he’ll back off. Your voice dies in your throat when he rears up on his hind legs, with a loud roar. Trembling, you miss a step and get knocked back into the snow on your ass, your crunches falling out at your sides. You scramble inside your jacket for anything that might help you. 

Bear spray!

You hurry to get the cap off with shaking hands, but before you can even aim, the creature’s heave paws thudding into the ground in front of you—a gunshot rings out and hits the animal in the chest. 

The bear falters, then roars in pain and anger.

Two more shots finally bring it down to an even heavier thud, not far from your feet.

In this moment, these are the things you don’t know about Dean Winchester:

For one, the scent of an omega in distress always calls to an alpha’s protective instincts. But the scent of your abject fear feels like someone tried to rip his lungs out through his stomach.

Second, when he sees you there, your wide, shiny eyes filled with the remnants of panic, yet relief at the sight of him, it takes everything within him not to drop to his knees, grab you by the hair, sink his teeth into your neck and claim you, right there in the snow. Maybe then you’d start listening to him and stop taking your life into your hands.

Instead, his lips purse as he wracks his rifle and slings the strap of it over his shoulder. He stalks toward you and scoops you up, crutches and all. He brings you back to the cabin without a word.

His jaw is once again locked with silence and strain; he doesn’t trust himself to speak until he’s brought you inside and carried you over to the chaise. He sits beside you there and takes an inventory of you with his eyes.

“You okay?” he asks at last.

You manage to meet his gaze and give a little nod.

“Okay. Don’t move,” he says shortly. He gets up and goes to the kitchen, where he grabs a foldable set of knives and a cooler from under the sink.

You watch him in silence, and you realize he’s going back to gut the bear. You didn’t know that he actually hunted out here…well, hunted to eat. He continues to gather items in silence. It gets to a point where you can’t stand it, or his curtness, any longer.

“Thank you,” you say, halting his steps. Dean glances at you over his shoulder, then continues strapping up his supplies. He huffs in response.

“We’re gonna be eatin’ good for a while,” he says without looking at you. 

His attitude both hurts you and aggravates you, so much that you refuse to take it anymore. 

“Look, Dean. I’m sorry, okay? I shouldn’t have butted into your life,” you say. Frustrated tears well up in your eyes. Expelling a sharp sigh, you amend yourself. “I’m sorry for invading your privacy. I’m sorry about what you went through, and I’m…I’m sorry about your mom. I’m sorry for today. I’ll just…stay out of your way, and I’ll leave as soon as I can.”

Dean finally turns your way, but your lips tremble as you turn your face away from him and shut your eyes tightly against the salty burn of tears. Deep inside, his heart withers in his chest. He sighs and drops his supplies on the couch. He walks over with those heavy boots, and he sits on the edge of the chaise beside you. He hesitates for a moment, but eventually, he rests a warm, calloused hand on your arm and earns your tearful gaze. 

“I’m sorry. I, uh…shouldn’t have yelled at you,” he says. 

You sniff, quickly wiping away your embarrassing tears as they come. Your cheeks are hot with it.

“What is it you wanna know? About me,” he asks, surprising you that much more.

 Your mouth parts, but nothing comes out. It takes you some time to think, but the first thing that comes to your mind is…

“Everything in that journal,” you say, licking your dry lips. “Is it real?”

Dean holds your gaze steadily. You know the truth without him having to say it, but he does.

“I was a hunter,” he says. “Those things you read about, I found ‘em. Killed ‘em. It was my job.”

“And now?” you ask, once that large bit of information has time to set into your brain.

His lips tug at a half smile. “Consider me…mostly retired.”

You exhale softly, and you nod. It earns a furrowed look from Dean.

“You don’t seem all that freaked out by this,” he says, with a more scrutinizing gaze on you.

“Should I be?” you say, with an unsteady laugh.

He raises his brows. “In my experience, yeah.”

You chew on the inside of your lip. You don’t know if you should even put into words what you’ve been holding onto for months. Like John, no one believed you. Even your own mother had started to look at you like you needed a shrink.

“Omega?” Dean presses. His green eyes are perceptive as they take in the conflicted look on your face. “There something you wanna tell me?”

You deliberate for a moment longer. Then, you release a sigh and glance down at your hands clenching in your lap.

“A few months ago, I lost my dad,” you begin.

Dean nods. “Yeah, you said—”

“I lost him in these woods,” you say.

That quiets the alpha.

You shake your head, and you find your words as the memories that have been haunting your nights return to you.

“Like I said, we used to go hiking here every year…”

AN: Just so you know, all of the journal entries appear in the official "John's Journal" SPN merch. 😉

Next Time:

Unease prickles down your spine, though you don’t know why.

“Dad?” you whisper-yell, trying not to spook whatever animal might be out there.

A gunshot rings out, along with your dad’s voice in a shout. Your eyes widen in alarm, and you call his name louder, taking off in a run to find him.

You end up rising over a hill you hadn’t crossed before, but you see your dad below; you recognize his bright blue puffer jacket that Mom got him for his birthday. You call his name, and he looks up at you with fear in his eyes.

Not for himself, but for you.

▶️ Keep Reading: Part 3

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[neragufetta]

All I cried about in episode 4

I have a lot to say about this episode, there are so many details that just shout "sus!" all over.

Chronologically:

No, seriously, how could they have escaped from the alley without being noticed? Ok, there was a fight going on but still? I suppose this is a minor detail and yet it triggered my brain.

Ok, so meeting Liu Xiao was also a divergence from the original timeline, apparently. I wonder if Lu Guang calling him "Liu Xiao" instead of a generic "him" means that LG knows the guy damn well or it is just culturally normal to address people by their name (like in japanese, where you don't say "you" but call people by their name when talking to them). Not sure.

Nice of the authors giving us a proper day/time in full view. So we are in June 2019, which again feels quite wrong compared with what we knew from season 1, regarding their trip: according to Qiao Ling, the trip should last till the end of summer but we are barelly at the beginning. About the year issue, on the other hand, I do have an idea.

Here, we clearly hear the click of a camera, and Lu Guang is there hiding, so it was probably him who took a photo. Why would he do that? I have a theory but I will explain it later.

Sure, they don't know him a bit. Of course, I'm totally buying it. Also, why showing this random park scene while talking about the survivor? Do we all agree that the survivor is the blond woman?

Easter egg: I'm not fully convinced but there could be some timeline divergence hidden in this scene:

Ok, something is wrong here: Lu Guang is using his power, probably on the photo he took in the alley, but how? According to what we know about his power, he should be able to see what happens in the next 12 hours to the one person taking the photo and only if the photo is older than 12 hours, how is he using it to control what's happening to Cheng Xiaoshi in real time? Is my theory about Lu Guang being able to see the future correct?

Ok, this is just the author being naughty, now, aren't thay? Liu Xiao's tattoo in this screenshot is completely different from any other version. Does it have a meaning? Is his power connected to that tattoo? Also, this scene might confirm that Liu Xiao's power is simply good hearing but, yeah, I still don't buy it.

Also, Xia Fei followed Cheng Xiaoshi by mistake, in fact when Liu Xiao met the boys, it was Lu Guang who was wearing the cat-ear cap, so Xia Fei's assigned task was to follow Lu Guang from the beginning, why is Liu Xiao now asking to follow ‘also’ Lu Guang? Doesn't he want to let Xia Fei know about his mistake?

And finally this. At first it seems Lu Guang knows what's going to happen, but then he is utterly scared by the outcome. Had they dived together in the beginning? Xiaoshi clap his hands preying for Lu Guang's help, did they have a different relationship in a different timeline, where Xiaoshi didn't feel like asking for Lu Guang's help this way??

Is this when Cheng Xiaoshi changed the past or is this like S1e3?

In any case, this episode was a rollercoaster, I loved it.

NG, out.

[stagefoureddiediaz]

Buck making himself a teacher in his fantasy is such an insane choice by the writers - and hilarious!

Buck who sat there and watched Eddie date Ana - this smart educated woman who is supposedly good with kids and who Christopher likes - sees that as what Eddie is into. Buck doesn’t see himself in the same way - he doesn’t see himself as smart or educated, or necessarily good with kids (we all know he is and we all know he loves kids but I’m not sure Buck sees himself as actually being good with them) so he makes himself a version of what he thinks Eddie likes. not realising that he is smart and that all the fun little facts etc are one of the things Eddie already loves about Buck, that the fact buck is so good with Christopher (far far better than Ana) is another thing Eddie loves about him!

[howtodisappearcompletelyand]

20/10 stars little guy

[lavenoon]

on care, and scary things

@naffeclipse let's see if I'll ever be normal about this line

[sysig]

He’s my little meow meow, my darling, my bbygirl (Patreon)

[heartshattering]

My aunt seriously complained about me "not doing enough work" today when I've been dealing with one of the worst flare-ups I've ever had.

[leebrontide]

Here's a funny little story about disability accommodation.

So I'm a bit deaf. Like...I have a prescription for a hearing aide but don't own one kind of a bit deaf. And I used to work at this noisy ass addiction treatment clinic. So even in my office I relied a lot on lipreading.

So one day I'm working with this client, and she's getting more and more upset and shut down, no matter how I try to steer us onto a calm, relaxed subject of conversation. And I can't figure out why the conversation has gone so far south.

And then I realize I am sitting at a buckwild angle in my chair, leaning waaaay over to the side. I'm almost falling off this chair. I look like a total goober.

And then I realize I'm doing that because I'm trying to lipread this client, who keeps turning further and further down and away from me. I probably would have noticed sooner but lipreading is actually kind of hard and I was focusing on noticing her upset rather than my body language.

And then it clicks.

She thinks I'm leaning like this because I am being a passive-aggressive asshole who is trying to force/shame her into making eye contact with me. I'd known this client enough to know she hates eye contact- possibly autism, possibly anxiety. Always possible it's both or something else.

I sit up straight and say. "Oh! Hey, I don't give a shit about eye contact, I'm trying to read your lips so I can understand what you're saying to me."

Instant vibe change. She relaxes, and sits upright comfortably in her chair, looking about a foot to the left of my head, so I can see her face clearly but she doesn't have to either fake or evade unwanted eye contact.

From then on things go a lot smoother, and we can get some good work done.

One side benefit from normalizing accommodations and reducing barriers to them is that it allows for low-stress conversations about what everybody needs in order to fully participate in an interaction. If I hadn't named the need I was trying to meet, she wouldn't have realized she could have her need met as well.

[ceilidhtransing]

The discussions around whether or not to vote for Kamala keep being dominated by very loud voices shouting that anyone who advocates for her “just doesn't care about Palestine!” and “is willing to overlook genocide!” and “has no moral backbone at all!” And while some of these voices will be bots, trolls, psyops - we know that this happens; we know that trying to persuade progressives to split the vote or not vote at all is a strategy employed by hostile actors - of course many of them won't be. But what this rhetoric does is continually force the “you should vote for her” crowd onto the back foot of having to go to great lengths writing entire essays justifying their choice, while the “don't vote/vote third party” crowd is basically never asked to justify their choice. It frames voting for Kamala as a deeply morally compromised position that requires extensive justification while framing not voting or voting third party as the neutral and morally clean stance.

So here's another way of looking at it. How much are you willing to accept in order to feel like you're not compromising your morals on one issue?

Are you willing to accept the 24% rise in maternal deaths - and 39% increase for Black women - that is expected under a federal abortion ban, according to the Centre for American Progress? Those percentages represent real people who are alive now who would die if the folks behind Project 2025 get their way with reproductive healthcare.

Are you willing to accept the massive acceleration of climate change that would result from the scrapping of all climate legislation? We don't have time to fuck around with the environment. A gutting of climate policy and a prioritisation of fossil fuel profits, which is explicitly promised by Trump, would set the entire world back years - years that we don't have.

Are you willing to accept the classification of transgender visibility as inherently “pornographic” and thus the removal of trans people from public life? Are you willing to accept the total elimination of legal routes for gender-affirming care? The people behind the Trump campaign want to drive queer and trans people back underground, back into the closet, back into “criminality”. This will kill people. And it's maddening that caring about this gets called “prioritising white gays over brown people abroad” as if it's not BIPOC queer and trans Americans who will suffer the most from legislative queer- and transphobia, as they always do.

Are you willing to accept the domestic deployment of the military to crack down on protests and enforce racist immigration policy? I'm sure it's going to be very easy to convince huge numbers of normal people to turn up to protests and get involved in political organising when doing so may well involve facing down an army deployed by a hardcore authoritarian operating under the precedent that nothing he does as president can ever be illegal.

Are you willing to accept a president who openly talks about wanting to be a dictator, plans on massively expanding presidential powers, dehumanises his political enemies and wants the DOJ to “go after them”, and assures his supporters they won't have to vote again? If you can't see the danger of this staring you right in the face, I don't know what to tell you. Allowing a wannabe dictator to take control of the most powerful country on earth would be absolutely disastrous for the entire world.

Are you willing to accept an enormous uptick in fascism and far-right authoritarianism worldwide? The far right in America has huge influence over an entire international network of “anti-globalists”, hardcore anti-immigrant xenophobes, transphobic extremists, and straight-up fascists. Success in America aids and emboldens these people everywhere.

Are you willing to accept an enormous number of preventable deaths if America faces a crisis in the next four years: a public health emergency, a natural disaster, an ecological catastrophe? We all saw how Trump handled Hurricane Maria in Puerto Rico. We all saw how Trump handled Covid-19. He fanned the flames of disaster with a constant flow of medical misinformation and an unspeakably dangerous undermining of public health experts. It's estimated that 40% of US pandemic deaths could have been avoided if the death rates had corresponded to those in other high-income countries. That amounts to nearly half a million people. One study from January 2021 estimated between around 4,200 and 12,200 preventable deaths attributable purely to Trump's statements about masks. We're highly unlikely to face another global pandemic in the next few years but who knows what crises are coming down the pipeline?

Are you willing to accept the attempted deportation of millions - millions - of undocumented people? This is “rounding people up and throwing them into camps where no one ever hears from them again” territory. That's a blueprint for genocide right there and it's a core tenet of both Trump's personal policy and Project 2025. And of course they wouldn't be going after white people. They most likely wouldn't even restrict their tyranny to people who are actually undocumented. Anyone racially othered as an “immigrant” would be at risk from this.

Are you willing to accept not just the continuation of the current situation in Palestine, but the absolute annihilation of Gaza and the obliteration of any hope for imminent peace? There is no way that Trump and the people behind him would not be catastrophically worse for Gaza than Kamala or even Biden. Only recently he was telling donors behind closed doors that he wanted to “set the [Palestinian] movement back 25 or 30 years” and that “any student that protests, I throw them out of the country”. This is not a man who can be pushed in a direction more conducive to peace and justice. This is a man who listens to his wealthy donors, his Christian nationalist Republican allies, and himself.

Are you willing to accept a much heightened risk of nuclear war? Obviously this is hardly a Trump policy promise. But I can't think of a single president since the Cold War who is more likely to deploy nuclear weapons, given how casually he talks about wanting to use them and how erratic and unstable he can be in his dealings with foreign leaders. To quote Foreign Policy only this year, “Trump told a crowd in January that one of the reasons he needed immunity was so that he couldn’t be indicted for using nuclear weapons on a city.” That's reassuring. I'm not even in the US and I remember four years of constant background low-level terror that Trump would take offence at something some foreign leader said or think that he needs to personally intervene in some military situation to “sort it out” and decide to launch the entire world into nuclear war. No one sane on earth wants the most powerful person on the planet to be as trigger-happy and careless with human life as he is, especially if he's running the White House like a dictator with no one ever telling him no. But depending on what Americans do in November, he may well be inflicted again on all of us, and I guess we'll all just have to hope that he doesn't do the worst thing imaginable.

“But I don't want those things! Stop accusing me of supporting things I don't support!” Yes, of course you don't want those things. None of us does. No one's saying that you actively support them. No one's accusing you of wanting Black women to die from ectopic pregnancies or of wanting to throw Hispanic people in immigrant detention centres or of wanting trans people to be outlawed (unlike, I must point out, the extremely emotive and personal accusations that get thrown around about “wanting Palestinian children to die” if you encourage people to vote for Kamala).

But if you're advocating against voting for Kamala, you are clearly willing to accept them as possible consequences of your actions. That is the deal you're making. If a terrible thing happening is the clear and easily foreseeable outcome of your action (or in the case of not voting, inaction), in a way that could have been prevented by taking a different and just as easy action, you are partly responsible for that consequence. (And no, it's not “a fear campaign” to warn people about things he's said, things he wants to do, and plans drawn up by his close allies. This is not “oooh the Democrats are trying to bully you into voting for them by making him out to be really bad so you'll feel scared and vote for Kamala!” He is really bad, in obvious and documented and irrefutable ways.)

And if you believe that “both parties are the same on Gaza” (which, you know, they really aren't, but let's just pretend that they are) then presumably you accept that the horrors being committed there will continue, in the immediate term anyway, regardless of who wins the presidency. Because there really isn't some third option that will appear and do everything we want. It's going to be one of those two. And we can talk all day about wanting a better system or how unfair it is that every presidential election only ever has two viable candidates and how small the Overton window is and all that but hell, we are less than eighty days out from the election; none of that is going to get fixed between now and November. Electoral reform is a long-term (but important!) goal, not something that can be effected in the span of a couple of months by telling people online to vote third party. There is no “instant ceasefire and peace negotiation” button that we're callously overlooking by encouraging people to vote for Kamala. (My god, if there was, we would all be pressing it.)

If we're suggesting people vote for her, it's not that we “are willing to overlook genocide” or “don't care about sacrificing brown people abroad” or whatever. Nothing is being “overlooked” here. It's that we're simply not willing to accept everything else in this post and more on top of continued atrocities in Gaza. We're not willing to take Trump and his godawful far-right authoritarian agenda as an acceptable consequence of feeling like we have the moral high ground on Palestine. I cannot stress enough that if Kamala doesn't win, we - we all, in the whole world - get Trump. Are you willing to accept that?

And one more point to address: I've seen too many people act frighteningly flippant and naïve about terrible things Trump or his campaign want to do, with the idea that people will simply be able to prevent all these bad things by “organising” and “protesting” and “collective action”. “I'm not willing to accept these things; that's why I'll fight them tooth and nail every day of their administration” - OK but if you're not even willing to cast a vote then I have doubts about your ability to form “the Resistance”, which by the way would have to involve cooperation with people of lots of progressive political stripes in order to have the manpower to be effective, and if you're so committed to political purity that you view temporarily lending your support to Kamala at the ballot box as an untenable betrayal of everything you stand for then forgive me for also doubting your ability to productively cooperate with allies on the ground with whom you don't 100% agree. Plus, if the Trump campaign gets its way, American progressives would be kept so busy trying to put out about twenty different fires at once that you'd be able to accomplish very little. Maybe you get them to soften their stance on trans healthcare but oh shit, the climate policies are still in place. But more importantly, how many people do you think will protest for abortion rights if doing so means staring down a gun? Or organise to protect their neighbours from deportation if doing so means being thrown in prison yourself? And OK, maybe you're sure that you will, but history has shown us time and time again that most people won't. Most people aren't willing to face that kind of personal risk. And a tiny number of lefties willing to risk incarceration or death to protect undocumented people or trans people or whatever other groups are targeted is sadly not enough to prevent the horrors from happening. That is small fry compared to the full might of a determined state. Of course if the worst happens and Trump wins then you should do what you can to mitigate the harm; I'm not saying you shouldn't. But really the time to act is now. You have an opportunity right here to mitigate the harm and it's called “not letting him get elected”. Act now to prevent that kind of horrific authoritarian situation from developing in the first place; don't sit this one out under the naïve belief that “we'll be able to stop it if it happens”. You won't.

[mako-island-moon-pool]

Why am I flipping tf out over my roommate going into my room when I wasn't home and leaving a package on my bed it's literally not a big deal and they were trying to be helpful but I am shaking right now I should be happy I got my new favorite shirt but I'm so angry

[mad-hunts]

if barton tried hard enough, he thought, imagining himself being literally anywhere else but the warehouse right then was easy. this place was never meant to be lived in for an extended period of time after all; despite the fact that it had appliances that you might see in an every day home like a fridge.

it put him on edge instead of at ease, and it certainly didn't better barton's mood when he stayed in it either, after all. but so long as he was allowed to dream within it to some degree... it was tolerable. plus, he had company here, courtesy of nico, jack, and barton also supposed jervis counted. nico had complicated feelings towards the doctor, though, and spending time around jack whilst in it thus far gave barton an unfortunate impression; which was that his own son was made nervous by him.

and the irony of it all was, barton only gathered that because he could feel cognitive empathy towards him. something that didn't include feeling but reasoning. therefore, the hopes of him somehow patching that up with jack someday were drastically decreased. barton vaguely listened to jervis respond to what he'd said about him being in the warehouse solely because of them; all of the words but one not quite having any actual impact on him, this being 'nightmares.'

the smell of the yuja tea that jack prepared for jervis, as fragrant in the air that it was, seemed to be the one thing keeping him from being sucked down a unpleasant train of thought. for someone who didn't feel human half the time, barton sure as hell experienced his own fair share of seeing 'ghosts' from the past and mourning the way some things had gone in his life. and regret, as well as sorrow, were practically intertwined in every single 'normal' person's life that he'd known.

speaking of regret, once he'd closed the curtains, something from the small cabinet hanging on the wall next to them fell to the floor. barton picked it up and was immediately reminded of why he kept this photo here instead of at his home. hiding it away helped alleviate the pain of not only loving someone and losing them, but also knowing that at the time it was taken, everything seemed fine.

'my 19th birthday party - spent right, with my handsome fiancé!' was written on the back in marcy's handwriting. barton felt like screaming and smashing something simultaneously. the photo was instead placed in his pant pocket, whilst he dragged his hands down his face and thanked his lucky stars that jervis wasn't exactly expecting any big conversations from him. barton's hand flexed by his side before he was changing his shirt, wondering just what the hell he was supposed to do after seeing that again.

grief was a thing he'd never been able to pend down how to deal with 'appropriately,' unfortunately. from marcy, to the momentary blink of an eye that felt like his bittersweet friendship with yves, to his son julien's death - barton thought he'd be destroyed by all of those losses for the longest time. but he supposed he was still here, god willing, or laughing at him more like if such a being did exist. barton noticed the fabric that was splitting on the blanket and how jervis very much appeared to be in his own world.

it was at that moment that he reached for something in that same cabinet he'd opened to change his shirt, finding that sewing thread and needle he'd stored in there long ago. barton kept it there because the shirt he was wearing had actually torn at some point and he'd fixed it. though, he had no use for it now, so he decided to put it on the edge of edge of the cabinet if jervis wanted it. but he didn't really know what he wanted. that night seemed to be a series of gut punches now as the other touched upon how jack was a good person and barton should be proud of him.

he blinked several times as he felt this sensation like something ugly was swirling within him. jack had always kind of gotten the short-end of the stick, and for what? ❝ ahh. well, sometimes i've found myself practicing behaviors towards him that my father used to use on me... but i try to stop myself when that happens. jack has come a long way, as the first time i met him, he was a scared two year old who was on his own with his brother. but now jack's a young man and very brave, despite maybe still being scared sometimes. ❞ barton cleared his throat then, ❝ that's normal though. so yeah, i am proud of him. ❞

barton turned his attention back to jervis and tilted his head at the other's sluggishness. being vulnerable like that surprisingly didn't feel too nerve-wracking, as he added just a bit more to the equation. barton gave the iv bag jervis was hooked up to a good squeeze, ❝ hmm. are you still in pain, jervis? or are you just tired? ❞ he observed the other silently and looked down at the cards before the both of them. that is, before barton heard jervis approve of him reading his fortune.

he drifted a hand along the cards then. choosing one that felt 'right' came without much difficulty to barton, and when he did, the reversed 'wheel of fortune' card for jervis's past. the next card he chose was the reversed 'six of swords' for jervis's present. barton flipped the last one for his future and was greeted by 'the sun,' which made him let out a soft 'huh' and smile a bit. ❝ well... i hate to start off with the past when you got this card, but i guess we have to. ❞ he was about to start interpreting jervis's fortune when jack came back into the room with the breakfast he promised the other. well, talk about convenient timing.

Jervis merely rolled his eyes at Barton’s remark, fingers biting into the fabric of the blanket as he pulled it around his shoulders like an old shawl. The plush material was a little threadbare at the corner; a tear disrupting the otherwise seamless fabric.

Sea-green and white plaid. Utilitarian, impersonal.

It sufficed perfectly; his thin frame was almost terminally intolerant to the cold. 27 years in Gotham had failed to inoculate him against the frigid rains and bone-chilling air sweeping off the harbor.

“Trust me, I’m well aware where I would be, if it weren’t for you both. I see enough of the place in my nightmares… so I don’t require any reminders.” He flexed his fingers around the teacup, feeling the warmth seep into his hands as he cautiously tipped the liquid into his mouth. It had a strange, but not unpleasant consistency, like warm, thin honey that slid smoothly over his tongue in a tangy blend of sweet and sour. Tiny bits of softened citrus peel floated in the syrupy mixture.

Barton’s IV pole scraped slightly along the concrete floor, a sharp metallic sound that mingled with the sudden rasp of the curtains being jerked shut. The room was clean and sparse, a sterile space designed to be free of clutter, yet a faint, telltale mustiness clung to the air—a lingering scent of damp fabric and stale dust that disinfectant alone couldn’t quite mask. Beyond the makeshift partition, the rest of the warehouse stretched out in vast, dark emptiness. The floor was cold, unpolished concrete, marred with cracks that split like spider webs. Dim, flickering fluorescent lights cast a harsh, uneven glow, barely cutting through the haze of dust that swirled in the air.

But, of course, beggars couldn’t be choosers when it came to hideaways—especially when you’ve learned to take shelter wherever you can find it. Or when you were part of the criminal element.

How far he’d come and how little had truly changed.

Jervis glanced across the room at where his coat, shirt, and gloves rested neatly on the desk, carefully folded with almost surgical precision. He flexed his hands again around the teacup, feeling the phantom prickle of sensation where the wool-lined leather should be—an exposed vulnerability that gnawed at him, made his skin itch with invisible grime.

He sank his teeth into a particularly broad piece of yuja peel, the bitter tang releasing as he bit down; meanwhile, Barton’s voice drifted in one ear, out the other like the static hum on a faulty wireless. He chewed slowly, savoring the rind as he turned his attention back to the small tear in the blanket. Nodded intermittently.

Jervis’ callused, scarred fingers found the frayed edge; the fabric was worn thin and splitting, and he traced it absentmindedly, feeling the uneven fibers beneath his touch. For a moment, his thoughts shifted to the sewing kit buried somewhere in his bag, imagining the small spool of thread and the thin, glinting needles; each one ready to pierce the fabric and pull it back together.

As if stitching this small wound would make any real difference, he thought bitterly; like it could somehow soothe the cold reality pressing in on them from all sides… It was a small, pointless task, a flicker of control in a situation that felt like it was slipping away, unraveling faster than he could sew it back together. He knew it wouldn’t ameliorate anything—wouldn’t solve the problems looming larger than this tiny, frayed corner. And yet, his fingers lingered there, desperate for something tangible to fix; something he could make whole again, if only for a moment.

Jervis gave no reply as Barton moved to change his shirt; blinking hard as he gazed down at the floor, but the darkness behind his eyelids refused to stay empty. Flecks of indigo light bloomed in the black, shifting like dust motes that twisted with each beat of his heart. The room swam as he opened his eyes again, the ceiling blurred and murky like the styrofoam cup Alice stored her wet paintbrushes in. He scratched absently at the IV in his arm, feeling the tug of the thin plastic embedded in his skin but barely registering the discomfort. The bright pinpricks danced at the edges of his vision, trailing like little comets whenever he turned his head.

“You ought to be proud of him, I imagine. Your son… he seems like a good lad.” Jervis’ voice was a wisp of silk, smooth and thin, like it might unravel into nothing if he spoke too loudly. He tilted his head slightly, almost resembling a marionette on a slack string, the hint of a smile touching his lips but never quite reaching his eyes. He ran a finger along the rim of his teacup, the motion delicate and deliberate as he pondered Barton’s final query.

“Hmm… can you?” Gray eyes blinked slowly, the lids heavy and sluggish, further dragged down by fatigue. The question lingered in the air, softly innocuous. He glanced over at the tarot cards Jack left behind on the desk—arranged in a rough, careless spread, but somehow feeling deliberate, as though the cards had fallen exactly where they were meant to. The edges were worn, curling slightly; the images esoteric, half-familiar symbols. Stars, sun, moon, cups and swords, animals and human figures rendered in faded colors.

He paused, gaze narrowing, subtly curious despite the exhaustion that weighed down his expression. For a moment, his hand tightened around his teacup; twitched like he might reach out and touch them, as if by brushing the surface he could glean some hidden answer buried beneath the painted ink.

‘Why, they're only a pack of cards, after all.’

His grip on the blanket slipped momentarily, fumbling at the worn edge before he reached for his collar instead. He dug beneath the charcoal fabric of his T-shirt, searching with a practiced motion until his fingers found the tarnished silver chain again. He drew it out slowly, the weight of it comforting against his skin as he absently ran his thumb over his and Sylvie’s rings, threaded side by side on the links.

The metal was dull, no longer shining with the luster it once had, but it carried a certain softness now, smoothed by years of worry. His eyes dropped for a second before he let the chain slip back beneath his shirt. “By all means, if it tickles your fancy…” Jervis gave a short, rough half-shrug, the motion stunted as though his shoulder couldn’t quite decide whether to follow through.

[nereidprinc3ss]

hi!!! here for a request. can we have a imagine where reader has a wound from surgery or whatever on like in a rib and she hides to change the bandages but then spencer sees her and he’s like ‘lemme help you’ and…

you do you for the rest!

in which spencer helps BAU fem!reader change her bandages in the bathroom at work. it's intimate, and he's adorable and awkward, and it only fuels her terrible, terrible crush.

warnings/tags: fluff, talk/description of wound, brief talk of being stabbed (does not actually occur in this fic lol), reader wears a bra, spencer undoes said bra but not sexually, lots of suggestive humor and teasing, a TINY sprinkling of angst but not really, idiots in love

a/n: i'm picturing early seasons spencer and it is filling me with so much unbridled joy. I. LOVE. HIM. thank you for the request!! and lets not talk about how inconsistent my formatting for requests is pls and thanks!!

It’s not like you meant to bend down so quickly that your wound reopened—but here you are, suffering the consequences of your actions in the women’s bathroom at Quantico as you try to assess the injury before you re-bandage it. And your shoe is still untied. 

Unfortunately, the fact that you had quite literally been stabbed in the back last week makes it hard to reach said injury—especially when you’re at work and so can’t take off your shirt like you normally would. And all this struggling means it’s taking longer than it should, so now you’re focused on the wound and its scabby, wet edges and all the things it’s secreting rather than hurrying to give another statement of the entire event to Hotch since the first one had apparently been too sparse on the details. 

A knock sounds on the open door. Spencer calls your name. 

“You in there?”

The angle of your neck has your voice slightly strained as you call back, “yeah, what’s up? Is it Hotch?” you pause to hiss as you accidentally scratch at the wound with a nail. You don’t even want to know how much bacteria you just introduced to it. “Tell him I didn’t forget our meeting, I’ll be there in—”

“It’s not Hotch. I just wanted to make sure everything was okay with your back? I know you said you were going to check on it, but you’ve been in there a while.”

You sigh, dropping your sore arm as you continue to hold up your shirt with the other and regarding the reflection of your back in the mirror. 

“Actually—could you come in here?”

There’s a pause. 

“You want me to come into the women’s restroom?”

“Yes, Spencer. It’s fine. There’s nobody else in here. I just… I need some help, I think.”

The last part is admitted quietly, with an air of defeat. To admit to needing help, is, by your standards, the same as failure. Spencer knows this, which is probably the only reason he puts aside his hesitations and shuffles uncertainly into the tiled room. If you’re asking for help, it’s because you really need it. 

“What do you need help with?” he asks, sweeping his gaze suspiciously around the lavatory as if you were lying about there not being any other women present and this whole thing might be a trap of some sort. 

“It’s gross, and you can totally say no.”

He raises his brows expectantly, before spotting the weeping wound on your back. Unconsciously he steps closer, leaning forward. It’s not your fault, and the gore is not specific to you—anyone’s body would react this way to being stabbed. But you still feel embarrassed by the close attention to such an ugly marring, which nobody besides you and your doctors has actually seen up close.

“That doesn’t look good,” he mutters. The expression on his face is irritatingly familiar—the drawn brows, tightened eyes, barely parted lips—but it takes a moment before you realize what it is. 

“Reid,” you complain. He’s still stooped over slightly to examine the wound, and looks up at you through dark lashes with those infuriatingly warm puppydog eyes.

“What?”

“You’re looking at me the way you look at a dead body on the slab.”

His nose scrunches.

Some might say it scrunches adorably. 

“No, I’m not. That’s just my face.”

“Okay, well stop. It’s freaking me out.”

He pouts—actually pouts. Subtle, but bottom lip jutted out and all. It’s ridiculously endearing. 

“My face freaks you out?”

“Wh—no! That’s not what I said! You have—you have a great face! I didn’t mean—” 

You manage to claw yourself out of the hole you’re digging when you see the dopey smile growing on his face. 

Oh. He was fucking with you. 

He never used to do that. It’s unnerving to be the fucked with instead of the fucker for a change. Especially when it’s Spencer. 

“What did you need me for?” Spencer asks by way of peace offering. You close your eyes and sigh, attempting to collect your thoughts without his presence re-scrambling them.  

“Um—I just need you to put this bandage over it. I can’t reach without taking my shirt off.”

And now you’re forced to wonder if he’s thinking about you shirtless as much as you’re thinking about you shirtless.

“Yeah—don’t do that,” he says absentmindedly, stepping again closer to get a better look before turning to the nearest sink.

For some reason, this offends you. 

“Why not?”

Spencer pulls another face as he washes his hands—you love the constant flow of expressions he always seems so unconscious of. Even when they’re not pleasant and directed at you.  

“Are you asking me why shouldn’t you take your shirt off?” he clarifies. 

“I know why I shouldn’t take my shirt off, but I want to know why you think I shouldn’t take my shirt off.”

“Because we’re at work?” he observes astutely. You frown deeply at his completely logical reply. Spencer chuckles as he dries his hands and approaches once more, taking the square of gauze pre-lined with medical tape from your hand. “I mean, I can’t stop you. But it would be kind of a weird choice.”

“Oh, so me shirtless is weird?”

Cool fingers meet the comparatively hot skin of your back—where everything is still sensitive because the wound wreaked havoc on your nerves there. You flinch slightly. 

“Sorry,” he murmurs gently. Though his touch is so incredibly light it doesn’t really hurt—it hurts much less than when you’re tending to the wound, anyway. It’s almost soothing. After a moment he continues, a bit louder. “And that is not what I was saying. But I am completely comfortable asserting that it would be weird for you to be shirtless at work.”

The gentle touches contrast with his teasing words and serve to disorient you as you’re shaken back in to your usual dynamic. Which is markedly more sarcastic. 

“Well—”

Before you have to think of something to say, Spencer interrupts you. 

“Your, um—I think your… brassiere… is in the way.”

As soon as he says it you burst out laughing. It echoes through the room. 

“My brassiere? Are you actually 70 years old?”

His brows knit even tighter and his face gets very pink very quickly. He can’t meet your eyes over your shoulder. 

“That’s what it’s called.”

“Spencer, you may be the first person to use that word since 1952. Say bra.”

“I don’t want to,” he complains. Your laughter only grows as your head tips back. 

“Why? How is brassiere better than bra?”

“It’s—it’s too colloquial! I’m trying to be professional!”

“Call it a bra or I’m going to rub my dirty hands all over my back,” you threaten, adopting a poker face so he knows you mean business. His eyes widen immediately. 

“Oh my god! Bra! Do you want to introduce staph and meningitis and g—do not do that!”

“See? How hard was that?”

“I hate you,” he mumbles, face still flushed and adorable. “And you still have to take it off.”

“Excuse me?” you grin, pretending to be affronted because you know he didn’t mean it like that but it’s fun to pretend he did. Fun for you, of course. Not so much for him. He's utterly flustered by this point.

“Or at least undo it! It’s in the way.”

With a deeply bored sigh, you go to unclasp your bra—but as you go to do it your shirt drops down. You grimace, humor briefly forgotten as the fabric brushes the damaged skin. 

“I can’t—”

“Okay, just—I’ll do it,” Spencer says. “Just move your shirt again.”

So you do, watching his reflection as he works.

And you have not one joke to break the heavy silence with as you feel his knuckles gently pressing into the middle of your back, as he unclasps the bra with his characteristic tenderness and a surprising amount of agility. It’s quiet except for your pulse in your own ears as he carefully pushes it out of his way, holding it down with a hand to your rib cage and fingertips slipping just under the fabric of your shirt—unintentionally and certainly non-sexual, no doubt, but skimming under your heart in a way that still feels so intimate you’re realizing how touch-starved you are. 

“You do that often?” you find yourself asking, because you’re stupid, and you need to cool the tension before it chokes you, and you can’t help yourself even though you don’t actually want to know the answer. 

“I,” he begins, voice quiet as rustling paper, tongue darting over his lip and eyes narrowed. The sentence stalls as he focuses on placing the patch just so. “Do not think that is an appropriate workplace question.”

Something aches in the pit of your stomach. 

Something resembling jealousy. 

It was not the timid evasive linguistic maneuver of someone who is insecure about the thing they’re discussing. It was not the awkward fumbling no but I don’t want to tell you that which you were expecting from Spencer Reid. 

Nor is it an easy yes—an admission between friends. He doesn’t want to tell you. 

You swallow and try to act like yourself. 

“Yet here you are, in the woman’s restroom at our place of employment, undoing my bra. I think we’re past professionalism.”

“When you decontextualize it like that it sounds like something it’s not. This is professional, because I’m helping you with a wound you sustained on the job. I’m being a good colleague.”

Your lips twist into a smile he can’t see. 

“A great colleague would kiss it better.”

“It's almost like you want me to file a sexual harassment complaint with HR," he says through a little smirk as he smooths the bandage over. Before you can snip back, he steamrolls over his own teasing—you’ve both been speaking in almost reverent tones since he started but his voice loses the sarcastic edge from a second before and reverts back to concerned and sweet. “Does that feel okay?”

You rotate your shoulders best you can without letting go of your shirt or flashing the good doctor to check if it feels secure.  

“It’s good. And hey—if I were going to sexually harass you I would do a lot better than that. You think that’s my best material? That’s just the tip of the iceberg. I keep so many inappropriate comments to myself. You’d be shocked by some of the things I have almost said to you.”

He laughs, secures the band of your bra and begins fitting it to the clasp you’d had it on—and at that precise moment Emily walks in. 

“H—woah.”

“It’s—I’m—I was helping her!” Spencer panics, immediately removing his hands from you like his palms are burning and holding them up defensively. 

“Oh, you helped me alright,” you tease, pulling your shirt back into place. 

“Don’t say it like that!” And then, to Emily, “I was changing out her bandage!”

“Changing my bandage,” you emphasize, winking more than is advisable. 

“That’s—this is a hostile work environment! I feel unsafe!” Spencer almost yells, half laughs, as he scampers towards the door. “I’m going to HR!”

“Shut up! You love it!”

His laughter audibly travels farther away for several moments as he presumably goes back down the hallway to do his actual job. 

You have the stupidest grin on your face, but you wipe it off when you notice Emily staring. 

“What?”

“Nothing,” she says, shaking her head and looking away, moving toward a stall. “You’re just… you guys are funny.”

“What do you mean funny?” You demand, standing right outside her stall as she closes it. 

“Wh—I mean funny! Are you going to listen to me pee, you weirdo?”

You frown. 

She makes a good point. 

Unfortunately, giving Hotch a more detailed statement is just as bad as you’d thought it’d be. Despite how cheery you’ve tried to remain about the whole situation, despite the way you insisted that the wound was so shallow you didn’t need more than a few days off work, despite the jokes you make about forgetting it’s even there because it’s on your back—it’s hard not to remember exactly how the glass felt twisting under your skin, how you’d felt suddenly so hot and lightheaded and sick to your stomach and the way Morgan hollered because he didn’t know how deep it had gone after you crumpled quick from shock, when you’re asked to describe it all in excruciating detail. 

It only takes ten minutes, but they seem to drag on and on and by the time you’re leaving Hotch’s office you feel utterly drained. You hurry back to your desk, covertly wiping away moisture that you refuse to allow to become tears. Once seated, and having dodged sympathetic looks and avoided any do you want to talk about its, you allow yourself a few deep breaths with your eyes shut. 

When you open them, you realize there’s a fresh cup of your favorite tea on your desk, in the Snoopy mug the team is always fighting over. Now his little black nose is covered by a square of yellow paper. You’re already smiling as you peel away the sticky note and hold it closer. 

On it is an adorably odd smiley-face, and a note in familiar, messy looping scrawl. 

I would never report you to HR beautiful

That would be a stab in the back!

You snort loudly and clap a hand to your mouth—but you’ve already drawn the attention of almost everyone in the bullpen. 

When you turn to look at Spencer, he’s not looking back. Instead, his eyes are firmly trained on his computer screen. But he’s got his chin propped on his fist over the desk, and his knuckles are doing a poor job of concealing a giant self satisfied grin. He is the only person on the team who knows you well enough to make such a distasteful joke. And he also knows you well enough to know that it would make you feel so much better after your meeting with Hotch than all the well-meaning sincerity in the world ever could.

Funny. 

Maybe that is the right word for what you two are. 

[stagefoureddiediaz]

Ok so we get this

and this

And I proceed to spiral about colour theory and costume theory and end up writing and expansion to this post I made about Buck in yellow ochre!!! Sorry y'all, you know what that means - my unhinged colour theory and costume meta's are Back!!!

Lets start by revisiting all of Bucks previous yellow ochre wearing shenanigans!

3x06 the yellow ochre sweater he wears when he gets sent home by Bobby - this does after we see Buck and Eddie making up with each other - a moment when we see Buck learning more about himself and growing (read becoming less self-centred and understanding the concept of being part of a team and recognising that he needs to be better about stepping in with Eddie!)

4x02 - Yellow ochre jumper - first in a video chat with Maddie, Chim and Albert, but then more importantly, when he is in his therapy session with dr Copeland - the whole ‘I hide my true feelings from others’ moment - yet another moment of Buck recognising something about himself. I think this is the most key scene in Bucks yellow ochre wearing - more on that in a bit.

4x03 Bucks yellow ochre t-shirt - a t-shirt that matches the shade of the jumper from above, and a moment when Buck confesses to Maddie that he’s in therapy - about being sad and lonely and wanting to be ‘finer’ 

4x04 - the yellow knit sweater from 3x06 is back (yes it is the same sweater) and this is when Buck has his entire life upended and he finds out about Daniel (kicking us into Buck begins)

4x11 - Buck talks to Maddie and Josh about Sue’s hit and run, then talks to Taylor about Sue. This one is a much brighter yellow than the ochres we’ve seen up to now, but I’m including it because I think its relevant to Bucks arc here (also because it connects into the next time we see Buck wearing yellow - the will scene) the concept of being hit with information that leads to Bucks growth and the nature of most hit and runs not being solved, the perpetrator never being caught and therefore not getting closure on something (this is super relevant I promise!)

Then we have 4x14 and two yellow ochre tops - the first is the sweater, this one is trending more towards orange brown, but its still in the ochre wheelhouse! this oe is all about communication - mostly at Buck - Taylor telling him how stupid he was for climbing the crane, receiving a phonemail from Ana to tell him Eddie is awake, facilitating communication between Eddie and Chris and then Buck communication himself - thinking it would’ve been better if he had been shot. Directly communicating to the audience (as much as Eddie) the inner monologue of Bucks own opinion of the point of his existence.

Then we get the beloved will scene and Buck wearing a yellow ochre shirt, still lighter than the other yellow ochre we’d seen up to this point, with the exception of the previous one which is brighter still. again this is mostly about people communicating at Buck rather than him being the communicator - much like with the previous Jumper. It somewhat plays into the concept of Buck being a passive part of his life rather than actively living it - Kinda hard to explain at this point without the context of the costumes from s5&6. I also want to point out Taylor is in that dark green again here - in the scene when Buck opens the door to the Diaz house.

5x03 gives us Buck in that same shade of yellow ochre (bear in mind we haven’t seen him in any other colour between the will reveal and this scene (beyond uniform!) and here we have Buck pushing Eddie and communicating without actually giving much of himself away - yes he uses himself as an example, but he doesn’t actually open up about himself all that much (this is important - its not the time for that and it provides space for Buck to continue his internal monologue about his self worth) after this he goes home to his loft and we get him communication to a Taylor who isn’t actually present in the space - a symbolic scene that shows that he gets just as much from her absence as her presence (a play on the idea that Buck can communicate better with her when she isn’t actually present compared with when she is - its a juxtaposition of the scene from earlier when they were in bed together and she didn’t listen to anything he was saying, or his wants/needs)

5x04 a scene at the Buckley-Han apartment where Buck isn’t communicating with Chim - Chim is very much communication with Buck about his despair over Maddie leaving - Buck obviously knows where Maddie is at this point, but he diocesan’t take the opportunity to communicate effectively with Chim. so This is yet another example of Buck failing to communicate, while some one around him is clearly communicating and this scene has the addition of secrecy thrown into the mix.

Then we have 5x14 - this one is a bit less obvious - its the yellow ochre and black plaid jacket - its an outlier in that its not solid yellow ochre, but it is again a scene where we get communication - this time BUck is actually the one to do some communicating, but like pretty much always, we don’t get him pushing too much and we see him continuing to deflect from making things about himself - he’s desperate to talk about the shooting and its impact on him, but Eddie resists and Buck backs off. the check here is a nice addition because it shows the concept of cross purposes, but also there is less yellow than in other outfits - the black seems to be ‘devouring’ the yellow - almost like a play on the idea that this was Bucks one big chance to communicate, but he doesn’t take it.

That is the last time we see Buck wearing yellow ochre until the end of season 6 - 6x15 and his date with Natalia to be precise! we’re back to that same shade of yellow ochre and once again we have Buck communicating - but its very much playing into what Natalia what to hear. I don’t doubt that BUck wants to talk about his death and resurrection, but we don’t actually see the conversation beyond the superficial overtures Buck makes. This plays into the suggestion that its about him trying to impress Natalia rather than actually about what Buck needs or wants to say. Its once again Buck communicating without actually communicating. something Eddie picks up on in the later graveyard scene and tries to provide the space for him to open up - which Buck doesn’t take.

The theme continues with the the next Buck/Natalia date in 6x17 - yellow ochre once again, this time an open shirt - again its that same shade, and we see a continuation of the Buck communicate via deflection technique he employs - this scene, like his previous date with Natalia, is more about her and the writers showing us her hang ups/ insecurities than it is about Bucks - beyond showing us that they aren’t actually all that compatible - its kind of framed in the same way as his previous relationships (especially Taylor) - Buck playing into what he thinks someone wants him to be rather than being who he actually is. 

This concept is something we see in pretty much all of the previous scenes where Buck is wearing Yellow ochre, this desire to be what people need him to be rather than who he actually is. there are a couple of exceptions - the first time we see Buck in yellow ochre is probably the only instance where we see Buck being somewhat honest with himself - there is an element of him playing the role he needs to to win back Eddies friendship, but I think its coming from a genuine place and is born out of a real desire to be better - he really did learn his lesson. The fact that the next time we see the yellow ochre used is in his therapy session scene where he literally states that he hides his true feelings from others is a big giant yellow ochre flag waving around telling us that when we see Buck in yellow ochre he will be playing into that idea - and that’s then how it transpires in every subsequent scene where he is in yellow ochre.

Which brings me to this new still

no one can tell me there isn’t an air of conflict about that scene - the dark cool tone of the image suggests a coolness to the room - that idea of the cold shoulder or the temperature dropping when there is conflict between two people. their body language is also adding to that vibe - Chris turned in on himself, not sat with Buck, the space between them.

Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself.

I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) becasue we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow

There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))

Anyone want to play a game of whose shirt does this look like??!!!

Oh you do! well what if I leave these two pictures just here...

yes, yes that is a Chris sized version of that shirt - you know the one Buck was wearing when he and Taylor talked about complicated family dynamics and about telling 'other peoples stories because I hate telling my own' you know that scene about playing a part and not being yourself around people you're supposedly close to! Yes That scene - or how about the scene which happens to be the last time we saw Buck in Chris's bedroom, where Buck talks to Eddie about complicated family dynamics, about needing to have the right outfit on for the occasion, the scene where they talk about retirement, oil and Buck is playing with a dinosaur! yeah see where I'm going with this! Chris wearing a grey shirt that similar to Bucks is Paralleling those scenes - so playing into the idea of history or of thing being outdated and needing to change, of dressing for the occasion (an allegory for playing a role - to fit in to whatever environment you're in rather than being your true self) and most importantly of complicated family dynamics - suggesting that there may have been some change in the dyamics - perhaps this will play into the will (also colour paralleling the will scene as Buck is in yellow ochre and the breaking point scene with Eddie in a yellowish colour and Chris in grey) and perhaps Chris discovering Buck would be his guardian in the event Eddie isn't around. I mean we'll have to wait and see for the actual context, but I will eat my hat if the season 7 scene isn't playing into Buckley-Diaz family dynamics in some way!

Back to this still

I keep flip flopping on if its Buck or Bobby, but right now the lack of grey hair is making me lean towards it being Buck.

This is a still of the back of Bucks head from his coma dream for comparison (blurry as hell as he's not in focus but it looks enought like the same shape of hairline and of Olivers ear for me to feel like its more Buck than Bobby!

I think the shirt is what is throwing me off though because its just so not a typical Buck shirt (excepting coma dream Bucks!).

I've gone back through my notes and I just can't find any examples of Buck wearing this kind of patterning or shirt before, the closest we get is that hideous shirt he is wearing at the hospital after Kameron has given birth

The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!)

Some other things about that shirt - I've brightened it up in the picture below - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)

Then there is the burgundy stripe in combination with Eddies hand placement and the fact Eddie is wearing a denim shirt - its very Tsunami call back (even the white plays into this as well as Buck was in white when he saved Chris) -

I'm quite probably clowning hard at this point, but the fact we've got Eddie in denim again (not something he wears all that often) in a scene where he puts his hand on Bucks shoulder in that way and with his Christopher watch so very prominent - we'll I might be feeling a certain way about it.

It would make sense to play into that story arc - after all - the opening of season 7 is very much centred around a big water based disaster - its got to bring up a few things for the two of them. If it is related, Eddies Denim being darker at this point would be a nice play on things - the idea that there is more deepness - more depth to his relationship with Buck than there was in early season 3 (it even calls back to flash back Eddie in 3x16 - he is wearing dark denim when him and Shannon fight and Chris wakes up)

Ok thats enough rambling from me! Hopefully i have made a tiny bit of sense! of to go back to screaming in the void now!!

tagging a few people who might be interested! @extasiswings @copyninjabuckley @oneawkwardcookie @spotsandsocks @mandzuking17 @xxfiction-is-my-realityxx @theladyyavilee @mistmarauder

[mangostarjam]

you've been touching him a lot since he got back.

itoshi sae doesn't do anything about it — doesn't dissuade you from tugging at his sleeve or sliding his jacket zipper back and forth while you talk. doesn't comment or bring your attention to it.

but he watches.

you've been around him a lot since his plane landed, making up for all the time he's spent abroad, as if your daily chat threads haven't been enough. most of the time it's just the two of you, the way it used to be. sometimes his brother is around, though thankfully it doesn't seem like you've gotten any closer to rin since sae left.

other times there's a group, mostly your friends, a mix of guys and girls who don't seem to know what to do with themselves around him. sae is used to this — fame brings strange things to light — but you treat him as you always have, except for the touching.

you don't touch anyone else.

it makes him think.

sae has his reasons. he's never let your relationship get past that line, drawn in the sand. he's a professional football player on the other side of the world, and you have a life here. you have friends (even though you still call him your best friend), you have a job (that you complain about all the time), you have family (that can't be bothered to ever congratulate you on anything).

it wouldn't be right — to make you leave. to take you away. not when he needs to focus on being the best in the world.

(he is the best in the world. all those years ago he showed the U-20 team in japan the difference between them, the way the most they could hope for was dating a gravure model. sae never cared about that aspect. he already had you.)

he lets you touch him, but he doesn't touch you back. he keeps you at arm's length — where you're safe.

and then you ask him to be your wingman.

someone else — touching you? kissing you? having you? unthinkable. sae steps out of the shower and barely dries off before pulling on his briefs and pants. steps into his room and there you are, sitting on his bed, looking good, if a little sad.

he considers telling you to get your passport updated and catches the way your eyes trail down his form. maybe this conversation would be easier if he's wearing a shirt — your gaze is too heated, too distracting. you probably think you're being sneaky, hiding your feelings as best as you can, but sae knows you.

and your casual touches are ocean waves washing that line in the sand away.

sae walks towards his closet when it happens again. your finger in his belt loop, stopping him in his tracks. "what?"

"you were ignoring me," you say. "i asked if my outfit is okay."

your outfit is more than okay. "i would have told you to change if it wasn't."

"if you're going to be my wingman, shouldn't you hype me up?" you huff.

sae feels his jaw clench at the reminder. "no," he says, and his tone comes out cold. you don't seem to notice, falling back on his bed and testing every bit of self control in his grasp. "this is a waste of time."

he goes to pull on a shirt before he does something drastic. you're saying something, but it hardly matters when his flight leaves if you'll be on the plane with him. you've covered your eyes with your forearm, so you miss the way he pauses at the foot of the bed, teal eyes drinking in your form splayed out so defenselessly.

sae climbs over you silently, knees nudging yours apart, hands planted on either side of your body. "this is a waste of time," he repeats, watching with amusement as you take in his position. a blush sweeps across your face, but you don't push him off. that's a good sign, at least.

"what, you think i'm not worth being a wingman for?" you ask. silly. you have no idea.

and then you reach for his belt loops again, as if that's a totally normal thing to do and not something that drives him a little nuts every time. sae prides himself on his control, though, so he doesn't lean down to kiss you just yet.

"tell me," sae says, "have you become this touchy with all your friends since i've been gone?"

"n-no?"

it's cute, how wide your eyes get. sae leans down a little closer. feels your breaths on his lips. still doesn't kiss you — yet. "then i won't be your wingman. you don't need one."

"why not?"

do you know how breathless you sound? sae considers his apartment in spain, how he'll need to make sure the bedroom doesn't share any walls with the neighbors. the way you sound is all for him and him alone.

"because you have a boyfriend, now."

(companion piece to this)

[louisa-gc]

how to start reading again

from someone who was a voracious reader until high school and is now getting back into it in her twenties.

start with an old favourite. even though it felt a little silly, i re-read the harry potter series one christmas and it wiped away my worry that i wasn't capable of reading anymore. they are long books, but i was still able to get completely immersed and to read just as fast as i had years and years ago.

don't be afraid of "easier" books. before high school i was reading the french existentialists, but when getting back into reading, i picked up lucinda riley and sally rooney. not my favourite authors by far, but easier to read while not being totally terrible. i needed to remind myself that only choosing classics would not make me a better or smarter person. if a book requires a slower pace of reading to be understood, it's easier to just drop it, which is exactly what i wanted to avoid at first.

go for essays and short stories. no need to explain this one: the shorter the whole, the less daunting it is. i definitely avoided all books over 350 pages at first and stuck to essay collections until i suddenly devoured donna tartt's goldfinch.

remember it's okay not to finish. i was one of those people who finished every book they started, but not anymore! if i pick up a book at the library and after a few chapters realise i'd rather not read it, i just return it. (another good reason to use your local library! no money spent on books you might end up disliking.)

analyse — or don't. some people enjoy reading more when they take notes or really stop to think about the contents. for me, at first, it was more important to build the habit of reading, and the thought of analysing what i read felt daunting. once i let go of that expectation, i realised i naturally analyse and process what i read anyway.

read when you would usually use your phone. just as i did when i was a child, i try to read when eating, in the bathroom, on public transport, right before sleeping. i even read when i walk, because that's normally a time i stare at my screen anyway. those few pages you read when you brush your teeth and wait for a friend very quickly stack up.

finish the chapter. if you have time, try to finish the part you're reading before closing the book. usually i find i actually don't want to stop reading once i get to the end of a chapter — and if i do, it feels like a good place to pick up again later.

try different languages. i was quickly approaching a reading slump towards the end of my exchange year, until i realised i had only had access to books in english and that, despite my fluency, i was tired of the language. so as soon as i got back home i started picking up books in my native tongue, which made reading feel much easier and more fun again! after some nine months, i'm starting to read in english again without it feeling like a huge task.

forget what's popular. i thought social media would be a fun way to find interesting books to read, but i quickly grew frustrated after hating every single book i picked up on some influencer's recommendation. it's certainly more time-consuming to find new books on your own, but this way i don't despise every novel i pick up.

remember it isn't about quantity. the online book community's endless posts about reading 150 books each year or 6 books in a single day easily make us feel like we're slow, bad readers, but here's the thing: it does not matter at all how many books you read or what your reading pace is. we all lead different lives, just be proud of yourself for reading at all!

stop stressing about it. we all know why reading is important, and since the pandemic reading has become an even more popular hobby than it was before (which is wonderful!). however, there's no need to force yourself to be "a reader". pick up a book every now and then and keep reading if you enjoy it, but not reading regularly doesn't make you any less of a good person. i find the pressure to become "a person who reads" or to rediscover my inner bookworm only distances me from the very act of reading.

[prettyboykatsuki]

cause we're, y'know | k. bakugou

✮ tags ; gender neutral reader, fluff, post relationship jitters, bakugou being down bad a little bit, friends to lovers. not 18+ but minors do Not follow me.

✮ wc ; 1k

✮ a/n ; a comm for @euthymiya who gave me free reign to do whatever which i used to write corny bkg fluff... thank u for commissioning me most beloved riv <3

✮ synopsis ; bringing his friend turned lover a lunchbox is normal, alright? plenty fucking normal.

Bakugou taps his fingers along the edge of the bench he's been sitting on since evening - beating to an unsteady rhythm.

He can Sero's voice in the back his hand as he squeezes the wrapped bento a little closer to his torso. The shitty, sing-song teasing lilt when you and Bakugou were less then lovers but more then friends.

And now you're lovers proper, as fucking corny as he finds it. But maybe he's not finding it corny enough because he's sitting in the lobby of your office building with a bento he made by hand. There's some chatter from strangers coming in and out of your office building - the occasional ding of elevators, the passing whistle of a janitor.

The awful, loud, no good thump of his heartbeat ricocheting against his rib cage as he goes back and forth on whether or not this shit was a good idea.

He's... fucking nervous. Which is total bullshit because he doesn't have anything to be nervous about. It's not like this is the first time you and Bakugou have ever met up to eat lunch. It was just that before, he was coming to meet you as a friend.

Some part of him is thinking, so what if he's your boyfriend? Who gives a shit, anyway?

Another part of him feels so mixed about the ordeal he sort of wants to puke.

His phone buzzes from the pocket of his pants and he grabs it - your phone and contact flashing across his screen

(sent 11:12am) coming down :]

Bakugou smiles to himself, at the stupid emoticon. He thinks about just liking your reply but before he gets the chance another text follows through.

(sent 11:12am) missed you <3

He blushes almost furiously. Partially over the text but mostly from his internal reaction. Stupid. This whole thing is so stupid. He types fast.

(sent 11:14am) hurry your ass up.

That's all he can manage to say without feeling like his chest is going to collapse in on itself. He waits another minute before he hears the elevator doors ding again - a crowd of people dispersing as the doors open. He looks for you among them.

He finds you after a minute, hand waving overhead of the sea of people. He huffs, amused at how rapidly you wave your hand, and thinks about texting you again but you're close enough that he doesn't bother.

You march towards him with a renewed vigor after you aren't lost to the sea of strangers. Bakugou snorts as you hurry your way over to him, almost seeming out of breath - like you ran to see him.

"Hey,"

"Hi!" You say, chipper as always. "You're here."

"No shit."

You laugh. He's heard it before. A hundred times, a thousand maybe. It still sounds weirdly different to him.

"Did you have anywhere in mind to eat?" You ask.

Horror dawns on him at the realization you still didn't realize what's in his hand. "I'm up for anything I think. Feeling adventurous."

Your eyes are sparkling when you ask. Bakugou freezes, blue screening momentarily before taking a breath.

He holds the boxed bento out to you sheepishly, a hand scratching the back of his neck. This is way more embarrassing then he thought it'd be.

"Fuck. Whatever. Look," He says, shaking the upset off of him with a frown. " He doesn't look up at you, doesn't even want to know what he might see. Something bright enough to fucking blind him, he's sure. "Don't say shit or I'm never making you one again."

You blink owlishly before letting your eyes flicker down again at what it's in front you. There's a beat of silence between you before Bakugou sees a grin slowly creep it's way up to your face in a way that makes his chest feel tight.

You take the wrapped bento from him, assessing the weight of it in your hand as you give it a good look. You hold it up to admire it and Bakugou feels the blush crawl further down his neck.

"Stop acting like I just handed you a diamond or some shit," Bakugou says lamely, even by his own standards. Your lips form into affectionate pout.

"You made me a bento." Your lower lip trembles all too sudden and Bakugou's eyes go wide. "I love you,"

?!

Bakugou looks at you, mouth agape. You're completely serious. Nevermind the inappropriate timing or the fact this is the first time you've expressed yourself with a word so serious. He's more concerned about the almost tears at your eyes. He pulls his sleeves over his hands to wipe them from your eyes.

"Dumbass, what are you crying about? You're still in the office, get it together."

"But I love you," You say, more whine then coherent word. Bakugou feels a headache coming on.

"Yeah I got that. Am I really such a shithead me bringing you lunch is worth sobbing over?"

"You made it for me."

"Cause I ain't no punk. Anyone can pay for you you but we're," He stops himself mid way, too embarrassed to get the rest out. "Anyways whatever. It's just lunch. I just... fuckin' realized I never made it for you. Dinner and shit is one thing but we're,"

"Dating," You finish before he can. He falls victim to more blushing.

"Yeah. Whatever. This much is pretty standard, at least." He wipes another tear off your face. It's funny. Anyone else pulled some shit like this and he'd rolls his eyes. "Stop cryin' already."

"I'm sorry."

"Don't gotta say sorry either."

"But,"

"No buts. Hurry and wipe your tears before your breaks over so you don't go all puffy eyed back in the office."

You laugh through a sniffle. "They'll think my boyfriend was being mean to me, huh?"

He snorts, voice full of playful sarcasm. "Yeah exactly. I've got a great reputation to uphold and all."

"Katsuki," You say gently. He gives you a look.

"Hm?"

You lean forward, craning up just slightly to press your lips to his. Your third kiss, now. Not that he's been counting.

"Thank you and," You pull back mischievously, brows furrowing. "Revenge."

He's in so deep. Fuck.

"You're such an idiot." He says, fighting off his own feelings.

"You love me,"

Maybe he's an idiot too.

"Yeah." He says, flicking your forehead and watching you beam. "Unfortunately."